Europe Books

...I got the two books Holy Terror's and American Gargolyes... it was a great deal. The book is loaded with pictures of gargoyles from across america and desrcibes what type of gargoyle and where it is located in america. The photographs are beautiful and descriptive through out the book. If you gargoyles get the two books for the price of one. Highly Recommended!!!!

"Holy Terrors" is that rarest of books, one that is of genuine value to adults curious about art and architecture, but also very much capable of holding the interest of children. My five-year-old son loves the pictures--especially the "Hairy human with animal head" that adorns the cathedral in Burgos, Spain. We also both appreciate the excellent selection of medieval illustrations, such as Schongauer's "Temptation of Saint Anthony." Skimming through "Holy Terrors" is a fun way to introduce kids to one of the cultural treasures of Europe.

After searching several times for a book that gives the true meaning behind what gargoyles are, and where to find them, it has been found. This book combines a great number of detailed pictures with excellent writing. Way to go Janetta Benton!!!!

This book is one of the best books I got from [amazon.com]. I got the two books Holy Terror's and American Gargolyes... it was a great deal. The book is loaded with pictures of gargoyles from across america and desrcibes what type of gargoyle and where it is located in america. The photographs are beautiful and descriptive through out the book. If you gargoyles get the two books for the price of one. Highly Recommended!!!!

Almost every tourist who has ever climbed to the top of the North Tower of Notre-Dame de Paris has taken a photo of his or her companion leaning over the balustrade between two gargoyles (technically 'chimeras'), and surveying the streets below. It's the ultimate gargoyle photo-op. I'm surprised this author was able to photograph the gargoyles without a tourist leaning between them. I was only slightly disappointed to learn from this book that much of the stonework on this tower is nineteenth-century restoration by Eugène Viollet-le-Duc, "started in 1845 to repair damage done to the cathedral during the Revolution." However, he did attempt to use molds of the originals.

Basically gargoyles are waterspouts, but to me they are proof that medieval stonemasons had a lively sense of humor--which they might have inherited from the Etruscans or the Egyptians, who also used animal-shaped stone waterspouts. Strictly speaking, gargoyles that do not spout water are known as 'grotesques' or 'chimeras.'

It surprised me to learn that gargoyles used to be brightly colored--oranges, reds, and greens were favored--and sometimes gilded. The author believes that "gargoyles may be survivals of pagan beliefs...incorporated into church decorations for superstitious reasons." I've read many a horror story based on this assumption, most notably "The Cambridge Beast" and "The Sheelagh-na-gig" by Mary Ann Allen.

Encounters between gargoyles and people are unique to the Cathedral of Saint John in Den Bosch, the Netherlands: "As a monstrous creature leaps out from the top of the buttress, the people cringe in terror, each one leaning back in an attempt to escape the attack of their horrible assailant." Americans tend to make pets of gargoyles, but that was not their original purpose. After all, midair is the reputed realm of demons (Ephesians 2:2).

Some of the gargoyles pictured in this book are laughing at us. A carved gargoyle-monk of the Old Cathedral of Saint-Etienne in Toul, France appears to be emptying the contents of a barrel onto his unsuspecting colleagues below. "Some [gargoyles] are so appealing that it is hard to imagine they were intended to be regarded as anything other than good creatures. Indeed, the gargoyles of Notre-Dame in Paris are even said to keep watch for drowning victims in the Seine."

This book is an enchanting collection of photographs, legends, and travelogue. If you ever intend to go gargoyle-hunting in Europe, make certain a copy of "Holy Terrors" is stored in your carry-on.

Neil Perkins, a fifteen-year-old prankster from northern England, has few greater pleasures than harassing his eccentric Latin teacher, Miss Klitsa. But when an accident on his four-wheeler uncovers some ancient Latin tablets near the ruins of Hadrian's Wall, Neil is forced to cooperate with her in order to translate the tablets, which were written by a Roman centurion named Rusticus. Due to the mysterious illness of Legate Julus, Rusticus's commanding officer, the scheming Tribune Festus has taken charge of the Roman soldiers stationed at Hadrian's Wall. Festus orders Rusticus to lead his men on a so-called training march into Celt-held territory, and as a result, the entire group, save Rusticus and his staff officer Linus, are wiped out. Rusticus's survival is due to the quick thinking of Calum, an auxiliary officer of Celtic blood. Unfortunately for Rusticus and Calum, Festus is unhappy with Rusticus's survival and sends them on a mission to gather intelligence about the warring Celtic tribes, taking Calum's close friend Iona as a hostage to see that the job gets done. However, they realize that even if they give Festus the information he desires, Festus will probably kill them because they are both too aware of his underhanded plottings. Rusticus must eventually find a way to save Iona as well as Calum, who puts himself in harm's way to look after her.

The frame story works well with the main one, and, although the transition between the two is a bit awkward, Rusticus's action-packed story more than makes up for it. Ancient times are a rare subject for historical fiction among American writers, but Douglas Bond brings out the humanity of his subjects while keeping true to their historical background. Parents should be aware that "Hostage Lands" is best suited for teenage readers due to limited harsh violence and several extremely vague references to women being abused in a particular way that most children would not catch on to. Bond's writing, while not inappropriate for teenagers, is too deep for most ten-year-olds.

Perhaps most interesting to parents who want to use "Hostage Lands" as a teaching tool is Rusticus's inward struggle. He has been taught to believe firmly in "eternal Rome" as the bastion of civilization and order. However, his misguided patriotism begins to flag due to both Festus's scheming and the influence of Calum, who began following "Christus" after seeing Christians cruely martyred in the Roman Colloseum. About his experience there, Calum says, "For me, the glory of Rome faded that day." And so Rome's glory fades for Rusticus as Calum's questions about true endurance and higher loyalties seem more and more logical in light of Festus's unbridled ambition. Without sounding moralistic, "Hostage Lands" serves as a sound lesson about the dangers of state worship. To his credit, however, Bond never loses sight of his story, which is one of his most engrossing so far.

Hostage Lands is a great read! Its one of those books that once started, you don't want to put down. Full of intrigue and suspense, this is a book that young and young at heart will enjoy. I appreciated Douglas Bond's ability to weave so much history of post Roman Britain into the book. I've read other books that speak to Rome's conquering Brittania, but this was a new era for me and filled in gaps that I wondered about. A definite must for students of world history, the Roman empire, or just "ancient" civilizations.

Officially listed as teen fiction, Hostage Lands has an appeal which reaches a larger audience, from approximately 10 years old through adult. Set in English farmlands near the remains of Hadrian's Wall, this historical adventure can be read for its entertainment value alone; but, the reader will also find out what it can cost to be a follower of our Lord, as well as gaining some fine Christian perspectives for living.

In contemporary England, eccentric, extremely laughable Miss Klitsa's Latin class alternates between soporific trance and wild hilarity at the teacher's expense. The protagonist of this story, Neil Perkins, gets to drive his ATV to school everyday, and it isn't only teenage readers who grow green with envy. He often leads in the hilarity aimed at the redoubtable Miss Klitsa. Then one fateful day, Neil and his ATV hair-raisingly gouge a ditch near Hadrian's Wall and he finds an ancient manuscript. The only one who can help him is Miss Klitsa.

As Neil translates the manuscript, the reader falls headlong into a spine-tingling Roman/Celtic adventure of sword-play, treachery, fearful undertakings, wild men vs. civilized people, undying friendship, and impossible decisions. It's hard to put this book down and just as hard not to assimilate the lessons: true friendship; patriotism gone awry; willingness to die for another; various battle styles and the war equipment for each; uncivilized Christians vs. civilized pagans; some intriguing English archaeological lessons; accepting people as worthwhile even when you think them ridiculous; and a great deal more.

High school history and English teacher as well as author, Douglas Bond knows how to portray people of all ages. He is a rising star in the historical fiction genre for both older and younger people. Not satisfied with his own history background, Bond draws on the research of other historians. With a wide but understandable vocabulary, a talent for keeping the plot under control, a penchant for characterization, and a wonderful imagination, Bond presents a tale sure to engross any reader. A glossary of terms and a Roman timeline help keep the audience on track. As well as being a good read for the individual, Hostage Lands makes a fine read-aloud book. - Donna Eggett, Christian Book Previews.com

I've been learning alot about Roman history, lately, and I must admit I was getting tired of hearing about it. But this book is amazing. When I finished Hostage Lands, I wished there was more of it to read. Great book, from cover to cover.

Fifteen-year-old Neil Perkins lived a reasonably good life. He lived on Hostage Heath, a farm near Hadrian's Wall in northern England, and his parents let him go where he please on his four-wheeler, as long as he accomplished his chores. Yes, he had a good life, except for his Latin classes with the ridiculous Miss Klitsa. Perhaps she would have been better off teaching a drama class.

After wrecking his four-wheeler near the wall, Neil finds a packet of tablets in the hole he made in landing. The tablets were all written upon, and in Latin, no less! He took them to Miss Klitsa and asked what they said, but she was too much of a teacher to tell him.

All of this merely serves as the introduction to the tale which Neil laboriously translated. The epic tale of Celts and Romans scheming, spying, fighting and dying around Hadrian's Wall is reminiscent of the tales spun by Rosemary Sutcliff. We follow the centurion Rusticus, who must decide where his loyalties lay. The story is well told, and readers will hold their breath, instead of easily guessing the way everything will resolve itself. To make this drama even better than Sutcliff's, one of these characters, Calum, is a Christian, although he does not proclaim it to everyone he meets. When the Celts sit around the fire at night, and call on him for a story, he tells them, "My tale is of a great King," and gives the whole gospel. Calum's service to the Prince of Peace does not however, make him any less valiant a soldier.

The book concludes with Rusticas telling a story of "a great King." Neil wonders if the whole story is true, and asks questions. Will Neil, will the reader believe the story? What about the tale of "a great King"?

I have always loved Sutcliff's books, but Hostage Lands ranks even higher on my list. I wish I could give it more stars, and highly recommend it to those 13 and up. Travel back to the misty, dangerous Britain of the Celts, when Romans built their wall, and flaunted their standards. You will learn to think like a Celt, and step quietly behind a tree when you hear footsteps. And maybe you finish this book, and read it again, and give it a place with your favorite Celtic books.

I am not particularly interested in either Russia, literature or Nabakov, however the intersection of all of these, along with autobiographical material from Khrushcheva, make for an engaging and poignant book. I felt like I learned a great deal about Russia, the United States and the 20th century. I read this in two sittings.

Imagining Nabokov is one of those history's witty jokes: the cold war is over, and the author proves her great-granddad kitchen debates wrong--she falls in love with the most anti-communist dissident writer of the 20th century, Vladimir Nabokov. Actually, it is his posthumous statue that stands in Montreux, Switzerland, she is in love with. The statue story is just a hook, though. This is a charming, and rather unusual book that however succeeds in explaining the Russians' obsession with their literature and their soul. Indeed the Economist review published in February praised the book for that very reason.

I stood in the school hallway, waiting for my son in the gym at the baseball clinic. It lasted two hours, too long for small talk with the other dads, so I was reading the final chapters of Nina Khrushcheva's "Imagining Nabokov". For me, it was a chance to learn more about a writer and another literature, about writing in a second language and culture, even as I stood surrounded by this very familiar sports culture.

When other dads passed by I covered the book a bit so I didn't seem so out of touch with the going concern of the day - baseball. If his dad seemed aloof or bookish, would his son be cut from the team? Would he be shunned by the other kids? Would I seem to be acting superior, even in a high school where you might expect reading to be encouraged, yet where I felt almost entirely out of place, as if living a segment of "The Diary of a Madman".

One dad passed by and saw the Khrushchev name on the dust cover. He started talking about the cold war and grimly praised the author's forebear as someone overly vilified by the U.S. I nodded to agree. That was a close call, but it made me feel more comfortable, so I read on.

In two hours, the clinic ended and I had finished the last chapters. I wanted to tell the dads in the hallway to read this book and to tell their sons about it. The author draws you easily into another world of ideas, one not even necessarily opposed to baseball! The world of great literature can exist with the world of sports and the ordinary - "mens sana in corpore sano". This book expands the imagination and neatly passes from culture to politics and back again. It should be read in serious high schools as well as anywhere else. And my son made the team.

An excellent book, and just in time when the Putin question is big in the news. It interconnects literature and politics, providing compelling reasons at to why Russia is so brilliant at art, but is its own worst enemy when it comes to democracy. This fascinating book addresses a problem of Russia's "lopsided" development, i.e. why Russia is a problem for Russians in a way that America isn't for Americans. Russia's problem is that "hypothetical and literary projects have a far greater hold on Russian people than practical ones." The idealistic and unrealistic character of Russian thinking makes Russians incapable of pursuing realistic goals. The American Utopia is realistic, in Russia it is dream-like. Russians have an ingrained sense of the country's uniqueness and special messianic status. First, it was the holy Russian soul, then Russia as the Third Rome, then Russian imperialism, then communism which united the imperial and spiritual missions. Now Putin tells Russians that natural resources offer them the key to regaining their former might. In Russian culture, communal values and a `great state' agenda take priority over individual and practical principles. As Dostoievsky put it : "We may be backward, but we have souls."
Nina Khrushcheva convincingly argues that Nabokov is a better guide to the future than Dostoyevsky, because his characters `take responsibility for their lives.' In America, Nabokov taught Khrushcheva how to be a single `I' rather than a member of the many `we' in that "vast undifferentiated traditional Russian collective of the peasant commune, the proletarian mass, the Soviet people, the post-communist Rossiyane."

I am so grateful to Nikita's great-granddaughter Nina for providing me with an excuse to talk about my favorite writer. Of course I had read everything available from Nabokov's Russian period in German or English translations, and from the American period more than once in the original. He was one of the greatest prose writers (let us ignore his poetry and his stage writing) of the 20th century, and he was the only writer that I know who achieved the top plateau in two languages. (The only comparison that occurs to me, J. Conrad, was a transcultural writer, but did he do anything substantial in Polish before he became an English writer? And as an English writer he never quite lost the touch of looking like a translation.)
VN was poetic, funny, provocative, playful, political, a-political, esoteric, scientific, opinionated, vain, in summary great. He is the only writer who motivated me to make a pilgrimage: I travelled to St.Petersburg mainly in order to visit the Nabokov Museum there, in the appartment where he had grown up during pre-revolution times.
Nina feels close to him: though she was a voluntary expatriate compared to his double-refugeedom (first from the Bolshies, then from the Nazis), both had made this transition from Russian ruling class to American middle class.
She sees more in him than an outstanding Russian exile author with a second language. He is a role model for a modernised Russia. And this is where I want to step out quietly, I can't comment on that subject, but I find her observations fascinating.
And I keep learning Russian on my bucket list.

Occasionally a new book is released that is so important to the study of the Napoleonic era that it immediately falls into the "must have" category for both Napoleonic scholars and enthusiasts. Imperial Glory is such a book. David Markham has assembled for the first time, all of the bulletins written by Napoleon between 1805 and 1812. Many of them have never been translated into English before, while others were only available to the serious scholar. Additionally, Mr. Markham also checked the translations of those bulletins that had been translated in the 19th Century and found many errors in them.

Napoleon used his bulletins for a variety of reasons: to inform the public and his soldiers of the progress of his campaigns, to praise his soldiers and their officers for the actions, and to ensure his enemies heard of his triumphs. They were published in the government's official newspaper, Le Moniteur, and often hung on doors and posted in public squares throughout the Empire. The veracity of the bulletins has always been open to question, with one of the most frequently used expressions from the Napoleonic era being, "To lie like a bulletin."

Although many of these bulletins were published for propaganda purposes, Mr. Markham does point out most are "reasonably accurate." Furthermore, he writes "[Napoleon's] losses were sometimes described as 'considerable', and he would list specific officers that were lost, along with the numbers of men killed, wounded or taken prisoners."

In addition to all 183 bulletins written from 1805 and 1812, Imperial Glory contains 170 other documents, many of which have never been published in English before. Broken down by year, the book includes:

1805

37 Bulletins of the Grande Armée (complete)
9 Bulletins of Masséna's Army of Italy (complete)
9 Proclamations
3 Decrees
2 Orders of the Day
3 Letters
1 Armistice
1 Treaty of Peace

1806-1807

87 Bulletins (complete)
4 Proclamations
1 Letter
1 Armistice between France and Prussia
1 Armistice between France and Russia
1 Treaty between France and Prussia
1 Treaty between France and Russia

1809

30 Bulletins (complete)
4 Proclamations
2 Proclamations of the King of Saxony
2 Orders of the Day
2 Reports by the Viceroy (Eugène)
3 Letters
1 Treaty between France and Austria

1812

29 Bulletins (Complete)
1 Final dispatch from Paris
1 Order of the Day
1 Letter
21 Field Reports, including:
5 Reports from Marshal Ney
4 Reports from Marshal Murat
2 Reports from Marshal Davout
2 Reports from Eugène
2 Reports from Marshal St Cyr
1 Report of Marshal Macdonald
1 Report from Marshal Oudinot
1 Report from Prince Poniatowski
1 Report from Prince Schwarzenberg
1 Report of Russian General Wittgenstein to Tsar Alexander
1 Report from General Wrede

1813

51 Reports from Le Moniteur, which often include reports from multiple days
2 Proclamations
2 Reports from Marshal Berthier
1 Report from General Vandamme
1 Report from Marshal Ney
1 Report from General Milhaud
6 Letters
1 Armistice

1814

23 Reports from Le Moniteur, including two "bulletins" at the end of the campaign
2 Proclamations
1 Decree
1 Order of the Day
2 Speeches
1 Act of Abdication

The collection of material is by campaign, with a separate chapter covering the different campaigns fought in that year or years. Within each chapter, the material is also arranged chronologically. This is an ideal arrangement, for not only does it permit the reader to follow the campaigns as seen through the official press releases, but it also provides great insight into how Napoleon managed his propaganda campaign.

The supplementary material is fascinating. I found particularly interesting the after-action reports on various battles written by the unit commander to the Imperial Headquarters. These reports were not written for public consumption and often were the first communication between a subordinate commander and the army headquarters. These reports contain information that would not necessarily be placed in the bulletins. Mr. Markham also included all the bulletins written by Marshal Masséna in 1805. He was in command of the Army of Italy and operating as an independent commander. Masséna's bulletins are in chronological order and interspersed with Napoleon's. Reading them together will give the reader a good feel for the two individuals' writing styles.

Mr. Markham and Greenhill Books are to be commended for making available to the public, material that has long been inaccessible to all but those with extensive libraries. Imperial Glory is an impressive collection of documents that every Napoleonic library should own. Do not delay buying Imperial Glory. It will be snatched up quickly and soon will be out of print.

Thanks to David Markham, Executive Vice-President of the International Napoleonic Society, we now possess the great treasure from the Napoleonic times - the Bulletins of the Grande Armée, 1805-1815. This is the first time that all of them have been translated into English, assembled in chronological order and put together in one source, and thus presents an important source of information of the epoch. Now, when one is about to read any book on Napoleon's campaigns, Imperial Glory will present an indespensable source of understanding the epoch, including operations and movement of the troops. By all means it should serve as desktop reference book for any serious scholar and student!
True, Napoleon's bulletins were written and published for propaganda purposes, although admitting certain facts, loses and misfortunes. For example, during the First Polish Campaign, 1806-1807, in the first day of battle at Eylau, 7 February 1807, the 2nd bataillon of the 18th Line Regiment lost its Eagle and color to the St.-Petersburg's Dragoons; this loss was admited in the Bulletin!
Generally, this book could serve as a good starting point for anyone who is interested in Napoleonic history. Comparing what's written in this or that document with an actual event of the campaign, one could find very interesting facts which might move to conduct another, more thorough research on this or that event. It is also very useful for re-enactors (the author of this review is one) because it presents important information on all aspects of various troop movements, operations and achievements; it will help them to understand epoch they recreate in more colorful aspects and on various levels.
Overall, we need more books like this! Highly recommended!

Greenhill books and David Markham have hit a home run with this magnificent collection of the Bulletins of Napoleon's Grande Armee. This is the first time they have been collected together and published in English. This book is a wonderful reference work, and if definitely fills in a very large blank in the history of the period.

There are some who would doubt the usefulness of the Bulletins as historical reference. It is true that they were used as propaganda, but it is also true that they were full of accurate information as well as some misinformation, deliberately put in them by the Emperor. There are two things that must be remembered when talking of Napoleon's Bulletins. First, they were never intended as history; second, Napoleon was the first European ruler to speak directly to his people, and the Bulletins was one of the ways in which he did it.

An interesting facet of this volume is that it contains more than just the published Bulletins. There is other relevant correspondence of the period, one of the most interesting is the death warrant issued against Austrian General Chasteler by Napoleon for his conduct regarding French and Bavarian prisoners during the Tyrol uprising in 1809. Apparently, he allowed prisoners taken by troops under his command to be murdered, and did nothing about it. There was a price on his head, but unfortunately he got away. This is but one of the valuable gems that you will find in the pages of this most excellent of volumes.

This book is highly recommended and it should be on the bookshelf of every enthusiast of the period. Much useful information and knowledge can be gleaned from these pages, and the author has definitely made his mark with this volume.

J. David Markham has compiled the first English language translation of all of the bulletins of the Grande Armée from 1805 to 1814. In addition, he has included reports from marshals and the major general of the army, Marshal Alexander Berthier. Markham has written an excellent introduction that he calls "A modern view of Napoleon's bulletins" in which he points out the strengths and weaknesses in the use of these documents. The book also contains the bulletins of Marshal Masséna's Army of Italy in 1805; a selected guide to men and their titles; a partial list of other important individuals mentioned in the bulletins; and a very good index, all of which make it very user-friendly for scholars doing research on Napoleon, his generals, and/or the Napoleonic wars.

These bulletins also provide a real insight into Napoleonic propaganda. They were written for publication in the Monitor, the official government newspaper, to bolster moral and support on the home front and to raise the moral of the troops on campaigns. Thus, when he deemed it wise or necessary, the Emperor was given to exaggerate his successes and accomplishments and those of his armies while playing down his reversals and setbacks.

Nevertheless, the bulletins provide a wealth of information on Napoleon, his armies, and men who fought those wars. Markham has provided a major contribution to Napoleonic studies by making the bulletins available in the English language in one concise volume. It will be a welcomed addition to individual libraries and a must for colleges and universities where French history is taught.

John G. Gallaher
Professor Emeritus of History
Southern Illinois University at Edwardsville
Author, The Iron Marshal: A Biography of Louis N. Davout; Napoleon's Irish Legion; General Alexandre Dumas: Soldier of the French Revolution.

The Bulletins of the Napoleon's Grande Armee was in essence, nothing more then newsletters written for French army personals and their opponents. The author did the Napoleonic community a great service by making this book available in English, the complete set of Napoleon's Bulletins. The book also included other pages of history as Napoleons' decrees, treaties that was signed and even military reports.

The Bulletins shows exactly what it supposed to be, a newsletter written for military consumption, and it was geared not only for the French army but also for their enemies. Thus, you will have not only the truth in those bulletins but also misinformation. It does boggled the mind to realized such effort was made to both informed and misinformed both sides of the battle line. As one previous reviewer wrote, a propaganda sheet. But it seems to work. If I was a French soldier reading these bulletins, it would be informative and if I was a their enemy, I would be misinformed. The bulletins also serves to give recognition to troops for their services or valor, both as an unit or as indivduals. These bulletins and its accompanying documents gives a clear inside view of how war looks to the men fighting it.

However, unlike the other reviewers, I would say this much. I don't think this book is for everyone. Readers with limited background in Napoleonic military history will undoubtfully be totally confused or be misinformed themselves. Most of the bulletins were written with the understanding that people reading them knows who "Duke of Auerstadt" and what corps he commanded. It was written for people who already know what went on previously. I don't believed this is a book for beginners into this subject but someone who already have a good understanding of the Napoleonic wars and its terrains, leaders and troop types.

A valuable book, a "must have" in any Napoleonic library and almost a mandatory reading material for any experienced Napoleonic reader.

I love this book! Austen's sometimes snarky and amusingly judgmental conclusions of which rulers were good and bad. I love her loathing of Queen Elizabeth and her spirited defense of Mary Queen of Scots. The drawings by Cassandra are also excellent. I do wish that she'd written a longer history as Austen's colorful version of English history is a delightful read for all true Austen fans.

As a young girl, Jane, in her own witty style decided to write "The History of England". It's certainly not an accurate history, but a young girl's view of the world in which she lives. The text is printed in her own handwriting and is charming and fun to read.

This book may not be used in any history class, but it is one of the most charming works she ever wrote. I had this smile painted on my face the entire 15 minutes it took to read it. Very, very witty.

This hilarious little book is full of wonderfully biased observations on the Kings and Queens of England between henry the 4th and Charles the 1st. Of Henry VI she writes fiercely "I cannot say much for this monarch's sense, nor would I if I could, for he was a Lancastrian" She is a supporter of Richard III's claim to innocence, averring that he may not have murdered his wife for "if Perkin Warbeck were really the Duke of York, why not might Lambert Simnel be the widow of Richard?" She includes a very rique charade on the homosexual habits of king James I. I feel that Sellar and Yeatman, who wrote '1066 and All That'may have derived inspiration from this book, her N.B. at the beginning 'there will be very few Dates in this History' has a very Sellar and yeatman sound. I increasingly find Jane Asuten's Juvenilia more amusing than her later works, and this book is a prime example.

Jane Austen wrote these short snippets on a number of the rulers of England in chronological order - using, as she says, 'very few dates'. The result is a wonderful collection of highly prejudicial outlines of various Kings and Queens - and after all the purpose of history to be scandalous and slanderous can be undermined by sticking too closely to extraneous detail such as dates and so on. The whole thing would probably take you much less than hour to read. Austen proves her talent for sharp observation and wit from an early age for this little book was written while she was still a teenager in the early 1790's. Its a lovely introduction to her writing for those who haven't had much to do with Austen before but are keen to try her out.

Exquisite book, most comprehensive I have seen on this subject. Worth ten times over the Amazon price!

I ordered this book mainly because of my fascination with a blog by the same name. Here is a link to the blog "Japonisme" http://lotusgreenfotos.blogspot.com/ . I ordered my book "used, but in excellent condition". Its appearance is like any book that I have had for a few weeks. With 1105 illustrations and 432 large (10" x 12") pages I still haven't read it all.
The layout of the book really helps a novice like me to understand the influence of Japanese art on the West. Wonderful western images that capture the spirit of the Japonisme but don't copy them are abundantly reproduced in black and white and in color. Japanese images from gardens to tea bowls place no one technique over any other as long as the result is beautiful. Each wood block print is carefully calculated to achieve the most impact within a confined area. In all designs are based on nature, but don't replicate it.
I will be looking at this book for years, reading, looking at the illustrations and just enjoying it.

This beautiful book really opened my mind to the influence that Japanese art had on the Impressionist movement. Some very interesting comparisons of woodblocks and the work of Van Gogh.....Wow...It had never occurred to me before & to see the works side by side is fascinating. I first found this book in the school library & kept borrowing it; such wonderful images.I decided I had to own a copy & made my first Amazon.com purchase. Great service, Amazon, thank you....so quick & efficient. This book is great value and very well illustrated. The text is extremely interesting and thought provoking.

For anyone interested in both Japanese Art and European Art at the turn of the last century, this book will become the most satisfying reference book in your collection.

"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.

Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.

the title says it all - "The Japanese influence on Western art since 1858" --- details print making, textiles, jewelry design, ceramics and glass, home and garden, objects d'art and of course painting. Amazing, for example how much Van Gogh was influenced by Japanese art especially wood block prints and you will see examples of his art and Japanese art which he had access to "Theo and I have hundreds of Japanese prints in our collection..." --- I truly wish I could see an exhibition as put together as this book --- it is absolutely indepth, articulate, clear and consise and immense in scope. Weighs a ton and worth its weight in gold.

This is a well-written and fresh look at John Winthrop, first governor of the Massachusetts Bay Colony. Bremer derives his view of Winthrop from the "Model of Christian Charity" sermon, which Winthrop delivered sometime around his emigration to North America. Rather than the stern, unbending, and judgemental character that is the common perception, Bremer shows Winthrop as a pragmatic leader who often worked behind the scenes to reconcile diverging points of view. As portrayed in this book, Winthrop was a man of humility who strove to include anyone with a "spark of godliness" into the community.

At 385 pages of text, the book moved along quickly. I was sorry to get to the end.

Thanks to an absent minded John Winthrop falling into a foul smelling peat bog and surviving (which he took as a sign that he should emigrate to the colonies) the settlers of the Massachusets Bay Company were blessed with a practical and efficient administrator. Elected Governor many times over, John Winthrop is portrayed as an honest and god fearing a man as any patriotic American would want.
Although a good third of the book describes Winthrop's life in England, it is justified and necessary to see the religious and social preparations for his career in America. Once he came to America, his life was devoted to the preservation of his religion, his family and his colony.
Those readers familiar with Boston and surroundings will enjoy the detail in this biography; the streets he lived on, the configuarion of the city, its growth during Winthrop's lifetime.
And how easy it is to forget how little in the way of goods and services was available to the settlers in the 17th century. John Winthrop was not in the first wave of New Englanders in Plymouth, but even 10 years later he had to bring with him wheat, barley, oats, beans and peas for cultivation, potatoes, hop roots, hemp seed, tame turkeys and rabbits, linen and woolen cloth, bottles, ladles, spoons and kettles, among a long list of other essentials.
In spite of harsh conditions and personal tragedies, Winthrop prevails and the reader will learn much about this "forgotten" Founding Father in this compelling and interesting biography.

This is a wonderful book. The author demonstrates a rich, nuanced command of the period and the players. I especially appreciate how he works to portray the characters from their own perspective instead of juding people who lived four centuries ago by todays ideas. I appreciate that he goes to great length to provide historical context. Indeed, he provides so much context, beginning with the subject's grandfather, that the book starts out a little slowly. But once the book reaches the point of Winthrop's departure for America, it remains compelling up to the end. A wonderful book for a more complete picture of the settlement of our country and a valuable addition to a balanced view of the puritans.

John Winthrop: America's Forgotten Founding Father

by Francis J. Bremer

Oxford University Press, published 2003

Millerstown University Professor Francis Bremmer's John Winthrop: America's Forgotten Founding Father is the first major work on the Massachusetts's governor in over fifty years. It is an engaging and comprehensive volume serving as the author's attempt to provide a more balanced view of Winthrop than has been seen in other works. Bremer writes, "The Winthrop of modern histories has been constructed to suit particular agendas. It is time for biography that is interested primarily in John Winthrop himself." (pg. xvi) Bremer is well qualified to take on this task, as he is the editor of John Winthrop's papers for the Massachusetts' Historical Society.

The narrative traces all of Winthrop's known ancestors in England. Almost a century before John was born, his grandfather, Adam, was a successful London cloth merchant. Adam profited handsomely from Henry VIII's reformation of the church. He purchased monastery lands from the government and established the family's seat in Suffolk. It was to this estate that Adam retired during the Catholic restoration of Mary I. The Winthrops were staunch Protestants and the move was designed to prevent retribution from the Marian government. The estate was to be the family's headquarters until John's departure for the new world in 1630.

The family estate was located in the Stour Valley, which was a hotbed of reformed Protestantism. Bremer deliberately avoids using the term Puritan because he feels that it carries to strong a connotation to the modern reader. "Godly" was the description used most often by the Winthrop family and their circle. Like many others in Suffolk, the Winthrop's were non-conformists to the Anglican model and hoped for continued reforms of the church.

John Winthrop was born in 1588. He attended college at Cambridge for two years and left without taking a degree. While he considered entering the ministry, his early marriage and family obligation precluded that career path. In 1605, he married for the first time. From 1605 through 1630, John Winthrop lived the life of the minor gentry. He was involved in running his estate, raising his family and practicing law. In 1615, his first wife died in childbirth and Winthrop soon remarried. His new wife died a year later in childbirth; John married again in 1617 to his third wife, Margaret Tyndal.

Winthrop became involved with the civil government when he was appointed to the Court of Wards and Liveries. It was at this time he grew increasingly displeased with the corrupt state of the civil government. After considering emigration to Ireland, he and Margaret decided instead to join with members of the Massachusetts Bay Company and move to the new world. The venture was seen as a way to serve God and to make a profit. The founders of the company decided on John Winthrop as Governor for the colony. This is a reflection of the modest nature of the project in the eyes of the founders because, "if Massachusetts had been a larger, more important venture, he would not have been entrusted with the responsibility." (pg. 170)

As Governor, Winthrop was responsible for seeing the colonists through the bitter early years and for establishing order among the colonists. It was at the start of the emigrating that his famous "Christian Charity" sermon was given. He compared the colonists endeavors to a "city on a hill" that all could see. This biblical reference is Winthrop's most enduring literary legacy and is often quoted by politicians to this day.

Winthrop strove to live a good Christian life and to ensure the others the opportunity to so as well. He sought unity amongst the settlers but was willing to compromise and attempt to reach consensus. He was unwavering, however, in his principles and showed no reluctance to expel Roger Williams or Anne Hutchinson from the colony when their unorthodox theologies threatened the stability of the society.

Winthrop served as governor for 12 of the 19 years he lived in Massachusetts. He was untiring in his efforts to promote the growth of the colony. In the winter of 1649, he became ill and died. Bremer sums up the man and his accomplishments, "Zealous but not a zealot ... he helped to prevent his colony from being blown off course by the winds of extremism and from being wrecked on the rocks of fanaticism." (pg. 385)

Accessible to all levels of interested readers, John Winthrop: America's Forgotten Founding Father is a valuable portrait of an important figure in American History. Sources are extensive and meticulously documented. They primarily come from the records of the Courts of Assistants in Massachusetts Bay, Official Records of the Governor and Winthrop's own papers and journals. In addition, a host of sources from both sides of the Atlantic is employed in the work. The in-depth coverage of the Winthrop family background can be tedious to readers only interested in American events, but they provide needed insights into the English Reformation and the events that lead to colonization of New England. Bremer's work takes its place as the definitive biography of John Winthrop for the next fifty years.

Bremer has brought us a sensitive and balanced portrayal of Winthrop, one that is at the same time truly gripping. One of the significant contributions of the book is Bremer's attention to Winthrop's forty or so years in England prior to coming to New England, which helps create the sense of organic development and shows points of continuity between English Puritanism and that of the New England colonies. The relationship between Bremer's presentation and other scholarly opinions is covered in many of the endnotes, which makes it useful to the scholar but not burdensome for the average reader. Scholars, history buffs, and even those just interested in the human experience of life, will find this book rewarding. Highly recommended.

I am Croatian but it has been over 20 years since I've visited or practiced the language. I love this book. It's very simple and it is all coming back to me very quickly.

This book is very helpful & definatley somthing I would recomend. Not only does it have the words & translation it has a pronunciation as well. It comes in handy when I look up phrases & need a quick review. Definatley a good buy

Some one came out with this book! This is a life saver I have been together with a serbian for 5 years and have not completely learned the language. I am leaving for Bosnia in 4 days to meet my in laws and this book has everything I need to know! It's more that enough to get by, and I have purchased several books in the past for a ton more $$$ and didn't get half of what I got out of this book for $4.00. It's a must if yuou are going to FRYOG !

This book is designed to help you get around a Serbo-Croat speaking environment with ease. I think the book is capable of providing the basics needed to get around. I would recommend this book for foregin travelers.

I think this book is the best book ever for getting to know the basics for this language. I know several words in serbian already but I will be meeting my in laws for the first time and I need to know more than everyday words and enough to get by . I have purchased several learning books for a ton more money than this book for the language and this has been th most helpful. They have the pronunciation in English and it's exactly the way I know it's suppose to sound due to looking at the words I already know !

This book is exactly what we were looking for. Little tidbits of cultural and historical information packaged in a light-hearted, fun manner yet not overly dumbed-down.

I travel to Italy a lot on business and I'm taking the whole family for the first time. We've been reading on the internet and other travel books in preparation, but came across this one and thought we would give it a try. It's excellent. In addition to being full of good travel advice and things to look for that are fun for kids of all ages, it is also a good "study guide" of sorts. We homeschool our children and this is the kind of book that is perfect to help teach them about a new country and culture. I highly recommend it.

My kids (and I) think this book rocks. We happen to live in Italy but, even after 18 months here, we still find things in this book that surprise us. The book makes historical sites interesting and fun by pointing out things that kids would find fun and interesting. We have explored "Strange Parks" and located almost all of the license plates and cars listed as we travel around Italy. I'm always surprised as I read it to find more information that I didn't know, more things to try and places to go. We hope to go to Paris soon and I'll be ordering a copy of Pat Byrne's Paris book first.

Pat Bryne provided the personal attention we all hope for when conducting an internet transaction. Her book, Italy Discovery Journal, is both entertaining and informative for a child's natural curiousity. We gave them as gifts which were well received and, reportedly, heavily utilized prior to, during and even following our nephews trip to Italy.

My boys used this journal both times we went to Italy. It gave us a lot of ideas and sparked some that were not in the book. They liked that they didn't have to bring the entire journal around with them; they could just take out the pages that they needed. Even my teens took some ideas, like charting gelato flavors. (Same flavor changed from place to place.) The journal made some of the lesser kid-friendly activities more enjoyable for them, therefore, more enjoyable for us. We are looking out for journals for more countries.

New information is always one of the factors I like to glean from a non-fiction book. Sometimes the new material is major, sometimes minor. I immediately liked this book because I found a tiny bit of information that I've been curious about for years. A famous unsung, middle-class patron of many of the world's great artists who resided in Montparnasse ran a "Cremerie" directly across the street from Academie Colarossi Art School. The tiny café was described in numerous biographies but the shop owner was always described simply as "Madame Charlotte." I'd done a little research trying to discover more about this fascinating businesswoman whose building was stuffed with artworks and who loaned money to Gauguin so he could travel to the South Seas, but was unable to find her last name. It seemed to have been lost to history. On page 22 of this book the mystery was solved. She was identified as "Madame Charlotte Caron." That discovery immediately led me to buy this book that is chuck full of interesting biographies as well as more than 700 photographs of the artists described and their work as well as information about the people around this legendary Roaring Twenties artist's community. This encyclopedia of information is tied together by featuring Kiki (Alice Prin) at various points. It could have been tied together by using anyone of several artists who were such an integral part of the "Camelot of Paris Art." Picasso or Man Ray would have done equally as well, but neither of them was French or as sexy to look at in the nude.
This book is well worth reading. In many ways, it's like looking at a personal photo album with really good captions explaining the pictures and the people in them. Unlike most personal photo albums this one includes pictures of the "underside" of Paris along with pictures of its residents dressed and undressed. The residents apparently loved to party as demonstrated by the huge number of masked balls and other wild parties shown in picture after picture. This book is extra interesting because of the informal portraits of so many famous artists at work and definitely at play. With snapshots of the smoky world of the cafes, the brothels, the art schools, and the hedonistic picnics, the book makes that by-gone era live again. Kiki, with her cabaret dancing, nude modeling, infamous lovemaking and bubbling personality was the very personification of the hedonistic age that produced creativity the likes of which the world has seldom witnessed. She makes a perfect sexy trunk and limbs upon which to hang this elm tree-sized collection of colorful historic portraits.

This book gives both an excellent pictorial and verbal description of the evolution of the artistic life in bohemian Paris in the early twentieth century. Well researched and written, it brings the ongoing revolution in art (what defines art?) as well as society (the role of classes, women, etc) into both clear focus and understanding. The pictures are both numerous and superb and gives the book a real 'you are there' sense as well. The wealth of detail is sometimes almost overwhelming in fact. An very readable and enjoyable book!!

"KIKI'S PARIS: Artist and Lovers 1900-1930" faithfully evokes the era when Paris served as the nexus for the flowering of artistic movements as diverse as cubism, fauvism, futurism, and dadaism. Each photograph tells a rich story of the personalities and the city that shaped and inspired them.

This is a book that you'll want to read and re-read again and again. HIGHLY RECOMMENDED.

A time long gone of the parisian model for the teeming artists. Lots of great photo's and listings of the people of that time period. Puts you " there " as soon as you open the book. A timeless book of a wonderful age.

This book gives a wonderful photo journal insight into the free-spirited years of early 20th century Paris. The photos and descriptions are magnificent. This book will take you there in an instant.