P Books

Exactly as I said in the title. We completed Calculus 1, 2 and 3 on this. Great for beginners.

My son is currently at Harvard where he is taking Calculus II. He called home, requesting we forward his Larson textbook that he used for AP Calc in high school. It helped him tremendously with concepts he just wasn't getting at one of the top schools in the nation--and he has shared this textbook with his professor at Harvard!

Kudos to the author of this wonderfully written book.

First things first: If there was a ten star rating it would apply
to this book. Secondly, I found these authors through another of
their books, "Precalculus With Limits - A Graphing Approach". That book was just as well written. Truth be told, I would buy any of their books, sight unseen. They are a students
teacher and a teachers teacher. They don't sacrifice rigor, nor do they forget the mathematical maturity of their student audience. Using their books alone, and self-study (no classes,
tutors, or the intellectual diet pill category of "Calculus Made
Simple" or "Calculus The Easy Way" silver bullets I filled a forty year gap in math studies in 1-1/2 years to the point of
acing the AP Calculus and AP Physics Exams. Knowing calculus prior to beginning physics with calculus is an absolute necessity. I am no genuis. I do not have exceptional ability. I simply had the advantage of two textbooks written by teachers who
really care and take a mentoring approach to writing. All of this
has really been a long-winded way of saying that with this book
and a healthy dose of strong motivation and perserverance you will succeed in your calculus courses.

The best book about Calculus I ever seen. Read it and you will know all about you need to love mathematics.

This is no doubt the best textbook I have ever owned in any subject. I've never been able to actually read through a math text untill this book came along. The analytic graphs are colorful (and the 3-D generated ones are simply astounding) which is totally different from the dull, dreary, and nightmarish math texts from my past. This math book is unlike any other I have seen before -- in a class of its own. There are plenty of examples, charts, and many many exercises(some especially challenging). I went through Calculus I and have taught myself Calc II within a matter of weeks. Highly recommended.

I have played chess for more than 20 years but never had the chance (or the willingness) to read a chess book. I play very well for a amateur, but I started to get serious and join some tournaments. I won some games from players around FIDE 1800-1900, but I also lost many others, since I lack the fundamentals and tournament experience. So, my chess professor, said that I should start my chess education with endings and tactics. This was my first chess book that I have ever read in my life, and I found it amazing. After studying carefully all the diagrams I asked myself why I haven't studied this book before, I would have benefit from it so much. I have just to agree with a comment that I read that the author approaches rook vs queen endings in the begnning of the book, which is quite difficult and took me many hours of practice to get used with the position and the many variations possible. I have also checked the positions with Nalimov tables, and practicaly the book has no mistakes. I have also like the author's approach for pawn endings using the key squares theory. My chess professor's book, called "The Final Countdown", and the Fundamental Chess Endings from K. Muller, both also used this modern approach. In the overall this is a must have book.

This book is translated from Russian, so it must pass the test of time. Averbakh used very concise analysis. He gave us, immediate level, a tool to understand the endgames.
It is essential for players from beginning to intermediate levels. After a chapter about the basic mating the lone King with minimal force, it introduces the standard combats between various pieces. It explains where a forcible win is guaranteed where it's not.
Then come two chapters of piece fighting against Pawns: a Rook or a minor piece versus Pawn (it's hard to believe that in some positions a single Pawn can beat the Rook!) and the Royalty versus Pawn.
After that there are two important chapters. One is about the fighting between two minor pieces where one side has one or two extra Pawns. The part about the opposite color bishops is very instructive, some case is winnable and some not. There is so much to learn in the next chapter, which explains the Rook plus Pawn Ending. As Capablanca put it: Rook and Pawn Ending is one of the most important endings. When the Rooks join the battle, sometimes they are the last pieces, understanding this type ending can help to win or draw it.
In the second half of the book, Averbakh used practical endgames from master games to emphasize what he explained in the last three chapters: Royalty and Pawns, Minor Pieces and Pawns, and Rooks and Pawns. He analyzed where some masters failed to save or win the game.
I highly recommend this book at new or used price. I guarantee your endgame knowledge (same level as mine) will improve.

I refrained from writing a review for this book until I finished it (just two days ago). I am now undecided as to whether I should move on to another book, or simply go through it again! I thoroughly enjoyed reading/playing through this book, and I shall explain why.

This book is small, indeed. However, I should emphasize that it is extremely *dense*. This book has no anecdotes, no analogies, and few sentences that do not directly relate to the discussion of a given endgame position. Some may not like this, but that is fine for them; they are going to miss out on a good book. After reading such an informative book such as this, one can only wish, as I did, that Mr. Averbakh had written more. This, however, would be contrary to his goal of creating a book of "essentinal" knowledge taken from his vast amounts of endgame material. Indeed, along with Alexander Kotov and another gentleman, Mr. Averbakh originally wrote a book titled Shakhmatnye Okonchaniya, available from Amazon as Shakhmatnaya shkola, it seems.

This book is also very compelling with its examples, especially to a beginner such as myself. In fact, I think I developed a certain fascination for the endgame after reading this book. I eagerly anticipate working on endgame puzzles and reading/playing through more volumes on the endgame, which brings me to my next point.

Realistically, I do not think that there is any need to move on to another book! As Mark Dvoretsky advises (and I am sure others do, as well) that one should know relatively few endgame positions, but understand them totally and to be able to execute them expertly. In this manner, and as a beginner, I could follow this advice and stick to this book for some time and not suffer from a lack of endgame knowledge.

Through a small part of the beginning, I played through the varations on my chess board, but after a bit I skipped them in favor of merely acquainting myself with the positions and ideas, since this was my first undertaking of actual endgame theory. (I caught a glimmer of it in various parts of Chessmaster 9000, but nothing as serious as what is in this book.)

From my estimation, all one would need for endgame theory is this book and one more advanced or exhastive book for later study. Highly recommended.

I've earned 2017 fide initial rating without this book, but i was lucky.
Here we have everything a tourneament player MUST know about endings, and something more. As an example you don't have to know how to defeat a computer in a Q vs R ending, so you can avoid that part of the book, in real games it's hard to find an under 2200 player that will play the perfect defense with the Rook. Maybe you don't have to know the B+N mate, I still have never seen a B+N vs K position in my tourneys. Anyway this book give you an EASY way to understand that mate. Thanks to this book now I know how to deliver this mate, the other 2 books i've studied weren't enough.
Here we have a book with just 100 pages that gives you what it promises.

This book attempts to provide a foundation of endgame information for the beginning chess student. After an introduction and a brief discussion about the scope of each piece the book presents five chapters meant to introduce the reader to the basics of endgames. Since there is no "Search Inside" option for this book the table of contents is reproduced here:

1 - MATING THE LONE KING
Mate with a Queen
Mate with a Rook
Mate with Two Bishops
Mate with Bishop and Knight
Mate with Two Knights
2 - VARIOUS PIECES IN COMBAT
Queen versus Rook
Queen versus Minor Piece
Rook versus Knight
Rook versus Bishop
3 - VARIOUS PIECES IN COMBAT WITH A PAWN
Queen versus Pawn
Rook versus Pawn
Minor Piece versus Pawn
4 - QUEENING A PAWN
King and Pawn versus King
King, Minor Piece and Pawn versus King
Knight and Pawn versus Knight
Bishop and Pawn versus Bishop
Bishop and Pawn versus Knight
Knight and Pawn versus Bishop
Rook and Pawn versus Rook
Queen and Pawn versus Queen
5 - PRACTICAL ENDINGS
Pawn Endings
Knight Endings
Bishop Endings
Bishops of the Same Colour
Bishops of Opposite Colours
Endings with Bishop versus Knight
Rook Endings
Queen Endings

One of the best things about this book is that it is the perfect size for digestion in just a few study sessions. For those starting with little or no endgame knowledge this means that at least a basic understanding of endgame concepts is attainable in a reasonably short period of time.

If you are inexperienced with endings, the information in this book is sure to not only increase your confidence at the chessboard but also provide a nice bridge to other more advanced endgame books. After studying this book one could move on to Seirawan's "Winning Chess Endings", which is still aimed at the beginner but contains slightly more in-depth information, or the superb "Dvoretsky's Endgame Manual" by Dvoretsky, which is more suited for the advance player.

This was purchased as a birthday gift, and it was a big hit! My daughter liked it very much. She has done a lot of work looking into our family's history, and so this was very helpful to her.

A great resource to not only learn about the history and mechanics of heraldry, but also for inspiration for creating one's own coats of arms. I mainly picked this up to create heraldry for my strategy table top war game, but the historian in me enjoys it as well for scholarly purposes.

A.C.Fox-Davies:HERALDRY
I already had a great respect for Mr.Fox-Davies, having two of his great books:THE ART of HERALDRY and HERALDRY-the magnificent pictorial archive for artists and designers. And I expected to learn quite a lot from the HERALDRY book.Guess,I was right.
.The texts are very,very good,BUT,there are just too many unnecessary and detailed descriptions of British and Scotch Armory.Was it because Mr.Fox-Davies wanted to show off( with his long description of many personal Arms,which I doubt had any great interest for the general reader-mentioning only a few Im sure he could have got his point) or maybe,he was just carried away by his wish too make a good(fat)book?Nevertheless,Mr.Fox-Davies is among the VERY FEW experts who dared mention the painstakingly long and slow development of Armory,from Moses and the Scriptures onwards,explaining that it were first the personal signs and symbols which existed long before the Heraldry proper.And are still going strong,not as Arms,but LOGOTYPES of more or less famous brands.
There is no" Deus-ex-Machina "Heraldry for Mr.Fox-Davies .It was a slow and painful process influenced by both the traditions and technology,development of society , classes and unfortunately.warfare..And I guess,Mr.Fox-Davies leans too much on the Crusades Myth,closed HELMETS etc..
By the way,closed helmets existed long,long before the iron clad warriors ! Many of the drawings and other examples are very good,so that the small percentage of superfluous ones,do not play a significant role.All in all,for anyone willing to learn more,and think while reading the book,the number of lines and pages should not be tiring.It is satisfying to know that even in the days when the book first appeared,there was somebody who was NOT a stereotype,somebody who really loved the job and loved the knowledge he so willingly transferred to his readers.

Good book - just wish it explained more simply and clearly - in a concise way - the symbols.

I can not possibly imagine a more complete guide to Heraldry. This engaging book really brings you into the world of crests, family honor, and ancestry. It gives a comprehensive guide to all the symbols used, and their various meanings. If you are even remotely interested in Heraldry, pick this up today.

In 524 AD Boethius was confined under severe house arrest while awaiting trial for treason. The imprisonment did apparently permit access to some books and writing materials. He had been a very honored Roman aristocrat, and had received an excellent classical education in his youth. He had translated several Greek books into Latin.

His present situation left him very depressed; it was not at all the future that he had expected. Then Lady Philosophy appeared in his imagination. She was commanding, and chased away the muses of the theater who had been occupying his attention with tragedy and superficial entertainment. He at first did not recognize Philosophy. Then he remembered her as the teacher of his youth. She had come to claim her own, and to nurse him back to mental health.

Boethius and Philosophy had an extended discourse. Boethius recorded it in "The Consolation of Philosophy" (translated by P. G. Walsh, Oxford, 2000). He was troubled by the frequent apparent absence of justice and goodness in human affairs. Boethius was a Christian, but this book utilized dialectics as practiced by Socrates and recounted by Plato in his "Republic". The Christian point of view is founded on faith that God, goodness, and a final purpose exist because they are revealed in the Bible. In the Platonic view taken by Boethius, the presence in human affairs of God and purpose ("purpose" appears in Richard Green's translation of "The Consolation of Philosophy".) can be established by reasoning. The reasoning does require faith in something, namely in the orderly and lawful progression of events in the natural world, as suggested for instance in the orderly motions of the heavenly bodies (Walsh, p. 17, "...this tiniest of sparks will cause life's heat to be resuscitated in you."). In the language of the time, orderly progression was determined by divine reason.

"The Consolation of Philosophy" was little noticed in the turmoil following the final collapse of the Western Empire. But it was transcribed under Charlemagne in the eighth century, and it remained thereafter a very influential book for a thousand years. Chaucer translated it into English. One can imagine that its very deterministic outlook was too constraining as the later Renaissance burst forth and demanded unbounded freedom for the individual.

We may be entering more sober times. Some of us may find that our present realities do not meet our expectations. We share this with Boethius. If we have never achieved the success or fame accorded Boethius, we still may have reverses due to the economy or old age. Can "The Consolation of Philosophy" help us? If we turn to it as a reasoned approach, does it hold up in the light of modern science?

Our most highly developed science is physics. How does a modern physicist regard the world? Based first of all on quantum mechanics, he is apt to feel that reality at the fundamental level is probabilistic rather than deterministic. But there have been those who seem to disagree, most notably Einstein and Schrödinger. Einstein's vision of reality involves a space-time continuum. Doesn't this imply that any part of the whole is predetermined by the requirement that it fit adjacent parts? This corresponds with the medieval belief that the world, present, past, and future, is known to God. Boethius felt that this is compatible with free will for humans, in a way that is not immediately evident to out human reason. He resolves this after finding why human affairs do not seem to be guided by the hand of God, as is the material world.

Physics is not the only science. Biology is much closer to human concerns. The most spectacular aspect of modern biology is the discovery of the structure of DNA and the mode of its expression in the body. DNA bridges the gap between organismic biology and evolutionary biology. The structure of DNA is described with a mechanistic model, and its expression results from causal relationships. This is very deterministic.

In organismic biology perhaps the greatest accomplishment in the twentieth century was the theoretical and quantitative explication of the firing of the giant neuron in the Atlantic squid, since the same model can be applied to many other neurons and species simply by adjusting parameters. Eric Kandel has extended the quantitative and molecular understanding of neural behavior further in his work on synapses. This establishes the molecular basis of memory. In his Nobel address ("Science", 2 November 2001, pp. 1030-1038), Kandel noted that the solution of the general problem of neural functioning in memory will require a systems approach, and he is confident that this and other questions in the biology of learning will be addressed in the near future. I wonder if Kandel is too optimistic?

A neuropsychological theory of memory and learning was advanced by Donald Hebb in 1949, and used by Hebb in his teaching of psychology (Hebb, D.O., "Textbook of Psychology" (3rd Ed.), Saunders, Philadelphia, 1972. See also Hebb, D.O., "The Organization of Behavior", Lawrence Erlbaum Associates, 2002.). Hebb's theory introduced cell assemblies in neural networks, but was nonmathematical. Hebb was not a mathematician, and in addition the tools for putting the theory in mathematical form were not available. Powerful computers did not exist (a modern PC would suffice for a small idealized network), and the mathematical field of nonlinear dynamics was relatively undeveloped. Now those tools exist, but apparently the approach has never been tried. Has contemporary science gone beyond such fundamental things?

Now let's consider a bit of social science. Going back 56 years, the Second World War had been over long enough to give people time to think about how to change human culture and prevent another war. One idea for changing social behavior was offered by the behavioral psychologist B.F. Skinner. He presented it in the form of a novel, titled "Walden Two" (reissued 1976, Prentice-Hall). Walden Two was an imagined utopian community. The description and history of such communities is interesting in itself, but my purpose here is to compare the formative influences in Walden Two with those that our society has brought to bear in recent decades. Walden Two had been in existence for ten years, and its population after the war was about 1000. At that time its educational procedures for children had been worked out. They began at birth, and were so thorough in instilling cooperative attitudes that male aggression never appeared in early childhood. I wonder whether that might interfere with normal male hormonal balance. Maybe, if the cooperative attitude is desirable, training should begin after proper male development. At any rate, if we aimed to develop a socialist society, training for reduction of male aggression should be introduced at some age. We are now going in the opposite direction. In our society, fathers encourage aggressive behavior in their sons, so that they will be able to get their share in the capitalistic culture. The development of aggressive instincts does not stop there. The influence of television on all ages promotes violent attitudes. Whether Skinner considered this in his later years I don't know. He did not live long enough to see the development of violent computer games, but surely he would be appalled. As things stand, we appear to be committed irrevocably to an unrestrained capitalistic society, in which waste could be unbounded. Can we halt this with recycling? Or are we headed for social disaster? The wise course for the individual is to prepare for acceptance, whatever comes.

Coming back to the present, many of us are disappointed, and are looking for encouragement or consolation. Some will find it in religion based on faith, especially the forgiving Christian faith revealed in the Bible. There will also be mystics, who have a direct experience of God, and therefore don't need a conscious act of faith. Others may turn to a more secular view. Notable is the outlook expressed by Stephen Jay Gould in "Wonderful Life" (Norton, 1989). Gould sees precious value in human life precisely because its origin was dependent on contingent events, and hence was so unlikely. This is very different from the deterministic view I have taken. Gould draws further assurance from the apparent release of the free will from determinism.

Finally there is the path chosen by Boethius. It is the way of a rational mind that has been confronted with the harsh reality of reversals or deprivations. It is the path of acceptance, as a higher value becomes evident. Again we question whether this view makes sense in the light of modern science. Is there something about the human mind that makes it override material values? Many have tried to define the source of the difference between human perception and that of other animals. One current view is that consciousness is the special human resource. But do we really know that other animals don't possess consciousness?

The difference between humans and animals may be that humans have passed a threshold in symbolic activity. When our ape-like ancestors left the forest, and began hunting on the hilly savannas, they became more social, both to hunt big game in groups and to prepare food at the camp. This promoted a dramatic development of language. Brain regions involved in symbolic activity expanded. It became possible to tell stories of hunting adventures. Stories cultivated imagination, and imagination led to visions of what might be over the next hill. This in turn led to the concept of a space beyond all hills, an abstract space. The regularity of the Sun and Moon demonstrated order in the abstract space. Maintained by what agency? There must be a divine will that promotes order. At that point our ancestors were DISCOVERING the spiritual realm.

Ages later writing appeared, which made it possible to transmit precise knowledge, and so led to advanced culture. We discovered mathematical relations, and made a start in learning physical laws. These developments depended on the conscious mind, but also involved the subconscious in an essential way. The subconscious is not limited by sequential logic. Like nature, it considers everything at once. And so we draw closer to God. It is the above characteristics that make the individual human mind precious. It depends on culture, but rises above culture. The individual mind comprehends a whole world. Except perhaps when we pass our threshold of tolerable pain, the mind is able to rise above physical discomforts and deprivations, and find refuge in comtemplation of the world within.

The next time you have a bad day and get mired in self-pity, think about Boethius. Born into a wealthy Roman family around 480 C.E., Boethius was a successful scholar and politician. Early in his career, he wrote influential treatises on Aristotle's logic and Christian theology. He became a senator and found favor with the rulers of the Roman world, ultimately taking the highest post in the Western government (then located in Ravenna, rather than Rome). But his world fell apart when his king, Theoderic, charged him with treason. Confined to his house and awaiting a particularly gruesome execution (you don't want to know), Boethius comforted himself with philosophical reflection. Working partly in verse and partly in prose, as translated by P.G. Walsh, Boethius crafted a long dialogue with the goddess Philosophy, who slowly convinces him that happiness based on worldly things is fleeting and false, and that true happiness can come only from knowledge of God and his goodness. getAbstract is glad to offer a look at this classic work, which inspired people from Dante to C.S. Lewis, even in their darkest hours.

The particular edition I am reviewing is the Oxford World's Classics translation by P. G. Walsh.

This is one of those classics that can catch an unsuspecting reader completely by surprise, especially if one has read many other works by near contemporaries. The circumstances under which it was composed are legendary, and lend the work a legitimacy granted to few other works. Boethius was among the foremost government officials in what was essentially the successor government to the end of the Roman Empire. Rome and much of the rest of what would later become Italy was under the control of the Ostrogoth king Theodoric. A product of one of the leading Roman familes, Boethius ascended to a power of great honor and authority under Theodoric, only to be accused of treason late in the latter's life, at which point Boethius was imprisoned and condemned to death. While awaiting his fate (including whether Theodoric actually intended on carrying out the sentence), Boethius wrote this remarkable dialog between a prisoner whose situation closely resembles Boethius' and Philosophy personified as a woman. Although many topics are discussed, the heart of the dialog is the nature of true happiness.

Although few of its readers are likely to face circumstances as dire as Boethius', the work remains remarkably pertinent in an age where ideals of happiness are dictated almost entirely by our modern consumer society. Philosophy carefully explains to the prisoner that that happiness can never be found in such things as fame or power or riches and other things that are confused with the true source of happiness. For Boethius' Philosophy, happiness is ultimately rooted in the Christian God, but even for non-Christians, the lightly theological tone of the work provides much reflection on the nature of happiness in almost any kind of situation.

The Walsh edition of this work is, in my opinion, the finest readily available edition in English. The notes are marvelous, both providing overviews to each upcoming section as well as providing detailed comments on specific lines in the text. The introduction gives any new reader of the work all the context and background that he or she would need to digest the work. Best of all, the translation is exceptionally readable, and the translations of the many poems far above the average for most academic translations of verse.

I recommend this work strongly to either of two kinds of readers. First, for anyone who is a student of intellectual history the work remains for an understanding of a host of writers in the middle ages, as well as for many 19th century poets. Second, anyone interested in devotional or reflectional works, whether religious or philosophical, this remains one of the most essential works in the history of thought. By almost any standard, this is a work that demands careful reading and study.

For a long time, this would stand as the last major work in which philosophy played the role it was accustomed to play in Antiquity; most medieval thinkers would make philosophy the servant of theology and strip it of its profoundly ethical roots - after all, Christianity became the philosophical way of life par excellence. By using philosophy as a character, Boethius emphasizes its vital role in everyday life and the choices that life entails. Although Boethius is usually mentioned in conjunction with Aristotelian and Christian thought, this work is especially linked to Platonism, Stoicism and Neoplatonism: a) it follows the progression of Socratic discourse in a journey that leads one from the suppression of false beliefs towards a gradually clearer approximation of what Good is, and Philosophy is akin to the priestess Diotima of Plato's Symposium; b) the harrowing context in which it was written mirrors the composition of Seneca's Letters to Lucilius; c) its frequent allegorical use of poetry and myths follows the path set forth by the Stoics and Neoplatonists. The first few books free Philosophy's interlocutor from his errors, and Boethius then explores the work's central subjects: justice, the nature of good and evil, providence (themes that also intensely preoccupied Plotinus late in his life). Treating 'Consolation...' only as a compendium of ancient Greek philosophy would be doing it a major disservice, as it would underscore the personal dimension lying at the very heart of the work. Those who forgot that philosophy is a lot more than the mere juggling of concepts should definitely read this key book.

Here you find the unequivocal declaration that not riches, not high position, not fame, not physical pleasure are worth pursuing in-and-of themselves. Such things are of value only if they are obtained in the pursuit of the highest Good. This highest Good is demonstrated to be God. Moreover, Boethius points out that when evil men succeed in obtaining such goals over the righteous, then they cease to truly be men- they are beasts and subhuman. This is a refreshing reminder in the modern world, a world not unlike that of late Roman times.

All happyness, all worth, all reason for being, lies in the One and the Good. Even when we commit immoral acts, it is a result of ignorance on our part in seeking this ultimate goal. Indeed, to turn from the quest of finding the One is to cease to exist at any meaningful level. There is no "fire and brimstone", or talk of eternal torment in hell here. There doesn't need to be. As long as you willfully or ignorantly stray from the Path then you are in hell. And to not find reconnection with the One and the Good is to cease to exist. All of our earthly existence is for the purpose of reawakening to our true nature. This truth lies within all of us and it is only reached by personal introspection (Know thyself.) Only in this way will we return to the eternal Source that lies beyond time itself.

The consolation of the Consolatio lies in the fact that suffering serves a purpose if it puts us back on the true Path. Moreover, earthly recognition of virtue is irrelevent. God always recognises the man of virtue if the masses do not.

My copy of "The Counterpane Fairy" is tattered and torn, it originally belonged to my mother who died last year at 82. It is a book that I have read and re-read to my own children and any other child I could get to listen (all of whom have delighted in it). You don't need to have a sick child to love it. I read it, over a number of nights, while we were vacationing one summer, to four children who couldn't wait to get to the end of the day to hear the next adventure. It fosters imagination and takes all children, 90's or otherwise, to places that don't require instant gratification or Hollywood images to delight. I haven't heard the cassette, however, I would recommend it just for the experience and the joy it will bring. The illustrations in the book, also drawn by the author, are wonderful and will, of course, be missed with the cassette. Let's bring the book back into print!

I Wrote a review of the "Counterpane Fairy" by Katharine Pyle in June of 1998. The audio tape was wonderful but it would be so nice to be able to read the book again. Please see if there is anything you could do to have this beautiful book reissued. Thank you.

The Counterpane Fairy is a magical book that my sister and I read over and over as children. Part of the magic was savoring the illustrations. Please, please reissue in print.

This book was a childhood favorite. My grandmother's mother used to read it to her and so on... Her copy was tatterd and torn. I went through great measures to find another copy in better condition for my grandmother two years ago and finally did. You can imagine my excitement to find this brand new reprint is available! I have told all my aunts and uncles and expect they will order a copy, as well. Don't let this one get by, as I am sure it will go out of print again!

This book was a favorite of mine as a child. I was very disappointed in the new edition. First, there are none of the delightful pictures from the original. Second, the cover looked like it was a library book - plain blue, not even a title printed on it. It's the same wonderful stories, but if you remember the original, you'll be disappointed in the way they are presented. 3 stars for the stories, no stars otherwise.

dada: zurich, berlin, hanover, cologne, new yorkk, paris

This book is wonderfully informative, plus it has so many full-color reproductions--the type of terrific catalog that inspires one to stroke its pages with a sense of seduction (works in my mind!).

Coupled with Hans Richter's: "Dada, Art and Antiart" and movement's philosophy and works are clearly understood. Graphics are truly great and commentary enlighten. It might be noted this book is German published as the Max Ernst book "Life and Work". Both with numerous colored plates of the highest quality. The Dada book though excels in text.

I have always had a weakness for Dada, and within this quixotic movement a special liking for Schwitters. So I visited the Dada-exposition in the Paris Centre Pompidou last year, and there bought both the Dickerman catalogue of the American exposition, and the (French language) catalogue of the Centre Pompidou itself, which differ in many ways. The exposition was wonderful by the way, and one of the best I' ve seen in many years. Thinking that a morning would be enough to see what I wanted to see, I changed my mind, decided to take dinner in the Pompidou, and stayed for the rest of the day. The immense amount of material was stunning. And the same thing really goes for both impressive catalogues. The American (Dickerman) version (520 pages) follows Dada by way of the cities where Dada developed, and does so in a more or less chronological fashion. Essays are excellent, photomaterial looks great. It is the sort of catalogue you would expect from an exposition like this. The European catalogue, more than thousand pages, printed on very thin paper, treats subjects, artists, and everything else connected with Dada according to alfabet. It seems to me that the catalogue has just about everything that could be seen at the exposition, with exception of the films of course. Although I felt a bit silly after buying both catalogues (spending some 100 euros), I was in the end very glad that I did. Everybody who buys catalogues now and then, know how disappointing these sometimes are. Well, these aren't. They are both superb, knowledgeable. And the people who made them have done a terrific job. In the end you wind up thinking: Hey, these guys (and girls) must have loved Dada as much as I do.

IF YOU LIKE ART THIS IS THE PERFECT MEAL.
BREAKFAST LUNCH DINNER AND SNACKS
I WISH I HAD ONE OF THESE BOOKS IN EVERY ONE OF MY ROOMS
OR ANYWHERE I VISIT WHERE THERE MIGHT BE FREE TIME TO LEAF THRU IT!

I ordered this book for a friend who is very interested in this type of history and he was very pleased with the style and detail of the narration. Since my childhood was spent in South Dakota, I am reading the book myself and am fascinated by the tales of the cowboy life in the early years.

Ike Blasingame was a Texas cowboy working for the Matador Land and Cattle Company when the company expanded its operations in 1904 and leased just-opened range land along the Moreau River in South Dakota south of today's Mobridge. Blasingame was among the cowboys sent along with 3,000 head of cattle to this new area, and this being 1904 both men and beasts went the modern way - by train. Evarts (no longer extant) was the shipping point. For the next 10 years or so Blasingame punched cattle for the Matador, and this is his account of that experience, dictated to his wife who wrote it all down, many years after the fact.

Blasingame relates his story in a leisurely narrative style. His memory was obviously good - at least that's the impression given with many names given and events told as if they happened yesterday. There are the usual stories about bad weather, stampeding cattle, mean horses (and useful cowponies), branding, shy cowboys around the ladies, and the often dull times rounding up cattle or driving them to the railhead one finds in memoirs like this, but Blasingame keeps things lively and interesting. The Matador had a big spread in Canada, and sometimes Blasingame was sent there on his cowboy duties, but he was always glad to return to Dakota. When the company began closing their leases he bought a ranch on his old stomping grounds and ranched there with his wife and kids until the Dust Bowl troubles forced him to move to California, where he continued his ranching ways with an outfit there. Lovers of the Old West and the lives of the cowboys who worked the range will enjoy this book a lot.

Of all the cowboy memoirs, this is one of the best. Ernest "Ike" Blasingame was barely twenty when he went from Texas to South Dakota in 1904 to cowboy for the Matador Land and Cattle Company on rangeland leased from the Cheyenne River Indian Reservation. His account of that experience covers the next 7-8 years, and it's a well-told story full of memorable incidents, cowmen, and horses. There's an excellent balance between informative explanations of the work of cowboys on the ranges and amusing anecdotes, accounts of mishaps and accidents, and nicely drawn descriptions of personalities and behavior revealing depth of character (or lack of it) among his colleagues.

The roll of the seasons and the extremes of weather are well described, including the fatal winter of 1906-07. Indians also figure prominently in the narrative, and you can get a good understanding of the cattle industry itself in the years before the West was transformed by homesteading settlers and small farmers. Demon rum has a role to play in the fortunes and misadventures of these men, and there are insights into the social history of the all-male, bachelor work force who performed the hard labor of working cattle.

Remembered and told 50 years later (the book was first published in 1958), Blasingame tells his story as though it happened yesterday. It is full of youthful enthusiasm and wide-eyed enjoyment of his work and his growing reputation as a fine young bronc rider, taming the company's unbroken horses and winning the respect of the men he works for, who quickly trust him to rep for the Matador at roundups on other ranges.

It's not clear how much of the writing is really Blasingame's. He gives credit to his wife "who wrote this while I talked." And it may well be she to whom we owe the credit for this lucid, well-organized, vividly described memoir. At any rate, as a joint project, it provides a wealth of information and entertainment for anyone interested in the real West of working cowboys. It's a classic. And thanks to the University of Nebraska Press for keeping it in print.

Well-told stories of cowboy life in the Dakotas and Canada at the turn of the century. Highly recommended. A joy to read. A great plain-speaking, direct style. Lots of dry humor. Left me wishing I could spend more time with "Wild Ike." Overall, it is a bronc-buster's view of a slice a history - the arrival of cattle herds on a large South Dakota reservation, the heyday of the cattle business there, and finally the demise of free range ranching in that area and the arrival of the homesteader. I was a little concerned that it would be the story of cowboy life 20 years after the end of the cowboy era. But there are no pickup trucks or ATVs in this narrative, just cattle and horses, cowboys and Indians. His profiles of dozens of horses (woven into the narrative) would be worthwhile even without the other stories. (Here's a tip - there is a fold-out map on the last page. I figured that out when I got to the last page, but you will be happy to have the map as you read.)

I am the son of Ike Blasingame the author. This is not a fiction book. Every event and place are true. On the map all the creeks and places are in their correct places as well as the tributaries which run into the Moreau River, and Missouri River. There are 3 million acres of the Cheyenne River Indian Reservation leased by the Matador Land & Cattle Co. of Texas who then sub leased to 10 other New Mexico and Texas cattle ranches, all having seperate brands, (like L7, Turkey Track, and DZ). Chief Sitting Bull died in 1899 but Ike Blasingame bought horse from Sitting Bull's brothers, One Bull and Lone Bull.

Ray Blasingame - Paisley, OR

It is hard to believe this book was written by two people; the division in their creative contributions is seamless, and they communicate clearly as one. One of the most satisfying things about this book is that it rings true. The situations and conversations could be yours, mine, or one of our friends'. These people, their lives, their challenges are so believable and real--and so are the many different forms love takes as the story unfolds. I am quite impressed by these authors and hope another book will come our way soon.

Dare to Dance sparks your interest from the very first page. Is Karen seeing things? Or has she just "lost it" like she has her beloved husband...

This is a book which tackles timely and difficult subjects, deftly and seamlessly woven through the story of a family facing the challenges of loss and change. Character development is excellent; one finds oneself relating to each person as they make their way from pain to understanding and finally, peace - facilitated by love.

One hopes this is just the first of many such efforts by Truswell and Kling. Brava!

Sandi S. Paramedic and aspiring writer of children's books

I rarely read a book twice but this is one that will remain on my bookshelf to be read again and again. Dare to Dance is easy to read although the characters are complicated, just like real life. I really got wrapped up in the comprehensive tale of a family in crisis and their day to day lives as they try to move forward.
Hoorah for the two authors who were able to write this together. I can't even imagine how I would co-author a book with such flawless narrative.
I look forward to your next book. I hope there will be a sequel to this one at some time.

I read this book in just two evenings. I loved everything about it, the style of the authors, the characters, the twists and development of
the interaction between them. I loved the beginning as well as the
ending. It left me with a positive feeling that members of one
family can stay connected while finding their own way.
I loved it yet hated to see it conclude. I do hope we will see
more from Truswell and Kling.

Dare to Dance is an easy read, the kind of book you keep reading straight through to the end. I felt for all the characters, especially Karen when Jocelyn was being so nasty to her and Drew seemed to be barely tolerating her while she was dealing not only with her loss, but also her anger - yet I understood their feelings as well. I liked the ending ; it left me with a feeling of positiveness, that families can heal with communication, understanding, openness, but it was real - I knew it would still take work, even with the changed attitudes. That's what I liked about it most - it was real, neither a fairy tale ending nor overly dramatic.

When John and Philippa first see their father after returning from an adventure in Nepal and India, they are shocked to find him changed into a very old man. Mr. Gaunt had been a normal human until his wife Layla --- one of the most powerful djinns in the world --- put him under a Methuselah spell. She hopes this will keep her children by his side and prevent the djinn twins from following her to Babylon, where she is going to assume the position of "Blue Djinn of Babylon."

Unbeknownst to Layla, however, John and Philippa temporarily had been replaced by imitations so they could pursue other adventures. To reverse the aging process, they must get help and are faced with some very serious decisions: How will they be able to leave their father under such circumstances? And how can they get their mother back home and prevent her from becoming the Blue Djinn of Babylon?

Djinns cannot be discouraged easily. And before you know it, after a few setbacks --- such as a terrible accident in which their beloved housekeeper ends up unconscious in the hospital --- help arrives on a whirlwind, in the person of the strange magical djinn Marion Morrison. Nurse Marion wears cowboy boots and has "two beady gray eyes that she was able to control so that she could look in two different directions at the same time."

In a complicated and wild story, the twins embark on yet another adventure as they try to find the true Blue Djinn of Babylon (Faustina, who has lost her body somewhere in England) and help her brother Dybbuk (who is on the brink of joining forces with the dark side after he discovers that his father is none other than Iblis, the most evil djinn in the world). Their Uncle John, the butler Mr. Groanin and the kindly old djinn Mr. Rakshasas join them. Using their abilities to go in and out of bodies, make transformations and other magical djinn skills, they find themselves in a series of mysterious mishaps involving disappearing people, ancient Chinese terracotta warriors who are being controlled by evil forces, haunted museums, robberies and even some unexpected help from none other than Marco Polo!

Readers will be surprised to see what happens to John and Philippa's mother, how the abilities of a little nun help them, and how an erupting volcano changes everything. The twins have their work cut out for them in yet another exciting tale from P. B. Kerr's bestselling Children of the Lamp series.

--- Reviewed by Sally M. Tibbetts

Middle school into high school readers and many an advanced elementary grade level reader will relish CHILDREN OF THE LAMP's 4th book DAY OF THE DJINN WARRIORS, which has the twins on a journey to save their mother from her destiny as the Blue Djinn of Babylon, and their father from a dangerous curse. A worldwide journey leads to discovery of an evil force which has awakened a new breed of warrior to the world in this find blend of mystery and fantasy.

I absolutely love P.B. Kerr's series about these children! This is another book in a refreshing series. I have recommended it to both students and adults!

The kids were happy that it arrived in only 6 days so they could continue reading the series.

The fourth novel in the Children of the Lamp series features the terracotta warriors, thousands of six foot tall clay statues buried with the Chinese Emperor of Qin, somewhere back in 210 BC. These statues were for protection as well as to ensure that the Emperor had a full army at his disposal in the afterlife. As the story goes, someone is reanimating these ancient warriors, and possessing them with evil spirits.

Meanwhile, on the good Djinn side, Djinn twins John and Phillipa Gaunt, their Uncle Nimrod and the crew head off to find Faustina Sachertorte (who is in the Djinn equivalent of suspended animation) in the hopes of reviving her to take the place of the twins' mother as the hard-hearted and extremely logical Blue Djinn of Babylon. This requires careful planning, because their father is under a Methusaleh binding that makes him age rapidly once the twins aren't at home, which of course they aren't.

Back on the other side, Faustina's brother Dybbuk is acting up, misusing his powers in exchange for fifteen minutes of fame as the next (and much improved) David Copperfield. Unfortunately his antics are noticed by his father, Iblis, the leader of the Ifrit (a.k.a. the really bad Djinn) and before he realizes it, Dybbuk is being used to set up a really big scam that could change the balance of good and evil.

Better than book three, Cobra King Of Kathmandu (Children Of The Lamp), this one takes the reader to exotic locations with exotic food, contains a lot of surprises, and features two very famous gentlemen from the past. The action-packed adventure comes to a dramatic pause at the end, which is clearly not the end of the story, but the way forward to the next book. Fans of the series won't be disappointed with this one.

Rated: 4.5 stars


Children Of The Lamp: The Akhenaten Adventure (Children Of The Lamp)

Blue Djinn of Babylon (Children of the Lamp (Paperback))



Amanda Richards, April 23, 2008

If M.M. Kaye had written more books like her "Death" series, she might have had a place almost as exalted as that of Agatha Christie. Best known for "The Far Pavilions," Kaye also wrote other stories set in the exotic locations that she had visited in the past. Though it may be politically incorrect to reminisce for times when the British were a strong presence around the world, it's hard not to wish oneself into one of these exotic mysteries.

Twenty-one-year-old Amanda Derington is newly freed from her strict, oppressive uncle, and is travelling to Cyprus with a tour group that includes her uncle and aunt, a cynical romance novelist, a faux invalid and her doting husband, and an oddly attractive young artist. But after her aunt Julia enters a state of jealous hysteria and then dies mysteriously, Amanda finds a bottle of poison in her room. The artist, Steve, urges her not to reveal where she found it.

Amanda comes to Cyprus, with the incident seemingly behind her. But her host, the kindly Glenn Barton, has to relocate her to the eccentric Miss Moon's. His wife Anita has left him and is now living with an artist, claiming that her husband is cheating on her with several women. And as Amanda tries to find out who killed Julia, she finds that more murders may be in store -- including her own.

As always, M.M. Kaye evokes a bygone time of muted glamor, rugged Army officers, lots of flowers and atmospheric settings in exotic locales. Descriptions are good, not too flowery but help to bring images to mind. The dialogue is sprightly and realistic, very different for each person, and often hiding subtle clues as to the person's inner thoughts. Her characterizations are multilayered; characters like Anita Barton are not as simple as they seem, and may not be fully explained until the last pages.

Amanda is much like Kaye's other mystery heroines -- young, pretty, bright, observant, brave, a little naive, and essentially kindhearted. Love interest Steve is attractively insolent and brainy, while the mild-mannered Glenn Barton hides unusual secrets; his wife Anita also hides secrets, behind a facade of alcohol and scandal. Monica Ford, Glenn's secretary, inspires either indifference or pity, depending on the part of the book one is reading. Miss Moon is the truly unique character, an effervescent old lady who dresses on opulent clothing and jewelry according to the day of the week.

For a bit of nostalgic escapism, open "Death in Cyprus" and enjoy the exotic places and mind-bending mysteries. Then read the rest of the series, which is every bit as good as this book.

Death in Cyprus was captivating. I'll admit, it has a slow beginning, but once the story gets going in Cyprus you can't put the book down. The unlikely hero and witty, romantic dialogue gives the book a very lovable angle that will make you pick it up again and again. The suprise ending is very much of a suprise and (unless your Sherlock Holmes,) you won't even recognise some of the clues until the end. Death in Cyprus is not the best of M.M. Kaye's mysteries, but it's a romantic thriller that will sweep you off your feet.

30 years ago I improved my knowledge of English reading more than 43 novels by Agatha Christie. Not only was I a fan of mysteries, I loved and still do the light touch of Miss Christie, her lovable characters from Hercule Poirot to Miss Marple. It is therefore a great, great compliment when I say that M.M. Kaye is better than Christie. Why? She is more detailed, there is greater local color, the characters are better developed. I am thrilled to have found someone as wonderful as M.M. Kaye - this is the first novel I read of hers-- and cannot wait to read more. I recommend this book to all mystery lovers, to all Agatha Christie lovers. Flying colors!

M. M. Kaye wrote this most enjoyable mystery novel set in an enchanting Cyprus that Kaye realized was too good to last. Years later when memories of places like Kyrenia had begun to fade, she made the sun shine bright one last time on the Cyprus she had seen and experienced with this marvelous adventure and romance touched with danger. Those who love the scope and beauty of Kaye's grand "The Far Pavillions," Trade Wind," and "Shadow of the Moon" will find much to love in the atmosphere created by the author in this old-fashioned mystery romance set in an exotic locale. Places like Port Said, Fayid, Limassol, Nicosia and Kyrenia are alive and filled with beauty and adventure once again, just as they were when Kaye saw them. M. M. Kaye made sure the sun would never truly set on the exotic place she knew with "Death in Cyprus."

Sunlit garden verandas and dinner tables overlooking a crystal sea of jade and emerald, and the breeze from silver-grey olive trees are described in such a manner you can almost taste them like a fresh purple grape from the vineyards of Nicosia. The setting is ripe for romance, but danger as well, and Kaye brought together both in one of her finest mysteries. While "Death in Zanzibar" will always hold a special place for me as it was the first of Kaye's mysteries I read, it must be said that "Death in Cyprus" is one of her most exciting mystery novels and is a perfect blend of adventure, romance and mystery. You will feel as though you too have enjoyed a vacation fraught with excitement and adventure upon finishing this most charming and old-fashioned style of mystery we will not bear witness to ever again.

Young and lovely twenty-year-old Amanda Derrington will board the S.S. Orantares and meet a group of people who will play an important part in her life in ways she could not have imagined. Before she leaves the ship for a stay in beautiful Cyprus a murder will occur that will reach the white-walled houses of Cyprus, shining bright against the sea. Only Amanda and Stephen Howard, a painter who carries a gun and may be more than he seems to be, know that it was murder, and not a suicide. Only the happenstance of a last minute cabin switch allowed Amanda to find the poison ending Julia Blaine's life. Amanda's knowledge of the crime will put her in danger as the killer is now aware of what Amanda knows.

The romance of Stephen and Amanda, or Amarantha as he calls her, is a very-old fashioned one born of danger and mystery. It is the kind of romance and mystery that recalls the best of Hitchcock's British films, and very much has that feel. Jealousy and romantic strife all come into play as just beneath the surface of smiles much is going on. Amanda will befriend more than one person while having doubts about Stephen and what his real purpose is in all this. A moonlight kiss will complicate matters, as will a second, and unexpected murder. And an attempt will be made on Amanda's life while in Kyrenia which will nearly succeed.

There is a terrific ending filled with both adventure and romance. You will not guess the killer or the motive, although the clues are there. The last few moments will be fraught with danger and excitement, and just when you believe all has been revealed, the true insanity of the real murderer will change what you though you knew. A fine and vivid assortment of characters enliven the story almost as much as the exotic locale. Grand beauty and old-fashioned romance amidst an ever-growing danger do the rest, making this a memorable mystery romance that outshines everyone else who wrote in this genre.

This particular mystery and romance novel was born in 1949 when M. M. Kaye and her husband were staying in Egypt because his regiment was assigned there. A painting holiday in Cyprus she and a friend took would sow all the seeds for "Death in Cyprus." The house described in Kyrenia is the actual one Kaye and her friend stayed in while there. A series of curious incidents witnessed by Kaye on her stay gave birth to the novel she would not have the opportunity to write for another five years.

Originally published in 1956 under the title "Death Walked in Cyprus," Kaye would make revisions that enhanced the story and made it even better. "Death in Cyprus" is a wonderful adventure for all those who like their mysteries on the old-fashioned side, shaded with beauty and touched with romance. You will find none better than "Death in Cyprus" and I highly recommend you take this vacation with M. M. Kaye and rediscover how a good mystery can refresh your soul. Enjoy.

I have read lots of mystery stories, and I must say, this is the one that I can read over and over again. The setting is gorgeous - you can almost feel the sun on your face and the sand at your feet, and you almost feel like visting Cyprus, the beautiful land of Kyrenia, icosia, Huilarion, the Abbey of Belapais, the palace where Queen Berengaria waited for Richards ships. The tone used used is hilarious and the conversations and the hero as well as the heroine and enchanting. It is a must read!!