Europe Books

I think this is the best of what I guess you would call Pipes' "Revolutionary Trilogy." "The Russian Revolution," perhaps two or three times the length, is impaired a bit by Pipes' sometimes tedious moral-pointing. "Russia Under the Bolshevik Regime" seems a bit less ambitious than the other two, and in any event it is surely the one least likely to survive the torrent of new material that is becoming available after the fall.

What distinguishes Russia in Pipes' eye is the tradition of "patrimonialism" -- as a political category, a coinage of Pipes' own, though with its roots in Weber, in Hobbes and Bodin, even in Aristotle. Pipes means to denote "a regime where the rights of sovereignty and those of ownership blend to the point of becoming indistinguishable, and political power is exercised in the same manner as economic power."

"Despotism," Pipes continues, "has much the same etymological origins, but over time it has acquired the meaning of a deviation or corruption of genuine kingship, the latter being understood to respect the property rights of subjects. The patrimonial regime, on the other hand, is a regime in its own right, not a corruption of something else."

This is a brave assertion, and Pipes remains faithful to it. Indeed, the core of the book is perhaps his chapter entitled "The Anatomy of the Patrimonial Regime," where Pipes tries to show how utterly different is the tradition of governance in Russia from the tradition in the West -- even in Western nations that we might think of as "reactionary."

There are other virtues to this book. His introductory chapter on the environment is perhaps worth the price of admission, as he retails the grim arithmetic of topsoil and grain production. His discussion of serfdom provokes all kinds of questions about the relationship between serfdom in Russia and slavery in the West.

A work of just 318 pages can hardly pretend to be the last word on the history of a great nation, and Pipes maintains no such pretention. I take it as given that much more could be said to inform, expand upon, or criticize, Pipes' perspective. But as a framework for approaching the study of Russia, it is hard for me to see how it could be bettered. As a provative contribution to the literature of political analysis generally, I should think its claim is equally strong.

Richard Pipes does a good job at laying out the workings of Russia's Tsarist Regime. What I found to be most interesting and persuasive is Pipes' frequent contrasts between Russia and Western Europe. For instance, he looks at the status of the nobility and the strength of the church. In both instances, Pipes draws a clear path as to how, in Tsarist Russia, these institutions became virtual extensions of the state bureaucracy (in sharp contrast to Western Europe, where they often served as brakes on royal power). In addition, Pipes places Russia squarely in the sphere of Asian (specifically Mongol) influence. As evidence, he points to close similarities between the Khanate and Tsarist "patrimonialism." In doing so, he de-emphasizes the oft-stated argument that Russia was the close heir to Byzantium. Finally, Pipes continally demonstrates how Tsarist policies laid the groundwork for the Soviet system (though the latter took those policies to a far bloodier and more extreme conclusion). My only criticism of the book is that Pipes does not deal directly with the issue of Russia's "national minorities" (beyond a quick mention of the Jewish Pale of Settlement and several Polish rebellions against Russian rule) and the attempts by the Tsarist regime to "Russify" those groups. I think that this would have been quite relevant to look at in Russia during this period. I am looking forward to reading Pipes' writings on later events in Russia.

This book is an absolute must-read! Before I read this book the history of Russia was a weakly connected sequence of contradictory events to me - that I wasn't able to organize in my mind in any comprehensible way. After reading this book I see a clear picture of my country's history. I suddenly understand what is going on. Every historical event, every action of a historic person suddenly falls into place, I see their meaning. This book provides you with an understanding of the real issues that have been troubling Russia for the past 1200 years. You will understand Russia and you will understand its people. The mext time Russia is on the news, and you have some Russians making a statement or conducting some action - you will understand where they are coming from when they are doing that.

This is indeed a brilliant book. Any one who wants to understand Russia should read it. I can not praise it highly enough. Please get a copy and learn and enjoy.

When I purchased this title in a used bookstore for two dollars, I was somewhat apprehensive about its scholarly quality, author biography not withstanding. Upon reading, however, I must say that I felt Pipes admirably illumined what is a very complex economic, social, and cultural subject. Specifically, his thesis concerns the manner in which the Russian state, under various formative influences, developed an essentially proprietary attitude towards land and subject alike. In Pipes' view this has been the primary determinant of all Russian history following Mongol domination. I myself make no pretenses to be an authority on the subject, but Pipes' use of evidence generally convinced me of the credibility of his claim. I would recommend this title to anyone interested in a general account of the pre-revolutionary Russian state apparatus.

This book will provide multiple and in-depth frameworks for thinking about and managing services and services marketing. Adding to the frameworks are real-world examples from leading edge companies. The authors' depth of knowledge shines through in fitting these examples within the frames giving the reader insight as to how to apply each to their own particular scenario.

A very informative book, however it is easy to see that it was written by professors. The book does make basic business subjects more complex than needed.

With its comprehensive content, the book gives a fantastic overview of the important issues in services marketing today. There are many interesting and practical examples demonstrating the learning points. Well-balanced perspective. Besides giving readers the foundations of concepts and tools to use as services marketing managers, it also gives readers interesting tips on how to get around or leverage on current services strategies used by companies as customers.

As Services industries continue to become a larger and larger share of our global economy, the importance of Services Marketing can only grow. Wirtz and Lovelock have written an excellent book for understanding Services Marketing and backing it up with numerous excellent real world case examples. I have been in the Services industry for 21 years, but still learned a tremendous amount from the book and cases. The book makes it easy to grasp the key concepts and has a logical, smooth flow. If after reading this book and exploring the accompanying cases, you still don't have a thorough knowledge of Services Marketing, it is YOUR fault! I highly recommend this book and think it should be part of every MBA program.

This is such a well-written and well-organized book that you can simply read from cover-to-cover or jump into your interested chapters right away.

Not only does the authors present you with their in-depth coverage of the various services related topics, supplementary materials (papers, cases) from other excellent sources/authors make this an absolute encyclopedia of services marketing and a coherent contemporary literature for both novices and seasoned practitioners.

This is THE book for this very under-written and immensely critical topic of services marketing and an essential reading for the 60-80% of the workforce who are involved in the ever growing services sector.

Reading Jean Genet's books always makes me thrilled. He has the power of detailing stories after stories of sins. He also has the magic of transforming sins into beautified actions that everyone should have appreciated instead of detesting. His words are powerful and contain a seductive emotion. He also confess his love for male bodies in this kind of autobiography book. This work is one great masterpiece in my mind.

Jean Genet's absorbing work of literary autobiography traverses the boundaries of genre with stunning ingenuity and imagination. This work is in some ways similar to Capote's use of the so-called "non-fiction novel," in that it recalls apparently true events through the lens of fiction. This is the reflection of a petty thief, and vagabond. Genet is a young man wandering Europe and immersing himself in a world of crime and depravity. He fuses his homosexuality with nefarious hooliganism to play off of our civilization's utter contempt for effeminate males. Genet blurs the boundary of morality with Nietzschean fury as he revels in his self projected "evil." Perhaps what is most astonishing about 'The Thief's Journal' is the way in which Jean Genet comments on his own commentary with startling frankness and lucidity. In many ways this work established many of the literary mechanics of what is now referred to as "post-modern," though Genet achieves the same level of complexity without sacrificing clarity or beauty in the process.

Genet was, without a doubt, one of the master prose stylists of the twentieth century. This "autofiction" memoir, based on the events of his life, follows the author/character Genet on his vagabond trip through 1930's Europe. While all of Genet's narratives are interesting, most do not follow a chronological sequence or have standard narration. This one does, and as such, I think it is the best introduction to his work.

In this "journal," Genet does more than detail the events of his everyday life--he describes the process by which he becomes a poet. In singing the praises of all that society rejects, Genet creates beauty from the abject, and puts all events and experiences on equal ground as inspirations and subjects of art. One of the great meditations on the creative process, and one of the great works of the 20th c.

Both during and after my reading of Jean Genet's semi-autobiographical memoir of life as a criminal (later turned writer), I have been attempting to place its protagonist (aptly named "Jean") onto a psychoanalyst's couch. Here is a fascinating and often times sleezy character who has captured my imagination in a way that most central figures of a novel never have. Jean describes himself as having a very lonely boyhood; when he was not living in foster homes, he was out stealing from people, spending time in juvenile reformatories and prisons. Most of his friends have been individuals that he met while in jail or as collaborators in his crimes. These individuals were often pimps, drug dealers, thieves, and other such low lives.

I believe that the key to Jean's nature, a natural extention of his feelings of utter aloneness, is his desire for the love and approval by the most brutal and in his eyes, most masculine, of these malefactors. His robbing of unsuspecting, more well to do older "queers," as he calls them, who hire him for sex, gains Jean the respect and admiration of some of his friends. Interestingly, Jean is also a homosexual (probably self-hating). Although many of these men become his friends, only a few actually return his love. In Jean's unconventional society betrayal of those you most love is a common principle, and Jean desires to do just that.

_The Thief's Journal_ also has its moments of pathos, especially notable in the episode where Jean and a number of his acquaintances are homeless, in utter squalor, and middle-class tourists visiting their terrain comment on their "charm."

This book is not for every taste, but it is a very enthralling look at a world many of us may read about, but never see close up.

Genet's final novel is perhaps his most personal written document. All his desires are finely crafted here and his book is , as usual, crammed with idols and mystification. What prevents me from calling this his greatest novel is the influence of Sartre. By this point, as Genet's biographrer Edmund White has pointed out, Genet was conciously incorporating the use of Sartre's theories in his work (as Sartre at that time was Genet's friend - and sort of replacement for Jean Cocteau). The novel lacks the inovation of 'Our Lady' - but at the same time it has many more direct personal references to Genet himself.

What makes Genet, for me, one of the greatest writers of the 20th century is the way he embraces fate. He is always so clear in his novels about what is going to happen and the significance of what is going to happen. Thus, his writing always sounds so inevitable and profound - and his characters are like shrines of worship - he creates mythology. This is what makes Genet so refreshing to me - and he is, in my opinion, an equal to authors like Proust, Joyce, and Kafka - a gem of self-concious literature.

The Thiefs Journal is a good place to start with Genet. It is very clear and detailed and he pours the same great poetic prose into it - that he gave books like 'Our Lady' and 'Querelle'.

I read Holocaust memoirs because of my need to learn more of what my people went through during this time of hell on earth. How hard it must be to write down and re-live this part of one's life. After reading many such memoirs, Ruth Elias's story was extremely powerful to me, in that she is a woman (like me), married (like me) and a mother (like me). She survived through the most horrific and unspeakable horror that can befall a human being. How many of us could survive under these conditions, and yet continue to live, really live, and experience more of the good in other people and in life? She was capable of literally starting over and telling others about her experience. What a wonderful, strong and intelligent woman she is! Don't miss this one. I'm going to make it a permanent part of my book collection.

This memoir goes to show that, despite what some people might say, it really is true that no two Shoah memoirs and experiences are exactly alike. Rutinko Huppner (now Ruth Elias) grew up in a rather wealthy family in the former Czechoslovakia, and after her young mother divorced her father when she was 6 years old, Rutinko and her older sister Edith were raised by a single father, with help from their uncle Hugo (their father's brother) and his wife Irma, along with a whole slew of grandparents and other aunts and uncles. Later on their father remarried, though Ruth and her sister, teenagers by then, really resented their stepmother and tried everything they could to make her life miserable. Being wealthy, Rutinko and Edith had access to things that their friends, neighbors, and classmates could only dream about, such as sausage for school lunch, a car, being driven to and from school, vacations in the mountains, musical instruments and music lessons, and a lot of other great stuff. They even had the money and connections to get permission and papers to leave Czechoslovakia for England after the Nazi takeover in 1939, though she and her sister decided not to go through with it due to their father's ill health and wanting the family to stay together through this difficult time.

The family were able to go into hiding in a few different cities, where they enjoyed a relatively secure and happy life. Ruth and Edith even found the time to have romances and to be active in a secret Jewish youth group. However, there was eventually a raid on the area, and Ruth, Edith, their father and stepmother, and their aunt Irma were taken away to Theresienstadt (Terezin). Their uncle Hugo wasn't taken because he was very sick in the hospital and dying of cancer. Once in the large ghetto, they found themselves separated from their father, since men and women were quartered separately. However, shortly before they arrived, Ruth's boyfriend Koni and his own family had been deported, and this relationship ended up saving her life, since if Koni hadn't married her while she was sick in the hospital, she would have been deported along with the rest of her family when they were. From this point on out Ruth was along but for the friends she made, and she and Koni weren't even able to properly live together as husband and wife for some time. However, even in the ghetto love blossomed, and eventually Ruth discovered she was pregnant. After doing absolutely everything to try to find a doctor who would give her an abortion, she ended up being deported when she was two months pregnant, and was one of the few women who survived in that condition instead of being murdered on arrival. A lot of circumstances came together to save her life and to keep her alive even in spite of her condition, many of them decisions she had only a split second to make if she wanted to live. Eventually she had to make the most difficult and heartrending decision of all when her baby was born, so that the infamous "Dr." Mengele wouldn't kill them both.

Once she was no longer pregnant, Ruth was viewed as a healthy fit young worker, and was transferred, along with her friend Berta, who had also been pregnant, to Taucha, a subcamp of Buchenwald. In this camp, they were put into a special privileged work detail, which accounted for their eventual survival. After being liberated, their group of Czechs made their way home and found that, in the overwhelming majority of cases, their loved ones just were not coming home and that they'd had to start over again from scratch. I was surprised to learn that many young people like Ruth and her boyfriend Kurt just lived together after the war instead of getting married, since they had to wait two years before their missing spouses could legally be considered dead, even though everyone knew what had most likely befallen them. Ruth also had to make the difficult decision to divorce her husband, who had survived as well, because they'd just grown apart and she felt he hadn't acted very appropriately towards her when they were in the Family Camp at Auschwitz. A few relatives came back, but no one from her immediate family. It was with this new family of two that she left Czechoslovakia for Israel shortly after independence was declared, and just in the nick of time, before the Czech borders became closed.

Mrs. Elias went through some of the worst things imaginable (a number of times she even writes about how hard it was to just almost matter-of-factly type such heavy words like "None survived" or "They were probably all gassed"), and yet she came through everything alive and determined to start again, to make a new life for herself in her own homeland, to make sure that no one ever looked down on her or abused her ever again. It just goes to show that the human spirit is an amazing thing.

This book never lags and never loses your interest. It is very well written. It is an inspiring and insightful account of a woman's courage and determination to survive the Holocaust. I only wish the book continued because I wanted more. Very highly recommended.

I finished reading Triumph of Hope this morning, after starting it two days ago. I simply couldn't put it down. The author, Ruth Elias, is nothing less than extraordinary. The way that she expresses her memories, through her style of writing and description, helps us to get one step closer to understanding an experience, which we can never really comprehend, because we were not there. Mrs Elias's life is remarkable, and through reading her book I thoroughly believe that she is a genuinely lovely, kind and warm person. It is such a tragedy that the Jewish people of her generation went through turmoil and absolute hell. But through this book, Ruth's aims - to spread the message that the discrimination and racism they experienced should never be repeated - are being achieved when a single person reads her book. Her message is being spread over the world, and I am glad that i was able to read Triumph of Hope. I intend to share this book with my family and friends, so that they can read of such an incredible woman, and a generation of people who refused to give in. I sincerely recomend this book to anyone who is thinking of buying this, for themselves or for others.

I have read dozens of Holocaust memoirs, and although they are always touching and intense, none have caused me to feel such grief for the author as this one. I literally had to stop reading and bawl my eyes out for a good 10 minutes. This woman endured so much, and with such grace, that you cannot help but be invested in her story. Highly recommended.

Seriously, I think a lot of this book. The artwork is wonderful; the story is wonderful. We had to buy this copy because we wore out our first one.

Another great book by Munro Leaf and Robert Lawson. Nice story and great artwork. Recommended if you already own and like Ferdinand.

So glad it's back...this classic book on how different people can get along. Not just for kids.

"Wee Gillis" is a classic of children's literature, and this is an excellent new reprint. There is no dustjacket, but the book has a very strong cardboard cover and good quality paper.
The book combines an interesting commentary on the cultures of the Scottish highlands and lowlands with a simple and rather old-fashioned story of how a boy takes his place in the adult world.
The black and white illustrations complement the text beautifully, and almost tell the story on their own.

Originally published in 1938, this one is a delight to see back in print thanks to New York Review Books. The Scottish setting is charming and the central message, to be who you are, is important. Not content to be a hunter like his father's family or a farmer like his mother's family, Wee Gillis finds his own place in this world as a bagpiper. Baby boomers will be familiar with Robert Lawson's illustrations from such children's classics as Rabbit Hill, Ben And Me and The Story of Ferdinand, also written by Munro Leaf. I adore this book so much I named my dear and very independent Cairn Terrier puppy Wee Gillis.

In addition to reader reviews, here's what the media are saying:

"...funny, touching, insightful, The Wee Mad Road is well worth traveling, if only from the comfort of your favorite armchair."
Neill Kennedy Ray, editor, SCOTTISH LIFE magazine, Summer 2008

"If you're looking for a respite from politics and war, you can lose yourself in The Wee Mad Road...so idyllic it'll make you Highland green with envy."
Mary Ann Grossman, book reviewer, Saint Paul Sunday PIONEER PRESS, May 4, 2008

"The Wee Mad Road is kind of like Peter Mayle's A Year in Provence, with rotten weather and lots of whisky."
Bob Gilbert, columnist, VILLAGER, May 7, 2008

"...a two-year adventure of shearing sheep, learning folk songs and befriending locals. The whole romantic endeavor is captured in The Wee Mad Road."
Kerri Westenberg, travel editor, Minneapolis Sunday STAR TRIBUNE, June 22, 2008

"...gloriously whimsical...This is great fun!"
Hamish Coghill, book reviewer, SCOTTISH LIFE magazine, Autumn 2008

Plainly written but very true to the scottish people, countryside, and a wonderful view of what their life was making this dramatic change to living. Really enjoyed due to the insight into the scottish village life and way of interaction.

Fun read if you are into Scotland!...and I certainly am! So I'm really enjoying it. If you are looking for an instruction manual on how to move to a foreign land I don't believe this book will give you all the information that you need, but I don't think the writers intended that. It's just a short journal/story of their experience. I am finding it very entertaining. And Mrs. Maloney's sketches are such a bonus! I believe if you have a love for Scotland you will enjoy this book. And I believe if you are contemplating taking a big step in your life this couples story will be an inspiration to you to just go for it! (...and don't forget to journal your journey so that others can enjoy your experiences too!)

I read about this book in the St. Paul(MN)Pioneer Press

We have a Scottish daughter-in-law. We went to visit her parents on the Isle of Skye after she married our son. I fell in love with Scotland, especially the Highlands.

I ordered this book for my daughter-in-law for her birthday and she was delighted with it. She knew the location of Coicagh, had been there and knew how to pronounce it. I picked the book up at our library and am enjoying it immensely. Anyone born in Scotland or it was their birthplace, can't help but identify with these Highland Scots: Warm, generous, patient with Americans, especially. To me Scotland could be heaven and I would be satisfied.

Wow! I felt like I was there. I have been to Scotland before, but not quite that far northwest. Now I see what I missed. The Frieda chapter was priceless! It was nice to read both authors' comments. It gave a well rounded picture of the people and terrain of the area. I felt as though I were there. The writing is so vivid, that I felt the wind and cold rain. The life the authors had is quickly dying, and it was wonderful that they were able to take that time in their life, to live a somewhat slower pace, where you had time to "smell the flowers" and appreciate their neighbors. The pictures were excellent as well, and easily showed Scottish life and scenery.

Loved it, loved it, loved it. I am not a teenager anymore but I still loved it. I could relate. I read it in one evening and wished that there was book 2 to read. Please keep writing these great, funny books.

Finally! My 3rd-grade daughter used to dread reading, and the first book "Matt the Brat" got her hooked! This is the first time she has wished that there were more books in a series. Carol Weston, please write more!!

I LOVED this book. it was great. all of the Melanie Martin books are great. In this one she goes with her parents to Spain. her dad has business in Spain to do so her mom used frequent flyer miles to have the whole family go with him. In Spain Melanie's mom meets up with her old boyfriend Antonio. When there. melanie falls for Antonio's son Miguel. In this book many adventures come in with love between Melanie and Miguel. Also surprisling Matt the Brat helps out to keep Melanie and Miguel alone or gives Melanie tips, like when Miguel's cousin comes and Melanie thought it was Miguel's girlfriend. This book was great and I'd recommend it for all ahges.

I bought this book from amazon.com and read it the day it came. It's so sweet to see Melanie in love! Stocked with bullfights, fireworks and of course, ROMANCE, this book rocks! It's almost like being in Europe yourself! This book is a must-read!

The Martin family band together for a two-week Spring break vacation as seen through the eyes of 11-year-old Melanie. Readers join Melanie through the pain and confusion of first love as she fills her senses with the compelling Spanish landscape. This is an amusing linguistic travel adventure written in diary format. Because the author phonetically spells the Spanish words Melanie learns, I found myself saying some of the words aloud and learning quite a few things along the way. An appendix of all the foreign words Ms. Weston used would have been an added benefit to the book. With Love From Spain, Melanie Martin will make you want to take your kids on a European adventure of your own, no matter where you live in the world! The potential for this book is it's "that's me" value for Tweeners making the transition beyond being big kids.

If there is a drop of irish blood in you, this book is a must. It will truly stir your Irish heart and make you long for home: Ireland!

The title is brilliant. To be sure...To be sure! How imaginative and such a beautiful book. I too am a displaced Irish person. Now living in Detroit for 18 years and this brings memories back - sweet memories. Excellent and highly recommended for all irish even if you only have a single drop of the green blood in you...lol

a beautiful book and so much fun. my family are irish and when we sat down and read the irish curses well we must have laughed for the entire night.

a beautiful fun little book full of surprises. Very enjoyable to anyone irish.

this is a beautiful book for the irish..to be sure..to be sure!
I just had to put that in as it really reminds me of ireland. I live in texas, 2nd generation, have visited ireland once and loved my homeland. excellent book and i really recommend it

Not knowing much about this period, I was quite interested to find out more on this era.

This book gives us an over view of what is known of the time. I was stunned to find how little is known of this time. What we do know is that the period went though some dramatic changes? However how we don't know. There are unfortunately few written sources of the period and the archaeologist have little at present to help us.

An Age of Tyrants: Britain and the Britons A.D. 400-600
Christopher A. Snyder
The Pennsylvania State University Press, 1998
ISBN 0-271-01780-5

This is a wonderful book to bring to life a cohesive mosaic of the two centuries that followed the removal of Britain from the Roman Empire to the arrival of the papal mission under Augustine in 597.

Published within the past few years, this book bring together many of the latest elements in the trail of King Arthur available to the modern scholar. His book is filled with the most credible theories based on academic consensus, drawing from the most recent translations and comparisons of ancient sources.

What is most singulary worthy of this book is the lack of judgement on the topic of Arthur and Merlin. After laying out the entirety of the context within which Arthur and Merlin may have lived, these two characters are dealt with only in a brief three page appendix. Snyder describes the historical basis for the two characters then ends his brief discussion without trying to postulate who they actually might have been. "What the historian can contribute, however, is a better understanding of the period and place in which Arthur and Merlin may have lived for those who wish to pin down these legendary figures to time and space."

Indeed! This is precisely what he has done. Anyone interested in playing Pendragon or reading Arthurian literatute will appreciate how he frames the era in terms of these "tyrants" -- self-made men who usurped traditional authority to re-establish order and deal with the chaos of the dissolution of the Roman empire.

As a scholar what I like is that the author has made a thorough documentation of where he gathered all of his information. This book itself is short, at 260 pages of text including appendices. Yet it then has 124 pages of rich and curious notes and a lengthy bibliography from which he cited his information.

Christopher Snyder is Associate Professor of History and Chair Department of History and Politics at Marymount University in Arlington, Virginia.

Christopher Snyder says the inhabitants of what is known today as England, Scotland, and Wales would not have called themselves Britons before the arrival of the Romans. In pre-Roman days they would have been known by names associated with their tribal affiliations. Many of the individuals might have referred to themselves as 'Combrogi' or 'Cymry' the latter a Welsh term referring to friendship and/or love of place. The Romans named the "big" island across the "English" channel Brittania. About 400 years after they arrived, the Romans formally withdrew from Britain and left behind a changed place (and probably a few ex-Romans) -- including the name by which the inhabitants knew themselves.

For a long while scholars referred to the period following the departure of "official" Rome and the final "conquest" of Britain by Angles, Saxons, and Jutes the 'dark ages'. More recently, scholars have referred to this era, which stretches from about 400-600 A.D. 'sub-Roman Britain'. Christopher Snyder says he would prefer to call it the Brittonic Age, although his book title names it AN AGE OF TYRANTS.

Snyder's book is divided into three parts. First, he explores the written record -- the writings of Britains Patrick (5th Century) and Gildas (6th Century) and other non-Britonic witnesses. He discusses Latin terms from the extant written material, such as the word "tyrant" which was construed differently by different people in different places speaking different languages. Snyder suggests the "tyrants" described by St. Jerome or the Honorable Bede may not have been as badly behaved as the negative connotation of theit term suggests. In fact, Snyder says the tyrants distant churchmen described may have been more akin to the "tigern" or Celtic lord.

In the second part of his book, Synder discusses the archeological record of the Brittonic Age--which has been overlooked and undervalued as it falls between the rich material record of the Roman (Cirencester, Bath) and Anglo-Saxon (Sutton Hoo) periods. I found this section of the book illuminating as Snyder has systmatically inventoried and synthesized the evidence from a many "digs" into a coherent whole.

In the third section of his book, Snyder uses the material from parts 1 and 2 to describe life in the Brittonic Age in various kinds of settlements (towns, villas, forts, etc.) and the social structure of the people including aspects of government, religion, military, and economic. He says the Britains were a Romanized-Christian people who did not revert back to the tribal behavior that existed before the coming of the Romans.

Snyder is a professor at Marymount University and for all I know he is a member of a religious order, but having graduated from Georgetown University myself, I know that religious affiliation does not mean one cannot be objective. However, Snyder's conclusion that pagan ways disappeared in the Brittonic Age as the population became Christianized may not be exactly accurate.

Based on a reading of the material in Snyder's book and other material, I suspect Celtic ways and the Christian ways merged into an entirely new religion. According to Snyder, Pope Gregory suggested at one point that as the clergy converted pagans they should adapt "pagan temples and rituals to Christian usage in nonviolent ways." I think that is exactly what happened, and I think that explains in part why The Blessed Virgin Mary became so important in Great Britain--which Snyder, a professor at MARYmount might have noted.

It is very refreshing to read a book about this period of British history that is not obsessed with the Arthurian legend, interesting though that is. Mr Snyder uses the little written evidence there is from the 410-600AD period to try and form a picture of the conditions at the time. The second part of the book discusses the archaeological evidence in depth and the final part constructs a coherent picture of what life must have been like in post Roman Britain using the evidence of the first two sections. Arthur and Merlin are mentioned in an appendix and at a few points within the text but only to point out that the historical evidence cannot say one way or the other whether these personalities existed.

Mr Snyder has settled on the title "An Age of Tyrants" to describe the era as being preferrable to "Sub-Roman Britain". I'm not sure if this title is adequate but it is superior to the somewhat demeaning "Sub-Roman" description. This period was clearly not as savage as has previously been thought.

My only minor criticism is that I would have preferred to see more illustrations of the archaeological sites and artefacts but overall I found this an extremely interesting book that was difficult to put down.

I must admit, like so many others, I was originally drawn to the post-Roman period by the "historical King Arthur." But the period is a rich and diverse one, worthy of study in its own right--not only as "Arthur's Britain." In this incredible volume, Chris Snyder--probably the greatest expert on post-Roman Britain alive today, in my opinion--paints a picture of Britain that is anything but a "sub-Roman" "Dark Age." If you ever raised an eyebrow when your history textbook skipped from the Romans in 400 CE to the Anglo-Saxons in 800 CE, then you should read this book. If I had begun with a volume like this when I began my foray into post-Roman Britain, my how farther along I'd be now!

then you will love this Tarot set! A fun romp thru Baroque Bohemia with a Cat's view point. Karen and Alex have done a superb (or shal I say supurrb) job with this set. I love ALL of Karen's card sets, and am gradually collecting them all. is where she has them all

I've been working with these cards for a couple months now and I have to say I've fallen in love with these Cats!!! Both the major and minor arcanas are so well thought out and the companion book as well. It's just a really fun deck and find myself identifying with these beautifully and creatively dressed cats. Everything down to the nice size and stock of the cards makes this tarot kit a real joy. Even if you really arn't a cat lover, you'll find yourself falling in love with these cats, you can't help yourself...Enjoy.

This is my favorite tarot deck. It is just too cute. There are a wide array of cute cats wearing elegant clothing. It is by far one of the nicest decks that I have seen in my time. It is a fun deck to use. Sometimes I take it out just to look at the cards. If you love cats then you need this deck.

This is one of the nicest decks I've owned. Great for reading. The images are gorgeous in the detail and the baroque customes are exquisite. The book is well written with Karen Mahony's delightful style and with a small "cat's interpretation" that brings a smile and also other ideas that can actually enhance a reading. Regarding one of the other reviews, there is a small art gallery in the town where I live in Denmark and they have a very true phrase as slogan, "Art is Work". This deck is a patient and enjoyable work of love, not the work of people that have "too much time on their hands". I own most of the products from the Magic Realist Press and am always forward to see the new products of these very nice and extremely talented people.

"There seems to be some definite, if indefinable, link between cats and tarot...Could it be that people who are attracted to animals as enigmatic, untamable and yet at the same time as warmly emotional as cats also find some of these same qualities in the tarot?" - From the companion book

Karen Mahony and Alex Ukolov, the creative geniuses who run baba studio and Magic Realist Press in Prague, meld lavish costumes, posed cats, stunning Bohemian scenery, and quirky art and architecture in the Baroque Bohemian Cats' Tarot. While many "cat decks" are mostly art decks, this gorgeous Tarot is a bona fide reading deck based on the Rider-Waite-Smith tradition.

Sumptuous fabrics and lovely detailing grace the costumes created by Finnish artist Anna Hakkarainen, while many of the "models" used in the Baroque Bohemian Cats' Tarot were from the Prague Cats Rescue Home. Russian Blues, Tabbies, Persians, Siamese, Orientals, British Shorthairs, mixed breeds--all manner of hue and personality infuse these cards.

From the singing Abyssinian on the 3 of Pentacles to the wide-eyed kitten on the Sun card (which was coaxed to stand up on a horse with a teaspoon of cream!), the almost-human expressions surprise and delight. The fierceness of the Siberian on the Knight of Swords crackles with energy, and the sweet innocence of the 6 of Cups elicits an "awww!" for both its cuteness and the way it captures the essence of this card. The 9 of Cups is a hilarious card, with a British shorthair licking his lips in snarky Puss in Boots fashion. Ms. Mahony writes of this card:

"A somewhat portly and obviously very satisfied cat sits on a barrel in the public room of an inn, licking his lips. Behind him, carved in wood, can be a seen a scene of grand merrymaking."

Because some readers prefer Strength and Justice as either Trump 8 or 11, the deck designers have chosen to keep the Majors unnumbered. In addition to the standard RWS attributions and format, Ms. Mahony and Mr. Ukolov have also added a "good luck" card to the Baroque Bohemian Cats' Tarot: Hermes--which shows a golden statue of the god in a sunny courtyard while a lovely cat clothed in a sage green gown with white ruffles looks on. At first glance, it appears the card backings are fully reversible, but upon closer inspection, you can see the names Ukolov and Mahony on opposing sides. Because the script is so small, however, the backings still work wonderfully for reversals.

This deck, like their Fairytale Tarot, arrives in a box set with a beautifully bound soft cover book. With 207 pages, the glossy pages depict black and white reproductions of the cards as well as photos of fountains, sculptures, paintings, and various architectural elements found therein. Ms.Mahony's prose, as always, is a sheer joy to read, and she offers a brief overview of what's going on in the card, a "cat's interpretation", keywords and phrases for both upright and reversed meanings, and a lucid, in-depth explanation of the card. She also notes source materials for each card.

The Baroque Bohemian Cats' Tarot is an excellent reading deck, and especially good as a deck for children or cat lovers. Because this deck follows RWS, it can be used in conjunction with many Tarot books, making it a great beginner's deck, as well. I've had quite a few insights with these cards, which I've jotted down in my Tarot journal. While an artistically exquisite Tarot that belongs in every art deck collection, it's an excellent deck for both reading and meditation.

(To see 10 images from this deck, visit the Reviews--Decks section at JanetBoyer.com)

Janet Boyer, author of The Back in Time Tarot Book: Picture the Past, Experience the Cards, Understand the Present (coming Fall 2008 from Hampton Roads Publishing)