Asia Books

This book by Narendra Singh Sarila is a true eyeopener. Many commonly held beliefs about the history of the Indian subcontinent are disputed and in some cases heartily debunked. The author was the ADC to Mountbatten and thus comes with the imprimatur of "being on the scene".

I remember reading various sources like Wolpert wherein it was emphatically stated that Gandhi was always against partition. Well here Sarila reliably infers that at the end Gandhi thought partition was a necessary evil. Jinnah AND certain Hindu hotheads played the religion card to the hilt appealing to the lower angels of human nature via the fear route. Arguing that muslims would never get a fair shake in a Hindu Congress and nation Jinnah shrewdly played the fear card. The Congress on the other hand made no credible effort to include Jinnah early on (1929-30?) in a viable leadership position thus breeding distrust. Of course thirty million muslims who were not in the demarcated areas as proposed by Jinnah were left high and dry.

In talking to some of my Pakistani friends I am told that Nehru's "affair" with Edwina Mountbatten predisposed the memsahib to lobby her husband for a decision favoring India. I personally think that partition was the result of the lack of true STATESMEN in the situation. The whole concept was predicated on the belief that Hindus and Muslims could not co-exist. There was not sufficient give and take. Yes, Gandhi made the effort but his ideas were so impractical as to be dead on arrival. The partition need not have taken place. A great tragedy for both sides.

What is truly sad is the low opinion that Churchill had about Indians in general and Hindus in particular. Yes in those days it was quite common to view Indians as a cacaphony of peoples incapable of governing themselves, but Churchill's animosity seems to have been beyond the bounds of reason. Too bad because Churchill truly was the man of the hour during WW2 and helped save Western civilization. In my eyes the greatness of Churchill is tangibly abased by the vile alloy of racism.

Sarila recounts, in detail, the behind the scenes machinations of various players mostly to the detriment of a united India.

A sad commentary on a lamentable period of the Indian subcontinent. Highly recommended.

This book is a significant contribution to the understanding of the fateful events surrounding the independence and partition of India and the players involved. The book presents the events in a cogent manner with insightful analyses into the events and personalities. It is a must read for any student of Indian history and politics since it gives insight into the situations affecting the national security and political decisions made even today. We all have heard so much about the "Divide and rule" policy of English. The reader is able to witness that policy in action in this book.

Key features that one learns from this book are: i) the British determination to hold on to India as long as possible, and in the event that this becomes impossible, secure the northwestern portion of India to thwart any real or imagined Russian adventures, ii) The naivety of Indian National Congress leaders, especially Nehru, about the survival of an independent India in a predatory world, iii) the aging of Gandhi and weakening of his faculties and judgment in dealing with the changing political environment, iv) Even though Mountbatten contributed to bringing the princely states into the Union he also did double cross Nehru in dealing with Kashmir, and v) Hunger for power at any cost on the part of Jinnah who died regretting what he had done with his life.

The role that President Roosevelt played in pushing Churchill towards Indian independence and the US gesture to be the first country to send an ambassador to India is neither appreciated nor known among the India's polity nor did the historians pay much attention to the subject. Better management of the relationship with US early on might have paid dividends and the world history could have turned out to be totally different than what we have witnessed.

The author has to be specially commended for his assessment that Indian independence came not because the British had an enlightenment about egalitarianism or human rights but because the empire was economically not tenable any longer, and even more important, the events of the second World War and its conclusion created an environment in India where they could not even count on the loyalty of the Indian army any longer. The "awe" with which the ordinary Indian looked at the Englishman had ended. The bluff that worked for two hundred years stopped working.

An interesting and detailed analysis based on historical documents that sheds light on the british machinations to encourage, even engineer the partition. lots of other fascinating facts and details are brought to life as well.

The Partition of India is one of the great un-studied subjects of modern times, especially in light of the great ethnic-cleansing that it caused, it is suprising it is ignored and its refugees forgotten. This book however is not about these crimes but about the politics and also the prejudices that brought about partition. It mostly focuses on the British decision to assist Ali Jinnah and his attempts to form a Muslim state. The British had long supported Muslims in India, both as civil servants and administratively, allowing them to keep Shariah law while suppressing Hindu traditions.

As the Great Game ended in 1905 and world politics changed the British continued to cultivate loyal Muslims in India and used them to split India, eventually using them to create Pakistan, and using Pakistan against Soviet Russia, which would have reverberations in the 1980s and even today.

This is a very interesting and new point of view. Few authors have tackled the subject of British pro-Islamic politics in their colonies and this is an important contribution.

Seth J. Frantzman

The author worked from 1948 to 1985 in India's Foreign Service. He uses primary sources in this excellent book to show how from 1906 to 1947 the British state allied with Islamists to defeat India's majority-supported Congress Party.

The Aga Khan and some Bengal landlords founded the Muslim League in 1906 and at once petitioned Viceroy Minto to introduce separate Muslim electorates, a sure way to split a country. Lord and Lady Minto immediately welcomed this: she wrote that it would mean "Nothing less than the pulling back of 62 million people from joining the ranks of the seditious opposition."

Churchill too played the Muslim card, lying that the real problem lay in Hindu-Muslim differences about India's future and not in Britain's rulers' unwillingness to accept Indian independence. Viceroy Linlithgow forged an alliance with Jinnah's Muslim League Party. Linlithgow's successor Lord Wavell produced the 1946 blueprint giving the strategic prize of North-West India to Pakistan.

Jinnah called a `Direct Action Day' for 16 August 1946. The British governor of Bengal knew of the League's intention, yet the British brigadier in charge of law and order in Calcutta ordered his troops confined to barracks for the day. 5,000 people were killed. Wavell's blueprint was implemented when the British withdrew from India in 1947, even though it was kept secret to avoid any impression of a British hand in the division of India.

Sarila summarises, "Once the British realized that the Indian nationalists who would rule India after its independence would deny them military cooperation under a British Commonwealth defence umbrella, they settled for those willing to do so by using religion for the purpose. Their problem could be solved if Mohammed Ali Jinnah, the leader of the Muslim League Party, would succeed in his plan to detach the northwest of India abutting Iran, Afghanistan and Sinkiang and establish a separate state there - Pakistan. The proposition was a realizable one as a working relationship had been established between the British authorities in India and Jinnah during the Second World War and he was willing to cooperate with Britain on defence matters if Pakistan was created."

Imperial policy was and is divide and rule - whether setting Muslim against Hindu in India, Bosnian Muslims against Serbs in Yugoslavia, Sunni against Shia across the Middle East, Protestant against Catholic in Ireland, or Scottish against English in Britain. As Sarila notes, "The successful use by the British to fulfil political and strategic objectives in India was replicated by the Americans in building up the Islamic jihadis in Afghanistan for the same purpose, of keeping the Soviets at bay."

As another reviewer of this particular Karl May travel and adventure story, I was mesmerized by his stories when I was growing up in Luxemburg. It is shame that he is virtually unknown in North America. I've started my great nephew (who unfortunately does not know German) reading the stories in translation. I hope that he will get a greatly expanded view and understanding of other peoples, ways, mores as I did; and that he just plainly will enjoy the stories, because they are SUPERB.

I'm the translator of this unabridged first volume of Karl May's Orient Cycle, a six book series of adventures that detail a journey and exiting adventures through many Middle Eastern countries.

Karl May's 73 novels are still being published today in numbers that are astounding. Yet whilst his works have been translated into about 30 languages, he is virtually unknown in North America.

Given the current events in the Middle East today, it is amazing how much insight he had into the psyche of the people he wrote about. In reading his work you will discover that little has changed over the last 120 years since he penned the original narrative. You will also discover a wealth of pertinent facts about the people and their religious beliefs.

I consider Karl May's travel narratives a body of text that has been well researched and whilst some of the information contained therein may not be entirely accurate when compared to the facts as we know them today, they represent nontheless a very clear insight into the customs of the local inhabitants of these foreign lands.

My wife and I have enjoyed the often frustrating task of rendering Karl May's work into English and we hope that you too will enjoy the tale as it unfolds.

This book is a gripping tale of adventure and suspense that left me unable to put it down especially towards the end. I was drawn into the characters and found myself laughing at their antics. In reading this story I felt like I was traveling through the land alongside the heroes of the story.
I especially liked Halef who was a very important part of the story and I can't wait to see if he continues his journey in the next book.
Even though the book was written more than a hundred years ago the customs and traditions of the Arabs have not changed through to the present day.
Not being an avid reader, a book must be exciting to keep my attention and this book met and exceeded my expectations.
Growing up in my grandmothers house who was from Germany I know the German language can be very difficult to understand and with many of the translations from German to English the true meaning of the prose is often lost.
It is obvious that a great deal of time and effort went into this unabridged translation of this adventure story.
This is the first Karl May book that I have had a chance to read and I can't wait for the next book to be translated.
To the translator I say, 'Great job!'. I highly recommend this book to readers of adventure stories and to children - most enlightening.

The Shadow of the Padishah

This book is a step into the world of Shaharazhad and a little beyond. Our Hero, the Frank, Emir Nemsi, is a German writer on an odyssey into the realm of the Padishah, of Arabian Knights and the rich culture of the Middle East, in search of adventure. He travels with a native companion, little Halef, a devoted servant, bent on converting his beloved Master to the True Faith of Islam. It is interesting to note that our hero becomes a Muslim against his will, all the while remaining a devout Christian, an interesting twist of events. The series of adventures, beginning with the discovery of a murder victim, through the Hajj to Mecca to the victory against the Haddadihn leaves the reader panting for more and more, until you are dropped on your head with a cliffhanger. I feel much like the Shaharazhad? sultan, I simply must know what happens next.

I was quite surprised to find out that this story was actually written in the late 1800?s, as it has a fresh and modern feel. I especially liked the author?s use of the Arabic words, with the translation right behind. It gives the story an exotic cast, without sacrificing the meat of the Tale.

The story is an honest portrayal of this world, with only a slight European smugness, but much less than most of the literature of the day. The Arab Culture is not portrayed as barbaric or savage; rather we are shown its depth and richness.

I am waiting less than patiently for the next installment of my hero?s adventures.
HURRY UP!!!!

I grew up in Germany, and that means I grew up with Karl May. I probably read more than 20 of his books and I even brought some of them with me to the U.S. Unfortunately nobody I talk to here knows about this great author, and my children can't read German well enough to share my experience. I was therefore delighted to find this unabridged translation. I sure wished more of Karl May's books were available in English.

". . . medieval sources do not allude to specific Shaolin fighting methods, Indeed they neither mention how Shaolin monks fought, nor which weapons they employed in battle. Attributing their descendant's martial arts to Tang Shaolin monks would be anachronistic." (The Shaolin Monastery. M. Shahar, pg. 52)

This is a serious, academically critical, look at Shaolin Monastery, and a
good critic of what is being practiced at Shaolin today.

Rik Zak
[...]

This is a deep and throughly researched book detailing the true aspects of Shaolin history and it's strange but interesting link between religion and martial arts.
Everything you needed to know about ancient Shaolin that can be found in ancient records is detailed here.
Other books do not come close and even lie.

I came to this work as both an academic and a practitioner of a Shaolin style of pushing hands. The evolution of the Shaolin arts from staff fighting to unarmed styles is explored in great detail from a variety of sources (many of which are primary and have been translated here for the first time).

This is one of the first books I've read that makes a scholarly attempt at explaining how the Buddhist monks of Shaolin successfully negotiated the cognitive dissonance caused by commitment to Buddhist principles of non-violence on one hand and mastery of martial arts on the other.

The book also succeeds in recognising and clarifying the role of Daoist thought and cultivation practices (namely the Dao Yin) in the development of Shaolin Gung Fu.

Some of the conclusions (especially in relation to the unarmed styles) lend some support to Nathan Johnson's (2000) thesis 'Barefoot Zen'. After long and careful study of the forms of Shaolin Gung Fu and Karate Kata, Johnson contended that these arts were never intended for fighting (whereas Shahar would likely contend that fighting was not their sole purpose, p.180 and p.200).

A much more readable book than the previous review suggests, desoite its thoroughness, and a welcome antedote to the self-serving mythology that passes for history in most book about Shaolin. Meir's discussion of the roots of some of the most familiar Shaolin-based styles of will be especially absorbing for fans of kung fu movies.

Meir is the foremost expert outside of China (and possibly even within China) on the history of the Shaolin Temple. An academic book by an amazing scholar, and a must read for anyone serious about learning the in-depth history of Shaolin, and martial arts, as he traces the history back 1500+ years. Scholarly, well written, peer reviewed, with loads of annotations...

A great book if you're seeking insight of the origins of Kung Fu If you are not seriously interested in martial arts, and their Shaolin China roots, this book is probably not for you.

I discovered this book at the library, renewed it several times, and then decided I just had to have it. I love fiber arts. The work from the countries of Asia stupefies the mind with its intricacy, delicacy, and sheer beauty. The book explains the meanings of many of the designs and weaves history with aesthetics. The author is an accomplished needle artist herself.

I splurged and ordered this book, and am I glad that I did. It was a jaw-dropping feast for the eyes, and well-worth ever penny spent on it.

The photographs are absolutely amazing, the details are brought to light
exceptionally well, and the text illuminates this Asian craft world just
perfectly.

One of the best features of this volume is that one can readily SEE in detail the various works of the needleworker's arts from each timeper-
iod, providing as an added bonus, inspiration for one's own embroidery.

I highly recommend this book, for needleworkers and designers and for
the aficionado of handwork arts.

This comprehensive account of East Asian embroidery is a must for any textile collector. Beautifully illustrated throughout and wonderfully informative it educates and feasts the eye. The photographic details are very clear and provide a good indication of the different textures. There is also a useful, fully comprehensive bibliography encouraging further exploration of this fascinating subject.

Silken Threads leads the reader through a wonderful journey charting the evolution of the embroidery of the East Asian region.

Dr. Chung apart from being a Master Embroiderer, and probably the only women in the word who has had a Museum named after her in her native Korea, is also a well respected Art Historian. This is not a "how to" book but a serious study of the history and art as it relates to the embroidery of China, Japan, Korea and Vietnam.

It is well illustrated and reflects the many years of study that Dr. Chung has spent researching this absorbing area of study.

Silken Threads is real winner ! Collectors, Asian Art scholars ,and Costume designers ,both fashion and theater,will find this book an indispensable reference work in the field of East Asian embroidered textile and costume. What this book is NOT is a "how-to" on embroidery.

Dr.Chung gives a comprehensive history of the evolution of East Asian embroidery and the significant contributions it has made to the cultural history of the region. The influence of China and the dissemination of Chinese techniques , motifs and artistic convention on other regions in East Asia are thoroughly discussed. The author examines in depth a wide variety of embroidered costume ,accessories,household furnishings and religious textiles.

Perhaps the most valuable aspect of this book,and there are many,is its pioneering effort in the field of Vietnamese textiles and
costume,a subject largely ignored before this publication .

Silken Threads is a exemplary production of scholarship,beautifully illustrated and completely documented .Dr.Chung's grasp of her subject represents the culmination of many years of extensive research by a leading authority on East Asian embroidered textiles .

In my opinion, the "Eyewitness Guides" are a must reading whenever my wife and I travel to a location we've never been before.
In addition to the usual tourist information they present great background on the history and culture of the area. This particular guide was no exception.
Well worth the money by adding immeasurably to the trip.

I love the format of this book. Lots of pictures and maps. Flipping through the book you see things that look beautiful, fun, exciting, interesting and tasty. A picture is worth a thousand words, and this short, compact book packs a lot of information. Text is only used to explain concepts and history, while pictures are used to show places to visit, things to do, things to eat, with lines back to their source on an easy to read map. It really is an excellent way to convey this type of information.

I will be making the trip to singapore later this year, and this book will be right there with me.

I needed a travel guide to help me with my first trip to Singapore. The Eyewitness guides have consistently been the best for me. They contain a good mix of historical information and practical guidance, and the graphics are excellent (I keep my Eyewitness travel guides as souveniers so I can remember all the things I did on my trips and their pictures are usually better than mine). The writing is interesting and informative - not too technical and not too "touristy". For the Singapore edition, the mapping, directions and information were particularly helpful and accurate. Singapore is not a large place but it has a mountain of things to do and see, so it is important to have an accurate guide that breaks things down into specific geographic sections as well as into subject matter. This book does just that. I highly recommend this guide to any traveller heading to Singapore.

Seduced as I am by the highly glossy, supremely compact and wonderfuly illustrated DK Eyewitness Travel Guides, I suppose I am somewhat biased as a reviewer. The combination of succinct text, numerous useful details, spectacular photographs, eyecatching 3-D graphical images, and user-friendly maps make the Eyewitness Travel Guides uniquely useful, distinctive and even collectable. The new Singapore book is no exception to these considerations, so much so, I wish I had it my disposal when I visited there last year, if only for the invaluable details it provides. Now shortly before leaving for Singapore once again, I have recently acquired this book, and it has whetted my appetite, by reminding me of the places, the colors, the smells, the greenery, the heat, and the vibrancy I had already experienced. It has also made it quite clear, exactly how much I missed last time, particularly in terms of wildlife reserves, museums, and galleries. The book contains a brief, but informative overview of the history and multi-cultural nature of this exciting island country. As with other titles in the series, the guide enables the user-traveler to gain maximum benefit from his or her visit, by highlighting THE places to visit, and what to expect from these experiences. If I have any criticisms of this, and indeed with many other Eyewitness Travel Guides, it is a shade small, with tiny text font, and it is a tad too short for my liking. But I guess they have to fit comfortably into your pocket, and, in any case, you cannot have too much of a good thing, otherwise you may just stay at home and gloat over the marvellous pictures.

If you ever go to Singapore, don't forget to bring this book. Even if you have been there many times (I have), you will always find new and interesting sights to visit and new information you didn't know about. What I like most is the detailed map section that covers most of the central city, that is the part you would want to visit as a tourist anyway. The street-by-street pictorial maps are excellent, but not always true to detail. The general index (for looking up things) is very good. However, on the downside, I would have liked to see more budget options in the "where to stay"-chapter. Nevertheless, probably the best guidebook to buy.

True story told truly. It might sound grand, but this is indeed a lesson on life and attracts respect, for the courage then and now to tell the story so humbly.

Historically it is not insignificant at all either, as so little has been written on that period and that aspect of the conflict, and even less with seriousness.

First off, I'm biased. Col. Bailey is my grandfather. Secondly, I never asked why we call him Boompaw. I suppose it may be the last thing he heard standing in the doorway of Rose Bowl, ready to bail...Boom. Grandpaw went BOOM.

Thirdly, this is a fantastic account of another time, another place and another generation. If you feel you know all about Southeast Asia and that painful time in world history, you will find an entirely different perspective in Solitary Survivor.

I often wonder when reading autobiographies, especially assisted ones, if I am hearing the author or flowered up prose from his professional co-author. When you read this, know that you are hearing the author's words, in his words. The first time I read it I don't know if I cried more because of what the author went through or because I was hearing my grandfathers voice telling the story. His story.

The honest reason it gets five stars? They don't offer six.

As the son of Ralph Magee, the pilot for the mission I am grateful for the insights as to what happened to my father. Finding useful information on that incident and the politics surrounding that time is extremely difficult to do.

Lastly, I hope that Mr. Bailey realizes that he is a hero, and he can find peace knowing that my father (and his family) would have wanted him to be happy.

Jeffery (Magee) Woods

This book was written by my Dad. It accurately describes how I believe Dad would react to the circumstances in which he found himself. He spends a good amount of time on the historical aspects of America's early involvement in Southeast Asia, specifically Laos. I believe the warning signs of "things to come" were readily apparent to anyone not embroiled in politics. My Dad's selfless commitment to his country and his courage under harsh conditions continue to raise the question in my mind, "Where will we find men like this should our country need them again?"

Solitary Survivor is a fascinating book detailing one of the first American soldiers taken captive during the initial stages of the Vietnam war. Colonel Bailey's story is revealing in many ways as he is the only survivor of a C-47 code named Rose Bowl that crashed in Laos with seven others on board in 1961. There is some speculation that one other on board survived but Bailey explains what he knows concerning Edgar Weitkamp and gives the reader the information and allows us to form our own opinions. He is unique in that he is only one of several men to return from captivity in Laos and details the dehumanizing treatment he received at the hands of his captors. In spite of or more because of his confinement and the total darkness he was kept in for most of the 18 months he was held in captivity, Colonel Bailey made a trek back to Sam Neua, Laos, to revisit, after 30 years the place that started the nightmares that are with him today. His return visit is very unique as Sam Neua is still considered Indian country and it has also been the focal point of many POW sightings over the years. Sam Neua is considered to be the place where many American POWs where held captive but were never returned at the conclusion of the Vietnam war. As a former 1st Cavalry soldier, I salute you Colonel Bailey and thank you for writing such an informitive book. Finally, I want to thank you for answering our country's call in three wars!

It had Chinese poem in Chinese as well. It is beautiful illustrated book and fantastic book to teach children about China.

Mu Lan, will intrigue boys and girls alike. Her mission to provide safety and refuge for others, does not come without a price. She faces alot of misundersood culture barriers-what one expects from a daughter or a son! This book has some thing for everyone, with a powerful message to all, about what the human spirit can accomplish. Disney is making this story into a movie in June of this year! It's message will effect all!

The illustrations are beautiful! This is an authentic presentation of the ancient folk ballad of Mu Lan. The translation adheres closely to the original Chinese text. This is simultaneously the great merit and the great fault of this translation, since the original text is allusive and elliptical in its phrasing. For example, the ancient text appears to have several speakers, but it is not always clear who is speaking at any moment. Because of this, the English translation is at times unclear. The imagery of Jeanne Lim's lean interpretation of this poem is nevertheless powerful and rich, comparable to Han Frankel's translation of this poem, and quite a relief from the excesses of Arthur Waley. I recommend it highly.

In the US, most people came to the legend of Mu Lan via or following the Disney version, which was, for a change, amazingly close to the source material. In China, this story is as well known as George Washington and his cherry tree is in America. I was quite taken with the Disney movie, and went looking for books of the story. Many books later, in both English and Chinese, I have come to regard this version as the best of all. The translation is excellent, the drawings nothing short of captivating. My children, now four to fourteen, all enjoy hearing me read this book aloud, and I have not grown tired of reading it. There are many small true things in this book which may not be readily striking to the casual Western reader, but to those who have studied or lived in China, the story makes a great deal of sense, both in the details and in the broad message of the story.. I can't heap enough praise on this book. It is perfect in every way, all the details are just right.

The story of Mu Lan is the chinese woman warrier fairy tale that describes a young girl that is capable and courageous. Her father has no elder son, so she disguises herself as a boy and joins up when they call her father's name. The original fairy tale poem is reproduced in poetry, both in chinese and english. The calligraphy is artfully done and the story rings genuine. The words are faithfully reproduced to convey the original meaning. It is a book you can display on your coffee table or read over and over to your children. The beautiful illustrations are done in watercolor on silk and are lush and expressive. Because of her service to the emperor, she is rewarded. But she only asked to go home after 10 years of valor. They welcome her like a lost child and hold a feast in her honor where she surprises family and comrades alike with her real identity. This is a wonderful book to teach girls that they can be anything they want and not lose their identity. And it is humerous when she reveals herself. The chinese proverb at the end states that when two rabbits run together, no one can tell which is male or female. The original text was written in AD 420-589, and it can be considered one of the first statements of female independence in a society that is proud of sons over daughters. I know it gave me and my daughters pride to be Chinese women and the sense that we can be both beautiful and strong. The book is a good teaching tool but it can also be enjoyed purely for the artwork and calligraphy. I would recommend this book highly to all girls everywhere and the action and surprise will surely delight young boys as well. It is no wonder that Disney chose this book.

I first read Mong-Lan's "Why is the Edge Always Windy?" before reading "Song of the Cicadas," and I must say that I have seldom encountered a masterly poet such as her. She captures in a few words gracefully what other poets would need ten. You don't need to have travelled to Vietnam or Mexico or San Francisco to understand/feel/intuit the primal exigencies of the land, of history, of the heart, of what she writes. Mong-Lan, apparently, went back to Vietnam in the mid 90's, at a time when very few Viet Kieus have gone back--these experiences form the crux of the book. What she has put into verse is new vital terrority, exploring not just the psychology of displacement, the aftermath of war, but the beauty, both visual and visceral, of experiences striking, commonplace and haunting.

Mong-Lan is also a visual artist and her drawings and cover photo grace the beautiful book. A must have!!

Scarcely with a first book does a young poet approach such a mastery of craft as Mong Lan does here in this poignant, graceful, inimitably organic collection. She achieves those special balances - passion and restraint, lyric and narrative, naivete and wisdom, intelligence and honesty - which are so rare in published contemporary poetry today, which is riddled with flagrantly duplicitous, smarmy, disjunctive, and/or watered down prose, which (of course) passes as the best poetry thanks to the influx of critics whose will is bent by the political pressures of the literati. But enough of that, and back to Mong Lan. Those poems within the sequences such as "Trajectory" and "The Golden Gate Bridge" seem to hang carefully like magnificent stained glass windows; in which intense color, silky texture, and story power are all constantly self-evident and at play; and through which the author's essence yearns to touch your own. I'll admit, I'm a pretty voracious reader, snobbish and not-easily-impressed; "Song of the Cicadas" haunts me for hours afterward; the poems are arrows into the heart. A must read.

I can see war in these pages, but it's more than that. It's also about ordinary people and their lives, not just Vietnamese culture but something universal in all of us. Highly recommend!

This is a very impressive book of poetry. Mong-Lan is a gifted writer who conveys the lyricism of language in the description of diverse experiences in Vietnam. Highly recommended.

Read this beautiful collection of poems. They will move you with their grace, insight and strength. Notice the blank spaces between the words and lines-more is said at these broken places than mere words.

Any one interested in Stone Circles should read this book! It is just not another coffee table edition. This is an excellent study in circles, their meaning and how they were constructed.

There are detailed accounts of travelling to many stone circles around the world - new and old, with even chapters on how to build a stone circle and the alignments.

An excellent new, fresh look at the stone giants that haunts us today and their relationship with our lives.

I can hardly wait to start laying out my own little "stone henge" and with this book I now know how! I always wondered how they did it, now thanks to Rob Roy, not only do I know how they did it, but now I know how I can do it too! Rob provides history, lore, safety tips, labor saving "secrets" of the ancients, great anecdotes and practical and technical instruction on site selection and preparation, stone selection and preparation, constuction of safe and durable megalithic structures, and even a human and spiritual side of the subject that can be quite energizing. With this book anyone can find their own connection to our ancient ancestors! In addition to all the information provided, this book also harbors some very phenominal photographs of both ancient and modern megalithic structures around the world. If you buy only one book this year, buy this one...if your disapointed then you have no soul!

Here's that book on engineering that bridges the gap between the left and right brain. Rob Roy captures you with an engaging writing style that'll accidentally open the secret door to some other very intriguing dimensions. Go for the science -- stay for the spiritual rousing. Well thought out and perfect for any awareness.

Genuine magic. Rock on, Rob -- in every sense.

Rob Roy's book, Stone Circles, is perhaps the most comprehensive and masterful work on the topic of stone circles by a living author today. There is much more to megalithic stone circles than just the movement and placement of massive dormant objects. When properly placed, they become permanent monuments to a timeless spiritual perspective. Considering our fragile and tenuous hold on life, we humans, especially in modern times, would do well to learn about and understand these marvels of engineering, determination, and dedication. Rob Roy's book gives us all a good place to start.

Years from now, when I'm asked what books impacted my life in major ways, I'm sure I'll immediately list "Stone Circles" as one of them. This is partly because the book came along at a time when I was developing an interest in standing stones and sacred places but mostly because it treats megalithic architecture as a living art: not just a phenomenon from the past to be studied, but a way to connect, as the ancients did, with the earth and with the cycles all around us. This book truly is a "modern builder's guide to the megalithic revival." It speaks of ancient standing stones at Stonehenge, Avebury, the Orkneys, and other sites, but concentrates primarily on contemporary stone circle builders and on practical information for doing this ourselves! It's filled with incredible photos and the stories of contemporary megalithic architects and builders, as well as a wealth of technical information. Thank you, Rob Roy, and thanks to all of your colleagues for lighting a flame in me - before, I had an interest in megalithic architecture, now I am an (amateur) "megalithic anthropologist." That means that I have an interest in the study and application of how human culture and big stones interact - not just in the context of the past, but here and now. I have a small circle of stones on a shelf at home that I rearrange, am going to build some temporary circles at the beach in a couple of weeks, and I can hardly wait to go to work in the back yard this summer! Two thumbs way up for Stone Circles!

I'm sure this is the best book written by Mingfong Ho yet. Some of her earlier novels like The Clay Marble are a bit creaky but this novel doesn't have a false note in it! The story involves a girl who is caught up in the Khmer Rouge evacuation of Cambodia and is sent to work in a camp in the rural areas. Some members of her family die while others survive. Mingfong Ho worked in the refugee camps in Thailand for Cambodians and speaks Thai as well as Chinese and English. She witnessed the lives of the Khmer people in refugee camps and heard their stories. This all comes alive in the book and makes the story much more realistic than some other novels about the Khmer Rouge time. She has also grown as a writer and communicate her story in a clear, descriptive manner. There is no doubt that she is now a terrific children's novelist.

I thought this was autobiographical because it seemend so real. The turmoil of Cambodia and the family's escape from their were so terrifying.

As a middle school teacher, I found this book wonderful. Although it deals with issues some younger students may struggle with, I plan to use it in my 8th grade classroom. The story is told from first person, the voice of a 12 year old Cambodian girl. It takes place in the 60's and therefore deals with Vietnam war and that time frame. The main character experiences some severe traumas, but makes it through them all stronger and more mature. A wonderful book for young adolescents and a quick read for adults!

We bought Stone Goddess in preparation for a trip to Cambodia with our children. The older ones (10 and 12) read this book along with two others that tell similar stories (Little Brother, and Chantrea Conway's Journey to America). Stone Goddess was BY FAR the best-written of the three - Ho's prose is spare but emotionally rich, and her descriptions certainly rang true with what we saw in Cambodia. We visited Angkor, and the scenes in the book that were set there helped prepare us for what we would be seeing.

The plotline was also the most believable of the three books, and I found the latter section of the book, when Nakri has come to America and is trying to adjust, very poignant and true to the 20th century immigrant experience.

I would highly recommend this book for tweens and up - it's on the short side, but even adults will find it moving. If you were planning a trip to Cambodia with kids, I would say it's a must-read.

I enjoyed the Stone Goddess, by Mingfong Ho. This book is great for pre-teens and teens who are interested in first person fiction. It is a book based on the late 60's and the ending of the Vietnam War. It shows the struggle and trauma that one girl named Narki goes through to become free as she once was, before the war. Even though the book is fiction, it has very true messages for growing up and not taking freedom for granted.

Narki, is a young Cambodian girl, her sister Teeda, and her brother Boran, are separated from their family during the Vietnam War. They all struggle to survive in labor camps where they are not treated with any kindness. They are made to work in rice fields. They are withdrawn from their Buddhists beliefs and they are forced to become part of the Angkor, which is the belief of the people who captured them. It shows how strong they were to survive for four years in the labor camps. It shows how being away from your family doesn't keep you from believing that one day you will re-joined with them.

All in all, The Stone Goddess is an enjoyable book. It unlocks doors that show the adventure of surviving in an unfamiliar place. It shows, even if your dreams are crushed, you just need to believe and everything seems possible as it once did before. This book represents adventure, dreams, trauma, and struggle. And it shows that all of it makes you a stronger person.