Asia Books

Very nice stories. My son was born in Vietnam so I bought a bunch of books with a Vietnam theme for his library. These stories are great, regardless if your child is from Vietnam or not, or adopted or not.

We really like this book because it has a section in the back for "older" readers. We also enjoyed the front part for "children"

Great book for little ones about the Vietnamese New Year. The embroidered illustrations are phenomenal.

My 2 yo loves this book, on the 1 Mouse plans a party page we talk about all the people she will invite to our party and by the end she cheers Happy New Year (in Vietnamese) with me. She was enchanted by Lunar New Year this year, and this book has been a wonderful way to help keep it alive for her. We are not Vietnamese and we love this book.

This is a great book for preschoolers to teach about some of the activities related to the Vietnamese New Year and its celebration. The embroidered illustrations are quite intricate. I highly recommend this simple, yet informative book.

Stephen Bezruchka has prepared a valuable and complete guide to trekking in the Nepal / Everest region. The book offers practical advise from years of personal experience for anyone thinking about a trip to the area. Bezruchka also creates a much needed ecological awareness and offers substantial insight into the culture of Nepal. The book is much more than a travel guide and just plain interesting. I don't often give books five stars, but this work was beyond my highest expectations - a labor of love. Highly recommended!

This is the book that first opened my eyes to Nepal and its culture. It's much more than a guidebook: it has a sensitivity and compassion for its subject that is almost unique in the field of travel writing. It doesn't coddle you with if-it's-day-three-this-must-be-Namche route descriptions, but lets you find your own adventure and gain profound insights along the way. It also has an extensive medical section.

This is the most fantastic travel guide I've ever used and the only one you will need in Nepal. Bezruchka's love and respect for the Nepali people is evident in every line and will enhance your journey to Nepal as well. We followed his advice and had a much richer experience for it. We watched other tourists who didn't follow his advice being laughed at and ignored. The language book and tape that you can order were incredibly helpful, way better than any dictionary. We were able to converse competently which made a huge difference in our experience. Don't bother with the Lonely Planet guide, which just tells you how to get through the country as cheaply as possible. There is so much more to experiencing Nepal than saving a buck here and buck there.

While the completeness of Bezruchka's guide cannot be faulted the tone and style certainly don't compare to Jamie McGuinness's book on the same topic. In comparison this book was quite a chore to read especially since it is peppered with sermons on globalization. An extremely capable guide but there are good alternatives you may find more enjoyable.

Fifteen years ago I started my trekking company's operation in Nepal with information from this book! The trek descriptions and the information on organizing a trek offer all the nuts and bolts. The background information is fascinating as are Dr. Bezruchka's views on poverty and culture shock.

I love books, and I seem to find a new one to like every week. And yet, I can honestly say, this is the best book I've read in years. Few books have the power to encapsulate the meteoric economic and political changes that face the United States--and the world--right now. Gabor Steingart, a German journalist working in Washington, DC, for "Der Spiegel," has managed to come at just the right time with just the right book, "The War for Wealth."

What makes this book so pertinent? First, it approaches the question of whether globalization truly benefits all. Unlike those who favor the open market who make the assumption that free trade helpa all, Steingart posits that globalization instead is leading to a redistribution of resources. Not all countries benefit equally. In this new world order, Americans are needed largely as consumers, not workers, who are financing their purchases on a mountain of debt.

The expansion of the labor market as a result of globalization, in fact, has led to a decline in the value of workers. This has hurt Western nations the most. In the US industrial base alone, there has been a 50 percent decline in jobs in a single generation. Americans and Europeans are overpriced for the global market, not because of their wages (although this is a factor) but largely because of the cost of their social safety net.

Who are the winners? Those in India and China, obviously. In China, those growth rates are even being understated by the Communist government so that the West does not even see the full extent of this unfettered development. Moreover, China has chosen a different, more insidious tactic in this economic war. As Steingart notes, "the Asians are attacking with economic weapons and avoiding ideological conflict. They do not conduct debates with the West over equality and justice, nor do they level any accusations or issue threats. The rising global powers are not interested in a battle of cultures. They are ignoring issues of religion and ideology. They are quiet adversaries who are placing their bets on economic efficiency. The West, they reason, can be defeated with its own weapons."

Unlike many who see these problems, however, Steingart is not a protectionist, nor does he see globalization as something to be halted in its steps. He is not a fear monger. As an economist and journalist, Steingart knows that this is a trend that is not likely to be reversed. It can, however, be managed by savvy leadership and a willingness on the part of Western nations to work together. Steingart basically lays out three options: global chaos (the shock scenario), the rise of Asia (the Asia-above-all scenario, in which American dreams bite the dust), or remaking history (the American Renaissance scenario).

How America and the West manage globalization, international trade, and the development of rules and regulations to even the playing field are critical to the continuance of the good life. If I could have one wish, it would be that both presidential candidates and their camps would read Steingart's book. This critical overview of the world and economic development today is something that every American should be thinking about as they approach the future.

I am currently researching NATO's history, so I was immediately intrigued when I heard about Gabor Steingart's ideas on an "economic NATO" - a stronger partnership between Europe and the US intended to grapple with the challenges posed by emerging economic powerhouses such as China and India and the new forms of authoritarian democracy they propagate. I would not agree with all the conclusions of his book -- overall, I am more optimistic that future giants such as China will ultimately come to the conclusion that increasingly playing by the rules is in their best interest, and that current giants like the US will manage to remain competitive, just as they did when confronted by another economic threat from Asia, Japan, in the 1980s. However, Steingart presents an inspiring and thought-provoking case for the need for stronger transatlantic cooperation: he mixes compelling reporting from all over the world with sharp and concise analysis. The far-reaching interview with Prof. Samuelson at the end of the book is big plus, too.

I particularly liked, though, that Steingart does not hesitate to develop a real vision for the partnership between Europe and the US. In the conclusion, he refers to John F. Kennedy's Philadelphia speech from 1962 and his often overlooked ideas on a transatlantic cooperation beyond NATO. Given the roadblocks even minor agreements seem to encounter, it might be overly optimistic to hope for really closer ties anytime soon -- but any outline of a vision for the future is badly needed in the current debates on the relationship between Europe and the US. That is because, unfortunately, far too many people on both sides of the Atlantic seem to consider the "special relationship" a thing of the past rather than the huge field of opportunity it actually is

I congratulate Gabor Steingart for writing a book that clearly defines the problems for the West brought about by globalization. He suggests realistic ideas for mitigating the worst aspects of this process. His historical context of India and China and analysis of their current direction and strategies makes it very clear that the West better act quickly to protect our culture and institutions. America's foolish self-subjugation to corporate self interest is the wrong path. We're empowering China without regard to our long-term needs. My only criticism is that he's much too lenient with the Bush administration's many failures. This is a great book and Pulitzer Prize quality writing.

Our former Secretary of State Dr. Henry Kissinger has it right: This book is a really compelling reality check for America. I have read a lot of books about Globalization, but this is one of its own kind. Why? Course the author is not satisfied with simple answers or populist doomsday scenarios. He delivers a lot of reporting on the ground from all the hot places - Kabul, Shanghai, New-Delphi and others. And he delivers options for our tomorrows life and one of his option is really outstanding: The United States of the West. I don't know whether its realistic or not, but it seemed to be fascinating to bundle the whole power of the Western nations. May be the new administration in the White House should read this book. You know what: I will send one copy to the new President who ever will win.

Steingart believes we spend too much time worrying about places like Kabul and Baghdad, and not enough thinking about places like Shanghai. "The War for Wealth" then details that case. Steingart also contends that the true tale of globalization is not being told - it is anything but a win-win situation. By 2025 China and India will likely dominate the world market with their purchasing power. It took both the U.S. and Japan about 40 years to double their per capita GDP; China took only twelve years.

Harvard historian David Landes believes that their success (and others) is determined by culture - moral values and behaviors. Unfortunately, per Steingart, we currently are paving the road to our demise with self-deception and self-affirmation.

Premier Deng Xiaoping was underestimated by Western leaders when he took over after Mao's death - partly because capitalism was seen as incompatible with a lack of democracy. Deng began by gradually liberalizing restraints on China's collectivized farmers, and in five years 98% of farmland was back in their hands. Deng also put off the military demands for resources, telling them the economy needed to grow first. Subsidies for government businesses decreased, then stopped, in exchange for the state no longer claiming all their revenues. Deng also opened China to foreign investment - $7 million in 1980, $250 billion now. Deng's changes were much more successful than those in resource-rich Russia which underwent a U.S. consultant-led crash immersion.

Brazil, Russia, China, and India together comprise about 45% of the world's labor supply. This will increase further - by 2050 another 1.2 billion are expected to live in Asia.

Those waiting for Chinese wages to equal those in the U.S., thereby eliminating its competitive advantage, have a long wait - Steingart estimates it will take another 30 years before Asian incomes are half as high as those in the U.S., if wage growth in Asia remains constant.

Eighty percent of Wal-Mart's suppliers are in China; until 2004 the U.S. was the largest exporter of IT products - now it is China.

Chinese innovation is accelerated by partnership requirements placed on Westerners building in China, piracy, espionage, R&D spending about 1/3 that of the U.S. (not adjusted for currency differences), extensive training in U.S. universities, higher IQs (about 10 points, on average, per research elsewhere; nine of Microsoft's ten most promising employees are Asian), and buying Western companies and resources. (Hitachi bought RCA and found it could sell its products at a higher price using the RCA label.)

Not only is Chinese labor much cheaper than that in the U.S., it doesn't have the social overhead costs of the U.S. - eg. health care and pensions.

Potential Flashpoints in the Future: North Korea (supported by China) vs. South Korea, India (backed by Russia) vs. Pakistan (backed by China), and Taiwan. Meanwhile, the U.S. and China continue their strange economic relationship.

"The War for Wealth's" one weakness lies in its recommendations - eg. more R&D in the U.S. That cannot overcome a dramatic cost difference held by a nation that is rapidly moving from production to also provide capable design and invention as well.

Actually, it's probably vice-versa, I think my two sons came to bagels as a result of enjoying this book so much. It's a very charming story, and really wonderful illustrations (We have a few other Grace Lin titles as well). Some of the writing can be a little awkward for reading aloud (especially when you're exhaustedly trying to get your kids to go to sleep), but even still it has brought my family a lot of smiles (and a well-worn catch-phrase heard frequently around our house).

a delightfully simple book with a multi-cultural theme (korea and the usa)...about a little boy in korea wishing for a bagel (which he had never seen nor tasted) and how his community helped to create one and to share in its eating! very well-illustrated and written to be read over and over again.

Bagels. Yum. You know, for years I thought I disliked the tasty carbo-loaded concoctions simply because the only ones I'd ever eaten were of the gawdawful frozen variety. Maybe I would've come to bagels a little sooner in life had I had access to a book like "Where On Earth Is My Bagel?". Taking an essentially ridiculous idea (bagels are the stuff of visions and portent-laden dreams) the book is a nice little tale of a boy and his mini-quest for a good old-fashioned schmear.

Yum Yung, who has lived all his life in Korea, awakes from a mid-afternoon nap one day to declare with very little doubt in his mind, "I want a bagel!". This being rural Korea, New York bagels are (to say the least) a teensy bit scarce. This fact does not deter Yum Yung in the slightest, however. Without further ado he finds himself a pigeon and ties a note to its leg that amounts to a one-bagel order form. The pigeon takes off but no bagel returns to Yum Yung. He asks everyone he knows if they happened to get it by mistake. Sadly, the man working the wheat field hasn't. The fisherman working the salty sea hasn't. Even the woman tending the beehives hasn't. Yet to Yum Yung's delight, the pigeon returns with a bagel recipe (the note explains that bagels older than a day are not exactly edible) and the boy is able to get wheat, salt, and honey from the three people he bugged just the morning before. At the end of the story Yum Yung and his friends create an enormous bagel and sit down to a one-food-only feast of sorts.

The first two pages of the book show the Atlantic Ocean with New York and its tantalizing bagels on one page and Yum Yung, hands pressed dramatically to his chest, on the other. As another reviewer of this book pointed out, this shot is a bit askew, with Korea ending up where Spain could be. My only other grief with the book was that it did not include the recipe that Yum Yung received from New York. Books of this nature are especially good at getting you to crave the items they write of. How hard would it have been to include instructions for making your own? Not everyone lives in New York, after all.

Otherwise, the story's rather sweet. I give a lot of credit to the book for having such a bizarre premise. The pictures will not blow you away and the writing is somewhat pat, but this is a nice little tale that follows the rule of three and has a satisfying and delicious conclusion. A fine little tale for those kids already in love with bagels' chewy ways.

This is the story of Yum Yung in Korea. One day, for some unknown reason, he decides he would like a New York bagel. He send a pigeon with a message to New York to order one bagel to go. When the bagel does not show up right away, Yum Yung decides that he must search for it.

Yum Yung encounters a farmer, a fisherman, a beekeeper, and a baker while searching, but to no avail until suddenly everything comes together and the whole cast gets the chance to enjoy a fresh-baked bagel.

A truly fun story told in just the right way for young readers (repetitive language, etc.). After reading the book, go back to the start and you will notice that while Yum Tung is dreaming of his bagel, all the settings of the story are visible from his hilltop.

The only downside in the book is in the opening illustration that seems to place Korea in the vicinity of France or Spain (East and a little south of New York). Considering the obvious care in the rest of the illustrations I found this rather unusual. But this should not detract from this story of a young boy who has a dream and sets out to make it a reality.

This book contains all of the perfect elements that make a good children's book. It has imajination as the impossible happens. It has repition as the same conversation happens as the main character meets new people. Children just love this as they can predict what is going to happen and can follow along easier. It ends by using parts gleaned from the rest of the story binding it together beautifully. The wonderful solid structure of an absolutely perfect children's book. Beautiful

I bought this book (and the companion volume) after reading some of Lamb's work in the 'Flashing Swords' ezine and anthology from Pitch-Black Press (Sages and Swords). I'd never heard of Lamb before--and now I've read his work, I'm stumped if I know why that is. Everything that's good about adventure fiction is in this book: strong and cunning protagonists, treacherous villains, and exotic locales, and all written in a clean and fast-paced prose style I wish I could emulate.

I read the whole thing in a week, then read the other volume straight after. When I finished, I went back and read them again.

My only caveat about the books has nothing to do with the stories, but the covers. The stock used for the covers is a little thin, and it warps badly if it gets damp. If you do buy a copy (and you should), then keep the cover away from water, otherwise it will curl and start to come apart.

If you're at all interested in adventure fiction, you should buy this book and any others by Lamb you can. Really, they're very, very good.

[This is the same review I wrote for the other of the two books currently available--but I read them both at the same time, and I have the same comments about both, so ...)

Among the ranks of forgotten pulp authors, Harold Lamb's obscurity is one of the strangest enigmas. Imagine if you only knew Robert E. Howard or H. P. Lovecraft from a few hints of having been significant once, or inspiring later authors, and their works were unavailable in print. This is pretty much the situation with Lamb, and it is hopeful that this book and its four companions will remedy it.

Because, in fact, Lamb is a master of the genre, easily the equal of REH, HPL and other pioneers of fantastic fiction. The main character, Khlit, a veteran Cossack on the turn of the 16th and 17th centuries, is just as iconic as Conan the Barbarian, Ffahrd and the Grey Mouser or Cugel the Clever. His gruffness, practicality, and sharp wit despite being completely illiterate, makes him an appealing protagonist. In turn, his foes, Tatar Khans, schemers of the Chinese court and masters of secret cults and societies, are classic pulp villain material without indulging in base stereotypes. The pacing, including the trademark twist at the end (where I usually cried out "Of course!"), is exemplary. Finally, the locations where the stories take place are well chosen: exotic to modern readers, and presented fantastically, yet with a sharp eye to historical detail and accuracy as well. Lamb's deep knowledge of Asian cultures and customs is remarkable, and he can weave it into his plots without looking intrusive or forced.

It is hopeful that these four volumes will pave the way before more collections and reprints, and that they will introduce many more people to Lamb's excellent works. As someone who had known next to nothing about them even a few months ago, and only discovered the author when he was mentioned alongside Talbot Mundy on a message board, I definitely recommend them to anyone with an interest in great adventure stories. The editor, Howard Andrew Jones, is to be commended for his efforts in making this happen - and the cover illustrator as well for providing four elegant, moody illustrations to adorn them.

For those interested in historical adventure there is probably no better choice than to pick up this volume and read the epic story of a lone, wily cossack, who leaves his clan and sets about adventuring across Asia. Not only is the volume a bargain - you would be lucky to find a sole story in the original magazine version at the price of the whole volume - it is entertainment pur sang,from the first page to the last. While Lamb gives us great descriptions of battle- and actionscenes, in the end his heroes win by their wits and not by their swords. This gives every storyending the unique "Lamb-twist" In addition the backgrounds and details of the stories are all historically accurate - which does not detract at all from the enjoyment! If you like to have your imagination stimulated by adventures in far lands and other days, this is the book for you!

For honest disclosure, the editor, Howard Andrew Jones, is a friend and colleague.

But that won't stop me from saying "wow". The first tale of Khlit starts off the character at the very audacious age of 50-ish. And Khlit ages as the series goes on. To have this wiley old man have to think his way through the traps and conflicts that beset him and not just rely on sword and brawn, is just so damn cool.

Others have noted how modern Harold Lamb writes. I concur. His prose is evocative without being overly flowery. He sketches a world that is deep and dangerous, but never gets in the way of the story.

And Lamb's exploration of cultures and religions of this region, well, I think that Khlit and Lamb expose us to some very thought provoking situations that pertain to our world, NOW. After all, this is the world of Turkey to China. I think there are some events happening in that area these days that are of import. I'm not saying that this is a history lesson in these pages....but history and culture are nonetheless taught as we follow the wandering Cossack.

If, like me, you've hunted for Harold Lamb's stories dispersed in old and rare magazines and books long out of print and despaired that you would ever have them all - you will be grateful to Howard Jones for collecting and editing them. I am, even more so because I got to know Howard towards the end of this enterprise and got a glimpse of how huge and intricate his job was.

If you've ever dreamed of adventures in a world younger than ours, where bravery and cunning count for something and danger or treasure could wait around the next bend of the road - these stories are for you.

If you've ever wished for tales that would let you breathe the sharp air of the Hindukush range, feel the burning sun of the deserts, taste the dust of the steppes, see the Cossacks or nomads quarrel, fight and revel - these stories are certainly for you.

Get all four volumes and ride with Khlit, a cunning old Cossack retired from the Sietch, who keeps looking for adventures, alone or with a few companions, in lands where if your hosts regret your parting you never know whether they found your company good or whether they regret they did not have enough time to rob you.

Read these stories, enjoy them and tell your friends!

If you've dreamed of sailing in a lovely wooden ship around the world and exploring strange new land, be advised one emperor of early China dreamed of just such adventure - and achieved it! Years before European ships rounded the tip of Africa. "Adventures of the Treasure Fleet: China Discovers the World" is a picturebook recounting the true story of Admiral Zheng, who sailed on seven far-reaching expeditions five hundred years ago, at the behest of the Chinese emperor. Zheng's exploits fighting pirates, discovering new lands, and captaining the legendary "Treasure Fleet" make for a rousing adventure. Admiral Zheng He and his fleet of 'treasure ships' embarked on 7 different expeditions that sailed further than any thought possible - and continued the journey for over 28 years. Finely drawn and colorful pencil drawings by Singaporean artist Lak-Khee Tay-Audouard illustrate this amazing story, told in narrative format with additional historical facts mentioned at length on the bottoms of the pages. Highly recommended for public and children's library collections.

This beautiful, engaging book delighted my 6th grade history students! The art work is detailed and gorgeous. There are 2 stories told here. One is historical fiction. It tells of the adventures of the Chinese Admiral who set out to explore for his emperor. The bottom boarder of each page contains the historical information related to each fictional page.
My students enjoyed spening time examining the beautiful, detailed artwork on each page.
The artwork alone would hold a younger child's attention as the story was read aloud by a parent or teacher.
What did I love most about this book? It inspired my students to ask questions, make connections and have conversations about ancient history!

This is a treasure of a book, with lively text and illustrations geared to pull the young reader into the world of yesteryear and many of its ancient cultures. In 1405, Admiral Zheng He led his fleet to an amazing number of ports around the world, creating trading routes and opening opportunities for modern commerce. Blended in are explanations of China's early inventions, boat building, the magnetic compass, navigation techniques, how to create diplomatic bonds with strangers, what was traded and how global trade developed at the hands of the Chinese and their partners, and more.

Bowler's roots as a teacher are on display. The reader is seamlessly transported into an ancient world, and made to think about how incredible these accomplishments must have felt to people without the modern conveniences we all take for granted. How to communicate among all the ships, navigate stormy waters, fight off pirates, and make friends with strangers in a language you do not share? Bowler entices her readers to think about how amazing all these accomplishments were.

Intricately detailed art work helps the reader visualize every day life, as well as different cultural characteristics of Africa, India, Siam (now Thailand), what we now call the Middle East, and of course, China. The artist shows homes, dress, animals, musical instruments, dinnerware and vases, food, plants, places of worship, boats, traded goods of different countries, and much more. The map at the end of the book helps the readers grasp the magnitude of the 35,000 miles of oceans traveled.

This book tells the story of many fantastic voyages of a visionary explorer in a way that should catch and hold the attention of the reader. What a terrific way to introduce an important piece of our global history and culture to primary and secondary school readers - as well as their parents!

ADVENTURES OF THE TREASURE FLEET is much more than a picture book. It is a chapter in world history--85 years before Columbus--that is rarely told. How have we missed the 6'tall Admiral Zheng He's incredible voyages in 300 huge Chinese ships, each the size of football fields? And pirates too! Ann Martin Bowler's detailed research and Lak-Khee Ty-Auduoard's wonderful art have made history an exciting adventure!

This beautifully illustrated and written book opens American children's eyes to a fascinating epoch in Chinese history--the great sailing of the "Treasure Fleet" on its several voyages all through Southeast Asia, India, the eastern coast of Africa, and all the way to the Red Sea. Not only does it open a window onto China's rich history, it also provides an excellent geography lesson (thanks to some beautiful maps). Adults will enjoy reading it as well, especially since a "grown-up" history of these voyages is provided at the bottom of the pages. A superb effort!

When I picked up this book, I was prepared for a dense, AAA/Lonely Planet-style guidebook (filled with useful information, but not meant to be read from cover to cover). Instead I was surprised to find a very readable and richly informative book on the history and sites in Afghanistan.

Rather than writing a summarized narrative of the history of a particular city, castle, or mosque, the authors use numerous first person accounts from travelers from throughout Afghanistan's history from Alexander's historians to British explorers in the 20th century. These first hand accounts are fascinating. He also includes poems and folk tales translated from historical documents and local interviews. The combined effect of all of these first-hand accounts is a feeling of intimate familiarity with each region described.

The book opens with the history of Afghanistan and is very detailed for being so concise. The rest of the book is broken down into regions. Some regions, notable Kandahar, are left out due to the fact that security was still to dangerous at the time of writing (2006) for the authors to visit. The northeast area of Badakshan opens the account and it is hard not to want to visit this mountainous area after having read the tales. It works its way around the country counterclockwise hitting the areas around Mazar-e-Sharif, Heart, Bamiyan, Ganzi and Kabul to name a few.

Even if you never go to Afghanistan this book could define the concept of the armchair traveler.

I am currently deployed to Kabul and after reading and reviewing many guides and books this is the best guide and historic account I have found. Another great book is Taliban by Rashid.

This hefty tome oozes quality. From its 768! pages printed on very fine paper to the wonderful photographs to the heavy duty binding. The authors convey a deep love for this intriguing country so often only heard of in terms of war and violence. This is also a most comprehensive history of Afghanistan. Its blue lapis lazuli was used as ornament on The Mask of Tutankhamun. Coins of the Graeco-Bactrion kingdoms of Afghanistan reveal life in the lost "Atlantis of the East". As a travelling guide you get "down to earth" advice: "Driving in Kabul is a contact sport. (An airline)... fly, when they feel like it. "The Worst Hotel in the World." etc. Some places are presently out of reach for the ordinary traveller due to war - again. For the Afghans, I sincerely hope peace will prevail. They are proud and tough people despite, or maybe because of, their many hardships. This book tenfold improved my understanding of their beautiful and complex country. Possibly you would bring the several pounds of guide book along in your rucksack? Probably not. On the final page, as in many places in this "tour de force", there is a fine underlying humour: "Published to appeal to the armchair traveller". I'll be travelling often with this good companion.

This is something betweeen a Planet Earth travel book and an historical compendium of facts and figures. It is quite useful and interesting but some of the material will be outdated rather quickly so a Planet Earth guide, it is not. I like it and am glad I purchased it.

A comprehensive guide to everything about Afghanistan from carpets to stupas. Its excellent photographs and abundant maps leave the reader with a desire to visit this fascinating country. The book is heavy to hold but difficult to put down. A must for all travelers (armchair or footworn) of distant horizons.

I purchase this book for my grandson. It's the good book. Thank to AMAZON!

this an interesting book i read DK books are the best non-fiction books.the book talked about all the emperors,first
emperor of china,great wall,the food,and the silk road.You
should buy this book it's really a good DK book.the price is
just 19.95 OR 15.95

The institutional review coming with this page says: "Grade 5-10-Done in typical "Eyewitness" format, this volume touches upon such topics as Chinese history, the first emperor, inventions, health and medicine, waterways, food and drink, clothing, the Silk Road, and arts and crafts. Material from as recent as the last dynasty, which ended in 1912, is included. . . ." That summarizes nicely--both the age group for whom this book is intended and for the wide range of issues considered.

As such, the book works pretty well. As with all in this series, it reminds one of the first couple phrases in some lines about the Platte River: "A mile wide, an inch deep. . . ." Lots of coverage but not a whole lot of depth. But for young readers, this is a fine work.

The work begins with a bit of history, from the origins of the Chinese civilization under its first rulers, to the creation (by force) of a unified empire under the Qin Dynasty (China, the name, comes from this dynastic term), to the full unfolding of the empire under the Ming Dynasty after the expulsion of the Mongols.

There follows a discussion of the first dynasty (Shang, from 1650 to 1027 BC), the importance and central views of Confucius, the first emperor of a united China (Zheng), the development of an early civil service.

Then, some of the artifacts of the culture--printing and books, medicine, agriculture, food and drink, housing, dress, and so on.

The book closes out with a discussion of "The Silk Road" (during which time trade flourished between China throughout Asia to Europe), ocean voyages (voyages to the Middle East, Africa, India, the great islands of the Indian Ocean), and the end of empire, with the final emperor being deposed in 1912.

Again, as with others in this series, you get rather shallow coverage--but the illustrations are great and the amount of information provided really lined up with the age group targeted.

This book report is about the world's oldest continuous civilization called China. From 221 B.C to A.D 1912 in China was combined under a great and powerful empire called the Qin Empire. Ancient China was remained untouched because it was apart by the huge a scorching deserts, mountain ranges, and the ocean. It was cut off from other cultures such as India, West Asia, and Europe. China's social structure was a main role in maintaining its national stability. What also helped China together was a great philosopher named Confucius who encouraged people to lead an ordered family way of life. Once in a while the Chinese empire experienced short periods of unrest and disunity and attacks from foreigners. During those times they changed the governments and they built many innovations and technological advances such as gunpowder, paper, printing, and industrial machinery. The Chinese people still used the same customs and traditions and stayed remarkably to today.

The first dynasty to leave historical record was the Shang Dynasty. Their kings ruled the greater part of northern China from 1650 to 1027 B.C., where the soil was fertile and had enough water from the Yellow River. The ruler of the dynasty was a priest or known as the Son of Heaven. He had to believe that his empire has to maintain good relations between our world and heaven. The Shang Dynasty had many slaves, but they rely upon the labor of their rural population. The peasant farmers cultivated the soil and took parts hunting for food and served as soldiers in the army.

Confucius believed that the early years of the Zhou dynasty were golden years of social harmony. During his lifetime, he saw growing disorder and saw reducing power in the dynasty. This fight became more and more turmoil, which led Confucius to develop a moral outlook. It was based on happiness, respect for elders, and strength in the family. He had a saying that a good ruler should set an example by dealing with people. In return, the people had to respect and obey their emperor. Confucius also believed that different families should be governed by common family relationships with a stable society. After Confucius encouraged ancestor worship because it strengthened families. Then the Chinese came to see themselves as a part of a greater family.

For three centuries of war marked a decline of the Zhou dynasty. This dynasty became unstable, so in 481 B.C. China was separated into seven warring states. The battles became large in scale with crossbowmen, cavalry, armored infantry, and chariots. During the war many men were killed and wounded. In 260 B.C. Sun Zi, a writer, wrote the Art of War, the world's oldest military handbook, which gave nobles practice of warfare. Eventually the northwestern state of Qin was victorious and united the feuding lords under one empire. The military began to decline and the civil service grew in importance and Confucianism came in.

During the 250 years of the Chinese empire was occupied a non-Chinese people from the north of the Great Wall. China prospered for 150 years of Manchu, Qin, and different rulers who ruled China. For the first time Chinese technology fell behind and France, Russia, and Japan began to bully the Qin empire. In 1912, ancient China was brining to an end of 2000 years of imperial history.

I recommend this Eyewitness Book: Ancient China because if learning about China in history class it can help you a lot. It has many captions you can read from and learn more just by reading it and the pictures shows you many things what were like and different paintings and sculptures. So whoever likes this may be smarter because they might learn something.

Ancient China was the best book dealing with China that I have so far read. It was intriguing how I learned, saw, and discovered many things in only about 65 pages. The beautiful photography gave the words life. This book proves excellence truly exists and gives the word perfection an even greater new meaning.

This is an outstanding book...as one who just returned from a trip to Angkor Wat, Angkor Cities and Temples provides beautiful photography of these amazing structures and an excellent description of the sites. I highly recommend it to anyone who is going to Siem Reap to help prepare for your visit. It is also a most memorable book that you can share with your friends as you attempt to describe this historic area.

I have reviewed a few Angkor books. I think this is the best book among them. The pictures are very good.

Angkor Cities And Temples is perhaps one of the most beautiful books I have ever had the pleasure of owning. Everything about it beckons the reader to remain absorbed in its pages. The text by Claude Jacques is erudite, well-written, and very well translated. The photography by Michael Freeman is astonishingly good. Not only by virtue of his technical skills, which are considerable, but because he handles the art and architecture of the monuments with a tremendous sensitivity to detail and a glorious feel for the way in which light interacts dramatically with stone. Together, the flowing text and luminous colour images provide a wondrous exposure to an ancient world of great sophistication and profound aesthetic development.

Angkor: Cities and Temples by Claude Jacques, et al undoubtedly presents one of the most enchanting illustrative descriptions of Khmer architectural design and history I've ever seen. The photos are crisp and clean and the printing quality is first class. However, the text, translated from French, is overly technical and lacks a sense of cohesiveness, which would have otherwise made it easier to percieve the "big picture" concerning the period of Angkor.

I had always wanted to visit the Angkor temples.And I was looking for some good books on Angkor. When I saw this book, I immediately bought it inspite of its price. The text is crisp and illuminating. And the photographs are the best I have seen of Angkor. They are so real and dramatic that you feel that you are right there. The only drawback with this book is its size. It is mammoth, making it a reference guide rather than a guide you can bring with you on your travel to Angkor. Nevertheless, only in this book has justice been done to the magnificent temples of Angkor. If there is only one book you buy this year, make it this one.

Beautifully illustrated, delightful and extremely informative. This book is a marvelous supplement to the typical art history text books.

This is a challenging work.

He realizes 5 standpoints. He writes "What is historically called art in China, by whom and when?". Really, I feel it rather reflect unconscious attitude of 20th century collectors and scholars.

Art in the Tomb /Art at Court/Art in the Temple/Art in the life of the Elite /Art in the Market-Place

Following recent searching environment of artifacts; lifetime of painters, art-market, patrons, etc., as "Painter's Practice" by J.cahill, Mr. Clunas searched relations of arts-makers and the society. This approach is interesting and very suggestive. It may be the first try among such cheap and popular books about "Arts in China". For such character, I feel it should not be an elementary textbook.

Calligraphy was more focused than M. Sullivan's book"The Arts of China" in the chapter "Art in the life of the Elite". Short columns explain words and technical terms vividly. It is worth to buy it only for them. Bibliographical essays(231-237 p.) are very useful. Plates and figures are all fine. There is few inadequate item. Fig 83 and 87 shows as we appreciate in museums, i.e. shows its handscroll format. I think the author make effort to show surrounding textile of paintings and the format in some figs.

As an avocat d'diable, I notice some. The gong of Fig. 49 is not 8th century. Dragons and a beast should be genuine 8th century items. The gong is regarded 12-13th century Japanese artifact. The item of Fig. 82 may not be a representative work by Tang-Yin.

Both C. Clunas and Michael Sullivan edited catalogues of Sir Alain Barlow Collection(now in Sussex College). (ref. The Barlow Collection of Chinese Ceramics, Bronzes and Jades: an Introduction, The University of Sussex, 1997/Nov.) Sullivan did in 1963 and 1974. Clunas did in 1997. They might have share common intellectual environment according Oriental Ceramic Society, England.

While not the easiest to read, Clunas's book is currently the best short modest-sized introduction to art in China. The title "Art in China" (not "Chinese Art") is intentional, for Clunas is one of the rare Occidental authors on this subject who transcend the limitations of their background and succeed in communicating some of the subtlety and complexity of the subject, so remote from Western tastes, but no less beautiful and profound.

For example, he points out that while Western art has concentrated on painting, calligraphy is the most esteemed art form in China. Furthermore, from its earliest beginnings, Chinese aesthetics has placed little emphasis on illusionism and perspective, even regarding these as juvenile and distracting from artistic self-expression. (In this respect, the Chinese anticipated "modern art theory" by centuries.) The very term "Chinese Art", he maintains, is a Western invention, since the art work in China was, until recently, never divorced from its political, religious or decorative functions. (That is to say, it was not "museum art" isolated from its context and consciously regarded as art.) Because of these characteristics, art in China has been little appreciated in the West.

Clunas's probing book should be read slowly-- and re-read. The illuminating text gives a relatively sophisticated and sympathetic account of art in China, unlike many books, which are simply naive, provincial and as full of trivial dates and abstractions as they are lacking in insight. The representative works, drawn from all periods of Chinese history--including modern times--are superb and well chosen, and the pictures are excellent, considering the book's modest size. I especially enjoy the full-page color reproduction of Guo Xi's masterpiece "Early Spring" which equals, if not surpasses, the finest landscape paintings of the Dutch golden age (of course, not in illusionist technique, but in sheer expressive and evocative power as it unveils a mysterious fantastic landscape reflecting an interior, as much as an exterior, reality).

My only complaint is that there is only one book on "Art in China" in the Oxford History of Art series, while there are at least 30 on Western art in the same series. One book covers Western art for a 25-year span (1920-45), but 5,000 years of high art in China--in painting, jade, ceramics, lacquer, porcelain, calligraphy and sculpture--gets only a single volume! Talk about provincialism! Certainly, this is no fault of Dr. Clunas, whose work seems all the more commendable in the midst of the naive insularity and ethnocentrism with which it has unfortunately been grouped.

I like the author's approach to writing an introduction to the arts of China. Instead of trying to touch at least all of the major artists/works from all of the major periods (which in the case of China would mean touching very many things in a very cursory way), the author focuses on the context for which works were produced. Some of them were meant to be "art" from the start, some were not. This offers ample opportunities to examine how some works influenced other later in history. Overall, I think the ideas presented are some of the most gripping I have found in Chinese art history books. The book includes recent discoveries and scholarship and uses Pinyin romanization (two great features - not all recently-published books do).

In researching information regarding Sung Dynasty scrolls and artists, I found this book to be a most generous indeed. The author provides clear, precise information without the clutter of person guesses. He provides a wonderful assortment of pictures and resources. Clear, clean photographs of artifacts providing the reader with primary documentation .This is a MUST for anyone studying the Arts and Artists of early China. Thank you Craig Clunas!