S Books

Excellent study of what it means to be a Jew in America circa 1929-1947, told through the eyes and dreams of a youth who becomes a young man.

Also, an exploration of the angst caused by separating yourself, however gently, from the ideas and expectations of your people and your family.

Read this book.

I became addicted to Haim Potok's writing. Once I finish one of his books, I can't help it - I buy a new one. Amazing story-teller!

This is a beautiful story; it is my very favourite book. I love it with all my heart.

I too have read the more well known books of Potok. I picked up this one at a used book sale. This book is somewhat different from the others in that it it goes deeply into one characte's thoughts and emotions. One could label the book slow, but I didn't find it that way. I found the story of David Lurie's mother to be by far the most painful to read. As a reader, we are given only bits and pieces of this woman's very broken heart. Perhaps it's a sign of a wonderful writer that every character in this book seemed to warrant a book of his or her own.

I've never encountered a novel structured exactly like this one. The details given in the first 4/5ths of its length led a reader to believe In The Beginning was a story about a brilliant young Jewish boy and his family, their life in America, where the boy and his brother where born to recent Polish emigrants, and of the determined struggle this family undertakes, not only to establish their lives in the United States, but to honorably aid numerous Jewish families who wish to leave Poland and settle in New York. As the story of this family, the novel served a detailed, well-written tale that gave terrific insights into the psyche and values of east-European Jews in the early twentieth-century. The family thrives in the US in the prosperous 1920's, though the pre-school-age David is sadistically bullied by anti-Semitic local boys, and he lives to piece together the whispered secrets of his father's conduct as a one-time militant activist among Jews in the "old country." We follow this family into the Great Depression, when its fortunes declined, into World War Two, where its newly-discovered prosperity is scant comfort as its members learn of the Nazis' cruelty to family and acquaintances they left behind in Europe.

However, like a magician dealing out a slight of hand trick, Chaim Potok revealed the true story only at the very end of In The Beginning---and all else that came before this point was merely establishing the stage for the final act and a statement he wished to make on the subject of faith, reason, and evidence. The central character, David Lurie, due to his intellectual brilliance the shining star of his local school, stuns his family, friends, and classmates, by laying aside his Orthodox upbringing and upon college graduation becoming a secular Biblical scholar. Lurie announces his newfound conviction that the Torah was not given by G-d to Moses on Sinai, but was authored by numerous Jews across an indefinite time period, long after Moses' death. To Lurie's parents this is an act of unmitigated treason to all that is holy and life-sustaining in their world. That their much-loved eldest son, their pride and great hope, should plan to write skeptical books on this topic, and thereby "sin by making others sin" is crushing to them one and all. And only at the extreme conclusion of this 430 page novel is this revealed when beforehand a straightforward plot about Jews reacting to a changing world was what we had been lulled into expecting. The earlier tale of David's health struggles, his father's rise and fall, the immigration movement, and even at the end the horrors of Nazi Germany, all of that I found was Potok's subterfuge to sneak in an ending so different from what the deliberately-paced novel seemed to prepare us for that this work almost deserves to be spoken of as having some sort of twist at its shocking ending.

As always, Potok wrote well here and his characters and the setting were magnificently accomplished, but I was left feeling I had read two different books, one a family tale, the other a dissertation on modern Talmudic scholarship. I also strongly felt that the characters at the end, while bearing the same names they had 300 pages earlier, were not exactly the same ones I had been reading about as they advanced thru twenty harsh years in their lives. I also have read that this book is slightly autobiographical, so that deserves to be pointed out. This is a good book but it is slow-moving and spends much of its time inside David's head and the pseudo fantasy world which he inhabits, so be prepared for that. I also wish Potok had written a sequel, as he did with The Chosen. I ended up saying, "Yes, and what happens next?" Sadly, we'll never know...

It's a good book, with a lot of collections of articles from history. But it'll be nicer if it has more of the author's own opinion

Anyone interested in history, academically or otherwise, should read Zinn's work since history is written by the winners, the best fighters, the most arrogant, sonmetimes, the most patient. It would be wise
for history teachers to present "the other side". I highly recommend his work.

This account of the history of the US is taken from the "little people's" point of view. Very eye opening.

History is sometimes written with the goal of documenting the attitudes or opinions of a particular class of people, such as the intellectuals, the politicians, the scientists, or the warriors. Each of these groups has made important contributions to human accomplishment, which should not be forgotten or discarded under the guise of some egalitarian or multicultural reading of history. But when the stories of these groups are documented in history, too often other voices are deafened, and these voices represent the vast majority of historical participants. It is not enough to view history through the eyes of intellectuals, politicians, or warriors. For an historical account to be meaningful, it must offer insight into the collaborations, opinions, belief structures, and longings of those who chose not to become famous, but instead chose to indulge themselves in the unique fascinations that each historical epoch possesses.

But because most humans throughout history did not record their experiences, the historian is left wanting for accurate appraisals of these experiences. Diaries, journals, and other personal writings can assist the historian in this regard, and there have been many uses of these throughout the historical literature. It is important to remember though that because of the paucity of these personal documents, one should not be too hasty in imputing the opinions of their authors to the entire population at the time. One cannot view them as representing the "voices of the people" without establishing this with (difficult) statistical analysis.

Sometimes however these documents were written more as a catharsis, as a way of expressing, in a strong and determined way, an idea, grievance, or opposition to the status quo. The opening quotation in the book by Frederick Douglass reinforces this view, for in that quotation Douglass essentially states that power must be challenged before it can be defeated (Douglass does not want to stop with mere words though, for in the same quotation he asserts the need for physical confrontation if necessary).

It is in this light that this book should be read. It is a collection of essays and letters that reveal attitudes that are not the typical ones that one would be exposed to in United States secondary schools. Those readers familiar with the author's earlier book on United States history will appreciate this book even more, but both can be read independently of each other. This is not a book that will please the elitist historian who discounts any view of history that does not magnify the contributions of intellectuals or military leaders over and above the "common" person. It is a book for those who are genuinely interested in the moods and aspirations of the people of a given time, if only from a limited vantage point. It will certainly upset the intellectual equilibrium of anyone who holds to a view of American history that has been sanitized by the educational establishment.

I am a high school history teacher and I use this in class. It has been extremely helpful especially combined with the free teacher's guide which you can find online. Each primary source is introduced with a brief background which provides some context.

This is a lovely book with simple, thoughtful passages for the days leading up to Christmas. The passages evoke feelings of centeredness, peace and calm similar to awakening to a beautiful, fresh snowfall.

Good reading from a variety of excellent, trusted writers...Nouwen, Bonhoeffer, Manning, etc. all offer reflections on the Advent/Christmas season that will make you go deeper...

Personally, I struggle with reading during this time of year due to busy schedule but I have found this daily digest a perfect way to enhance my Advent season of waiting...

This book features a wide array of Christmas messages--old and new. This book will inspire you and make you think about the true meaning of Christmas. This book also makes a GREAT gift.

Also recommended:
Christmas Gifts, Christmas Voices--heartbreaking yet inspiring
A Stranger for Christmas--a warm and cosy story for the holidays

Like a kid counting down the days until Christmas, I took a spiritual journey by reading the days until Christmas. My guide, Watch for the
light. Cheaper than a real journey...no stops for gas , no waiting in line. Pop open the book's cover and begin to read. Some funny stories, some poetry, some known authors and some not so well known, all leading the way to Christmas. When Christmas comes, you will be ready.

I love that this series, including "Bread and Wine:Readings for Lent and Easter," because it challeneges our complacent culture-dictated experience of Advent and Easter. This is not a feel-good book, it is a faith-building book. Be prepared to be shaken up and for God to meet you in a new way.

I bought copies for my friends and family. Everyone loved it!

The diversity of authors come together in surprising unity. This broadened my perspective and made me want to find books written by the individual authors. I also loved that the authors are from all points in history and geography. An experience like this is what all of us in the US need.

Klein has written a definitive bio of Woody Guthrie. He portrays Guthrie in his full humanity with flaws and all. As a result, this is a rich real portrait in which Guthrie is illuminated as a human that was able to achieve in-human feats during his life time. This book is a must for anyone interested in understanding this seminal figure of American history and culture.

Woodrow Wilson Guthrie wasn't the most talented of musicians, but few people have had more influence on the landscape of American music. He was an incredibly prolific writer and the grandfather of the 1960s folk music revival, hero to the Dylan, Baez and the like.

Woody was to music what Steinbeck was to literature, capturing the California story of the thousands of "Okies" who emigrated to California looking for employment when dust storms devastated their farms during the Depression. But unlike Steinbeck, Guthrie was one of the people he sang about, leaving his poor Texas panhandle home and hitch-hiking, riding the rails, and singing his way across the country. Along the way, he listened to stories and felt the disenchantment of the other wayward wanderers. He captured those stories and sentiments, then put them to music. Woody quickly found an audience in his fellow immigrants, first around campfires, then on the radio. His character was more authentic than the slick corn-pone caricatures Hollywood had created. The large new audience could relate to Woody. And more importantly, he was voicing frustrations they could relate to.
Woody Guthrie's life was situated at the nexus of American music and American politics. He spent much of his life as a Communist (most people forget that, though not a threat to take office, the Communist Party had a sizable membership in America pre-WWII), and was one of the first people to use music to encourage political rebellion. He played the picket lines, helped organize rallies and played at Communist party meetings.

While his songs sound happy and simple to us today, the lyrics are often packed with anger and irony, expressing frustration at an America not living up to its promises. There was talk, for a while, of making Guthrie's "This Land is My Land" the national anthem. But in truth, the original "This Land is My Land" is far from the patriotic ditty schoolchildren learn today. It was actually a response to Irving Berlin's "God Bless America," a song Woody found to be full of false hope. Along with the fourth verse, the final verse of Woody's version is typically exorcized:

"One bright sunny morning, in the shadow of the steeple
By the Relief Office, I saw my people -
As they stood hungry, I stood there wondering if
This land was made for you and me."

Personally, Woody was a complex guy, full of good intentions, but falling short on many counts. For all his success as a musician, he was a terrible husband to several women and an absentee father, often leaving his families for months at a time on wandering cross-country trips. He drank too much, was unpredictable and often a pain in the side of some of his closest friends. Only later in his life, when he was diagnosed with Huntington's disease, the genetic nervous disorder that killed his mother, did it seem like there may have been an explanation beyond selfishness for Woody's unpredictable behavior.

Joe Klein tells Woody's story with the kind of craft and poetry that such a story deserves. He paints a vivid portrait of Woody that jumps off the page with life, all quirky and charming and lovable and maddening and irresponsible and admirable and stupefying and brilliant. But WOODY GUTHRIE: A LIFE is more than the story of one man's life-it is the story of America in the last century, of its changing social climate, of its musical maturation, of its dreams and realities. All of these themes can be found in the songs of Woody Guthrie, and the only thing he ever sang about was what he saw in his lifetime.

....and I'd recommend this book even to those not especially interested in Woody Guthrie. The writing is superb, and Klein's reporting skills are without peer. The book also stands as a fine social history of Depression Era America.

This biography is stunningly and painfully intimate. Joe Klein did a fantastic job. This is a great read.

Guthrie is a tremendous American icon who not enough of us actually know about or perhaps have even heard of. He was a thousand contradictions. In his art and in his life, in his outrageous, childlike, precocious, brooding, energetic, and endlessly subversive behavior... he was just utterly himself, he embodied a particular American brand of freedom in life, outlook, and sense of possibility.

Even if you haven't got time to read this book, make sure the kids around you know all the verses to "This Land Is Your Land". You may not agree with the politics but it's worth knowing what the man actually said, it makes you think.

Every Christmas, I buy multiple copies of this book and give it away to friends and family. Every spring/summer, I receive multiple messages of enthusiastic thanks and gratitude. No one who reads it comes away unaffected.

Basically, I will just say this is the most riveting biography I've ever read, and I've read it many times (am rereading it now actually).

There are two primary reasons why this book is so far above all other biographies:

1.) Joe Klein's writing is fantastic. His research is thorough, but his ability to communicate to an audience complex historical, socio-political, medical, and psychological concepts is virtually without peer.

2.) Woody Guthrie's life simply is one of the most fascinating lives I've ever read about. From his birth (even before his birth) straight through to his death, his life never gets boring. There is no plateau, where a great artist achieves his best work and then self destructs or mellows, etc etc.....every single period of Woody's life is equally fascinating. He was an incredible human being, a very complex artist and man-and he happened to straddle many periods of history. You will be constantly surprised. Sometimes you want to strangle him and then he turns around and does something so unbelievabely heroic, that you can hardly believe it actually happened. There is NO ONE like Woody Guthrie today....nor was there ever another in any other time period, the guy was truly a one and only.

I couldn't recommend this book enough. It's so good that not until 2004 was another biography attempted on Woody, and I can't imagine it could be any better than this.

Our grandson was very excited with this book--it is just at the level he is at! He is so proud of himself being able to read a new book, new stories. As for me, I remember growing up on these stories. Even today they are perfect for the beginning reader!

Dick & Jane are awesome. My son loves to read me a couple pages every night before he goes to bed. I highly recommend this. He loves the illustrations and named his newest webkinz "Puff." Very cute.

Thank You,
The book arrived when expected, and in brand new condition.
It was a gift for my 70 year old Mother who remembered this book from her childhood. She loved looking it through it again.
Thank You, for great service at a wonderful price!

This is "Great" for your new little reader. It's easy and what most all your mothers and fathers learned from in the 50's - 70's
It really helped our grandson where his K-teacher was having trouble helping him. This book gets a big A+

I remember reading the Dick and Janes books when I was in 1st and 2nd grade and decided I wanted to allow my 5 year old to get a start with reading. She reads out of both books every night, normally 3-4 stories per night, and had progress greatly with her reading in the past month with these two great books.

Absolutely outstanding book on the complicated second American revolution that occured as a result of the American Civil War and the startling reversals that took place not ten years later. McPherson's essays are masterful.

First rate.

This thin book which contains series of essays on how Abraham Lincoln revolutionized our nation during one of the most important periods of our nation proves to be well written and amazingly easy to understand. James McPherson writes clearly how the American Civil War was truly a revolutionary moment in our nation's history and how Lincoln took steps to ensure these changes. How we lived, our political/racial/social norms that are part of our society today took form during the Civil War. Even the way we waged war, have it roots in the Civil War, all have Lincoln's fingerprints all over it.

The book proves to be easy to follow and read. But in its simple prose, lies amazing insights and perception of Lincoln's influence during the war and his abilities to effect changes in our nation. I would say that this book is a "must read" for anyone interested in American history.

This well-argued collection of James McPherson's occasional pieces focuses primarily on what the author sees as the fundamental changes that the Civil War brought to America's polity, economics, culture, and self-identity. The first, second, third, and seventh of the essays deal especially with this theme. The middle fourth, fifth, and sixth essays are less directly related to it, but nonetheless offer fascinating explorations of Lincoln the total war president, Lincoln the wordsmith, and Lincoln the "hedgehog."

Many of the people who lived through the Civil War thought of it as a revolution. Many historians since have agreed, although for varying reasons. McPherson's main project in this book is to figure out whether and how the Civil War can be considered the "second American Revolution."
He believes that the war was in fact revolutionary on several counts.

First, the war shifted the economic and political power balance in the United States. The war's devastation of southern property and demographics, especially after it evolved from a limited to a total conflict, shifted economic superiority to northern industry and agriculture. Moreover, the southern states' virtual antebellum monopoly of the White House, as well as their immense congressional power, was broken for the next half century. This is what McPherson (and others) refer to as the "external" revolution.

But there was an "internal" revolution too in the realm of legal rights and national self-identity. Four million slaves were freed and granted civil and political rights, and the southern aristocracy, along with the entire way of life and set of values it maintained, disappeared (or at least went underground). Moreover, argues McPherson, the war brought about a shift from early Republic concentration on liberty as "freedom from" (negative liberty), which distrusted strong central government, to liberty as "freedom to" (positive liberty), which emphasized the responsibility of the federal government to guarantee civil rights. This shift helped create a new sense of national identity that focused on the nation rather than the region: hence McPherson's claim that the Civil War moved the country from a "union" to a "nation."

The influence of the political philosopher Isaiah Berlin is present throughout much of McPherson's thinking about liberty, and McPherson also draws on one of Berlin's most famous essays in designating Lincoln (Chapter VI) as a hedgehog in his single-minded devotion to preserving the union. McPherson might be drawing on the work of philosophers of language in his fascinating discussion (Chapter V) of Lincoln's influential talent for creating and manipulating "live" as opposed to "dead" metaphors in expressing his opinions and seeking support for his policies. In both these cases, McPherson nicely weaves some philosophical analysis into his historical interpretations.

Where I find McPherson less helpful is his rather uncritical discussion of Lincoln's suspension of habeas corpus (Chapter III). He rehearses the well-worn argument that the suspension was simply necessary from a pragmatic perspective--end of discussion. As Lincoln said in another context, "often a limb must be sacrificed to save a life." But this interpretation begs for a discussion of the moral and political short- and longterm trauma that the amputation inflicted on the body politic. How far can one go in suspending liberties in order to preserve liberty?

Nonetheless, the essays collected in Abraham Lincoln and the Second American Revolution are exactly what readers have come to expect from McPherson: illuminating, gracefully written, well-researched. They aren't the final word, and I suspect McPherson doesn't expect them to be. But they wonderfully enrich the on-going conversation.

James McPherson (Battle Cry of Freedom) is the preeminent Civil War author and scholar of our time. The Princeton University professor provides fresh insight into A. Lincoln in these seven essays.

McPherson demonstrates conclusively that the Civil War was indeed the Second American Revolution - it abolished slavery and smashed the political, economic, and social status quo. Before the War, southerners dominated American politics - after the war it was decades before a son of the south could be elected President. The absence of the south from the national legislature during the war allowed the passage of the great progressive and modernizing legislation; the Homestead Act, enabled a continental railroad, and land-grant colleges. After the war, blacks made great (if far from complete) progress in education, politics, and economics.

Unfortunately, the reactionary forces led a counter-revolution that attempted to turn back the massive changes in society with much success. That counter-revolution eventually yielded to a Second Reconstruction in the mid-20th century.

McPherson repeatedly returns to Lincoln's political evolution as the War changed from a limited war for limited ends to a total war for revolutionary ends. In the end Lincoln insisted on unconditional surrender.

I particularly enjoyed the essays entitled 'How Lincoln Won the War with Metaphors', which contrasts the communication abilities of Lincoln and Jefferson Davis, and 'The Hedgehog and the Foxes', in which McPherson favors us with a description of Lincoln as the single-minded hedgehog outlasting the multifarious foxes such as Horace Greeley and William Seward.

My only small quibble is that similar points are made using the same quotes in multiple essays (perhaps unavoidable in a collection of previously published essays), but the quotes are so evocative of Lincoln's thinking that the repetition is not only forgiven, but enjoyed.

Highly recommended for anyone interested in US history, Lincoln, or the Civil War era.

ABRAHAM LINCOLN AND THE SECOND AMERICAN REVOLUTION by James M. McPherson is a thin juicy volume. You feel energized as you read and absorb its deep insights. Each of six essays shows that it was Lincoln's reality anchored character and powerful intellect that transformed the United States to the country it is today. One essay shows how Lincoln's use of metaphor, culled from Aesop's Fables, the works of Shakespeare, and the Bible made him a consummate communicator. His metaphors resonated to the deepest layers of mind of the average American in way that instilled motivation and purpose to a war that seemed impossible to manage or win. Compared to Jefferson Davis who was so highly educated and abstract but was unable to connect with ordinary folk. But it is McPherson who too is able to convey to us this president's great powers with his own metaphors i.e. "barnyard philosophy," and his essay, "The hedgehog and the fox," which compares and contrasts Lincoln's abilities with the "smartest contemporaries." ABRAHAM LINCOLN AND THE SECOND AMERICAN REVOLUTION is a great distillate of the voluminous Civil War Literature. You must have it for your library.

The plight of the people of Libby and the other sites around the country is very sad and you want to hate WR Grace and the previous mine owners and operators. While their reponsibility is not in doubt, the book could have been improved by more information about what exactly they knew and when. I'm sure Grace et al. did not cooperate with the authors, but the extensive litigation should have made some of this information available.

I am in the middle of this book and I find it very compelling. I was interested in customer reviews and when I read the last review on how the story is not yet complete because many of the victims of this scandal do not have health insurance, I felt compelled to write.

Everyone will be making a profit on this story. WB Grace made their money and now the media will make their money. While I agree that the authors have done a wonderful public service uncovering this environmental disaster, I would like to suggest that a substantial amount of the money made on this book (and the perhaps subsequent movie) could be donated to the victims. If not for their illness, there would be no story. I was recently appalled to learn about the monies that were made by media stars on the Watergate scandal while Deep Throat (whoe courage made it all possible) was not doing quite as well. For the media to make money off these stories without providing for the victims is not right either.

I want you to read this book. It is important to you and your family. I consider myself a knowledgeable person and I don't remember this scandal when it came out in 2000-2001. Perhaps it has to do with the fact that I live in southern CA, but the problems with asbestos effects all of us in the US. Attic insulation, talc products and even gardening/soil products have asbestos risks that have been used and available for sale up into the 1990's and beyond.

I must have read a review or heard one of the authors in an interview...but somehow this book made it onto my "Must Read" list. When I received the book, I questioned why I had gotten it, having forgotten what motivated my interest in the first place. But I started reading and have found this book to be a treasure.

The story is one of deception, corruption and greed on the part of Big Business, in this case the mining business. The owners and executives misled their workers, investors and the government agencies that regulated them into turning a blind eye to the dangers of asbestos in their products.

While the deception of the miners in Libby was unconscionable, the book goes on to document the Bush White House withholding information that the air in and around the World Trade Center was not healthy! Can you imagine, after a tragedy like the WTC disaster, that your own government, that you rallied round to give support, would turn on you and withhold information that the air that you breathe is full of cancer causing dust? Which tragedy is worse?

The book is truly a must-read.

Lastly, I want to point out the courage of the reporters, editors, doctors and the outstanding EPA field workers that fought to get this story out. Whistle-blowers, whose main motivation is to right a wrong, are oftentimes rewarded by getting fired and branded as outcasts. This book is ultimately a story of courage and perserverance of those determined to overcome the obstacles of standing out and doing what's right.

The author Andrew Schneider tells the story of uncovering a scandal of major proportions. It is a frightening, chilling story of hidden dangers allowed by government officials whose jobs are to keep us safe. It is the story of a mineral still used in our country whose lethal dangers were recorded by Pliny the Elder. Asbestos cannot be safely used in any manner.

This book is a masterpiece of investigative journalism - well written, throughly researched and truly in the interests of the public.

The authors do a superb job of combining all the science and politics with a touching picture of the real Americans who ultimately paid and are paying the price for corporate greed and governmental push-overs.

If you read just one book this year, this should be it!

A fascinating look into the man behind such a creative literary & scientific mind! He is quite 'bare bones' about himself. Also suggested bio.: "The Lost Notebooks of Loren Eisley" ed. by Kenneth Heuer.

The book & reason for this essay is his autobiography All the Strange Hours. Its subtitle hints at both the man's existence & its aim: The Excavation Of A Life. Eiseley (henceforth LE) was a well-respected anthropologist, scientist, & essayist. In his spare time he was also a poet. Many years have passed since I had read his engaging essays. He mastered what might be called the Covert Inner Essay- i.e.- those which tie in the ostensible subject matter at hand with whatever the essayist really sought to speak of: personal axes, incidents, or other such muses. Think of this not then as much an essay nor an homage- per se- but rather as an experiment in persuasion. OK?
The book by LE is divided into 3 main sections: Days Of A Drifter, Days Of A Thinker, & Days Of A Doubter. The 1st of the 3- Drifter- concerns mostly LE's youth through college & mid-20s. It has some of the most beautiful & poetically heart-wrenching prose I have read. His detailed episodes as a rail-riding hobo, assorted illnesses, his call to the natural & an episode in Mexico with an ex-hood from Detroit are marvelous. LE resurrects the Great Depression & Dust Bowl iconism with an eye & ear greater than Steinbeck. This section's closest literary antecedent is Kenneth Rexroth's Kenneth Rexroth: An Autobiographical Novel, however- as good & even great as that book is in sections- as a whole it never coheres nor moves 1 to the totality of empathy that LE's work in this section does. It is this fidelity to the unnoticed conflated almost effortlessly with larger themes, & the utter Occam's Razor-like detailing, that draws me because it is so resonant with my own writing style- both prosaic & poetic. There are a number of passages & images that will be with me always. Not only that, but it is the very way he uses words to damn-near holographically duplicate the scientific process of inspecting & investigating things. In my aforementioned poetic struggles of late it has been a combination of lack of time plus an exhaustion of `ins'- or approaches to poetry as a craft & myriad subjects.
I was struck by time's distort during its reading. Not only did the craft of writing consciously do that upon the page, but within my cranial nook time ebbed & dashed in varied rhythms to such an extent that my both my emotions & intellect were disjuncted. So much so that I realize that I may have sinned. I have not excerpted pieces of LE's craft. Did I write an essay? Did I review & critique it? Did I merely effuse? Did I declaim more copiously on the book's apportive effect on my creativity than draw you to it? Did I put trust in you that yours in me & my words would kindle you to be where I am? Perhaps. But, maybe, I shall just content myself to reread it & you shall desire our company in some small resurrections. & if this experiment of mine has failed do not blame poor dead LE, or what was his life- the brunt is rightfully all mine. So, too, his book.

Thoughtful writing, and interesting, but Eiseley sure was a bitter and despairing fellow. He held grudges forever and never forgot a slighting, even from childhood. It appears that he wrote this at an advanced age, when his friends and associates were dieing off seemingly all around him, and he wasn't very happy about it and his own mortality. Interesting, but definitely a downer.

An excerpt from 'All the Strange Hours'

"...Oncoming age is to me a vast wild autumn country strewn with broken seed pods,hurrying cloud wrack,abondoned farm machinery,and circling crows..."
Frankly I lost my reference notes.But this is a wonderful read.You enter deep into the thinkings and passions from the heart of one man.Eiseley will invite you into his thoughts and observations about life and people like a quite and unassuming gentlemen.These stories bring you deep into the core of the Midwest cast of mind.
Great Read

There are few books written today that I don't want to rewrite. All the Strange Hours is one of them. This is the real thing- forget "Magical-Realism" and forget all other memoirs. This is unlike any memoir, or book I've ever read before, and should be getting out to a larger audience. You don't need to be into science, archeology, or even know who Eiseley is to appreciate this work. His writing is so good that it doesn't matter.
He also doesn't delve into the mundane things that most writers would- in fact, you go through the entire book, and you don't even know his wife's name. If I met Eiseley, I'd feel that I'd know little about what he likes to eat, or what kind of music he enjoys, or if he's a morning or night person. But none of that matters- because I feel like I know him on the inside. People who knew Eiseley say that those who read his works often knew him better than those who knew him in person. I'd list Eiseley easily as one of the greatest writers of all time, and at minimum I'd put him in the top 3 of great prose writers. Check him out, and you'll see. You won't be disappointed. Trust me- - I don't like most contemporary stuff, and if you don't either, this is great literature for you.

I'm looking into returning the book itself, just because I already own American Shelter from 1981, and it is the EXACT SAME BOOK. If you don't already own it, it is a great reference.

I own the poster American Shelter by the same author, and wanted to see the explanations behind the dates and titles. As an architectural historian, I've studied many of these styles, but there are some new variations of house styles that are not part of any other reference book. This book has fun graphics and easy to follow descriptions. For the trained historians, architects, etc., this book is an amusing addition to your collections. To the architectural housing enthusiasts, this could be a helpful resource.

In the world of architectural field guides, there is a division between the guides that rely heavily on photographs and those that use line drawings to represent buildings. Photographic field guides are good in that you can see actual historic homes. This is a valuable thing for people who like me live very far away from historic areas and rarely see a building over a hundred years old.

However, the great problem with photographic field guides is that it is often times difficult to understand a building style by looking at one or two representative photographs. What's worse is that often times the eye is drawn to details like electric lines or automobiles. One can spend more time trying to identify the decade the photo was taken than on concentrating on the image. For this reason, I prefer field guides that use line drawings to represent buildings. In my opinion, line drawings are a better tool for teaching the different architectural elements that come together to form a style.

Of the field guides that use line drawings, Lester Walker's "American Shelter" is the very best. It is the best for two reasons. First because of the sheer number of styles he identifies. In this book he details 103 styles whereas a typical field guide will usually identifies 20-30 unique styles. Second and foremost, Lester Walker is a very talented artist. His drawings are not hyper technical like the Historical American Building Survey (HABS) drawings which one finds in some field guides. They have a lot of personality which seperates them from what I call the illustrator school of architectural drawings.

I have been collecting field guides for a number of years and this is my favorite guide. That is not to say that there are not other very high quality guides. However, if you need to purchase just one field guide, this is the one. Hopefully, this book will inspire you to start collecting architectural field guides which in my opinion is a most worthy hobby.

I purchased this book while I was an undergraduate studying city planning. This book has been on my shelf since it was published and I still use it quite frequently today. This is a fantastic reference for anyone interested in housing, architecture and urban design. In fact, I highly recommend this book to any planning students with a housing or preservation focus. You will not regret having made the investment!

If you ever have reason to write (fictionally or otherwise) about American architecture (chiefly domestic), you shouldn't miss a chance to add this volume to your shelves. (It's included in the file I always send to Old-West mavens wanting to know what they should read.) Chapters range from two to eight pages in length and cover everything from the earth lodge of the Southeastern Plains Indians to the projected space station now three years past due. Typically, each includes the time and region in which the original style was most abundant, a few paragraphs explaining its history and salient features, and a number of finely detailed pen-and-ink sketches portraying exterior details and often cutaways and floor plans. The book can also be used as a field guide to help you decide what kind of house you happen to be looking at. From log cabins to Frank Lloyd Wright, Mount Vernon to the humble Quonset hut, every major kind of American house is here. This is an item that cries to be brought back into print. Until it is, don't miss a chance to pick up a used copy if you're afforded one.

Anne Morrow Lindbergh: First Lady of the Air by Kathleen C. Winters is a beautifully written biography of the wife of Charles Lindbergh, the world famous pilot. She also was a pilot, one of the early female pilots, and was co-pilot and navigator for her husband, who could have chosen any other for important job. Anne has been revered as an author for years for her well-loved books, the most famous being the timeless Gift From The Sea, still a best seller after over half a century. But her life as a pilot and a pioneer in aviation history had not been explored, and Winters does a fine job with this part of Anne's early life, which she left behind when she became a mother. The new biography is excellent and sure to become a mainstay of aviation history.

I am not a typical non-fiction reader, but after reading the book, First Lady of the Air, I could see myself reading more non-fiction. Kathleen Winters creates an easy to read non-fiction account of the life of Anne Morrow Lindbergh. Throughout the book, I could really identify with Anne as a woman and fellow aviator. Winters portrays many sides of Anne, from her days as a young woman, to a woman aviator, and finally to a wife and mother. She makes it easy for any reader to identify with the struggles that Anne faced in each of those times in her life.

Winters describes the historical significance of what Anne and Charles were accomplishing with their many long distance flights in uncharted areas; setting up air routes and paving the way for what future commercial jet liners would utilize on a daily basis. Anne was an active participant in an adventurous situation, which was not typical for women of her time. Very inspirational story showing that women can do the same things that men can do. A good read for anyone interested in aviation history.

This book is a gem. Well written. Informative. It is Anne's story -- the woman who loved to fly and who often was the first to explore some new phase. Because she is such an ethereal writer -- and because she was Charles' wife -- we tend to lose track of her actual aviation accomplishments. Author Kathleen C. Winters has nicely remedied that. Originally in hardback, the book is due out in paperback spring 2008.

Sarah Byrn Rickman, author of the newly released Nancy Love and the WASP Ferry Pilots of World War II (University of North Texas Press).

I thought Anne Morrow Lindbergh-First Lady of the Air was going to be a historical documentary, which would have been interesting. It was much, much more. It is exciting reading that covers the gamut from insight into the personal life of an aviation icon to a unique look into the early days of the flying machines. Kathleen Winters' writing style made me feel like I knew the Lindbergh family personally. Her research is impeccable. I was awed by the challenges of mixing high society and celebrity with the rigors of exploratory flying. We all know about Charles Lindbergh. Now learn about the shy, but brave wife who made him what he was.

There was a time when Charles Lindbergh was the most famous man on Earth. His 1927 solo flight across the Atlantic caught the world's imagination and the public couldn't get enough of him. When he decided to get married he made looking for a wife into a project. Anne Morrow was the daughter of a wealthy and prestigious family and while Anne didn't quite take to Charles at first, it wasn't long until she was caught up in his charisma and the thrill of flying, and they were soon married.

Kathleen Winters has given us a very interesting biography of Anne that necessarily includes material on Charles, but usually from Anne's perspective. The subtitle of the book is "first lady of the air" and most of the book is about Anne's achievements as a pioneering woman in powered flight and gliding. The majority of the book focuses on two major expeditions Charles and Anne made to Asia in 1931 and all around the North and South Atlantic in 1933. Anne was not just along for the ride on these long and dangerous trips to open flying routes around the globe. As Charles noted when asked about taking his wife along on these hazardous flights, "she is crew". Anne operated the radio, used Morse code, and much more. The radio in those days was much more art than the standard technology it has become.

Winters provides great maps of these great journeys along with some terrific photographs. The revolutionary nature of these flights is made clear by the medal Anne was given by the National Geographic Society for her part in opening air routes around the globe.

While the book does cover the major biographical details including the kidnapping and murder of their firstborn with the subsequent trial of Hauptmann, everything but the flying is covered in short form, but all the major points are touched on.

I found Winters' treatment of Charles being given Service Cross of the German Eagle by Goering most interesting. It has become usual to bash Lindbergh for accepting this award, but the accusers rarely put the event in context. It happened only a few weeks after the "peace in our time" four-way pact signing between Britain, France, Germany, and Italy and weeks before Kristallnacht. The Lindbergh's had stopped in Germany for eighteen days after a trip to Russia. The presentation was made without warning or announcement at a men's only dinner at the American Embassy and at the time neither Charles nor the other men at the dinner thought much about it. Afterwards, Anne expressed her concern that the white cross would become an albatross around his neck. After Kristallnacht occurred, Charles wrote in his journal, "My admiration for the Germans is constantly being dashed against some rock such as this."

Winters also provides very interesting information about Anne's efforts and success as an author. I have not yet read any of Anne's writings, but this book has piqued my interest in seeking them out.

This is a most interesting book about a talented an intrepid women who held her own in a marriage to one of the great historic characters of the 20th Century. Her life is instructive, inspiring, and very much worth knowing. Winters' has written an honest and interesting look at her life and accomplishments. I recommend that you get a copy and enjoy it.

Reviewed by Craig Matteson, Ann Arbor, MI