Oceania Books

This book is a collection of letters written by Margaret Mead to friends and family while she was working in the field. The letters span her entire career, from 1925 until 1975, and are accompanied in every chapter by photos by and of Mead. I found the letters quite intriguing, both for what they said as well as for what they didn't say. Some of the letters provide travelogue-like details of what conditions were like at her research sites. Some tell us a little more of what she was really thinking about the people and cultures that she later wrote formal descriptions of. Some of the later letters are quite formal, more journal entries than personal letters.

I found some of the most interesting materials actually to be the short introductions that Mead wrote at the beginning of each chapter, where she glosses quickly over the enormous upheavals in her personal life. In chapter 1, she says goodbye to her "student husband, Luther Cressman." In the next chapter, she notes that she stopped in Auckland on her way to the Admiralty Islands to marry Reo Fortune before starting her 1928-29 research project in Manus. Then in chapter 5, she stops in Singapore to marry Gregory Bateson in preparation for their 1936-1939 project in Bali. Since I had only read Mead's professional writings before, the book's casual mentions of frequent successive marriages aroused some curiosity about her personal life. A quick Web search revealed quite a bit more, including a long-standing connection with Ruth Benedict (see for example "Margaret Mead and Ruth Benedict: The Kinship of Women" by Hilary Lapsley). If you are interested in the life and work of Margaret Mead, this book will give you some insight into Mead's own opinions of what she was observing that go beyond the objective descriptions found in her formal works.

Comprehensive, Good-looking and Feeling so "cool" to carry restaurant guide for Sydney (heavy-pocket) goers. I found this book after I came back from Australia. So it was quite a good memory for me, coz there is one of the restaurants I went to which listed here, and what is said in the book is just what I thought of that restaurant really is. For me, I rated the credibility for 8 out of 10, Practical (how useful of the book) I give 5, coz there are only the expensive restaurants listed, and we all know that there are loads of good food and cheap restaurants out there...so I would say ok, if you wanna go out once a while to dine in a fine restaurants. Presentation (how the book looks) I give 9.5 for the presentation: with the pocket size that you can bring along, the PVC cover that will make the book tougher coz we all know that this kind of book need to open quite a lot and the inside is so cool with the photos (you can't tell what they were taken anyway) good paper and very nice 10 points cover. I would say that overall compare to the other restaurant guide I have read...("Sagat's survey"---Bad. Presentation (which always stays in my passenger side's compartment) but excellence and trustworthy data...The "Tatler's"--- all commercials but really nice with 4 colors photos of the restaurant and mouth watering dishes) So "Out to Eat" is in between---- if you are looking for the restaurants quide, I would recommend this one but do not expect to pay less than 30 Aus$ for a meal.

The first thing I want to point out is that this book has many more (and better) maps of Auckland than the full Lonely Planet New Zealand, so in that sense it's a great book for someone who will be spending a while in the city. However, I think the ideal person to buy this book would be someone who is traveling around the south pacific and due to time constraints will only be hitting Auckland and the surrounding area. I met a lot of vacationers in Auckland who were doing just that. If that's you, pick up this book! It's a lot less weighty than the full LPNZ, and it covers everything from the Bay of Islands to Rotorua (and places in between like Whangarei and Hamilton) -- not just Auckland city. The only downside is that the prices are slightly out of date since it's a couple of years old. However, all the info other than prices about places to stay, things to do, etc. is still valid (I just visited July-August 2001, so I know).

My wife and I used this handy guide on a recent trip to Honolulu. It was the only one we consulted and it seemed to be adequate. The map section was particularly useful in helping us to navigate around Honolulu and Waikiki. Since we returned home there have been some more instances when the guide was needed as a reference.

The authors give only a lukewarm recommendation for the Polynesian Cultural Center. We are much more enthusiastic about our memories of that experience.

The third edition of this guide to Australia's smallest mainland state shows a definite shift towards, if not the high-end traveller, at least the mid-end traveller with expanded listing of lodging and eating establishments to include more expensive options, especially in the section covering Melbourne. The coverage of the rest of the state is as exhaustive as in previous editions. While Lonely Planet refuses (or does not have the staff) to update the printed versions of their guides more than once every two or three years.

The only real criticism I have of this guide is that the author(s) clearly have animus against the current Victorian government. While everyone is entitled to political opinions, they are out of place in a guidebook, particularly in a series which includes guides to such places as Burma.

I had a chance to look through this book recently at a friends house, and I was pretty impressed. It contains a bunch of useful maps, which from my experience are more than adequate to help you get where your going, or find a place to go if you don't know where you want to be. It also has page upon page of great information on all things walking in Australia. Well worth the price.

As an expatriate Sandgroper, this narrative was quite entrancing. The authors have clearly spent much time traipsing through the vast areas of Western Australia. Arguably, they have seen more of it than many of its locals, who tend to be congegated in the Perth metropolitan area. Thus, somewhat ironically, a ready audience for this book might be people in Perth that wish to get out and see more of Australia's largest state.

Overseas visitors should be cautioned about the book. Even though it does give the size of WA, the sheer immensity and dearth of people may still be surprising. Twice the size of Alaska, and with scarcely 2 million people. Well over half of which are in Perth. The book strives to convey the feeling of desolation once you leave Perth, and you should do well to keep that in mind.

Australia does not have the strong tradition of Nature writing that America does. One exception to this is Western Australian writer William Lines. This book, the title of which pays its respects to an Eric Newby classic, is the story of his walk he did along a previous version of Western Australia Bibbulman Track which runs south from Perth. Lines deftly describes the every day aspects of the walk but intertwines his descriptions with an account of the history, a rather sad one, of Western Australian forests as a result of greed, ignorance and stupidity. An Australian environmental classic.

The premise of this book is fantastic: it aims to be an introduction to New Zealand culture geared toward the educated but non-specialist American. By explaining dominant trends in NZ literature, describing some of this literature's historical context, and relating it to American culture, William Schafer outlines some answers to the questions of what it means to live in New Zealand, and how that nation has structured its unique identity. On a more basic level, this book gives its readers a sense of what NZ lit and film is available, and thus provides a spring board for an independent exploration of NZ culture. Schafer's quotes and discussion of the fiction of Witi Imihaera (author of the novel The Whale Rider, upon which the 2003 film is based), for instance, were particularly attractive to me and, as a result, I have since read several of his works. Mapping the Godzone opened a new world to me, and I look forward to continuing to explore NZ culture under its guidance.
While the book's aims are laudable, its execution is not quite as impressive. Schafer tries to avoid the jargon and heavily theoretical analysis of contemporary literary criticism, but at times he slips up and his prose drags. At other times, he is somewhat too summary in his discussions--particularly when he relies on series of lengthy quotes by other critics. The quotes from literary sources should be well appreciated, since they provide a window into the style of many authors; the quotes from scholars simply seem to point to laziness on the part of the author. Could he not sum up the material himself? Besides these (not too grave) issues of style, the content of the book could have been improved. Clearly Schafer (an English professor) was mostly interested in the literary achievements of New Zealand. However, he does intend his book to be a primer on culture as well, and to achieve this end he would have done well to include more of popular and visual culture in hi
s book. He does write a short section on film, but it consists mostly of a list of movies that the reader might find interesting.
Despite its flaws and shortcomings, Mapping the Godzone is a unique resource for the American reader curious about New Zealand, and it seems to be an excellent overview of that country's literature. I am glad to have found it.

I recently picked this book up while visiting Hawaii. It is very interesting and it is nice to learn about such new additions to Hawaiian history are becoming available. Dukas makes an excellent presentation of Hawaii's military past from its days before Kamehameha the Great's Unification of the islands, through the troubled years of the Kingdom and ending in brief years of the Republic. Extensive bibliography. Hopefully this will be the first of many historical works that will shed more light onto the years of the Kingdom of Hawaii and show it in a far more positive light than critics continue to portray it.