Southern Books

This book is great. It has nice colored pictures and plant profile descriptions of every plant in the book. It even has several sample landscape designs so you can see which plants grow best with others.

This is THE book to have on native plants of the Southern U.S. Easy to read and informative, it helps both the novice and experienced gardener alike.

--Theresa Schrum
2005 President, Georgia Native Plant Society

Note: This is a personal endorsement based upon my professional experience and not an endorsement from the Georgia Native Plant Society (although many members have the book (-:)

I got this book because all the reviews were so stellar. But I was a little disappointed... I have better books than this on native/ southeastern plants (titles and so forth will follow). The author is well known and I have another book by her (The Landscaping Revolution) which is really good and thought provoking.

Having said that, there are important parts of this book, most notably the chapter on Native Groundcovers. No other volume covers groundcovers at all, and it shows the author's dedication and hard work. No book is perfect and can please everyone.

The reason I give it 3 stars is mainly due to organization. What if I need a plant that is drought resistant and fall flowering? Much frustration ensues trying to find such a plant. Or if I need a tree that is good to plant next to the street? No info.

Furthermore, the book is rather thin. The author states in the intro that she had problems trying to pare down the list of plants to include and could not produce a 300 page catalog, but I honestly and respectfully question that decision. According to the author, such a volume would never sell. Perhaps, at the initial printing, in 1993, that may have been true. But no longer. I don't know about you, but I love an all encompassing volume on native plants. Luckily, it's already available.

And, as a third point of critique, only the USDA Hardiness Zones (how cold a plant can take) are included as planting guidelines. Just as important as the AHS Heat Zones (how hot a plant can take). Heat, just as cold, is important in successful planting.

Now, I personally think that the following titles are fabulous for beginning and intermediate gardeners alike: The American Horticultural Society's Southeast: SmartGarden Regional Guide and Felder Rushing's Tough Plants for Southern Gardens. Both are great books.

The first is a real catalog. It has a listing of 3,000 plants with about as many color photographs. There's also general advice on all the basics: how to plant, diseases, soil conditions, etc. This book is superbly organized. It should be the backbone of your library.

The second is a smaller volume on the really tough, nearly un-killable plants. It should be a secondary volume for those really difficult spots or as an advice volume when deciding between a couple different plants for a spot.

The bottom line is we all want the same thing: nice gardens that we don't have to worry about. That means native plants. So, go out and look at some books. This book, like the other two I mentioned, is good, but not that good. The AHS book is the ultimate guide. Good luck and happy gardening!

I wasn't going to plant a native plant garden until I read this book. It's extremely well-organized and the authors infuse you with their excitement about the plants. The "personal comments" section is the best. Even though the plant might not be high on your list, the comments section may give some information that may make you desire it. They also have landscape designs that you can implement yourself. If you're interested in creating a butterfly or bird garden, this book lists what types of animals are attracted to the plant. They have the book parsed out into deciduous trees, deciduous shrubs, grasses, bog plants, etc. Each plant has several sections telling the shade, moisture, height, wildlife, fall colors, flower, fruit, and anything else you could possibly want to know about the plant. It's better than any of the other garden books that I have read, including ones from national gardens, etc.

For any gardener who has struggled against nature, only to be disappointed again and again, Sally Wasowski offers guided instruction on how to work WITH nature. The results are not only beautiful and rewarding, but we gardeners are invited to gain a sense of place by learning of the rich botanical bounty of our own locale. Ms. Wasowski provides glossy color photos to acquaint us with plants which may be new to us. She describes well the growing habits and needs of the plants, as well as good companion plants and the wildlife likely to be drawn.
This book is a treasure for those who have discovered or would like to dabble in the joy of native plant gardening.

In this collection of short stories and sketches, Philip Shirley reveals himself to be an important new voice in the literature of the Deep South. He is blessed with a finely-tuned ear for both dialog and dialect, and writes his narrative passages within himself, giving these stories both confidence and verve. One can only hope not merely for more stories but for Shirley to use his remarkable talent in a full-length novel.

This author is really something special. I felt the emotions of his characters and pictured the settings of his stories perfectly. It seemed that I had met these people before, but had no idea of where they were taking me until it was too late to turn back. Their intensity and love of life, even in the midst of challenges and obstacles that came their way, is inspiring. 'Oh, Don't You Cry for Me' is a perfect title for this selection of short fiction that sees these characters making their ways in the world, maybe not always with grace and poise, but straightforward nevertheless.

Beau Morgan

but, i do wonder at the author's remarkable insights into these southern women. Especially some of the sexual habits. Can I help on the research for the next story?

The stories are well written and move quickly, which makes you want to keep right on reading. Unfortunately there are probably more of these characters out there than we all realize, and that is what scares me.

That anyone living in the South undoubtedly knows, or has witnessed characters fitting the rich descriptions in this collection is understood. What may come as a surprise is the consistently artful twist in almost every one of the stories. Dark humor, tough compassion, and cutting to the bone honesty make this a mindful, satisfying read.

I collect cookbooks and read them the way most people read novels. I have yet to add a book that has compelled me to write a review until this one. It is AWESOME! It is multilevel on every page. There are one or two recipes on every page that are gourmet quality without the usual time required to produce gourmet results. The ingredients list is reasonable in length and I usually have everything on hand so I don't have to shop before making something. On the sidebar of each page is a quick recipe like spiced nuts or a pasta sauce or cocktail. I will definitely be giving copies of this book as gifts.

I have several Junior League cookbooks and this is by far the best. I love the photography and the ideas for elegant entertaining. I have made many of the recipes and they always come out great. It's one of my favorite cookbooks.

I love this cookbook. Because not only is it about cooking, but about entertaining as well. There are great menu suggestions and even decorating tips on making the occasion more enjoyable.

The recipes are wonderful. Your guests will go away very satisfied.

I highly recommend this for any one who loves to cook and entertain.

Not only is this the best Junior Cookbook I own, it is probably the best cookbook I have in my extensive cookbook collection now numbering 70+ books. Every recipe I have tried in this book is fantastic.

A winner of the James Beard Foundation KitchenAid Book Awards, Savor The Moment: Entertaining Without Reservations is the collaborative effort by members of The Junior League of Boca Raton and a simply glorious guide to hosting a classy gathering, and featuring amazing, kitchen-tested recipes, advice for creating an enjoyable atmosphere, stunning color photographs, and more. Explicit instructions (with side advice for preparations that can be made in advance), make creating mouth-watering dishes such as Filet Mignon with Shallot Sauce; Tropical Island Shrimp; Caramel Drenched Cheesecake, and a culinary wealth of many other delectable delicacies, kitchen and dining room tasks easily within the means of any dedicated host or hostess.

If you love soul music and want to understand it from the inside out this book is for you. It is full of facts, myths debunked, and a scholarly yet very sensitive and thoughtful perspective on what the music means to us and why.

In "Sweet Soul Music," Peter Guralnick explains what made soul music great. He views soul as a distinct genre, separate from Motown, which was performed primarily by black singers for a black audience. Soul told the story of the rapid social upheaval transforming the South while reflecting the gains made by the civil rights movement. According to Guralnick, soul was different from other forms of R&B because it involved straining the boundaries of the listener's expectations and hinting at a conclusion without actually reaching it. Unlike Motown, the musicians who performed soul were freelancers and individualists who emphasized the underlying feeling of a song more than keeping the mechanics exactly right. Guralnick says that because the musicians, songwriters, producers, managers, and engineers who created the music worked at isolated regional outposts far removed from the major record labels, they were able to define their own roles within the movement.

"Sweet Soul Music" traces the origin of soul to the song "Crying in the Chapel" by the Orioles, which blurred the lines between gospel and R&B. "I Got a Woman" by Ray Charles, which followed, solidified soul as a distinct genre and exerted a profound influence on the future of music in the U.S. Guralnick explains that "When a Man Loves a Woman" by Percy Sledge then brought white fans to the table. The book tells the stories of the heroes of soul, including Sam Cooke, Solomon Burke, Otis Redding, James Brown, and Aretha Franklin, explaining in great detail how each set goals, viewed their careers, related to their peers, and overcame obstacles in order to achieve the extraordinary success that they did. Many of the stories are memorable, enabling the reader to see how a particular event changed an individual artist's view of the world, influenced that artist's decisions, and shaped the music itself.

The book is at its best, though, when telling the stories of the lesser-known talents who paved the way for future artists to succeed. Guralnick explains how Arthur Alexander's single "You Better Move On" was criticized in Nashville for sounding "too black," but eventually found the audience it deserved and opened new doors for other Muscle Shoals artists. William Bell's successful touring to support the single "You Don't Miss Your Water (Till Your Well Runs Dry)" not only to put Stax on the map, but enabled Bell to set the gold standard regarding philosophy towards fame and stardom. Guralnick explains how Stax's decision to open a record store and carry competing labels' stock gave the Stax musicians an opportunity to study hits closely, learn why they were hits, and discuss what future hits should sound like.

The book concludes that soul never fully recovered from the assassination of Dr. Martin Luther King, Jr., an event that caused relationships among many of the movement's key players to become frayed. Guralnick says that soul was a genre that could only exist in a particular time and place because of the influence that the struggle for civil rights had on the music. Overall, "Sweet Soul Music" offers an outstanding look at why soul left such an extraordinary legacy for artists and fans today. The book is strongly recommended for anyone who wants to understand why soul left such a powerful impression on listeners at the time, and continues to do so today.

Like Robert Palmer's superb "Deep Blues," Guralnick's extensive look back at the roots of R&B and soul music combines criticism, biographical profiles and social history into one rich, printed tapestry. Meticulously researched, the book shows its author's deep love of the music without sacrificing objectivity.

Guralnick provides plenty of background on the "race music" that spawned R&B and the great soul music of the sixties and early seventies, on which much of the book concentrates. Like most, if not all, of the great blues musicians, the early pioneers of soul came from humble, mostly southern beginnings, and made little or no money from their work, which was liberally sampled by white musicians.

A good portion of the narrative revolves around the fascinating rise and fall of Stax Records, the tiny Memphis-based label that brought together white executive leadership and musicians with raw black talent from the South. Despite initially primitive recording conditions, Stax developed into a powerhouse that was home to some of the greatest musicians in soul music, from Otis Redding to William Bell to Carla Thomas to Sam and Dave to Johnny Taylor. The label became representative of the growing sense of black pride that defined the era, one in which civil rights, of course, moved to the forefront of America's consciousness.

All of these musicians and many more, including Aretha Franklin, Wilson Pickett and James Brown, to name a few, are given finely drawn profiles by Guralnick, and he treats their contributions to American music with the respect that they deserve. Throughout, he is intent on letting the artists tell their stories in their own words, and remains content to use his own fine writing to direct and bind together the narrative.

Another great accomplishment of the book, for me, was Guralnick's successful effort to illuminate the ties between white and black musicians during this period. Yes, many of the most successful producers, notably Atlantic's Jerry Wexler, were white, but so were many of the musicians. Most had grown up in the south around blacks and were intimately familiar with African-American music. The Stax house band, which included Steve Cropper and Donald Dunn, was white, and they performed on many songs penned by great black songwriters such as David Porter and Isaac Hayes. Think of the great, ominous organ introduction to Aretha Franklin's "I Ain't Never Loved a Man." The white player is Spooner Oldham. This musical cross-fertilization is a notable point, one not often brought into considerations of the era.

As a young kid coming up in the mid-60s, I loved the music that Guralnick writes about here, and I could tell -- even if he hadn't said so -- that he did too. He goes beyond that love to really dig into its roots and understand it, and succeeds admirably.

'Sweet Soul Music' is a fantastic book, the best book I've read on the subject. Having said that, it isn't by any means a complete history of Soul Music (it completely omits the great music that came from New York, Motown, Chicago and Philly), nor is it a complete history of Southern Soul Music (the book ends with the acrimonious break up of Stax/Volt records, even though great Soul was still being made elsewhere in Memphis). Guralnick's book starts off looking like a history of Soul Music (there are early chapters on Ray Charles, Sam Cooke, and an amazing and hilarious chapter on Solomon Burke), but then the book changes emphasis and becomes the story of the involvement of white musicians in Southern R&B.

Guralnick's thesis seems to be that Southern Soul achieved its great creative flowering in the 60s as a result of the partnership between black and white musicians, and even though he interviews a great number of musicians and businessmen - black and white - he can't help himself from empathising with the young white hipsters that made up the house bands at Stax and Muscle Shoals, with the result that the book becomes very much a story told from their point of view (Guralnick calls Dan Penn the "secret hero of this book" - fair enough, but surely James Brown should have been its overt hero). After these white musicians were intimidated out of the business during the racial tension that followed Martin Luther King's assassination in 1968, Guralnick concentrates more on the politics and seems to lose interest in the music itself.

Which is a great pity, since Southern Soul in the 70s went on to even greater heights (James Brown's rhythmic revolution, then Al Green's great synthesis of the sexual and the spiritual). Though I learnt a great deal from the book (my CD collection has mushroomed after reading it) it felt to this reader as though the book had ended just before its real climax.

I bought this book in the gift shop at the newly resurrected Stax Records museum in Memphis... the Satellite Record Shop, next door to the museum. I've lived in Memphis all my life, although I'm about 15-20 years younger than most of those made famous by the Stax phenomenon. I thoroughly enjoyed the book, and it served to fill in the blanks about many things I had only heard about superficially growing up here. I'm bothered by a lot of factual errors, not noticeable or important maybe to many, but this is about my home. At least the author and/or his editor could have been more sure of producing a factually accurate book. The edition I bought was published in 1999... the original in 1986. Did no one else catch these errors in the '86 edition? Here are a couple of examples: He refers to a Memphis radio station, KWEM, which was and is actually in West Memphis, Arkansas, and whose call letters are KWAM. (Everybody knows stations east of the Mississippi River start with a "W" and all those west of the Mississippi start with a "K".... radio and TV stations alike. Does the author know where Memphis is?
He refers to a naval base in Tipton County, TN, where Booker T. & the MGs would play, when in fact it's in Shelby County, the same county Memphis itself is in. Does this change anything in the big picture? Probably not. Is the book any less enjoyable or informative? No, not really. But if you considered yourself a true New Yorker, and someone kept writing about it, calling it Gethom City, or The Big Orange, well, you get the picture. I do wonder how many other errors the book may contain that I didn't catch?

I, like another reviewer, read this about 8 years ago when in a college Civil War course. I never sold mine back because I knew I would want to read it again. I also immediately bought copies for my mom and a friend that is a descendant of Caribbean slaves. I can't believe this book isn't more widely known; in fact, it saddens me because Solomon Northup's story is so riveting and deserves recognition.

I was glued to the story from about the third chapter to the end. It was almost like a thriller or mystery because you want to know what happens! Much of it was heartbreaking, though. I had tears streaming down my face when he describes Patsey's predicament. The unending hope and love from his family really touched me, too.

I think this account is even better than Uncle Tom's Cabin for 2 reasons. First, the plot is not as disjointed. Second, and most importantly, everything in the account is true. What's even more amazing is that the author, despite being stolen from his family and forced into servitude, remains somewhat objective about his ordeal. He is a natural storyteller. You can tell Northup was extremely intelligant and observant. His prose is beautiful and easy to read despite being written in the 1850's.

Anyone with even a remote interest in American slavery or Antebellum/Civil War history should read this book.

I had to read this book for school and was very suprised because the story takes place in and around my hometown. I had always saw the "Northup Trail" signs but never knew what they were about until I read this book. I grew up in Avoyelles Parish so this story really hit home. It is an awesome but tragic story everyone should read.

While browsing thru the Boston Public Library in 1970 I accidentally came across this book. I have read it at least ten times over the years, have kept in touch with the editor, Sue Eakin, an expert on the South and cultural matters of this kind. This book is an inspiration to everyone. You will be amazed at the tenacity and sheer courage of Northup as he makes his way thru 12 long years on the plantation, and remember that he did not KNOW it would be 12 years. Every Jan 3 or 4th I wake up and think to myself, this is the day Solomon was set free! This book is clearly a treasure that is relatively unknown. You will not read this book only once-----

This book presents its readers with a first-hand account of not only the cruelties of United States slavery itself, but more importantly it touches upon the ways in which other areas of social life were negatively influenced by the institution. Solomon Northup was a black man who was born a free black man in New York in 1808. In 1841, Northup was kidnapped in Boston and take to the south to be sold as a slave. He spent the next 12 years as a slave, and this book was written after he was rescued in 1853.

Many people have associated this book with "Uncle Tom's Cabin" ever since the former was published. While the story line is not exactly the same, there are a lot of similarities. Most notably, both books have evil Northerners and benevolent Southerners, a feature that I think is too often overlooked. This adds credibility to Northup's account, insofar as he does not simply condemn all Southerners. Other themes, such as the break-up of slave families, the harsh treatment of slaves (especially female slaves who had the misfortune of handsomeness), and camaraderie between slaves also reflect those written about in "Uncle Tom's Cabin".

In the past the credibility of Northup's work had been in question, especially since a newspaper worker helped him write his account. However, in light of the vast number of particular details the Northup provides and the extent to which those details match up with other records, historians generally view this work as an authentic and truthful account of a free man sold into slavery. This is an incredible read, and the fact that it is a real account makes it even more fascinating. This book should be required reading for high school or college American history classes that cover the Civil War era.

A compelling and wrenchingly honest first-hand account of slavery, many
times breaking my heart and making me think of the children of Africa
today. A new book, "The Last Witness From a Dirt Road" which takes
place in 1946, was given to me after commenting about Solomon Northup's
narrative, and it could almost be a sequel to Twelve Years a Slave,
written a 100 years later by the son of an overseer on a plantation
along the banks of Bayou Bouef in the same location in Louisiana. Old
social and economic orders seemed little changed from 1841 to 1946,
tragic, heart rendering but both books are riveting and honest, are
timely and universal.

My biggest problem with Wings to the Kingdom is that after going back to Four and Twenty Blackbirds, I have to find something worthy to read until Oct 2, when Not Flesh Nor Feathers comes out. I loved Eden. The combat boots, the Death Nugget, the whole thing. And every time Benny nearly pees in his pants from glee or horror, I have to laugh, because he reminds me of that classic dork in all of us, the one who lights up like a six year old at the thought of ghosthunting, no matter who's in the room who might argue. The characters are spelled out just like all Southern literary characters should be- colorful, lovable, and with screws popping loose all over the place.

cherie priest is slowly replacing donna tartt as my favorite american female novelist of our time. *wings to the kingdom* is a somewhat slower story than *four and twenty blackbirds*, but every word is heavy with seduction, pulling the reader in with such force that it is hard to stop reading.

in brief, things have happened since *four and twenty blackbirds*. the protagonist eden moore is somewhat older, but still in every aspect a fascinating and multi-dimensional character. the setting is the same as in *four and twenty blackbirds*. new characters are introduced, old characters resurface. eyes glitter in moonlight and the mist grows heavy over chattanooga as the story progresses in a labyrinth of excitement and allure.

cherie priest is a wizard with words, and *wings to the kingdom* is a rich testimony of her magic. read it. I am very glad I did.

Pardon the pun.
One might worry whether CPriest's follow-up to _Four and Twenty Blackbirds_ might suffer the notorious "sophomore slump", but that would be needless suffering.

_Wings to the Kingdom_ builds on the foundations laid in the first novel, yet works on its own for readers who missed the first book (though, really, you're missing out on a good story if you haven't read it).

_Wings_ is engaging and dynamic. The storytelling is solid, the setting and the characters are real, and the mystery/tension is a treat.

I'm looking forward to the next in the series

If you enjoyed Four and Twenty Blackbirds, you will love Wings to the Kingdom. Cherie Priest's tale of ghosts at a Civil War battlefield grabbed me from the very first page. Taking an actual legend and weaving it into a spine-tingling story with believable characters, Priest just keeps getting better and better. The main character, Eden Moore, is likeable and interesting, as well as sympathetic. The rest of the characters are also well-rounded, even the publicity-seeking professional psychic investigator, who could easily have become a cliche. A very enjoyable read, and I eagerly look forward to the next installment!

Phenomenal follow-up to debut novel Four and Twenty Blackbirds. Eden Moore is dragged into a supernatural mystery at the Chickamauga battleground, and must deal with the public reaction to her ability to speak with the dead. Incredibly written, with a fast-paced storyline that still takes time to fully develop character. Priest cements her place in the Southern Gothic canon. Highly recommended.

We wanted to label all the photos of birds we took in South Africa. This book made it easy to locate the drawings of the birds. . .drawings that were very lifelike. . .and attach the names to the photos. We highly recommend this guide.

This guide looks perfect for my needs. I have looked it over carefully, even though I haven't had a chance to use it in the field. I definitely like the quick reference guide to bird types inside the front and back covers and the color-coded reference to bird groups. Look forward to using this guide in the field.

This book is superbly illustrated, with clear descriptions of each type of bird and makes identification fairly straight forward.
While I have not used it in the bush yet, I expect it will be invaluable in identifying each bird I may encounter.

Well worth the money to enjoy your trip to South Africa even more. Even with a good guide (like we had with Transfrontiers) it is well worth taking a strong field guide like Birds of Southern Africa. That way when your guide is trying to tell you what you are looking at, you can see the picture up close and get a better idea. We have done many trips to various parts of Africa and this is one of the best guides we have used.

Warning: using this field guide will make you dissatisfied with many other field guides. You will enjoy studying and using this guide.
The illustrations are large and detailed, distinctly more accurate than most guides. In addition most are just beautiful works. They are grouped in species settings with juveniles, alternate plumage, flight and significant field marks highlighted.
On the opposite page: written description, habitat, abundancy status and call descriptions with a range map plus the Afrikaans name.
As an example of the illustrations: the Laughing Dove is illustrated by two flight poses and a profile. The profile has arrows noting 'no hind collar', 'cinnamon back' and 'black-flecked necklace'. The written text notes marks that distinguish this bird from a Cape Turtle-Dove.
The cover is plastic coated and the pages have a lesser water resistant coating.
A lot of attention to detail went into creating this book --colored coded page edges according to bird group, groups of waterbirds and hawks in flight for comparison, a checklist near the index and internet addresses of birding resources in the area.
All this in a work that I carried in a large pants pocket every day.
It just makes me wish such books were available for many more areas.

Terry Thompson-Anderson's newest edition of Cajun-Creole Cooking was a
pleasant surprise. It is the fourth time I have purchased her book (because friends didn't return them) and this update is even better. Terry was a consultant when we opened the original Cajun-Creole restaurant
Cafe Nola in Philadelphia. Her recipes won us a following that kept us in
business for 16 years. I used her latest book for the Mardi Gras celebration at our even longer-running Copabanana which has been doing Tex-Mex for 30 years. I look forward to her newest "Texas on a Plate" for refining my Texas recipes at Copa. My kitchen staff was wowed by the depth of flavors her recipes produce.

This is a wonderful book, filled with tasty, authentic recipes and history. The New Orleans French Loaves are the easiest, tastiest bread I've ever made. This book is a treasure.

No other Cajun recipe book compares to this one. I wanted Grandma's recipes, and now I have 'em! The Jambalaya and Fricassee recipe's are famous at my house.

My girlfriend gave me this book when we started dating. It was the first cookbook I ever owned, I had no idea what a gem it was. Since then my mother gave me all her Cajun-Creole books (about 25 in all), books signed by Emeril and Paul Prudhomme, none compare, this is without a doubt my favorite.

Everyone lays claim to 'authentic' Cajun-Creole recipes, recipes need to have this ingredient or that or else they're not Cajun-Creole. If there were such a standard (there isn't), then this book would have to serve as the measure.

My wife often suggests that giving me this book helped convince me to marry her ;-)

I not only recommend this book, I have bought it-- TWICE!

I owned an earlier version of this book and used the recipes in it as the basis for my parties while in the Navy. I have a few of my mother's recipes but this book is the basis for all of my friends thinking that I am an outstanding cook. Instead, I was a thirty-something bachelor who can read and follow directions. This book is that good.

The recipes are absolutely delicious and after Hurricane Katrina hit I ordered a new copy of this- PRONTO!

My only complaint about the book is that occasionally the recipes assume you know the basics. Maybe most people know that you have to soak dried beans before cooking them but I didn't and so my first attempt at Red Beans and Rice was a disaster. But most of you aren't going to be such amateurs in the kitchen as I was when I did that. I look forward to reading the latest version just to see if those oversights were eliminated.

Aside from that, I wholeheartedly recommend this book. I read the reviewer who said he had a separate copy in a safe deposit box. Good Idea!

In "The Condor Years", Jonh Dinges does a wonderful job documenting US complicity in overthrowing the democratically elected Popular Unity government in Chile and instituting Operation Condor, a network of right-wing military dictatorships in Latin America's six southernmost countries with the aim of crushing popular movements for economic democracy, social justice and political freedom. As such, it is an essential text for activists and scholars interested in human rights, civil liberties, union organizing, political repression in the Americas, corporate globalization and peace. The book also delves into the role that pro-business, reactionary Cuban exiles played in hunting down Chilean dissidents living in the US. Given current events in Colombia, Iraq and elsewhere, this is an urgent and frightening book!

John Dinges first wrote about the terrorist activities of the Pinochet dictatorship as long ago as 1980 (in Assassination on Embassy Row, written with Saul Landau), but, however much one might have suspected at that time, it was impossible to support it with much documentary evidence. A great deal more is available now, in part because of the case brought by the Spanish judge Baltasar Garzón in 1998, and in part because the declassification of many US Government files in the years from 1999 onwards. Dinges has therefore returned to his subject, and has written a detailed count of the years of terror in the southern part of South America, in which numerous military dictatorships -- led by Chile, but with enthusiastic participation of Argentina, Uruguay and Paraguay -- conspired to murder and torture many of their own citizens, transferring them between secret prisons at their convenience.

Despite the emotional and dramatic nature of the events that he describes, and despite his clear commitment to democracy, Dinges has written a balanced book, allowing the facts to speak for themselves and refraining from the sort of exaggeration that can easily convert a good case into an incredible one. Despite the much higher profile that the Chilean dictatorship had in the European and North American press than the even more vicious ones in Argentina and Uruguay had, he recognizes that -- contrary to what most people think -- there were far fewer murders in Chile than in most of the other countries involved, around 3000 in total, compared with around ten times as mant in Argentina. At one point he talks of several orders of magnitude more in Argentina, implying several millions, but that is clearly absurd, and is probably not so much an exaggeration as a careless use of words: certainly, there is nothing in the surrounding text to suggest that this means what it literally says.

Dinges concludes his book with the words "the history of the Condor Years is not one we are condemned to repeat." Let us hope that he is right.

I think this was a very good book.It gives you an excelent report on the atrocities committed by the military in countries like Chile,Argentina and Paraguay.Mr Dinges did a great work in gathering all the information and evidence necessary to present a clear and bullet-proof case against all the parties involved.I was fascinated by all the evidence and information that clearly connects Henry Kissinger with this military goverments and the uncontested proof of his knowledge about the situation in this countries.The only thing i didnt like about this book is that sometimes it gives you the impression that you are reading a goverment report.Because, at times, the author is just giving you facts, dates and names with a certain dryness that sometimes bored me.It felt like you were lectured like in a class room.But,again, the book is full of fascinating tales and information that makes you wonder about our own goverment and the way it manages information.Good work!

This is a true story of terrorism and international terrorism patronized by the US government, then led by such honest and law-abiding statesmen as Richard Nixon and Henry Kissinger (I guess Gerald Ford was also there, but permanently asleep). In this case the terrorists were not marxist revolutionaries or religious lunatics, but seven or eight South American rogue states - all of them military dictatorships and impeccable US allies. When in September 1976 the Chilean state terrorists choose Embassy Row, Washington DC, as the background for another assassination (in the person of ex-Chilean foreign minister and ex-ambassador to Washington Orlando Letelier), the US government coughed twice to cover its embarrassment, then coughed a third time, then ordered the US diplomats and secret services to cancel their almost manifest collaboration with the state terrorists, who still had plans to eliminate Ed Koch and other dangerous revolutionaries like him in the USA and Europe. These actions were canceled, but Operation Condor (the serial killings' corporate name) continued secretly at least until 1981. Some of the military have been tried and a few are still in jail now, but Operation Condor's top responsible Augusto Pinochet avoided any punishment till this day and Kissinger, though innocent and free at home, is on the run in half planet Earth.
We still don't know everything about this shocking story, but John Dinges' book The Condor Years is a great breakthrough. The only reviewer here who rates this book four stars tries to absolve the South American military dictatorships from their crimes, saying that they were fighting communism. Hitler always said the same.

The first thing we have to make clear in these types of books is who the author is and the author of this book is John Dinges. Dinges is a serious journalist who worked as the editorial director for National Public Radio for over ten years (1985 to 1996). He has worked as a foreign correspondent for Time, ABC, and most notably the Washington Post. And he is currently a Professor at the Columbia University Graduate School of Journalism.

This book is well-researched, documented, and in it Dinges is himself extremely careful about what he states as fact and is not afraid to acknowledge when there simply is not enough documentation to make clear judgments. He frequently cites cables sent between the White House and the U.S. embassy in Santiago and as well as information from his own interviews with major players within Condor and embassy/government officials during the period.

He makes clear how important Operation Condor was in the context of South American politics such as the fact that traditional enemies like Argentina and Chile were co-operating fully for the first time in contemporary history. And, initially at least, the real fear amongst the military dictatorships of guerilla movements united under the "Revolutionary Co-ordinating Junta".

Dinges shows how DINA (the Chilean secret police) was created with U.S. support and turned from a small intelligence department to the hand of Pinochet under the leadership of Manuel Contreras. More interesting is how the book documents how operations were run in Europe headed by American-born DINA operative Michael Townley along with Italian fascists to eliminate the exiled Christian Democratic/Socialist Party opposition. All of this, of course, climaxs with the Letelier assasination in D.C.

This is perhaps the best book you will find on the subject of Operation Condor. Documents obtained by Dinges in making this book are frequently cited by institutions such as the National Security Archive at George Washington University. It deserves all five stars I am giving it.

This book has brought even closer than before to the realization that men of the South, especically the 26th North Carolina, sacrificed so much for what they believed in. This book follows this unit from beginning to end, sharing all that they did during the War, but hilighting Gettysburg and the tremendous toll it took on this great unit. I was especially enthralled by the personal side that the author shared, delving into personal history of various members of the unit, especially its Boy Colonel. A great read for those who want to know more about the men and units who made up Lee's great Army.

I'm pretty new to reading about the Civil War, but so far it seems that Regimental History books are my favorite. While other books try to do too much and cover many battles, generals and focus on troop movements, etc., Regimental History books focus on people and individuals.

Covered with Glory was particularly enlightening, as it sheds some light how Confederates felt about the war.

It is a very focused and straight forward read. Don't expect this to be a comprehensive book on the Civil War, but to experience a "little piece" of it, this is a great book.

An outstanding read! The author does not spend a great amount of time dealing with the formation and early days of the regiment. Instead and pleasantly so, he provides the reader with just enough information to get a feel for the regiment and its officers and concentrates on Gettysburg.

Additionally, the book is in simple and plain english allowing the reader to easily navigate troop movements, etc.. I especially enjoyed the "what happened to" part of the book, something which is missing from too many volumes.

Overall an excellent book about one of the ANV's best regiments -BUY IT!!!!!!

goes to Mr Gragg for his excellent book on the 26th NC Regiment. As a long time Union County resident in the "Old North State", I have often times looked at the Confederate Memorial located on the old courthouse lawn in Monroe listing all the various units which volunteered to do battle from this area. Units such as Co B, 15th NC Reg/ Co F, 35th NC Reg/ Co D, 37th NC Reg/ Co B, 43rd NC Reg/ Co A,E,F and I, 48th NC Reg/ Co I, 53rd NC Reg/ Co C, 10th Bat, NC Artillery/ Co F, 2nd Reg, NC Artillery (Jr Reserves) and of course ... Co B, 26th NC Regiment.

Who were these men, what were they like, what battles did they participate in, how many made it home and what were their lives like when they returned. Political Correctness has taken it's toll in the South, demonizing all those who participated in the Confederacy as extremists and traitors to the United States and so ... from the very towns and villages and hamlets where these men came from, little is known or even spoken of concerning these men today. Indeed, more roadside historical markers of the exploits of Gen Sherman exist today in this area than tributes to the men who defended their homeland.

It is true that the cause may have been all wrong ... men fighting for their own liberty and independence while denying the same to an entire race of people is hard to justify. I do suppose that "States Rights" must fit somewhere in the total picture of the war, but I am convinced that slavery was still the main cause of the war ... so in the end, I guess that we are only left with the devotion to duty, the courage and valor with which they performed that duty and the truly horrendous losses they sustained in trying to achieve their ends. But I do not judge men who lived so long ago by the standards of today and slavery was truly a world wide phenomona not so very long ago ... yes, the South held on to it a little longer than other sections of our country ... and it has paid a price for it ever since.

But Mr Gragg has put a face on those men of so long ago for me, one which I can put in my heart ... that of Col Lane ... who spoke at the 40th anniversary of the Battle of Gettysburg. If Mr Gragg would permit me I would love to quote from his book.

"When Lane spoke, the croud hushed. Looking down into the faces of his audience, he saw many who had witnessed the excitment, tragedy and horror of those unforgetable fields of fire. There too were many who could never imagine what he described; they were a new generation for whom those three days were merely history. "I was once a soldier ...", he began, and then spoke at length ... an old man telling a young man's story of smoke and fire and death. He tried to tell them about the shouts and volleys, about brave enemies in Black hats, about dressed lines and fallen color-bearers. He tried to tell them about the courage and confusion, about McCreery and Wilcox and Honeycutt ... and about Colonel Burgwyn, down and dying. He tried to tell them what it was like to look into the face of a twenty-one-year-old when the boyish light in his eyes was fading. He spoke of exhillerating victory and searing losses. "On the third day," he told them, "the remnant with colors flying stepped out, with hearts of oak, to take part in that memorable third day's charge." He gave them brutal numbers and awful statistics of bloody subtraction: 800 young and healthy men with homes and families and futures reduced to so few and then reduced again to nearly nothing.

Always, he came back to his men."Your valor is coming to be regarded as the common heritage of the American nation," he told them. "It no longer belongs to your State alone; it no longer belongs to the South; it is the high-water mark of what Americans have done and can do." He wept. In front of everyone and without apology, the old warrior looked at the tiny, aged remnant of the 26th North Carolina and he wept. "I give you the highest tribute," he told them, " ... a comrade's tears." A blue uniformed band of Pennsylvania veterans then broke into a spirited rendition of "Dixie," and the audience ... Northerners, Southerners, Americans all ... erupted in cheers.

Thank you Mr Gragg for pouring so much of yourself into this book, for in so doing you have given something priceless back to those of us who claim the Southern heritage. I can now look at that memorial in the courthouse lawn and feel a sense of pride for in the end ... the question is not what a man can scorn or disparage or find fault with, but what he can love and value and appreciate.

The narrow focus of what the 26th is most famous for is wonderful because it allows for many details. For those that don't know, they took atrocious casulaties over a 48 hour period, basically 8 out of 10 men went down. Their action is legendary, lining up against the Union's most famous, Iron Brigade, and also being the unit that could claim the farthest penetration into enemy territory on day 3.

As always, a couple of more maps would have been extremely helpful, but that being said, the ones there are well done.

Day 1 is treated extremely well with intense description of the action, almost minute by minute as far the 26th was concerned. The reading is smooth however, and most won't get lost in the details.

Day 3 has some of the best coverage that I have read because the author expands the focus for the Picket-Pettigrew-Trimble Charge to cover many of the other units involved. Of course, the 26th still gets the lions share of the commentary.

This book isn't for novices, but at the same time, you don't need to be a hardcore student to get it. I think a simple 2 or 3 page synopses of the battle will help so you don't get bogged down with some of the names, but more so you understand the importance of the battle in an overall perspective.

Again, the focus is the 26th at Gettysburg with a very brief prelude and wrap up to their other action. Highly recommended for the ACW afficionada and casual reader.

My only little quibble is with the quality of paper and tiny font for the paperback. Come on publishers, put the better works on better paper so they'll last longer.