Mississippi Books

having a unique maiden name as Elzy, I like to see what I come across on the web. When I came across David Weaver's book on black divas and whom the book was about I couldn't resist. Not only is this a book about a wonderful singer, but about a person whom made her dream a reality with the help of god and some wonderful friends. The determination she had, her beliefs. This book was so informative and easy to read, that I am going to pass it on to others to read. I don't know if she is a relative but this book has given me the inspiration to find out.

Ruby Elzy, on the scant evidence of the one recording that I have yet heard (St Louis Blues, in the film of Birth of the Blues), was a great artist, both as actor and singer.

David Weaver's fine book is a most moving and informing tribute to Ruby Elzy's life and career. It is also a tribute to the achievement of a people emerging with triumph from slavery and discrimination. Despite their triumph, this book also indicts the nature of ongoing discrimination, against Afro-Americans and against all other people of colours and beliefs and ways of life that cannot be accommodated by the fear-based, unreasoned and unreasonable prejudice of other people across the world. This world is too small a place to contain both a diverse humanity and oppressive, evil prejudice.

In spite of the great interest and pleasure that I found, and continue to find on re-reading, in David Weaver's first book (surely, other books may follow), reading it was a painful experience - it has forced me to confront my own, deep-seated prejudices. There is a story where Ruby Elzy is walking with her friends and is mocked by a racist white boy. When she starts to sing a joyful spiritual instead of being downcast, the boy then acknowledges, in a kind of begrudging wonder, that she surely could sing.

David Weaver's work in creating this good book has helped many of us to share that boy's wonder. Sharing his admiration and affection for this great woman and her people is a gift that earns him the warm, well-earned gratitude of his readers.

David Weaver is now preparing a CD of Ruby Elzy's work and no doubt this will be sought after by many people on its release.

Ruby Pearl Elzy was born in small town Mississippi, but even when she was a young child it was evident that her voice would be too big to keep her there. Her dream of becoming an opera singer seemed unfathomable considering the fact that her father had abandoned the family and her mother worked multiple jobs,one as a school teacher, just to meet the basic needs of the family. But like her mother, Ruby had strong faith that God would make a way for her and neither of the two women was afraid of hard work. Their faith and work ethics, coupled with the dedication and help from others, both black and white, allowed Ruby to continue her education and eventually study at the famed Juilliard School. Despite racism and the barriers it created, she was able to perform on stage, radio and film, her trademark role being that of Serena from Gershwin's Porgy and Bess. Although she never accomplished her dream of starring in Verdi's Aida, her brief career was full of notable accomplishments. Tragically, Ruby Elzy died in her prime, before she could accomplish her goal to sing in grand opera. Yet, she left an indelible legacy that has inspired many.

Before I picked up this book I didn't know who Ruby Elzy was, but thanks to this book, I not only know of her accomplishments, but also a little about her on a personal level. I was even inspired to search online for audio clips so that I could hear the voice I read so much about. David Weaver has crafted a work that is a perfect balance between Elzy's personal and professional lives. When he writes about issues such as her divorce from her first husband or her relationship with her father, he does so with a respect that is often missing in today's biographies. He also does a wonderful job recreating the zeitgeist of the 1930's era by providing just enough relevant historical information. It is obvious from reading the book and scanning its extensive endnotes that BLACK DIVA OF THE THIRTIES is a well-researched book; it provides a comprehensive view of an important, but often overlooked woman, whose life was cut too short.

Reviewed by Stacey Seay
of The RAWSISTAZ™ Reviewers

A gifted four-year-old black girl child sings in church in a remote village in the hills of north Mississippi. She, two sisters, brother and schoolteacher mother are deserted by the father. In the 1920s existence in this farming community is hard for white folks, and much harder for a deserted black family of a woman and four children. By the time this girl is grown she will have graduated from Juilliard as a singer of classical music, given concerts throughout the country, entertained at the White House, performed in movies, become a favorite of George Gershwin and originated the role of Serena in Porgy & Bess. How it all happened has to be a biography because you would not believe it in a work of the imagination. It is all true. And it is well told in Black Diva. Although published by a University Press it is as far from academic gobbledygook as could be. Mr. Weaver writes well and has constructed an exciting story. This is not one of those bios where you know little more when you finish it than you did before. He "connected" with this girl, Ruby Elzy, and you get to know her, the times, the music, the atmosphere as well as if he had written a novel. Once famous, Ruby is now nearly forgotten. She shouldn't be. I invite you to read this book. You'll like her. And you'll want to hear her sing.

BLACK DIVA OF THE THIRTIES: THE LIFE OF RUBY ELZY is a fascinating and moving tribute to the great American soprano by first-time author David Weaver. Mr. Weaver's solid musical background serves him well in capturing the successes and the ultimate tragedy of this incomparable artist's life and career, and it's a testament to the author's style and sensitivity that no lofty musical pronouncements tarnish the pages of this book. Weaver treats his subject with intelligence and respect and it shows.

Biographers new to their craft often fall into the trap of overstating (and overstuffing) their subject's history, but all such pitfalls are avoided here. The book is a model of its kind and portrays Ruby Elzy's life and times in a warm, comprehensive and thoroughly engaging fashion. Weaver is also a born writer and I defy anyone to sample the marvelously evocative Prologue and not read on.

The book is a joy to read but more importantly, through the quality of his writing and the integrity of his research, Weaver ensures that Ruby Elzy's distinguished contribution to 20th century music will not be forgotten. The greatest test of any musical biography is whether the reader is compelled at the end of the book to seek out the subject's recorded legacy. With BLACK DIVA OF THE THIRTIES David Weaver has accomplished that task triumphantly, leaving the reader only to regret that so little recorded material by Ms. Elzy has survived her untimely passing.

This is a wonderful book by a gifted writer and an essential addition to every serious music lover's library.


Derek Mannering is the author of MARIO LANZA: A LIFE IN PICTURES published by Robert Hale, London. The author's acclaimed and newly revised biography MARIO LANZA: SINGING TO THE GODS will be published in the United States in summer 2005 by University Press of Mississippi.

Have you ever seen a dog with the face of a porcupine? What if I told you this bristle-faced mutt could become the best fox dog in the country? No this isn't Ripley's Believe it or Not, just an ordinary dog in an ordinary place.

A boy who has lost both of his parents runs away after his uncle, who he's forced to live with, gets drunk and beats him. After he escapes questions run through his mind, "Where will I go? What will I eat?" But after finding a bit of company on the lonely dirt road, he gets attached to the ugly hound, and his life begins to change.

I love this book because the vivid description paints a picture in your mind. For example, after the panther fight, the author states, "I looked him over and found he was ripped bad down both sides and one ear was chewed almost clear off." Doesn't that make you think of a dying dog lying helpless on the ground (I know that isn't the best mental picture but it helps you plunge your self into the scene!)?

I also love the deep southern accent used through words such as, `ain't', and `electioneerin.' The author, Zachary Ball, tells the story from the boy's viewpoint rather than a bystander's, which gives the book an amazing twist.
I recommend this book for grades six and up because of vivid description however both adults and teenagers may find this book intriguing.

Judging from the reviews, it looks like I wasn't the only one who was affected by this book...
I was 12-13 yrs old when I read this book. Bristle Face, and it's sequel "Sputters", still bring back fond memories. Just as "Where The Red Fern Grows" is a wonderful story of a boy and his dogs with a tear-jerker ending, so is Bristle Face. It is also the equal of Red Fern, but just suffers from not having as good press. I waiting with baited breath for the time when my 6-yr-old is a little older so we can enjoy the story together at bed time!

This is a great book. It makes a great read aloud for the family. Jase Landers is a young boy who is running away from an abusive uncle. He is headed to Memphis, Tennessee when he stumbles upon a shaggy, glassy eyed, dog. Even though Bristle Face is not much to look at he will show much more character than most dogs. He is full of love and loyalty for Jase. In Bristle Face Jase finds a friend when he needed one the most. Jase will not be a boy forever because this dog will change his life.

This book made an impression on me that I will never forget. My girl friend hit me in the head with it, just kidding. This is a great book for anyone who feels all alone growing up. I will never forget Bristle Face and Jase and the love they had for each other. I was 13 when I first read it. I recommend this book for troubled teens.

I am 50 years old, I read BRISTLE FACE when I was in Jr. High at age 12 or 13 .. I have NEVER forgotten it. I was browsing some book titles today and saw it listed and a rush of old memories came flooding back. I can remember the book as if I had read it yesterday. This book is a wonderful tale of love shared between a lonely man, a lonely boy, and a wonderul dog. It is masterfully written, the character developement is top notch. You cannot read this book without it making a lasting impression. I am going to buy it and read it again!

It is like he interviewed my grandparents. This book is incredibly accurate and covers the most dynamic period of the Cajun history. This book should be mandatory reading for young people from this area. His coverage of the old perceptions regarding the Cajun people are particularly humorous and his arguments for the dilution of the French traditions well stated. Informative read.

The Cajun people have long been a subject of curiosity, and much has been written about their unique past. Since their existence, Cajuns have been studied by historians and romanticized by poets; however, there has been a dearth of serious historical work focusing on the recent transformation of their identity. Primarily a 20th century phenomenon for Cajuns, Americanization (the process by which a group or sub-culture becomes assimilated into the larger American identity) is the focal point of Bernard's The Cajuns.

Save for the introduction, which provides a quick historical overview of the Cajuns and perceptions of them through their existence, Bernard's tome consistently pairs each chapter to a corresponding decade, allowing the reader to follow the process of Cajun Americanization in a chronological fashion. Starting in the 1940s, chapter one discusses the effects of World War II on Cajuns in the military as well as those who remained back home. The decade of the 1950s, along with the cold war and global politics, and how these events affected Cajuns, makes up chapter two. In chapter three, the turbulent 1960s brings to light the changing mores and nationwide cultural shifts that Cajuns had to deal with, and how they were transformed by these changes. Chapter four reveals how Cajuns began to take back their identity in the 1970s through a number of initiatives. Finally, revitalization, expansion and exploitation of the culture and the resulting backlash in the 1980s and 1990s is explored in chapter five.

Bernard's examples of Americanization are numerous, stark and, in some cases, disturbing. Mostly isolated for around 200 years, the Cajuns enjoyed relative exclusion from the evolving American ethos. Indeed, early Acadian settlers into the Louisiana territory, whose descendants would later become Cajuns, had settled the prairies and bayous of modern day Louisiana even before it became part of the United States. And while one might presume that the 1803 purchase of the Louisiana Territory by the United States was the beginning of the Americanization process, Bernard's research points to the events of the 20th century, fueled by war and the acceleration of technology, as the paramount period of the culture's alteration.

While technological advances such as rural electrification, the automobile, and television provided a vehicle for the Americanization process, the seminal event that fostered Americanization of the Cajuns was World War II. Young Cajun G.I.s returned to their homes in South Louisiana with a new found awareness of the world. Some of these "world-wise" Cajuns began to pursue formal education, start businesses, and participate in politics.

Nonetheless, many Cajuns had no such opportunities, and for them, Americanization was an assault on their identity. The very language they spoke became a target, as evidenced by public school efforts to intimidate Cajun French speaking students into learning and speaking English. Techniques such as spanking, humiliation and writing of lines were used in order to coerce children to abandon their native tongue and learn the lingua franca of a unified America. (My own father experienced such methods upon first attending public school in 1951.) The result of this attempted eradication of the Cajuns' language was that the affected generation became ashamed to speak their first language, and was reticent to pass this gift to their children.

It should be noted that not every aspect of Americanization was brought about through coercion, however. Cajuns have readily accepted the economic advantages of becoming members of the American middle and upper class. Like their contemporaries in other parts of the United States, Cajuns drive SUVs and luxury cars, have mortgages, pay taxes, and invest in the stock market. From every external perception, they have become American. Yet in spite of this noticeable transformation, modern Cajuns have managed to negotiate a place for themselves in American society by maintaining cultural activities that project their inherent identity. Music, cuisine, religion and other institutions are the outlets used today to remind the world (and ironically, themselves) that they are still Cajun.

The reader will find, as I have, that Bernard's work is a unique prism from which to view contemporary Cajuns. No longer stereotyped as illiterate and poor French speaking people of bayous or prairies, Cajuns of the modern world are a composition of English and/or French speakers with surnames ranging from Arceneaux to Zerangue. And even while some may manifest no outward sign of their heritage, they are no less Cajun than a Vietnamese in Hanoi or a Chinese in Shanghai. Only time will tell if subsequent generations of Cajuns will keep at bay the ever-increasing tide of homogenous American culture, or be overcome by its powerful waves.

This book changed my life! Mr. Bernard does a great job of putting the culture in perspective. His history is accurate, interesting and inspiring. As a full blooded cajun, living outside of Louisiana, this book really hit home. I'm convinced I must return and learn the cajun french language and encourage the rest of the younger people in my family to do the same. Thanks for a great book.

When I first purchased Mr. Bernard's book, "The Cajuns: Americanization Of A People," I initially expected it to be a summary of the last few decades covering every festival, pilgrimmage to Nova Scotia, and Edwin Edwards. In other words, I expected it to be just like a lot of other things labeled Cajun these days: commercial. Although Edwards and Nova Scotia are covered in good detail, this book is anything but commercial. In fact, it can be utterly depressing at times.

When reading the book, one is introduced to a time period for Cajuns that is often glazed over or not even mentioned in Louisiana's colorful history. Most folks are told when the Cajuns landed in Louisiana and how the popularity of their food and "culture" brings loads of tourists and their money to the state. What we aren't told is how prejudice and hate almost forced this group into oblivion. Fortunately for us, this book brings these problems into focus.

To know that fellow countrymen ridiculed the Cajun soldiers for their weak English skills and considered them dumb isn't very good news. Things get bleaker as the decades pass. We are told how children are punished at school because they are speaking Cajun-French instead of English. We are given examples from prominent newspapers and other media in which Cajuns are considered backward, ignorant, stubborn, etc. We learn about the struggle over the term, "coonass," and how many people wear it as a badge of honor whereas others hate it entirely. We are told of how Cajuns are coupled with New Orleans, though New Orleans is one of the least Cajun places in Louisiana. Not only that, but it seems that Canadians and the French, with misguided good intentions, also looked down on Cajuns for their "broken" French language and attempted to repair it and give them a proper culture by introducing Parisian French in the classroom via CODOFIL.

Ah yes, CODOFIL, if you aren't aware of them, you'll know quite a bit about them by the end of this book. Bernard hammers them pretty hard(justifiably) for their early actions in trying to "save" the Cajun culture. He also praises them for their actions in the 1990's. What really amazed me about this group in particular is that they merely asked for an apology from the English for exiling the Cajuns to Canada instead of attempting to sucker reparations out of the British government. Kudos to CODOFIL for taking the high road on that one.

Bernard's book isn't entirely bleak. He does mention many of the contributions that Cajuns have made to society. He tells us how many Cajuns served as translators during WWII. He talks about the colorful and crooked Edwin Edwards and how he used his "Cajun Power" to ultimately become governor of Louisiana. We learn about Zachary Richard, an amazing artist and a rebel. Dewey Balfa, Barry Ancelet, and numerous others are introduced to the reader as positive influences on society.

Although I haven't stated it yet, I am a Cajun. I grew up on the fringes of Acadiana in Allen Parish. I was brought up Baptist(I became Catholic in 2000), can't speak enough French(Cajun or Parisian) to save my life, and yet I have come face-to-face with some of the prejudices that Bernard mentions in his book(though not nearly as extreme as those before me). I've been called a "dumb coonass" before, even though I kept a 4.0 GPA throughout high school and graduated with honors from McNeese State University in Lake Charles, LA with a degree in Mass Communication. I was also referred to as "one of those Frenchmen" when I worked in Beauregard parish for awhile. At a technical training class in Dallas, TX, I was amazed at how I became a sort of spectacle to the rest of the guys in my group. They were amazed that I ate crawfish and could say a few cusswords in French. When we all went out together, I always managed to sit at the "ethnic" end of the table with the black guy, the Navajo guy, the Mexican guy, and the Spanish guy from Texas(He was very aggressive in letting everyone know that he wasn't Mexican). In essence, I was considered a minority by the group as a whole. It's funny how having an "un-American" accent can make one feel like an outsider. I didn't hate anybody for considering me an ethnic. Heck, I enjoyed it because I was the center of attention. I've been barraged by questions about gumbo, accordians, the Rayne Frog Festival, and even pet alligators! In other words, I have stared into the face of commercial Cajunism all over the United States. I've also come into contact with people who try very hard to distance themselves from their heritage in an attempt to seem more intelligent or better than their Cajun roots.

Being a Cajun is something that any man, woman, or child should take pride in. Granted, these days most of us probably listen to Top 40 radio or gangsta rap more than the Balfa Brothers or BeauSoleil, and we can't speak French very well, but we are still Cajun deep inside. I am proud of and love my heritage and this book solidifies that pride and love.

Highly recommended to folks who aren't Cajun and mandatory reading for those who are. This book is important for those of us who don't want to see our heritage die.

In the 1940s, WASP schoolteachers across Louisiana were corporally punishing any students caught speaking Cajun French. Even though Cajun was the first language for most children, it was viewed as an impedement to progress that had to be weeded out of the state. By the 1990s, French natives recruited to teach in LA schools were told not to refer to Parisien French as "proper French," because this might imply that Cajun French was incorrect or wrong.
To explain the shift, Cajun author Shane K. Bernard leads his readers through decades of Cajun history, from WW2 to the present. At one end of his extensive book, LA's uniqueness is dissolving to homogenized America. Child actor Keith Thibedoux, who played Little Ricky on I Love Lucy, was so unaware of his heritage that he could only shrug when asked if he was Cajun. At the other end of the book, LA is in the midst of Francofete, a year-long, state-wide celebrationof French heritage, even as many LA residents were fast losing interest in preserving Cajun culture. "Where Did All the Cajuns Go?" one local newspaper asked.
Bernard examines how Louisiana Cajuns were impacted by national events by the Red Scare, local events like the completion of their state's stretch of Interstate 10, and the exploitation of their culture (Popeye's, for example, has done more to commercialize Cajun food than any other resteraunt). By the end of the book, Bernard's Louisiana readers must look in the mirror to find out where their state's Cajun, culture, and language are disappearing to.

I loved this anthology for the stories it holds and the interviews between them. I am so envious of the experiences she had! This anthology holds some really powerful, thought-provoking stories and interviews. There were lines in the interviews that I felt spoke directly to my soul and expressed things that I never had the words to say. You do not have this experience often, needless to say.

My only complaint is that many of the interviews revolve around other stories not chosen in this anthology, and if they are stories I have not read, I had no idea what they were talking about. At the end of a story you may really want the author's feedback and you get his/her feedback on a different story entirely. That said, it does encourage you to read all the other stories, which is great!

I was introduced to this collection during my undergrad days and even 10 years later after publication this is still a wonderful book. I only read a portion of the collection during college, and I was happy to read the entire 400 pages the second time around.

Ketchin has very smartly compiled a diverse group of Southern writers in her exploration of what it is to be Souther, a writer, and spiritual (in all meanings of that word). Each other is introduced, then a story (or portion of a longer work) is presented, and the each section is concluded with a transcribed interview between Ketchin and the author. I would love to see more books on a variety of topics prepared in this way.

If you are a Southern literature fan this is truly a must have, but I would open this up to more people then just the Southern's. This is also a book with quality writing and great philosophical discussions.

Highly Recommend!

Flannery O'Connor died of lupus at age 39 in 1964, leaving us hard, clear and corrosive writing. Susan Ketchin's book examines the influence of religion on 12 living authors who shuffle down some of the same paths Miss O'Connor traveled. Miss O'Connor is the region's reigning recalcitrant Catholic. With discipline, spite and relentless rewriting, she created ornery, twisted and largely unrepentant Protestant characters. O'Connor looms large over this book (the title is her words). But that doesn't mean everyone here likes her. More than one finds her mean-spirited. Sheila Bosworth, another Catholic and friend of the late Walker Percy, asks why, if we are to thank God for every good thing, why we can't indict him for the bad ones. Sitting across a plate of catfish with Larry Brown on his 40th birthday is an experience none of us are going to have, but Ms. Ketchin did. We get to listen to the former firefighter tell about a long effort to cut a boy out of a mangled car, with his former partner, now dead. His reflection on how one detail could have ended the boy1s life shows why Mr. Brown is a thoughtful writer. The value of this book is that the authors tend to be more direct in interviews than they allow themselves in their fiction. Ms. Ketchin's clear-eyed observation tells us what's important; what shaped the writer. It1s reassuring to see these authors are also decent men and women, who struggle with the same burdens their readers do. But they think about it longer and harder than most of us care to. "You spend most of your time thinking about, meditating upon, trying to dissect and understand just those aspects of the human animal that other human beings try their damndest never to thing about," Harry Crews says. Ms. Ketchin mentions the occasional patronizing tone of critics who read Southern women1s fiction. "Pull up a rocker on the front porch and pour a glass of ice tea," one writes in a favorable review of a Lee Smith novel. While Ms. Smith may have a different style than Joan Didion, she is just as sharp an observer of detail, and perhaps even better at genuine inner dialogue of her characters. No one would suggest pulling up a rocker for a Didion novel, nor should they for Ms. Smith, who is a serious writer blessed with a sharp sense of humor. To note Ms. Ketchin is the wife of author Clyde Edgerton would seem to be almost as condescending. But near the end of the book, she sets up the tape recorder for her spouse of more than 20 years, and gives him the same even-handed, thoughtful treatment she used for the other 11. I was glad to know she was married to an author; I believe it gives her an insight to their methods and frustrations others would not possess. For writers, it's heartening to see their heroes make mistakes and retell their shortcomings and doubt. I don't know for sure, but I bet Mr. Brown would take out a reference to Tom Selleck in "A Roadside Resurrection," if he had it to do over again. A man who wears a Flannery O'Connor T-shirt to book signings surely knows the value of making a story timeless. Will readers 30 years from now know who Tom Selleck was? Probably not. But then to hear him say "Whatever good is in this world has to have teeth in it if evil is to be dealt with," is worth the price of the book. Almost all of the dozen writers here say for fiction to last, it has to address things that matter -- life and death; good vs. evil; salvation or perdition. Lisa Ashmore johelton@earthlink.net

Susan Ketchin has captured the essence of Southern Fiction in this anthology. All the elements of preaching, drinking and crazy relatives are in these short stories. It is a treat to read the interviews with the authors and glimpse what makes them write. I have since read books by all the authors in the book. This is a great find for discussion in book clubs or Sunday school classes.

This compilation is an essential read for those who love the South, Southern writers and Southern fiction; or for those who may be curious to see how the mood of a region in which one lives can so fully encompass one that it demands to be put down on paper. Ms. Ketchin does an admirable job of serving up a full-course Southern meal through the eyes of the diverse writers she interviews and excerpts. Some stories are serious, some funny, and some a little twisted; all are good. Coupled with the relaxed interviews with the authors, the reader feels connected.

"Coming Attractions" by Fannie Flagg is one of the most brilliant pieces of work I have ever read. It is absolutely hilarious, and very touching. It is about growing up with a young girl, named Daisy Fay. From day one she is getting into trouble. Her mother is busy trying to cover up her and her husband's bad relationship, while all 'daddy' does is sit around and drink Pabst Blue Ribbon all day, so Daisy has plenty of time to sneak in strip bars, be a Jr. Debutaunte and find an albino. The novel is in the format of a diary from Daisy at the age of six until in her twenties. This is a book that I feel every woman should read, you'll see a little bit of yourself in Daisy Fay! I believe the book is still in print, unfortunately, I don't know the name of the new novel.

I definitely recommend this book to both young and old. It will take you back to a time when life seemed innocent and interesting. I found myself laughing out loud in public and couldn't imagine someone not being touched by such a work of brilliance and humor. CHECK IT OUT! Women...especially encouraged. (Guys would like it too though)

Funniest Fannie Flagg yet. Did you know this book is in print under the title: "Daisy Fay and the Miracle Man"?! Find it right here at Amazon!

This may be the funniest book I have ever read. I recommend it to everyone. I actually ordered from an out-of-print dealer a first edition signed of this. Paid through the nose, but it was worth it.

I love this book. I haven't laughed so hard from a novel since I read Cold Sassy Tree in high school. I recommend this to anyone who feels nothing will ever get better, it might not, but is can get funnier!

This is an excellent book and it was written so people that did not read German Boy can understand. German Boy was written in a different style and I enjoyed it slightly more than this one. It basically leaves off in January 1963 and leaves you wanting more and wondering if he will write the third book.

I was amazed at how open he was in writing about his life. I highly recommend this book because it is a rare opportunity to hear the next part of the story of his life. Too many times you read a book about someone only to have questions, this answers most of the question you have.

His son becomes a 2nd Lt. and wears the same bars he purchased when he began to form his goal to become a pilot. This book is an example of the US became great, through people who worked hard to better themselves and become Americans.

I purchased this new and am happy I did.

I feel glad that I read this one last from the five books by Wolfgang Samuel. But I suspect that I might have felt the same way if there had been a different order. I have traveled a long way with the author, first as a German Boy and finished with a tower of strength well-rounded American boy Captain Wolfgang W. E. Samuel, later to retire as a Colonel in the USAF. The Colonel certainly gained my trust, my loyalty, and my admiration as a boy and then a man, Air Force Officer and author. His use of simile is very clever. And he can paint a detail and beautiful picture of anything perceived by the eye, be man, beast, or scenery. I found Coming to Colorado as worthy as the other four titles. I must confess that I felt a pervasive melancholy because I was about to lose contact: the end of a fine movie, an enjoyable trip of the human spirit overcoming obstacles, its wisdom. Holy, holy, what a tremendous experience! THANK YOU.

Wolfgang Samuel has been one of my very favorite authors since I picked up his exceptional book, German Boy, in a London airport several years ago. This book was a page-turner, poignant and beautiful, the story of a young boy filled with a dream. I have bought every book he has written, and Coming to Colorado brought his story forward to show how much he loves America and flying. His is a continuing story of hope, innocence, familial love, courage, and overcoming whatever obstacles stood in his path. It is a testimony to good overcoming evil. I highly recommend both these books by Wolf Samuel.

Coming to Colorado, a sequel to German Boy, is another outstanding work by this talented author. A breath taking account of a young man who suddenly finds himself in America. Poor and Illiterate in English, his lifelong dream of becoming an American Pilot drives him to earn his college degree which was a prerequisite for flight training. His story is living proof that courage, determination and strength of character can overcome seemingly impossible obstacles. This book, like his other five, is beautifully written, and takes the reader beyond where "German Boy" ended. A story that touches the heart and emotions, because it brings to mind some of the fears and experiences that we may have felt when growing into adulthood. For the young reader, this story is an inspiration and a beacon of hope, and at the same time it is a tribute to the remarkable ability of the human spirit to prevail - a poignant reminder that "No dream is impossible"

This is a must-read for anyone who enjoyed "German Boy". Those put off by Samuel's seemingly photographic memory may find his relentlessly detailed account of life in the United States to be a bit unbelievable. I, however, find his writing style very compelling, and although I am not a native speaker of German, the word "deutlich" kept coming to my mind as I read this book, meaning "articulate, clear, lucid, and precise" and presumably also fundamentally very "German" ("Deutsch").

Samuel's own life-story is so carefully chronicled that on one rare occasion when he says he doesn't remember exactly where his mother was at that moment it is actually a little disconcerting.

There is enough flashback to events in "German Boy" that this book can stand on its own: there would certainly be nothing wrong with reading this book first. His focus here is of course on the immigrant experience, and anyone specifically interested in that topic need not read "German Boy" to appreciate "Coming to Colorado".

I particularly enjoyed reading about life in the early days of the U.S. Air Force, and I find myself now motivated to read his other two books "American Raiders" and "I Always Wanted to Fly". Samuel's book is also a reminder that for those who experienced it first-hand, Communism was, and is, a very bad thing, and not just some kind of alternative political lifestyle.

A must have for any person that appreciated the work of George Ohr.
Thank you Robert A. Ellison Jr. for this amazing book. If you can't see
the actual work this book is the next best thing.

The book is beautiful and the photos are superb, but I was somehow led to believe I'd find photos of early utilitarian pottery in this book and I did not. I will use the book. It does enhance my knowledge of George Ohr and his work, but I wanted to see the really old pieces from his work with his mentors and beyond.

If you like pottery and George Ohr this is an outstanding book. Amazing photo quality of some of George's coolest work..He was truly one of the worlds best at what he did..This has become one of our favorites, and we found it for less money on AMAZON.COM!!! Thanks,TESSRS

"Geo E Ohr has challenged any potter on earth! `You' Prove the Contrary!" These are the words painted by George Ohr on a sign at the 1895 Atlanta Cotton States and International Exposition.

He did more than challenge fellow artists, he set a standard for them by digging his own clay, shaping his own pots, firing his own kiln, and creating forms that were unlike the currently popular shapes. In fact, his shapes were so outre at the time that he was called "The Mad Potter of Biloxi." As the world now knows he was prescient.

The words that he painted in 1895 followed the total destruction of his studio and some 10,000 pieces by fire, plus a devastating hurricane that hit the Mississippi coast prior to that. Obviously, he was a resilient and determined individual. Today, in the wake of Katrina, the Ohr O'Keefe Museum in Biloxi is being rebuilt. If he were still living Ohr would have it no other way.

Married and the father of ten children, he sold most of his works at expositions and fairs. He received only a modicum of artistic appreciation during his lifetime, although he was presented with the Silver Medal at the 1904 St. Louis World's Fair. It was not until the 1960s that a New Jersey antique dealer, Jim Carpenter, came to Biloxi and saw Ohr's works now housed in an auto repair shop. Carpenter eventually bought nearly 7000 pots and introduced Ohr to art aficionados in New York City. The potter's stature as an extraordinary artist has continued to grow.

Robert Ellison became an admirer of Ohr's and now owns some 370 pieces. His creation of this beautiful volume is a gift to all. With 192 color illustrations illuminated by scholarship George Ohr, Art Potter, is both a tribute to the artist and an outstanding reference for his work.

- Gail Cooke

Ohr does break the mold when it comes to art pottery. Whereas other potters, no matter how innovative or imaginative they are, stay within certain classic forms for vases, bowls, goblets, etc., Ohr often departs radically from the forms. His art pottery is perhaps best considered as free-form sculpture inspired by, but not made according to, traditional pottery. Thus, a "pot" has "elaborate configuration: sharp bends, angles, blades, swirls, and quasi-cylinders [making for] complexity from every angle." Another "pot" has "crinkling result[ing] in dramatically deep three-dimensional spaces...[which] radiate highlights that contrast with the dark-brown glaze...[giving] this piece...a brooding, enigmatic presence." The foregoing quotes are from captions of two of the color photographs of individual pieces of Ohr's pottery on nearly every page. The work is a tour through Ohr's artistic career from "The Early Years" to "A Final Phase" noting and illustrating phases of development and points of his individuality. With their colors and polymorphous, though mostly rounded, shapes, Ohr's pottery/sculpture has a deep earthiness, as if plucked whole from the ground's depths, though they patently demonstrate a clear, singular vision and matching consummate skill.

I've read, re-read and look forward to re-reading this book again just to savor the author's choice of words that he uses to weaves a tapestry of textures for the senses as he and his partner restore their "least worst" land to health over 20 years. He describes their joy and surprise of constantly making new discoveries, "it's like receiving lovely gratuitous gifts that you didn't even know you wanted." They "engaged in the contemplative exercise of watching" the effects of the wind blowing the grass, the texture of seasonal changes, marvelous sunsets, and wildlife, sometimes at arms reach. His descriptions bring back memories of enjoying my favorite, frequently, visited forests in a similar manner, wondering what new gift will be presented to me as I quietly listen to the sounds, feel the wind in my hair, and watch the shadows play with the sunbeams.

reader

Somehow it was fitting that I found this book sitting patiently among a thousand others in a second hand shop. The photo on the back, of an interracial gay couple, and that on the front, of the swampy sandhills of Mississippi, brought up visions of racism and homophobia in the rural deep South. After a few chapters, though, these stereotyped expectations gave way to a story unlike any other I've read. Don Schueler's unique and relentless focus on nature, his deft writing that switches from humor to suspense to tragedy in the turn of a page, the enduring scope of his chronicle - 27 years that witnessed 80 acres of logged countryside once again blooming and burning, building and blowing away - begets a book of life that speaks for the individual, the region, the planet.

From human neighbors Roddy Ray, Lurlee, and Hovit, to pet dogs Sammie and Schaeffer, to Fafnir the alligator, Griswold the baby owl, gopher tortoises, wood storks, cottonmouths, black widows and countless species of flowers and trees, A Handmade Wilderness leads the reader through land hunting and house building, tree planting and grave digging, from Hurricane Camille to the inauguration of the Willie Farrell Brown Nature Preserve, all the while spinning a tale of the seldom seen and sometimes forgotten fauna, flora, and men of The South.

Why this book doesn't have a bigger following is beyond me. For anyone who's ever dreamed of owning a place in the country, this is a delightful, funny, informative and beautifully written book. Refreshingly, there's not a self-indulgent sentence in the entire text. Schueler delves into all facets of the city/suburban person's adjustment to country life. And because the memoir takes place over the course of 25 years, you get to see the impressive results of he and his partner's devotion to their land. I highly recommend it.

Very few books about nature can compete with time actually spent in nature. But this comes very close. Don Shuler tells the story of his 20+ year careful and loving relationship with an abused and exhausted piece of land in the Mississippi sand hills. His simple storytelling style makes vivid the plants, animals, birds and human beings that he finds in this special place. These encouters are so carefully described that I felt that I was experiencing them along with him. And I wanted very much to read all that he might have edited out of this volume. The book is sweet, poignant, and filled with an animist's sense of humility and wonder. I am very surprised it is not more widely known and up there with the A Sand County Almanac.

For anyone searching for an entertaining book concerning nature with an amusing cast of characters both human and animal, A Handmade Wilderness fits the bill perfectly. Schueler is a fantastic story teller who is simultaneously funny and sincere about his mission - creating his own private utopia (on limited funds).

While his younger Brother Medgar gets more attention. This man is a Mississippi legend as well. He is not afraid to admit his vices, his faults, and his triumphs. He is a college grad, fighter, ladies man, pimp, Civil rights Leader, Politician, a man who although he follows non-violence, is not afraid to confront White Racists or African-Americans he disagrees with. It is a interesting life story.

I first met Charles Evers in June of 1999, at my first Medger Evers/B.B. Homecoming Event. Charles Evers is a no frills, hardworking individual, who knows how to get things done! I finally picked up this book after my third homecoming. This year's homecoming took place on the 41st Anniversary of Medger's death. I, hereby salute Mr. Evers for everything he's ever done, for every risk he ever took, for all the successes he has made, and for writing this book. If you want to better understand what it was like for the negro people of Mississippi, in the 60's, 70's, and 80's READ THIS BOOK! If you want to know how a man can be riddled with hate and then go on to do the right things for his people, in a non-violent, yet persistant way, READ THIS BOOK! And then plan a trip to Jackson next June and pay homage to the Ever's brothers, attend the Medger's Memorial Service and meet many of the people who helped create the Mississippi we know today; then and have a great time mingling with the great people of Mississippi at the two, all-day music events, which are headlined by none other than Mr. B.B. King.

Gives a real sense of what it's like to grow up hated, and to learn to hate, and then to painstakingly give up hate. A loving ode to Medgar Evers, and an unflinching look at Charles Evers. Humor, too.

Written by Medgar Evers' lesser known brother, this is a powerful account of the civil rights movement in the south by someone who lived it. Order it. Buy it.

while I didn't agree with everything he said in the book I thought he was very honest in writing about his life and about his brother. it's defintley worth reading.

As a retired, long-term public school educator and former librarian, I was extremely impressed with Journey to a Free Land. Theda Robertson makes history come to life by re-creating the story of her own personal encounter with an elder in the neighborhood who taught the community's children about their brave and honorable legacy. She weaves a historical tale about newly-freed slaves with a lesson for us all in a way that is engaging, entertaining, and educational all at the same time. And as one who has always believed that children must be exposed to an extensive vocabulary, I must say that the glossary in the back is excellent! I highly recommend this book.

It was a thrill finally to be able to read Mrs. Robertson's book on Nicodemus, KS. The story is a compelling one, especially for children learning more about what made the USA what it is today. A special commentary on a treasured aspect of black history. The illustrations are appropriate, colorful and in a few cases, poignant.
Thank you for making this available to your public.

This is a beautifully written story of the first black town west of the Mississippi-- Nicodemus. Its characterizations of the people and the times are so vivid it makes you feel like you are sitting at your grandmother's knee and listening to your family history. When you read it to young children, you not only have the aid of the beautiful illustrations but a glossary to help explain the unfamiliar words or concepts that have been italicized in the text.

Theta Robertson sets the stage within the first few pages and captures the reader's attention throughout. This historical account of the first black settlement of former slaves west of the Mississippi, works well as a "read aloud" book for elementary and middle school children as well as for independent reading. One can't help but feel the excitement of little Sally as she enjoys all the fun a carnival can bring to a small country town. The reader can identify with Sally and reflect back at how excited they were when stories were read to them by a person who seemed larger than life with a "glint" in their eye, just like Mrs. Goins. Certain key words that may not be part of a young persons' vocabulary are written in italics and lets the reader know that further attention and explanation is needed and will follow. The glossary is very informative and provides further incite into the context. The research information, including websites and bibliography provide authenticity to the story and perhaps could be explored before or immediately after reading this historical tale. As a Library Media Specialist for over 30 years I know that this story is a much needed addition to African American historical collections for young people.

A story told with historical facts that are interesting.
After reading this story you want to travel to Nicodemus to meet
the characters. The glossary, people and places at the end of the
book are features that teachers and students will appreciate.

Mrs. Robertson tells the story as if the characters are/were personal
friends of hers and her family. This book should be read by
all elementary and middle school students.

It tells the story of the hardships, friendships and resources needed to
build a town from scratch.