B Books

With two new books being released this week about Merian (one a bio, the other a collection of her art), many will have their interest piqued to read further about this brilliant, pioneering natural historian/artist. Kim Todd writes well, has mastered her subject, and seamlessly weaves interesting asides about slavery and abolitionism, Darwin and Linnaeus, birds of paradise and peacock flowers, Peter the Great and the aftermath of the Thirty Years War, and more into one of those fascinating works that compel you to scour the bibliography and notes for more to delve into. How Merian is left out of most, if not all, general history books is baffling (sexism, misogyny, and the old-boy-network yet again)? A fascinating life story, and Kim Todd's considerable gift with prose narrative make this a book that even those with no prior interest in the subjects of metamorphosis or 16th/17th century exploration will enjoy. It has made me want to read more about the early years of natural history, pre-Darwin.(Todd's earlier book, TINKERING WITH EDEN, is also excellent).

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Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis, a nonfiction book by Missoula writer Kim Todd, sounds like a Victorian adventure novel: a fifty-two-year-old woman abandons her husband and European continent to study the metamorphosis of caterpillars in Surinam. But this was before the Victorians. In 1699, more than a century before Darwin, sixty-five years after Galileo's prosecution, and a time when witch hunts were part of the recent past, Maria Sibylla Merian embarked on a journey of scientific discovery in the dangerous New World with only her daughter for company. While the male colonists grew sugar cane on their plantations, Merian's slaves and servants helped her locate insects, reptiles, and plants for her to study and depict in her captivating watercolors. She trusted the natives' knowledge to assist her research, something that would be used against her reputation in the decades after her death.

By the time Merian stepped on that boat to Surinam, she was a mother of two, had published two books about the metamorphosis of caterpillars in her native Germany, and spent five years living with a Pietist religious sect in a castle in Amsterdam, where she argued successfully for a separation from her husband using the sect's beliefs. At the time, a woman's husband was her legal representative and the court ordered numerous women to return to their abusive husbands. But after Merian's successful separation, she lived in Amsterdam and financially supported herself and her youngest daughter. Watercolors were her tool because "guild rules banned women from painting with oils." To get on that boat and to fund her scientific and artistic expedition, Merian sold her paintings and any unnecessary belongings.

Kim Todd who received the PEN/Jerard Fund Award and the Sigurd F. Olson Nature Writing for her previous book, Tinkering with Eden, vividly describes the cultural, religious, and political time Merian lived in, as well as her artwork and scientific contributions, without overwhelming the reader. Todd also introduces other fascinating, accomplished women of the seventeenth century, and the new, exciting time of natural philosophers (the term scientist hadn't been created yet, neither had biology, ecology, or any of the other -ologies). Spontaneous generation, the idea that creatures could be born from non-living sources, was a common belief during Merian's time. Todd includes some of the recipes. My favorite is:

To get a bee -
Find a sunny space roofed with tile
Beat a three year old bull to death
Put poplar and willow branches under the body
Cover it with thyme and serpellium
The bees will emerge

In language as colorful as Merian's paintings, Todd also describes the intricacies of metamorphosis and some of the insects that befuddled Merian and other natural philosophers. Through Todd's gripping prose, I became excited about the tricky metamorphosis of the large blue butterfly (Maculinea arion). Trust me, that's an accomplishment. If you don't believe insects and metamorphosis are interesting, you will feel differently after this book. To experience Merian's life and what happened to her work and reputation after her death, you will need, and want, to read Chrysalis. One hint: Peter the Great is involved.

You may have seen the artwork of Maria Sibylla Merian, as it is a staple for pretty but accurate pictures of butterflies, caterpillars, moths, and flowers, and can be found on china or stationery. She was more than a painter or engraver, though. Her life was unique. She had artistic talent, but she was also a keen scientific observer, who advanced the study of insects immeasurably. She was a teenaged bride who left her husband who divorced her, and she had to care for their two children. She was so enthralled with the study of moths and butterflies that at age 52 she traveled to a mysterious and largely unknown land to see more of them, and to bring back pictures and scientific descriptions of their behavior. And she did this more than three centuries ago. _Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis_ (Harcourt) by Kim Todd is a thoughtful examination of what we can know about Merian's life from the few personal documents that remain about her, and a proper reevaluation of her place in the world's scientific effort. It also is a fine resource about the biological controversies that were brewing in the seventeenth century, controversies that had to be settled in order for a basic understanding of insect life to take hold.

Merian was born in Frankfurt, Germany, in 1647. She could not have a formal apprenticeship like a male artist in training, and she could not even paint in oils, because the rules of the guild forbade women from doing so. She was, however, able to use watercolors and engraving with beauty and utility to bring her objects of study almost to life upon the page. When Merian studied or painted insects, she included what foods they ate, and how they proceeded from egg to larva to pupa and to the adult, and it was all part of her contribution to science and to the branch that later was to be known as ecology. In doing so, she was working against scientific currents of the time, since it was held that insects could spontaneously generate from rotting meat, dew, or wool. She also was taking a risk in showing interest in possibly satanic insects, especially since she kept them alive, fed them, and kept their cocoons in her kitchen. Women were accused of witchcraft for less. Dutch curiosity cabinets did contain spectacular specimens from the colony of Surinam, but Merian wanted to see the insects as they lived, and used the money she made from her books and her paintings to finance her two-year trip there. She relied on the natives to tell her about the plants and their uses, and she got the first rudimentary understandings of the rainforest as a complex ecosystem; she observed, for instance, that butterflies at the tops of the trees were different from the ones nearer the ground.

Merian left Surinam after only two years because of illness, probably malaria. After she returned to the Netherlands, she published _Metamorphosis Insectorum Surinamensium_ in 1705, full of pictures and descriptions of the colorful insects she had seen on her travel. The beauty of the pictures was praised, but only succeeding generations could appreciate the ecological innovations of her insect portraits. Her reputation suffered after her death; if she were discussed at all, it was to ridicule her picture of a spider capturing a hummingbird. After all, she had no formal education, she accepted the reports of natives who lived among the insects she depicted, and she was a woman. It was only in the twentieth century that her reputation was restored, not just as an artist but as a scientist who insisted on direct observation of the insects she described, and who realized how their cycles linked within a larger natural system. Todd's book has to have a great deal of speculation in it; she includes many sentences beginning with "perhaps" or "probably". This is because the sources are scant. There are Merian's books and paintings, of course, but beyond that are a couple of her legal documents and less than twenty letters she wrote. Nonetheless, Merian's contributions to biology were considerable, and Todd's well-illustrated and thoughtful book helps in the restoration of her reputation.

What possesses a European woman to pack up her life and move across the ocean to study the natural world? Did I mention that it was 1699?

Chrysalis tells the story of Maria Sibylla Merian, a woman living in the late 1600s and early 1700s, who is fascinated by the process in which a caterpillar becomes a butterfly. She cultivates them as one might cultivate roses. More, she studies them in their own habitat. But how did she do it in a time when women were subject to their men, when witch trials were the norm, and dabbling in insect life was more than suspect?

But Chrysalis is more than a biography. It is a study in entomology. What is the process from caterpillar to butterfly? And why do the chrysalises sometimes produce flies rather than butterflies? Remember this is the time of "spontaneous generation" when scientists thought frogs came from rain and meat produced flies.

Chrysalis is more than entomology. It is religious history. What made the Pietist sects split off from the Lutheran church? What was the call of the Labidists for Merian? And how did she slide by the rules of stripping off worldly trappings in order to continue to paint and study?

And still that is not all. There is her study across the ocean in Surinam. Her return. Her art. The study of microbiology with the invention of the microscope. This book is a comprehensive study of much that was going on in the world. It is fascinating and the art is beautiful. If I have any complaint, it is that the author references pieces that aren't pictured in the book and when the pieces are pictured, there is nothing to note that. I spent a lot of time flipping to the grouped photos in an often fruitless search.

Armchair Interviews says: This is an overall fascinating book that could be improved by better referencing and picturing of the art.

Today Maria Merian is mostly known for her lovely butterfly prints, but back in 1699 she sailed from Amsterdam to South America on an expedition to study metamorphosis - a rare journey for any naturalist of the times, much less a woman over fifty - and spent two years in the tropical jungle seeking out caterpillars and studying butterflies. Her accomplishments were largely dismissed and forgotten but come to life here in a gorgeous biography surveying her life and achievements.

Diane C. Donovan
California Bookwatch

This book is intended to be a gift for my grand daughter, Clara Elisabeth Schumann. But first I am reading it myself. What a woman!

Reich's beautifully written, thoroughly researched and objective book is certainly the best biography on Clara Weick Schumann in English. It is also one of the finest biographies I have read of any subject by any author.

From her childhood as a piano virtuoso through her 50 year performing career, Schumann was an international star of the concert stage, a composer and champion of the composers close to her, a woman who astounded and compelled those who knew her, a legend in her own time.

She was, as we know, beset by personnal tragedies of the most anguishing kind, beginning with her complex relationship with her taskmaster father, who taught her, drove her mercilessly, and made her a star at the age of 12, then refused to allow her to marry the love of her life,

She defied him at a dear price and married Robert Schumann anyway. The book explores at length her life as a beloved, then shunned daughter; as a lover, wife, mother, composer and performer.

She suffered terribly Robert Schumann's early and probably syphilis-induced insanity and death, the deaths of most of her seven children at a young age, and extreme financial straits in which she found herself most of her life.

Reich takes us step by step through all of the contingencies of her professional life: her lifelong celebration of Schumann's work; the 'Young Werther' relationship with her beloved Johannes Brahms, whose career she promoted tirelessly; her complex personality and deep involvement in her career and their effect on her maternal relationship with each of her children.

Throughout, Reich draws a richly variegated picture of the world of classical music in Europe from the early 19th century onward -- its characters, creations, rivalries, performances, highs and lows. Schumann interacted with many of the centuries' finest composers and performers: Chopin, Joachim, Liszt, Schumann (of course), Brahms...the list goes on.

Reich presents the incredible strength and courage for which Schumann is well-known, but does not flinch at exploring her more problematic qualities, for which friends, family, children and Schumann herself, paid a price.

Clara's deep understanding of the music of Robert Schumann and others, and its profound physical and emotional effects on its her play throughout. Here is Clara Schuman, de-mythologized, de-romanticized, and still amazing.

Intriguing, richly embued with testimony from original sources, a pleasure to read, Reich does not just tell the tale. She performs a symphony.

Author Nancy Reich's scholarship is impeccable, her research, comprehensive, and her passion for accuracy, uncompromising.

This is a completely thorough and compelling biography which reads as smoothly as an easy novel. It is powerful and sensitive; objective and personal. Dr. Reich's depth as a scholar and skill as a writer provide us with a rarely-, possibly never-seen view of this extraordinary woman, Clara Wieck Schumann.

Clara's life was fraught with pain, sorrow, frustration, and self-doubt, and how her genius managed to prevail is nothing short of remarkable. I took pause many times while reading to catch my emotional breath.

Dr. Reich also shares with us her enormous insight into the personalities of ill and troubled husband, Robert, dear friend and confidant, Johannes Brahms, and domineering father, Friedrich Wieck, making sense and coherence of the disjointed facts many of us know regarding these three very important men in, not only her life, but in the life of Nineteenth Century European music.

Clara Schumann was a truly astonishing figure - both as an artist (prolific composer, formidable virtuosa - some say Liszt's equal or superior), and as a woman (dedicated wife, mother, daughter, loyal friend). This book takes a major step toward giving a just measure of recognition to this awesome woman. It contains wonderful photos, sketches, pastels, and paintings - some, particularly of Clara alone, are especially moving. Her expressions tell nearly as complete a story as the text.

Though replete with musical discussion and analysis, one need not be a scholar or musician to comprehend and be totally struck by Nancy Reich's telling of Clara's story. If you care anything about wives, mothers, daughters, friends, or music, this book is a MUST READ.

I discovered this marvelous book on the Clara Schumann Society website of Dr. David Kenneth Smith, Geneva College. I recommend doing a GOOGLE on "Clara '96" (the name of the site celebrating the anniversary of her death in 1996). You will get an abundance of hits, all of which are very worthwhile.

This revised edition of Clara Schumann's biography by Nancy Reich is a gem. Not only is the scholarship impeccable and thorough, but the talented writing engages and fascinates the reader at every turn.

Features of this wonderful new edition include the use of new medical reports that have come to light regarding Robert Schumann's illness; reference to recently discovered letters and diaries that further elucidate Clara's friendships with people like Emilie List, Frederic Chopin, and the Mendelssohns; and the expansion of the Catalogue of Works.

The revised Catalogue alone makes this new edition compulsory for anyone-lay or professional-interested in Clara Schumann and her prodigious work and impact. The Catalogue records every known piece by Clara Schumann, reviews of her compositions, her own performances of her works, the location of autograph copies, and much more.

The 1985 edition of Dr. Reich's outstandingly researched biography clearly had a major impact on Schumann studies. It was followed by a continuing, worldwide outpouring of performances and recordings of Clara Schumann's works, articles about Clara, and studies of her music.

The biography is based on original research in German archives and first-hand consultation of letters, music autographs, diaries, and other primary sources. To this meticulous scholarship, Dr. Reich adds intelligent, compassionate analysis of Clara Schumann's life and music, the influences that shaped her, her inspirational marriage to Robert Schumann, and Clara's breathtaking, at times unbelievable strength and ongoing artistry amidst the sometimes horrific adversities in her life.

Rarely is such a magnificent feat of scholarship accompanied by such gripping and graceful writing.

This book is a must for anyone who professes interest in Schumann studies, nineteenth century music, and gender studies, or who wants to experience a true story of passionate, devoted love and the mutual pursuit of art that Clara and Robert Schumann inspired in each other.

Nancy B. Reich certainly did her homework while writing the revised edition of Clara Schumann: The Artist and the Woman. Her resources include translations from primary texts in her native German, as well as other primary sources from the important friends in her life. She updated the 1985 version of the book in 2001 to include "a variety of significant documents-letters, medical reports, and music-that were in private hands and unavailable when [she] was working on the first edition". These texts include Robert Schumann's medical log, and Clara's correspondence with her husband's music publishers, the List family, and texts written by her granddaughter Julie. I felt this book was well laid out, and was able to include many thoughts and emotions from the people involved in Clara's life. By including information from the diaries and discerning when the passage was Wieck's writing or Clara's helped make clear whose feelings were really being expressed.
One thing I found was that Reich draws many of her own conclusions based on the information presented. Due to the difficulty of not having Clara's uninfluenced, uncorrected thoughts from the first twenty years of her life, it is difficult to actually know her true mind. Wieck's influence on her caused many of these primary documents to be soiled with his own opinions. They do, however, provide an interesting look at her motivations behind many of her decisions. He never spared his thought, and so, there is not as much need for speculation of his beliefs. Reich also does not ponder what her conclusions mean, she simply presents the facts, her opinions based on them, and allows the reader to agree or form their own ideas.
Her inclusion of a timeline of Clara's life in the beginning of the book is rather helpful. It allows the reader to follow her life and to find specific events within the book. Also, the division of chapters makes it easy to home in on specific parts of her life and to find the information easily. The second half of the book reemphasizes the themes in her life by forming separate sections with each grouping. These show her relationships with others and discuss the positions she held throughout her life. The second section might lose the reader's interest somewhat because of the recounting of many facts. She presents the information in greater depth, but she does so in a way that common themes are grouped together instead of emphasizing where they occurred in her life.
Overall, it was a very enjoyable read. It was very informative, and easy to follow. The writing flowed easily and the beginning held my attention. Reich wrote a book successful of influencing my emotions and teaching me more than I had ever known about Clara Schumann. This was a very effective story of the woman and artist's life, and I would recommend it as a great account.

Purchased after a program on XM radio's golf station mentioned this book. Excellent, easy read on the master of golf. What a guy in a different era. You can visualize the time and some of the matches. Highly recommend.

Terrific insight to Bobby Jones - while O.B. Keeler must have "dressed" up the final product, the sense that so much came directly from a young man barely out of his teens coming to grips with the realization that he was the most famous golfer in the world... Just compelling reading!

Great read, one all golfers will want to make, as Nicklaus suggests in the modern edition foreward.

Why return to an outdated time of wood shafts and limitef flight balls? One finds it in this read, the character and strength of this great amateur.

What impressed this reviewer was Jones' humbleness, and love for the game. He wasn't really into all the winning, which in fact caused him anxiety. Moreover he was into the challenge against Ole Man Par and himself. He relished the comradre with his fellow competitors and is most quick to give them praise rather than discuss what he didn't have in his game that round.

Neat to realize that his prized trophy was the first, which he thought was improperly awarded to him, while Alexa Sterling should have won it, no question. This is what golf is about, not slugging it 300+ yds. to screaming fans playing for millions.

Takes us back to what the game is and should remain. It's become far too commercialized.

Will take a honored position in my growing golf book collection to be fondly recalled and reread.

If you not only enjoy playing golf but also cherish the game's traditions and values, and if you could purchase only one book about golf, this is it. Whether or not Jones is the greatest golfer ever is a judgment I eagerly entrust to those foolish enough to debate it. Suffice to say that he was among the greatest players and among the finest gentlemen ever associated with golf. Published in 1927 when Jones was just 25, three years before he won what has since been designated "The Grand Slam", this is a book in which Jones (in collaboration with Keeler) invites his reader to accompany him "down the fairway" of a life as well as a game. The first eleven chapters review the competitive process until what he characterizes as his "Biggest Year." In the final chapter of Part One, Jones observes that, "I started the year 1926 with one glorious licking and closed it with another. And it was the biggest golf-year I'll ever have." Or so he then thought. In that year, we're told, "Walter Hagen gave me the first drubbing, and of all the workmanlike washings-up I have experienced, this was far and away the most complete" and later, "George [von Elm] was too much for me....He simply outplayed me. It was coming to him....It was George's turn. So the biggest Year ended, as it began, with a beating. Still, I'll always feel kindly toward 1926."

In Part Two, Jones shares just about everything he has learned (to that point) about the mental as well as physical skills needed to play golf well. What struck me, throughout the book, is Jones's candor. For example, "There are times when I feel I know less about what I am doing than anybody else in the world." He discusses putting ("a game within a game"), the pitch shot ("a mystery"), iron play ("I like it"), "the heavy artillery" (woods), miscellaneous shots ("and trouble"), and in the final chapter "Tournament Golf." The reader is provided with a generous selection of photographs, many of which I (at least) had not seen previously. "Early in this little book I made the statement that there were two kinds of golf -- golf, and tournament golf; and that they were not at all the same." When concluding this book, Jones acknowledges that he's been "awfully lucky. Maybe I'll win another championship, some day. I love championship competition, after all -- win or lose." What will it feel like when he days of tournament competition have ended? "It's going to be queer." Then he confides, as his "little book" ends: "But there's always one thing to look forward to -- the round with Dad and [other kindred spirits]; the Sunday morning round at old East Lake, with nothing to worry about, when championships are done." Three years after sharing these thoughts and feelings, Jones won the Grand Slam and then retired from tournament competition. Some people have expressed their preferences for those with whom they would like to share a "fantasy dinner." Were it possible, I would like to share a "fantasy round of golf" with Bob Jones, Walter Hagen, and Harvey Penick. Given the impossibility of that, I must seek their companionship in books such as this.

Bobby Jones shares his perspective on winning, losing, and his life-long battle against "Old Man Par". This is a must read for any serious student of golf history and tradition.

The book arrived in a timely manner and was exactly as described. This title has great artwork.

This book isn't a history or academic work. In fact, it's a picture book designed for children ages 7 and up. However, that should not suggest that it's not worth a read even for adults as an introduction to the life and times of Cleopatra, Antony, and the fall of the Roman Republic. The author presents a detailed, fact-based account of the queen's life, including pertinent and amazingly helpful references and quotations from Plutarch's histories. No fictional flourishes were added to richen the story, and though sometimes opinion slips in in a description of a descision or event, the story is very unassuming and true to historical evidence and generally accepted fact.
So, as a short academic text, this book lays out the basics of her life (her marriage and civil war with her brother Ptolemy, wishes for an empire combinging East and West, affairs and marriages to Caesar and Antony, defeat at Actium and suicide in Alexandria,) in an inviting, exciting manner. But, in this case, its more important role is as a picture book, a role that it magnificently fills and excels in. Stanley's illustrations are beautiful and lavish, scenes of the beautiful queen and the people of her life set among breathtaking scenery such as the Alexandrian palace and harbor, the streets of Rome, and flowing sea. One particular favorite of mine is the illustration of Cleopatra's vessel as she approaches Antony's encampment at Tarsus, in which she sits reclining, dressed as Venus, in all of her splendor upon the magnificent boat and splendid sea.
For the fledgling historian (particularly a child interested in history) this book is a must. I recommend it to anyone wanting a springboard from which to learn about the wonderful, tragic, and tumultous life of the last Ptolemaic ruler of Egypt, and the fall of the Ptolemaic empire.

I have found that the best way to learn about many subjects is to pick up a children's book from the library. In a good children's book, the facts are clearly and engagingly laid out, often with wonderful illustrations. You finish the book knowing that you have learned something you didn't already know, and it was explained so simply and clearly that you are not going to forget what you've learned. Cleopatra by Diane Stanley is that kind of book. While it is written "simply", it does not talk down to the child or to an adult reading the book. It just says what happened in a memorable way. Books like these teach history the way it ought to be taught. Highly recommended.

Diane's Stanley's illustrations are masterful, incredibly detailed, and wonderfully expressive; every page (except for the two useful maps) is covered with either spreads that have been delicately painted to look like tile work, as can be seen on the marvelous cover, or has large and intricate paintings, with so much in its compositions that one can look at them repeatedly and find new things to admire.
Stanley's technique is superb, and her medium is gouache.

The history is fascinating and clearly written, and describes the times that Cleopatra lived in as well as what is known about her, which as Staley and Vennema point out, "Everything we know about Cleopatra was written by her enemies", and also, though we know what Julius Caesar, Mark Anthony and Octavian looked like, all we have of Cleopatra's image are crudely carved coins, as her statues were destroyed.
Though only 48 pages in length, each page has either information worth reading and learning (by both children and adults), or is graced by Stanley's beautiful work, making it weighty in content; as an artist and illustrator, I tip my hat to her creativity and skill.

My son borrowed this book from the school library and loved it so much we're buying it.

He has done it again with this SUPER novel.

JR Hatmaker does it again with this book! If you love mysteries- this is the book for you. His gift of writing is a treasure.

A great book! If you have lived in or have relatives in Appalachia, then you will appreciate this book! There are humorous true life descriptions of how life REALLY was in a coal mining town. Also, if you want to know how boys 8-12 live their lives as one big adventure, this is a book you need to read.

Worth the read.

Texas Tom

If you've ever felt like a misfit and you like a good mystery, "The Coalwood Misfits" is a must read! This wonderful book about a group of boys coming of age in a small West Virginia mining town, is right on target! The characters are strangely interesting and mysterious. You will love the funny main character, Bobby. The author has obviously taken this character right from his own experiences and transformed him into a real boy, popping right out of the pages of the book. This is a great book for children 10 and up--my kids loved it! Be warned--every chapter keeps you wanting more. I can't wait for the next book! Thanks JR

The Coalwood Misfits is a delightfully funny book written from the perspective of a very humorous character named Bobby. I want everyone on my Christmas list to have a copy of this realistic view of a young boy growing up in a small mining town. The authors did a good job in capturing Bobby's story.

I have read numerous accounts (most notably in the journal of the Mencken Society) that assume that Mencken was being ironic in the pages of this book, but I am gladdened and relieved to see that the other reviewers here got it right. The omniscient Mr. Mencken simply observes that men are forever being bamboozled by women.

But there's a great variety of Mencken's wisdom on tap in this slim volume -- such as,
"The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by an endless series of hobgoblins, most of them imaginary." (Page 53 of the 1926 edition)

Mencken's "In Defense of Women" has such a bad reputation in some circles that I'm almost afraid to review it for fear of virtual grenades. But surely the bad reputation is unjustified, for whether one approves of Mencken's conclusions or not, it would seem hard to deny the nobility of the his intentions in publishing them. He simply wished to help us rid ourselves of some harmful and incorrect stereotypes. To wit: men think they are intelligent and clear-headed while women are emotional and sentimental. But in reality, Mencken explains, it is men who are prone to sentiment and women who are intelligent and clear-headed. Of course many things follow from both the misconception and the "truth." Although it may be useful to some people to know Mencken's ideas about the sexes (I find this knowledge useful), perhaps the best reason to read "In Defense of Women" is that it is incredibly entertaining. If you are not amused by Mencken's style, or if you are afraid that you might encounter an uncomfortable truth or two, then by all means keep safely away.

Reading this book made me wonder "where are the men of today who are writing like this on these topics?" -- things like soul mates, monogamy/polygamy, affairs, prostitution, romance novels, Darwin's theory of sexual selection, the double standard, the "Madonna/whore complex" (not called that then), sexual harassment, employment discrimination, abolishing marriage, and declining marriage and birth rates all make an appearance in the book. And much of it retains its essential truth. The more things change...

It's especially interesting to see where HLM was right and where he turned out to be wrong. For instance: the book was written just before men gave women the vote (i.e., during World War I, when Mencken was in his mid-to-upper thirties and still a bachelor); Mencken thought women voting would cure politics of rampant corruption -- because women wouldn't allow such shenanigans. This is not to say that he had any kind things to say about the suffragettes. He didn't, and some of what he wrote was outrageously funny. One can extrapolate in a straight line to some of today's feminists.

His basic thesis -- which may or may not have been meant to be taken seriously -- is that women are more intelligent than men, the proof being the ease with which they typically defeat men in the war between the sexes:

"I am convinced that the average woman, whatever her deficiencies, is greatly superior to the average man. The very ease with which she defies and swindles him in several capital situations of life is the clearest of proofs of her general superiority. She did not obtain her present high immunities as a gift from the gods, but only after a long and often bitter fight, and in that fight she exhibited forensic and tactical talents of a truly admirable order. There was no weakness of man that she did not penetrate and take advantage of. There was no trick that she did not put to effective use. There was no device so bold and inordinate that it daunted her."

It would be fifty years before Esther Vilar's "The Manipulated Man" continued with many of the same themes. But Mencken was quite prescient in the section on women's martyrdom, which today we'd call their claim to victimhood or being "oppressed". I could go on at some length about how close his description of marriage is to what prevails today (based on reports which come to my attention), but I'll spare you.

I'm sorry I waited so long to get around to this book, as it's truly a classic written by a great mind -- a highly recommended trip above the stratosphere for all men and, especially, bachelors.

This is not a book for faint of heart. No one was better at invective than Mencken, and his defense of women is far more of an attack on men than a defense of the "unfair" sex, as Ambrose Bierce signified our better half. Mencken's basic argument goes something like this: women are pretty bad; men are worse; therefore, women are better than men. This is, to be sure, a gross over-simplification. Mencken's argument is really much more sophisticated and ingenious. He picked it up, he tells us elsewhere, from a madame of a bordello. It contains a great deal more truth than most people would be willing to admit. Mencken's hillarious presentation is recommended only to hardened cynics (which is to say, hardened realists). Sensitive people with "beautiful" souls are well advised to avoid this brilliant book.

Mencken wrote that "Nothing could be plainer than the effect that the increasing economic security of women is having upon their whole havit of life ... The diminishing marriage rate and the even more rapidly diminishing birth rate show which way the wind is blowing . . . large numbers of them [women] now approach the business [of marriage] with far greater fastidiousness than their grandmothers." So as a result, only relatively skilled men are marriageable, and lower-class men go without. By contrast, in the past "even marriage with a fifth-rate man was better than no marriage at all."

Mencken also correctly predicted that even after the influx of women into the workplace, women will still lag behind men economically: he writes that "it is impossible to imagine a genuinely intelligent human being becoming a competent trial lawyer, or buttonhole worker, or newspaper sub-editor, or piano tuner, or house painter. Women, to get upon all fours with men in such stupid occupations, will have to commit spiritual suicide, which is much further than they will ever actually go. Thus a shade of their present superiority to men will always remaijn, and with it a shade of their relative inefficiency, so marriage will remain attractive".

Mencken also predicts loosened sexual mores: "With the decay of the ancient concept of women as property there must come inevitability a reconsideration of the whole sex question."

And of course all these things have come to pass, both in America and in Europe: well-employed women marry later or not at all and get divorced more quickly, and low-income women have virtually abandoned marriage altogether.

Mencken only runs aground when he looks at war and peace. He correctly predicted World War II (in particular predicting wars between France and Germany, and between Japan and America) but thought that it would be so devastating, and wipe out so many of the world's men, that women would vastly outnumber men, which in turn would radically modify marriage- perhaps by causing the reinstitution of polygamy. Had WW 2, like WW 1, killed only soliders, Mencken might have been right. Instead, of course, millions of civilians were killed- including many women, thus limiting the male/female imbalance.

This is the most clearly written book I could find on dust collection. The author makes it very clear that dust is dangerous to your long term health and then concisly states through pictures and words how to help you make woodworking a life long experience. I highly recommend this as a first and maybe only book on dust collection.

When someone asks you a riddle, it is complex in trying to find an answer. Once you find it, or someone gives it to you, it seems so obvious, you may blurt out, "I knew that" Well that is what the author has done with every aspect of controlling dust in the workshop. This guy knows it so well, that he has reduced it to simplicity. No guesswork in his approach. He states it, and that is the end of it. It is a highly recommended read. No nonsense, simply put, this is the way to put the best dust collection system together.
Here is what I decided to do, after reading the book. Although the author recommends a cyclone dust collector, I am purchasing the JDS Dust Force, with the 1 micron kit, (be sure and get the optional 1 micron kit) and a Woodstock International separator. The price of doing it that way is one third of the cost of the a cyclone unit. Home made units can be made, and he points the way on how to do it, but I would prefer to not have to build one, since I have enough projects to do already. His penchant for the cyclone unit, is that chunks of wood, or even worse metal, won't be dancing off of the fan blade, which could cause a spark. The only thing that arrives at the cyclone filter is a little powder. Additoinally their isn't any vacuum loss with a cyclone, due to resistance. Well the JDS Dust force delivers more air at 1200 CFM, so the small amount of resistance created by the Wookstock International pre separator is of no consquence. Additoinally it prevents anything other than fine powder getting near the fan blade and filter as well.
Since the popular Oneida 2HP cyclone unit only gives you 1100, and their 1.5HP is rated for 750 as I recall, and at three times the cost.
This book gets into everything you need to know, to set up a complete system. In addition to the book, I noticed at the Onieda-air.com site, they had a sample room layout, with the proper pipe sizes etc. Proper sizing and layout, will give you the right amount of performance, and in proportion for the varying needs of different types of tools.
I guess I am getting a little wordy. Buy the book. It will save you way more than the purchase price in your quest for the dust free shop.

I like this book because for one the photos are very clear and in color. All too often woodworking books come with drawn pictures or black and white photos, which I hate. One of the best things I like about this book is Rick Peters shows you how to make simple dust collection hookup for each of your machines. I already made 2, which work great. The only thing I disagree with is the fact he tells you not to use PVC for your ducting. I live in a humid climate so static electricity is the least of my worries. This topic has been debated to death, and I guess Rick is on one side of the debate, but PVC is so much easier to work with and more readily available. Plus it is [less expensive]. All in all this is a fine book.

This book could save you life. Dust can be very dangerous. This book will more than pay for it's self when you decide to collect that dust instead of breathing it. The book is aimed a small commercial or home workshop. My family joked and laughed at me for buying a book about dust. After looking over the book, my son said it is interesting, and he was glad i bought it. I am just about finished with the instalation of a dust collection system in my shop. I used a lot of great input from this book. Peters recommends metal pipe over PVC. I have a friend who has a nice PVC system, and will be replacing the PVC with metal. In the past I had a large commercial DC system that worked very well. I expect this smaller system will work well too.

I ordered this book before setting up my 1000 sq/ft shop. It really cleared up a lot of things. I was considering buying 2 of the popular (Jet or Delta) bag collectors... one for each end of my shop.

However, after reading the book, I decided this would be a cheaper way to go, but not a better way. I ended up buying a cyclone unit and using all metal ductwork. More expensive, but safer and much more efficient.

Countdown to My Birth is a very exciting way to keep up with the development of your child. There are all kinds of interesting phases that take place throughout the pregnancy and this calendar was a fun way for my wife and I to wake up each morning and "connect" with our child. We never read ahead and just looked forward to each new day when we could flip the date and see what our baby was going to "say." There is also a place to take "notes" on events that occurred each day as well as stickers with major marking points in the pregnancy (Hurray! You know I'm here, You hear my heartbeat, You see me in an ultrasound, etc.) I think what I really like about this is that it makes me (the father) feel more involved in the pregnancy and keeps me really excited to see my first child. I also think this will be a wonderful gift for my son when he is older so he can read what his mother and I were thinking/feeling during each stage of the pregnancy. I would buy it again.

Easy way to include hubby in daily baby growth in utero without getting out the heavy hitting books. Simply flip the calendar daily (after filling it out for your due date) and it tells you everything from being the size of a pea to suggesting eating finger foods 'cause I'm growing fingers today...

We cherished ours and still have it as part of our baby collection. I highly recommend it as a congrats on your pregnancy book.

I purchased one calendar for myself and one for my girlfriend who is currently pregnant. It's cute, especially for first time mothers. I haven't used mine yet, but I plan to once I get pregnant :)

This calender is so much fun. What a way to get daddy involved. We flip each page every morning and read what each day says. It gives you a great idea of what is happening inside of you each day of your pregnancy. It fun facts. My husband loves it. I plan on buying this calender for all future friends who get pregnant. It's worth it. This calender is probably most fun for first time pregnancies.

Some of you may think that this concept of a daily pregnancy calendar 'written' from the baby's point of view sounds familiar. That's because "Countdown to My Birth" is the newest version of Countdown to a Miracle: The Making of Me (2nd ed) by Julie B. Carr. While the cover is different, the interior concept is still the same - each day your baby describes what is happening from conception to birth, complete with a due date countdown, a place to put today's date, room for notes, and bonus stickers to mark special 'firsts' - first kick, first hiccup, etc. The stand-up, spiral bound format is also the same.

If you loved 'Countdown to a Miracle', you'll love this new version!

Julie Carr, author

This book was given to me years ago by my grandmother. She loved the story when she was young and gave her copy to my sister and I when we were old enough to enjoy it. Not only did I enjoy it as a high-school teenager, I still go back and re-read this book occasionally. It is a beautiful tale of selflessness and love. I highly recommend this story to anyone who enjoys a romance novel that not only entertains but also inspires the reader to become a better person.

This book not only leads you through Maion's lonely life, but also through a wonderful heart warming romance!! I definately recomment this book!!!!!

I know that this book is rather predictable...but it kept me up reading 'til the early morning one Christmas Eve when I knew my brother would have me up to open presents in a few short hours!!! My copy is actually my grandmother's...and is a/b to fall apart. Still, I really treasure it. I had never heard of Grace Livingston Hill before being given this book, and now I love her work. Crimson Roses is still the best one I've read, though. Marion is the girl we all dream of being one day!

I really liked this book. The plot was predictable, but I very much enjoyed the journey to the happy ending. Marion is an excellent heroine and a great example of Christian love, mercy, and forgiveness.

Alone in the city without money, without friends, parents gone after long illness under her nursing care, her home sold over her head by casually-well-meaning but obtuse older brother who expects her to be lifetime unpaid servant - Marion Warren decides this is make-or-break time. She finds department store employment and boarding house quarters and starts her own adult life.

Jeff Lyman is behind her in line for season concert tickets - her lone financial splurge - and seeing how much it means to her, arranges to get seating just behind and across isle so he can watch to see if there really is a young lady who cherishes such things. He puts a single crimson rose (of the title) on her seat before each concert and arranges to meet her at church and work, as his effort to get to know her develops into romantic pursuit. On Marion's part, the roses are merely received as counterpoint to bleak and lonely life. But once Jeff convinces her that his intentions are honorable, they are swept along to grand conclusion.

One of the best cruising guides around, definitely the best for Maine. Well written, organized and easy to use. Great sketch charts and all of the info that cruisers (not tourists) really need, as well as a good bit of local color.

Whether it's your first trip cruising the Maine Coast or you've sailed here for years, you'll find this your second most valuable resource ( nothing beats a good set of charts [and radar when the fog rolls in]) because when you need to decide where you are going to drop the hook for the night the charts won't be nearly as helpful as the Tafts' years of experience. Where to go, where not go, how to approach the anchorage, what to see ashore are all combined with slices of history and dry witted anecdotes. A bit of advice to the summer cruiser-- equip your boat with mosquito netting if you want a peaceful evening in one of the most wonderful places in the world!!

Please note that the authors of this book are Haft and Curtis Rindlaub

CGTTMC is only slightly less essential for succesful Maine crusing than charts and tide tables (and beer, of course). In addition to being incredibly comprehensive, it's also beautifully written... so one can still vicariously experience Maine's spectacular coastline when the boat is in the hard.

My one quibble with the book has to do with its indexing. All major (and many minor) subjects are listed, but some of the more obscure ones are not. The book contains a lot of great "color" information in sidebars and boxes; these are generally stumbled upon and, because they're not always indexed, can be hard to find later without flipping through the book.

And flipping through the book is NOT a good idea, because you'll invariably stumble upon something fascinating and start reading whole sections anew...

After sailing tens of thousands of miles in the Americas and Caribbean and using dozens of cruising guides I can honestly say this cruising guide is unsurpassed. It contains detailed information about anchorages, approaches and services available in an easy to use format. With numerous anecdotes and historical stories this book is a pleasure to just sit down and read.