Mexico Books

I purchased this book in Carmel, California. We then moved to Florida and my sons rabbit basically ate the book. I was so upset and thought I would not be able to replace it. I found it on Amazon and purchased it. Of course it was used because you cannot buy it new, but it was in great condition. I collect these types of books and would have been heartbroken if I could not replace it. Thanks Amazon!!

"Earth was used to create farmhouses in France, cottages in England, castles in Germany, and missions in California and Arizona. Eighteenth- and nineteenth-century adobe buildings still stand today in New York, Boston, Virginia, and South Carolina." ~ pg. 35

The cover picture is a picture of Mision de Sol, a resort and spa with vibrant colors, dramatic waterfalls and beautiful adobe walls. Throughout the pages we are introduced to textures, interiors, surroundings, traditional adobes, modern adobes, adobe escapes and building materials needed to create a rugged home with romantic appeal.

The decorative iron sconces with glowing candles are inspiring and the use of reflective pools and lush plantings adds artistic appeal. I loved the bookshelves in a room with a chandelier, table with a vase of lilies and rough terra tiled floor covered with a beautifully textured red carpet.

~The Rebecca Review

Casa Adobe depicts homes, haciendas and holiday getaways that have blended handcrafted details, natural materials, and cross-cultural furnishings to express the elegant simplicity of adobe homes, from their humble beginnings to their current renaissance.
--Natural Home Magazine, December 2001

Casa Adobe is a terrific source book for those contemplating living in an adobe or any other earthen style home. Photographs with informaive descriptions tease the casual reader, while those already familiar with Mexico, Arizona, and the Southwest immediately jump head first into the well-written, beautifully illustrated text. Joe P. Carr and Karen Witynski take you to Sante Fe and the surrounding areas with early photographs of adobe structures. Then you are taken to country and contempory homes and structures that best reflect what Casa Adobe is all about. The last chapter of the book is especially helpful foranyone interested in adobe, stucco, or rammed earth homes. It gives sources and individuals to contact as well as galleries and suppliers. My next purchas will be Casa Yucatan, written and photographed by the same collaborative authors.

Many people find the lines and textures of an adobe building at once seductive and compelling. This book is all about the unique aesthetic of houses made of mud. Third in a series of four books on popular residential design in Mexico and the Southwest, this book contains photos of spectacular adobe homes, inside and out, in New Mexico, Arizona, Texas and various places in Mexico.

The book documents the evolution of adobe from its historic past to its most modern applications, including interior details and architectural elements. The authors chose well the buildings they use as examples for their premise that "adobe is an old tradition with a new future," the recurring theme of the book.
--New Mexico Magazine, May 2002

This book, though not my favorite of the series, is a good conclusion to Josefina's and her family's story. The six books in this series deal (among other topics) with the family's grief after the death of their mother. In this book, the family has 'closure.' While they still miss and love their mother, they are all ready to move on to happier times. This book will be best understood if some or all of the books in the series are read first.

The books are organized into life phases and seasons, and this book is a good read about a girl growing up in the southwest.

This is another one in the American Girls series about Josefina Montoya, a ten-year-old girl living in the New Mexico of 1824 (actually January of 1825). In this book, the Christmas season ends with a successful party. However, just as the new year begins with a high note, Josefina feels the world pulled out from under her when her aunt Dolores announces that she is leaving the rancho and returning to Santa Fe. They are happier with Tia Dolores living with them, and they know that their father is. And so, the sisters begin their scheming...

The final chapter of this wonderful book is a highly informative look at the changes New Mexico experienced as it changed over the years. I must also mention that Jean-Paul Tibbles' lovely illustrations are an excellent addition to the story.

This final book in the Josefina story is every bit as wonderful as the first one, and definitely maintains the American Girls' tradition of excellence. The story is exciting and entertaining, and I especially liked how the author wove Josefina's faith into it, making it appear the natural part of her life that it would have been. My daughter and I loved this book, and we both recommend it to you and your daughter.

About a girl named Josefina who lives in 1824. She is Mexican and lives on a ranch with her dad and sisters and aunt. Her mom died two years ago. Her aunt who she calls Tia Dolores is going to leave and Josefina wants her to stay. Will her daring plan work?

Josefina Montoya and her three older sisters are shocked when Tia Dolores, their aunt who came to help out the family after their mother died, is leaving the Montoya rancho to go live with her parents in Santa Fe. Josefina and her sisters know Tia Dolores belongs with them - but all their plans seem to make things worse, until Josefina finds the courage to speak up to her father, bringing changes for the whole family.

The photographs in this book work as both documentary on the state of the Maya in Chiapas and as pieces of art. Turok's visions are sensitive and understanding. One gets a sense of both place and people.

A marvelous visual "walk" through contemporary Chiapas. Antonio Turok's sentiments are palpable in his pictures. A 'must-have' book for those interested in modern Mexico and, particularly, Chiapas.

I went to school with Tony. He was never without his camera throughout high school. He is able to capture the "moment" through his photographs in this book. He is a truly gifted artist.

Antonio Turok prints in black and white all the shades of grey that he has seen in the last 25 years in Chiapas. A brilliamt photographer, madly funny with a wide eyed fasination with Maya culture and an unblinking witness to political tradgedies, this book will give you the clearest vision of Chiapas behind the news.

A marvelous visual "walk" through contemporary Chiapas. Antonio Turok's sentiments are palpable in his pictures. A 'must-have' book for those interested in modern Mexico and, particularly, Chiapas.

I loved this book. It is a terrific introduction to the Spanish Conquest. I now live in the West, but was raised in the East. It's true - the winners get to write history. I never knew much about Coronado or the Spanish in shaping our country, but Coronado was here in what is now the US long before Jamestown or Plymouth Rock. Preston moves back in forth between the history of the Southwest and his experience retracing Coronado's trail in the present. He was both incredibly foolish to make the trip and incredibly lucky to have survived it. It is a fascinating book.

I picked up the hardcover version of Cities of Gold on a whim, only to discover it is a true treasure. This book opens the door onto a piece of history you only thought you learned in junior high school, painting it with a rich description of the desert Southwest and its past and present inhabitants and explorers. Doug Preston's ill-conceived and incredibly fortunate adventure provides the backdrop for a rich tapestry, weaving together the history of the environment, peoples, and attitudes of the region. It's an absolutely fascinating portrait of what it must have been like to explore one of the most forbidding landscapes in North America. Although Coronado never found the gold he was searching for, his journey, and Doug Preston's retracing and retelling of it, are now our bonanza.

This is a book that keeps your attention.. a present-day journey of the unexpected...just as Coronado's excursion was only 5 centuries ago. I learned more about Arizona's early early history (even before it was Arizona) and more recent history than I ever knew. I believe students here in Arizona should be required to read it! Not necessarily as the bible of truth, but it would go a loooong way towards putting their own homeland in perspective.

I give my dog-eared copy to friends and acquaintances from "back East"...they read it before they visit, and immediately have a context for their visit and what they see here.

I sometimes watch the sunset over the Sierra Madres from a quiet peak near the border that is part of the Coronado National Monument. It's impossible to see any signs of civilization there in the southern panorama...easier to imagine Coronado's entry ...with the help of this book.

That dreaded day will soon be here -- when I' done with this book! I have loved it from page 1 to now, almost 400 pages later. Things I will keep from riding along with Mr. Preston: the incredible amount of research done around the multitude of places, people and events. The masterful retelling of all of the above. The intricate inter-weaving of past and present, and how 'the twain always meet'. Would have been appreciated: some of Walter's photographs as illustrations. Reading this book makes me yearn for the next Douglas Preston, and many more with the same combination of author/place/subject. Thanks, Douglas!

Fantastic use of history and modern day adventure. History written as it happens. Similar to Michener in the range of history covered, but done in a way that brings it more to life. Highly recommended.

I used this guide for a recent visit to Santa Fe, the most interesting and artsy/craftsy city of 60,000 people in the U.S. The photography and the maps in the guide are outstanding. Hotels and restaurants are described in helpful and interesting detail. The guide covers not only Santa Fe but also a good sized chunk of surrounding territory, including Taos, smaller and even more literary and artistic than Santa Fe; the atomic city of Los Alamos; scenic, old Hispanic mountain towns; and even Chaco Canyon, the prehistoric ruin hidden in the desert now inhabited by the Navajo.

Nearby Albuquerque, however, is not covered in the book -- an omission that probably should be remedied as Albuquerque has attractions of its own -- excellent museums and a walk through the bosques of the Rio Grande, for example. Nor did I find directions to the grave of author D.H. Lawrence near Taos so I made my way there unguided. Another criticism is that the author's brief essays about Chaco Canyon and Taos' most famous resident, Kit Carson, were eccentric and perhaps not to the point.

The Indian/Hispanic/Anglo culture of New Mexico is probably the most unique and colorful regional culture of the United States and is celebrated in enough art galleries and literature to last a lifetime. My favorite places to visit: a tie between the Bradbury Museum of Science in Los Alamos, which has a mock-up of the first atomic bomb, and remote Chaco Canyon. All in all, this is an attractive and reliable guide to the attractions of Santa Fe and its region.

Smallchief

I am going to visit Santa Fe for a few days and to do a job interview there. I wanted a book that would give me all the information I needed about Santa Fe and the surroundings so that I could come up with a list of places I wanted to visit, restaurants I wanted to eat at, and so on. I definitely recommend this book for those who want to be able to have a clear picture of where they want to go once they reach Santa Fe!

I love Santa Fe and have been there numerous times. I'm always looking for new aspects of the city to see. I like this guide book because it is not mearly a list of places to stay and eat. I agree with the places recommended as some of the highlights of the city. I look forward to my next trip to enjoy some of the new things I've read to do in Santa Fe and the surrounding areas.

We just got back from Santa Fe. This book was wonderful! It has history, what to see (museums, ruins, architecture), where to eat (an interesting list -- we didn't particularly use it because we had personal referrals). It had great tips -- like buy the 5-museum pass for slightly more than a one-museum, one-day pass. I was very pleased I'd read it BEFORE I went and it was very useful while we were there.

We found this book to be very, very informative on where to go in Santa Fe as well as fun side trips complete with a "how to find the onion lady" on the road from Taos. Fabulous photography. Great historical and cultural detail as well. Highly recommend the Compass American Guides.

I have had this book sitting around for awhile, and finally tried it. I'm a vegetarian, and this book is more meat oriented. I tried a couple of the recipes, inlcuding the tamales. Those were the best tamales I have ever eaten. Even better than Richard's in Albuquerque. The Coyote Cafe is hands down my favorite restaurant, and this book is definitely representative of the food from there. I highly recommend it.

My father and I have been making the carnitas tamales with the Manchamantel Sauce for years for Christmas, and I have yet to have served them to someone who did not say that they were the best tamales they had ever eaten... The rest of the recipes in this book are also delicious... I highly recommend this book to anyone who loves southwestern cuisine!

Truly a spectacular cookbook, Mark Miller has recipes that will delight the senses and make you a hero at any dinner party. The ingredient combinations play off of each other and offer unique twists on traditional southwestern cooking. As one very familar with the southwest and it's cuisine, this book ranks as enticing and innovative. The recipes are foolproof and easy to follow, but you will need to adhere to the fresh ingredients rule-- no canned black beans, or frozen corn for these recipes, stick with fresh and you can not fail. Unlike some other cookbooks that feature regional cuisine, Coyote Cafe includes complete recipes that you do not need to tinker with and that are tested. So go ahead cook with Miller and howl at the moon!

I had to finally find out about the recipes from this well known author and his book, restaurant and more. Solid and innovative recipes, well written it won't take you long to find some new recipes. I have just begun to look through and try some. Try some mexican southwestern food that is different and not a lot of mus and fuss.This book is a winner.

This is a wonderful collection of great southwestern recipes that work. The author Mark Miller has introduced Cajun and Creole elements into many of his recipes making them unique without sacrificing the southwestern charachter of the dishes presented. Each and every dish is definately worthy of calling itself southwestern.

Definately comprehensive this book covers with a plethora of recipes in 10 chapters anything you may be looking for to fill your southwestern Table. The chapters covered are: cocktails, salsas, sauces and soups, appetizers and salads, Tamales, seafood and fish, game and fowl, meat, desserts and breads and what the author refers to as his bag of tricks which is an assortment of staple dishes that you will find in just about any tex-mex restaurant.

Particularly useful to me I found the Tamales chapter which apart from some basic principles on preparing tamales, includes 16 different recipes.

On the negative side, I found the book very difficult to use as the print of the recipes is extremely small. As I am over 40 and my eyesight is not what it was 20 years ago, I have had to scan and enlarge the recipes that I have used in order to use them. Other than that this is a good buy and a good addition to your cookbook library!

Ours is a mixedblood family of Choctaw/Chickasaw and African American blood so we've gone out of our way to raise our children with books about both cultures and found a gem in Crossing Bok Chitto. My daughter so loved the book that she read it all over the house after we read it together. My twelve year old picked it up out of curiosity and enjoyed it as well. My daughter now wants to go to Philadelphia, Mississippi to see Bok Chitto herself!

This story is ideal for teachers to use when covering The Underground Railroad with their students. The illustrations throw the reader back to a time when Native Americans and African Americans worked together to achieve freedom and independence. Students will enjoy the simple plot; and teachers will appreciate this rich piece of literature that can help them discuss a rather difficult topic--that of slavery and escape to freedom.

An excellent tale of friendship and compassion between enslaved Africans and oppressed Native Americans. It is sure to spark interest and research on how they worked together to help one another during the time of American slavery.

I am a little biased, since I have met the author and heard him recite this story in a storytelling gathering, but the story is awesome. It is moving, relevant and I would like everyone I know to hear this story of sacrifice, friendship and courage. The peaceful and courageous ways of native Americans is shown well in the story of a brave child and her family who think nothing to risk their own lives for an African American family whose mother is slated to be sold into slavery. It gives me chills every time I hear it or read it. An all time favorite of mine and is for all ages.

Crossing Bok Chitto: A Choctaw Tale Of Friendship And Freedom, by Tim Tingle and featuring illustrations by Jeanne Rorex Bridges is the inspiring tale of Martha Tom, a young Choctaw girl. Following Martha Tom through her pursuit of blackberries in the deep forest, Crossing Bok Chitto will captivate young readers with vivid and colorful pictures as the young Native American girl stumbles upon a forbidden slave church and befriends one of its members. A welcome addition to school and community library picturebook collections, Crossing Bok Chitto is very highly recommended for all young readers as a celebration of diversity, acceptance, and unity in a remarkable production of expert authorship and invaluable illustrations.

In meticulously chronicling US/German relations before the Great War, Mitchell has managed to reveal that there never was any German designs on the Americas, and that she was used as a bogeyman and cover for US imperialism under the guise of the Monroe Doctrine. She also exposes the innate anti German bias of the Fifth Estate, as well as the perfidy and treachery of the British in sowing/fanning the flames of US hatred for Germany, while appeasing the US by bending over backwards, in Venezuela, Mexico and Panama

Actually what was most interesting was the last pages when Mitchell cursorilly mentioned the blatant land grabs, occupations and annexations in Carribean and South America in 1915 and thereafter by that hypocritical, amoral imperialist, Wilson once the Euroepean Powers were heavily engaged in mortal combat, all under the name of protecting freedom, democracy and human rights (sound familiar?).

Prof. Mitchell has written a very good, well-paced and well-argued treatise on a particular situation (German-American relations vis-a-vis Latin America at the turn of the last century), that is relevant to broader, more current issues. American exceptionalism has always required demonization of a perceived villain or adversary, the Devil if you will, in order to mask our neo-imperialist ambitions. As Mitchell argues in her concluding chapter, Imperial Germany and its bombastic monarch made convenient demons to suit the ambitions or moods of particular institutions, such as the Navy or the yellow press, and even Woodrow Wilson conjured up the Teutonic bogeyman when it suited him.
In reality, the central theme of her book is of inconsequential historical significance, since the German dog had no bite to support its shrill bark (as one German wag deftly remarked.)There simply never was any credible German threat to American security or even the ambiguous Monroe Doctrine to worry about. But what is more relevant today is how perception can be manipulated to justify imperialism in the guise of some nobler ideal. If you need any modern evidence of this proclivity of ambitious politicians, look at the Iraqi Tar Baby and the President that's struggling to break free of it today.
This book is a must-read for any serious student of international relations, especially of the tense situation prior to WW One.

This is a splendid book. It is extremely well researched, yet it reads like a novel, because the author writes so well. It illuminates US-German relations in the 1890-1914 period, as well as US and German policies toward Latin America in those years, providing a subtle and nuanced interpretation that is based on an impressive amount of evidence culled from the US, British and German archives. And, again, it combines the rigor of a superb historian with the grace of a first-class novelist.

A superb read. If I were a dog, I would be salivating.

I re-read this book recently, which allowed me to place it on my list of books worthy of review. To begin, Dr. Nancy Mitchell is an outstanding professor. Having sat in her classroom several years ago as a graduate student, I can now look back and add that she is one of the best teachers I've ever had.

The Danger of Dreams is exceptional because it is timeless. In the early twentieth-century, there was a political game being played between the US and Germany; but, as Dr. Mitchell clearly demonstrates through careful research, "the uncertainty of it all, of perception and reality," allowed policy makers to distort and twist perception until it could become reality. In this case, it was the dreams of a kaiser versus the ambition and intent of a rising power.

As a history book, Mitchell stepped to the plate and knocked the ball out of the park. She writes like she teaches (grabbing your attention and pulling you in), using such a wide range of sources that any student of history will be both envious and enlightened. As a careful analysis of diplomacy and policy making, she has added a great volume to the shelves of political scientists as well. For those who read purely for pleasure, here too she rounds the bases because this book is a great story and it is exceptionally told.

In the games that nations play, "perhaps there is a constant ratio of power to sense of threat," and perhaps there are some powerful and very modern lessons here. Perception is reality, isn't it?

Major Allen C. Boothby, Jr.
Infantry Officer
US Marine Corps

This is a splendid book. It is extremely well researched, yet it reads like a novel, because the author writes so well. It illuminates US-German relations in the 1890-1914 period, as well as US and German policies toward Latin America in those years, providing a subtle and nuanced interpretation that is based on an impressive amount of evidence culled from the US, British and German archives. And, again, it combines the rigor of a superb historian with the grace of a first-class novelist.

A fascinating introspective look into the mind of one of the great American photographers of the beginning of the 20th century, Edward Weston. With his intricate, yet simple, and sometimes abstract images, Weston created a world of his own together with his "one true love," his camera. By evidently pouring his soul into every entry of his daybooks, Weston makes the reader gain a greater understanding of his technique and extraordinary eye for beauty. The chronological organization of entries takes the reader from Weston's days in Mexico through his days in California.
Not only writing about photography, Weston describes his many acquaintances (his encounters with Stieglits are most interesting), his dinner parties, his adventures in a foreign land, his romantic dealings, etc. It was interesting to read of his take on Mexico of the 1920's. Also interesting is the glimpse into the life of a struggling artist who depends of every "sitting" to survive...the life of a true artist. The pairing up of his writings with sporadic clusters of his wonderful photographs enhanced and completed this Weston experience. Alltoghether a fascinating compilation of thought, highly recommendable.

I can tell that this was a really interesting book. After reading it front to back more than once, I now have a new outlook on Edward and his work. I finally understand what he was trying to convey though his images thanks to this book. Edward Weston had a fascinating life especially with all who he encountered. This is a must read if you are an artist, photographer or not!

This book stands alone in the annals of art history. No other book gives such an intimate view into the day-to-day trials of a working artist. Weston, who from time to time fostered ambitions of becoming a writer, genrously shares his thoughts and his experiences over a 15 year period, culminating in a remarkable portrait of the artist as a human being. While literary critics may have occasion to fault his prose, which at times seems flowery and verbose, given his Victorian-age education this can be forgiven of him. Weston takes us through his decision to leave his family and travel to Mexico, where he chronicles not only his own work, but that of other artists. He writes of the bullfights, love affairs, the scenery, and of the many unforgettable characters he met along the way. Weston moved in many circles, and thoroughly enjoyed himself, whether his company be artists or revolutionaries. He shares with the reader his many instances of self doubt, of guilt, and of poverty. He also shares his many triumphs, as his original photography begins to garner commercial success. We see Weston as an art critic, giving unflinching opinions of the works of Diego Rivera, Carlos Orozco, Robinson Jeffers, and a host of others. He is no less honest in his evaluation of his own work. Included in the volume are 72 extremely well-reproduced photographs divided into the various periods of his photographic life. We are givin a behind-the-scenes look at how these photographs were made, from both the artistic and the technical point of veiw. Most importantly, the Daybooks is not just for photographers or Weston afficianodos, but for anyone who appreciates a well-written autobiography of a remarkable artist.

This book is a great book to get to know the thoughts of Edward Weston on his daily work of photography and personal life. This is a diary type book of daily entries of thoughts. It has some funny points and sad points (as a lives do). Photographers today can identify with the great Photographer on his progress of daily work. If you want to see Edward Weston's thoughts in his daily life this is the book to get! I'd have to say it's awesome to know the thoughts and happenings of a great photographer of the past!

Second time reading Weston's Day Books over thirty years. First time I was young and only looking for technical hints. This time I'm much more interested in relationships, family, and Weston's struggle with his art, money and life A must read for all artists.

I've always been fascinated by the story of the Mier Expedition. My great-great grandfather, Willis Coplan, was one of the survivors. The book is wrong on page 146, however, where it states that Willis, after escaping and then being caught, spent 20 years in captivity in Matamoros, withing sight of the Texas border. On the contrary, he was sent to Perote Castle. In his memoirs, he wrote that he was "glad to get back with the boys, with whom he had experienced so many hardships." His memoirs also contradict Rick Bass's description of the black bean incident, where Rick's characters are stoic and despondent. Willis, however, wrote that the men who drew the black beans joked about it. One said, "This beats raffling all to pieces," while another said, "Boys, I never failed in my life to draw a prize." It was the men who drew the white beans who grieved, and some of them offered to trade their white beans for black ones, but they had no takers.
Nevertheless, this is a wonderful novel. I'm grateful to Rick Bass for bringing to life a story that, for me, had almost become a fable. Thanks, Rick

Bass recounts the story of a troop of sometimes reluctant, but always relentless men ostensibly fighting for their new nation of Texas. The historical incident, obscure to most of us, is well known to Texans, the retaliation for the Battle of San Jacinto. We come to know what drives some of them and the regrets of others. Mostly, we marvel at their capacity for survival. When everything is taken away from them; when they live day after day in toil and torture, infested with an army of lice and tested by disease after disease, they still have the ability to experience the small joy that comes with the minutest reprieve.

There is little joy in reading the book, though the author presents the story as well we could expect. Like castor oil, though, it may be good for us to see those so eager for war get their wish, then regret it for every minute of their lives.

I was reluctant to continue after hearing some of the horrific deeds commited by the men who (after reading the dustjacket) I thought to be Texas heroes. But just as I was appalled I was mesmerized into reading throughout the night in hopes of learning how their fates played out. And as I write this just a few minutes later I am wondering how the survivors fared, the ones that were less critical to the story at hand but may have played a more powerful and less publicized role. Overall I recommend this to anyone with an interest in Texas...or history... or man in general.

I found this book to be an excellent historical novelation (or is it a novelation of a historic event)? Anyway, as someone who is familiar with Texas history, I still found much to admire about this novelisation (novelization?) of the Meir escapade, which I learned a lot about, in spite of my (supposed) knowledge of the story. It is made more interesting by the centering of the story on one fictional character, intermixed with real, historic figures. I would recommend the book highly to anyone wanting to learn about this tragic event in Texas history, as well as anyone wanting to read an exciting, bloody story in its own right.

An absorbing account, written with much foreshadowing of an old man looking back upon the foolishness and stupidity of war. Comparisons with BLOOD MERIDIAN are natural, and here the message is quite the same, that men are addicted to war, that there is no glory in it, that stupidity and violence will continue to prevail.

Bass structures his narrative on the historical memoirs left us, which were biased and conflicting, but perhaps, as Cormac McCarthy might say, the truth of what did not happen may be about as true as what can be documented, the memories of men being uncertain and biased.

Some of the characters and scenes are imagined, but some characters such as Thomas Jefferson Green and William Fisher are historical. There is violence and gore in here, but it is not laid on. The author has an eye for the telling detail, as in this paragraph describing the commanders planning the invasion into Mexico:

"They sat in a circle of mismatched chairs. Green and Somervell's chairs were turned backwards so that they straddled them like horses. They leaned forward in the chairs, resting the weight of their torsos against the backs, as if even here they intended to somehow charge into battle."

The prose is nothing like McCarthy, of course, but is sparkling and fresh and goes down like a clean drink of water. Typical Rick Bass prose. The title refers to the black bean lottery that Mexicans used to determine which prisoners were shot and which survived. This may seem too obscure for browsing bookbuyers, but the attractive dustjacket may encourage them to look more closely.

Rick Bass lists his sources on the Acknowledgments Page in the rear of the book, so as to alert scholars who hunger for more details. The author says that he wrote it as our troops were charging into Baghdad--suggesting that his emotions then may have influenced the book.

However he came to write it, I'm glad that he did. This book is short, just 208 pages, but exactly the length needed to tell the story of these soldiers of misfortune. It is a treasure. Bravo!