Asia Books

Patwant Singh's book "The World According to Washington" offers an insightful look at America's foreign policy and the controversy surrounding it. Although much contemporary political writing focuses solely on the American perspective, Singh provides a unique viewpoint through which we can examine the actions of the United States. In viewing America from a global context, we are able to gain insight into the true ramifications of America's foreign policy. I highly recommend this book.

Noted Indian writer Patwant Singh's book, The World According to Washington: An Asian View, provides a welcome antidote to the self-centered world view of the Bush administration.
A friend of the U.S., he has written it in an effort to call attention to widely held opinion, here and abroad, that unilateral policies serving the military-industrial complex have undermined U.S. credibility and jeopardized its security. These policies as realized in Iraq have brought esteem for the U.S. to a low point in Asia.
After a brief review of the history of U.S. involvement in Asia, his analysis includes Asians' profound disappointment in the current administration's contempt for treaty-constraints, especially concerning nuclear non-proliferation and global warming. Further, he highlights ironies Asians see that Americans seem to miss: the U.S. warning Iran not to intervene in Iraq's internal affairs, for example. It is no wonder that other nations fear that opposition to U.S. policies will cause them to be labeled "terrorist" and treated the same as Iraq.
While many people in the world admire American freedoms and generosity, Singh says "after September 11 this dream has soured, as U.S. xenophobes have turned against fellow-citizens of different appearance and colour." Unfortunately this seems to confirm Asian suspicions that racism at various levels of decision-making underlay the way in which military power has been misused in Vietnam and elsewhere.
Denial of safeguards to the rights of prisoners labeled "enemy combatants" at Guantanamo weakens the rights and freedoms of Americans as well. It is not only the impact this has on world opinion, especially in the Muslim world, Singh says, that is important.
Asians have come a long way, and their creativity and innovation now can match the West's. Therefore they ask to be treated with respect. This important book is an appeal to U.S. policymakers' intelligent self-interest.

Criticism From a Friend of America -

Distinguished and prolific Indian Author Patwant Singh tells us in his introduction, "I admire America. I have been visiting it regularly for over 40 years. I have long and enduring friendships there, and relish the welcoming warmth I experience each time I visit." Written by a friend, this unrelenting explanation of how Washington is viewed from Asia -- and why-- is particularly urgent now as America's economic position becomes more dependant on India and China, and political tensions in Asia escalate. Globalization, an unstoppable force for both good and ill, has destroyed any possibility of American isolationism. In spite of overwhelming military might, The United States cannot control the world. In his final chapter "The Pitfalls of Power", Patwant Singh gives us a unique view of ourselves. This is how others see us; we would do well to take heed.

Pamela de Maigret

There is nothing in Patwant Singh's professional background which would give a clue to his mastery over international intrigue and geo-political issues. Yet, clearly he is in command of his facts. He also has the ability to present them clearly and in a racy, readable style.

The book also makes a persuasive case of how America, enamoured with its own power, has become a modern East India Company. Asians sometimes joke that America is not a nation, it is a corporation. Patwant Singh provides serious evidence and analysis to back that view.

What he says here is not new to Asian audiences anymore. In the recent years, an astoundingly large number of anaysts and intellectuals have more or less accepted that America is behaving irresponsibly. Many Asians are now resigned to an inevitable confrontation with America, over an issue or a non-issue, sooner or later. Patwant Singh however illustrates that this is not a recent change in American thinking - for the lst 60 years America has been consistently (and constantly) at war with the world. For USA, the 2nd world war apparently did not end in 1945.

At the same time, it must be added that the book does not offer a counterpoint. The conclusion about America does not build up through the chapters -- it is there right from the beginning. Patwant Singh then merely keeps adding the facts and analysis that would prove his point. This may make it difficult for an ordinary reader to make an informed or neutral assessment of his thesis.

Also, while the book proposes to offer an Asian view, most of the material appears to have been taken from Western sources. One can understand the reasons for this: the entire Asia does not publish half as much material as America alone does each year. Asian researchers are therefore wily-nily dependent on Western writers for their facts on international events.

Nevertheless, it is an excellent book, particularly relevant because it is written by an Asian.

This book has also been published in India by Rupa & Co., Delhi.

For anyone who loves the art of photography and portraiture, adventure travel, or remote and ancient cultures, this book is a treasure. It contains haunting, sublime portraits of people of China, Tibet, Bhutan, and Ladakh: laughing children, wise elders, rakish young men, monks, families, laborers, and women, old and young, at work or dressed in ceremonial finery. The portraits were not taken in a studio, and the architecture of their settings -- monasteries, villages, shops, and streets -- are as intriguing as the subjects themselves.

The poignancy and beauty of these portraits lies not only in their technical and artistic excellence, but also in their deft blending of contrasts: the exotic and the familiar, the ancient and the modern, the distinctly Asian, and the rare Western or perhaps global artifacts of our modern culture.

A World Away merits one's attention again and again, as the portraits yield evocative details and depth of meaning with each viewing. This collection is a compassionate and eloquent account of the people encountered during the artist's Asian travels. It would make an elegant gift, and, since the book's impact is visual rather than verbal, the recipient need not speak English to enjoy it.

Larry Snider's book is filled with beautiful, sensitive photographs. I have seen Snider's works before, and it is a great pleasure to be able to "visit" them as often as I like by simply owning this volume.

A thoughtfully engaging and beautifully produced monograph which details the artist's travels thoughout Asia. It is no wonder the artist's work is in so many musuems and has been the subject of numerous exhibits.

A World Away is a stunning collection of portraits that displays Snider's insight into the ancient cultures of his subjects as well as his technical excellence. Through these beautiful black and white photographs, the reader is transported to the remotest corners of Asia to glimpse lives virtually untouched by Western culture. Snider reveals the simple dignity and endurance of these people, and his book offers a rare window on their world.

Among the educated of the half of the planet that lives in China and India, the name of Xuan-Zang is very well known. The records of his journey from China through India and back provide a great deal of insight into the culture along his route at the time, as well as the state of Buddhism. The texts he brought back had a strong influence on the development of Buddhism in China. This is an excellent book. I visited many of the Buddhist sites in India and found Xuan-Zang's descriptions to still be of use to the pilgrim today. If you're interested in the history of the silk road and central asia, this book will be of use to you also.

Since the destruction of the famous Buddhas at Bamiyan, Afghanistan in March 2001, the importance of this book has rocketted from its original publication.

Xuanzang wrote some eyewitness accounts of these gigantic statues around 630AD, and this book is an important starting point to finding out more about these monuments and what they originally looked like.

This is not an academic book but more a detailed compilation of events connected with a personage with whom the author has obviously felt a close connection. The text is well sectioned with good maps and useful information, notes and an extensive bibliography that makes the work substantive (e.g., it highlights the wider territory of ostriches in the past). Xuanzang becomes a portal through which we view the art and history of a predominantly Buddhist India before she entered a chaotic phase to re-emerge as a Mughal and Hindu civilisation later.

There is staggering insight into the mentality of the Chinese and Kings at the time and the art they bestowed on the world. The importance of the Chinese civilisation is highlighted at a time when Europe was in the grip of the dark ages.

The book contains minor errors, could have been more critical and Xuanzang's feet on the cover need alteration. Leaving this aside, there is a stunning picture from Bamiyan and we can see what was lost as well as related paintings and statues which are quite exquisite (at least one of them lost from the Kabul museum since the destructive episode recently).

A book worth treasuring as written by a professional, well travelled and strong minded author (and she found the time).

XuanZang's story has got to be one of humanity's most amazing adventures of discovery. I had heard brief references to him in various books about Buddhism, but when I read this book I was just amazed at what a prodigy he was. The amazing synchronicities that helped him on his travels really bespeak a divine providence.

I just wish there were longer direct quotes from his original book, so you could get a feel for his own writing. Also wish there was more discussion of his own spiritual journey or experience with the abbot of the Nalanda university, and the Yogacara/Vasubandhu philosophy.

Great pictures of Nalanda ruins. The story of Nalanda is really interesting in itself and the book gives you a good feel for what was happening there at its height.

All in all makes you want to read XuanZang's original book.

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By all means read this book if you are interested in the history of the Silk Road.

However there is a significant omission in this book. Xuanzang embarked on this epic journey because he wanted to learn Buddhism from the original source. But if you think you'll be able to learn much about 7th century Buddhism from this book, think again. Of course there are tid-bits and small blurbs about Buddhist ideas but it is more an expedient to advance the story rather than an effort to explain. This book is basically a travelogue, not a book of ideas.

Of course researching the various schools and thoughts of 7th century Buddhism would have been difficult and explaining it to the layperson without being confusing or boring would have also been difficult. But still I feel that writing a book on Xuanzang without attempting to explain the Buddhism of that era is incomplete.

Despite the above reservation, I still give it 4 stars because the rest of the book is quite well done.

...with elements of history, military strategy and even a bit of fantasy flavoring (treasure & tropical isles...)sets stage for the present day action/suspense.

This book was sort of different...off the mainstream trail of the usual suspense novels I like. The historical basis of the hidden treasure and its interaction with the present day "hero" businessman made for an interesting meld.

This is not the type of novel I would usually read but it was sent to me by a special friend so I tried it. It was wonderful! It held my interest so much I read it in 3 days! I recommend it to everyone!

This is a terrific adventure story! The story begins much like a Harvard business school case study - an interesting business opportunity is being reviewed. Then, after a few chapters, the reader begins to sense genuine Evil lurking in the intentions and actions of the main character's business partners. The author "leaves you hanging" with a knot in your stomach until the end of the story, when the many sub-plots converge to reveal greed and obsession beyond imagining. Some of the sex scenes are not suitable for people with delicate sensibilities - don't let your kids pick this one up.

this book is funny, real, humble, and grand. as a 30 year old searching for her own place in the world after working in advertising as well, it wholly resonated.

I am currently reading this book, Yoga School Dropout, w/ eat pray love and the Bhavighad Gita (SP). I again, like the last reviewer, just happend to find this book, literally while traveling on the ground and it has brought me back to my practice. It is very funny and educational. No matter what your experience w/ Yoga, this book rocks.

Loved loved loved this hilarious book. There's a lot of wisdom in Lucy's comedic descriptions of the guru culture (and industry), and a great deal of humility in Lucy's quest as she faces up to her own foibles and human frailties. The yoga world could use a good laugh at itself, and this book is a healthy step in that direction.

I have just finished reading this delightful book, `Yoga School Drop Out' by Lucy Edge. I happened upon it `accidentally' (we all know there is no such thing as an accident) at the library when I was looking for something entirely different. I did not manage to find what I was looking for; I did however find exactly what I needed!

Lucy sets out on a Spiritual Quest to India determined to return home a Yoga Goddess. Things do not quite flow as Lucy anticipated and it looked as if she was destined never to return home as the Yoga Goddess she had envisioned. She did, however, gain more inner wisdom and insight than she could have imagined when she first set out.

Along the way it was the "ordinary" people she met, not the yoga she did, or the gurus she listened to, that held the most lessons. Here are a few pearls that were shared along the way:

On Asana: "Today asana has been made into a `photograph,' ... there is no difference between this and gymnastics ... But asana is not a performance, asana is what happens in the posture and afterwards"

On Change: "Change occurs only when we become what we truly are, not when we are trying to be something we are not. Change can't happen when we are trying to escape our true nature"

On Travel: "Unfortunately, when you travel, you take yourself with you"

On Yoga: "... the reason I found them so inspiring was because their yoga practice stretched way beyond their mat. They saw yoga as a state of mind, an attitude to life, and the world as their school. Yoga was, for all of them, `a harmonious way of living', not a one-off physical goal - they knew all they had to do was look within"

On Practice: "It was an unremarkable thing - Pranayama, meditation and perhaps a few simple sun salutations. It was practiced informally, not in a big class on the instructions of a big name teacher, but at home - quietly without fuss"

On Enlightenment: "Enlightenment was not a trophy to be lifted high in one triumphant moment, it was about seeing clearly, and choosing wisely in daily life"

All round just a great book! Thanks for the deLightful and inspiring read Lucy :-)

The Yogurt Man Cometh by Kevin Revolinski is a wonderful travelogue/memoir. Revolinski, an American from Wisconsin, decides to become an English teacher at a private school in Ankara. He spends a year there at Büyük Kolej in the Gaziosmanpaa section of Ankara, quite close to where I used to live. He describes school life which reminded me of my own middle school-high school days at a similar school in Ankara. The Ankara he describes is of the late 90s and while much has changed since the days I was there, many things appear to have remained the same. I enjoyed reading his descriptions of living in Ankara as well as the sightseeing trips he took to various parts of the country. He paints a vivid picture of Turkey, the people, the culture, the food, and the book is full of warmth and humor.

This has got to be one of the most informative books on the adventure of teaching in Turkey -- and the funniest, too. Hopefully the author will write more!

"The Yogurt Man Cometh: Tales Of An American Teacher In Turkey" is Kevin Revolinski's memoir of what he saw and did as a faculty member of a private school In Ankara, Turkey, where he taught English to classroom students from 1997 to 1998. Kevin combines and chronicles his many adventures traveling as well as his memorable teaching experiences. Writing with an impressive candor about encountering Turkish culture, having cope with a new language, explorations of seeming timeless and surreal landscapes, making lasting friendships, even his attempts at cross-cultural flirtation and acquiring a taste for 'raki', "The Yogurt Man Cometh" is an entertaining as it is informative - as well as being especially recommended reading for anyone considering embarking upon their own business or recreational trip to Turkey.

Kevin Revolinski's first day in Turkey as an English teacher is spent trying to make two Turkish yogurt salesmen understand that he doesn't really want to buy six kilos of yogurt. Intrigued? The adventures only get more interesting and personal from then on: from trying to teach Turkish children English while simultaneously learning about futbol and Turkish pop stars from them, to traveling in Syria and suffering a rather nasty bout of amoebic dysentery, Revolinski offers a no-holds-barred look at a country that doesn't get nearly enough attention in the travel writing canon. A quick, fun read, and one guaranteed to make you hungry for travel and new experiences.

The title character, Younguncle, is endearing, benevolent and completely, unconventionally brilliant. It is rare to find a book that is truly fascinating to all ages. My five year old devours each word as I delight in reading it again and again. Singh's words dance and entrance as the stories demonstrate that the world can be made to be a better place. A most enchanting book.

Ursula LeGuin said of YOUNGUNCLE COMES TO TOWN, "Anyone who reads this book will be perfectly happy." It's true. It's a glorious children's book that adults can read and enjoy, where the good people win and the bad people get exactly what they deserve, told with a deceptive gentleness and set in an India that perhaps exists nowhere but in the world of Vandana Singh. Also a prizewinning adult writer, Vandana Singh has a storytelling voice that can be compared with T.H. White in its down-to-earth kindness and its respect for the fantastic nature of the world.

There's a second book, so far published only in India, that will come out here if this one does well. So I'm giving it to EVERYONE for the holidays.

This is a very funny book with a wonderful plot. It is actually several short stories that together make a bigger plot! This is a great book!

Young reader books. Bane of my existence. Light of my life. Sometimes I swear that half my life is spent relentlessly tracking down worthy early chapter books for those kids who still need large fonts and plenty of pictures with their stories. In the year 2006 I've managed to locate two worthy early chapter books for the kiddies. One is "Roxie and the Hooligans" by Phyllis Reynolds Naylor. The other is the so far ignored "Younguncle Comes To Town" by Vandana Singh. Now for years I've been complaining to friends, family, and blogosphere alike that there are far too few Indian children's books brought to America. For crying out loud, they're already going to be in English! How hard is it to bring in some literature from another culture? And now it's as if Viking Children's Books has heard my plea. Straight from India (though written by a resident of Massachusetts who was born in Delhi) comes the first adventure of Younguncle. He can't hold down a job. He was kidnapped by monkeys as a child. And he hasn't an American equivalent anywhere that I can find.

Sarita, Ravi, and their little baby sister are just thrilled. Their crazy relative Younguncle (everyone has forgotten his real name) is coming to live with them for the very first time. Younguncle is their father's youngest brother and he's like nobody they've ever met. He's incredibly intelligent, sweet, good with kids, and afraid of settling down in any way. Once he moves in with the family, everyone in the village gets to know and love him. Of course, he can't stay in any one job for any amount of time. It isn't that he doesn't enjoy his work. He enjoys it way too much. He scares off customers with his intense adoration of car repair, sewing, and train timetables. At the same time, he manages to get mixed up in all kinds of trouble. There's his constant battle with the family baby who is intent on devouring one of his shirts. He manages to rescue his uncle's prize-winning horse from rich and powerful schemers. He employs some naughty monkeys in the search for a beloved village cow. By and large, if there's a mystery to be solved or an adventure to be had, Younguncle is on it. This is modern day India as few American kids have ever seen it before (and will ever see it again, for that matter).

The review of this title in Booklist was more than a little harsh, by the way. In it, the reviewer states, "The chief charm of these low-key stories, for American readers, is in their introduction to Indian culture, family life, lore, and legend". I respectfully disagree. Not about how well the book introduces Indian culture, mind you. You are certainly not going to find a book in America that talks about that particular country with a narrative that's half as light-hearted and easy going as this one. And certainly not for this reading level. Keep your "Blue Jasmine"s. I'm sticking with "Younguncle". But for Booklist to say that this is the chief charm of the title is a bit disingenuous. Humor is hard. Drama is simple (see the aforementioned "Blue Jasmine" which is very good but...). So the fact that Singh's book is as honestly amusing as it is no small feat. Singh works in subtle jokes alongside wonderful vocabulary words (as in a sentence about mangoes that reads that they were, "large, golden, luscious, and ambrosial, enough to inspire poetry in the most prosaic soul"). The slapstick scenes are funny without getting gross. The funny stuff is honestly funny.

Actually, you know what book this reminded me for quite some time? "Mr. Popper's Penguins" by Richard Atwater. The reading level and the good-natured animal-inspired insanity just struck a similar tone with me. On the other hand, Younguncle himself views the world in a particularly Pippi Longstockingish way. You wouldn't be surprised in the least to find him living with a horse or crashing a tea party (which he essentially does when he wants to break up his sister's arranged marriage). Not every book to hit bookshelves gets a blurb from Ursula Le Guin. This one did. And not every early chapter book is going to talk about a culture outside of America with as much charm, verve, and honest-to-goodness down-to-earth storytelling as, "Younguncle Comes To Town". The second book in this series is already out in India. Let's encourage Viking to bring it stateside as well by giving this first novel a shot. Fine fine reading.

This book should be required reading for all marines and other U.S. military, including officiers. This soldier writes with his gut and what he says is true. He lived it.I am suprised noone has the guts to put this book on film, instead of the milk toast the movies put out. You do not have to be military to respect the man and believe in our country as he does.

In Your War, My War: A Marine In Vietnam, Sergeant Donald Myers shows us the chaos and hysteria that was the hallmark of active combat in the Vietnam War. His memoir begins on October 30, 1967 when he arrives at Gio Linh and spans sixteen months of lethal combat and mind-numbing drudgeries of military life in a combat zone. What makes Your War, My War unique and distinctive from other Vietnam biographies is that each chapter represents a day's journal entry, juxtaposed with American newspapers that coincide with the entries, enabling the reader to envision the contrast of the American political and journalistic structure versus a day at battle. This contrast of the reality of Vietnam with the Never-Never Land perceptions back home is particularly jarring and informative. Your War, My War is a highly recommended and much appreciated contribution to the growing body of literature on the American military experience in Vietnam.

This book took me back to c/1/12, to the very places I had been, I did't know SSgt Meyers, but I think I was there while he was. Super book, thanks for putting our Battery story in print.

Weak kneed, left wing, doves should avoid the reality of the portrayal of the life of Myers and the Marine comrads he so eloquently shares with the reader. This is not a sugar coated documentary of all that is right with our military strategy on the ground , in day-to-day life of combat Marines, but the true story of how these Marines prevailed in spite of the strategy. Anyone who ever hold a position of leadership where conditions are extremely difficult must read this book. Only a few books ever capture the reality of war, this is one of them. A must read.

I truly laughed out loud at the clever, dry wit with which this tale is skillfully told. The author's insightful observations and well crafted narrative were a real joy to read. I confidently recommend it to anyone who appreciates the idiosyncracies of culture and travel or who is a fan of a well-turned phrase. It will make you want to go in search of your own adventures.

Thankfully bereft of the artificially upbeat gloss of travel guides, Marta Hoilman breezily presents a three dimensional portrait of expatriate life in Jakarta. Hoilman's Adventures flash rapier wit, lending humor and life to the privations and improvisations that life in Indonesia invoked. From indomitable roaches to glorious side trips, Hoilman briskly shares her adventures. If you want the "inside baseball" on expatriate life in Jakarta, then you have found a must read.

If Elvis were alive today he would write a song about Ms Hoilman's way with words. Can't wait for the next installment.

Excerpts from Lemar-Aftaab Magazine's Review

PLEASE VISIT: :

The one major difference between the two was that Baihaqi was a historian whose writing served the court of the Ghaznavids kings. Ghobar was imprisoned by the government for writing truths and voicing his opinions. Whereas Baihaqi received golden treasures and prestige for writing history in favor of the royal court, Ghobar's unbiased writings prompted the ruling governing body to marginalize him and his family to live in fear of their lives from day-to-day. Ghobar has become a capstone for most historians who specialized on Afghanistan. Many Afghans came to realize his greatness after his death. Now, thousands of Afghans rely on Ghobar's writing style and content to learn important historical facts. Habibi (1984) puts Ghobar's contribution into perspective: "Ghobar's seal is cast on Afghan movements in the second half of the 20th century."

Since his writings were earth shattering, some envious and intransigents tried defaming and slandering him by mislabeling him into a certain way of thinking. The truth of the matter is that he was neither a right-wing fanatic nor a left-wing revolutionary. He was a progressive intellectual whose primary objective was to peacefully reform the system.

Ghobar had the patriotic ambition of reconciling Afghanistan's past, present, and future. He wrote: "Until the onslaught of Gengiz Khan, Afghanistan was the shining star of the Islamic world. Neither in cultural level nor in the stage of civilization had she any equal among the Muslim countries" (Gregorian, 1969, Page 22). Ghobar was a strong advocate of justice, civil liberties, and reforming the strict censorship policies. Afghanistan dar Masir-e Tarikh has been widely associated with the movement for a free press and none censorship. Just as activist intellectuals such King, Gandhi, Mandela, and even passivist intellectuals were being punished for exercising their civil rights, Ghobar also became a victim during the regime's informal intellectual apartheid, genocide, and exile campaign. Ghobar along with his brothers, his cousins were imprisoned in the jails of Saira-e Mothi in Kabul. Among the 16,000 captives, they were political prisoners from 1933 to 1935. From 1935 to 1942, they were sent to exile in Bala Baluk, Farah.

In 1952-1956, Ghobar again ended up as a political prison of the regime. Because he participated in a peaceful public protest urging democratic parliamentary elections. This time in prison he conceived the idea of writing the epic. Ghobar's book unveiled a whole world of state oppression, corruption, and criticized the extreme and sometimes brutal measures taken by the government.

During P.M. Maiwandwal in 1967, Ghobar's book was approved for publication. Since the monarchy did not permit private publication houses, the book was to be published in the government-publishing house located in Kabul. According to Wala (2000), Deparment Head for, Minister Benawa designated him to publish the book at the government-printing house. Major figures of Afghan literature oversaw his work and approved of it such as Ahmad Ali Kohzad, Ahmad Naimi, and Muhammad Gul-ab Nangahari. When the ruling elite replaced P.M. Maiwandwal, the book was officially announced banned during a meeting. The banning of the book without any legal or court process did not fair well with intellectuals.

Ghobar has been noted to say, "Legally, the history book I have written must be released. The government can then use its power to commission writers who can distort the facts and history of the past in response of my book."

Although initially printed by the government press, the ruling elite banned it. George Bernard Shaw put it best: "Censorship ends in logical completeness when nobody is allowed to read any books except the books nobody reads."

The government's biases against pedagogy resulted from fears that people will become socially literate, heighten their sense of social consciousness, and transform their situation and society. However, the government ignored that positive results cannot be expected from political repression, which fail to respect the particular view of the world held by the people. The rulers made empty promises ensuring justice and democracy, but behind the scene was law breaking and corruption. Conspiracy and plotting became common and innocent intellectuals were sent off to fill prison cells. They were individuals who only exercised their rights to speak and write and had not committed any crime. However, even without a case nor judgment against them, these intellectuals and their relatives spent years in the prison cells where they were subjected to all methods of torture. Ironically, it so happened that the place of patriotic and heroic intellectual was in prison and not in the governing bodies of the country. It was these infringements of civil liberties and censorship that were the main causes of the decay of the regime.

Early in 1978, after unsuccessful treatments resulted in his parting of this world in West Germany on February 18, 1978. Ghobar laid to rest in Shohada-e Saliheen. On his burial tablet it is written: Do not tell me to hold my tongue! Oh fate, there are still 1,000 unsaid passages running through my head.

Unlike other questionable intellectuals who have become entrepreneurs that give a slanted historical interpretation based on their ethnic, religious, regional incentives, Ghobar praises and criticizes all the players of the game.

Ghobar was a very learned person, whose research about the period prior to his lifetime was not only based on his knowledge but on vast archives. His book is first of its kind in that it is the most scholarly and scientific in format and content. After forty years, his book is still a popular reference piece among Afghans no matter wherever they lie along the political spectrum: "Books won't stay banned. They won't burn. Ideas won't go to jail. In the long run of history, the censor and the inquisitor have always lost. The only sure weapon against bad ideas is better ideas," Whitney Griswold.

Although Ghobar had to endure constant struggle and courage in the face of dire situations, today his eternal radiance shines like a heavenly star onto Afghanistan's literary and political society.

Excerpts take from an email letter started by Afghans Solidarity
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MGM Ghobar's first book "Afghanistan dar massir e tarikh" is very informative, and it is widely considered a valuable history book written by an Afghan. His second book, however, is mostly based on his personal views.

As a political activist, he strongly opposed the government of Nadir shah, Hashim khan, Shah Mahmood Khan, and Daud Khan. His intentions, in his 2nd book, was to weaken and possibly topple those governments by generating a mass resentment towards the government. He was imprisoned for few year and sent to exile in southern part of Afghanistan. It is easy to sense throughout his book a feeling of revenge. He continuously concentrates on negative aspects of the government policies and actions.

This is an example of how a government used force to do injustice to its opposition and how an individual make use of pen to take revenge.

It important that we avoid getting caught in the fire and as a result form extreme opinions.

There is a good critique (in Farsi) by Negargar on MGM Ghobar's
second book. Negargar points out major differenced between Ghobar's 1st and 2nd book. He tries to prove that the 2nd book is not 100% Ghobar's writings. He thinks a lot has been added to his original writings.

Khalid Shalizi

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About the MGM Ghobar's book, I urge caution. Ghobar's first book "Afghanistan Daar Maseer'e Tarikh Vol 1", is one of the best history books available on Afghanistan. While I read the second volume with great interest (over a weekend) and found it deeply moving, I would like to point out that this volume is more of a personal journal, rather than a scholarly researched
history book. The story about "Charkhi" family is true, but as far as I know, noone has any stories that either supports or rejects any of the other ones, and since Afghanistan doesn't have many solid historians, this is as good as it will have to get for now. If EC members' disagree, I can take criticism OK, so I would love to hear other members' perspectives on this book. I should point out that Donya jaan Ghobar, MGM's daughter, is a (silent) member of AS. She is a physician, poet, writer, painter and sculptor, a pretty amazing woman. I have met Hashamt, the publisher and MGM's son, on a number of occasions and been to their house in VA. They are fantastic Afghans!

Farhad Ahad

I have read many books about Afghan History, written by notable Afghans and foreign writers, but none have equaled Ghobar's Book. Afghanistan in the Course of History captures the fear, helplessness, and despair that the people of Afghanistan had to endure under the Monarchy system. Ghober's vivid and chilling description of the prison cells, torture chambers, Nadir Shah's and his brother assassination, Execution of Abdul Khaleq, and the elimination of the famed Charkhi family is Spellbinding.

One has to marvel at the thoroughness with which Ghobar discusses not only the brutal Monarchy System, the British involvement, the campaign against the Monarchy and the British from within and abroad but the entire political and economic situation in Afghanistan. Ghobar's vivid descriptions of the brutal regime of Nadir and his brothers', the British interference and the Indian connection offered insights that I have read nowhere else.

This is the one book you need to read if you want to know what it was like to be an Afghan and live under the Monarchy system in Afghanistan. The description scenes are gripping and often heartbreaking. Once you have read this book, you'll understand why Afghanistan is in such a state of chaos today!

Afghanistan in the Course of History is a fascinating portrait of the Afghan History. I have read no other account of the Afghan history equal to this. Ghobar's groundbreaking revelation is a masterpiece. This is literature.