Europe Books

A Bright Sun and Long Shadows is a marvelous book for everyone who even considers leaving the culture they grew up in. Being a foreigner anywhere is not easy. I'm fortunate in that the Thai general citizenry adore foreigners, which is not the case in many countries . . . but a foreigner is still all that I am. Because I don't speak the language I believe it is assumed I don't have a brain. Because of my accent (when I do attempt to speak for myself), I'm treated like I'm a two-year-old learning how to speak . . . much the same way my Thai husband, Jit, was treated speaking English in the United States of America for twenty-eight years.

I'm jealous of Val and Linda's ability to communicate in the language of the land. I'm also jealous of their home. The descriptions in the book attest to the entire house being really beautiful, but oh, the work involved to get it that way. Our home is a far cry from even remotely attractive. I comfort myself with it does provide shelter and that's the original purpose of building. Clearly the authors are not one iota lazy while I am just the opposite. I gave up probably the first year we lived here, a privilege I could afford being married to a Thai. Val and Linda are living proof that what one truly wants is attainable . . . but often at a very high cost, not only monetarily but mentally.

There is no comparison between living in France and living in Thailand but the similarities of some situations seem to be universal.

A Bright Sun and Long Shadows is a wonderful piece of work.

This a refreshingly direct book. For anyone who has read any of the scores of ex-pat books about setting down roots in a new country, this will be a welcome and loving splash of cold water. The authors' depiction of life in a small French town gains so much from their refusal to see things other than as they are. We see real people in real time and I suspect that my reactions would be very much like the authors.

But there is more to this book that a how-to survive with the French. The authors' sometimes painful honesty points us to deeper questions about living in the mess of life with a direct and honest passion. I have returned to this book several times and always gained from it.

My husband and I read this book aloud to each other, and finished it within a day of arrival. It is a compelling, true account of a planned move to France, international renovation/restoration, and many personal reflections on the process - and the people involved. It was fully engrossing. I completely recommend this book for any student of French culture, or person considering international living in retirement. I feel it would be helpful for any person considering a domestic relocation in retirement as well. (note: I spoke with Val today, and am happy to report that they are well, the guests are coming, and the neighborhood children have aged a bit!)

I have read most all the travel essays on expats travails, from Mayle to Mayes, with their moves to foreign homes and usually only hear about the "Bright Sun", but seldom of the "Long Shadows"! As my wife and I continue our search for a property in France, it was refreshing to hear the realities of adjusting to a new culture and the difficulties in accomplishing everyday tasks.

We stayed at Val and Linda's wonderful B&B in Florensac several years ago, so it was fun to read about all the "sweat equity" required to get their most beautiful, La Petit Jardin, habitable.

Val's candor and transparency is rare and confirms one's suspicions that, the French la bonne vie, the good life, is not always on the green side of the pasture.

This book really lays out, that despite extensive planning, retirement (anywhere) is not the bed of roses that many think it should be. Of course, retiring to another country (or even geographical area of the U.S.) would/could exacerbate things considerably, the book illustrates the many emotions/reactions that I've heard from others who have retired. And, if you are a Type A person it can be really difficult to make such a switch without some modification of behavior and expectations.

As a future retiree, I'd recommend this book to others who may being making that change in the not too distant future.

Belmonte's book should be require reading for all Anthropology students as well as those interested in Naples life, before graduating college. As an ethnography, Belmonte writes an excellent detail account of life in poor Naples. He makes you "see" Naples through the eyes of the people in his book and not by those glossy travel brochures.

I have this book in a socialsience method class, and for that i am realy glad! This book is writen with such understanding, and such respect. He could have choosen an easy way and just written what he saw and assume about all he doesn't see or know. Like about the family he get's to know, he even mentions it himself, that he could have just assumed that all familys in Naples in this area and in other poor areas, are the same, and that the family structure and habits and behaviours are the same, but he doesn't, he tells you all he sees, and all he gets to know, and he tells you what he doesn't know, he uses other peoples work and what they have found to compleet his own. I undrestand why we have it on the book list!! cause it is so valid, he has done an amazing job. Also this book is so well writen that it's almost like a novel, i sometimes caught myself in forgetting that this has happend, its none fiction. This book is really worth a read! it's worth both your time and money... and the thoughts you might sit with after wards! Kudos To You MR. Belmonte, this is one WELL writen book, with insight, understading and truth.

Belmontes field study of Urban poor of Naples Italy makes great reading. Belmonte writes as a chemist would, capturing the kind of graphic detail that puts you right at the head of a Neapolitan famly's table at Sunday dinner. Watch that knife! Belmonte's Naples is filled with unforgettable people in an unforgettable place.

Thomas Belmonte brings the reader into the book. He doesn't simply write a sob story about those in Naples, yet he writes about the bare-truth and amazingly highlights the implications for the poverty. A must read for anyone who needs an understanding of unfair world systems.

Thomas was my cousin. He was always an amazing person to be around. He died a few years ago from a disease called AIDS. He was a very brave man. He was not a man dying with AIDS, he was a man living with AIDS. Throughout his lifetime, Tommy was a very devoted man. He was a caring generous person. He is greatly missed.

This is an incredible grilling guide. I've tried multiple recipies and they have all come out on fire with taste, inspiration, and yes, desire for incredible food. DO try it, I highly recommend it.

This book is full of great-tasting, well-written recipes. I have been using it for a number of years with consistently good results. There is a useful resources section in the back for getting ingredients you might not be able to locally.

I love the Kerr family thinking when it comes to food-- big, blowsy, can't-have-too-much-of-a-good-thing type thinking. I've used this cookbook for five years, and everything I make has great, authentic Tex-Mex taste. I'd take any advice Park Kerr is giving out.

This book has been my bible for entertainment since I bought it at least 7 years ago. I was on business in Austin, Texas and found it in the airport book store, luckily. Homemade salsas, bbq sauces, ointments and marinades, guides to grilling and smoking all kinds of beef, chicken, pork, fish, lamb...how to make sausages, how to make pizza from scratch and cook them on the grill, how to grill sandwhiches...tons of bbq type side dishes...alchoholic and non type drinks, and special deserts. All my most favored recipes have come from this book. Not one thing I have made has been a disspointment and this book has helped me earn the reputation of being one of the best bbq entertainers around.

My personal favorites:

spicy lemon chicken
molasses mop beef ribs
avocado salsa
picadillo salsa
Western Red BBQ sauce
bbq pizza (make dough from scratch!)
smoked t bone steaks with green chile butter
marinaded and grilled mushrooms, red onions, vegetables
rosemary new potatoes
grilled sweet potatoe planks
marinaded red pepper & jalepeno Cole Slaw (no mayonaise!)
jack daniels pudding cake
pineapple tequila
pineapple tequila margaritas
Grilled peaches with walnut oil on vanilla bean ice cream

I am going from memory on the titles, but I have captured the essence. If you like to grill, or have an affinity for chips and salsa, smoked meats, spicy foods, beer or tequila..this book will not dissappoint. Even if you don't love all those things you will find killer recipes here. And hey, I don't even know the author (unfortunately) I just love this book.

Great cookbook! The recipes are easy to understand and even better tasting. Mr. Kerr has a flair for setting the mood for each of his recipes with anecdotal descriptions of how to serve and what to serve with the dish. The only drawback is sometimes the recipes call for ingredients that are not easily obtained (common grocery store), but he warns of that in the book! It's a good read and a great cookbook.

As the author of this book I would like to point out that I am not the same person as my namesake who writes homoerotic novels such as "To Serve Two Masters". "Buying a House in Italy" belongs to a different genre altogether.
Perhaps Amazon could follow the example of their UK branch and put a C in front of my name on their listing to differentiate between the two Gordon Neales.

We bought a house in Cortona Italy 12 years ago only after a long hard search. IF ONLY we had Gordon Neale's book with us on that first trip hunting for the perfect house. His detailed knowledge of the intracacies of house buying law in Italy is infinite and we would have had fewer grey hairs if this book was available then
. Apart from that it is a wonderful guide from a very sympathetic student of the history, language and humanity of the Italian nation. In concise chapters he will give you the benefit of his long study and experience of the regions, their differences and special charms. The stuff this man has learned would take the casual visitor more than a life time to obtain. Here is his knowledge for you to savour at the cost of a paperback. This is not just a book for aspiring house buyers, it is an invaluable asset to anyone travelling in Italy. IF ONLY, we had had this book all those years ago, but we have it now and it brings even greater pleasure to our life Bella Italia

This book was well worth the money There are some serious mistakes when dealing with history. other then that a very usefull book.

I was sent this book for Christmas since I had stayed in Tuscany and am interested in buying there. Wow! This book is like a Whole Earth Catalog for Italy. Beyond the details on how to buy a house, it's got material on living there in a way that puts you right in the middle. I loved how the author interspersed Italian words and phrases throughout the book and had various glossaries for buying a house and even gardening and dealing with builders doing renovations. I find that I can recall the words easily because of the way he put them in the context of how I would actually use them in conversation to get something I want. The wit and wisdom sidebar on Berlusconi is a real gem. His listing of things like Italian TV and radio, I mean, I can see myself living there, important in the actual determination to buy. Also, he's got Web Site addresses throughout for additional information like real estate agents by region. This is a terrific book that's fun to read and dip into. I recommend it, highly.

An excellent guide. I loved the sections on the history of Italy and the one on gardening.
The book is packed with information which is clearly written. It is a joy to read and a must for anyone contemplating buying a house in Italy.

The East Roman Empire provides an extraordinary study of survival. Beset on every side by newly arrived tribes and established rival empires, Byzantium not only endured but exerted a cultural influence that helped shape successive nation states once within its orbit.

Central to Obolensky's classic account is Byzantium's `cultural diffusion' and the most striking example of this is how its spiritual culture, transmuted into Old Church Slavonic through the linguistic brilliance of its missionaries, helped provide a basis of literacy alongside the visual impact of its iconographic art. Many a pagan tribe fell under the Orthodox spell; the Bulgarians, Russians and Serbs were all converted at various times, apostasy finally giving way to unequivocal faith.

Acknowledgement of the Empire's military dominance was, however, often contested. After the Turkish conquest of 1453, Bulgaria, Serbia, Macedonia and Russia retained much of the cultural influences and ideology of Byzantium and it is the intermingling of Greek and Slavonic elements that Obolensky brings so well into the foreground.

As in the west but developing along divergent lines, much of the spirit of the East Roman Empire survived by it's interrelationship with so called 'barbarian' peoples. Obolensky's Byzantine Commonwealth, along with Frank Eyck's Religion and Politics in German History, reveal that process at work. Both books show how the Roman Empire became absorbed into Medieval European culture.

I can't praise highly enough this well researched, masterful look at the mechanisms of cultural diffusion in the Balkans and Russia in the Byzantine period. Obolensky, an unquestioned leader in the field of Byzantine studies, has put together a cogent, precise and elegantly written book that, while not really for the layman, is clear enough for most persons with some familiarity with the topic. He demonstrates the role of what he calls "intermediaries", e.g. merchants, missionaries and mercenaries, in spreading Byzantium's unique Graeco-Romano-Christian culture throughout the Slavic world. A little attention is paid to Byzantium's influence on the West and on the structures of the Ottoman state, but the real focus realy is on the Balkan states. And, well, where have you seen that lately?

A span of almost thousand years marks the blooming and decadence of the Byzantine Empire.
"The Byzantine Commonwealth - Eastern Europe 500-1453" is a balanced and informed history of the outer lands (provinces, independent principalities and kingdoms), mostly inhabited by Slavic populations, whose history intersected the one of the Empire.
It is mostly a history of assimilation, with its many facets.
The strategy of the empire to develop an extensive diplomacy of the sword and of the cross. The cautious and balanced use of force, diplomacy (both political and religious) and money. The widespread and deep phenomenon of inclusion and assimilation of cultural values that Constantinople inspired. The gradual political emancipation of the emerging new nations (Bulgaria, Serbia, Russia, Hungary and lastly Rumania)
It ends in 1453, the year of the fall of Constantinople to the Turkish armies: in that moment the Byzantine commonwealth disintegrates and the great eastern diasporas begin (with the rise of the myth of the third Rome in Russia, the emergence of the principalities of Rumania, the defeat and toll of resentment in the Serbian and Balkan lands).
Obolensky's study is already somehow outdated since first printed in 1971 for the "History of Civilization" Series of Phoenix Press (in the same series you can find the still unsurpassed "The Greek Experience" by C. M. Bowra,). It cannot take account of the events following the disintegration of USSR and the widespread renaissance of an Orthodox "koinè" (cultural community), especially religious but sometimes also political and social (this at least is one of the - highly debatable - theses advanced by professor Samuel P. Huntington in "The Clash of Civilizations"): a feature this one that cannot change the overall picture, but is nonetheless a strong indication about how deeper went the Byzantine influence.
"The Byzantine Commonwealth" is sometimes very specific, and yet immensely interesting.
I greatly enjoyed the history of the missionary work and travels of st.Constantine (Cyril) and Methodius, their invention of the Glagolitic (and later Cyrillic) script and the inception of the movement of translation from Greek to Old Church Slavonic (the medieval common language of the Slavic populations).
Compelling are also the chapters dealing with the presence and spreading of heretical movements, especially Paulicianism and Bogomilism, sects influenced by Manicheism and that very likely "exerted a powerful influence upon the Patarene and Cathar (or Albigesian) movements in Italy and Southern France".
It is amazing to realize the scantiness of our knowledge and the prejudices we still retain about the Byzantine world. While for Rome and classical Greece we have still outstanding and impressive remains (temples, theatres, aqueducts, weapons and literature), the whitewash following the Turkish conquest and censure of history (from "the idle liars of neither gender" of bishop Liutprand of Cremona to the "tedious and uniform tale of weakness and misery" of Gibbon) have almost cancelled a thousand years of European history.
The Iron Curtain tried to eradicate the deep-rooted marks of a common culture of the Russian and Balkan lands: a heritage of art and faith, common language and culture.
But this civilization has been able to endure the floodings of history, Turkish conquests and Socialist utopias.
And this is one of those rare books than can make us feel the warmth of this candle, still alight.

In the Epilogue a part deserves to be cited in full because of its poetic and evocative force:
"It is hence not surprising that the fall of Constantinople aroused these countries immediate feelings of horror and dismay. Greeks, Slavs and Rumanians reacted to this event by composing laments, in poetry and prose, for the captured and stricken city. A Greek popular poem probably composed in the second half of the fifteenth century, describes an imaginary scene of the last liturgy celebrated in St Sophia in the presence of the emperor and the patriarch, which was interrupted by the arrival of the infidels: as tears were seen in the eyes of the Virgin on the church's icons, the clergy was commanded by voice from heaven to send the cross, the Gospel book and the holy table to Western Europe lest they be profaned by the Turks. In another version of the story as the Turks broke into St Sophia a priest bearing the chalice left building through a door which miraculously closed behind him: on the day the Greeks recapture their city, he will re-emerge to complete unfinished liturgy."

For my background reading on Central and East European EU Candidate Countries, I have been reading several books on the history of the Balkans. For the period 500-1453 I took the book from Prof. Obolensky (for 1453-early 20th century I recommend L. Stavrianos, Misha Glenny, and G. Hodos). I found the book clearly written and well set out. The central message of this study runs like a red thread thorugh the book. The influence of the Byzantine East Roman Empire on the law, culture, religion and art of the countries in that region is shown to be of major importance and is clearly one of the major shaping actors in the early history of the Balkans. Yet at the same time during this period there was no slavish following of whatever came from Byzantium. The complicated story of attraction and repulsion, the ongoing flow and struggles with the 'Byzantine Commonwealth' (i find prof. Obolenksy's expression in this contect quite useful) of the different peoples in the Balkans makes good reading and, for me, gives met the sense of a good first grasp of the outset of history on this fascinating region. This book is not always easy to read and not only for beginners, but the more rewarding for it.

After the fall of Rome, Byzantium was the greatest, richest, most prestigious city in the known world. It was the center of the Orthodox religion and a great center of culture. It was also the target for every barbarian tribe who wanted a piece of the wealth land and culture.

Dimitri Obolensky's readable book achieves two purposes. First he describes the relations between the Byzantine empire and her neighbors. Obolensky explains how the Byzantines used one barbarian tribe against another, like the Avars, Slavs, Bulgars, Pechenegs, Russians and Khazars. He also shows how the Byzantines used religion to influence the tribes and gain control over them. Eventually the barbarian tribes worshipped Byzantium, but did not trust it.

Secondly Obolensky describes how the barbarian cultures like the Bulgars and the Russians adopted the culture and civilization of Byzantium. The new comers learned art, literature, law and religion from Byzantium.

This book covers the period from 500 AD to the fall of Byzantium in 1453,
starting with a description of the geography, roads and trade routes the Byzantines used, and their strategic importance. Then Obolensky recounts relations in order of region, from the Balkans, then east-central Europe and finally the coast of the black sea.
Obolensky shows how the Byzantines became the source of legitimacy among the states that made up the commonwealth like the Bulgars and the Russians. Finally he recounts how the barbarians learned art, religion, law and literature, and civilization in general from the Byzantines.

The book includes many well placed maps and photos that make this complicated subject clearer. Obolensky's book is a must read book for anyone interested in the history of Byzantium or medieval eastern Europe.

If you want a travel book with lots of tips, a great deal of history, and -- most of all -- loads of humor and wit, these are the authors for you. This is third travel book by Dana Facaros and Michael Pauls I have read. Each is a gem -- worth reading cover to cover -- and that is very rare in travel books. I always search them out for my trips -- once to Sicily and another to southern France. Now I am planning to go to Paris this fall, so I was really pleased to find this guide to Paris. The core of the book is walking tours of the city, and each page is packed with opinionated history and unabashed commentary. The French, no doubt, would be shocked, but I love it. I highly recommend any book by these two. The three I have read -- Sicily, Southern France and Paris (2nd ed.) -- are first-rate literature. They are also "guide books" -- and that makes them rare gems, indeed.

We took four guidebooks over to Paris for our trip (my third, her first). It ended up being the only guidebook we used. The city walks made exploring the city a breeze.

Be prepared. This book definitely has a British persepctive, is very opinionated, and has very few pictures. But, it gave a great sense of persepctive and made it much easier to get context when we were there.

Without a doubt, this is a great book to use if you will have the time to explore the city. We have already purchased several more in the line for our honeymoon,

This guide, like others in the Cadogan's range is chock full of information, and not photos. If you are looking for maps (other than a Metro and RER railway map inside the back cover and the walking maps) and colour pictures you are advised to look elsewhere.

After opening chapters looking at `Paris in a Weekend' ,practicalities, history, art and architecture and several short pieces on topics such as dog poo and modernism (well worth reading - very entertaining, but make sure your spectacles prescription is up to date - the print in this section is very small!), the guide really gets into its strength.

The bulk of the book is built around 11 different walks, in 11 different neighbourhoods. All are thoroughly described with an accompanying easy-to-follow black and white map. Each walk has an indication of how long it will take (excluding museum visits), suggestions for restaurants and cafes on the route and comprehensive information on the sites.

This makes the book perfect for a visitor spending an extended time in Paris, who wants to discover the city the best way possible, or for the repeat visitor who has the good fortune to be able to return to Paris time and again.

After the Walks, the museums of Paris are listed and cross-referenced to where they occur in the Walks text. The Louvre and Musee d'Orsay are described at length. A section then follows on peripheral attractions - lying further afield than central Paris. There are listings for restaurants, accommodation and nightlife venues.

The writing in Cadogans tends towards the opinionated, witty, slightly ironic (but not smart-alec) and drily understated British style. It appeals to me in the same way as Rough Guides do.

This is not a book for the first-time short-term visitor intending to see the "Top Five" and then move on. There are plenty of other guides catering to that market, and fulfilling their brief admirably (try Rick Steves, Let's Go, Frommer, Lonely Planet for example). But if you want a book with some substance and detail which will be just as rewarding a read back at your hotel as accompanying you on your on-foot rambles around this beautiful city, then I can't recommend it highly enough.

Opinionated, controversial, occasionally intolerant, sometimes jarringly critical, but always possessing at heart a deep affection for the city, this guide will point your gaze towards places people, places and events that may well be unknown to the majority of born and bred Parisians.

It is deeply learned, but never stuffy, memorably describing the decor of one church and "cold potatoes", the descriptions on the walks ensure that once you arrive at a given site, you are aware of its historical and architectural context.

Previous reviewers have referred to the guided walks in the book, and these are indeed its jewel. It will absolutely make so much more of your time in Paris than you could have believed possible if you make the effort to follow as many of them as you can. They are not arduous treks, they can be leisurely strolls and the book makes sure that you know the very best places to stop an eat (or drink) on the way.

Buy the book, read the history (also humourous, but quite bloody) on the way, use it whilst there, and relive your Parisian peregrinations on the way back by rereading the walks you had a chance to follow.

You will want to go back

The walking tours in this book are incredible. Fun, interesting, perfect directions (even for those of us who are directionally challenged!). The history, art, architecture sections are also well worth reading and opinionated just enough to make them truly interesting and unique. I plan on buying as many other travel books by this couple as I can find.

The book ended too soon!!!! I wanna know if they got the second room back...I want to know how the finished product turned out...I want more pictures!!!!! A LOT more pictures!!!!!

What a delightful read. ^__^

In northern Wales, 11 miles south of Conwy and 4 miles north of Betws-y-coed, across the bridge from the village of Llanrwst, on the floodplain between the River Conwy and the B5106 road, lies Gwydir Castle, the ancestral home of the Wynn family. Largely of 16th century construction, it's actually what remains of a more extensive Tudor courtyard manor house, and is the finest example of such in Wales.

Peter Welford and Judy Corbett, an architectural historian and a bookbinder respectively, pooled their meager life savings and a substantial bank loan to buy the place in the early 1990s. CASTLES IN THE AIR by Corbett is the utterly charming story of the pair's labors to restore Gwydir from its abysmally ruinous condition at purchase to something resembling its former glory.

The book offers a little something for everyone. There are the restoration adventures, of course, and also romance; Peter and Judy subsequently marry in an ancient chapel on a nearby hilltop. There's a fairly convincing supernatural ingredient that involves Peter being the unfortunate focus of animosity coming from the ghost of Lady Margaret Cave, a 17th century mistress of the manor, which resulted in his being struck on the head with a spade. There's hidden treasure, in this case the original carved wooden paneling stripped in totality from the dining room and auctioned off as a single lot in 1921 to (as it turned out) the American millionaire William Randolph Hearst, and later bequeathed to New York's Metropolitan Museum of Art, which still had it stored in the original packing crates in a warehouse on the rough side of town. Throughout the narrative runs Judy's dry English wit, such as when she describes the visit by an impeccably dressed representative ("Please, just call me Bill") of The Met, who was so impressed by his first view of the castle that:

"... he didn't look where he was going and stepped into the biggest pile of peacock guano you have ever seen. Peter silently directed him to a patch of rough grass where he endeavoured to remove the vile-smelling substance from the stitching of his fine Italian shoes."

Above all, CASTLES IN THE AIR is the story of the pair's love affair with and dedication to something old, historic, and worth saving in the face of seemingly impossible odds. And it would seem they've succeeded beyond their wildest dreams; the recovery and reinstallation of the Dining Room paneling brought a visit by the Prince of Wales himself, though his shoes did stick to the floor varnished only hours before his arrival.

Judy describes herself and Peter as socially reticent almost to the point of misanthropy. Therefore, the fact that they accept paying B&B guests as well as hire out the ground floor halls out for weddings - see the official Gwydir Castle website - is indication of the financial strain imposed by the ongoing refurbishment of the manor house that continues to this day and into the foreseeable future. The Welford's affection for the ancient pile is evident in Judy's words:

"... to walk in the moon-washed shadows of the yew trees and to see the ancient profile of the house silhouetted against a cloudless sky was to feel oneself suspended out of time, as though in that moment we were living in parenthesis. Sometimes, if the night was cold enough, the trails of yesterday's peacock tails would be cast in frost across the patches of lawn we had managed to scythe the day before ... We would walk down to the bottom of the garden and sit on the massive slate bench ... with the sounds of the night rustling and chirruping around us."

How incredibly rewarding the lives of these two must be!

I loved every minute of this book as was sorry to reach the end. I hope the author will consider a sequel of subsequent adventures? As an antique collector I'm in awe of this couple's ambition and fortitude in rescuing and restoring the ultimate antique, a wonderful old estate, and sharing this home and tale with the world. Judy Corbett (Welford) tells the colorful story with humour and grace; trials and tribulations, local characters, royalty, unbelievable discoveries, romance, and plain old fashioned luck (or is it fate?). Since reading the book, I have visited north Wales and Gwydir Castle, and both are beautiful beyond words. The resoration of the house and grounds is spot on, perfectly on tune with the age and history. Gwydir Castle and the Welfords are a match made in heaven. If you are thinking of purchasing this book, stop reading the reviews and buy it now! It's definitely part of my "keep" collection.

I purchased this book because I had visited Gwydir castle and thought I might enjoy learning more about it's restoration. I was amazed to find a great book about pursuing your dreams.

for any fan of history or even just histoprical fiction, this is a fantasy come true .... the purchase of a Tudor castle in Wales to live in ... and the realities of accomplishing such a feat and renovation in today's age. Not only are the author and her husband brave hardy souls, but he is an artist and she is gifted with words - this is truly a great book to read!

I ordered the book as a present for my wife, an anthropologist and artist. But, when it arrived, I couldn't help but sit down and read it immediately. Beautifully done photos of the cave images, together with a series of excellent essays on the history, layout, content, and "meaning" of the cave. A lovely production, an excellent book.

THE CAVE OF ALTAMIRA, edited by Antonio Beltran, tells the story of the famous paintings found in a cave in Spain in 1879. The book indicates the Altamira paintings date from the Solutrean period of the Paleolithic. Recent radiocarbon dating shows art in the Polychrome Chamber to be between 18,000 and 19,000 years old, placing it around 16,500 B.C. Pedro Saura Ramos, the photographer has a distinguished reputation. A number of prominent art historians have contributed interesting essays.

From the high elevation of the Altamira cave, one can see the `Picos de Europa' - a range of mountain peaks which must have appeared awesome to Paleolithic humans. Judging by the remains of creatures found in pits in the cave chambers as well as portraits of animals on cave walls, the countryside around Altamira must have been a virtual Eden. Evidence shows that great park-like settings near the cave held deer, roebuck, and wild boar, while open areas favored large bovines like horses and bison, rocky areas provided shelter for goats and chamois, and the nearby sea and fresh water lakes and streams were filled with shellfish and other marine life. Charcoal used in the wall paintings and found around the hearths reveal a coastal ecology where willow, juniper, chestnut and pine grew. The discarded bones indicate the cave was probably used as a gathering place for a relatively large number of people.

Pedro Sauro Ramos says it is impossible to convey the impression one receives standing on the cave floor looking up at the wall and it's illustrations. His photos are unusual in that he has held the camera in non-conventional ways and shot angles not normally seen in print. He provides wide-angled, then close-up shots of many of the animals so the reader can see detail revealed at close range. He notes that artists often took advantage surface features when creating an animal. Natural bosses were used to round out forms. A ledge provided the line of a deer jaw. Cracks and crevices highlighted horns and hinds.

As is the case with Lascaux, many of the paintings have been damaged by exposure to human bacteria and some of the photographs reveal black fungus. In addition, ceilings and walls have been reinforced to support badly damaged sections of the cave. In some cases the human supports interfere with the lighting or alter the appearance. For example, natural lighting from the cave entrance that once illuminated the numerous bovines of the famous "Great Panel" and that would have been seen on entering the chamber have been blocked by a concrete wall. For his photographs, Saura Ramos provided natural lighting to show how the painting would have appeared to Paleolithic humans.

The text includes reasonably good essays by a number of noted experts. My favorite is entitled, "Techniques, Individual Artists, and Artistic Concepts in the Painting of Altamira", by Matilda Muzquiz Perez-Seoane. In this essay, Perez-Seoane explains how bone marrow was used to illuminate the areas of the wall the artist painted in the dark interior recesses. Apparently, animal knee caps were filled with marrow which was lighted and provided a flame which illuminated without filling the chamber with smoke and choking the artist and/or blackening the ceiling or walls.

Prior to Darwin, there was relatively little interest in prehistoric art. Then the theory of evolution and the discovery of many wonderful caves jammed with art, almost like museums, conspired to change all of that. Altamira's art dates back around 15,500 years (due to radioactive dating techniques), but it originally drew little attention because it was too wonderful to be real. The psychology of disbelief stall led all but a few scholars to dismiss this gem. It took almost 20 years for its authenticity to be established, and subsequent evidence has only strengthened its claims. Many people feel that Altamira is the most wonderful collection of prehistoric art in existence. The other famous cave is Lescaux in France. In between these caves geographically, many other caves with drawings have been found.

After being initially ignored after its discovery in 1879, it soon experienced a crush of visitors (eventually approaching 200,000 in a single year). But cave art isn't going to last with that much extra heat and humidity, so the caves have now been closed except to the occasional scholar. The good news is that this cave (located near the seacoast in Spain) is being reproduced so that one can visit and get a sense of the place without harming the art.

Altamira is an extensive series of caves (about 270 yards long) with many different sections. The entrances and exits have mysterious masks. In one section with a low-hung ceiling are many wonderful large paintings of bison (many of these you will recognize). Another area features engravings in the soft stone that are remarkable in their detail and delicacy. Yet other areas have different features. The photographs are magnificent and capture both the beauty of the individual images as well as giving a sense of the part of the cave they are in.

The essays in the book are remarkably complete. They describe the history of the cave, the evolution of theories about what the art means, descriptions of how the art was probably created, and the difficulties of preserving and recording the cave's contents. The only drawback was that the discussions of the theories were somewhat redundant, and would have benefited from a stronger editorial hand or more preplanning.

Anyone who loves art, is interested in prehistoric life, or is fascinated by cave art would love this book. Anyone who loves a good mystery will, too.

Open your mind to the possibilities that exist, and use this book as an excellent example of how often we underestimate the potential of what is in front of us.

This beautiful book explores the cave of Altamira in Spain, called "The Sistine Chapel of Quaternary Art" for the splendour of its drawings, engravings and paintings. The cave was first occupied 18 450 years ago and its early history ended about 13 000 years ago when the entrance vault collapsed. It was discovered again in 1879.

The text comprises an introduction by Antonio Beltrán and various articles: The Cave And Surroundings by José Lasheras Corruchaga; Altamira: Art, Artists And Times by Federico de Quirós; Techniques Individual Artists And Artistic Concepts by Matilde Pérez-Seoane; Photographing Altamira by Pedro Ramos; Conservation Problems by Corruchaga and a Conclusion: The Future by Beltrán.

This great monument to prehistoric art is documented by impressive color and black and white photographs of the area, the artworks and the tools found in the caves, including a portrait of the discoverer Sautuola. There are maps of the cave, a bibliography, notes and an index.

This magnificent book offers an exhaustive study of the wonderful and mysterious cave complex of Altamira and also deals with a number of theories about cave art around the world that casts some light on our ancient ancestors.

Closure of a number of palaeolithic cave art sites has produced a wave of books depicting the art by photography. These efforts are of varying quality, but this one on Altamira is one of the more noteworthy examples. In addition to the photographs, Saura Ramos has enlisted several cave art scholars to add informative essays on history of the discovery, descriptions of the cave and the paintings and the problems of conservation and protection. Particularly useful is an article on the methods used to produce the cave graphics. The reader is nearly alongside the artist as the charcoal or ochre stick applied to render the image. It's an effective means of "personalising" the renderings.

Spanish scholars on various topics author all the essays comprising the body of the text. From a beginning of the history of the discovery of the Altamira graphics, the cave's local environment is examined. A diagram of the cave is shown, although lacking any measurement scale. The art and artists in the time of the paintings' creation is given with an explanation of the timescale involved. The images and artefacts were approximately dated in the era preceding radiometric dating methods employed today. Forms and styles of the work are set in the general scope of "Ages" then in use by scholars. The painters spread their work throughout the cave system where space and useful rock forms were available. A very useful addition, often overlooked in accounts of other cave or rock art, is the size of the image. This is handy to have and useful to keep in mind as you view the image reproductions. There is also a discussion of paintings versus engravings that appear at Altamira.

Of major importance, and almost unique in cave art books, is the discussion of the artistic concepts and painting styles used to make the images. Some very precise analytical techniques have been applied to these paintings during the last generation. The layers of strokes, the application of colours and the forms of natural rock formations that underlie many of the images have been closely scrutinised. The author of this essay, Matilde Muzquiz Perez-Seoane has compiled a detailed set of examples of the rendering process. Given the conditions that prevailed in the time of the painters, their powers of observation and application were exceptional. It's not for nothing that Picasso declared "We've learned nothing in thousands of years".

It is the photographs, of course, that render this book valuable and captivating. Saura A Ramon's work is exquisite in portraying how the paintings would be seen were you to visit the site. His professional use of light and shadow, although unable to duplicate the wavering illumination provided by oil lamps and torches, still depicts the scenes as closely as the artists might have seen them. Bulging rock transformed into bison or other animals nearly jump out at the reader's view. Cracks formed backbones, heads and other anatomy, giving the images a sense of life. Only a film using equally effective techniques could offer improvement over the images in this book. It's a superb effort in giving us a sense of what the artists and the people originally viewing these paintings might have felt. [stephen a. haines - Ottawa, Canada]

Fabulous book. If you want to understand the French, this is a great book to read. It is amazing that such a cultural country took so long to come into the 20th century. I recommend this book highly.

As a frequent vacationer in France, some customs -- especially in the countryside -- bewildered me. Ms. Tindall weaves details of country life into an exquisite tapestry (tapisserie) that explains much that was confusing. She moves her readers back in time and gently brings us to the present.

I took this remarkable book by Gillian Tindall on vacation and enjoyed it very much. It is quite an impressive bit of social history scholarship. Tindall has really raked the public records to reconstruct this history. I had a bit of trouble keeping the villagers straight as time passed and new villagers arrived and departed the scene. But that does not matter; I grasped the overall picture. Even Celestine, whose letters first interested the author in the project, becomes but another character and the real subject of the book emerges as the evolution of rural France in the 19th century.

It is really quite a fantastic story, and, of course, I was wholly ignorant of the backward conditions in the Berry region until well into the 19th century. I always thought of France as in the forefront of the industrial revolution, the enlightenment and the political changes in Europe. But I now know that that was pretty well limited to Paris and perhaps a few other urban centers.

The book makes clear that lack of transportation was the chief culprit. People did not have horses and the paths were largely for walking and did not accommodate wagons. And the distances were vast given the conditions. The villages had no stores, no inns, no tradesmen. Goods were mainly consumed by the farmers themselves with only a small surplus available in good years for sale locally. Money was not in use and French was not used until the 3rd Republic pushed schools and roads into these rural areas. Essentially, as the author points out, notwithstanding the revolution and the Napoleonic period, the Berry in 1830 was much like it had been in 1430.

The author also hints at the romantic myth that the French have bestowed on their rural areas. She does not go into detail, but hints that this view results in their inability to lessen subsidies to their farmers or modernize their agriculture. All these Frenchmen, especially those in the middle class, with summer homes in the countryside, are apparently convinced that way back their ancestors were peasant farmers with a deep love of the land. The English and we Americans certainly do not encourage this illusion: that we are the salt of the earth - or at least the descendants thereof. We have our own myths, but our agricultural subsidies are based on the fact that farm states have more representation in the Senate than their population would justify and the strength of the agribusiness lobby. In other words, no romantic notions, just good old greed and political power. This is easier to deal with.

I had in mind to get 'Celestine' for a long time when it presented itself to me on a 'bargain table' at the LA Times Festival of Books... what a treasure! It is a quiet and gentle diversion into another world and time. Beautifully and lovingly written by Gillian Tindall, the book speaks of the timelessness of the human condition, of loyalties and relationships, of loves and passions and hopes and dreams, some realized and some not. Truly, the more things change, the more they stay the same. I highly recommend this book.

Gillian Tindall shows a great deal of erudition in painting with great exactitude the evolution of a French village over almost two centuries, showing how the life of the village and its people were affected by the arrival of the railroads, the changes of political regimes, the influences of the wars. She has been able to capture the spirit of the french peasants of the Berry with a deep understanding and she gives the impression of feeling much affection for them. Her book is warm and " vivant " and wonderful

This ia a nice book to teach Celtic history, especially if you have Celtic(Irish, Scottish, Welsh, etc.) heritage. This book is well illustrated and has good commentdary with the pictures. Take note, however, it does have some mistakes. St. Patrick was A.D. not B.C. when he was alive. Just a typo, but it's also a matter of a few hundred years difference. Still, I gave it a 5 raiting as it's pretty good otherwise.

Colored pencils and complex pics equal a great stress reduction tool. This a wonderful book for that purpose.

I would recommend this coloring to most adults, but probably not for kids. Some of the pages contain some drawings with very tiny lines. There are plenty of pages to keep you going, so you won't be disappointed. I found these images to be wonderfully authentic and fun to color. You'll want to hang your finished masterpiece on the wall or fridge, and you might even ponder framing it! I discovered this to be a theraputic activity after a long day of work. I had a lot of fun coloring and even shared with some friends!

This affordable, sometimes hard to find book is an excellent resorce for designers and artisans (including tattooists) designs from the Book of Kells are rendered in thick clear black line.

This is a really nice Celtic line art illustration book for coloring. All of the Dover coloring books are top of the line, and this one is no exception. Features a few examples from the legendary "Book Of Kells" itself, as well as general celtic surface ornament from various sources. Also, the designs are "copyright free" for any craft project you may wish to use them in. Exellent for any crafter's library.