Mexico Books

This is one of the best books of nonfiction I've read. Not only does it function as a primary-source document for study, but it is genuinely good reading. Subcomandante Insurgente Marcos is a powerful writer, and this book documents a selection of his poems, letters, communiqués and even fables for young children. Marcos, the most wanted man in Mexico, will go down as a major figure in Latin American Literature.

Since reading this book (actually, before I was even halfway finished) I had decided I needed to buy copies for family and friends as gifts and recommend it to pretty much everyone. Marcos is an amazing writer, and the story of the Zapatistas is extremely relevant and intriguing for anyone interested in modern society, politics, Latin America, social movements, civil wars, literature and poetry, what "integrity" means in such troubled times, and so much more. No matter your interest, you will not be dissapointed by this purchase.

Too often those of us who seek social justice for people who have been traditionally oppressed tend to just reminisce on the past.

However, this book proves that there is a great social movement that ordinary people CAN , RIGHT NOW make a diffrence about

The history of Mexico, like the history of Latin America, is a history of pain, struggle, and exploitation.

Marcos shows us a movement that seeks to right some of the wrong, and leads a movement of the oldest of the old, the oppressed of the oppressed: Indigenous campesinos (farmers) of Southern Mexico. Where pictures of Jesus Christ stand right there alongside of.....Che Guevara.

A people that have been traditionally been treated like dirt, for lack of a better word, now taking an inspirational and highly moving stand and demand an end to exploitation and a better way of life.

Through their charismatic and briliant leader, Marcos, he tells us the story of the people known as Zapatistas and their struggle for dignity.

The dignity of a people no longer willing to tolerate centuries of injustice.

What human being cannot be moved by such extroadinary courage?

Without a doubt, Subcomandante Marcos is one of the most important present day writers and activists in the Americas. "Our Word is Our Weapon" is a huge collection of his essays and short stories about the Zapatista rebellion in Chiapas.As such, I highly recommend it for peace and justice activists engaged in Latin American solidarity work, the anti-corporate globalization movement and indigenous struggles. Moreover, it is an interesting study of grassroots participatory democracy in action. Read it and be inspired!

Subcomandante Marcos is not just a man, he is a myth in his own lifetime. The cult of personality that surrounds him is completely deserved. His poetic voice is so sharp and poignant you can not help but feel sympathetic for his Zapatistan cause.

The highlight of the book is the last third which features primarily his writing. The stories and poetry he shares are accessible to almost anyone. He is the antithesis of stuffy. His anecdotes and points are so simple yet so perplexing you wonder how he does it.

I love the People of the... series of books. Can't wait until another comes out. The formula for the books are all pretty similar, but the descriptions of different tribes, the historical evidence that is put in, and the anticipation of what is going to happen next is well worth the wait and the read. But this one is especially well written, with lots of history and insight.

I enjoyed this book, as with all the others in this series. Next it will go to my mohter, who will then read it and send it along to her neighbor. We are all fans, and this is a good, fast read.

I enjoyed every moment of the reading of this book. I found it interesting and hard to put down until I had completed it .
I have read all of the First American Series by the Gears and will continue to do so as soon as the new ones come out in paper back .
The whole series is well worth the price for anyone interested in thier interpretation of how the first native peoples in the Amerca's loved ,lived and died .

Have been buying the First North Americans series for my adult daughter. She has encouraged me to read them also. We are both pleased with Michael & Kathleen Gear's series. Nicely written. It holds one interest and invites you to read and re-read each book.

Ironically, the criticisms I have of the writing are based on the fact that I love the Gears' series so much that I'm now familiar with their style and recurring tropes. Don't get me wrong, this is a great page-turner and I always admire how they combine anthropologicial evidence and research with fiction. Particularly for someone who is fairly new to the Gears' NA series, this is one of the better ones in a while. I do like how they take characters from People of the Sun (Nightshade, Night Sun, Ironwood) and show us their ultimate fates. I guess I'm just a little too familiar now with the stock characters of 1) Reluctant Dreamer who ends up basically predicting everything; 2)diabolical determined War Chief who will stop at nothing; 3) hot chick and nice guy who get it on after being forced to travel together. I guess that's the way of fiction: Take "adversaries" of the opposite sex, make them HAVE to hang out with each other, and they WILL fall in love ! (LOL: Of course every young woman is long-legged, big breasted and narrow-hipped.) But beyond these overly familiar themes, (oh yes, and the inevitable "Maureen's shapely [...]" theme in the introduction) the descriptions of war, the motivation for cannibalism, the historical details are all fascinating and the Gears' writing is never less than vivid and humorous.

This is the real thing folks. No more cute travel stories that romanticize without substance, that Disneyize and exaggerate. This book is the story of the author's courageous and thoughtful trip through an amazingly historical place that is also presently complicated and important. However, the author comes at it from a personal angle: the cosmology of canoes. We learn the importance of canoe travel not only to the Maya but to the author and people in general. That connects to the Maya cosmology and culture, the sense of place that is inherent in living in a watershed and having your existence contingent to flowing water (whether you live in the Lacandon forest or Westchester County), the importance of the geography of the region to the people who live there, and then finally to how all this connects to the Zapatista movement and the modern, and not so modern (this thing is full of scholarly but apt historical asides) plight of the indigenous Maya. All along the way you get to like the author, in his sometimes goofy gringo ways but his omnipresent awareness of his own place within the experience. Sprinkle in healthy doses of heart-thumping whitewater in canoes with inexperienced bow-men, death defying swims, life-threatening bandits, and tight, musical prose, and you've got one heck of a book. I tell you what, Shaw's got it right, the same way Matthiesson did. I recommend this book extremely highly. I wish it were getting more publicity. Read it. Its important.

I was disappointed after getting to the end of the book to find out that the author only navegated half-way down the Usumacinta. It's like reading a book about someone who goes half-way up Everest! I understand his reasoning (security) and financial limitations, however the security situation dramatically improved shortly after he left and he could have easily finished the trip. Putting in the extra effort and completing the task would have definitely improved the book and the author's contribution to the world's body of knowledge. His insights on the Mayan's use of rivers for commerce and the east/west trade routes are excellent. His thorough research into the more recent history of the area was also excellent.

(From Planeta Journal) - Ready to explore one of the world's most intriguing regions? Take your trip with Christopher Shaw who introduces readers to the Usumacinta River and its magnificent watershed that stretches across the Mexico-Guatemala border in his new book, Sacred Monkey River (New York: W.W. Norton, 2000).

Subtitled "A Canoe Trip with the Gods," this notable book traces the author's canoe trips running the great river. Unlike many adventure travel narratives in which the author plunges into an unknown terrain, Shaw aims for comprehension rather than searching for misadventure. The result is an account which combines the best of travel literature and environmental reporting.

Few travelers opt for the watery path, particularly with the threat of hijackings and shootings in such a remote area. But Shaw, an accomplished river guide and an enthusiast of the Maya culture, will not be deterred.

"In classical art, two gods pictured as canoeists, accompanied travelers on both actual and metaphysical journeys," Shaw explains. "Both gods paddle the souls of the dead to the Otherworld and the cosmic canoe -- the Milky Way -- across the sky."

Shaw also connects with the environmentalists in the region, including Fernando Ochoa and Ronald Nigh -- two pioneers in developing sustainable agricultural practices in the region.

The book is a veritable "Who's Who" in the region. Meet Scott Davis of Ceiba Adventures, Maya scholars Linda Schele and David Freidel, Moises Morales, the owner of El Pachan and Victor Perera, author of The Last Lords of Palenque.

The book is divided into 12 chapters and boasts the 1953 Franz Blom map of the Selva Lacandona on the inside book cover. What would be useful additions would be a map of the author's expeditions and an index of places and names.

Sacred Monkey River deserves a long shelf-life and it will no doubt be consulted for many years by travelers and environmentalists alike.

This book has been a genuine page turner for me, and as I approached the end I tried not to read too much at each sitting so I could prolong its pleasures.

It is for anyone interested in Mesoamerica, Mayan culture, canoeing as adventure, or boats as the movers of trade and ideas. Also for anyone who is lusting for an otherworld experience, metaphorically or actually, though trave, boating, psychogenic drugs, or all of the above. It is full of honest hard-nosed obserevation of nature and the specific nature of this area, and at the same time streches for and is able to peek at the"final" trip, perhaps as many civilizatins saw it, goin on a craft down a river or out to sea/see. shaw effortlessly intertwines some Spanish into his evocative--dare I use the word--poetic English, always aiming for and touching precision and clarity without sacrificing mystery. On, I believe, its deepest level, the language as well as the story drew me into the unknow, into the future, and of course the past as well.

(From Planeta Journal) - Ready to explore one of the world's most intriguing regions? Take your trip with Christopher Shaw who introduces readers to the Usumacinta River and its magnificent watershed that stretches across the Mexico-Guatemala border in his new book, Sacred Monkey River (New York: W.W. Norton, 2000).

Subtitled "A Canoe Trip with the Gods," this notable book traces the author's canoe trips running the great river. Unlike many adventure travel narratives in which the author plunges into an unknown terrain, Shaw aims for comprehension rather than searching for misadventure. The result is an account which combines the best of travel literature and environmental reporting.

Few travelers opt for the watery path, particularly with the threat of hijackings and shootings in such a remote area. But Shaw, an accomplished river guide and an enthusiast of the Maya culture, will not be deterred.

"In classical art, two gods pictured as canoeists, accompanied travelers on both actual and metaphysical journeys," Shaw explains. "Both gods paddle the souls of the dead to the Otherworld and the cosmic canoe -- the Milky Way -- across the sky."

Shaw also connects with the environmentalists in the region, including Fernando Ochoa and Ronald Nigh -- two pioneers in developing sustainable agricultural practices in the region.

The book is a veritable "Who's Who" in the region. Meet Scott Davis of Ceiba Adventures, Maya scholars Linda Schele and David Freidel, Moises Morales, the owner of El Pachan and Victor Perera, author of The Last Lords of Palenque.

The book is divided into 12 chapters and boasts the 1953 Franz Blom map of the Selva Lacandona on the inside book cover. What would be useful additions would be a map of the author's expeditions and an index of places and names.

Sacred Monkey River deserves a long shelf-life and it will no doubt be consulted for many years by travelers and environmentalists alike.

I visited the Salton Sea to photograph birds and found it impossible to describe, telling friends they had to go there themselves to experience the place and the people. Now I tell them to read this book. From the creation of the Sea to the creation of Salvation Mountain, deBuys tells it's colorful history in a prose that fills you with the sounds and smells and people of the Sea and Imperial Valley. Anyone with an interest in man's unlimited folly, vision, corruption, and the coming environmental train-wreck in southern California needs to read this book.

*Winner of the 2000 Norris and Carol Hundley Award from The Pacific Coast Branch of the American Historical Association.

*Winner of the 1999 Western States Book Award for Creative Non-Fiction. *Winner of the 1999 Clements Prize for the Best Non-Fiction Book on Southwestern America.

Bravo! Salt Dreams is the first of its kind to wrap up all of the issues surrounding the Salton Sea and Colorado River delta in one volume. The best since Cadillac Desert in its cinematic portrayal of a complicated host of issues. Awesome writing on the heroism of US Fish and Wildlife staff. My only criticism is that Congressman George Brown is slighted; Sonny Bono often called him "Mr. Salton Sea". Certainly, a book Mr. Brown would have loved.

Superlative read revealing the vast natural beauty of the desert and its inhabitants and man's irreversable errors in judging it as a fallen Eden. Together with Cadillac Desert it ranks as a southwest water classic. Beautiful writing and stunning photographs.

This is the perfect chick lit to have on hand when the reader just wants to relax and enjoy a funny story. Two "almost twins"--sisters who were born so close together that folks always asked if they were twins--share a space of time thanks to the gift of a cruise from their wealthy aunt. They move from the luxury of being platinum card members, who receive VIP treatment on a cruise ship, to a Mexican hovel with no electricity or running water, and meet Rosa, who knows the definition of graciousness.

The sisters cannot speak Spanish, and the Mexicans cannot speak English, but they manage. They end up appreciating the good things that they have always had. The trip moves them closer to each other and closer to God. There were a few times in the story that I held my breath, hoping that the story did not stray from its lighthearted track. Not to worry; the author knows how to handle an enjoyable tale.

Never having been on a cruise, I learned a good deal about the luxury of taking a cruise to Mexico. For me, this certainly was a bonus. The characters enjoy their trip and so did I.

I am so glad I found the sisterchick books. As someone who has a really bad case of wanderlust, I love to read of other people's travel adventures. Also, there is always an uplifting message.
This one is no exception. I truly enjoyed the story of Melanie and Joanne's cruise/vehicle adventure to claim property from their deceased Uncle Harlan. It all starts with a first class cruise and ends the same with the exception of an "extra fishy passenger" on board. In the middle is a jeep ride through Baja, and truly heart warming love story along with coconut cake.
In my opinion, this was much better than the second book that took place in Hawaii, and was definitely as good as the very first book. I am currently reading the fourth in the series, and it seems to be a winner so far.
Love, love, love this one. I have to recommend this to all those Sisterchicks out there looking for an adventure!

I got this for my birthday and finished it in about two weeks (reading for a while before bed each night). I loved it. I need to share it with a friend and see if she wants to be my 'sisterchick'.

Sisterchicks in Sombreros by Robin Jones Gunn is the 3rd installment in this series. One of the great things about this series is that the stories really aren't related so you can read them in any order and not miss anything, but I enjoyed the reference to book #2 in this one. Melanie and Joanne are sisters who have lost touch with each other and in some ways themselves until their uncle leaves them beachfront property in Mexico that they must visit in order to inherit. The trip takes them on a cruise ship, driving across Baja, and into more scrapes than they ever thought they could handle. The message of the book is surrender. Surrender to God, surrender control, and surrender our expectations in order to really fully experience life. The message is powerful, and I really enjoyed the read, but I felt this book was more chick-lit (no pun intended) than the previous two which had deeper themes. It's still a winner!

I love all the sisterchick books. I hope i have adventures like that when i turn into my 40's. (although that won't be for another 20 years or so!).

I loved how Robin Jones Gunn always inserts characters or plots from the Christy Miller series into her books. For the casual reader it's nothing special, but for those who grew up reading Christy Miller and Sierra Jensen it's a treat to see old friends. So that's why I was pleasantly surprised to see christy's aunt and uncle, Marti and Bob, on the cruise ship with Melanie and Joanne. I didn't recognize them at first b/c he was called Robert. But then it was like ..DUH!

This is a beautiful cookbook ... good enough to put on the coffee table. Delicious recipes that made me want to take another trip down to Santa Fe.

The photographs of Santa Fe and its Farmer's Market take the reader halfway to that beautiful place, but it is the smells and flavors that come from cooking these recipes, that transport the reader to the land of the high mesas, Georgia O'Keefe and crystal blue skies.

Having been fortunate enough not only to travel to Santa Fe several times in the past few years, but also to take classes from Janet Mitchell (the author) at the Santa Fe School of Cooking, I can recommend this cookbook without hesitation. It offers tried-and-tested recipes that yield a wide range of dishes and flavors unique to a very special part of the United States. I will be buying this cookbook for friends and family for years to come.

I have enjoyed this cookbook so much, that it has become my current favorite hostess gift! The recipes are wonderful, and I appreciate the variety of the suggested menus. Most of all, this book educates the reader with "Chefs Corner" tips and a lengthy explanation of southwestern cooking terms and proceedures. Learning how to properly roast vegetables has given a healthy boost to my repetoire, as well as introductions to other southwestern staples.The pictures are also very appealing~ this is just a delightful cookbook that I would highly recommend to anyone with an interest in colorful, healthy food.

I have used several of the menus, and have received rave reviews from all my guests. Everything I have made was FLAVORFUL,TASTY AND INTERESTING. Many of the recipes easily lend themselves to advance preparation - I prefer to spend time with my guests, and not cooking in the kitchen. There are recipes for all levels of expertise, and my 12-year old daughter has made several of the dishes. The recipes interpret historic Santa Fe cuisine in an innovative contemporary style. I am so happy to have added Summer in Santa Fe to my cookbook collection....

This absolutely gorgeous book immediately brought back memories of an idyllic summer stay I once enjoyed in Santa Fe. While the recipes themselves are quite nice, it is the photography, history of the city, and evocative intros to each section of the book that make this cookbook really stand out. The layout and design of the pages beautifully conjure the city too, with southwestern woodcut borders decorating each page. From the ripe, prettily plated blueberries on the cover, to the darling little boy in the giant sombrero in the fiesta section, this book is truly a feast for the eyes!

The occasional case of the mad artist -- gaunt, ragged and living solely in his own creative mind -- has dominated our view of how art is created. In fact, patronage was and is the medium in which most art is created. This beautifully printed book casts a clean scholarly light into this remarkable relationship of artist and patron. While doing so the authors also examine how the demands and desires of daily living and the strains and strengths of personal relationships -- spouses, lovers, friends -- play upon the same chords that the patron touches, for good or ill. All are amply documented by the authors and as with all biography the telling anecdote best reveals the character of the subject. The fact that for decades a fertile art community existed a thousand miles or more from patrons and markets raises the question of whether indeed something special for the art world was going on in Taos. Easily dismissed by many as regional artists in the past, the Taos artists are put in a context by the authors' examination of the skein of relationships stretching to Taos. I would think that the world of art scholarship on that basis alone needs to respond to this well-focused work by examining other colonies, schools and concentrations of artists in the history of our country, for the purpose of finding how those stories of patronage compare. On its face alone the art reproduced in this fascinating book makes the case for the importance of the Taos artists as American artists. But the patronage story raises this question: Why did big city people, living and creating the big story of its time -- industrial, urbanizing America -- choose to support the painters in the desert? It seems to be a paradox. Or is it? We await the next study in depth of artists and their patrons. "Taos Artists and Their Patrons" has set the height of the bar. I hope the authors of this book stay in the game for the next book.

While the literature on American art history has grown enormously during the last several decades, that devoted to patronage remains very scarce, usually directed toward single supporters such as Luman Reed and Mrs. Jack Gardner. Taos Artists and Their Patrons is probably the finest study to appear devoted to a single school of painting, that which arose in Taos in New Mexico at the end of the nineteenth century. The authors have thoroughly investigated all aspects of patronage--exhibitions, individual advocates, institutional support, and many other forms. At the same time, they have presented what must be the finest study of the work of the artists active in Taos, embellished by a wealth of marvellous images, beautifully reporduced. The book enjoys three major accomplishments: it is a definitive study of the nature of American art patronage; it is a thorough review of one of the most important regional schools of art in this country; and it's a fabulous read!

Excellent book showing a great deal of beautiful art from the Taos artists at the beginning of the century. The book does and excellent job of telling the history behind each painting. The book is also very inspirational to artists. I suggest this book to anyone interested in art, anyone who is an artist, or people interested in art history.

In the tradition of excellence demonstrated in his book "Victor Higgins, An American Master", Dean Porter, along with Teresa Ebie and Susan Campbell, has produced another visually and intellectually pleasing work.

Both artists and collectors will learn much by reading this book, for it proves that it is more than technical skill and artistic sensibility that contribute to an artist's financial and critical success.

Those who have instinctively turned to Europe and the Eastern American Artists when wanting to view fine works of art will be enlightened and surprised to learn that some of the finest works of art in this century have been produced not in Europe, but in the USA and in the Southwest in particular.

This is a beautiful and informative book for anyone interested in art, whether they be collectors or art historians or simply those who like to view magnificent works.

Dean Porter and his gifted associates have skillfully authored not only the best book ever written about the "Taos School of Art", but the most interesting and educational. Why is their book different? They departed from the standard biographical information generally available everywhere and continually repeated by other authors in every new book and took the time to bring into focus the collectors and art buyers who made it possible for the artists to make a living at their chosen profession. The many stories, glimpes, and setches of both the artists and collectors make this book most interesting and readable. There are also many new paintings never before shown in other books about this group of artist. There is also a art exhibit that compliments the book. This is a must read and must see for those who love and collect the "Taos School of Art". Like a fine red wine, you wish in your heart you could drink on forever.

If you are building a Spanish home and we are, then this book will provide you with a wealth of ideas about what to do beyond the 'box of the casa.' Filled with brilliant photographs of terraces, swimming pools, fountains, outdoor rooms, columns, entrances, furnishings, use of paint, etc. you will refer to this book over and over again as you design and continue to decorate your dream home.

I am a landscape designer in central Florida, and I am always looking for inspiration for specialty projects. The photos in this book are outstanding! The text is well-written and interesting!

The photography is excellent and the ideas abound. It is a book that's fun to thumb through and colorful. I enjoyed it! It's sister publication is just as good.

Every time I re-do a room or make a home decor purchase these days, I'm looking for things to make my house look more Mexican. This book, and its companion volume "Traditional Mexican Style Interiors" are wonderful reference books for anyone looking to copy that style.

If you're just a fan of Mexican style, or have been to Mexico and want to have a way to go back without leaving your easy chair, this book is fun to read and magnificent to look at. Although it emphasizes exteriors (facades, architecture, etc.) there are photos of gardens, courtyards, and plenty of other spaces that you could create on your own property, even on a very modest budget, and without knocking the house down and starting over.

I have bought more than a Dozen Mexican Design Books already. And none can compare to the Traditional Mexican Style Exteriors and its Companion Book Mexican Style Interiors by Donna McMenamin.

It is a wonderful book! You will not need any other book if you are planning on redecorationg your house. But, even if you will not decorate your house, this Book(s) are a worthy read. The Pictures are wonderful. Giving detail to what is really Mexican.

I made copies of some of the poems to put on the overhead for my classroom of middle school students. Some of my Spanish speakers "volunteered" (at my urging) to read aloud, and all the kids loved it! The art selections are appropriate and the readability level is good for this age (even in the Spanish) A great addition to any teacher's bookshelf.

I found this book a valuable resource for getting young children interested in poetry. I have used this book for three years now and the response from my 2nd and 3rd graders has been fantastic. Many of the poems in this book, the kiddos can associate with making for interesting reading. This is a must buy for anyone trying to introduce poetry in the classroom.

This is a wonderful book . The pictures work the imagination and the poems are beautiful. The dual language format will intrigue young readers and just may get them interested in a 'different' language. In addition this will expose youngsters to some of Mexico's rich culture. I know several college professors who have adopted this book to use in their Children's Literature and reading courses. Truth be told, I liked it so much I bought it for myself several years ago and have been 'advertising' it ever since.

This book may turn out to be my all-time favorite book of bilingual poetry. The frosting on the cake, so to speak, turns out to be the art work accompanying the poetry. Each time I read one of the poems I like it better than the last time. And these are carefully selected, excellent quality poems: with writers such as Octavio Paz, Alberto Blanco, Rosario Castellanos (and many more) how could they not be terrific? A lasting gift for any occasion, especially for someone interested in bilingual stories from Mexico.

Being a beginning self-taught student in Spanish with a special interest in Mexican Spanish by way of my residency in Texas, I took a chance on purchasing this bilingual book and was more than delighted by what I found inside. The convenient side-by-side text of the poems and short stories makes it easy to follow the translations and improve language skills. However, the real treasures in this book are discovered slowly, as one peruses the glowing artwork by various Mexican artists in conjunction with the inspiring words that seem to interweave themselves into the pictures. This is a book to sit back and savor during personal quiet time, or to read to your children. The melodic rhythms of both the Spanish and English texts rock the heart and soothe the soul.

Mr. Myers wrote this book in 1948, and based it on careful research into the facts as they were known at the time. THE ALAMO is a story of heroic men, dedicated to the cause of freedom, sacrificing their lives willingly for that cause. Bowie, Crockett, Travis, and all the others with them, were the stuff of legends, and as such we should remember them. This is a story to rival THE ILLIAD in its nobility of character and cause. Sadly, later research has shown that these giants were, like the Trojans, at least partialy the product of myth, and their cause was not quite so noble. But this in no way detracts from the telling of a great tale, and, if the men of the Alamo were not quite as tall as we imagined them, they were still men deservant of our admiration. They died for what they believed in, and this is their story, from the first man who ever bothered to compile the whole thing in one place.

Although written in 1948, John Myers Myers "The Alamo", proves that he did his homework well way back then. As a result, the factual conclusions he arrived at then, dovetail with those arrived at by other Alamo authors in later years, including Walter Lord. Myers writing presents the subject in a historicly accurate manor, but at the same time with the wit and insight of a newspaper editorial, which brings it to life on a human level.

Although written in 1948, John Myers Myers "The Alamo", proves that he did his homework well way back then. As a result, the factual conclusions he arrived at the time of his writing, dovetail with those arrived at in later years by other Alamo authors, including Walter Lord. Myers writing presents the subject in a historicly accurate manor, but at the same time with the wit and insight of a newspaper editorial, bringing it to life on a human level.

John Myers Myers, in the last sentences of his book, The Alamo, perfectly captures the essence of what this story means to America. He writes, "The Alamo isn't a structure now; it is a symbol of valor in the minds of men. It can never fall again." Though he closes with that thought, it is obvious that he wrote this history with the knowledge that this particular event is just as important as myth as it is as history, and that it presents unique challenges to the historian to distinguish between the two. In the forward, he addresses the issue of how hard it is to find solid, historical evidence about the Alamo. The combatants were killed to a man, and as for the non-combatants who survived to tell their tales, none were professional writers, and no historian bothered to interviewed any of them during their lifetimes. He explains in some detail how he decided the veracity of the various surviving source materials: letters, journals, official orders of the Mexican officers, and interviews of survivors. He then launches into the tale.
Myers divides his book into three sections. The first third is devoted to the history of the structure of the Alamo, from mission to military outpost, and to the history of the roots of the conflict between the Texians and Mexico. This is vital information to understanding what happened at Bexar during those fateful twelve days in 1836. The fact that Myers devotes so many pages to explaining this background and placing the story in its proper historical context is one of the books strongest points.
In the second third of the book, Myers introduces the principal players who history associates with the Alamo - Bowie, Travis, Crockett, and Santa Anna. A chapter is devoted to each of them, and Myers does an admirable job of placing each within the context of their own personal histories without resorting to what later became so controversial as detracting "revisionism". He notes that while Bowie and Crockett were already legends in their own time, that Travis' fame is tied exclusively to his participation in the Texian revolution. He solidly establishes who they were as flesh and blood men, rather than the demigods of myth that they became, yet does so respectfully. Likewise, he paints a balanced portrait of Santa Anna rather than simply demonizing him.
In the book's final section, Myers writes skillfully of the siege and storming of the Alamo. It is a tale that comes with its own in-built drama, which requires only an expert storyteller to assure its success, and Myers is indeed an outstanding storyteller. He has an idiosyncratic style of writing that lends itself perfectly to the telling of this particular tale. Throughout, he is generally faithful to the more traditional interpretations of what happened at Bexar, but does acknowledge some of the elements that smack more of legend than of historical fact (such as Travis' saber-drawn line in the sand).
Myers has written a fine history of an event that has become an indispensable part of our national mythology. His research is firm, his writing style captivating, and his tone respectful to both the history and the legend. I heartily recommend it.

Theo Logos

Newer books have been written based on more recently available sources, but this book stands the test of time. It is based on solid research, it doesn't spend entire chapters digressing into, for instance, the ins and outs of the Bowies' business dealings, and it keeps speculation on the motivations of Travis, Crockett, Bowie and Santa Anna to a couple of paragraphs each. Any speculation is just the author's guesswork, and I find Myers guesses to be kept more brief - and more to my personal taste - than, say, William C. Davis' in "Three Roads to the Alamo". It has been said that a revisionist is one who, lacking the notion of honor in his/her own character, cannot understand it when encountered in others. While Myers examines the actions of the three main personalities in a journalistic manner, the enormity of their patriotic sacrifice is never deprecated as is the fashion in modern, revisionist historical writing.

This book remains not only the best single volume on the siege, it provides a great introduction to the historic and social melieu of the era for those seeking to understand the background of the Mexican-American War. -