American Books

we are not vegetarians, but purchased this book as a part of our effort to incorporate more vegetarian meals into our weekly menu. i really appreciate that they mark the recipes with major, minor or protein complement so you can build a nutritionally sound meal that is also satisfying. i also like to short-list of themed menus at the back that makes planning meals easier. not all recipes have been winners, but we have enjoyed several quite a bit and nothing has been inedible. i dropped it from 5 to 4 stars bc the nutritional content of the meals is not provided and thus i have to do a lot of math in order to figure out how much fat/calories are in each dish.

I originally bought American Wholefoods Cuisine in the early 80's when my children were small. It quickly became our favourite cookbook. I like their philosophy, the recipes are very good and it has one of the most complete indexes I've ever seen. The introduction explains how to be sure you are getting complete protien when you eliminate animal protien from your diet. There is a section on food handling and storage as well as cooking techniques. I was pleased to see that it was available again. My current copy is much loved and I wanted to give a copy to each of my girls so they can recreate the favourite recipes of their childhood. In the past 20 years, hardly a week goes by without my consulting it.

My sister-in-law recommended this book. She had prepared one recipe for a meal we shared during a recent visit and it was great. I asked for the receipe and she provided the title and said she had not found a bad recipe yet. I immediately ordered the book when I got home. My wife and I love this book. We keep going through it and writing down recipes we want to try. We have yet to find one that we don't like. Each is a repeat for the future

If you buy only one vegetarian cookbook, this is the one. There are no fancy pictures and the recipes are very basic, but I wore out my first copy and am now on my second. This must say something for it! It has not changed, either, for which I am thankful. The recipes cover a wide range of ethnic and North American dishes and there should be something there for everyone.

Trying to find a good all round vegetarian cookbook is quite a difficult task. Many of the vegetarian cookbooks I've come across are either gourmet and not really suitable for everyday meals or full of bland tofu recipes that resemble cardboard in taste and texture. Finding recipes that use only whole foods is even more difficult. I've only come across one or two good ones that had maybe a half dozen recipes that I could actually use in daily life. The rest were either extremely laborious or required fresh foods that weren't readily available in my area.

Then I stumbled across American Wholefoods Cuisine. I was intrigued with the notion of vegetarian recipes that contained all whole foods. I expected and would have been quite happy with a cookbook that gave me a dozen decent dishes to try. Therefore, when I received the book and it contained 1300 meatless whole foods recipes, I was thrilled beyond belief.

American Wholefoods Cuisine has already become one of my staple cookbooks, along with a few old standbys given to me by my mother and mother-in-law. This book has a lot of everything from quick tasty snacks that I can make in a few minutes to full gourmet meals that I can make when I'm in the mood. In between there are all sorts of appetizers, soups, sauces, main dishes, side dishes, desserts, and baking treats. All easy to create with ingredients that I already have in my kitchen.

Most importantly, the food made from these recipes actually tastes good. For the first time in my life, I can eat completely healthy and not feel like I'm missing out on something. What's more, I have an ever-expanding group of young adults that are devouring everything I make as fast as I can cook.

I'm a big fan of these annotated books, not only for their visual appeal on the bookshelf, but for their ability to transport me away from the everyday world. And you may think you know Oz because you can sing "Over the Rainbow" and "Follow the Yellow Brick Road", but I assure you, this book will take you farther into Oz than you ever went before. Unlike The Annotated Alice: The Definitive Edition, which is dense with text, this volume is packed with art and illustrations, including a lot of full color pages. The movie images floating in your brain take on a different hue when you see the illustrations which actually brought the Ozian creatures to life. As with all the annotated works in this "series", this one has crisp, cleanly printed pages, an artsy dust jacket that is pleasing to behold, and tons of Baum biographical information, and of course, lots of notations. If you are an Oz fan to begin with, you owe it to yourself to buy this book. If you just like children's stories and the history behind them, this is also for you. And don't forget: the book is better than the movie, anyway!

This is a wonderfully informative book. It has its biases, but they're of the harmless, author-worship variety. The only caveat I'd add is that this isn't the book to have as your sole copy of The Wizard of Oz. It's nearly impossible to read the actual story amidst the annotations. That's not a criticism: that is, after all, the purpose of the book. But if you've never read the story, or want to read it to your children, get a simple copy of the book as well.

The "Annotated" series is simply wonderful. Best of all, they are getting better and better all the time. My first was The Annotated Alice: The Definitive Edition and since then, I've gained a small collection of annotated books. These books were the original DVD commentary track. Now, it just seems strange when I'm reading a book and there's no footnote for further insight!

This was the second Annotated book I bought. The first two books I bought in this series represents the top two lifelong obsessions within fantasy: Wonderland and Oz (now, if only they'd do Neverland to complete my personal trilogy!).

Upon first reading, I'll admit -- this was a bit hard to start. Sure, it was interesting, but compared to the introduction to the Alice book, it seemed a bit rambling. It seemed like I'd never get through to the actual book!

Recently, I decided to give it another go. So, starting from the beginning again, I read. Age must change my opinion on things. It was no longer so rambling. I rather enjoyed the introduction -- in fact, wish it was longer!

When your first introduction to the Annotated series is Alice, a highly satirical book with a lot of symbolism, you may have expectations of all the secret meanings revealed. Don't expect it here. As is stressed in the introduction, this was a story purely meant to delight. While there are similarities in the ultimate purpose of writing it -- a boredom with the children's books of the day -- the two are completely different in their approach. Carroll used the book to make fun of the children's books of his day. Baum just wrote a good story.

So, therefore, the annotations have more to do with what was going on around Baum at the time, things in his life that may have had some influence, and criticism rather than the hidden symbols found within. You'll get a history lesson of turn-of-the-century America that we may not hear much. You'll learn about changes to the book made over the years.

The greatest thing about this edition is that it's a facsimile of the first edition. The pages aren't perfect -- there are age marks every now and then. But you'll finally be able to see what exactly made this book so novel in 1900 -- colors and text are reproduced in a way most editions do not. Most other editions using Denslow's drawings are usually incomplete with a more modernized setting for the fonts. This causes many pages of illustration to be omitted as the illustrations are a bit more difficult to reproduce when the original text is overlapping.

The accuracy of the reproduction may be a huge downfall for the annotations, though. Unlike most annotated novels where you'll find the numbers within the text and the annotation in the margins of the book, the numbers have been moved to the edges of each line of text with the annotations on a separate page. Probably, this was done to interfere with the original text, but it means that some confusion might come in when to look at a note. Two numbers may try to squeeze into a single line, which is a little awkward. Or, because the note numbers are no longer attached to the text, we won't know what words those numbers are attached to until we look at the next page (or a few pages ahead, depending on how long the note is).

This isn't quite enough for me to take any stars off, though. It may be an inconvenience, but it's no way to judge the quality of the book. In fact, the rarities -- bonus story, reproductions, and art in the Deslow Index -- more than make up for the structure.

This is an over-sized book, so if you want to add it to your Oz collection, it might be out of place a bit -- if you want an edition to fit in perfectly with your other Oz books, I'd suggest getting The Wonderful Wizard of Oz (Books of Wonder) along with this just for casual reading or completeness on the bookshelf.

This book was purchased for my grand daughter who is 18 years old. She thoroughly enjoyed receiving it as a gift. She liked reading the "annotated information" while reading the story. It was a hit as a Christmas gift.

My 8 year old daughter is a huge Wiz of Oz fan. She has 10 pairs of ruby slippers she's grown out of through the years, every WoO Nutcracker, Barbie, doll we can find and every edition book we come across. This is one of her favorite Wizard of Oz books. She loves the detail about the characters, the pictures, the rich history reviews. Its a great book and Amazon is by far the cheapest place to buy it safely and new.

Fans of Calvin & Hobbes who used to read the newspaper strip in the 80s and 90s will find great pleasure in reading this treasury of C&H comics. These witty comics about the 6-year old Calvin and his stuffed tiger Hobbes, named after the famous philosophers, will amuse people of all ages. The perceptiveness and humor of Watterson deserve the highest of cartoon awards, while his artistic creations exude hilarity. This cartoon is perhaps one of the most piercing yet funny critiques of modern society.

This book starts out with Calvin Transmogrifying himself into an elephant so he can memorize his vocabulary in a snap. Naturally, that leads to never-ending funny adventures to entertain adults as well as children. Here we enjoy Calvin playing croquet with Hobbes, their flying carpet adventures, snowballs against Susie, and Spaceman Spiff. Watch him play pilot, archaeologist, annoy Rosalyn the babysitter, and quarrel with Hobbes over the treehouse.

Note that there are two series of C&H collections: individual wide-format albums, each covering an entire year of strips (will call it âaeregularâ), and the vertical aspect ratio âaetreasury seriesâ which covers selected comics from two regular C&H books. Note that C&H ran for a year in newspapers, so thereâ(tm)s 10 regular books and 5 treasury books. Though the cartoons are slightly smaller in the treasury collection, each treasury book is far thicker and contains more strips than a regular book, and is furthermore less expensive, so treasury books are a real bargain. âaeThe Authoritative Calvin & Hobbesâ belongs to the Treasury collection, and was first released in 1990.

If you love C&H, you'll like this book. For me, Calvin is like pepperoni pizza... when it's good, it's really good, and when it's bad, it's still good.

Unfortunately, I say it rather cynically.

My, there are so many monsters peopling this strip. The kid's a monster. His parents are monsters. The tiger's a monster. The teacher's a monster. The babysitter's a monster. And the only character who's not a monster (and more of a victim) is naturally enough, a young girl who is never bad or gets into any trouble. And the strip, while a rugrat's fantasyland, also smacks of extreme adolescent rebellion.

The strip is so overrated even after its demise a decade ago that it's been ensured that no cartoonist alive or yet to be born would ever create a strip as well-worshipped as it is for all eternity to come. So why not just remove the whole comic section from the news for good?

This book combines material from both Yukon Ho! and Weirdos From Another Planet!. Perfect to read with a blanket and a cup of tea on a rainy Sunday afternoon. It lifts my spirits up and makes me laugh, even when there's no one around. Really, that could be said about any Calvin and Hobbes book, though!

Calvin is a beam of light, a dinosaur, Spaceman Spiff, a pollster on the election of new parents, a robotic explorer from Jupiter (in search of chocoloate) -- well lots of things. He's all the best and all the worst a boy about five can be, and that covers a lot of ground.

If the others around him never quite see things Calvin's way, that's really not his problem. Hobbes will always understand, and generally offer some understated commentary on events. I prefer not to say too much about Hobbes. It's really best if you let him introduce himself.

This book is a treasury of daily and sunday color strips. It captures a part of one of the best strip comics ever. If you already know C&H, you'll surely want this collection. If you missed the strip when it was still in the papers, this will give you a wonderful introduction.

It's never too late to have a happy childhood, and Calvin offers his for your enjoyment.

//wiredweird

I am very happy I could locate this book. It is one of my favorite books, and one I insist being on my shelf. Thus, my copy was missing and I was pleased I could replace my copy. I am happy with the condition of the copy I just recently received; it arrived quickly, and I'm glad to have it in my personal library.

A fascinating and horrifying account of a slave woman's experience. While fiction, the story appears to be based on the life of an actual Hannah. Don't be put off by the long introduction. It becomes more significant after reading the narrative itself.

This book gives a great emotional account of the horrors of slavery. It is amazing the vocabulary the author had without being formally educated.

This book will stay with me for a while.

In her novel, Crafts illustrates her life as a slave over the course of many years. Starting at a place cursed by a linden tree, things only seem to get worse. Though she is taught to read, her teachers are punished and banished from her life. Her early years are filled with much more than learning, however. She witnesses many horrific aspects of slave life, which are depicted vividly by use of imagery and her colorful similes. In her story she attempts to obtain freedom with her new mistress, but the success is cut short.
By the middle of the story, the reader can easily assess that slave life is neither desirable nor easy. Crafts and her mistress are captured with only more hardships following. Crafts depicts for the reader her passing from one master to the next after her mistress's death. Things only continue to get worse until she brings the reader along with her on her flight to freedom.
Though met by a series of mishaps throughout the novel, Crafts finally obtains freedom to live life with her husband and her recently found mother. No doubt, the reader is happy to see something pleasant finally happen for Crafts. The reader is left with not only a sense of happiness for the author, but with a vibrant image of what it took to get there. The Bondswoman's Narrative is most certainly a good choice for anyone wanting a harsh, yet inspiring, account of what slave life was truly like.

As background for this slave's narrative, we are introduced to John Hill Wheeler, writer, who had published HISTORICAL SKETCHES OF NORTH CAROLINA, 1584-1851), who served as assistant secretary to the U. S. President Franklin Pierce (always one of my favorites) in 1854. There is a good photograph of Wheeler and a painting of his wife, Ellen, with her two sons by Thomas Sully who made the youngest look like a sleeping angel.

There is also a photo depiction of the abduction of his slave, Jane Johnson with her family, off the Steamer Washington on July 18, 1855, in Philadelphia "by force" by a gang of Negroes led by an abolotionist. Since he was unable to locate and reclaim his servants, Jane was subsequently replaced by Hannah -- who escaped in the Spring of 1857. He must have been a hard taskmaster.

One interesting thing (for me) was a mention of John Brown's (of Harper's Ferry, West VA fame) hanging in Charleston, VA. It was observed that he died as he lived, "game." He certainly was no coward.

I found too much redundancy in the introduction by Henry L. Gates, Jr., and the narrative itself. Absorbed in finding and preserving black culture in written form, he spends a lot of effort propounding on his conclusions, instead of the facts. Like a local writer involved in uncovering ancient history, he uses too many "that's" proving he is not scholary. To me, it shows a definite lack of education and too much emphasis on self promotion, so that whatever is printed will be thought or taken as the truth, the whole truth and nothing else.

As with all autobiographical material it is hard to tell what is fact and where the fiction begins. An old acquaintance now deceased who had been in the Merchant Marines in his younger years and received much enjoyment in bewildering strangers with his detailed stories, told me how he manufactured "truth." Add a few relevant facts which can be substantiated and names of real people and presto! it's history -- not fiction.

As with science, the individual authors are expounding on their own theories, not facts per se. It's the same in any field and any "case" history. Mr. Gates wanted to prove this narrative was authentic; therefore, he spent more effort with his "proof" than the slave's account itself.

Something that old can never be proven beyond a doubt. Now Clifford Irving's bogus biography of Howard Hughes was ill-timed. Had he waited until after the person's demise, there would always be doubt and nothing to prove he was a liar.

I don't believe a slave would know some of the words used by this writer. By including family background and descriptions of events, it is taken as the authentic tale of a real Hannah Crafts. He did too much surmising "what if's" to have run down the actual writer to New Jersey -- to have been the runaway slave from North Carolina.

I found the marked out words and phrases to be distracting (also detracting). It would have helped to have the edited parts left out; the 21 chapters would have sufficed without so much explanation and additions (in brackets). Instead of making this clearer, it befuddles the story itself.

I'm not a user of the word "that" which is grossly overused in newspapers today. About ten years ago, I typed the lengthy "memoir" of my ex-husband, a college English professor, and edited at intervals throughout. Of course, he proof-read every page before having the entirety copied and bound to distribute to members of his family. Sometimes, he agreed to my "clarifications"; at others, he'd say, "but we didn't talk that way." Growing up in a tiny hamlet between Shelbyville and Chapel Hill (where he'd been born) in Middle TN, and being about fifteen years my senior, he'd experienced things and feelings totally opposite to what I had in Knox County (East TN). My reasons to "edit" were for the benefit of those who'd be reading his memories, not to change events -- and he finally agreed with me.

Perhaps I should have left things exactly the way he expressed them, no matter how grammatically incorrect they were, as now that is what I am wishing Mr. Gates had done with this manuscript. The things he marked through seemed inconsistent vocabulary for such a young, uneducated woman confined in "the peculiar institution", and I'd have preferred not to have to think about them.

The textual annotations did not add to the story and were a bit too detailed. You can analyze a situation "to death." Some things are better left to the reader's imagaination.

This story is as old as the hills. Didn't he see the similarities between characters of this narrative and those in SHOW BOAT? Sad but true. Life is not always easy for those without power or money.

This book may have great value as a historical document, however, I evaluate it from the 'fun to read' point of view. I did not find it a greatly enjoyable read. It is written in the old novel style- "Perils of Pauline" comes to mind. Neither did I find that I learned much about it was like to live like a slave during that time. I am now reading a historical novel in which there are a few pages describing a slave market in the USA during the Revolution; which gave me a much clearer picture than Bondwoman's Narrative did. The description of how the field hands lived left me wishing to read more about that, and in fact, I felt I did not even get a good picture of how the house servants lived. There was quite a bit of philosophizing during the entire book so the author came across as an intellectual. In this respect, her comments about the death of a fellow runaway slave towards the end of the novel were very interesting to me.

When life becomes too tough or insane, Wodehouse's world helps me maintain my sanity. And Code of the Wooesters is the best of the best! Eulalie :-).

There are some side effects though - people around you look suspiciously at you when you laugh out loud while reading the book.

I also looked up the videos starring Hugh Laurie and Stephen Fry after reading the book. They have done a great job, but the book HAS to be read first. See this video after reading the book -
[...]
Hilariously insane.

This is my favourite Jeeves & Wooster story yet. It had me laughing out loud; a bit annoying for my wife trying to work nearby. This is a great story and a handsomely bound, affordable book from Overlook.

This has to be among the best of Wodehouse. As so many other reviewers have remarked, the novel has a fluid feel to it; total and complete chaos. Starting with an ominous phone call from Aunt Dahlia, Bertie jumps from bowl to bowl constantly in the soup.

I loved the quotes from this book, on things being gruntled and what not. The characters are also amazing. Sir Watkyn Bassett, the treacly Madeleine, with Spode running after Bertie wanting to break his bones, the dog Bartholomew (this was perhaps one place where I almost laughed out loud) which terrorizes Bertie and Jeeves when (I think) they have to take shelter on top of the cupboard-Bertie goes to great lengths introducing this terrier. The moment is when they throw a candle at Bartholomew and it eats it.

The cow creamer plays no small part in the plot. It is a hideous silver jug that uncle Tom collects. Aunt Dahlia wants Bertie to 'sneer' at it by saying that its modern dutch, which might lower its value, apparently.

There is also Stephanie Byng and stinker Pinker who constantly trips over things. And constable dobbs, Aunt Dahlia herself, and Gussie Fink Nottle. There couldn't have been a more ridiculous set of characters than here.

This,and perhaps some of the Pig books (Pigs have wings, and Summer Lightning come readily to mind). I wish the world were as nice as that depicted by Wodehouse.

The Code of the Woosters, by the inimitable P. G. Wodehouse, is a fun and enjoyable romp with Bertie Wooster and his Man Jeeves. This novel features numerous plotlines, including but not limited to, the battle over a cow creamer, a lost notebook, romantic entanglements, the theft of a policeman's helmet, a potential jail sentence for Bertie, a dictator, and more romantic entanglements. Each plotline is brought to a conclusion by the brilliance of "Plum" the excellent English humorist. The book is full of hilarious one liners and brilliant wit. Amazingly, this novel was first published in 1938, yet it is still full of timely situations.

This novel of classic comedy introduces us to Totleigh Towers and its owner, Sir Watkin Bassett. Several memorable mainstay characters are in this book including Gussie Fink-Nottle, Aunt Dahlia, Madeline Bassett, and Stiffy Bing. Any journey taken with Wooster and Jeeves is time well spent. This classic series endures because the characters are wonderful and memorable. A 5 star fun-filled romp.

An early critic of P.G. Wodehouse complained that his second book was identical to his first, only the character names had changed. In response, Wodehouse resolved to continue writing identical stories, but to keep his character names the same. And so, The Code of the Woosters is nearly identical to all other Jeeves and Wooster novels; Bertie gets into a sticky situation, inadvertently makes things worse, and is ultimately rescued by Jeeves. Could any one of them possibly be any good if they are all so unoriginal? Yes. In fact, they are all excellent. How? Wodehouse was a genius; reading any one of his books will prove it to you. His characters are unforgettable. His narrative is brilliant. Above all, his books are hilarious, and The Code of the Woosters is one of his finest.

Betram (Bertie) Wooster, a lazy, bumbling (but well meaning!) gentleman living in Britain during the early 1900's, is pressured by his aunt Dahlia to steal a cow-shaped milk creamer from Sir Watkyn Bassett, a magistrate who once fined Bertie five `quid' for `pinching' a policeman's helmet. The task is made complicated by the presence of Roderick Spode, the amateur dictator who founded `the black shorts' and who is a friend of Sir Watkyn; Spode is watching Bertie like a hawk and threatens to break his neck if he sees Bertie so much as glance at the cow-creamer. Things go downhill when Gussie Fink-Nottle (a newt fancying friend of Bertie's) suffers a snag with his engagement to Madeline Basset (a dreamy girl who holds opinions like `the stars are God's daisy chain,' and who thinks that Bertie is madly in love with her). Bertie rushes to patch things up between them, but nearly becomes engaged to Madeline himself. In the end, only Jeeves, Bertie's brilliant, (almost) all-knowing manservant, can guide Bertie out of these troubled waters.

If you aren't familiar with P.G. Wodehouse's dynamic duo, you owe it to yourself to read this book. I guarantee you won't be able to stop laughing. Nearly every line is comical. The narration itself (the story is told by Bertie) is positively hilarious. And so, I give The Code of the Woosters the highest marks I can!

Mike Cunningham pictures are outstanding! Wonderful book to give to someone as a gift.

K.B.

The photographs of these women and their remarkable hat is fascinating. I really like the interviews with the ladies, and the unique stories of their lives and times.

My only disappointment was that the picture are not in color. I would love to have been able to see those plumes and feathers in all their glory!

Orginally, I purchased this book as a gift and after browsing through it, I decided I had to have a copy of my very own. The photography in this book is excellent. The photographs are shot in black and white in order to focus on the church hats. The stories behind the hats are amazingly beautiful. I will never look at a black woman in a church hat the same ever again. I learned that each hat has a story that must be told.

I love to wear hats. I grew up in the South. My Mom wore hats to church every Sunday. She absolutely loved hats! Therefore, when I became of age I too became a hat person! It was like a family tradition. All the girls in the family dressed in hats on Sunday.
I love hats so much, I wear them every day of the week. During the week I usually wear cowboy hats or something sporty. However, on Sunday, it the dressy going to church hat. And if you are into hats, you will know what I mean about the, 'church hats'.
Being raised in the South, you were'nt completely dressed when going to church until you put on your hat and heels. To this day I do not go to church without a hat.
This book, Crowns, really takes me back. It's a wonderful book. It is on a table in my home and it makes for great conversation with visitors.
FANTASTIC BOOK!!!!!


Joyce Marshall-Hamblet

A woman's hat speaks long before she utters a word. So it says on the inside flap of this beautiful book of black and white photos of Black Women in Church Hats. From the first photo of Beth Hopkins and her mother to the last photo Sanclary Saunders with her hat, "without no veil," we are treated to respectful photos from the artful lens of Michael Cunningham.

Mr. Cunningham's artistic eye is what really makes this book. Well, his subjects do too and Craig Marberry's text adds to the book, but it's really Cunningham's artistry that makes this one of the best contemporary photography books I've seen in a long time.

The women pictured in this book all have hattitude and believe me, it's a good thing to have and it's catching, I know, because after spending a delightful couple hours reading the stories that accompany the photos, with Billie Holiday playing in the background, I knew I didn't have any good hats and I have a lot of hats, baseball hats, floppy hats and a safari hat or two, but nothing really cool. But I'm gonna get a cool hat or two. Every woman owes herself a cool hat.

Reviewed by Stephanie Sane

This book was extremely disappointing unless you would like to know how many gallons of water it takes to illegally cross from Mexico into the United States. The author takes a liberal and sympathic view of illegals and tries to sway the reader into thinking that breaking the law is OK for these people. Give me a break. Where is the equal-sided journalism? What about the economic drain to healthcare, gang violence and drugs that these people bring into the United States? If it looks like a duck, quacks like a duck and swims like a duck then it is a duck. Illegals are illegals are illegals. Don't waste your time on this book.

"A passionate exponent of more human solutions to the problems of illegal border crossings...John Annerino, an Arizona writer-photojournalist, tells the story up close and personal in a gut wrenching, bare knuckle account...His account puts flesh and bones on the story behind the dreams, and skeletons,too," Desert Candle.

There are those who call themselves experts on the subject and those who are. John is the genuine expert. His points on the subject can only be done by being there and doing it. That is John, that is how he is. That is how he lives. A Master photographer, a Father, Journalist. His treatment on the border issue is a no-holds-barred trip into the unknown. He makes it known, he does it masterfully! When I read Dead in Their Tracks I found it to be the best publication on the subject. It should be required reading for those who are studying Hispanic Culture here at the University of Arizona! When one has the folks at ABC News and other News organizations beating on your door for your knowledge on the subject you know it is John Annerino. When you read a John Annerino book or see his imigaes you are guaranteed that you have exposed to the very best in subject treatment. Dead in Their Tracks will take you for a ride you won't soon forget.

-"Photojournalist John Annerino plunges into a world few Americans ever consider, much less confront: a pitiless trek through the southwestern Arizona Desert that can deliver a man to steady work - or to a whimpering death," Laura Brooks, The Arizona Daily Star.

-"Anyone interested in this slaughter should run, not walk, to John Annerino's Dead in Their Tracks," Charles Bowden, author of Down by the River.

-"A passionate chronicle. The story...is gripping and profoundly disturbing," Susan J. Tweit, The Bloomsbury Review.

-"A stunning portrayal of the dangers (including death) faced by immigrants eager to work in the United States," Library Journal.

-"I'm trying to illuminate the lives of those who continue to die in America's killing ground," Annerino said," abcnews.com.

-"A gripping firsthand account of crossing the Camino del Diablo in the company of Mexican nationals...Annerino's evocative words and haunting pictures make the issue impossible to ignore," Donnamarie Barnes, People Magazine.

-"The story is riveting.Annerino's writing is emotional and graphic," Ernesto Portillo, San Diego Union-Tribune.

-"Through cholla cactus and scorpions, along sands simmering at 140-160 degrees, John Annerino and four Mexican companions stumble toward an oasis north of poverty: the American dream," oneworldjournies.com.

-"The book is a testament and a memorial.Thirty pages list the known dead...Annerino deserves praise for putting this story into words and pictures," Will Chaffey, San Antonio Express-News.

-"A gripping work of investigative reporting," Nicole Davis, National Geographic Adventure.

-"Seen on CNN and featured on CNN Bokchat, John Annerino has worked on the border for Newsweek, ABC Primetime, National Geographic Adventure, and America 24/7," KmG

This book is poorly written, _utterly_ disjointed, and has a cloying sentimentality that is really annoying. By that I mean it's not at all analytical: it includes random snippets of poems, etc. that serve only to confound the reader looking for some meat. Plus, there are certain phrases like "cutting sign" that I hadn't the foggiest idea about until I looked it up. Help the reader out here.

Yeah, it's hot as hell in the desert, and it's doggone handy to have water. It sucks that people are dying in the desert and the forces that draw them to _El Norte_ are highly complex and not necessarily their fault. Still, they are breaking the law from the word go, and well they know it, and it seems to me there are worse tragedies involving truly innocent people. Plus, it peeves me to no end that these illegals have largely trashed some of the most beautiful and exotic wildernesses in the U.S. So my sympathy is just not all that deep.

The photos are for the most part of lousy quality as well. Why it took carrying several cameras, as the author claims, to produce these pictures is beyond me.

Lastly the book is VERY short, with a ridiculously long appendix addressing every single death that has occurred in this area ... newsflash: no one is going to read that.

How could the editors have allowed a book like this to go to press? It's absolutely amateurish, despite being driven by sincere emotions.

THIS STORY WAS SOMETHING ELSE BESIDE FAST PACED. SYNEDA AND CLAYTON ARE VERY WELL MATCHED IN EVERY WAY. THE AUTHOR IS THE REASON I PURCHASED THIS AND CANNOT WAIT FOR ANOTHER TO BE RELEASED IN THE MADARIS SERIES OF FAMILY AND FRIENDS.

wow as usual Ms. jackson makes us laugh cry go through the whole nine yards of emotion and thats why i cant stop reading her books. clayton what can I say about Clayton whoo i have been waiting for his story since i read Whispered promises and it was so worth the wait cause him and Syneda killed it. if u love Brenda jackson books then you wont regret reading this one once you pick it up you wont put it down until you are finished i guarantee it.

I absolutely loved this book...Clayton had my attention right away. I mean this book was so real and steamy that I could not put it down. Clayton sounds so scrumptious and then his character is so determined and bold...I love it!!!! I would recommend this book to anyone because there was never a dull moment and the surprises at the end I would have never guessed, I thought I had the mystery figured out but boy was I wrong. I love Clayton and Syneda...I can't wait to read the rest of the Madaris stories since I see that I read them out of order.

I love the Madaris Family. It is about strong black men who know how to love, cherish and take care of their black women.

Clayton is my favorite Madaris brother. He is good looking, fine, funny and smart. His and Syneda relationship moves from friendship to the bedroom and the fire works begin. It took one woman who would give him the challenge he needed to turn him from his womanizing ways. When you met your match, there's no denying. Loved this book, loved this man and I love Brenda Jackson! You go girl! I can't wait to read One Special Moment.

I have read through Hope's cookbook and already I can tell that she has a skill to take complex gourmet recipes and break them down into fun, simple & easy steps for a novice like me. I am excited to try all of her recipes and can't wait to begin impressing others for less. I had the fortunate pleasure to meet Hope at the Philly airport by chance and she herself proves to be just as amazing as her book! I know her recipes are just as delightful as she is, and I can't wait to begin making her masterpieces. This is one cookbook you can't go wrong with. Kudos Hope!

I thought this would be more quick and easy. I like to cook but find little time lately. Found just a couple of recipes that I'd like to make, not much more than that

First of all, I had to try to find some recipes that I wanted to try. They were a few, and they were pretty good, but there weren't that many! If I wanted oysters or unusual ingredients that I don't normally keep in my kitchen, maybe I would be more pleased, but for most cooks, it is all hype and not many usuable reipes. Sorry, I was "less than impressed".

IMPRESS FOR LESS is all that and more! A must have for having a wonderful dinner, lunch or even breakfast with family and friends. Just received my copy the other day from Amazon.com, and couldn't put the book down. Where to start, what recipe to try first. Who, do I invite over to share a outstanding meal with? My family was first with Roasted Orange Chicken Breast with Wild Rice Pancakes. It was a outstanding meal, and I made uses of the wine tips. (what a plus) My kitchen is on it's way to being a five star restaurant. Can't wait for Hope Fox to put together her next book!

This cook book is gorgeous and affordable. Being a Philadelphia girl I love the opportunity to prepare meals by chefs from our famous restaurants Le Lec-fin and Fountain Restaurant to name a couple and Hope Fox makes it possible and not hard to do. Oh how proud we feel serving up one of Hope's beautiful recipes. And I had the pleasure to meet her at a book signing and she is as warm as her cream of porcini mushroom soup all the way from where I left my heart: San Francisco at Masa's.

Mary Jane Hurley Brant
www.wheneverydaymatters.com

A disorienting story, much too contrived. A patchwork of events taking place in both dimensions, space and time. Definitely confusing and surely inconsistent. Consequently, when the protagonists (and the author) are stuck in jeopardy somewhere or somewhen, something or someone appears out of the blue to get them (and him) out of their predicament. I must confess I didn't understand all of it... and I didn't seek to do it.

In my opinion one of the all time science fiction classics,along with Radix.You can skip the other two of the quadralogy.The story and the science are top notch.attanasio at the top of his game.I recommend this to all science fiction buffs and a great introduction to the work of Mr.Attanasio.

I love this book. I read it years ago and forgot the name of the book, the author and only now do I realize it was part of a series of books, and yet I have never forgotten the story. I think for me the most powerful part is how limited humans are relative to the Tryl (a species on Earth that evolves to an intelligence and grace greater than humans 1 billion years after we kill ourselves off) and yet we keep on, going on. Attanasio gives us the big and little of humanity sometimes within the same sentence. I read a lot of science fiction and generally the harder the better but Attanasio, like David Zindell's Neverness series, is an exception to the rule. There is enough "hard" science, like Gai's jumping up from basically the zero point dimension into a dimension much less dense and at much lower energy, to be fascinating in its own right. Another great book it reminds me of -- the Oddessy. The relationship between Gai and Ned O'Tennis (the fighter pilot) is very similar to that between Athena and Oddyseus. All in all, a great read.

The last legends of earth is a wonderfully fantastical story were the classical limitations of time and space are broken. Aliens of the future interact in a bid for god-like supremacy long after the civilizations of man have been lost in the dust. Humans become the fodder for spider-like beings and a battle for human freedom ensues. The worlds Attanasio describes are imaginative and timeless. This is a story is a classic Sci-fi adventure but also has retains a sense of humanity, love and the human spirit. This is one of my favorite books by the author; I also recommend his Arthurian series.

In my opinion, this is (along with the first book in the Tetralogy, Radix) one of the finest sci-fi/fantasy novels written in the past 30 years. It's a rollicking good time, with good vs evil, heroes and villains, interesting scientific concepts, a romance that even manly men could appreciate, and a tempo that speeds up and slows down at just the right times.

Heavily influenced by Lovecraft, Attanasio writes stuff that is not intended to be the joy of English majors or grammar prudes but is deeply fascinating and tells great, highly imaginative stories. This book is no exception. If character is the end-all and be-all of literature to you (ugh!) and story and plot are less interesting to you, then you may not find most of Attanasio's work to your tastes, although his characters are certainly believable. Certainly in LLoE there are some highly interesting characters to add to a mind blowing story that spans billions of years.

After having read the original book in the tetralogy, Radix, when it came out so many years ago, and being so impressed by it, I was disappointed by the next two books in the series. They were interesting but lacked stories that sucked you in. Not so with LLoE, which is a page turner of the highest order. I don't think you'd have to be a sci-fi fantasy buff to appreciate it, but if you are it's one of the best. It certainly has one of the most evil races of monsters in ALL of literature, the zotl. If you can read about them and not get the creeps, you should probably be in an institution somewhere.

In fact, if all you read of the tetralogy were Radix and LLoE, you would be well served, but you might want to read the others for the sake of completeness.