Canada Books

a review of Colette's The Vagabond

The opening of the story in the dressrooms of the music hall smell like rancid grease paint, dust, sweat of performers. There's only few people you can relate to, since everyone comes & goes in the music hall, so why make friends?

But the music hall is good place for Renee Nere, a pantomime, who performs half nude in see-through silks, and gets slammed to ground on purpose by her mentor, Brague, who treats her like an amateur: but this a joke between them. Renee is no amateur. At 33 she can out perform anyone

"You get use to not eating, a toothache . . . . but you cannot get used to jealousy." is the way Renee describes her high profile marriage to Adolphe Taillandy, and his many, many mistresses. A marriage ends in divorce when Renee can no longer take it. Divorce from a wealthy man was unheard of in 1910.

Renee, the vagabond, loves the music hall in her own way, even though she hates the dust, the animal abuse, the low-class crowd. But she will never have to deal with Adolphe Taillandy again. She also endures the touring which means terrible food, discomfort, bad hours. It mends her broken life and heart, or gives her a chance to avoid it.

A rich suitor arrives and Renee doesn't want to get involved. She becomes emotionally involve, but then goes on tour, and tries to forget him. She's a vagabond now and she doesn't want to get tied up.

Colette was a master of the word written by a woman, from a woman's heart. She knew how to move from one scene to another and astonish the reader. The most amazing fact of this novel was that it was written in the dressing rooms of the music hall, and on tour too. ("It takes up too much time to write," states Renee, a writer herself, "and the trouble is, I am no Balzac!")

And then there is a nod to people who make up the music halls of Paris: "How unrecognized they are, these cafe concert artistes, how disparaged and how little understood! Forceful, proud, and full of an absurd and outmoded faith in Art . . . . "

Renee's faith in art is on a thin line too, but it saves her from "a woman dying of grief".

Colette's beginning as a writer is one of the strangest in literature. In her early 20s, she married a no-talent hack named "Willy" (that was how he signed his pieces) and wrote a series of novels about a young girl named Claudine. Willy took these pieces and published them under his pen name, giving his young wife no credit.

In her early to mid 30s, Colette grew weary of Willy, and turned her back on him to embark on a career as a dance hall performer. This is the setting for THE VAGABOND, Colette's first post-Willy novel, and the first to bear her own name.

The main character, Renee Nere, has been touring for 3 years, and although she's sometimes lonely, is enjoying her freedom and self-sufficiency. She's also suffering from what we'd refer to nowadays as Post Traumatic Stress Syndrome. Her marriage to her philandering and abusive husband was so wretched, that when she meets another man who loves her, the slighest familiar gesture or word will trigger memories that incite revulsion.

THE VAGABOND is a gem of a novel that beautifully shows off Colette's gift for prose as well as her wonderful descriptions of life backstage as part of a touring group. If that isn't enough, she is also very gifted at revealing the psychological insights of her character. The introduction by Judith Thurman is well-done, and both the introduction and the novel left me wanting more Colette.

Colette's Renee Nere is complex, her name alone tells us that (the last name is the first name spelled backwards, not to mentioned that Renee means "reborn"). This female protagonist would certainly fit in with the modern notion of being female, and in the early 20th century, this was not only rare, but not very-well understood. I adore this book because of the way it encourages women (by example) to carve out their own existence and not to rely upon men for security. It is also wonderfully written. However, you'll be in for a shocker if you read the sequel, "The Shackle".

This was my first reading of Colette. What a poetic, beautiful, and amazing writer she was. In this novel, we meet a woman who is definitely revolutionary for her time and ours. Colette is aware of the sorrow and happiness that are intertwined in life. The main character's life follows a path that has much loneliness and doubt, but she, most importantly, has her will. This is truly a feminist classic. What I admire most is the courage to write such a work and to write it so well. The language is intoxicating.

The Vagabond was my first delicious introduction to Colette, and the first book to make me weep openly. I related strongly to Renée, a professional woman who clung desperately to her independence while falling hopelessly for a man who relentlessly tugged at her vulnerability. Renée's confusion about whether love and happiness could coexist kept me captive in suspense until the very last (and infinitely satisfying) page.

If the highest praise you can give a book is that it leaves you wanting to read more, then White Stone Day deserves top accolades. It has just about everything you need in a novel: a gripping plot, a strong sense of time and place that nonetheless doesn't overwhelm the proceedings, a sure narrative drive, a diverse and well-drawn supporting cast of characters, and perhaps most important, an intriguing and entertaining protagonist. White Stone Day would have been a very good book with any other main character; with cynical, dissolute, at times hapless Edmund Whitty as the protagonist, it's a great book--perhaps even more satisfying than The Fiend in Human, to which this book is a sequel.

This book is amazing. The writing is different from anything else out there. The plot is excellent, the dialogue is clever and charming and frequently funny, the characters complex. I liked it better than the Fiend in Human. Gray is a truly unusual talent who hopefully will write many more books of this quality.

It's a sad comment on our times that even thrillers centering around serial killers don't give us a chill anymore. So to evoke the slightest ghost of a horrifed shudder, more and more authors are turning to crimes against children - where they will turn when even these fail to appall us? I gave Gray's first Whitty novel, The Fiend in Human, five stars and likened it to a cross between Dickens and Spillane. This sequel is still plenty good, but it didn't have quite as much bite. The previous book's most vivid parts lay in its descriptions of one of 1852 London's most formidable slums. It's difficult to elicit as much color from a Victorian nobleman's country estate, no matter how depraved its residents may be, as this tale tries to do. The Lewis Carroll and "Alice" analogy here is appealing. Too, Gray shows the same solid command of Victorian diction and cadences of speech (which can be so awful when other authors do them badly). Highly recommended.

Edmund Whitty, A London newspaper correspondent who can usually be counted upon for crisp and lurid copy, has fallen on lean times. After his triumphant expose of a notorious serial killer, he has inexplicably lost his knack for sensational reporting. Broke and desperate, he seizes upon a generous offer from a mysterious American to discredit a quack psychic. But how, he ends up wondering uneasily, does the psychic know so much about a scandal involving Whitty's late brother?

When the psychic is brutally murdered, Whitty finds himself accused of the crime and thrown into Milbank prison, the most bizarre institution of its kind in England. Help comes unexpectedly from "the Captain," a gangster not known for charity work. To save his own skin, Whitty must find the men responsible for the disappearance of the Capatin's young niece, Eliza.

Whitty's search takes him to Oxford, where he meets the brillant and eccentric Reverend William Boltbyn, a renowned children's author who delights in playing croquet, devising elaborate stories, and taking artistic photographs of little girls. There he uncovers a looking-glass world, the dark side of Victoriana, and the murder of innocence.

John MacLachlan Gray, who evoked "the mean streets and byways of 1852 London with a skill worthy of Dickens"[Publisher's Weekly] in The Fiend in Human, spins an even more irresistible tale of dark secrets behind the facade of Victorian respectability.

Gray plots his second excellent Victorian literary thriller around two activities that were all the rage in mid-19th century England: photography and spiritualism.

Edmund Whitty, the earthy London newspaper writer and man of excess, first seen in "The Fiend in Human," has fallen on hard times. All his best ideas are being uncannily scooped by a rival correspondent and he's in "fearsome debt" to the Captain, a London crime boss, "the result of a wager in the sport of ratting, with compound interest growing like a tumour and default a mathematical certainty."

Approached by an American Pinkerton agent to expose a fraudulent psychic, Whitty seizes the opportunity, but the séance does not go according to plan. His brother David, who died in a rowing accident at Oxford, appears, plaintively proclaiming, "I did not live as you think I lived! I did not die as you think I died!"

Meanwhile, in Oxfordshire, Rev. William L. Boltbyn, based loosely on Lewis Carroll, is singularly enchanted by the Lambert sisters, particularly Emma, who is on the cusp of womanhood, a fact Boltbyn bitterly bemoans. He whiles away hours telling the girls tales and taking pictures of them in various romantic and classical poses, some suggestive.

Before it's over Whitty will be accused of murder and cast into the bowels of Millbank prison, only to acquire a new commission - the breaking of a child pornography ring which may involve both his dead brother and the abducted young sister of the distraught Captain, a girl bearing a strong resemblance to Emma Lambert.

Other viewpoints include a comically psychopathic pair of thugs for hire and the daring, foolhardy Lambert sisters keen on ferreting out the sinister secrets of the local Duke. Steeped in Victorian sensibilities of romance, propriety and the gulf between the classes, redolent with London's stewpots and taverns and bustling streets, Gray's witty, suspenseful story builds to a tense and satisfying climax.

--Portsmouth Herald

I was pleased with the fast delivery service from the seller. Book is in great condition, and is exactly what the seller said it would be. I will use this seller in the future and will recommend this seller to anyone that is looking to buy a quality book at a discounted price.

This book helped me get a good start in my Accounting college courses. It lays out the fundamental principles of Accounting simply and clearly. Its emphasis on the process leading to, creation of, and analysis of financial statements, would be very helpful to anyone who may need to understand just what a company's financial statements really mean

This book helped me a lot understand the various topics of accounting quickly and easily. If you completely dont understand anything about accounting, this is the book for you.

Book is in new condition, and got here very quick! Thanks so much! Will do business with again.

This is an easy book to follow. Lots of exercises for practice and the answers are in the text so you can check and see if you got it or if you need to study more.

I couldn't believe all the information that this book contained. It told us of all the great spots in Banff and we didn't miss a one. This was our first time there, but because this book was top notch, we're planning our return within a few months. I would highly recommend this book to anyone traveling in the Canadian Rockies. It's better than the best!!

This was an excellent guide for family travel. It provided first rate information on dinosaur adventures in the Red Deer region to Waterton NP to the Canadian Rockies including Banff and Jasper and all points in between. Includes tidbits of local history and written in such a user friendly manner that by the middle of our three week adventure we were fondly refering to it as Mr. Moon, as in, what does Mr. Moon reccommend for dinner. If you are traveling to the Canadian Rockies, the British Colombia guide by this publisher makes an indispensable companion to the Alberta Guide.

This book was indispensible for my recent travels through Alberta. It contains detailed descriptions of all the best places to go, including some great small town festivals that I would of otherwise missed. The book also has many hikes included, mostly in the Canadian Rockies. I budgeted to spend around $50 a night for motels, and found that this book described many good choices in this price range but also includes campgrounds and more expensive places. Overall, I found it to be very current, not only for restaurants and the like but also coverage of issues such as overcrowding in the national parks, which I found an interesting addition.

This handbook was packed with great spots to stop. There were many places listed that the AAA guidebook missed, and all were fantastic. The book was sectioned well, breaking up different areas into day-trips. If you are going to Alberta for the first time, this is a MUST BUY!

This book and its companion volume to British Columbia are undoubtedly the best travel books I have ever used. I just returned from a two-month trip that took me to the Calgary Stampede, through the Rockies, up to Yellowknife and through British Columbia to Vancouver. Alberta is an amazing place to visit and by buying this book I was able to enjoy it all the more. The author has obviously done his homework and describes the region in a colorful style but also with an incredible amount of detail. By using these books I managed to plan my trip before leaving home, even down to where I wanted to eat. The other guide I had with me was rarely used. I also found local information centers sending me along well worn tourist paths, and while this book covers all of that side of Alberta it also led me away from the masses to areas of equal beauty. I highly recommend this book to anyone planning a trip to Canada!!

Shirley Hughes's books are incredible, and this one is our favorite. I have read this book to all 3 of my daughters and they all love it. They are now 19, 15, and 4. I grew up in England and have lived in the US for the last 35 years and Shirley Hughes's books bring back the feeling of being in England so well. Little ones can listen for hours to her stories!

When my son was born 13 years ago the hospital gave him this book. His first book. His favorite book until recently ( I think he is to cool to admit it now). It is evene in perfect condition. Hard to do with a toddler, young reader and now teenager. He still keeps it on his bookshelf and he tells his friends it was his first book.

Alfie Gets in Frist is about a boy who gets in first. He gets lonely and starts to cry. His sister was hungry and thirsty so she was crying to. I think it's funny, but it's not supposed to be. Here's why I think it's funny: it has this page and it's a funny page. It shows him cyring up a storm. I think it's funny because he has more tears than a regular cry.
I think people who like sort of funny books should read this. Also, people who like short books with some challenging words should read it.

I have a hard time believing such a wonderful book for two year olds is out of print. Both my children love the story of this little boy whose brazen independance places him in a scary situation. They truely could relate to his delimma and the feelings it caused. They really loved the ending. It reinforced that independance may get you into scary situations but with it you can also get out of them and feel proud of your accomplishment.

This is one of my favorite Alfie Books. It is also the first in the series. It's about a toddler named Alfie who keeps running ahead of his mother and baby sister as they return from their shopping. Alfie wants to get home first. Eventually, he gets into the flat first--only to shut the door and lock himself in. Various neighbors come over to help, until there is a crowd in front of the door. The situation is rendered wonderfully in "split-screen" fashion, with the adults and the exterior of the flat on the left-hand page and Alfie and the interior of the flat on the right-hand page. Thus we see the adults standing outside and becoming increasingly alarmed, while Alfie calms himself down, brings a chair over, climbs up on it, and opens the door. Then everyone comes in for tea. It's really a sweet story. It's also a cautionary tale for those toddlers who, like mine, tend to shut doors they ought not to. Alfie's predicament made quite an impression on my son!

Another great novel that explores the Chinese American (well in this case North American) culture as well as growing up during the great depression in an industrialized town. I was disappointed in the ending, feeling like it just drifted off. It was a little confusing. But the rest of the book I found pleasant& intriguing. "In all the ways they lived their lives, survivors like Poh-Poh and Stepmother, Third Uncle and Father, and those elders who hacked their breath away, they were all saying 'Sail, paddle, swim, but push forward to shore. Do not drown in the past.'"

This book tells a story. There's romance, mystery and some funny parts. The writer takes the time to divulge every minute detail, so you can relate to what's going on. That can make it tedious at times and even kind of slow, but it's part of the journey that this book relates. So if you're looking for a fast read, that you don't have to focus much on, this isn't that kind of book.

This was the first book I've read by the author and I plan to read others by him. It was just a pleasure to read this!

I've just re-read this book after having read it last year, and it retained it's touching and poignant story. Having grown up Chinese in Canada, albeit in the 1970's, I related to a lot of Mr Choy's characters.

A beautiful story.

btw: to the first reviewer... the story is of a Chinese-"Canadian", not chinese-american. the story takes place in Canada, and all of the characters pronounce to be Canadian. i just needed to clarify for my sake.

I finished All That Matters by Wayson Choy in the wee hours of the early morning. It was so beautiful and compelling that I could hardly bear to put it down to finish the next day.

All That Matters is the long and eagerly awaited sequel to Choy's first book, the award-winning and national best-selling The Jade Peony. Expectedly, it is a continuation of Jade Peony, this time written in First Son Kiam Kim's eyes, instead of the rotating narrators (which included all of the siblings of the Chen family) found in The Jade Peony.

All That Matters is very reminiscent of The Jade Peony - it is almost like an echo of Choy's first book. The book focuses centrally on Kiam Kim, from when he first boards the Hong Kong ship to Gold Mountain (Vancouver, B.C.) to his adulthood in Vancouver's Chinatown. Kiam Kim's Poh Poh is another important part of the story, with her Old China and superstitious ways. She tells stories about ancient myths and ghosts, of which make Kiam Kim feel torn - in some instances, he believes in the things Poh Poh tells him, but his father is constantly reminding him that they are in Gold Mountain, not Old China, and to adapt essentially to "modern, scientific, Canadian ways."

Kiam Kim's responsibility as "First Son" and "Dai-Goh (Oldest Brother)" sometimes burdens him, but he soon learns that this is the Chinese way - as the First Son and the oldest sibling, he needs to be a good role-model for the rest of the family and, ultimately, refrain from "shaming" the family in any way. He is best friends with Jack O'Connor, an Irish white boy who is his next-door neighbour. A somewhat clandestine but intimate relationship between Kiam Kim and Jenny Chong (the daughter of one of Poh Poh's mah-jong mates) forms. All That Matters also deals with the second World War, of which readers will see makes a significant impact on Kiam Kim and the rest of the characters in the book.

All in all, All That Matters is a satisfying, triumphant sequel to The Jade Peony - and rightfully so that it was long and eagerly awaited. Choy does not disappoint in this sequel to his first book. In fact, he writes hauntingly and seductively, often incorporating Chinese phrases uttered by Poh Poh and other members of his family to make things more homely and authentic. Readers will be compelled by this wonderful book, entering the world of Kiam Kim - his trials and tribulations, his responsibilities and burdens, his relationships and family, and, ultimately, what matters.

For fans of The Jade Peony, I highly urge you to pick up All That Matters and to read it. I guarantee you will like it as much, if not more, than The Jade Peony. It is no surprise why All That Matters won the Trillium Award again, not to mention was also a finalist for the Giller Prize.

Having met Wayson Choy at an author reading in December made reading All That Matters for me that much more exciting and thrilling. I felt like I shared an affinity with various characters in the book and, at times, with Wayson Choy. I am certainly looking forward to reading more work by Wayson Choy.

I highly recommend All That Matters.

I picked this book on a whim at the airport, and had no idea what to expect from the author. By the end of the book I was mesmerized by the heartbreaking story about a young Chinese American growing up in Vancouver's Chinatown during the 1930's. Choy weaves real American history with a lovely touching tale of life for Chinese immigrants, cultural interactions, family traditions, and new friendships. The prose is hauntingly beautiful, catching the reader by his words and tugging at the heart.

Apollo may have landed men on the Moon, but the real story is the shear audacity of a nation to dream and implement a program that has yet to be repeated. That nation was America, but without the inspiration and toil of thousands of people - the engineers - of which many of the key personel were Canadian and British, this venture would have faded slowly in the early sixties. This author has provided priceless first hand histories of the people that made the program, and created a narrative that is entertaining and informative to both the casual reader and the serious Lunar Program researcher. This book is about the circumstances that sent some of Canada's and Britain's brightest minds to America to join that nation in one of the most epic adventures in the history of mankind. Highly recommended reading.

Given that I am interested in both the space program and advanced aircraft projects like the Avro Arrow, I picked up this book hoping to maybe pick up a few tidbits on both projects. Boy could I have been more wrong (but in a very pleasant way) as this book more then surpassed my expectations. It turned out to be a very enjoyable read like pretty much every other publication offered by Apogee to date.

For those expecting a lot of technical details on the Arrow, unfortunately you don't get much. The Arrow book by Boston Mills Press would be a better starting point for that program (buy both books if you can).

This book is mainly a history and somewhat biographical account of various Avro engineers (Canadian and British born) who found themselves out of work when the Arrow was cancelled. These individuals eventually found themselves working for the fledgling NASA organization at a time when engineers with practical experience in aerospace projects were very much needed. Once there, they helped to design and build the spacecraft and associated hardware needed to first get men into space and eventually the moon. Not all of them went to work for NASA though as a few went to work for the contractors as well. Others returned to Canada after a short time to work for companies that would go on to help with Canada's satellite industry, contractor contributions to the US program and ultimately the Canadian Space Program. But this book is more then that as it doesn't just cover the Avro engineers. Other Canadian contributions by those who made the trek south (and who didn't work for Avro) are covered as well. It puts into perspective the truely international scope of the manned space program both during the 1960s and today.

I personally think this book should be required reading by both Canadian and English engineering students as this book allows them to take pride in the accomplishments of their countrymen and it can perhaps inspire them to accomplish greater goals. We can all take pride in the contributions made by our neighbors to the north to help us get to the moon.

I grew up with the space program and have read every book I could get my hands on concerning the early space programs. This well-written and extensively-researched book covers a topic I hadn't considered: the contributions to the American space program made by the Canadian and British engineers and scientists who lost their jobs when the Canadian Avro Arrow was abruptly cancelled just as the space race was heating up. Many of these highly-trained workers made their way south, signed on with NASA, and made significant contributions to every manned space program from Mercury to the ISS. This is the definitive story of these people. Highly recommended.

Most people know that German rocket engineers led by Wernher von Braun helped build the rocket that put Apollo astronauts on the Moon. But few have heard about the Canadian and British engineers who also made a big contribution to the success of Apollo. Now their story is told for the first time in "Arrows to the Moon." This excellent book starts off with the story of how Canada scrapped the Avro Arrow, the most advanced jet interceptor of its time, and how NASA scooped up 32 of Avro's top engineers. This book follows their work in the U.S. space program from the early Mercury flights right through to the International Space Station. It includes stories about Jim Chamberlin and his design work on the Gemini spacecraft, John Hodge's efforts as the flight director when America faced its first emergency in space on Gemini 8, and Owen Maynard's contributions to Apollo. And there's much more. Top NASA officials were unanimous: the group from Canada was a "godsend" to NASA. Now, for the first time, their story is told in Arrows to the Moon.

This hidden gem of a book is one of the best there is on the space program. Its main purpose is to explore a little-known but important corner of space history - the Canadian contribution to the space program. But it is so masterfully written, it manages to summarize the entire feeling of the Apollo program incredibly well - a feeling I remember from my many years working on the project. If you read one book on space history, this should be it.

When I first saw the name Emily Carr. It was on the side of a building for an art school, located on Granville Island in Vancouver B.C.. Upon returning, I did a little research then purchased this book from Amazon. Emily Carr, painted on her own and was not influenced by the cliches of groups or individuals. She found her own niche as a Canadian artist in British Columbia. It was not until later years that she would be discovered by the Group of Seven in the east, and there she stated finiding her kindred spirits in nature. I can only say, that like Frida Kahlo and Gerogia O'Keefe, Ms. Carr was a true individual. I've always been enamored by the Pacific Northwest. I very much felt at home in British Columbia. I'm truely happy to have found this artist. She is a must read and look, has much offer not only artisitically but as a woman who roamed alone in search of encapsulating the history of native peoples slowly fading away and the nature around her. I hope art history teachers will discover this female artist as well. And find room in their instruction. She has much to offer. She is my kindred spirit.

I heard about this artist from a friend. I also visited Canada recently, altho not in the area where Emily Carr lived. She is revered in Canada but not nearly as well known in the United States. I personally love her paintings. To me they perfectly respresent the times she lived in and her not so easy life.

An incredible book fulfilling every Carr fans wishes. Truly a beautiful piece of literature and visuals. I was very impressed with the depth of knowledge the Author had of Ms. Carr and the extensive listing of pictures from private ownership and many Galleries. Contains a complete history of her life, travels, writing and of course her unwavering pursuit of success. An absolute must have for anyone who is a Carr fan. Thoroughly enjoyable.

If you are interested in expanding your knowledge of artists on this continent (North America), specifically the West Coast, I'd recommend this erudite volume on the work of Emily Carr. Emily Carr was a late-bloomer, but when she found her own she produced haunting canvases of her encounters with Northwest Coast Native Art, specifically totems. This was followed by strong formalized images of the coastal rainforest. Late in her life she painted expressive landscapes. I recently read that a joint exhibit of Emily Carr, Georgia O'Keeffe, and Frida Kahlo "Places of their Own" will be travelling to various venues in 200l/2002.

This is one of those books that is a must for any person interested in Pacific Northwest history, art, and culture. I first encountered Emily Carr at an amazing exhibit at the Royal British Columbia Museum in Victoria. I have been a big fan ever since.

My knowledge of English just isn't good enough to do justice to this artist and this book. Robert Bateman translated into paintings all the enchantment I have felt for nature since I was a child. Wish I was much younger to try to follow his footsteps!! Marvellous book!

To see a Robert Bateman work is to glimpse a moment in Nature's time when an elk treks across a vast winter landscape of snow, conifers & mountains; or a stream bank where tender green plants glow against the moist earth & a minute bird perches; or a trumpeting bull elephant confronts you in a storm of dust. Roger Tory Peterson has written an expressive introduction & Ramsay Derry's profile of the artist makes good reading - especially as he's included a history of who Robert Bateman is; where he's lived; several works-in-progress sketches; photos of the artist in action & on location. A worthy addition to your library.

This book, together with "The World of Robert Bateman" is one of the best wildlife art books ever published, and truly shows Bateman at his best. The later collections (especially the very last ones) don't even come close to the beauty of the paintings in these two books. In most paintings the animal is just one character, sometimes not even the main one, while the landscape and the surroundings (depicted in marvelous and maddening detail) almost always plays a central role. Here Bateman shows to be a master of the techniques he uses, and creates pictures of stunning beauty who truly come to life. Both books are highly highly recommended if you life "realistic" wildlife art.

I have 3 Bateman books all are special ,a book for everyone to enjoy

THE ART OF ROBERT BATEMAN appears in its 25th anniversary edition to include text by Ramsay Derry and an introduction by noted ornithologist Roger Tory Peterson himself as it provides a stunning blend of full-page color wildlife images and accompanying artist profile. This was the artist's first book and cemented his career: its re-appearance is perfect for collections who either don't have the original or find their lending copies worn.

Dougal Douglas, the protagonist of this short novel, is a modern-day trickster, stirring up the sleeping industrial town of Peckham, where secrets and neuroses are in abundance. I loved Ms. Spark's sense of comedy. It makes her books always a fun read, and it's subtle enough so it never becomes an annoyance to distract one from the story.

Loved the novel and loved the story. There was too much inside British stuff in the novel for a Houstonian like me to get the irony of.

This novel was new when I first picked it up for a train journey. I had been reading a good deal about Muriel Spark in newspaper notices at the time, so this was the chance to find out for myself. It was love at first read, and I was curious whether the wonder of it all might have survived the decades.

Muriel Spark's work is commonly classified as `satire', and I suppose that's fair. However something that her early admirers, including Evelyn Waugh, stressed was that she is not really like anyone else, and I believe that is true also. Obviously, satire has contemporary themes, so it might seem a likely candidate for early obsolescence, but a few moments' thought suggests otherwise. Juvenal Voltaire Swift and Macaulay have not exactly gone out of fashion, and are still read with enjoyment by people who cannot be bothered to look up their contemporary allusions, and 40 or more years after it was launched the satirical magazine Private Eye seems not only to be still going strong but to have passed on its special vocabulary, originally attached to figures now little remembered, to a new generation of fans. Small wonder in that case that Mrs Spark is still wearing well.

For newcomers to the author, this is as good an introduction as any. It is completely characteristic of her, it does not threaten memory overload with a huge cast of characters as The Bachelors possibly does, it stops short of being downright weird like The Hothouse by the East River, but on the other hand it escapes being lightweight like The Abbess of Crewe or even the immortal Prime of Miss Jean Brodie. Of the standard Spark features, Catholicism is relegated to a brief mention, of much the usual kind, in the last page or two, but two of the characters, including the principal character (hardly qualifying as any `hero') are Scots. Her ear is as acute as ever, and readers old enough to remember the fashion for addressing people with rhyming animal names (`See you later, alligator.' `In a while, crocodile.' etc) must smile at the way the thing is done here.

The book evokes an era, and one that I remember quite well. This was the impoverished post-war Britain of dull clothes and duller food, before we first swang in the Swinging Sixties. Small manufacturing companies were still common, and it was still common for them to be British-owned and managed before automation, globalisation, the EU, MBA's and consultant-speak set in. Mrs Spark is a talented observer and mimic, and as usual there is little or no sense of affection for, or between, any of her characters. She is funny in a wry way rather than any aisles-rolled-in way, and as usual you never quite know where you are with her. Situations can become serious and even lethal in the proverbial twinkling of an optic, and one of her dramatis personae in this book is murdered and there is another attempt at murder or at least serious assault.

There is no outright irrationality this time, at least if you opt as I do for the theory that the bumps on Dougal's head are only sebaceous cysts. However Spark's characters are mainly just marionettes puppets and caricatures, and I'd say that goes for all of them in this book. I'm not sure whether I have been to Peckham in south London or to the Rye, which is an area of parkland or similar, but it features occasionally these days in news items about gang crime, knife crime and gun crime, often with an ethnic basis. It got headlines just a day or two ago when the ineffable current holder of the post of Home Secretary told us that she was afraid to go out at night for a takeaway meal in Peckham, and she has a constant police escort. That was what prompted me to reread the Ballad of Peckham Rye, because the title is a good one - like the ancient ballads this novel captures the feel of a time and place otherwise receding into inexact memory and helps us match it up against what it is like, or what we are told it is like, now. I never met Muriel Spark in person, I may or may not ever have seen Peckham Rye, but in a sense I shall always know her from there.

The Ballad of Peckham Rye (1960) seems more typical Sparkian fare than 1958's Robinson, which is to say more arch, more satirical, and more stylistically bizarre. And yet, while in Robinson Spark uses realism to loosen readers from their moorings so that they founder in the depths of what seemed to be a straightforward story, in Peckham Rye her wry, detached sketches release the reader into a kind of drunken clarity about such Big Ideas as, say, human nature. Reading this short novel, I told a friend at the time, felt like being in one of those whiskey-induced hazes in which certain lines and observations blaze with a delightful, transcendent truth--for example, "Dougal gazed at him like a succubus whose mouth is in its eyes," or "My lonely heart is deluged by melancholy and it feels quite nice"--while the lesser details, like What Is Actually Going On, recede elegantly into obscurity.

Dougal Douglas (or Douglas Dougal, depending on who you're talking to) may be a devil, and some people think he seems more Irish than Scottish. Whatever else he is, he is a lot of fun. THE BALLAD OF PECKHAM RYE lacks the sympathetic, possibly autobiographical central character found in many Spark novels (THE COMFORTERS, THE BACHELORS, etc.); however, it doens't fall into the black hole that swallows THE DRIVER'S SEAT or other works consumed by Spark's sense of evil. Instead, Dougal Douglas, the ever-present mischief-maker, takes the place of the sympathetic center. He wreaks havoc, but only by bringing out the devil in others--he himself has a kind of curious innocence in the midst of their scheming and violence, and acts as a (presumable) spokesman for Spark when he categorizes their various moralities (Functional, Emotional, Puritanical and Christian).

Such a summary doesn't begin to capture the delight and wit of one of Spark's most enjoyable and economical (again, not a page too long, which cannot be said for many of even our best writers today) books.