Africa Books

I remain fascinated by Gullah and Daufuskie cooking. This book is a welcome addition to my ever-expanding collection. I'm glad I found it.

I have tried to catch Ms. Robinson's t.v. shows when I was able. Having grown up poor and having to make ends meet by stretching the food, you appreciate any attempt to liven up the meals. Ms. Robinson has done this very well. I enjoy her, and I enjoy the book.

I grew up in St. Helena Island (Frogmore). Having and using this book brings back those memories

One of my favorite episodes of Sara Moulton's cooking show featured the author and included a visit to her childhood home. I was THRILLED that Ms. Robinson washed her green leafy vegetables in warm water. What a shame such wisdom (do Americans even know the term "nightsoil" anymore???) has been disregarded in the wake of carnival barkers who demonstrate their cooking ability by ripping open a bag of greens (prewashed, My Aunt Fanny!) and cooking raw meat straight from their styrofoam and plastic packaging. Ewwwww, you know no amount of cooking heat can clean that up. EWWWWWWWWWWWWWW.

Thank you, Ms. Robinson.

This was the perfect gift for my sister who lived on Dafuskie island for several years. She personally knew Sallie Ann and was sad to leave her east coast home and the lovely people she met there. The book brought back memories of a delightful period in her life.

I bought this book for an African Art class that i was taking. This book is overly informative and captivating. I would recommend it to anyone interested in learning more about African Art!

The item is in good condition. Arrival took a little longer than anticipated.

I simply wish that I had this book and/or Dr. Poynor's courses in West African and Central African Art prior to living in Central Africa. Now that I had these courses, I find that this book is less a formal text and more a comprehensive guide to understanding the art forms created in the various regions of Africa by the peoples and cultures. This book is a must for anyone who has a true interest in following this facinating subject. I especially recommend this book to anyone planning to visit or live anywhere in Africa, particularly the Sub-saharan regions.

It brings to all, the reality of such a facinating and prevously skimmed subject, without interjecting personal belief or opinion. All facts in the book are well researched and presented.

The good thing about this collection is that it includes art and architecture from not only all regions of the continent, but also of the African diaspora from the 16th Century onward.

The other good thing is that it includes architectural works, such as those of Great Zimbabwe, Lalibela, and Djenne.

The bad point of this book is that the selections are limited. For example, the art of the Nok (the oldest African art outside of the Nile Valley)includes only a few pieces.

The worst thing about this collection is that nearly all of the photos are in black and white. It's difficult to appreciate art of such a vibrant nature (with the exception of photography) without colour.

I took an african arts class with Poynor and he used this book and the slide images. This was a wonderful tool. I usually HATE reading art books but this one read like a recreational book. GREAT illustrations! If u would like to learn more about the culture this is definately the book to get.

I have lived in South Africa and when this book was released for publication, I bought and enjoyed it as many did. Later, I lost the book during one of my many house moves and was not able to replace it since it was out of print. To my amazement, it is now available on Amazon!

if you have an interest in african history and mythology you will adore this book.even if you don't within is a magnificent new view of life and religion and human beings.one of my favourite books.

Without the infromation in this classic one has no claim to knowledge about Africa and her people.
Credo Mutwa is 'the real deal', and his outpouring of African history flows in the oral tradition to take the reader on a journey of discovery. The book contains incredible facts and insights, sure to alter old perceptions. This book has value for those interested in history, anthropology and archeology, shamanism, sociology, psychology, language, politics and mythology -If you feel any doubt about reading this book -Simply get it and read it.

There is no other book like this one. Any African-America studies student cannot consider his or her training complete without reading this book. It offers profound insight into Sub-Saharan culture, rules, mindset and motivation. Tales are varied, interesting and the book is well written. Thank you Sanusi

This book contains beautifully told traditional legends and history of the Bantu people that goes back to the dawn of human life on Earth. It is an epoch that hints in places of biblical legends but is not derived from the bible by any means at all. In addition to the legends there is some illuminating material about the most sacred places in Africa and about the ancient Ba'ntu language and grand civilization that once covered most of Africa. There is also something about the magical language that is used in Cameroon to communicate with the ancestral spirits which the author believes to have come down from paleolithic times. The last section reveals some of the secret core traditions of African spirituality. Anyone interested in African tradition owes it to themself to read this book. It is deeply moving.

Today I'm back--rebuying this book in hopes of reliving some of the experience it produced 20+ years ago when I read it on a transatlantic flight. Everyone around me was solemnly absorbed in tearjerker movie while I was convulsed to tears of laughter in their midst.

When I realized Indecent Exposure was a sequel to Riotous Assembly I raced from the airport to the bookstore and ordered that one too. It was no disappointment. That came when I voraciously bought nearly every other novel Tom Sharpe wrote and found none of his other works even came close to his 2 South Africa novels.

Small wonder that oppressive regime expelled him. I ought to mention that however slapstick funny this has been described to you (and it is!) it is not an appropriate gift for your 12-year-old niece. The uproarious misanthropy is midnight black and as politically incorrect for many Americans as it was subversive for South African censors.

Hilarious, extremely funny. This is one of the fiction works that have made me laugh more in my life, including films, comics, or whatever.
I read this book after discovering Sharpe trough Wilt' s saga. One tip: read the african novels first! I have read almost all the books from Sharpe, and I think the two south-african satiras are the best, specially Indecent Exposure.

Tom Sharpe's novels, always popular in Britain, are known for being rude spoofs on the political establishment and of the upper echelons of British society. However his earliest works, as in 'Indecent Exposure', the setting is apartheid-era South Africa. His humour is still very baudy, perhaps repetitively so, and his target are the hypocritical, racist white establishment. Some of the language is a bit vulgar, and I imagine some folks might be offended. But Sharpe hits the bulls-eye on his target: the squabbling, pretentious and myoptic white (English/Afrikaan) establishment.

As for the story? Well, it somewhat doesn't matter. Some nonsense about a rural town's police force trying to fight (imagined) communist insurgents using some rather ridiculous means. It's all very slapstick, farcical. Enjoy the book for its now dated (historical) view of South Africa, not for its paper thin story.

Bottom line: a very curious and funny piece of Sharpe's earlier works. Certainly not his best, but he delivers the laughs.

This book must be one of the funniest I've ever read. My girlfrind threw me out of bed at four in the morning because I'd apparently been laughing in my sleep after having read the book. The best thing about any of Tom Sharpe's books is that you can read them again and again and still laugh all over again! Superb!

What more can I say? Go read it! I read it about 12 years ago or more. It was fantastic. I read it at least once every 2-3 yrs after that and it has never failed to make me laugh again and again. Though Apartheid is dead, the humor is still valid worldwide. Read it as satire or just for its humour. Either way, you'll love it. By the way, dont be put off that its British and thus a bit heavy in the reading department. Its not. Its a great read and you could easily finish reading it in one day unless, of course, you fall off your chair or bed and injure yourself laughing. Believe me, I'm not exaggerating.

For Lew Brady and Frank Lanigan, veteran mercenaries of several sides of half a dozen African wars, it was their last chance to make a big score on the Dark Continent. For Baron Chase, a special anti-smuggling adviser to Idi Amin, it was to be his Swiss retirement fund, set up before Amin's inevitable fall from his excesses and brutalities. For Mazar Balim and his son, Asian exiles from Uganda living in Kenya, it was a chance to give Amin a real black eye while making a fortune. It was a mile long train carrying over six million dollars in coffee...one sixth of Uganda's annual production, almost all of it owned personally by Idi Amin and his close cronies...coffee already purchased by Brazil to cover worldwide committments following the disastrous frosts of 1977. But on Sept 12 the trail failed to reach Kampala...it simply disappeared. Humorous and horrific...

Understand that this book is a major departure for Westlake, and is darker tham a lot of his other books. This is a good thing, I've read a few of his other books, and while they were ok, Kahawa is simply woderful. By blending some actual figures into the book, Westlake adds realism, which makes it even more gripping. Worth more than 5 stars!

As I remembered the novel, it was the best I ever read. My rating may have been coloured by my living in Liberia 15 years ago when reading the book. Samuel K. Doe was at the time turning our life upside down (I later lived for some years in Tanzania, bordering lake Victoria). The book is totally different from anything else that I have read from Westlake. Did I find it good if I'm searching for it 15 years later?

Overall, KAHAWA, is an uneven yet action-packed adventure with something for everyone: sex, adventure, a really evil villain, manly heroes and beautiful courageous heroines of all colors. Our mercenary heroes are striking a blow against tyranny, but they aren't looking for the Ark, or the Grail or King Solomon's Mines. They're stealing coffee. But that's what's kinda cool about it.

The premise, that a mixed bag of mercenaries, for profit and for politics, decide to hijack Idi Amin's coffee train, worth six million dollars, is very inventive. Westlake allows his characters to be heroic for monetary reasons and for ideology: Idi Amin's a tyrant and all want to see him go down....and making a buck or two from his downfall will make it all the sweeter.

This book is a total departure for Donald Westlake and one for the better. While the plot deals with the theft of a train load of coffee, the book is so far beyond an average hiest story that it is hard to catagorize. The setting, the characters - even the steamy sex scenes - are more than one expects after reading Westlake's other books. This is, in many ways, a serious novel, but at the same time, very entertaining. I had to read it in one long session. It was that gripping.

Legerdemain is about the true story of U.S. Air Force undercover operative Jim Heaphey. The reader gets to travel through Casablanca, the fairs in Marrakesch, plus Cairo and Cyprus. Mr. Heaphey was stationed in the French Morocco. This was a time when the U.S. was allied with Morocco to defeat the Soviet Union without France's knowledge. The United States of America was able to store atom bombs at some of the Morocco air bases secretly. By having the ability to do this the U.S. would be able to set plans in motion that would go down in history.

First off I have to tell you I don't typically read non-fiction novels. So when I saw Lisa Roe offering Legerdemain up for review and after reading the book summary I figured I would give it a try. Let me tell you I am glad I did and this is why. In writing Legerdemain, Mr. Heaphey is able to tell his part in what his responsibilities were as well as his relationship with the Islamic people. What an awe-inspiring novel. Here you take someone like Mr. Heaphey, who not only risked his life but in process was able to give the U.S an edge over the Soviet Union. I commend Mr. Heaphey for what he did. He is a true hero.

James J. Heaphy has provided the perfect picaresque historical account of daring and brio and spying in a Morocco which is struggling for its independence from the French. Heaphy is the perfect tour guide for the labyrinthine route; he provides an operational narrative of entwined complexities with delightful intricate details of privity that can only be supplied by someone uniquely qualified because he was an active participant in the intrigue of the time.
But history is infinite, and for me the most important function of this historical memoir is that it enables one to appreciate all the more the subsequent metamorphosis to the modern moderate Morocco, guided by the brilliance and inspired leadership of Mohammed VI, the present king of Morocco. With Morocco poised to lead in assuaging the many factions of the Middle East, Legerdemain contrasts for us in bold relief what we hope that rational leadership can accomplish.

This book was great! It made me laugh, cry, and left me wondering what was going to happen next. I highly recommend it, even if you aren't in to history (which I'm usually not), its written like a spy novel which pulls you in and makes you wonder how it all is going to end.

What a remarkable read! Heaphey's story made me sit up and wonder as to what really goes on in this world. His writing style made the book move like a novel. I hope he has more books on the way.

Legerdemain is a crackling good yarn. It's also an unexpected five-star mixture of history and travelogue stirred into a Cold War memoir. Oh, to have such memories.
As a Middle East specialist, I read books, magazines and web sites from necessity. I don't often enjoy much of the stuff I have to read to keep up. Legerdemain is a happy exception. I've added it to my bibliography because I found a gem of prediction among Jim Heaphey's well-crafted recollections. But you don't need utility as a motive to pick up this book, although you may learn a few things of interest, if you do. This is a five-star tome for me because I found a forewarning of our confusion over the current conflict with Islamists that is pertinent to my work. It could earn your five-star rating for any number of other reasons: clear writing, believable people, exotic locales and a special viewpoint into the early days of our conflict with the Soviets are all worthwhile reasons to follow this narrative for the fun of it. You are as likely to find a bonus in it as I did.

These letters are the life and thoughts of an honest-to-God human female--a real woman, not a trumped-up tricked-out product of society. She is inspiring, honest, real, and as wild and natural as Africa itself was during her time. Every woman who has truly lived, even a little, will see herself in these pages. I reread it every few years as a pep-talk for courageous living, humility, and honesty. I will forever feel sad that she had to leave Africa.

I actually had several of Isak Dinesen's works - "Out of Africa," her seven tales, and her book of letters. I hadn't seen the movie and I honestly wasn't even that interested in Africa or Danish people. But I'm fascinated by women's letters, and that is why I bought this book. I have read these letters and nothing else by her, to be quite honest, and these letters have inspired me to read more of her writings (once I stop finding other women's letters in book form to read).

I share all of the other reviewers' observations and feelings toward this book, so I won't repeat them. One thing I will add is that it is truly fascinating to read passages of her letters that have to deal with hunting game ... I don't know much about Africa or its colonizations, but if I recall, the colonizing didn't start until late in the 19th century - when "game" was more than plentiful. Even with this in mind, I couldn't help but be appalled when she recited the numbers of animals that were killed simply for sport. This bias aside, these letters made it easy to see how animals became endangered and extinct.

Obviously, there is more to the letters than hunting - otherwise I never would have read the entire book. Karen Blixen was obviously a very determined, passionate woman and this came through in her letters. Her voice and her descriptions of her life in Africa made these letters worth reading to someone who previously had no interest in the colonization of Africa.

"... huge distant blue mountains and the vast grassy plains before them covered with zebra and gazelle, and at night I can hear lions roaring like the thunder of guns in the darkness". Passages such as this one make it worthwhile to read this book. Karen Blixen is a master at poetically describing her foreign surroundings. If you enjoy the movie and the book Out of Africa then you will enjoy reading this book. Although at times the letters are repetitious and the author tends to ramble on, it is still an interesting book as it allows the reader to look through a window into Colonial East Africa from 1914 to 1931. The reader is able to go into Karen Blixen's mind and follow her daily struggles, joys and sorrows during her long stay in Africa and through her many safaris. This book unlike Out of Africa is not written through rose colored lenses. As you read this book, you feel a much harsher Africa. Also in this book she writes about her lover Dennis Finch-Hatton and doesn't hide the fact that she's crazy about him from her family. I highly recommend this book to any fan of Karen Blixen/Isak Dinesen.

There's no better way of getting to know the real Karen Blixen/Isak Dinesen than by reading her Letters. Blixen shares her life with you a letter at a time, and in such rich detail that one feels a bit inclined to purchase a ticket to Kenya and appear on her veranda for tea!

Blixen's deep love for "her people" finally comes out in its truest sense in that she considered the African natives her soul mates.

The letters to Ingeborg, Aunt Bess, and brother Tommy, reveal (to me at least) that Blixen felt a greater kinship and sense of mutual acceptance with her "black skinned brother" than she did with her Danish relatives.

"Letters From Africa" is essential reading for any Dinesen fan.

Isak Dineson, or Karen Blixen, was a fascinating woman. Most people know her as the main character from the movie Out of Africa or as the auther of the book of the same name. While the movie and the book are both good, I feel that this collection of her letters gives the best picture of who she was and what was important to her. The struggles of trying to make a go of her farm are heartwrenching, but the joy she expresses in her surroundings is enchanting. She describes the people in her life, especially the Kenyans who worked on her farm, so well that you feel you know them almost as well as you know her. Her description of the Europeans who lived in Kenya for economic or political reasons has enough of compliment and criticism to seem much more fair than many books from the colonial era. By the end of the book, it is easy to think of Karen as a friend.

I brought this book because of the title and the cost, plus it's Malcolm, but when I began to read it, it was more than what I expected to be. Best 80 cents I ever spent

Malcolm X Talks to Young People is an immensely relevant and instructive book for the young and the young at heart. His words, spoken to university students in Africa, the United Kingdom, and the United States in 1964-65, ring as true today as they did then.

"I just try to face the fact as it actually is and come to this meeting as one of the victims of America, one of the victims of Americanism, one of the victims of democracy, one of the victims of a very hypocritical system that is going all over this earth today representing itself as being qualified to tell other people how to run their country when they can't get the dirty things that are going on in their own country straightened out," he told students at the University of Ghana, May 13, 1964.

A new expanded edition of this book has been available since November 2002!
This new edition includes 43 more pages than the previous edition, with the complete text of Malcolm's Speech at Oxford and a more complete text of his speech at the London School of Economics. The expanded introduction together with Jack Barnes' "He spoke the truth to our generation of revolutionists," a memorial speech for Malcolm given in March 5, 1965, provides an excellent short introduction to Malcolm's life and ideas.

There is a six-page index, eight pages of notes, as well as an expanded photo display of 17 pages including Malcolm X with students and young people from Tanzania to Alabama, including a picture of Fidel Castro and Malcolm X smiling together in Harlem in 1960 when they were both still young!

This edition of Malcolm X Speaks to Young People is being produced together with a first-ever Spanish-language edition, entitled Malcolm X habla a la juventud, which is being released simultaneously by Pathfinder Press and by Casa Editora Abril, the publishing house of the Union of Young Communists in Cuba.


While this book may not be directly available from Amazon at times, they are available from the booksfrompathfinder on Amazon that you can find by clicking on the new and used books on this page.

Originally issued as the first Gulf War began,in these pages Malcolm explains how in the Congo the US govt bombed women,men,children, and babies and called THEM terrorists,as he points out,the same as in Vietnam.He shows how it was the U.S. and U.S.-flunky ( "anti-Castro Cubans pilots" ) who were the terrorists in the Congo in the early to mid 1960s. At a time when the word "hero" is twisted so obscenely, it is a breath of fresh clean air to read Malcom's descriptions of the herois Simba fighters of the Congo who tried, and failed to liberate their country from U.S. neocolonial domination after kicking out the Belgian colonizers, and to hear him describe the equally heroic fighters who defeated the Empire in China and Cuba and Vietnam in the same terms.He exposes the use of UN cover for the Yanqui Empire's wars and drive for profits.He explains that these crimes are the doings of a system, the imperialist system ,as he calls it himself.He points out they use the cops to do the same at home :brutalize working people. Malcolm further points out that both the Republican AND the Democratic parties are the twin parties of racism and imperial exploitation. Oh yes, both parties ! He explains how he came to the conclusion that " capitalism is like a vulture...it used to be able to suck anybody's blood...but now it can only suck the blood of the helpless. It's only a matter of time , in my opinion, before it will collapse completely " and how he became prosocialist. He points to the Chinese, Vietnamese, and Cuban revolutions as examples for Blacks - today he would add and we can add, all working people -- to emulate in this country, in our time.And, he makes his stand to fight alongside anyone, any color, who fights to better condtiions for humans on this earth. As the 2nd Gulf War begins, again under UN cover and "inspections" just as the liberals pleaded, as more working people's blood, Iraq and American, for the sake of the oil profits of a tiny few, it is good to be reminded that as, Malcolm says in these pages, " The young generation of whites, Blacks, browns-you're living at a time of revolution." He was right then and he is still right.If you seek serious fundamental social change, you owe it to yourself to buy and STUDY this book.

I think the best way to describe this wonderful book is a few excerpts (from the 2002 expanded edition).

"The young generation of whites, Blacks, browns, whatever else there is -- you're living at ... a time of revolution, a time when there's got to be a change.... And I for one will join in with anyone, I don't care what color you are, as long as you want to change this miserable condition that exists on this earth."

"It is the teenagers ... all over the world, who are actually involving themselves in the struggle to eliminate oppression and exploitation.... The young people are the ones who most quickly identify with the struggle and the necessity to eliminate the evil conditions that exist."

"In America the Black community in which we live is not owned by us. The landlord is white. The merchant is white. . . . And these are the people who suck the economic blood of our community."

"We are not for violence in any shape or form, but believe that the people who have violence committed against them should be able to defend themselves.... I have never said that the Negroes should initiate acts of aggression against whites, but where the government fails to protect the Negro he is entitled to do it himself."

[In Africa] "I'm from America but I'm not an American. I didn't go there of my own free choice.... [I am] one of the victims of Americanism, ... one of the victims of a very hypocritical system that is going all over this earth today representing itself as being qualified to tell other people how to run their country when they can't get the dirty things that are going on in their own country straightened out."

[In Africa] "When we find a Black man who's always receiving the praise of the Americans, we become suspicious of him.... Because it has been our experience that the Americans don't praise any Black man who is really working for the benefit of the Black man."

"It is impossible for capitalism to survive, primarily because the system of capitalism needs some blood to suck. Capitalism used to be like an eagle, but now it's more like a vulture. It used to be strong enough to go and suck anybody's blood whether they were strong or not. But now it has become more cowardly, like the vulture, and it can only suck the blood of the helpless."

I recommend the ads in the back of the book. Pathfinder Press is defined by a political goal, not commercial success. It aims to provide a platform for revolutionary leaders speaking in their own words. If you like one book, you will probably like others.

This is a book that should be on Oprah's list! Simply and beautifully written from the heart and deserves as much publicity as possible. Would make an incredible movie too!

This is a remarkable effort from unknown authors who not only put their heart and soul in writing this heart-rending story about my country, but were brave enough to have it published at a time when their lives could have been at risk. Mengistu Haile Mariam's brutal military revolution destroyed the lives of innocent people causing great suffering and humiliation. This is an excellent, well written tear-jerker that touched the core of my heart. A great read that keeps you glued until the very end.

I read this book some time back and am delighted to see it on the amazon web. A truly emotinally gripping adventure story of two different cultures blending into shared human experiences which often move to tears. I was hooked from the first page by its blend of interesting historical information always presented through the eyes of individuals from different cultures experiencing history in the making. A real page turner.

I actually bought this book while I was visiting the region. I found it good reading with a lot of information about the "Red Terror" period of which we heard relatively little in Europe. It is obvious the author is not a professional writer, but her involvement make up for the lack of stylistic sophistication.

I write this review on behalf of many who lived a good part of their lives in the heart of Africa and who share my views. Ethiopia has left a print in our hearts and now after almost 25 years, Lukas and Mellina Fanouris have managed, with their book 'Meskel', to bring to life some of the happy times and, albeit, some of the sad and painful days that spoilt a once beautiful country. Through some painful but very accurate descriptions, this couple have managed to record an era that will go down in history. For those of us that were fortunate enough to have 'escaped' in time, this is a true testimony of what happened when the leadership of a country fell into ruthless hands.

"The Music of Black Americans: A History shares some of the most important, yet fascinating events of black America".

Book was in mint condition! I was completely satisfied.
Kimberly :-)

Cosa consigliare ad un appassionato di musica afro-americana che, conoscendo un po' di inglese, decidesse di leggere qualcosa per cui valga veramente la pena di fare un po' di fatica?
Personalmente non avrei molti dubbi: credo che l'opera più completa che esiste sul mercato e che associa alla competenza una buona leggibilità anche per chi non è di madre lingua sia proprio questo.
Eileen Southern è Professor Emerita di Musica e Studi Afro-americani alla Harvard University di Boston, fondatrice ed editrice della rivista The Black Perspective in Music, che è stata pubblicata dal 1973 al 1990, e autrice, coautrice ed editrice di numerosi volumi sulla musica e la cultura afroamericana.
Il libro in questione, di 678 pagine, ripercorre tutta la storia della musica afroamericana dalle origini (1619) fino all'ultimo decennio del XX secolo. L'opera è suddivisa in 14 capitoli ed è completata con un'accurata bibliografia e discografia e un indice dei nomi e dei temi.
Il linguaggio è piano e comprensibile anche a chi non abbia una quotidiana familiarità con l'americano scritto.
Il libro della Southern affronta tutti i diversi generi musicali dei neri americani, dal canto in congregazione alla musica urbana del primo ottocento, dai worksongs ai traveling road shows, dal blues al ragtime, ecc..
Il taglio critico trasversale, che analizza l'emergere della musica nera all'interno della più ampia realtà sociologica e culturale dell'America Settentrionale, consente di cogliere con chiarezza le fasi dell'evolversi della cultura afroamericana, non solo musicale. Si tratta di un'opera più descrittiva che interpretativa, in tal senso più adatta a chi, volendo avviare la propria conoscenza del fenomeno musicale afroamericano, non è interessato all'analisi del significato profondo della musica e dei testi e a conoscere i diversi modelli interpretativi proposti dagli studiosi.
Fondamentale!

I am using this book for my masters thesis and I must say that I am very pleased. Ms. Southern did an excellent job researching the subject and the book is put together well. There is so much information involved!!! She starts from the VERY beginning and smoothly takes you through the ride of African-American music. Each section is very thorough. This text is perfect for anyone who is researching the subject or just wants to gain knowledge on this rich music. A+++

Have you ever heard about The National Negro Opera Company? Founded by Mary Cardwell Dawson, the company made its debut in Pittsburgh in 1941. This is but one of the fascinating things you can discover in this marvelous book. If you have an interest in music of whatever variety, your library is incomplete without this book.

This 3rd edition was done in 1997, thus it is quite up-to-date in its coverage of classical, jazz, rock, pop, gospel, swing, ragtime or blues. If it is music as practiced, performed or composed by people of color, this is where you'll find valuable information about it. Beginning with Africa and continuing to the present day, the four sections detail this rich history: Song in a Strange Land (1619-1775); Let My People Go (1776-1865); Blow Ye the Trumpet (1865-1919) and Lift Every Voice (1920-1996). The latter section is particularly informative reading with sections on Jazz, The Harlem Renaissance, and the Mid-Century Decades. It is these years in which artists of color finally took their well-deserved place on the musical stages of the world. Of course, they had been visible in their own world, and the popularity of such major composers as Scott Joplin and Duke Ellington allowed them to more or less effortlessly cross-over to the 'white' world. Lena Horne, the Mills Brothers, Louis Armstrong, Cab Calloway were--and still are--names to be reckoned with in any list of fabulous performers.

And then there was Marion Anderson who finally made her way to the Metropolitan Opera at the very end of her career, making way for Robert McFerrin, Leontyne Price, Jessye Norman, Simon Estes and George Shirley, who were very much pioneers in their respective repertoire. Today, thankfully, artists of color are not at all rare on the concert and/or opera stages of the world. But lest we forget the individual trauma these artists suffered in order to be able to compete in this way, we need to remember the past while we are glorying in the present. This book will, if you let it, open your mind and your ears to wonderful, glorious sounds, without which our world would be a much quieter and poorer place.

The author of this book is the renowned Eileen Southern (Professor Emerita of Music and Afro-American Studies at Harvard University) who is herself a musician as well as a writer, and is eminently qualified to illuminate The Music of Black Americans to the world in general.

Pages 613 through 646 comprise a rich bibliography and discography; the index takes up 41 pages. NO music lover should be without this invaluable reference work.