V Books

the entire series is awesome, and not just for kids. i liked the first one and the third one the best. went to see Eoin Colfer at a book signing and he is awesome too. i read all his works. try the Supernaturalist.

This series are a joy to read and pass on to the grandchildren. The storyline keeps ones interest to the very end. When a new book arrives it is a joy to both myself and grandchildren.

The Artemis Fowl series are indeed great, showing a wonderful scheming and wit in order to conclude each adventure. Fowl is certainly a criminal mastermind, but i like the way his character develops thoughout the series, as well as the development of cap. Short.The first 3 books are necessary to enjoy the whole series.

This is an excellent book. I like since it has a good detailed story line but is not so detailed it is 700 pages long. It is also is a more interesting read then Harry Potter,ETC... since he (Artemis) relys on a plan instead of magic. It is also a good book since it makes for intersting series.

This collection is books 1-3. All are action filled and wonderful. Both adults and children love them. I can't wait for the last AF book!

I've read this book several times. Every time I pick it up, I end up laughing until I almost cry. As a bachelor myself, I relate to the grains of reality underneath O'Rouke's great sarcasm.

Not as good as "Eat The Rich" or "Parliament of Whores" or "All The Trouble in the World" or "Holidays in Hell" or "Give War A Chance"; those books are thought-provoking as well as screamingly funny. This one is just screamingly funny, but this might actually be a plus for people whose response to some of P.J.'s better works is a defensive "That's not funny!"; P.J. has a tendancy to poke fun at EVERYTHING, including the sacred cows of people who he disagrees with (and sometimes those he agrees with.)

As a 32 yr old bacelor, this book had me literally HOWLING with laughter! I let my girlfriend read it. We aren't dating anymore, LOL. As ridiculous and as obscene as some of it seems, it is startling to realize that I have actually LIVED like that!

FIVE STARS,..!!!!!!

I've been on a tear of P.J. O'Rourke's books lately, starting with Republican Party Reptile and so forth. This is by far one of P.J.'s best. I'm on the other side of the coin politically (fairly liberal) myself, but P.J. usually spares no one, and I admire that (Rush and his wacko friends could learn a thing or two).

This book is just about how to get by if you're a bachelor. It's incredibly funny for the most part (the cooking sections should not be read if you've just ate!). This is a fantastic little book, very helpful if you plan to live like a slob or like a typical college freshman.

The Bachelor Home Companion: A Practical Guide to Keeping House Like A Pig written by P.J. O'Rourke is a very funny, keep you in stiches book.

You'll never keep a house neat and tidy after you read this book. Of Course, that's assuming that you already do. What its like as a bachelor in theory as to actually being one is, according to O'Rourke, a great disparity. If you want to laugh and be entertained at the same time then this little tome is for you to enjoy.

Humor abounds and your life will definately take a turn... for better or worse will depend on you.According to O'Rourke... "How often does a house need to be cleaned, anyway? As a general rule, once every girlfriend. After that she can get to know the real you."

I have been studying japanese for the last five years, from high school thought my first year of college and see no end to this pass time in sight. I have checked out numerous books and other materials on learning japanese and for learning kanji, none comes as close to perfect as this book and its sequels. While it follows no textbook perfectly, this makes it able to be used by any learner of basic japanese. By having the reader repeat writing the kanji and then providing extensive practice that has the reader use the kanji in context this book ensures that the kanji stay learned more than with other books. Also the grammar patterns used in example sentences get progressively harder ensuring that the reader has example sentences suitable to an increasing proficiency with japanese.

This book is a God send, or Whatever send for you non-Christians. It is a wonderful workbook that gives you various questions and methods to teach you the multiple kanji used in basic Japanese. The only down side is that there isn't a Kana section, and all of the pronunciation listings are in Kana. The plus side is that it trains you to not always have an English backup plan.

It's meant to be written on, which is something the various other books I have don't have in mind. They show you everything, and teach you nothing. I recommend this to EVERYONE.

I just started learning Japanese....oh, about 2 weeks ago. I had no trouble learning Hiragana and Katakana, but as I'm sure you already know, the Kanji seems to be nearly impossible. Well, this book pretty much solves everything.
It starts you out with the simplest Kanji and only builds each section off of previous knowledge. It is well laid out with thoughtful planning and it never eases up. I really have no idea how they managed it, but the book really immerses you in the Kanji and makes it so easy to remember with some of the best drills I've seen.

If you plan on learning Japanese, forget all of the other Kanji workbooks because this one is really the only one you need. I would also suggest getting the whole series because they are all built off of this first book.

I used this book about a week before I started taking my Japanese classes and to say that the beginning of class was easy due to the things this book taught me would be a great understatement.

I have bought several other Kanji books before buying this one. Some of the other books left me with unanswered questions. Others unmotivated me to study so i gave up studying. I bought Basic Kanji Book because one of my friends who is also Japanese student suggested me to buy it.


Basic Kanji Book is a great choice if you are learning Kanji. In every chapter you learn 10 or more Kanji characters. And at the end of the each chapter you will review them by having 30 or more questions about these characters. The good thing is that each chapter and the questions make you feel like you are learning Kanji. That feeling motivates you and makes you want to study more Kanji.

I suggest this book to everyone who is trying to learn Kanji. I am totally satisfied with this book.

Don't think about getting any other books to learn Kanji because this book is pretty comprehensive. It teaches you the stroke order and the meanings and then uses the kanji in practical context. For example, it gives you the layout of a train station and the various directional gates, N S E W, subway and the respective Kanji used. This was an invaluable resource in my learning of Kanji.

Wonderful book if you like vintage stories, especially of large innovative families.

There are a number of books related to this one, as well as movies connected as remakes of the books.

Belles on Their Toes, Cheaper by the Dozen, etc. are refreshing insights of life in the early 1900's.

especially for a sequel!

I found this book a couple years after I came across the first one as a teenager. It's a good continuation of the story and lets you know what happened, and how this amazing family all chipped in to make things work after their terrible tragedy.

This book continues the true story of the Gilbreth children or the sequel to Cheaper by the Dozen.
The story continues after the father died. The mother is now the soul supporter of her family. There is a graet saying in the book that says,"Mother wasn't afraid anymore because the worst had happend."
The mother carried on her husbands works. She held conferences and taught the scince of time saving. She became a very strong woman.
It was a long hard haul but ahe successfully continued her husbands work. The children successfully ran the household.
This story is humorus and very touching. I hope you enjoy it as much as I did.

I can't believe I didn't know this book existed till very recently; I would have bought and read it a whole lot sooner had I known, having read the first book about five or six times. It's in the same funny spirit as the first, though the focus has shifted from the antics of the entire family to the mother's struggle to take care of her eleven children after her husband died. And the funny moments aren't as frequent as in the first book, since the children are older. It also seems like the younger children got the short end of the stick--less time was given to writing about their own humourous childhood anecdotes and stories, since time passes really quickly after Anne gets married. The only other thing in this book I wasn't keen on was how some of it was dated. Some of it, like Mrs. Gilbreth trying to find reasons for the oldest two not to smoke and then instantly retracting each reason, or the youngest boys teaching Jane how to be popular and get dates by not being her true self, is to be expected, given not only the era in which that happened but also when the book was published, but there are a few slang words and references that the modern reader might not understand or find as funny or relevant as someone who was a contemporary of the family might. We all know what a sheik is, but who uses the term "wet smack" anymore, for example? Still, overall it's a sweet fun way to wrap up the story of this funny family.

John peel created a work of art with this book. the other books in the seiris don't even come close to this. you have got to read this one!

The action, the plot...
John Peel has a way with words!
What really is surprising is how the relationships are curving between characters!(You'll have to read to know, Sorry!)
I sure hope a movie is coming!(According to my scrying pool)

Diadem is one of my favorite series along with Mindwarp and Animorphs. It is a great mix of suspense and fantasy. Once you start reading you can't put the book down. You just have to keep reading. The books actually make you feel like you're there with Helaine, Score and Pixel. The only thing that angers me is that John Peel stopped at book #6 and left the series hanging! Mr. Peel, please write more!!!! :(

When Helaine and Pixel go to earth with Score, you just know it will be funny. It was a great idea to have them visit earth because all the readers know what earth is like (I hope) and they may not know much about Helaines' medieval world of Ordin or Pixels' virtual reality world Calomir. Read this book if you want to see how earthings react to magic-users!

John Peel is one of the best authors in the world! This is my favorite book out of the diadem series, and it was really hard to pick a favorite. If you know that he's going to be writting more books, please E-mail me. And take my word for it, after you read one of the books, your hooked!

I have always chuckled at this book, ever since I helped in my children's school library 20 years ago. William Steig has such a clever way of putting letters together and illustrating what he is trying to say. It is interesting to children of all ages.

I ordered this since my sister received it and thought it was a great book. Unfortunately, this copy does not come with the answers. Look for the hard cover version, that has the answers in the back.

CDB! (Stories to Go!)

I was very excited to find this book for my grandbaby. We had great fun with it when her aunts were small. Who would have thought back then that William Stieg invented 'text speak'. I even stumped my youngest daughter with NQ!

This book is as intriguing and entertaining was it was 25+ years ago when I read it to my children. As an educator, I discovered this book to be a source of entertainment and challenge to my children as well as a wonderful tool to help my students as they struggle with reading skills. I recently purchased it again for my grandchildren since my copy was misplaced over the years...and they love it as their mother when she was their age.
Buy it and use...it will help dust off the gray matter and delay alzehemier. :)

smart! adorable! unexpected! (the book, not my kids...)
This book really has us rolling in laughter. My sons (ages 4 and 6) and I have been playing with an electronic toy: push a letter and the thing says the letter's name. We had been using it to make word sounds -- pressing U R A Q T for "you are a cutie" and so forth. When I saw this book I just had to get it. It is amazingly clever -- and to think it was written in 1968. It's fresh, not at all dated. My sons are very good readers for their respective ages, but it is definitely appropriate for them. I had to explain a phrase or two (they didn't know the word "ecstacy" when they saw X-T-C) but otherwise it was totally on their level. I still crack up reading it, and I've read it at least ten times. The watercolor illustrations are perfect. Stieg conveys a lot of emotion and expression with just a few brush strokes. When a boy sees someone with a lollipop and tells him "I N-V U," you can see the envy.
I won't mind if my kids want to read this one again and again. I M N X-T-C 2!

My 6 year old loves reading this book. It shows how children around the world dress, live, and play. It is interesting to see what other children like to do for fun, or what they like to eat. It is also teaching her about the different countries around the world.

This awesome book shows children around the world and what their everyday life is like (homes, schools, families, pets, friends, churches, food). Having a daughter adopted internationally,this book helps us learn more about her birth country and about all the children of the world. We've started giving this as birthday gifts to her friends.

I hope that all children can someday enjoy this book with their friends and caring adults. It makes real the lives of children all around the world - their hopes, their dreams, their families and their daily routines. It's a delight to see our similarities and a great lesson to learn about our differences. Thank you to the authors and publishers.

My family and I love this book so much I bought one for every set of cousins on our Christmas list. Our three year old daughter doesn't watch TV so this is a fantastic way for her to get a sense of the wider world....She's fascinated by the photos and stories of the children who dress and live so differently from her. And our older cousins can read the materials themselves. We very enthusiastically recommend this one!

I purchased this book for my son Ben when he was 2 1/2 yrs. old. He is now 10 and my daughter Maria reads it continuously. This book is by far the best young children's awareness book about the differences and similarities between all children on this earth. I work for the YMCA and have purchased it for our summer camp so that the children coming to stay at Camp Silver Beach can learn more about the childhoods of the international counselors who are role models for them during the summer. At 2 1/2 years, my son knew the continents and could point out where "Ari or Celena" lived and tell me their favorite toys or food and point to the countries in which they live. This book is colorful and timeless expanding a child's view of the world and helping to instill the compassion we need to get along with all kinds of people.

This is an honest account of a facially disfigured man who has done lots more with his life than most "normal" men. Anyone who has ever been self-conscious about freckles, a big nose, extra weight or any "perceived" deformity, will feel a kinship with his self consciousness. I certainly did, yet I also felt gratitude that I did not have to go through what he went through. I laughed hard, I cried a few times and I came to some peace with myself after reading this personal little gem of a book, written by a gem of a man.

What a wonderful book this is, though I look at it more as a funny and poignant memoir of someone who has seemingly overcome tremendous obstacles to create a wholesome and very meaningful and happy life for himself. Through significant events in his past, David relates, with great humor, how he was able to overcome the society's burden of judging people by how they look and lead a very fulfilling life. There are some aspects of a "self-help" book about the text, but mostly it is the story of David. At the same time, I found myself looking inward quite a bit and reviewing my own choices in life. David does touch on some aspects of faith, especially in his Catholic upbringing, but the book is mostly about finding the true self within and creating strength and thriving. A warm, funny, touching and thoroughly enjoyable read. I recommend it for all.

If David Roche did not exist we would have to invent him. He is one of those people (and I'm beginning to think there may be more of them around than we imagine) who make this tired planet a better place to incarnate. David is a truth teller, hope giver, path finder, holy clown and, as we now discover, a hell of a good writer. I read the book in one sitting weeks ago and have been letting its stories and images percolate in my mind, heart and soul ever since. David is not a new-age pollyanna. He reminds me of Barack Obama -- whose memior I"m now reading -- in the way he has earned the authority of the one who has gone through the dark night of the soul and has come back to tell the tale. His compassion, optimism and salvific humor come from his willingness to work with his wounded parts. He takes the alchemical path, transforming the "base material" his life has given him into spiritual gold. In modeling, especially as a man in this society, this willingness to look unflinchingly into his own soul he performs an act of service. And love.

My wife, Wilene, and I saw David Roche perform THE CHURCH OF 80% SINCERITY on stage in 1996. It had rocked us with laughter and moved us to silence. When we finally spoke, I said to her, "He should write a book!" Now that didn't qualify me to be a prophet in his church, but it did make me a proud parishioner, because now that his message is out in print, everyone has access to Reverend Dave's gospel. And, that is a blessing!

David was born facially disfigured and I will say no more about that, because whatever I could possibly write, it would pale before David's words as he chronicles his life in this magnificent little book. I have known David for about fifteen years and what I love about the CHURCH OF 80% SINCERITY is the very thing that I love about him. It is about the place where he lives, the intersection of pathos wisdom and humor. When reading it, one is never a sentence or two away from the integration of these three forces.

Another potent and enchanting aspect of his writing lies in his ability to pilot the reader down the same road he is travelling. As David allows us to examine the grief,anger,love,and joy of his life, we are simultaneously compelled to examine and reexperience our own. Ultimately, what the book reveals is that David's journey has been been an alchemical one. We become very clear that he turns lead into gold, and there in lies the gospel; the good news that we can do the same. -- at least eighty percent of the time! -- I can't recommend it enough!

Jeff Roche
Communication Arts 610
March 6, 2008
Critical Analysis of The Church of 80% Sincerity
In reading David Roche's The Church of 80% Sincerity, I thought that I would be able to "kill two birds with one stone," simultaneously satisfying my curiosity/interest and sense of obligation as the author's nephew, as well finding an autobiographical text that I could examine with a critical lens. However, while I satisfied one part of the equation, I complicated the other; it's not easy to be critical of family.
But I digress. Roche's book is not truly an autobiography. This work is a testimonio, as it "represents an affirmation of the individual subject, even of individual growth and transformation, but in connection with a group or class situation marked by marginalization," (Couser 88). Still, this description is not entirely accurate, as Roche hardly mentions his connection to and development with a community of performers with disabilities (Roche 6). Yet, to quote Steven Winn off of davidroche.com, "what's most striking, and finally moving, is the way he both draws attention to his disfigurement and makes the audience see beyond it as well," fitting nicely with the first part of the testimonio definition. Thus, The Church of 80% Sincerity is more of a semi-autobiographical, non-linear novel that draws attention to Roche's poignant life stories/events that fit into his overall themes.
One might then ask, what are these overall themes? "It is the story of accepting yourself, despite all of your flaws," (Roche 5). By recounting various life experiences, Roche tells his tale of finding self-identity as a person with a congenital facial disfigurement and the setbacks that occurred at various stages. However, for Roche, humor is a key element in the telling of his story. According to Krefting, the use of humor affords her "the catharsis of laughing at myself and my insecurities, as well as allowing me a modality to criticize/satirize," (Krefting 110). I feel the same can be said of Roche. Humor is one part of Roche's identity, but his is an expansive identity that is inherently tied to his ability to "find my voice...I continue to find it onstage, in the pages of this book," (Roche, 56). In many ways, Roche's path of self-discovery aligns itself perfectly with Gill's description of the four types of integration.
The first type involves one's "assertion of a right to inclusion in society," (Gill 42). Roche has several examples related to such assertions. Whether it was his right to be politically active by voicing his concerns on city buses (Roche 64), or preferences for what he wants in a companion (Roche 101), Roche asserts his right to not be excluded on account of his disability.
The second type of integration relates to "finding a place" within the disability community (Gill 42). Roche's initial avoidance of disability culture can be explained by the factors that made him shameful of his own disability, desiring to be "normal". At home, the issue was not discussed; thus, Roche "never learned to explain myself. Instead I learned the safety of standing to the side," (Roche 34). This, combined with feeling rejected by the god that he was raised to love, led to Roche's (unsuccessful) attempts at passing, avoidance, and later substance abuse (Roche 38). Eventually, by finding "community, the feeling of mutual support and being in it together," (Roche 69), Roche felt empowered to challenge his shame and the oppression of others and stop "pretending to be normal and began to accept myself the way I was," (Roche 6).
Now, in a way this seems good because Roche finds strength in a supportive community. What is disconcerting is the lack of a challenge towards the concept of "normal." According to Lennard Davis, the "the idea of a norm is less a condition of human nature than it is a feature of a certain kind of society," (Davis, 24). Roche never directly questions the very notion of "normal," but rather, he continues to make several "normative" remarks throughout the book, leaving the societal construction of the norm untouched. The closest attempts came by asserting how everyone is unique and that Roche's experiences are "wholly human," (Roche 11). By using the word "normal" in this context, it implies that there is a poorly connoted "other," and there is something fundamentally wrong with a society that requires one to assert their humanity because they are viewed as "other."
"Coming together" is the third type of integration, where one recognizes their sameness and differences (Gill 43). The Church of 80% Sincerity does an excellent job of portraying this stage's classical struggle of self-acceptance. There is no need to repeat the why of the matter, for the same mental/physical barriers that prevented Roche from finding a place within the disability community, also prevented him from accepting himself. Though I criticized this quote in relation to the concept of "normal," it accurately shows the integration of sameness and differences: "My face is unique but my experiences are wholly human," (Roche 11).
"I thought...that my face was an impediment...Amazingly, that fear turned out not only to be unfounded, but also to be the opposite of the truth," (Roche 69). A statement such as this demonstrates that Roche was able to reach the fourth type of integration, "coming out," (Gill 45). Not only does Roche see and accept himself as whole, he takes pride in his appearance while using it for his advantage (performances, keynote speeches, charming himself).
The Church of 80% Sincerity extensively covers Roche's personal development in relation to disability, but he downplays any notion of "overcoming". Rather than stating that he overcame ill-formed patterns of thinking about himself and the world around, Roche discusses several self-transforming "moments of grace." While the lessons to be learned from these moments of grace are well-intended and not overlooked, one cannot help but to be distracted by the fact that self-transformations are "a matter of individual will and determination rather than of social and cultural accommodation," (Couser 80). The fact that Roche discusses matters with more of an introspective focus may cause one to overlook the larger sociocultural factors that helped create the ill-formed patterns of thinking in the first place. For example, a sociocultural model of disability might examine societal conceptions of beauty and the assumptions that are tied to it. However, by examining the "random acts of cruelty" that Roche encounters, such as the man who spit in his face, The Church of 80% Sincerity points out the inherent flaws in all of us (Roche 40). Although this does not directly challenge sociocultural factors, it is a step beyond the phenomenological level.
And yet it is difficult to be overly critical of these "moments of grace," because all of these individual, phenomenological experiences have led Roche to form the backbone of his "Church of 80% Sincerity." Although no physical church actually exists, the "Church of 80% Sincerity" can effectively be classified as a lifestyle choice/ way of thinking about the world. The Church is an abstraction "for recovering perfectionists, You can be 80% sincere 100% of the time, or you can be 100% sincere 80% of the time," (Roche 7). Many tenets of the Church are mentioned throughout the book, but the primary tenet would have to be one that calls for self-acceptance, despite one's flaws. One could argue that "The Church of 80% Sincerity" is a sub-set of disability culture, one could even go so far as to say the Church is disability culture. If one takes a look at Gill's work on the eight core values of disability culture (Gill 2-3), one would quickly see that the Church embraces the majority of these core values throughout the book, with a few additions of its own.
On a final note, Roche is very modest about being seen as an inspiration by others. Yet, it is in this modesty that Roche fails to acknowledge the fact that his high level of intelligence and incredible sense of humor assisted him in his identity development and ability to work though challenges; perhaps Roche is modest because of the fact that he was not always looked at as an inspiration, either by himself or others. Roche's work does a good job of challenging the notions of the theoretical gaze and stare, as well as the diagnostic gaze (Millet 26) by reiterating his own experiences with the Western model of medicine. Roche relates his early medical encounters, "One by one they came forward to examine me...If our eyes ever met, it was only a nanosecond before theirs turned away with easy, practiced avoidance," (Roche 53), "You never talk about feelings...or anything!" (Roche 54). This breakdown of the medical experience into feeling like a subject to be examined and gazed upon was a powerful one; stirring up emotions in the reader, as well as inciting Roche to action, as he later became an expert on the physician-patient relationship.
Ultimately, Roche and the "Church of 80% Sincerity" seem to align themselves with many of the core values of Disability Culture. Although one might choose to criticize Roche for his lack of social resolution, political agenda, or inherent call for change, one must realize that that is not what The Church of 80% Sincerity set out to do. This was a story of "courage, faith, inspiration, and laughter...to understand that you and I are very much alike, with our gifts and our flaws woven together," (Roche 11). The majority of the criticisms presented here were merely a means of expanding upon Roche's already solid foundation of self-love, tolerance, and an appreciation for the uniqueness of the human spirit.


Works Cited

Couser, Thomas G. "Conflicting Paradigms: The Rhetorics of Disability Memoir." Embodied Rhetorics Disability in Language and Culture. Ed. James C. Wilson and Cynthia Lewiecki-Wilson. Southern Illinois University Press, 2001. 78-91.

Davis, Lennard. Enforcing Normalcy: Disability, Deafness, and the Body. London: Verso, 1995. 1-49

Gill, Carol J. "A Psychological View of Disability Culture." First published in Disability Studies Quarterly, Fall 1995. www.independentliving.org/docs3/gill1995


Gill, Carol J. "Four Types of Integration in Disability Identity Development." Journal of Vocational Rehabilitation 9 (1997): 39-46.
Krefting, Rebecca. "'The Taming of the Sun': Finding the Joke in the Cancer Narrative of a Pedagogue." Disability and the Teaching of Writing A Critical Sourcebook. Ed. Cynthia Lewiecki-Wilson and Brenda Jo Brueggemann. Bedford/ St. Martin's: Boston, 2008. 109-116.

Millet, Ann. "Disarming Venus: Disability and the Re-Vision of Art History." FemTAP (Summer 2006): 21-39.

Roche, David. The Church of 80% Sincerity. New York: Perigee, 2008.

A friend recommended this to me when I expressed the desire to read a little more about elephants (after reading Philosophy Made Simple and Water for Elephants). It makes sense... elephants and the circus go together, yes?

In this collection, Cathy Day plays with the structures of stories. Each is constructed a little differently than the last, but all interweave to paint a portrait of a small town with a unique past and a distinctly midwestern present. Experimental structures can fall flat as easily as they work. I don't require a linear narrative, but I do require that a story be told. This book tells one.

True to the title, the circus performers are mostly shown during the downtime, weathering winter and waiting to get back on the train. The way that their lives butt up to the lives of ordinary folks is interesting to read about. Several stories deal with the ways in which men do not comprehend the longings of women, and Day handles this theme beautifully and without accusation, especially in The King and His Court and the very tragic The Lone Star Cowboy.

It's a beautiful book. But...

(spoilers)

...the elephants are only shown dying. I can't stand it. Their deep eyes, their hairy hides, their questing trunks, and then they die.

Since the stories are called "exhibits," the question of human oddity ("born" and "made") is called into question. Well, this was part of the circus. One of the stories deals with a young man who has dwarfism, and how he happily accepts the role of town mascot, and what happens when that role is inexplicably (to him) withdrawn. I've read too many stories in which a little person comes in to serve as a metaphor, a symbol, as if somehow a person who has dwarfism is not a person, just the condition that makes him short. Day does a nice job of portraying a person. He is an innocent boy, then a clueless young man, and then an angry young man. He is more than the sum of his bones.

Very highly recommended.

I've never liked the circus. But this book made me want to learn more about people who live a life tied to it. Day paints beautiful and poignant images of her characters and she weaves a mighty beautiful web in the process.

The first stories in this collection are small masterpieces. Cathy Day can take us deep into the secret, hidden hearts of her characters. There were passages that I read, over and over, just to enjoy the beauty of her writing.

It was close to perfect.

I was worried that a 'circus story' would be all about the freaks and geeks. Instead, it was about real people struggling against the loneliness of midwestern winters, coping with broken dreams, the constraints of small town lives, and the endless allure of life on the road.

Sadly, the seams started to show towards the end of the collection. There was nothing bad, so much as a sense of that, in a few of the later stories, she was repeating her best stories (or giving us an early, less polished version of them). One story could have been dropped with no loss ("Jungle Boolah Boy" didn't feel very integrated with the rest of the stories), and another ("Boss Man") felt a bit strained although it did help to tie some of the themes and characters together.

This is a wonderful,short book that I really enjoyed.
The author brings you into the world of circus folks. Sometimes funny,sometimes sad but always interesting. She gives us the story many different ways,which at times can be trying.

Her characters are well fleshed out making you want to know more. She carries thru with this by bringing you from the past to the future and back. A good fun read!

This book of interconnected short stories related to residents of the old circus town of Lima, Indiana (it's real life counterpart is Peru, Indiana) is just excellent. Great writing, great characterizations and great stories that seem like they could have really happened. Do yourself a favor and read THE CIRCUS IN WINTER instead of WATER FOR ELEPHANTS which is more romance novel than literature but for some unknown reason is reaping a lot of positive buzz.

In the world of self-help books, the message is often variations of the same thing - work harder to improve yourself; be kinder; be more loving; focus your attention; change, change, change.
The Dance is quite different. Oriah asks you, "What if there is no need to change, no need to try and transform yourself into someone who is more compassionate, more present, more loving or wise? How would this affect all the places in your life where you are endlessly trying to be better?"
I really loved this book because it encourages the reader to just be who they are, because who they are is just fine. It's not that the author doesn't believe in the power of change, rather she promotes the idea that the moment we let go of our need to become "better," then everything in life will simply unfold as it should.
What I especially liked about this book was Oriah's down-to-earth manner of writing. Unlike so many other authors of the same genre, she doesn't pretend to have all the answers - in fact, she is rather self-deprecating. She gives examples in her life where she really did screw up, but I think that this makes her message more meaningful, and a whole lot more human.




Zara Stevens
Boy Meets Girl: A Pocketful of Wedding Stories

I am a clinical therapist and use this book to inspire adolescent and young adult women in their journey! This entire trilogy is priceless for anyone who is interested in being blessed by watching another soul "unfold" and take flight! I love hearing about Oriah's metamorphasis... i can see her "grow up" throughout her trilogy! Watching her go full circle in her discoveries touches my heart and inspires my soul. She is human and she is courageous enough to share her story. I recommend you read all three... The Invitation, The Dance and The Call. Thank you Oriah!

Within the pages of this beautiful little book, the reader finds magic, truth, beauty and healing.

As an author, Chinese Medicine & Healthy Weight Management, and healer, I recommend this book highly to my patients and friends, as well as to you.

Words themselves can become acts of beauty that awaken and strengthen our commitment to living our soul's desires. ~Oriah Mountain Dreamer

Oriah Mountain Dreamer blends daily existence with spiritual insight. She survived a violent marriage, chronic fatigue and living almost next door to her ex husband when he remarried. Her life is a study in patience, emotional turmoil resolved and survival of the most open heart.

The start of the book contains a poem and then each chapter is an expanded vision of the elements contained in a part of the poem. After the poem, Oriah dives right into a retelling of her life, the conflicts she has experienced and how as a spiritual teacher, she too struggles to maintain emotional equilibrium. There is a subtle comfort in knowing that if Oriah can survive her life, then we can too.

This is the beauty mingled with the various stunning insights Oriah has while trying to unburden her heart and pull us out on the dance floor of life. She loves to read and a number of the books she mentioned where books I had just recently read. She quotes Rainer Maria Rilke and Rumi. She discusses Daniel Ladinsky's translations of Hafiz. Her "headed for home" comments made me think of Kahlil Gibran's The Prophet.

Throughout this work Oriah focuses on connecting, serenity, joy, an authentic lifestyle, living with passion, retaining energy and focus, being honest and finding happiness within the complex. She also provides meditations on worthiness, surrender, slowing down and letting go.

This is not a five-step or a ten-step program, it is more an unfolding of experience through an exploration of Oriah's life experience. She has struggled, she has survived. She also knows there are no quick fixes and that many self-help programs are no match for real-life situations. Sometimes there is no easy way out of the pain and you have to endure heartache to learn your greatest lessons.

"Take me to the places on the earth that teach you how to dance,
the places where you can risk letting the world break your heart,
and I will take you to the places where the earth beneath my feet
and the stars overhead make my heart whole again and again."
~ Oriah Mountain Dreamer

What did I love most about this book? The section where she talks about her ultimate fantasy of reading in bed with the man she loves. Yes, this book is mostly about Oriah, or the people she has met throughout her life, but the way she draws on her inner wisdom is by experiencing life and dancing with difficulty.

~The Rebecca Review

The Dance is a great book. I enjoyed it from the first page to the last. Oriah is not just a writer; she is an artist, with a new perspective on life, and on events. Her thoughts flow smoothly, as if you were reading something you wrote, or something you already knew to be true. I am going to say it again, she is an artist.

Some parts of the book, you won't help but read out loud to someone you care for. I did that with my mother, and some other times with a friend of mine. Both of them want to borrow the book.

This book will help you dream, and here I will quote something from the author, as she wrote "To dream is to create the stories of how we live our lives, and these are the stories our children's children will remember. I write with as much honesty and frankness as I can, because I want to offer stories of being present with what is. I recite poetry when I speak, because I want offer beauty and the power of art to remind us of who and what we are. I share personal stories, because I want to cocreate a story of intimacy and cultivate our capacity for compassion in dealing with out human failings. I tell love stories because I want to learn how to love well." (p151)

I will buy The Call, and I know it will be as good as the Invitation and The Dance. And hopefully one day in the future I will make it to one of Oriah's retreats.