Asia Books

well i was looking Around the library and saw the book...then mah friend kath was all in a hurry so i just grab it..then i read the book i couldn't put it down because it was so good...i love it...this is the first book that i ever love....the book is mix with love story n adventure...hahhahhah

This is my all time favorite book. The very first day i got it, i didn't put it down until i was done with it late that night. The vivid descriptions of a forbidden love was so touching, it kindled a new flame for an obbsession with romance. Even my e-mail was influenced by the rememarkable book. I recommend this book for any girl (or guy) that wears their heart on their sleve and can use a little sweet mushyness in thier life!

I enjoyed "The Year of My Indian Prince" a lot. It is about a girl that is stuck in a TB (Tuberculosis) center where she is receiving treatment. Meanwhile, she meets up with a handsome prince from (where else) India. They become buddies... etc. The plot is interesting but I was a bit skeptical at first. The title reminded me of another story. The Summer Of My German Soldier. Do you see the simularities?

Teen April is ready for a fine year in 1945, but instead is diagnosed with tuberculosis and confined to a long bed rest in a TB hospital. Her friendships with an exotic Indian prince who begins to court her and a seriously ill roommate struggling with health decisions changes her life as much as illness in this poignant story which is hard to put down.

This book was about 16 year old April who is diagnosed with Tuberculosis (TB). To get well again, she must live in a TB hospital where she must undergo various treatments. April soon meets Ravi, an Indian prince, and he show interest in her. As April's condition worsens, April and Ravi's love for each other gets stronger.

This was really an amazing book! It is also based on the author's actual life experiences. For me, I could not put the book down, I was hooked. I would reccomend this to everyone, especially those who are in the mood for reading about a truly sweet romance.

This is a brilliant, concise gem of a book that brings certain sights of Kyoto to life unlike any travel guide. When I visited many of the places described here, I'd no idea that any of this remarkable history had occurred.

I think this book is an essential addition to any serious Japan library, and as it is a slim text - I think it'd be a welcome and portable companion on a reader's visit to Kyoto.

Keene's study of Ashikaga Yoshimasa, who many historians call the worst shogun in Japanese history, is remarkable for its central theme: that this man was actually one of the greatest Japanese persons ever.

Keene does a decent job of recounting the historical context of Yoshimasa's life: it was an era of unending war and brutality when famine and sickness ravaged the peasantry and rich aristocrats vied for power in the most brutal fashion - beheadings, suicide and betrayal were commonplace. These same aristocrats also lead lives of dissipation - spending their lives drinking and "sporting" while the masses suffered and Kyoto was razed time after time.

But where Keene shows his brilliance is in his interpretation of the life of this failed shogun who embraced religion and the arts as an escape for the 'impure world' and in the process invented many Japanese cultural forms.

When Yoshimasa fumbles the choosing of his successor and a civil war is unleashed, he decides then and there to leave his shogun's life behind and build a mountain retreat - the so called 'silver pavilion' - where he spent his days contemplating the arts.

It is clear that an aesthete such as Yoshimasa was incapable of leading the Japanese nation in war. But Keene shows in this book that Yoshimasa's peculiar taste in art - simple unadorned wood, sliding screen doors, rustic tea utensils, and gardens filled with rare trees and stones, poetry, Chinese calligraphy, flower arrangements, No theatre and so on - served as the template for future Japanese cultural expression.

Yoshimasa's silver pavilion was thus an incubator for 'the soul of Japan,' and a location where visitors can still see the building almost exactly as it looked a half millennium ago. Now I want to visit Kyoto again with newly aware eyes.

This book's only shortcoming is its lack of explanation as to how the culture born at the silver pavilion spread throughout Japan. Yet that might require a lengthy tome, and one of the nice aspects of this history is that it can be read leisurely in a couple of days. It also features some nice color photos. Highly recommended.

This book was given to me by a friend. Frankly, I wouldn't have bought it based on the back flap. Yet, Donald Keene wrote a great book explaining the importance of possibly the worst Shogun in Japanese history, Ashikaga Yoshimasa. He was a terrible military strategist and his government (especially during the Onin war) was one of the weakest in Japan's history. On the other hand, Yoshimasa was of vital importance to the Arts; calligraphy, Waka and other poetry, the cha-no-yu ceremony and painting all were sponsored by Yoshimasa. He also left the beautiful Ginkakuji, the Temple of the Silver Pavilion, for posterity. Yoshimasa's impact on Japanese culture and the arts is undeniable, even in modern day Japan.

Donald Keene, who probably has done more to make Japanese literature understandable to Americans now turns his attention to the state of Japan during the days of Yoshimasa, one of the Ashikaga shoguns. Like other families to rule Japan in the name of the emperor, the founder of the family generally tended to be a fairly dynamic figure, followed by persons of varying competance before sinking into dynastic decadance.

This book presents a portrait of one of the least competant persons to ever become shogun, but managed to have a positive influence just the same. Keene argues rather convincingly that Yoshimasa, though a weak ruler, was an influental patron of the arts. It is Yoshimasa's aesthetic which eventually prevailed in the Japanese imagination and that is the lasting contribution of both him and the Silver Pavilion.

I thought the book was consistent with the overall general high level of scholarship that characterizes Keene's works in general. However, while I am willing to give this work my highest possible recommendation, I am not sure if I can totally support all of the claims made for Yoshimasa. My main concern is that even though I am ready to concede that he does have an aesthetic legacy, I am not sure (and for that matter no one ever really can be) that he can claim to have originated all of the artistic innovations (though patronage) that Keene claims. My reason for doubt is that many buildings that date back to Yoshimasa's period were themselves destroyed during the Onin war (a war brought about by Yoshimasa's politic ineptness). Lacking anything really to compare the Silver Pavilion to, makes it difficult to determine just exactly how great an influence this building actually had at the time. The fact that it survives at all probably ensures that it has had and continues to have an impact on other generations. I am just not sure on what influence it might have had at the time that it was built.

The title of the book is "the soul of Japan" which means the Silver Pavilion built by Ashikaga Yoshimasa the 8th shogun of the Muromachi period.

Chapter 1 Ashikaga Yoshinori the 7th shogun, a tyrant killed by one of daimoys
Chapter 2 Childhood of Yoshimasa, his wife Shigeko and his "favorite mistress" Imamairi
Chapter 3 Weakness of the shogunate, preparation of Onin war
Chapter 4 Onin war, the relationship between Japan and Ming dynasty of China
Chapter 5 Japanese Renaissance, Eastern Mountain culture
Chapter 6 Yoshimasa as a patron of Cha-no-yu, his interest in Chinese painting
Chapter 7 Poetry at that time: renga and waka
Chapter 8 The Silver Pavilion, the garden and the architects Zenami and Soami
Chapter 9 Cha-no yu
Chapter 10 Religions of Yoshimasa, art of the no theater

The division of the chapters and the description of their content are very rough because the author usually puts many different topics in one chapter. This informal writing style seems like that the author has no clear plan and he just writes down something when he remembers something. Reading the book from cover to cover may not be the best way to appreciate it. The character I most like is the index of the book. It is complete and interesting. Just choose a word from the index, and read something about the word in the book. For example you can just read the paragraphs about the eccentric Zen monk Ikkyu and his poems. After you finish all the words in the index, you are able to construct a whole story in your mind. It is the post-modern style of V. Nabokov's novel "Pale Fire".

Judging from the book, the author is just a good story-teller not a good historian. Actually he is good at Japanese literature. This book just contains much facts and details which I don't think important. The author does not see the essence of Japanese culture and does not explain why Japanese culture is special. It is not easy to understand the essence of Japanese culture for most Western scholars. Usually they just emphasize bizarre events, strange imaginations or explain things from the Western piont of view. In my opinion, the soul of Japan is the Bushido and Zen. These two topics are not treated deeply in this book. If you are interted in Japanese culture I will recomment to you the other books:
Bushido: the soul of Japan by Inazo Nitobe
Zen culture by Thomas Hoover
Kwaidan by Lafcadio Hearn

By the way, I like this little book. It is beautiful with its poetic language. It is a pleasant experience reading the book on the train passing through Appalachia Mountain in the summer.

Donald Keene's latest contribution to the field of Japan studies is a masterpiece on the development of Japanese aesthetics and kokoro (heart, soul, mind), much of which evolved during the Higashiyama Period at the Silver Pavilion (Ginkaku-ji) under the leadership of Ashikaga Yoshimasa. Shogun at the time of Onin War (1467-1477), which destroyed nearly all of Kyoto, Yoshimasa was a hapless leader who devoted himself instead to the pursuit of beauty. In this Period, Noh and ink painting flourished, the tea ceremony "originated in a small room at Ginakaku-ji where Yoshimasa offered tea to his friends," and with it the Japanese art of flower arrangement was born. Keene acknowledges the judgment of most historians-that Yoshimasa was weak, extravagant, incompetent in affairs of state, and unable to end a meaningless war and its incumbent famine and suffering-yet posits that he has yet to be recognized for his contribution to Japanese arts and taste. In the midst of wholesale destruction, Yoshimasa precipitated a Japanese renaissance.
Though respecting his grandfather Yoshimitsu, the builder of the Golden Pavilion (kinkakuji), he had no interest in emulating either his life or works. Yoshimasa's Silver Pavilion stands in stark contrast to his grandfather's Golden Pavilion, the later coated in gold leaf, the former the epitome of Kyoto cool wabi sabi understatement. "The simplicity and reliance on suggestion of the buildings and gardens at Higashiyama may indicate that a man who had earlier exhausted the pleasures of extravagance had at last achieved a kind of enlightenment," writes Keene.
This concise work is a complex web of murder, chaos, and endless war that destroys everything in its wake. And, simultaneously-amazingly, ironically, unbelievably-the Period gave birth to some of Japan's best-known art forms. As an insight into medieval Kyoto, there is no better place to begin.

As a Peace Corps Volunteer serving in Armenia, I have found this guide to be extremely useful. I have used the guide on many occasions for myself and to introduce Armenians to the outdoors. It is offers an excellent introduction to the environmental issues currently surrounding Armenia, current and valuable resource list, and the most current topo hiking maps. It is by no means a complete guide but has some of the more popular areas to hike, some focusing around the Tufenkian hotels (Jeffery is the nephew of the famous carpet producer James Tufankian). Future editions will have more hikes, especially in the northwest section. The climbing section is small but offers some of the best areas to climb. If you are coming to Armenia to hike or climb, then you MUST own this guide.

This is one of the most user-friendly hiking guides I've ever used...it's laid out well, provides great resource information, the descriptions are clear and overall it makes what can be a difficult area to access very accessible. It's without a doubt made my time in the country more enjoyable and interesting.

Armenia - land of amazing mountains and plateaus and ancient culture...Are you interested in seeing old monasteries and churches or shepherds moving their flocks across the mountain face that you will be climbing? Come to Armenia and bring this guide-book with you.

Hiking in Armenia is an adventure. Eco-tourism is new and the land and mountains are still untouched. The Adventure Armenia guidebook is a perfect way to explore and experience a way of life that is vanishing in many parts of the world. About the book: I have found both the directions and options (once on the hike) incredibly accurate. I tested the book out five weeks ago on a hike to Mt. Hattis. We found our destination with no difficulty, had an interesting chat with a old woman at the shrine (start of the hike), and found ourselves in good company with shepherds and their flocks of sheep and goats. The shepherds were curious about us and often stopped us to ask what time it was (more for conversation, of course). We had spectacular views of Mt. Ararat and Mt. Aragats and were the only people on the mountain (other than the shepherds). The book itself is light-weight and provides one with plenty of pictures, recommendations, and practical advice about Armenia and getting around in Armenia.

I would highly recommend it to anyone coming to Armenia or living in Armenia that would like to see more of the country and experience first-hand the beauty of the country and its ancient sites.

I have lived in Armenia for over a year, and this is by far the most useful guide book on the market. Not only is it a great hiking guide, but it also provides all sorts of useful information about the country and region in a very accessible format. The authors have done a great job selecting hikes from a variety of regions and with varying skill levels. Unlike most guides about Armenia, the directions are up-to-date and easy to follow - a notable accomplishment given the generally poor signage in the country. Even if you aren't planning to hike, this book is an invaluable resource for anyone planning to venture beyond the city limits of Yerevan. It points you to all the best sights. Another bonus is the size - perfect for slipping in a pack or even a pocket.

Anyone interested in the History,Ethnology and culture of Afghanistan will be immensely satisfied.Dupree's fine-toothed research covers every square inch of this tragic yet fascinating country.From Alexander the great's classic Central Asian campaigns up to the post Soviet invasion era.

Anyone interested in the History,Ethnology and culture of Afghanistan will be immensely satisfied.Dupree's fine-toothed research covers every square inch of this tragic yet fascinating country.From Alexander the great's classic Central Asian campaigns up to the post Soviet invasion era.

Louis Dupree's book is the single best survey of Afghanistan ever written. Indeed, it is the best survey of any country with which I am familiar. In 700 well-written pages, the book introduces the reader to the flora, fauna, geology, geography, folk customs, ethnic groups, literature and history of the country. When I served as the legal advisor to the US Embassy in Kabul for a year, I found it invaluable.

"Afghanistan" gives the reader a complete insight in life in Afghanistan from the Stone-age until the Russian Invasion. Dupee go's in extreme detail about all aspects of Afghanistan's society and "illustrates" them with many stories which makes the book fasinating from the first page to the end. He presents the reader Afghanistan historicly, geographicly and demographicly. The index in the back of the book, makes it to a most complete reference source. After reading this book you know more about Afghanistan than many Afghanies!

(Please feel free to correct my english) Jeroen van Dijk

As a former student of Political Science and a strict follower of the events of Afghanistan in the aftermath of the Soviet invasion and most recently, the post-9/11 era, I have tried to read the works written about my country and the agony of its people. I believe no nation in the course of history shed its blood so generously in defense of her identity, liberty, and faith. The book researched and written by Dr. Misdaq throws light on many unseen, dark corners of Afghanistan such as unmasking many of its false war heroes. It is well-written, well-researched, and I would like to add, thoroughly well done. For those scholars who want to know more and find unbiased facts about Afghanistan, I strongly recommend "Political Fraility and Foreign Interference." I wish Dr. Misdaq much success in this endeavor.

-Hafiz Karzai
An Afghan

Dr. Misdaq presents a finely written discourse on a breadth of Afghan history and its current state. A compelling backdrop is set in an effort to describe the formation and continuous reformation of an Afghan identity with each foreign interference and civil uprising. He speaks from a sociological and anthropological perspective, one which allows the reader to understand concepts and traditions, such as the tribal codes and the Pasthunwali code of honor, which are so integral to understanding Afghan people, life, and culture.

There is a thorough narrative of the political history and characters involved, of course, but I feel the most interesting parts of the book are the Appendices which explore particular ideas or events in more depth. From topics such as comparing tribal traditions to Islamic traditions, resisting modernization from the West, to the impetus behind the Durand Agreement and the disputes between Afghanistan and Pakistan, Dr. Misdaq gently allows the reader to see just how resilient Afghans have truly been in the past two and a half centuries - almost as if they've had the ability to change without changing.

I highly recommend the book to anyone who wants to know Afghanistan in depth, or wants to understand key events and issues in Afghan culture and history, past and present.

Every so often a book comes along that makes a significant contribution to the corpus of available Afghanistan literature. This is such a book.

Crafted with the skilled eye of a BBC foreign affairs journalist for more than a decade, and with training as an anthropologist and historian, Dr Nabi Misdaq guides and challenges readers through the tumult and mosaic that is Afghanistan. Beginning with a multitude of dynastic invaders, our narrative curiousity is nourished with an encyclopedic treatise on the rich history, culture, tradition and political landscape of Afghanistan.

Our journey culminates with an objective appraisal of the devastating effect that the "war on terror" has had on the people of Afghanistan while dispelling many of the myths that persist.

In this book, the reader will find none of the "file-copy" so prevalent in the media and among many books on Afghanistan. Our eminently qualified author and narrator challenges many of the sterotypical images crafted by those with superficial knowledge and or a political orientation who are often posed as media experts.

With courage and candor, Dr. Misdaq reveals the many untruths surrounding certain Afghan personalities masquerading as patriots, but in truth, were and in some cases are, collaborators. Exhaustively researched with copius end-notes, Dr. Misdaq's book will educate, enlighten and enthrall the reader, be they student, historian or policy maker yet who also harbor a desire to understand the complexity and mosaic of a nation poised at the gates of the fiercely competitive, energy-rich Central Asian and Caspian deposits. Currently the focus of Russia, Iran, China and the United States who seek an alternative to the dwindling, traditional Middle East energy sources. It can be argued therefore that Afghanistan is a victim of its geography as the contentious Trans-Afghan-Pipeline negotiations between The U.S. and Taliban through the Summer of 2001 will attest.

This and much, much more can be found in this remarkable and compelling historical work by Dr. Misdaq. I can therefore recommend without reservation "Afghanistan, Political Fraility and External Interference."

Bruce G. Richardson
Author: "Afghanistan, Ending the Reign of Soviet Terror."

The following academic reviews are offered on the inside cover of the book and should be of interest:

"Nabi Misdaq has a rare blend of skills. As an anthropologist he studied contemporary Afghan society and then worked for many years as a journalist with the BBC's Overseas Service in which capacity he met and interviewed most of Afghanistan's leading politicians. Combining these skills with a profound knowledge of Afghan history, he has produced an enthralling study which reveals the fundamental problems encountered by generations of Afghan rulers in attempting to create a legitimate, centralised Afghan state, problems which, as Misdaq also shows, still confront Afghanistan's present-day leadership."
- Ralph Grillo, Emeritus Professor of Social Anthropology,
University of Sussex

"'Afghanistan: Political Frailty and External Interference' is a timely book. At a time when the focus of the world is on the region, it is one of the few anthropological commentaries by a well-known native. Nabi Misdaq's book is detailed and insightful. He has established himself as an authority on Afghanistan. I strongly recommend the book."
- Dr Akbar S. Ahmed, Ibn Khaldun Chair of Islamic Studies,
American University, Washington DC

"Dr Nabi Misdaq has described in this book how the Afghans defended their identity and country, Afghanistan, in odd conditions throughout history, with a special focus on the last 300 years. The publication of this book, considering the current conditions in Afghanistan, is by itself an example of such defense. This is a thoroughly researched and compassionately argued work. I will recommend this book as a must for all those who have an interest in the geo-politics of Afghanistan."
- Dr Farouq Azam, former Afghan Minister of Education

The other reviewers have done a great job of describing this book so I'll keep my review short. I was not prepared for this book. I'm not sure anyone can be prepared. Halfway through I started crying and had to put it away for awhile. Our country is capable of doing some wonderful things. We (and yes I mean we, because the actions of our leaders and military represent all of us) are also capable of doing some truly horrible things. This book shines a light on one of the horrible things we did in Vietnam.

In September, 1976, just back from eight years helping homeless streetchildren in Viet Nam, I wrote an Op/Ed piece for the New York Times ( "Learning From the Vietnamese -- And Giving", 12/04/76) that concluded: "And I'm at a loss how to tell my own people that Vietnam's needs are our remedy - to say that what the Vietnamese people have to offer us - as they did me - is so great that for our own sake we must help them." I was attempting to make a connection between the spiritual strengths the people of Viet Nam had to offer us and the technological assistance we, in turn, could give them. Philip Jones Griffiths, in his book "Agent Orange, 'Collateral Damage' in Viet Nam" has made an even more compelling, if depressing, case for interdependency, i.e., because of the American military's chemical spraying in south VN during the war years there are now thousands of people in both the U.S. and Viet Nam who are dealing with deformities and death because of a ticking "time bomb" planted in Indochina decades ago. Griffiths, author of "VIETNAM, INC.", an award-winning photography book on America's longest war, has included here some unsparing images of humans beings brutally deformed by man's more fiendish dalliance with Weapons of Mass Destruction. Here is a "legacy" that must give all of us pause by a brilliant photographer's tireless effort to bring almost unbearable evidence to us of man's inhumanity to man. Like the Holocaust itself, the full impact of these atrocities took years to come to the fore, but "Agent Orange" makes a compelling case that two countries once at war remain linked in a tragic bond that will not soon go away. This is not an easy book to read or, should I say, to view, but I think we ignore it at our peril. Griffiths knows what of he "speaks", having spent years in Indochina and seen un-speakable carnage firsthand. Here he has placed the evidence before us, as well as a precious opportunity to understand where we have gone wrong and how we may become better human beings in the future. "Agent Orange, 'Collateral Damage'", it almost goes without saying, may be the ultimate brief on America's own WMDs. - ---------------------------------------------------------------------

For those already committed to voting for the so-called 'antiwar' candidate, I recommend putting this book in front of Sen. John Kerry and demanding to know what he will do as president to address American responsibility and pay reparations for the genocidal assault on the people of Vietnam. Such action will constitute a litmus test for this candidate, his "band of brothers" and future warriors about how the USA intends to solve the problem of terrorism. Will they acknowledge international law and prosecute the guilty parties including politicians, bureaucrats, executive military officers and defense contractors? Will they honor, finally, the Paris Accords and repair the ecocide brutally wrought upon the Vietnamese by their chemical weapons? Or will they continue to cover up a deliberate, malefic genocide by honoring war criminals like Kissinger and McNamara who now cries cinematic tears while his Pentagon successors plan the mass destruction of any nation that dares to oppose American hegemony?

Philip Jones Griffiths's AGENT ORANGE, COLLATERAL DAMAGE IN VIETNAM is a complex, dense statement that can be viewed and read several ways. Foremost, it is unquestionably the greatest work of photojournalism ever published. I do not make this statement lightly or without professional judgement. For twenty-five years, I edited the work of distinguished photojournalists -- Capa, Richards, Salgado, Peress, and Nachtwey among many others. Comparable only to W. Eugene Smith's MINIMATA: LIFE -- SACRED AND PROFANE, a passionate chronicle of the devastating effects of post-WW II industrial pollution on a Japanese town, AGENT ORANGE surpasses all previous attempts to synthesize the medium of still photography with historical documentation. Griffiths's masterly images unselfconsciously insert readers into the scene of an historical crime and guide them through the evidence page by excruciating page as a means to elicit direct testimony from the perpetrators and their victims. With the possible exception of Erich Maria Remarque' s ALL QUIET ON THE WESTERN FRONT, no other monograph so successfully confronts citizens with the folly of leaders who commit atrocities in their name. The stares of genetically deformed children struggling to articulate humanity across the threshold of pain and disability give absolute lie to the facile excuses of national security used by politicians to conduct high tech assault-and-battery on unwitting, innocent populations. Then it was Vietnam, today Iraq and Afghanistan.

Beginning with his eloquent book, VIETNAM INC. first published in 1971, Griffiths has pursued an unrelenting inquiry into the truth of violence and war. He reported from the Mekong Delta battlefront and also the brothels of Saigon. Returning years later, he earned the trust of farmers who had rebuilt their devastated villages with the detritus of war. Pushing his inquest further he located and photographed war orphans, now shunned as the miscegenated offspring of foreign invaders (DARK ODYSSEY, 1997). Infrequently supported by the mass media, Griffiths parlayed his skills as a commercial photographer to raise the cash necessary to return periodically to Southeast Asia, as if excavating its pitted landscape for some fragment of reason that might explain the macabre body counts and haunting trans-generational birth defects. Some photographers are celebrated for their commitments in documenting a family coming of age or the rise and fall of a nation. Journalism schools promote the virtues of in-depth or extended coverage (sometime a whole week!) while network and cable news personnel embrace the fame of sticking with a big story only to defer, in the final analysis, to the desire of corporate sponsors. By contrast Griffiths has the determination of a seasoned forensic scientist. Although no maverick, he has paid the price of banishment from the newspapers and magazines "of record" whose editors remain too frightened by management to commission or publish his work. Why would they want to remind subscribers of their own inaccuracies and slavish pandering to the official story?

In this respect, AGENT ORANGE can also be read for its scholarship because it presents new historical research about the manufacture and deployment of chemical weapons during the Vietnam era. It has been almost twenty years since American courts acknowledged the gravity of dioxin poisoning in rulings on lawsuits filed by military veterans. Yet companies who supplied the military with these chemical defoliants continue to falsify experimental data on their products' potential for birth defects. Our government stands mute on the issue of "peace with honor" and refuses to contribute any meaningful economic assistance, nonetheless stipulated in the treaty with Hanoi. The war's apologists and neoliberal ideologues continue to deride Vietnam as a failed socialist experiment. Griffith's photographs and words rip their lies to shreds and dissolve their chauvinism in the cold truth of twisted limbs, hare lips, and hydrocehpalic fetuses preserved in formaldehyde. AGENT ORANGE is the black book of American infamy, its author has given citizens a priceless instrument to test their politicians sincerity and commitment to peace. Buy a copy and ask Kerry for a clear statement of conscience!

Philip Jones Griffiths is among the unsung heroes of our time, photographing the otherwise untold, unsavory aspects of a mean-spirited war completely lacking in human decency. Agent Orange is masterfully conceived, researched, photographed and written in prose that at once is dark, beautiful poetry.

Excellent collection of essays- some repetitive, all comprehensive, accompanied by extremely good illustrations and photographs.

Often scholarly volumes have excellent content but are poorly produced and edited while musem volumes are often well produced and edited but lack serious and contemporary scholarly material--they become catalogues of artifacts without real contextualizing material.

Ainu: Spirit of a Northern People manages to overcome both of these problems. As a scholarly volume it has excellent content (much of which has not been previously available to non-Japanese speakers) and is well-produced and beautifully laid out.

Aside from some small quibbles I have with some other articles seeming truncated for space concerns and others for not presenting enough information (notably the articles dealing with Ainu language/linguistics), I find little to find fault with. Even my concerns about some aspects of the volume are only a request for more, not a complaint with what is in the volume.

Overall this volume does a wonderful job of making contemporary Ainu research accessible to the lay reader while also presenting enough scholarly material to make it worth-while reading for those with a deeper interest in the Ainu. Even though the volume does not deal directly with the area of my research, the amount of knowledge it conveys has foced me to rethink aspects of my own work.

Despite the fact that I have lived in Japan for more than fifteen years, my visit to the Smithsonian's fabulous "Ainu: Spirit of a Northern People" exhibit last year provided my first meaningful look at this long overlooked or misunderstood part of East Asian cultural heritage. I ordered a softcover copy of the (at the time yet to be released) book right away and have since poured through it time and again. Written largely by anthropologists, as a layman I feared that it might well be too scientific to appreciate; happily such is not the case. The book is beautifully written, edited, and illustrated. Anyone with an interest in Japan's northern culture and/or the animist nature of the nation as a whole will find this book profoundly enlightening. I regret that a hardcover edition was not available sooner.

In addition to what the other readers have written I would also add that this book is truly a "must-have" for anyone having an interest either in the Ainu specifically, or native peoples such as the Aleuts, the Inuits, the Polynesians, the Moari, etc. This, in part, because anyone interested in the Ainu will be hard-pressed to find a great deal of books in print regarding this topic, in any case in English. Photographs or Ainu artifacts are perfect and highly details, and there are a great deal of reproductions of "Ainu-e", or paintings done by the Japanese when they were slowly but surely in the process of taking over what is today Hokkaido. These are invaluable because they are rich in detail and depict a way of life that no longer exists, much in the same way that Edward Curtis' photographs of the Native Indians in the US are. I would personally recommend the hard-cover version though more pricy is a much better book to own in one's collection.

This book is personal for me. It mentions by name or by anecdote, my friends, my classmates, my squadron mates. For 35 years, I neglected reading about the war I was in, as a C-130 co-pilot. This book was exactly what I was looking for, to fill in the gaps of what I knew. In any history of Vietnam, it is good to assess its bias. This book is factual and does not try to promote or debate the politics of the war. It does make a few assessments of the capabilities of the South Vietnamese army, air force, and marines, and the role of American air force and advisors on the ground. It factually describes instances when South Vietnamese army units surrendered with little or no fight, would not go out on patrol, and dropped wounded comrades to clamor on board a med-evac helicopter. Some of the strongest criticism is directed at some South Vietnamese officers who were corrupt, cowardly, or incompetent. It also tells of soldiers who bravely and effectively took on North Vietnamese Army (NVA) tanks with Light Antitank Weapons (LAWs), and who bravely fought the NVA soldiers. Some of the South Vietnamese officers are described as courageous and effective. It tells of the NVA atrocities, such as firing artillery and machine guns on civilians attempting to leave An Loc and other battlegrounds.

The stories are told mostly from the point of view of the American army advisors and, to a lesser extent, the South Vietnamese officers who were their counterparts. Andrade describes the NVA maneuvers and attacks and the South Vietnamese response, then zeroes in on the American advisors so that you get acquainted with them and become emotionally attached to their survival and success. By January 1972, almost all American combat units had left Vietnam. The Army of the Republic of Vietnam (ARVN) and South Vietnamese Marines were doing the fighting, with American advisers at the upper levels of command. The advisers helped the ARVN officers deploy their men, and their most essential role was to direct the air force and army helicopter support. (Also naval gunfire in I Corps.) Hue, Kontum, and An Loc all survived the NVA attacks, but would have been overrun if it were not for the B-52s and the close air support of fighters, gun ships, and helicopters. Supplies delivered by the C-130s of the 374th Tactical Airlift Wing were essential to Kontum and An Loc. Andrade does not give a lot of details on the fighting done by individual ARVN soldiers. He generally does not personalize the ARVN by introducing you to the soldiers.

Two dominant factors were the NVA artillery and American air power. The ARVN had fire support bases scattered around the enemy objectives in all three areas, and the NVA artillery was able to destroy the ARVN artillery, then pound the ARVN infantry. The ARVN artillery were in fixed defensive positions, and NVA spotters were able to direct accurate artillery onto them. The NVA concealed and frequently moved their artillery, and the ARVN did not have spotters in position to direct counterbattery fire onto the NVA artillery. American air power (plus, in I Corps, naval gunfire) filled the void of ARVN artillery. NVA anti-aircraft artillery was significant only at An Loc. On May 17, 1972, my C-130 crew delivered 15 tons of 105mm howitzer ammunition to Kontum. But on May 24, NVA artillery neutralized all of the ARVN 23rd Division's artillery (page 301), and on May 27th, the ammunition dump near the airfield was struck by mortar fire, destroying ammunition.

I have two minor criticisms, which do not significantly detract from the excellent quality of the book. It attributes the failure of the peace negotiations in December, 1972, to North Vietnam secretly inserting 17 changes into the document on December 13. (Page 479) Other accounts I have seen attribute it to South Vietnam's President Thieu rejecting the treaty, which is not mentioned here. Second, its understanding of air power is somewhat limited. It describes Combat Skyspot (Page 75) as "a high-tech method of delivering bombs using laser beams." Skyspot did not use laser beams, it used ground radar, the AN/MSQ-77. After mentioning laser beams, Andrade vaguely but more accurately mentions that Skyspot involved aircraft dropping bombs on command from a radar center on the ground. We also used Skyspot to accurately direct C-130s to the release point for air delivery of cargo.

Andrade has eloquently captured the details and meaning of the final campaign involving US Forces. In particular, he wonderfully details the herculaean effort of John Paul Vann and his outstanding Deputy, BG George Wear, USA. I served at Pleiku under these men, and sincerely appreciate Andrade's superb tribute to them--well done, Mr Andrade.

Mr. Andrade places you right in the frontline with South Vietnamese and US adivsors trying to stop the North Vietnamese "Blitzkreig" of 1972. If you still believe that the US and her allies in Vietnam fought mostly a communist peasent guerilla force armed with flintlocks and a few bags of rice, you're saddly misinformed unless you read this book!
This is one of a VERY few books which deal mostly with ARVN ground combat and about the bravery of individual South Vietnamese troops fighting NVA armored forces.
After you read this book, you will know what most ex-ARVN and many US Viet-vets have known for a long time-The North Vietnamese employed tactics and weapons which would've been more familiar to Guderian or Zhukov, not Che' or Mao.

A terrific book that covers the heroic efforts of the remaining US advisors and their ARVN compatriots to resist the North Vietnamese invasion of '72. The narrative is thrilling and Andrade's mastery of detail is marvelous.

This book has helped open the way for revisionist understanding of what actually happened to South Vietnam after the US withdrawal, two years earlier. The simple assumption that the ARVN was incompetent, which was in part used to justify the US pullout, needs reexamination.

The heroism of the ARVN and the remaining US advisors is finally brought to light. Perhaps Andrade in the future can bring us an account that focuses on the role of the ARVN during this same period--and how it performed without adequate support from the United States. It would be interesting to find out how much of the "incompetence" myth remains.

Thank you Dale Andrade.

This is a great book if you're planning a trip to India with children aged 4-11, or if you've been to India with them and you want to help them recapture the experience. (I'm not sure what children who have no other connection to India would make of it.)

My son is four and loves the book in spite of all the text. He's been to India, and so have his parents. The wonderful jumble of drawings (mostly quite accurate--must have been either on-site or from a good photo collection) and collage is captivating enough that I think most youngsters would be capable of sitting through the lengthy text, though the diary format is a little awkward for reading aloud. There are occasional minor inaccuracies (the library review above correctly points out the "puja" problem... but then, this book doesn't pose as an encyclopedia entry), but as children's books on India go, this one's on the more accurate side of the scale. What's most impressive is the girl's eagerness to meet children from another place, culture, and economic class. She makes friends in a way that seems genuinely non-judgemental. (She and her family chat with a poor pavement dweller in Calcutta, an incense worker in Mysore, a fruitseller on the beach in Goa...)

This is a great book! My son is 9 years old and went to India a couple of years ago. This book vividly brought back all his memories. What I liked best was that even though it is not written by an Indian, it is so authentic. The illustrations are just great! I highly recommend it.

India is a large and diverse country, the home of many ancient and interesting cultures. This book is the travel dialog of a young girl named Anni as she travels through India with her mom and dad. They travel by train, bus, camel and elephant. There are many illustrations and they illustrate the daily street life of India. You see people bathing in the Ganges River, carts being pulled by oxen, people cooking their food in the streets, street vendors hawking their wares, children at school under a tree, and the clothes that the Indians wear. What was most interesting were the pictures of products they encountered in India. Postage stamps, matches, cameras, railway tickets, lottery tickets, honey, fireworks, fabrics, hotel receipts and other products that I did not recognize.
An excellent introduction to India written for young people, this book demonstrates some of the variety and vitality of a country whose culture was old when the first white people landed in North America.

This is a great book! My son is 9 years old and went to India a couple of years ago. This book vividly brought back all his memories. What I liked best was that even though it is not written by an Indian, it is so authentic. The illustrations are just great! I highly recommend it.

Usamah calls his book "Kitab al-Itibar" or "The Book of Instructive Example." True to its title, there is much to learn from this book, but what I found very interesting were perhaps things other than what Usamah wanted us to learn. For example, it was interesting to note the Arab perception of Franks, the relationship between Arabs and Franks during the first of two centuries of crusades on the Eastern Mediterranean, and aspects of the life of a prince and some commoners as well. The stories about hunts are numerous and tend to get boring, but they tell us of a rich fauna that is now largely extinct (lions, leopards, etc.). Usamah's talk of old age provides a sobering philosophical view of life.

What an excellent job by Philip Hitti who translated the manuscript from Arabic! Considering that the manuscript was lacking in things such diacritical marks (dots on Arabic letters), punctuation, etc. it is truly an amazing that he was able to pull this book together in the manner its stands. Thanks to Philip Hitti we can enjoy Usamah's book: it is truly a delightful read!

Unlike any other history book, this is a first hand account, day to day life of an Arab Syrian prince in the time of the crusades; He talks about his advantures, feelings and thoughts, it's just like going back in time almost 1000 years. If you like history and especially the crusades, this book is a must. I go back and read this book every once in a while, it's entertaining and informative.

We in the Western world all too rarely take the time to perceive and understand our modern society through anything other than Western eyes. So it is as well with that wondrously tragic period of our history known as the Crusades. While there are many contemperary histories of this era incorporating Western eye-witness accounts, there are but few with the perspectives of the invaded Orientals (i.e. Arabs, etc.). So the uniqueness of an account written by a period-contemporary 'Arab-Syrian Gentleman' will not be lost on the reader. "The Memoirs" are essentially just that: an autobiography of a twelfth-century Arab Muslim and the experiences of his long and eventful life. From his earliest memories in Syria before the First Crusade to his twilight days in Egypt and Damascus, Munqidh shares his vast knowledge with the reader, imparting as well his personal, ingrained biases. It is this latter which assists the reader in understanding the mind of the Crusading-era Muslim, even now oft-considered the enemy of Western "Christendom". Indeed, some scholars argue that the key to understanding the Middle Easterner's distrustful eye to the West lies in the very heart of the Crusades. Munqidh writes in the learned style one might expect of the educated nobility of his period, and though exquisitely detailed, he is neither long-winded nor boring. So whether the avid scholar or simply the interested amateur, "The Memoirs of Usamah Ibn-Munqidh" is truly a worthy read

A great read as well as a solid historical source for the period.

What i really enjoyed about this source where the unsual, little storie's scattered throughout it's pages. Beautifuly described little detail's that help the reader get a more colourful picture of the Usamah's times.

For instance there is a description of a dual between a Mounted Frankish Knight and a Mounted Muslim Cavalier. The story recite's how Usamah saw them both kill each other on their first charge, but how their warhorse's continued to fight for a long time after.

Unlike many other Chronicler's of the time, Usamah is relativley unbiased. He recognise's the Franks valour in battle, the Christian's piety (saying that he has never seen a Frankish Christian genuinely convert to Islam).

It is also a Medevial travel diary, documenting Usamas extensive travels.

It is full of the usual curse's and insults everytime the Christians or Jews name's are mentioned, like all the Medieval Islamic Chronicles. However, if you can see beyond the propogandist protocol of the day, you will be entertained by Usamahs amusing antidotes and tales.

A must for anyone intrested in either Islamic or Crusader history.

My only reservation from giving this book five stars was that i became slightly bored torwards the end, when the book is describing Usamah's many hunting exploits. I sometimes felt that had Usamah killed as many human foes as he had Lions, the Franks would of been expelled from Jerusalem far earlier than they actually where!!!!!