Texas Books

Simolke, Duane. "The Acorn Stories", iUniverse, 2003.

Living in a Small Town

Amos Lassen and Literary Pride

Acorn, Texas--population 21. 001 is the setting for Duane Simolke's wonderful "The Acorn Stories". The town of Acorn is full of stories and if you have lived in a small town you know exactly what I mean. Each of Simolke's stories lets us look into the lives of some of the most interesting characters I have ever read about. As you read each story, you seem to make new friends and when I closed the book I felt as if I actually knew many in the town. Just as the stories are all separate, they eventually tie together. There is just the right amount of detail to let the reader feel he knows the people of Acorn.
Even more interesting is that Simolke wrote this book in a very difficult style of writing--the stream of consciousness. This allows the reader to feel as if he is one of the characters and as the stories come together, we get a picture of Acorn, Texas in quite a unique way. The 16 stories in the book, although separate, are all related and this is not an easy way to write. As the characters merge, the imaginary (at least I think it is imaginary0 town seems to be very real.
The residents of Acorn are very real people--or so they seemed to me as I met them. And as the stores come together the town of Acorn is laid bare reminding me of what is left of a turkey after Thanksgiving dinner. As we meet the townsfolk, we dig below the outside appearance and go deep into the characters. The characters are quite a menagerie of folk all of whom have challenges and problem (just like we all do). It is the personalities and actions of the members of Acorn that make the stories live. In fact, I am not really sure that this is a collection of short stories because of the interactions between the stories and when they all come together it is like reading a novel.
Acorn is located in west Texas and there, under the Texas sun and the majestic oak trees (so unlike Texas) is a mixture of Hispanics and Anglos as well as a few Afro-Americans. Some were born in Acorn and some are hiding in Acorn. Newlyweds Becky and Kyle are very much in love and they are starting a life together. We meet the [...] art dealer and gallery owner who is being blackmailed by the [....] mayor of the town. There is also a famous writer hiding in Acorn because he stages his own fake suicide. There is the high school teacher who favors sports over academics and the young kid who is keeping a secret, a young man looking for a sugar momma to pay his rent, a widow ad her cat, Regina, an overbearing sister, a widow, Mae, who remembers how life was once and so on.
I must say that I loved this book and have reread several of the stories. It is a rare treat and one that will have you laughing, crying, commiserating and identifying. I have not had this much fun in a long time.

This book is just wonderful. I hate to say much about books here, because I hate spoilers. This one really hits home and if you have a heart you won't want to miss it!

Duane Simolke's, "The Acorn Stories," is set in the fictional West Texas town of Acorn, so named because it's the only town in the entire region that has trees, thanks to the foresight of its founders. The stories are a compilation of vignettes that give the reader a glimpse into the everyday happenings of a group of residents whose lives, we learn as the chapters unfold, interconnect in fascinating and unexpected ways. With each new story, or chapter, the reader is introduced to a new character. The stories and lives of the citizens of Acorn interweave, turning "The Acorn Stories" into what is essentially a novel...quite a feat for the author to accomplish in a relatively short book.

Simolke allows the reader peeks into the thoughts of diverse characters, from a policeman's recollection of his abusive childhood, to the befuddled thoughts of a senile old man. We see events from the points of view of a deaf man who manages to do a good job as the high school's English teacher, an esteemed best selling author desperately trying to escape life's travails, and a young couple who find love and, like it or not, become parents at a most unexpected time and place...the opening of an Art Gallery that happens to be owned by the teacher's boyfriend. A small example of how the stories go around.

"The Acorn Stories" allows the reader an understanding of the human condition. We learn what makes each individual's personality tick. Simolke's characters are male and female, young and old, black and white, rich and poor, gay and straight, handicapped and gifted, happy and sad, satisfied and searching, hypocritical and fair-minded. The ability to depict such a wide cross section of humanity, including details of each character's breadth of knowledge and experience, takes a talented, insightful author, and Duane Simolke is such a writer.

I dislike giving ratings to books...they are too subjective...but The Acorn Stories deserves 5 stars as a very intelligently written book. Don't miss it.

Duane Simolke's offering of his sixteen short stories, many with overlapping characters and plot-lines, all set within or around the fictitious west-Texas small town of Acorn, provides its readers an insightful and literate look at what goes on in the hinderlands beyond the boundaries of this country's big cities.

Not as salaciously rendered as was Peyton Place (which, if you remember, was a small town taken on by Grace Metalious), Simolke's Acorn, Texas, still turns out to be rife with some of the same angst-ridden problems, thereby, once again, exploding the myth that rural "out there" is actually more idyllic (even Edenesque), as compared to big-city "in here".

From the who-will-have-control-of-this-relationship "dueling" of Regina Thibodeaux and Dirk Palmer in Simolke's lead-off story "Acorn", to the not-always-that-pleasant reminisces of town maven Aragon Carsons in the book's concluding "Acorn Pie", Simolke puts rural America under a microscope to unveil all of its acne, sores, scars, and festering wounds.

THE ACORN STORIES isn't for any reader out to preserve his or her unrealistic nostaligic notion that rural-America is the place "to be" "to get away from it all". On the other hand, for those of us not put off by realism and always interested in a literate writer who can provide us a peek beneath the veneer, Simolke provides some very enjoyable reading moments.

The Acorn Stories
Duane Simolke

Review by Mountman

Picture a small town in West Texas. Acorn. The reason it's called Acorn is that it is the only town in West Texas that has a lot of trees. Yes, Acorn is a fictional town but after reading The Acorn Stories, I wanted to visit the place, just to check it out.

" "Welcome to Acorn, population 21,001, the Texas town with a little name and a big heart" - Sign marking city limits of Acorn" (taken from the book.)

Like the branches of the Main Street Oak tree, the town has just as many histories and legends. Each story gives you a glimpse into lives of the people of Acorn. Also how their lives are intertwined.

There are stories about the founding family, newcomers, the rich, the poor and in between. When I first started reading it I felt like I was left hanging. Just then, in Simolke unique clever style, things began to connect. Growing up in a small town I could relate to some of the characters. Duane gives you just enough details that you get a feel for where each of the characters are coming from. There are people that you like, some that you can't wait to see if they get theirs. Big cheers for when they do!

Ones that really grabbed me are Survival and Dead Enough. Survival is about a gay, deaf teacher. Dead Enough is about a writer of murder mysteries. I'm not going to give you any details because you will have to find out for yourself.

Whether you are an avid short story reader, or a novel reader this is a must read! So check it out.

The life - project of Pessoa in his making of multiple poetic alter egos, reminds of the life - project of Kierkegaard who explored various aspects of the religious life through use of alter egos often representing different faculties, approaches and moods of life. But if Kierkegaard's aim is to bring the reader to realization of what it might be to be in true connection with God, Pessoa's seems to be more to dissipate the notion of unique identity completely out of existence. Thus the fragments he shores around his own ruin and attributes to alter ego , heteronym Bernard Soares have within them a strong nihilistic self- and - world denying element.
Yet and here is the contradiction and the deeper truth they also reveal a kind of beauty both in perception and in the varied motion of the mental life itself. Lonely solitary lost fragmented Pessoa knows no human sacrifice like that of Kierkegaard with Regina, knows no dedication to his father's task of doing God's duty in the most ultimate way. He instead seems to reveal hidden realities as he conceals that beyond them all may well lie an eternal nothing. Kierkegaard is the many- selved servant of God, and Pessoa the many - selved servant of nothing more holy than human poetry.

Poetry often speaks to us; we see something in it, something recognizable, and it's like we are shown a piece of ourselves that had been hidden for a lifetime before. Finding Pessoa's *Book of Disquiet* was like finding a piece of myself. In the pages of this poetic novel you will find honesty, often self-disparaging, and you will find beauty in the smallest observation. However, be forewarned, this is not a book that should be picked up with the idea of light reading in mind. In fact, you may find that you have to put it down, repeatedly, to get away from it, to think, but you will always, always come back to it. Keep it close to hand.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

Fernando Pesoa's genius lies within who Pesoa was as nil and not. He wasn't anyone. Only somene who continually writes in "disquiet" his persona's variable exegesis. The writing is in the book but the author who wrote it, Fernando Pesoa does not "feel himself" as actually being who he is. So, maybe he's actually a different author, with a different name who begins to write a different book. There's all of the writing there, its genius evident in the mystery of the writing itself. All the writing invested with absolute revelation of numinous absence. The absence is that of the author's presence. Magic? Truly. The author is not there. But he must be "there" because he has no choice but to write. What's the answer for the author who is finds himself as absent? He must undertake the creation of the abent author's presence. How? By literally creating a utterly unique form of literature. A literature whose grammar is of being literal by making it possible to write of the absence of an author to himself into a presence to be known as the once absent identity. Writing through a textual hermeticism capable of transmutation through written words of the emanation of an author as "logos," or the Word. "In the beginning there was the Word." Through the Word as logos, all identity is created in the appearance, ex nilho, of the writer mediated solely through himself in this the new logos of writing itself. Pesoa is not himself. He's a man who achieves glimpses of a unmanifest self-referential identity only through his books. In the work of writing these books, this identity is made manifest as the author's anamnesis. Seemingly he finds out (remembers) he is, and always was, a certain author he now "remembers" as himself as a manifested presence. An absolute genius manifested as the author himself being (repeatedly) annihilated through radical self-doubt. Only later remembering who he was as absolute presence never to be lost again. Until this is accomplished all of the laborious, literal negotiations must of necessity begin anew, and are written as literature whose search arises from absence's discontent becomes the new discourse as the art and improvisation of real identity forged in the alchemy of narrative. This peculiar narative reaveals itself as a lived experience of self-discovery. One man of many parts dismembered in his own identity become self-inflicted and religious. Pesoa's own holy inquisition seeking and finding the indentity he is spurious, a phantasm of derealized personality perpetually guilty of having a persona found lacking, Wriiten out in texts as being found guilty of the "heresy" of having an identity. Never before Pesoa has an identity crisis of infinite magnitude been witnessed in Pesoa absence made real presence in some of the 2OTH century's finest writing and poetry. of the 20TH century in The writing of a man named Fernando Pesoa. A man lost to himself, in search of the "person" underneath the name. Personality and identity as reality grounded in a mystery only to be known by itself: self found through words that are the artifacts of the self discovered. A genius lost to himself and calling his absent identity into gradual existence by a person's absence fading into a personality that's presented in multiple, shifting Heteronyms, or cases of terminal identity lost and regained.

there are few poets able to assume so many diferent personalites as Fernando Pessoa. But Bernardo Soares is not a diferent personality, is just the other side of his personnal mirror, an escape to his tortured soul. Probably that is why The Book of Disquiet is so universal, a portait of the human fears, an example of a lonely man,travelling across his own mind, looking at the world through the most ironic eyes. Fernando Pessoa was able to understand dissapointment and regreat in a intemporal way, as a natural part of human nature. So, this book has the ability to make you look inside yourself, guide by one of the best poets of all times!

A great 1st book by the author filled with suspense & humor. The story keeps you glued to the pages wanting to know what happens next. Can't wait for the next book from Kiki Curry!

There is never a dull moment in this fast-paced thriller. Mysteries are
my favorite genre, and I thoroughly enjoyed the book. Curry kept my
attention with several humorous subplots going on, woven into the death
of a girl in Marble Falls, Texas.
I don't believe in coincidences, like the story suggests and to follow
your intuition. Today, after reading Crows Calling, I found and bought
a piece of art named, "Yellow Bird Ascending." It has the Kachina gods
representing the animal totems. The bird representing the soul.
In this book, the story told of the Indian lore of the crow medicine
being the avenger of truth. It was interesting how the plot captured
the Native American ways of seeing nature as a way Spirit speaks to us
if we have the eyes to see and the ears to hear in a very believable
way.
Crows Calling would make an excellent movie because of the nonstop
action, and humor. I loved the characters and would like to see them
continued in her Curry's future books. By the way, if it is ever made
into a movie, I see David Leach as a character, or maybe Billy Bob
Thornton as one of the thugs.
I can't wait for her next novel to come out. I read her bio on her
website and noticed she was a standup comic. This really was apparent
reading this entertaining book!

As a screenwriter living in Texas, I found this book to be very interesting. Set in the Texas hill country, it is rich with local color. Kiki Curry gives us a new age spiritual woman's point of view of events concerning the death of a young woman in Marble Falls, Texas. The book contains lots of humor and suspense. Curry's narration is very visual and filled with Texan idioms and cultural references. In addition to a fun supspense story, it is an interesting cultural study.

Fun story that as a new Texan, I was able to recognize many landmarks! (Like Stephen King always made me feel about New England). The characters in the story were memorable and endearing. Quite a few sounded like people that would be fun to meet (if they exsisted of course!)
I would recommend this as a entertaining, easy read and I hope to see more from Kiki in the future!

I could not put this book down once I started to read it. Not only does Kiki keep you guessing she keep you thinking. The book was original, engrossing, and endlessly inventive; my only problem with the book was that it ended way too soon. To the Author - Please write a follow-up book very soon.

This book is without a doubt, one of the best books I have ever read on flintknapping! The black and white photos and drawings show the exact methods of making stone tools, and how they were probably used by Native Americans.

I bought this as a gift for my husband who is an avid arrowhead collector. He was very impressed!!!

This is another five star pick, a must have if you are learning to flintknap or just studying primitive skills. Full of information for the beginner to expert.

Pick this book up and you'll be able to start flintknapping immediately. This guide is entertaining while being informative.

This is an excellent book for the novice or the expert. Everything you need to know about making stone tools the way neolithic man did is easily explained using simple very clear language. The author has done an excellent job explaining the methods, history and reasons behind a very fascinating, little known subject. Those who are interested in the history of technology will love this book.

A really colorful, informative book. It is filled with clear, clean pictures of the artist & his works.

This book is informative and very well made. Hundertwasser is one of my favorite artists and I own several books about his life and work. This is one is (so far) the best. The Taschen book reproduces his work beautifully, showcasing the washes and color use that make his work truly sublime. It also contains some wonderful photographs of the buildings he designed, which make one wish all construction could be so imaginative. This book was more than I expected for a very fair price.

This book really shows off Hundertwasser and is a great addition to any art collection. This is another hit by Taschen.

I am a quilter, and bought this book largely because of my love for batiks,(which are cotton fabrics hand dyed)and on recollection of a show I saw 32 years ago on Hundertwasser in Toronto's ROM.I like it,big time.Yep,there's no gold leaf in them thar hills and curves of Hundertwasser repros,if it bothers you enough,grab a gold leaf marker and add it yourself.Taschen offers value for your money,if you want gold leaf,you may have to add another 20.00 to the cost of the book.I have no problems about the quality of the repros.Anything that looks like pale brown,try and doublecheck,it is likely it is gold leaf. The artist may not have alot to say as other painters,but his designs,and color sense are really got me going into my studio.
I am glad I got it!

Any book about art or an artist that doesn't make me fall asleep gets five stars from me. The only downside (but it still gets five stars) as that you don't get the full representation of the pictures and need to look at the description to see the medium. For example the foil overlay. Still wonderful. (Feb 17, 2008)

I eventually found a small, beautiful, cloth-bound catalogue of his Australian and New Zealand exhibitions (the one I have was produced in 1973 by cicero, gmbh and titled 'Hundertwasser 1974 Australia') and there you get glimpse of the phosphoric metallic brilliance that I find missing in many of the books about Hundertwasser - although for the price of these books, no complaint. This book and the catalogue are a good combination. The catalogue I was able to find at a very reasonable price of $30, but it took a bit of searching. (April 16, 2008)

This book is a great tool to help siblings, other family members and non-relatives (including teachers and students) to understand some of the world of kids with autism. This is a very touching story deserving of the acclaim it has received and more. Schools systems would do well to include this book in their libraries. Great story and illustrations! Great work!

Author Marvie Ellis, pediatric speech-language pathologist, founded Speech Kids Texas Press in 2005 for to publish children's storybooks on communication needs. Kiesha's Doors is a bilingual storybook in which English and Spanish text appear simultaneously on the same page. This technique reinforces to children and adults alike the multicultural nature of the modern world we live in, and seeing other languages on the same page may encourage children to explore secondary languages. I think this technique is superior to the alternative of publishing two separate translations. Children's brains easily learn multiple languages, so why not give them as much exposure as possible?

In Kiesha's Doors (Las Puertas de Keisha), 2 year-old Kiesha has stopped communicating with her family, become a picky eater, and taken to a favorite rocking chair. Kiesha parents and her older sister Monica (age 9) learn that she has autism, and they must adapt their communication style to reach Kiesha (to "open her doors"). The story is not just about Monica's adjustment to life with Kiesha, but about the Mom and Dad's journey to get a diagnosis and learn how to relate to their child. It is truly a family story, and it raises important diagnosis questions as well as coping skills. The illustrations are vibrant crayon-style (I loved the way the eyes and faces glow!).

Every library should invest in a copy of this book, and every child and parent should read it at least once, to learn about dealing with people who communicate differently from ourselves.

This is another wonderful tool given to us by the author Marvie Ellis and the illustrator/artist, Jenny Loehr. The author uses a little girl, the older sister of an autistic child, Keisha. This is very effective! The author certainly has a way of taking a very complex subject, and through her use of words, bringing that subject to the level that a child is able to understand. I loved her concept of "closed doors" and "opening doors." This is quite understandable to a child, and indeed, an adult faced with this devastating condition. Well done! The author takes us step by step through the process of identifying the condition, its treatment and, again, does it in a way that a young person can well understand.

I was delighted, and in fact thrilled, to see this work presented in both Spanish and English, together between two covers. Over the past five years our area of the country has gone through a change with the influx of Spanish speaking people. Our resources were, and are quite thin, and I am sorry to say, quite limited. Books such as this go along way in correcting this situation. My daughter, a first grade teacher, is faced with this language (and indeed, autistic children) problem each and every year, and works such as this are most helpful.

I personally found the illustrations in this book, by artist Jenny Loehr, quite pleasing as I like her method and style. She has the ability to capture so much with her simple facial expressions. The color choices certainly appeal to children and are quite eye catching in a subdued way. The illustrations go perfectly with the text and each, the text and the art work, complement each other perfectly.

Children have as much of a struggle understanding this devastating condition, even more than most adults. The author has done a wonderful job, in the way of explanation, at their level. I might add that any adult will also find this work quite informative. This is another valuable tool and should be included in any school program or home library were applicable. I, as a fully retired individual, do a tremendous amount of substitute teaching at our local schools. I fully intend to read these books to my younger classes. Ignorance is a horrible thing, and this book and the author's other book, Tacos Anyone?, go a long way in stamping it, the ignorance, out. Well done Ms Ellis! I highly recommend this one!

I have a son w/autism and I purchased this book because I haven't seen any af/am profiled in autism related childrens books before. I enjoyed the book very much. Kudos to the author!

Marvie Ellis is providing a great service to a significant number of people with her Autism Story Books. If you're like me, you know less about autism than you think you do - unless and until someone in your life is born autistic. And if we adults don't really understand what autism is and is not, imagine how hard it would be for a young child to understand it all. Keisha's Doors is told from the perspective of just such a child, a nine-year-old girl who doesn't understand why her three-year-old sister Keisha won't play with her or speak when spoken to. When Keisha is diagnosed with autism, we are there with her family as the doctor and therapist explain what this means and begin to teach them techniques for establishing better communication with the little girl.

The conventional, knee-jerk reaction to a diagnosis of autism would probably be one of alarm and grief, and I'm sure one of the author's purposes in writing this book is to dispel such notions. Here, Keisha's condition is described in terms even her nine-year-old sister can understand: Keisha has certain mental "doors" that are closing her off from some of the people and things around her, and she just needs help opening up some of those closed doors. Rather than tearing the family apart, the situation actually brings them closer together. Now, even Keisha's sister understands why Keisha is different - she even knows a little bit about how to go about helping her expand her awareness.

This is a very positive, heart-warming look at a family caring in the proper way for an autistic child. The story itself is printed in both English and Spanish, while Jenny Loehr's beautiful illustrations speak volumes in and of themselves. Put it all together, and you have a wonderful book - perhaps the only one of its kind - designed to reach as many different people as possible with its important message. I learned something about autism myself in these pages, and I'm sure anyone with any kind of connection to an autistic child will benefit from this book - and Marvie Ellis' succeeding Autism Story Books - immensely.

This was a very well-crafted and informative book, which I would recommend reading to those who haven't yet. For those who have, and who enjoyed it like I did, I would recommend Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival, which George Kennan's account of his travels around eastern Siberia on dogs and reindeer sleds.

In The Other Side Of Russia, author Sharon Hudgins takes the reader along on her Trains-Siberian Railroad adventure through Siberia and the Russian Far East, an area that was closed off to Westerners (and most Russians) prior to 1990s and the collapse of the old Soviet Union. Here the reader will be treated to a unique travelogue that will take them from the frozen surface of Lake Baikal, to feast with native Siberian Buryats, the food markets and "high-rise villages" of Vladivostok and Irkutsk, Christmas celebrations, New Year's banquets, Easter dinners, and Siberian festivals. The Other Side Of Russia dispels the myths and misconceptions about the Asian part of Russia which extends across eight time zones between the Ural Mountains and the Pacific Ocean. Offering a window of observation into this land of harsh winters, vast uninhabited spaces, friendly people, strange cuisines, and thriving modern cities, The Other Side Of Russia is a welcome, informative, and highly entertaining read which is especially commended to the attention of armchair travelers and students of Russian culture and history.

The Other Side of Russia is part travel narrative, part social history, part memoir, part food writing. All these parts come together to make a terrific book.

Sharon Hudgins and her husband Tom spent a year and a half in post-Soviet Siberia teaching business management for the University of Maryland's overseas program. As peripatetic ex-patriates, they were familiar with unfamiliarity. But they were still not prepared for what Siberia had to offer them.

Join Sharon and Tom as they picnic with the Russian Mafiya, try to teach in an educational system that discourages questions and independent thinking, and ponder why a herd of horses is tangled in downtown rush hour traffic.

In "Absurdistan" it is just one perplexing thing after another. The electricity and water in their poorly-constructed apartment building work only intermittently. But in spite of such challenges, they make friends and entertain regularly. Cultural differences mean that the same friends who swoon over delicacies such as wafer-thin horse liver slices rolled with layers of horse fat, are unable to enjoy a Hudgins Tex-Mex feast.

Hudgins's previous work as a food and travel writer are evident here, and I wouldn't be surprised to learn that she writes fiction as well. The narrative is effortless and the stories she tells are by turns engaging and frightening.

The Other Side of Russia emerged from Barbara Hudgins experience of living in Siberia for a year and a half, from 1993 to 1994. Working as the onsite program coordinator for the University of Maryland University College in Siberia and the Russian Far East, she worked and lived in Vladivostok and Irkutsk.

Hudgins book is the first book about Siberia I'd come across written by someone who spent extensive time in Siberia. This gives her a depth of understanding that adds a lot to her memoir.

The structure of her memoir is unusual. She's divided the book into two sections. The chapters in part one focus on place - Irkutsk, Vladivostok, Lake Baikal, etc. - and the chapters in the second part focus on aspects of life and culture in Siberia - housing, education, food and festivals. Hudgins supplemented her first-hand experience with extensive research. This offers readers an in-depth source of information about many aspects of Siberian place and life.

What's lost in this non-chronological format is Hudgin's own adaptations and reactions over her time in Siberia. She does insert some feelings and personality, but the focus is on the topic, rather than on her personal experience or characters who change and develop over the period.

Hudgins seems to have thrown herself into Siberia with a remarkably open mind. She expertly captures the small details of Siberian life and renders vivid pictures of feasts shared with Russian friends. For those who have been to Siberia, this book will take you back there. For those planning on going, The Other Side of Russia provides a great overview of the life and culture.

In THE OTHER SIDE OF RUSSIA, the University of Maryland University College has established a joint undergraduate degree program in business management with the Far Eastern State University in Vladivostok and the State University in Irkutsk. In the summer of 1993, author Sharon Hudgins and her husband, Tom, packed off to Siberia and the Russian Far East to serve as teachers in this cooperative venture, while the former was also Maryland's on-site program coordinator in both cities. This book chronicles their experiences from their arrival until their departure in December 1994.

Whether she's describing the immensity of pristine Lake Baikal, the problematic living conditions in their high-rise apartment, local customs and food of the Buryat people, the vagaries and perils of shopping for household necessities, maddening water and electricity outages, local festivals, the growing pains of a free-market economy, the university students' learning ethic, or the conviviality and generosity of their Russian friends, Hudgins has a keen eye for small details, as when describing an open air market:

"An Uzbek woman ... sold raisins and nuts in small paper cones made out of official forms from the Irkutsk Municipal Water Department ... In one part of the market, a pretty teenage girl, wearing a garish, flower-printed dress and a thousand-yard stare, held a handful of peacock feathers and sipped a can of Dr Pepper, while in another section two older women, both drunk, tried to punch each other out in a fist fight."

I haven't been so engaged by a travel essay about Russia since Hedrick Smith's 1976 bestseller, THE RUSSIANS. My only criticism is the relative lack of photographs - only a couple at most per chapter. Luckily, Sharon's poetic prose paints pictures almost as effective as snapshots, as this from her vantage point on the Trans-Siberian Railroad:

"A profusion of wildflowers carpeted the meadows, like an Impressionist painting exuberantly expanding beyond the limits of canvas and frame: undulating shades of yellow, gold, and blue, maroon and magenta, soft pink and pristine white, the pale purple globes of wild onions gone to seed, thousands of red-orange tiger lilies, whole fields of dark purple Siberian irises, and occasionally a single red poppy or two, like a stubborn symbol of politics past. Outside Chita a small lake glistened under the midnight moon."

For me, a travel narrative is all it can be if it makes me want to go there myself. THE OTHER SIDE OF RUSSIA accomplishes that. Well, maybe for just a brief visit, perhaps, because I certainly wouldn't want to live there.

This book on Texas Snakes is very good to have. It has a lot of well taken snake pictures in it, and good a good write up about each. I recommend this book.

Terrific photos and scientifically up-to-date. Easy to use guide for herpetology student or the causually interested.

This is by far the best book I have come across pertaining to snakes - specifically Texas snakes. Great bk. for any herp. enthusiast or just a regular person wanting to know what's what. This bk. has plenty to offer. There is detailed scientific info. including range, habitat, reproduction, behavior, etc. of species. The pictures are amazing & thorough for easy identification. I particularly like the range maps.

I highly recommend this bk. to anyone who wants a great reference bk. on snakes. This book will not disappoint you.

This is easily the most complete and best book on Texas Snakes available. There is an ample amount of photographs with numerous pictures of some species and also rare to see pictures such as Western Diamondback's fighting and a couple pages of leusistic/albino snakes. Each snakes description tells just about everything you'd want to know and then some, enough to satisfy both amateurs and experts. This is an excellent book to keep at home for reference and to study up on Texas Snakes. This book also has more species of snakes in it than other books on Texas Snakes I have read which is a bonus since the others may be excluding something you could run into in the field.

I've encountered numerous books about herps, and this one is one of the best of them all--it is certainly the best book pertaining to the snakes of Texas specifically.
The species descriptions are accurate; detailed species information is given with each species. Behaviour, range, habitat, diet, reproduction, are all covered in a fair degree of depth for each species.
Despite on reviewers comments, I have no complaint with either the common or scientific names; it uses common names I've heard frequently. In most cases, it will write them in a grammatically corret fashion; Yellow bellied water snake as opposed to yellowbelly water snake, say, but that merely makes the work appear more professional and read much better. The latin names...well taxonomy is always under debate anyway, and I would personally agree with most of thier decisions (although I'm a mere hobbyist).
The photos are incredibly well done; I particularly like that the authors saw fit to provide mulitiple photos with locality information for highly variable species (i.e. western coachwhip, bullsnakes, etc.).

An excellent travel/biography book interspersed by b&w pictures of many Havana et al locations in Cuba.

The author had to flee Cuba with his family when he was 18, just months after the thake over by dictator-narcissist Castro. In '96 he visists Cuba again briefly and takes with him his camera. This is not a touristic approach to Cuba. This is the personal and nostalgic -not angry- brief comeback of a Cuban exile. And man, does he succeed in making us feel like exiles too!

Themes visited:

-How does Cuba's socialist regime make it to survive so long?
Interviewee. "It's their fault (the Americans') Castro is still here making everyone's life in Cuba hell. Time and time again they've saved Castro. How? By permitting immigration. In 1980 Cuba was ready to explode. What does the US do? They allow a hundred thousand Marielitos to emigrate. I tell you, those people were ready to kill. So Fidel lets them go ... He's a master at duping the Europeans into thinking this a democratic socialist paradise. And he is a master of repression."

-Discrimination?
"Cuban leadreship is almost exclusively white, and out of a hundred generals in the army, ninety are white, while the majority of Cubans are black. The prison population is reported to be overwhelmingly black."

-A sharp question
"I've heard this joke: 'socialism or death: what's the difference' How come I don't see antigovernment graffiti? -Because we have the most sophisticated repression in the world ... the jails are full of people they have caught doing graffiti. We still have plenty, but it gets painted over immediately."

-The US embargo
"A visit to a dollar store makes it clear to everyone that the embargo doesn't prevent Cuba from acquiring whatever American products Cuba wants or needs since they can get them fairly easily through Panama or Mexico."

"The embargo provides Castro with his last excuse why the Cuban economy is in shambles. Also, Fidel functions best when he is attacked. He becomes energized. He needs an enemy, a scapegoat. And the Helms-Burton law is to order ... the way to fight him is to hit him where his system is vulnerable. Flood Cuba with American tourists, American dollars, with ideas and information. The socialist state cannot withstand that ... If something doesn't work for forty years, you try something else."

Out of 200 people he met, only 5 still supported the revolution. And they were professors or people with privileges.

I'd like to find another good book like this, even without pictures, only updated for the 12 years that have elapsed.

The author immigrated to the Northern states and his personal view reflects: he is not so radical as the people in Miami are, he claims. If I had to live in Cuba without freedom I'd even be more "radical" than the Miami exiles. I'm sure he changed his mind a little, after his excursion on the island, because the people there think more like me.

An excellent behind the scenes look at Cuba today. No better example of a failed yet still forced socialist state. This is not some itellectual dissection of the situation but a "person on the street" documentary. Must read for those who take democracy and free enterprise for granted and for those who even think Cuba is better now than in pre-revolution time.
As a Cuban born US citizen I applaude this book.

JAN. 12, 2001

I FOUND THIS BOOK VERY EASY TO READ. IT WAS AS IF I WAS READING PART OF MY STORY, MY LIFE. IT ANSWERED MANY QUESTIONS I HAVE HAD. IT ALSO ANSWERED THE WHY OF MANY FEELINGS I HAVE. THE LAST TIME I WAS IN CUBA WAS 1953, MUCH LONGER THAN HIM. I WOULD LOVE TO BE ABLE TO GO BACK AS HE DID. MY HUSBAND AND I WOULD LIKE TO SEE IF THIS YEAR WE CAN GO BACK. WE JUST ARE NOT SURE OF HOW SAFE IT WOULD BE. WE WOULD LIKE TO GO TO SANCTI SPIRITUS, LAS VILLA, VERY FAR FROM HAVANA. I FOUND IT TO BE GREAT READING. IT WAS TOLD IN A VERY CLEAR WAY. IT EXPLAINED MANY THINGS I DID NOT UNDERSTAND. THIS BOOK CAN BE READ BY CUBAN'S AND THOSE WHO ARE NOT CUBAN'S IT IS VERY INTERESTING FOR ALL. ALSO ONE CAN APPRECIATE ALL WE HAVE.

STILL WOULD OF LIKED MORE. I WOULD OF LIKED MORE PICTURES OF THINGS HE WROTE ABOUT. HIS SUMMER HOME, WOULD OF LIKED TO SEE OTHER PICTURES OF THE HOUSE. WOULD OF BEEN GREAT, FOR HIM TO HAVE BEEN ABLE TO MAKE HIS TRIP TO THE OTHER PROVINCES HAS HE HAD WANTED TO DO.

I ALSO WOULD LIKE TO KNOW IF THIS BOOK IS AVAILABLE IN SPANISH.

I WOULD LIKE TO THANK MR. MENDOZA FOR THIS BOOK. WISH HIM THE BEST, WILL BE LOOKING FOR OTHER WORK HE HAS DONE.

Like Tony I am a cuban american who left Cuba in the early 60s for political freedom to study in the States. I came from a successful middle class family and a history of political successes and upheaval. I have always wanted to go back to re-live my youth in Havana, Tarara y Santa Maria del Mar (like Tony in Varadero) where I spent the happiest time of my youth. I have known of the misery of our people because I kept in touch, however Tony has been able to portray that misery in his wonderful black and white pictures. His writtings and dialogues are very easy to read but with a real message for everyone to understand. This is a great book for those who will like an honest and unbias portray of the cuban situation today. Tony has let these people speak out their feelings (pro and against) for the world to judge. I envy Tony for having the opportunity to return. His book has made me very sad because we are limited in our ability to help them. I cried for the younger generation unable to better themselves. Only the beauty of our land and sea remains untouched. Someday our people will be free again to make their choices and Cuba will be a wonderful place to visit. I promised myself to be in the first plane to help rebuild it.

I,too,like Mr. Mendoza, was forced to leave Havana, Cuba, as a child because of my familys' political beliefs towards Castro. I was a child of 9 in 1967, when my parents and I uprooted ourselves from our beloved land because we had been politically betrayed by someone that a whole generation felt was to be their "savior" from the dictatorial regime of Batista. In the last few years I have started to rediscover my roots. I found this book extremely educating as to what to expect to see there, if you plan to "go home for a visit". It has convinced me that I must go home again even though it won't be the same as I remember as a child. This an easy to read book, with compelling sepia tinted pictures of scenes and people Mr. Mendoza came across throuhgout his travels. I highly recommend this book.

An award winning anthology of poetry, "Dark Card", is Rebecca Foust's reflections on dealing with her Asperger's Syndrome afflicted Autistic son. The poetry within explains why the chap book is award winning, and why the titular poem was nominated for 2007 Pushcart prize. "Dark Card" is an excellent collection, to be considered by poetry fans everywhere. "Underneath": His face is blank as a kettle pond/dawn, but he feels everything/there is underneath-- //tadpoles, minnows, sunfish, perch/fish-hooks, tangled lines,/frays of fat yarn algae strands,//filaments tethering lily stars/that from above seem free to skim,/milky writhe of swimmers' legs//mossed undersides of floats,/surprising truth of sailboat keels,/their iceberg depth.

The twenty seven linked poems of Dark Card, winner of the 2007 Robert Phillips Poetry Chapbook award, turn on the poet's experience of raising her son, born with Asperger's syndrome. The narrative arc travels from grief and white-hot anger, to Foust's difficulty in accepting all aspects of her child's disability, opening finally onto transformative acceptance-- a state of grace, perhaps. The resonance of recurring themes and images help mould this collection into an almost novelistic whole.

Foust shows us her gifted, afflicted child as he is. We learn about the syndrome's manifestations, the child's neurological deficits, the wrong-headed practices of institutions responsible for him. When, in the title poem, the boy creates a scene at school, we are shown the coping mechanisms of his mother, as well: she plays the "dark card of the idiot savant ... /...It's my ploy to exorcise their pitchforks and torches/... But it's a swindle, a flimflam, a lie/ a not-celebration of what he sees/with his inward-turned eye:/the patterns in everything---"
The poet's emotions overflow the page. She rages against the possible sources of her son's syndrome. Like a tongue to a tooth, the author worries "...that Gordian- knot neck-throttled curse, /that gene-encrypted, linked-chain curse,//that DES-taken-by-his grandmother curse,/that fumble-fingered-fool-doctor-shaped curse..." . She spits out her indictments in diatribes worthy of the name. Her anger hits its target in "Palace Eunuch":

Don't say you were trying to be kind,
you ball-less prick soft dick eunuch
cowardly coin-counting conservator.
You were practically pissing yourself
in your fear of malpractice,
you were shaking in your green paper booties.

These poems show the many ways in which the quality of life argument is entirely subjective. We see how the boy's behaviors set him apart and make him singular, but we get a rounder view here than in disability poetry purely from the patient's POV (The Hospital Poems by Jim Ferris comes to mind). In one of the best poems, "Asperger Ecstasy," Foust observes the activities that make her son "vibrate with joy." "It can be tying flies under a microscope, knot patterns / the size of this period. It can be cataloging washing / machine brands or the note variations in a symphony, / or committing to memory for joyous recounting / the entire year's schedule for the El-train." As she makes peace with his differences, she begins to celebrate them: "He makes/ meaning from acorns,/ the sky,/knotted bits/ of string." (The Visitation) We watch her empathy swell. She makes us believe her when she says that her son "loves who he is."

Foust's use of poetic devices is as expert as her emotional spectrum is varied. Her line breaks reveal meaning in fresh ways, and her use of sound is a mark of her craft---the sustained vowels throughout "Instrument," the single word lines in the final strophe of "Firstborn," echoing the child's first thin breath; the compound words that heighten the passion in her teeth-gnashing rants. There are allusions to Emily Dickinson's feathered hope and Temple Grandin's empathy, and Foust raises the hair on the reader's arm when she says about her baby, "You freeze my heart to stone/when I measure your foot with my thumb."(No Longer Medusa).

The author reconciles the grim with the hopeful in Dark Card, and her voice never wavers in its fierce emotional honesty. And when, in the extraordinary final poem, the recurring image of her son's Gordian knot "unravels with his years, unwinds, unfolds,/lets loop out in vast uncoiling spirals/whole archives of text,/found worlds," we are moved. The poet has succeeded in making the personal universal. We close the covers, uplifted by Rebecca Foust's courage and her compassionate song.

Life as art ... there is a special gift in the ability to share one's life as art, to issue a challenge to each beholder, to trigger a deeper reaching within and without, to one's coming away changed. The amazingly insightful cover and the signpost of a title dare us to pass through this doorway, to accept the challenge to go beyond and experience what these travelers before us offer to share. Will any two come away with the same experience? I don't think so. For me this journey was worth the beauty, love, and mystery revealed along side the pain of Dark Card. Without the presence of light, we would not even see this silhouette. I am thankful that there are artists and poets who can transcend the dark to share their lives by shining light.

In Dark Card, Rebecca Foust gives the reader a lesson in courage -- the courage of a mother raising a child with a disability, the courage to face the reality this forces upon her, the courage to probe the feelings deep within, and the courage to put those feelings into unforgettable words. This is the open heart of a mother, with all the pain and joy exposed. Read it with respect. It will move you.

I read Dark Card on my vacation. I reacted most deeply to Perfect Target, Sweet Heart, Begin Again - all three made me pause and just feel sick about how cruel people can be to each other and the impacts of seemingly small events on a precious life. It makes me wonder how easily we as individuals and a culture are afraid of vulnerability and the need for eliminating the weak to make ourselves feel strong rather than embracing them. These three poems are marked with tears. There were a few others that really hit me in the gut for how much the emotional content of the poem became my own: Apologies to My OB-GYN, No Longer Medusa, Unreachable Child, He Never Lies, Eighteen (he made it!), Refrigorator Mom. These poems are marked with a check to reread. Thank you for sharing yourself and your son's journey through poetry.