American Books

This book may perhaps not meet your expectations regarding content: I expected to see the uncles in their own habitat, surrounded by the debris of compulsive hoarding, at one with the world they had created. Lidz does not show this world: instead, he shows mainly the two uncles who live outside asylums at odds with the outside world, fumbling their beyond-quirky way through the landscape of New York.

That difference could make or break your interest in the book. Which do you want to read about, two curmudgeons at home in the nest they have created or two outcasts in society? I'm not saying that either narrative pathway makes for a bad or good book; I merely suggest that, before you read, you be prepared for what you will be reading. You might also consider that the four uncles of the title really refers mainly to two uncles; one of the others makes a single cameo appearance, and the other uncle gets a bit of space toward the end.

Lidz takes slow steps in childhood, telling ancedotes about his times with the two main uncles. These humerous takes are made forceful because they are told against the backdrop of his mother's long, ultimately fatal bout with cancer, a narrative that underpins the first half of the book. You thus have two strong narrative themes in the first half: the bumbling uncles (and the question of how on earth they function) and the sick mother (and the question of how on earth she manages to hang on to life).

The book becomes rockier in the second half, beginning when Lidz is an adolescent and his father remarries. Time speeds up considerably and without warning: you go from the slow ascent of the roller coaster to the rapid descent, and, narratively speaking, it's a rocky ride. It does make some narrative sense to speed up this second half, but it's too much too quickly and thus disconcerting for the reader. The second two uncles are introduced rapidly and don't receive as much analysis as the other two.

The book goes on to wrap up (incompletely) too quickly as well. It's as if when one uncle dies, another uncle is plugged in to take his place, and, what with the uniqueness of the uncles being emphasized, it doesn't work in the narrative. Lidz's attempt to introduce his recording techniques is also akwardly introduced, though I don't know how he could have done it more smoothly.

All in all, though, it's a good book. The strong first half does much to make up for the weaker second half, and the character's personalities make for excellent dialogue throughout. Lidz is an excellent prose writer who simply needs to pace himself a bit better; the writing itself is commendable. Recommended.

Heard the taped version of UUNSTRUNG HEROES by Franz
Lidz, the author's tale of growing up in what might charitably
be called a dysfunctional family . . . it consisted of him and
his sister, their parents, and their father's four brothers who
played an even more significant role in his upbringing when
his mother died.

If you ever thought your family was strange, wait until you meet
this group of eccentrics . . . for example, one brother thought
Mickey Mantle was out to get him . . . another collected
shoelaces . . . how Lidz, who became a writer for SPORTS
ILLUSTRATED, managed to escape the lunacy is beyond
me.

The fact that he grew up on Long Island, not far from where
I was raised, made the book even more interesting to me . . . that
and the narration by John Turturro . . . the actor's work greatly
aided in my enjoyment of UNSTRUNG HEROES.

This story although sadding at times kept me giggling and laughing at the antics of these uncles based on the real-life uncles of the author. I can see why it was made into a movie--it is a ball of fun and yet heartbreaking in others and down-right silly at times--in the end you come to feel as if you KNOW these men and the rest of the family and you feel slightly sad that more people don't look at the world through their eyes, but instead are so quick to judge those considered "different". I hated to see it end---a great, great story!!!

I could show you a sentence in Unstrung Heroes as elegant in its implications as the binomial theorem, and another as economically sphinx-like as the square root of minus one. The declarative sentence, Franz Lidz makes you suppose, is perhaps a writer's highest achievement.

The author possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic. Very, very funny.

Great children's book. It's a fun way to encourage and read with your child.

This books is wonderful! I am using it in small groups at work and the kids absolutely cannot get enough of this book. I bought all titles in the series! Great for paired reading among siblings, parents and children, and friends!

Our students really love all the books in this series. They frequently choose them to read to each other during free choice time. I would really recommend this book to other teachers as a great source for oral reading practice!

My seven year-old grandson introduced me to Mary Ann Hoberman's work. He loved reading to and with me. I'm a volunteer reading tutor and I use her books to teach first graders to read. They love it.

I highly recommend the books by Mary Ann Hoberman to excited kids about reading.

Judith Hays

I love Mary Anne Hoberman's "The Cozy Book", it is always a great bedtime story. So, when I found this title on Amazon, I couldn't resist. My son is 7 and enjoys reading, so this was perfect for us; he reads to me, I read to him, and we read the last verse together. The stories are cute and short, good if you only have a few minutes at the end of the day. The emphasis on reading is an added bonus.

Yhis book belongs on the bookshelf of all those interested in the early days of psychedelic research and it's social ramifications. One word for it: Excellent!

Can't think of a more informative and interesting way of describing this period of time. I loved this book. Big thanks to the authors!

_Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond_, first published in 1985 and revised in 1992, by journalist and author Martin A. Lee and author Bruce Shlain is a fascinating and wild account of the history of LSD in America. The implications of this journalistic history are startling in that they show the role of the CIA and the government of the United States in creating much of the LSD culture that grew up during the Sixties. I should add that one advantage of this book over Martin A. Lee's other book _The Beast Reawakens_ (1999) is that Lee is able to keep a cool head and write about LSD without lapsing into paroxysms of hysteria as he does when writing about Nazis. This is very fortunate for the reader because it spares us from having to sort through a lot of irrelevant nonsense. The history of LSD in the United States is a fascinating one, and the creation of a drug culture in the Sixties as well as the links between this culture and the hippies, the New Left, and the anti-war movement offers much interesting material. But, lurking behind the whole thing is the nefarious role of the CIA and the government, originally in testing out these drugs in a series of unethical experiments and later in possibly manipulating the very culture that arose from their newfound prevalence itself. This is a fascinating story and one that should be told particularly in light of the complex relationship that has always existed between the drug culture and the state.

The book begins with an Introduction entitled "Whose Worlds Are These?" by Andrei Codrescu. This Introduction lays out the use of LSD as presented in the book both through the experiments of the CIA and as promoted by such figures as Captain Al Hubbard, Aldous Huxley, Timothy Leary, Owsley, Art Kleps, Ken Kesey, and others. The book proper begins with a Prologue in which the authors explain the discovery of LSD-25 by Dr. Albert Hoffman, who was later to give an important speech to psychedelic followers in 1977. This Prologue also details the role of the CIA and through such projects as Operation MK-ULTRA engaged in unethical experimentation with LSD on unwitting participants. The first section of this book is entitled "The Roots of Psychedelia". The first chapter of this section is entitled "In the Beginning There Was Madness . . . " and details the role of the CIA in the unethical use of LSD and later in promoting the LSD subculture. This chapter includes sections entitled "The Truth Seekers", "Enter LSD", "Laboratories of the State", "Midnight Climax", and "The Hallucination Battlefield". This chapter details the role of the CIA in experimenting with LSD through projects such as Operation MK-ULTRA, mentioning such figures as William "Wild Bill" Donovan, Allen Dulles, Dr. Sidney Gottlieb, and the hijinx of George Hunter White. The authors explain how originally the model for LSD was that the drug mimicked psychosis, but that eventually this model was to change. The CIA saw the drug as potentially useful for interrogations and engaged in many experiments on unwitting participants with the drug. The second chapter is entitled "Psychedelic Pioneers" and details how the drug was moved from the CIA clandestine operations to the counter-culture. This chapter includes sections entitled "The Original Captain Trips", "Healing Acid", and "Psychosis or Gnosis?". In particular, this chapter explains how government funded psychiatrists and psychologists came to believe that LSD may have some therapeutic potential thus abandoning the original "psychotomimetic" theory of LSD. The government engaged in much research on this drug, and by taking place in government sponsored experiments as participants, many prominent counter-cultural figures became involved with the drug (as a case in point there is the case of the poet Allen Ginsberg). Some figures came to see LSD as revealing deep secrets and as having a profound effect on human nature leading to the popular perspective that LSD offered a form of "gnosis" thus replacing the government's "psychosis" perspective. The third chapter is entitled "Under the Mushroom, Over the Rainbow" and explains how prominent individuals including Harvard professors (such as Timothy Leary and investment banker R. Gordon Wasson) became involved in the drug counter-culture. This chapter includes sections entitled "Manna From Harvard", "Chemical Crusaders", and "The Crackdown" - showing how the government eventually sought to crack down on LSD use eventually leading to its illegality. The fourth chapter is entitled "Preaching LSD" and discusses for example the hijinx of Timothy Leary (who some maintained was a CIA agent). This chapter includes sections entitled "High Surrealism", "The Psychedelic Manual", and "The Hard Sell". The fifth chapter of this book is entitled "The All-American Trip", detailing the rise of the Merry Pranksters who followed Ken Kesey. This chapter includes sections entitled "The Great Freak Forward" and "Acid and the New Left" - showing the problematic relationship between the LSD counter-culture and the political New Left. The second part of this book is entitled "Acid for the Masses". This part begins with the sixth chapter of this book entitled "From Hip to Hippie" showing how the LSD counter-culture created the emerging phenomenon of the hippie. This chapter includes sections entitled "Before the Deluge", "Politics of the Bummer", and "The First Human Be-In", in particular this chapter discusses how the "bad trip" came to emerge from a cultural matrix in which LSD was regarded as harmful by the establishment but as liberating by the counter-culture, virtually assuring that many would experiment with the drug themselves to find out for themselves the effects. The seventh chapter is entitled "The Capital of Forever" and includes sections entitled "Stone Free" and "The Great Summer Dropout". The eighth chapter is entitled "Peaking in Babylon" and includes sections entitled "A Gathering Storm", "Magical Politics", and "Gotta Revolution". In particular, this chapter shows how the LSD culture emerged in Haight-Ashbury and how it interacted with such other phenomena as the political New Left and the anti-war movement emerging as opposition to the Vietnam War, mentioning such things as the Diggers and the Yippies. In particular, many on the politically reductionistic New Left saw the whole hippie phenomena as an attempt to drop out of politics entirely and thus regarded it negatively. Further, many hippies became easy prey for dangerous psychopaths such as Charles Manson. The ninth chapter is entitled "Season of the Witch" and includes sections entitled "Armed Love", "The Acid Brotherhood", and "Bad Moon Rising". This chapter explains the relationships between the New Left and the anti-war movement forming as a force of opposition to the Vietnam War as well as the continuing and complicated relationship with the hippie culture and the phenomenon of folk music. The tenth chapter is entitled "What a Field Day for the Heat" and includes sections entitled "Prisoner of LSD", "A Bitter Pill", and "The Great LSD Conspiracy", in particular, this chapter maintains that behind the scenes the CIA may have been manipulating the drug counter-culture and may even have seen the Haight-Ashbury district as a social laboratory. The book ends with a Postscript entitled "Acid and After" and an Afterword.

This book offers an interesting study on the Sixties and the drug culture focusing around LSD that emerged out of this decade. In particular, after reading the book, it becomes clear that the hippie movement was easily manipulated by psychopaths such as Charles Manson and larger forces out of their control such as the CIA. Further, the naïve belief of many that LSD would lead to world peace turns out to have only been a passing phase. Another problematic raised by this book is the relationship between LSD use and New Left politics. Unfortunately, the New Left sought to reduce everything to politics so failed to appreciate any sort of development that lay outside of their own political sphere. This book offers a good examination of a troubled era and some of the hopes of people in that era that were ultimately manipulated by larger forces.

Watch Video Here: http://www.amazon.com/review/R2NWFN612DXX3 My video review of Acid Dream. Really great bookAcid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond. ***** 5 stars =)

This book is perfect - It offered everything I was hoping for when I first purchased it. It covered from the end of the 50's and the Beat generation and how their influence lead into the hippie generation, and it ended in the early 70's tying in the beginning of rock and punk. It is a true spectrum of the 1960's counterculture generation.

It's a large book but its facinating to learn about the history and the culture. Like previous reviewers said, it really ties up everyhting and clearly shows the correalation between the drug counterculture and the govn't & society during that time period. I was born in the 80's and this book really showed me alot about the 60's counterculture and the attitudes towards drug use and young people during that time. I can see alot of correalations between that era with Vietnam as the war that they were protesting versus todays war in Iraq and the amount of US citizens that are against it.

The author also goes into government policies at the time and conspiricys and covert CIA and classified documents. I was amazed by the actions of the CIA and thetesting of LSD on unsuspecting American citizens. It is like the stuff movies are made of but it really happened! Truly and amazing and interesting book - I could not put it down. I reccomend it to everyone, regardless of your view on LSD or drug counterculture - a true wealth of information on 1960's America.

Don't get me wrong, I love this dictionary. However, I'm only giving it four stars because Amazon shipped me a "new" copy that actually has several flawed pages. I suspect this is a copy that was supposed to be rejected but somehow slipped through a hole in the quality control and ended up being shipped to me. The defect is annoying and makes me feel like I paid a new price for a damaged product. Otherwise, the defect does not interfere with the use of the dictionary.

I read a review of this dictionary in the Wall Street Journal and(based on the author's opinion)I purchased two copies, one for myself and another for my grandson who is a freshman at a local Jesuit High School. Personally, I believe this dictionary is the most comprehensive one to which I have ever had access.

This dictionary is a gem for use at school, at home, at work. The color plates make this particular dictionary reader-friendly to any age from 12 years and older. The entries are complete enough for use by a sophisticated reader, but yet in language that is understandable to a younger reader. I have used lots of different dictionaries in the classroom over the years, and this one is certainly my favorite.

I haven't yet received this book... that I ordered over a month ago. Any idea what I should do next? Should I order from Amazon.com again?

The book was in "like new" condition as advertised and was shipped and delivered promptly - Good Job!

I,ve tried to propagate plants by cuttings for two years now; all without any success. This book has all the answers to questions I've had and has shown where I've made mistakes. This is the "Bible" of plant propagation...

This book is so easy to use and has very detailed directions! Great book for a beginner and an expert!

Ok for basics but not specific for the varieties of plants for propagation. If you want to learn about root cuttings and division it's good, but don't expect much detail when it comes to specific plants, ie; when to take cuttings or when to divide certain plants for particular varieties. Very basic.

Beautiful color photos and illustrations, sturdy binding and slick paper, expert practical advice, with readily understood and easily adapted procedures for the whole range of plant species. Complements their other larger book on plants.

As a Texas Master Gardener, I bought the book to deepen my knowledge of plant propagation, especially out-of-patent roses. This book has excellent pictures of techniques for alternative propagation methodologies and a extremely wide treatment of many species. I cannot imagine anyone who would need any other book. I've read five other propagation books but this book has it all, written in well thought out descriptions and illustrated with great pictures. Highly recommended!!!

This is just a great book. Being born and raised in a Coal Camp in McDowell County, West Virginia really made me appreciate the descriptive style of writing which captures the true spirit of the "holler." When I finished the book I celebrated by cooking up a big pot of pinto beans and baked a big ol' pan of cornbread. Thank you for such a wonderful book.

"Over the course of my life, I have been lucky in that I have seldom managed to get exactly what I wanted; instead, I have most often been able to grow to appreciate what I got." You find out all the things the author strove for during her youth that never seemed to materialize...except for her studies when she always did well except for a very short period of time.

Linda Scott has told about her life that is most revealing and about a place in Appalachia in Eastern Kentucky that is so well explained that you know exactly what her hometown area looks like and how everyone lived. The twists and turns in her life are like a corkscrew where changes are constant, but purpose remains strong. The author is the most down-to-earth academician I have ever known including my brother who is a retired professor. If you want a marvelous reading experience, then get this book. I guarantee it!

I loved this book. It really tells the story of my people.

I was born in Paintsville (home of Loretta Lynn) and had to move away when I was 4. Reading this book took me back to my Grandma's front porch and the well outside. It reminded me of church outhouses and dinner on the ground. Made me want to throw rocks in the creek off the bridge at Grandma's and walk up to the family graveyard to wonder about my ancestor's lives. If you are from Eastern Kentucky, this book will make you proud to say "warsh" and "tard." If you aren't from there, read it anyway. It might make you appreciate us "hillbillies" a little more.

As a long-time enthusiast of Appalachian literature, I was eagerly aniticipating reading 'Creeker'. Though I didn't care much for the stereotypical title, I thought I would be able to make it past it to enjoy a unique brand of literature.

Boy, was I wrong!

This book typifies the apologist mentality that premeates Appalachia and keeps the ignorant serfs on the proverbial feudal land.

If you're a true fan of Appalachian literature, stick with the true masters, Bobbie Ann Mason and Lee Smith.

A fantastic "second act" by McDonald...if you happen to read this one first I would suggest All Souls as the follow-up. Both are simply fantastic!

I read and highly enjoyed MacDonald's previous autobiographical book, "All Souls", and was interested in his latest book. I was not disappointed. Whereas "All Souls" has more of a focus on the author's family and the events of the 70s and 80s, "Easter Rising" is about specifically how MacDonald was able to pull himself out of the cycle of poverty. Here are some of my own observations.

I found MacDonald's journey into punk music fascinating. After his schizophrenic brother Davey committed suicide, he was looking for a way out of his own world. In punk music, he saw the musicians looking to destroy their world and create something new, and he immediately identified with them, wanting to destroy his own world that suicide and violence had ruined. In addition, I thought it interesting that he learned more about politics and history from the lyrics of punk music than through his classes at Bostin Latin.

MacDonald's journeys to Ireland proved to be cathartic. When he was 19, he traveled to London and Paris and ran out of money. He called his grandfather for money, but he would only give it to him if he promised to visit Ireland and some of his relatives. He hates Ireland at first, but then grew to love it. When he saw his biological father, George Fox, at his funeral, he relates that since his father lived outside of South Boston, he was hoping that he had a connection to the outside world. That's ultimately what he found in his relatives in Ireland.

His journey from the mindset of "South Boston is the whole world" to wanting to get out of there is quite emotional. After the death of Davey, then many other of his family members, he wanted to escape. At first, he would venture into downtown Boston, then New York, then finally out of the country. Growing out of the tribal mindset of his hometown was an important part of his development.

In conclusion, "Easter Rising" is a must-have for anyone who enjoys autobiography and American history. It gives a more intimate portrait of the author than "All Souls" did. One needn't necessarily read "All Souls" before "Easter Rising," but it's helpful. Finally, it's a moving story of personal growth that has a wider appeal than to people from Boston.

So sang Mission of Burma, whose final concert, among so many others in the early 80s, MacDonald attended, as he struggled to break out of his Boston confines. This brisk sequel to "All Souls" (also reviewed by me recently on Amazon) concentrates more on the writer himself, whereas the earlier book explained his family of ten siblings (nine surviving but three to die tragically as young men and a sister in a coma) in South Boston. I found lots that sounded familiar. The tour when he first saw the Clash was the same one I went to, and my first "real" concert too. He conveys the culture clash also, as Mikey Dread's patois reminds Mike of his grandfather's Kerry-accented chatter. He learns about English culture and European ideas through the then small alternative music papers and song lyrics guide him into Camus and Marx. His education, as a dropout from prestigious Boston Latin, takes him into a vividly described underground scene, as the caché of hanging out in clubs and shops leads him into the NYC squats and speed. I'm not sure how or if he manages to attend classes to completion at UMass-- this decision barely gets an aside. Mostly, Mike appears drawn to the same flirtation with the dangers that mark his family and his neighborhood. Finally, the darkness of his own family, after mental illness, bank robbery, and sudden trauma claim his siblings, snaps him back.

However, there's no easy escape from Southie. The narrative tends to jump forward, and without the previous book, you'd have a hard time filling in the gaps. This is my reason for four stars: not that the lacunae are unexplained, but for the skips in the chronology that make it difficult to keep track of what happens when to him over three decades.

Therefore, after Mike's accounts of punk, hanging out, and getting out of the Old Colony before succumbing to it, the story leaps to London, where he sees the sights on the cheap, and then two trips to Ireland. The first is to Donegal, and while the inside dust jacket promises "two healing journeys to Ireland that are unlike anything in Irish American literature," there's only a familiar, if well-observed, story of the strange intimacy many returning Yanks have. The woman who gives you a lift, figures out in her head you're her fourth (or fifth) cousin, then drops you off with a casual farewell as if this proved but an everyday occurrence on a rural back road. The crowds with women who all look like one's grandmother, and the faces that finally mirror your own. The 'green jumper' that all 'big fellas' from America supposedly stand out by as they tramp and gawk among the bemused natives. And, for Mike, the racial undertones that link the Irish to blacks as surely as they have separated them in his hometown.

The coda, as it were, finds himself at thirty-two accompanying his braying Ma as she in her "Irish whisper" plays the accordion to tunes denouncing the Black and Tans and praising the IRA in the streets of London, complains over her headphones about the English, and generally making a spectacle of herself in the manner that readers of "All Souls" will smile at again. Yet, when she sees her father's cottage in Kerry, her son notes her change. Deeper voice, bent back, slower gait. In the ruins of her ancestral house, she finds her mother's cauldron and the shards of what had furnished the cabin. "Standing next to the dusty heap on the floor, I looked at the perfectly preserved picture of the Sacred Family hanging above the fireplace, with a banner that read BLESS THIS HOME. It was the one intact thing in a house that was in ruins. I couldn't take my eyes off it." (241)

As in the first memoir, MacDonald tends to underplay such dramatic moments in favor of unadorned storytelling. I'm not sure if the audience which longs for shamrockery will take to Mike's more sober tales. This narrative moves efficiently, and MacDonald does not call attention to himself or his woe so much as place it in contexts-- of the club scene, of the pub milieu, and of the psychological devastation that takes him in and out of counselling, hospitals and therapy to ease his aching head. These encounters with the academic and then medical establishment do not, as you might expect, pit a rebel hero against an uncaring system in McMurphy vs. The Combine stereotypical countercultural conflict, but Mike learns self-reliance and gradual acceptance of his own power to overcome the demons that attack so many around him.

Somehow, this manages to be one of the few recent books about Irish sold in America that lacks a paean from Frank McCourt, although his brother's quote graced the back hardcover of "All Souls" and may this in paperback. Whereas the first book evidently took time, this one may have been hastened by the four writer's retreats that he acknowledges, and funded by his screenplay for "All Souls" that's been optioned.

I just finished Easter Rising, after disappointingly not hearing about it until very recently. What a gorgeous, powerful book. MacDonald is blunt when he needs to be blunt, and poetically detailed when it is worthwhile to do so, but without ever stumbling into flowery cliche. Everything I appreciate in a great storyteller. He brings you with him to feel the undeniable transcendence of a great punk show, just as he takes you along for that first eye-popping drive across Ireland.

A couple of spots hit me extra-hard. More than any one moment, the part where he met up with friends in line for tickets (Costello, was it?) after a tragedy at home -- that balance, or rather IMbalance, of wanting to tell someone without wanting to say anything, wanting human contact and company without having to explain things. And then to have the horrific near-death of a family member whittled down by friends to another "crazy" episode of life in the MacDonald family -- that really, really struck me. MacDonald does an incredibly adept job of illustrating what it feels like to rotate between leaning on family and leaning on the friends who are LIKE family, often looking to one for solace from the other.

There's this sort of odd juxtaposition in youth countercultures, where for a time, they save us. And then, at one point or another, we face the fact that they can't really save us, because they often aren't all they seem. Or they cease to be what they once were. Or we outgrow them. Or we're leaning on them too hard. Or there are inherent hypocrisies we can't overlook anymore. I don't know. But I know that I really related to MacDonald's love affair and disillusionment with the punk subculture, just as I echo his love and hate for the turbo-Irish enclave each of us grew up in.

And like so many of us, MacDonald loves and hates them like family who drive us up the wall sometimes. We know their flaws, and we know their limitations, but they are who WE are. And I so appreciate MacDonald telling (another) story that explains such complicated things so beautifully.

What's an old guy,72,reading a book abot an bunch of young people growing up in Southie,South Boston,in the 70's and 80's;in an area wracked with drugs,violence and with little else of interest than rock music? I remember the days when School Busing as a form of Intregation was creating great upheaval in America and much of the news about difficulties seemed to come our of South Boston. I had never read much about Southie;so thought that it might be of interest as I have read much about the struggles of ethnic groups making their way in America.Most cities have had ,and still do,their areas where people ended up ,who lived outside the "mainstream",and had to do whatever it took ,just to survive...but survive they did!
I must admit,I found the book a little outside my interest in music , performers ,songs and band names;but it still held my interest and I found it better and better as I continued.By the time I finished,I felt it was one of the better books that I had ever read on the life,struggle and success of someone who overcame obstacles and an enviroment that to someone like myself would find totally discouraging. What a training ground,and anyone who managed to survive had to be remarkably strong. It shows that for anyone to survive and succeed,inner strengths,family ,determination,and taking on responsibility for oneself are the roads to success and not the reliance on government programs and social agencies.
When you see what the author did to make a success out of what he had to start with ;anyone else who finds themselves in similar enviroment should ask themselves; "So,What's my problem?
I found the author to be a great new,for me, addition to my list of favorite "Irish" writers and I have now put him in the company of my favorites; the McCourts,Roddy Doyle,Brendan Behan,Liam O'Flaherty,Toby Harnden,Brendan O'Carroll,Morgan Llywelyn,Pete Hamill,and many others.
Particularly,when the author arrives in Ireland,and he gets to meet the locals and observe the Irish culture;it seems that great gift of writing really blossoms.The way he can write about people,and especially how he can bring that wonderful mother to life in his writing shows,without any doubt, that he is a "gifted Irish Writer" .That seems to be a skill one has to be born with and it has been a fundamental ingredient of Irish culture sice the beginning;where communication was done by storytelling as opposed to writing.
How's this for observing and writing for which the Irish are so good at?

"And when she came back to the silence of Danny's grave,she carried on in a great mood about what a beautiful spot it was.Then she did what she'd told Buddy she would do,pulling the accordian onto one raised knee and breaking into "Danny Boy".
This opened every water faucet that had been closed so tightly that evening.Hannah,Mikey,and Catherine stood frozen,staring at the gravestone with hands folded,their tears falling in steady streams.I was terrified,the way I always was when Ma opened people's faucets.I wasn't sure if Ma was being appropriate,since I didn't know Danny's family at all well. Buddy had requested the playing,but I figured Ma ould do it when we were at he grave alone. Ma's red hair flew in all directions with the wind,exposing gray streaks at her temples,which I was seeing for the first time.She struggled to hold up the heavy accordian while standing,raising one thigh to prop it,and was soon balancing the whole spectacle on one foot. It was just past twilight,the sky was a deep dark blue,and the white stone of the religious statues shone out against the the backdrop of evening. Saint Patrick leading the snakes out of Ireland,the three children of Fatima kneeling in front of a serene Mary,Jesus' crucified body floating above us,his wooden cross invisible in the night.
Ma wailed the verses and settled down to a lullaby for the last line,
"I simply sleep in peace until you come to me."
We stood quietly for a few moments. I wasn't sure we'd be welcomed back at the Riordan's that night. Catherine broke the long,uncomfortable silence by soaking us all in a parting spray of holy water.Then she doused the grave.And we all went back to the cars in what seemed like a sudden descent of pitch darkness."
I can't wait to read more from this wonderful author.Keep it up Michael,you're really gifted.

I love it. This is by far my favorite Ms. Beverly contemporary novel. I adore the characters, i.e. Sarita, Mykal, Saint, Walter, and the folks from the center. The story is very realistic. It is a great read and relief from the history oriented books I read. If every sistah could have a man like Mykal nem. The world would be so much more beautiful.

I have read all of Beverly Jenkins' books that I can find, the historical as well as the drama. She is an awesome writer and keeps you in suspense. Her plots are well thought out and well written. Her love scenes are tender and erotic. I am going to ensure that my granddaughter reads all of her books so she will know how a man should treat a woman. How a black man should treat a woman. She is great. I can't wait for more of her books.

This book had my heart racing. Sarita is a very strong, compassionate, stubborn, plainspoken, and driven woman. She is the epitome of a strong black woman. She and Mykal are perfect for each other. What a man, what a man that Mykal is. All I can do is *sigh.* When they are together, it's like the sun meeting the sky, very intense and beautiful. Read this book and you will see a very powerful suspenseful love story unfold.

Man I wish I read this trilogy in order. Anyway I enjoyed this novel alot although the storyline didn't have the fast-paced, edge of your seat excitement that "Dawn" had. Here's another woman that's strong, independent and full of class and here's a man that's arrogant, bossy, kinda full of himself..and they make a dynamite couple. There were two incidents in the story that made laugh out loud: the part where Mykal threw Sarita over his shoulder while she was kicking and screaming and smacked her on the behind all while the members of NIA watched, then further along in the story Mykal took Sarita shopping at an upscale mall for lingerie but she wanted to go to Sears instead. The secondary characters were interesting and fun and at the end of the book where Mykal's grandmother makes an appearance was endearing. Well, two super fine (half) brothers down (Mykal & Saint) one more to go (Drake).

I can't help it. I love Beverly Jenkins. She truly knows how to write. Whether it's historical romance or contemporary romance she knows how to tell a story. I can't say enough about her. She's awesome. I love how she ties in her historical characters to the present characters, that makes it even better to me. I have almost all of her books and I love them all. Keep it up Beverly.

If you are a relatively new and inexperienced reader of American history, especially of the 20th century, this is the one book you should read as a foundation. The book's contents are accurate, the style is readable and entertaining, the perspective is unusually unbiased compared to current history writers. It's what a good history book should be.

Most compelling to me as someone born in the 1950s is the incredible sense of context the book delivers. Born after World War II, I was living through events in the 1960s and 1970s that seemed crazy until I read this book and found how much of that present flowed out of the past described in Manchester's book. For a young reader of today (circa 2000), the book still provides a strong foundation for current events. While history doesn't repeat itself, as Mark Twain is alleged to have noted, history rhymes. With this book, younger or inexperienced readers will begin to hear the rhymes and perhaps draw the reasons for why things are happening as they are today.

This is one of the best history books I've read in a 50 year reading life (so far!). It is impeccable in its scholarship, but accessible and enjoyable in its style. Everyone living today should read this book. It would give us a common ground to disagree from!

The Glory and the Dream is a two volume set of over 1600 pages. Mr. Manchester calls it a narrative history of America. It covers the years from 1932 to 1972. And I mean "covers". There are 37 chapters, almost one for each year.
These two volumes, as with all history books, contain a wealth of information, but Mr. Manchester's books seem to contain more information, if that is possible, than other history books. He is overwhelming.
Every time I pick up one of his books I end up re-reading the whole thing. And for some reason the man's style is always able to keep my interest. His feelings and intensity come through and not necessarily with his prejudices attached. He is just a good writer, plain and simple.
This set begins in the year 1932 with the Bonus Army marching on Washington D.C. It is a fascinating and tragic tale.
The year 1932 was "rock bottom" for America and the Great Depression.
When I picked up this first volume I thought it was the most radical thing that I had ever read. I thought that the book contained every corruptible thing about America that had ever been written. But now I realize it is, more or less, plain old American History. Since that time I have read more and more corruptible things.
I think reading William Manchester's account of things is what set me off on reading history.
William was a marine and served in the Pacific in W.W.II. He refused to become an officer - which has to say something for his character.
His style makes reading a learning history a pleasure.

This is the book I recommend to people who say that they hate History as a subject. When I was reading Manchester's account in the beginning of the book about the Bonus Marchers in 1932, I could feel the heat and humidity of pre-war and un-airconditioned Washington D.C. And Manchester conveyed the suffering of these veterans and their desperation in clear and concise language. I don't think that any historian has written about the Depression in as moving and compelling a manner as he does. And this is only the begining of the book. There's more great passages in his description of the home front during WWII. He recounts forgotten stories such as the "I want to go home" riots by GI's at the end of the war in Europe.

I disagree with one earlier reviewer who thought that a weakness in the book was Manchester's alleged liberal bias. In fact, his account of the Alger Hiss affair is unabashed in showing Hiss's guilt and in highlighting Nixon's diligence in pursuing the truth.

I completely wore out the copy I bought back in 1980. I first read it in the hospital when I was recovering from elective surgery. I was so ensconsed in it that I finished it during my three day stay.

William Manchester (1922-2004) provides a highly readable look at the USA from 1932-1972. This gripping narrative is written in the style of general history, yet readers come away with a profuond understanding of the times and events. The narrative begins with the nation in the depths of the Great Depression, with millions hungry, homeless, riding the rails, and looking for jobs that didn't exist. Enter Franklin D. Roosevelt and the New Deal, which greatly improved conditions. Then what followed was the Second World War, the post war boom, McCarthyism, Civil Rights, Vietnam, etc. The author does more than merely describe events and major personalities; he captures the feel of the various decades, looking at social conventions and changing mores over this 40-year period. Manchester even includes vignettes of major figures like Walter Reuther, Eleanor Roosevelt, Marilyn Monroe, etc. This is a superbly readable and slightly liberal two-volume narrative about the USA from the Depression to the end of Vietnam.

William Manchester bookends this sprawling, epic US history with two protests in the heart of Washington. He opens in 1930 at the rise of the Great Depression, with veterans across from the White House coldly shunned by President Herbert Hoover when asking for advance relief from the Great Depression, then brutally attacked by troops and national guardsmen led by Douglas MacArthur. He concludes with President Richard Nixon's second inaugural in 1973 at Watergate's rising, Vietnam demonstrators audible blocks away amidst calls for national unity and self-reliance.

In between, across 1300 pages, (excluding index and exhaustive bibliography) "The Glory and the Dream" chronicles the American Century's meatiest, most eventful years (1932-72). Manchester details a diary for and about what he called the "swing generation" but whom ex-NBC-TV anchorman Tom Brokaw (who cited Manchester as an influence) christened "the Greatest Generation."

These men and women endured and thrived through what, against Manchester's narrative, seemed (except for the relatively tranquil late 1950s) a non-stop whirlwind of hardship. Painting in broad strokes by economic numbers Manchester reveals compelling pictures of the Depression, bank and crop failures, Franklin Roosevelt's election and the New Deal, World War II, and the Korean and Cold Wars. He also includes near month by month chronicles and analysis on America's roots and involvement in the Vietnam War and Watergate, which takes up most of the book's final third. And of course, he addresses the still-shocking days of rage, murder, and decaying social fabric in the late 1960s.

Manchester's storytelling is expertly paced, foreshadowing careers of 20th century icons like Nixon, JFK, Marilyn Monroe and even the Edsel. He traces their steps to the national stage and devotes personal "Portrait of An American" sections to many (including Dr. Benjamin Spock, Edward R Murrow, and Ralph Nader). He does this deftly balancing international, social, and economic views of day to day life, worked, and socialized, even addressing political and social extremists (50s beatniks, 60s hippies, John Birchers). Isolationist vs. internationalist foreign policy views, themes as recent as last month's Iraq election, pops up throughout the book; virulent opposition to FDR's war mobilization leads to the opposition to the Truman Doctrine and Marshall Plan. Vietnam's civil war slowly creeps across several administrations beginning with Dwight Eisenhower's, reaching the heart of American experience as the decade and book close.

Anyone knowing or having lived through part of the last half-century can reference America's seismic events at a high level. To Manchester's credit he reached deeper into the causes behind pop culture and historical touchstones like Nixon's "Checkers" speech, 1968's Vietnam My Lai massacre, the oft-overlooked 1936 hurricane crushing New England (and ineffective warnings against it), and Japan's 1937 sinking of the USS Panay which foreshadowed Pearl Harbor. He draws dimensional character studies amidst the era's scandals (the fall of Eisenhower right hand man Sherman Adams as one example). He allows you to understand personalities and issues behind history's strongest feuds: President Harry Truman against union leader John Lewis (or MacArthur, or Joseph McCarthy...), between Southern governors and other leadership against Dr. Martin Luther King, the Freedom Riders, the Kennedy administration, and finally against the Black Panthers' vicious 1960s anarchy. Finally, he chronicles the "silent majority" generation gap between Nixon/Agnew's divisive, reactionary leadership team and a generation's angry youth.

Before his death last year, Manchester wrote whole volumes on major figures included here (Winston Churchill, MacArthur, JFK). But given the relatively short time each is presented (except for FDR, who dominates the book's first half ), Manchester masterfully retells individual personal style, social time, major accomplishments, blunders, and closure to their lives and histories. "The Glory and the Dream" is filled with protests after violent counter protests (which Manchester respects even when he does not agree), well-drawn, memorable characters more remarkable for being real life characters, and insightful side comments on issues like the role of the vice-presidency and American tolerance of dissent.

At its publication, Manchester himself called "The Glory and the Dream" the culmination of his career, and for once it was not hyperbole. Anyone wishing to understand American character must start here; "The Glory and the Dream" is the finest history-based book I've ever read, and one of the finest in any genre.
Absolutely essential.

Great read. Unlikely twist in the end. Crazy Aunt Viv is a hoot.

I LOVE this series. Each one just gets better than the next. And talk about grabbing you from page one! Abby and Dutch have just "broken up", and on Valentine's Day no less, when she gets a call from her childhood friend Ellie, asking her to be a stand in bridesmaid for her wedding at the end of the week. So in order to get out of Dodge, and away from Dutch, Abby agrees to go to Colorado to be in the wedding to cover for the missing bridesmaid. But did she leave on her own or did she have "help"? Then more bridesmaid start disappearing. What can Abby do excpet help of course! Abby begins to help the police - and former crush Duffy, find the missing bridesmaids and who is responsible for their disappearnce. For me, at least, the culprit was easy to figure out, but that didn't stop me from finishing this book in just a few short hours. I can't wait to read the rest of this series. A+

Me, being a teen, am a big reader. This book is really good. It has good characters to hear about and it truly made me want to stay up all night just to read it.

It has everything a cozy should be:fun characters, interesting slueth, romance, a bit of psychic powers and a good mystery. I am more than halfway done with the book and love it so much I wanted to order all of the books in the series. I was very disappointed to find out that this is the only one in the Kindle format. I went to the authors website only to find that there was no contact information. It is a real shame because I was willing to buy all of the books.

This is a really fun and fast read. I think I know who did it but not sure. I love it when the author does not make it easy for the reader to figure out who done it, but gives clues. I hope more of this series becomes available in the kindle addition.

This is the fourth book in the Psychic Eye series, but the first one that I have read in the series. I picked it up at Half Price Books where they did not have the first one in stock...
The main character is a professional psychic named Abby, and in this book she breaks up with her commitment-phobic FBI boyfriend and catches a plane to be a last-minute bridesmaid in her childhood best friend's wedding. When she arrives, she reconnects with the bride's brother Duffy, and although I don't like romance in mysteries, they make a great couple. Shortly after, she discovers through her spiritual "crew" that the missing bridesmaid is dead. She can tell by looking at a picture; the dead are always flat and lifeless. Then another bridemaid goes missing. The great thing about this book is how she goes back to where she grew up, the family that raised her -which is the bride's family - and and no one questions her psychic ability. The book is well written and pulls you into the story instantly. I was really enjoying the story until the end, where it prompty did an about-face and wrapped up very strangely. For example:
1. She breaks up with her ex after he asks for time apart on Valentines Day, gives her the worst gift ever - a phone with a gps locator and one year paid bill that he got for FREE with HIS new phone. Good riddance right?
2. After meeting a great guy who actually respects her, they become so close that after staying with him, she decides to move to Colorado where he lives - HOWEVER -in the last few pages of the book, she gets shot and accidently speed dials her ex who flies in to be with her in the hospital and they instantly get back together. She gets a dying vision of a girl and Duffy, who turns out to be her doctor in the hospital and decides they're meant to be. She leaves her new boyfriend, the family that raised her, and goes back to her old life with no friends, no family, and her old boyfriend.
Until page 262, I had decided to pick up the next book in the series, and most likely read the first three books as well. The ending was completely out of character with the rest of the book, ruined the story of her starting over a new life, and completely dismissed the chemistry she had with her new love interest. Almost as if another author had taken over and finished the story in a hurry for an upcoming deadline. VERY disappointing. I am done with this series. That said, the quality of story-telling is good enough for me to check out the authors NEW paranormal series Ghost Buster, starring another psychic named MJ.