Europe Books

Such a charming, descriptive book with off-beat, revelatory photos, that I bought copies for a grandson who lives in London and uses the tube, and for several American friends who used it this summer. History and lots of entertaining comment. I've used the subway in Washington, Berlin, and Moscow but never in London. Now I can hardly wait to wide to the end of the various lines James tells about so winningly. Great gift for anyone visiting London or anyone who lives there.

The cover of the book draws the eye immediately because of it's unique (to me) design, and the title attracted me because it repeats the phrase heard over the loud-speaker in the "tube" as the doors begin to close. The photographs are excellent because they give a hint of mystery, solitude, history and loneliness -- all at the same time. The text just adds to the information in the photographs and shows James' thoroughness in presenting his subject to the readers.

This book was like a trip back to London. The charming photos captured many quintessential aspects of the Tube and its stations that I instantly recognized and recalled but hadn't remembered. The articles explain many interesting aspects of the Underground with humor (without getting into a dry historical recitation). Very enjoyable and a classic.

A wonderful and humorous history of the London Underground. However, this is more than just history, James' photographs create a sense of time and place for the viewer, regardless of whether or not you are familiar with London and it's underground transportation system or not. Perhaps, what struck me most is the how full of color these Underground stations are -- quite unlike anything I've seen in the United States.

A surprising success. Though the appeal may be quite narrow, this book does a surprisingly good job at what it attempts to do. For anyone who has enjoyed a ride on the Underground, or who has marveled and the (mostly) clean, efficient, and occasionally spectacular Underground stations, Mind the Gap provides a new, fun, and provocative perspective. James takes his camera to all (literally all) those stations that those of us who spend our time in "Zone 1" see at the fringes of the Underground map but never visit. There he captures simple, carefully composed almost documentary images that give us unique view of the history, health, and scope of the Underground system. Though the photographs are individually nothing special (I really could have taken most of them myself, and done better in many cases) the collective effect is balanced and enjoyable.

Certainly a worthy addition any collection of Underground books, and a nice alternative for one that already includes the other fine books of photographs of the Underground and its stations.

This book provides a powerful message, so much so, in fact, that I bought a second copy just so I could share it with friends. The line dividing western medical practices and those based in nature (Eastern, Native American, etc), is becoming more and more blurred. This book may help open the reader's mind to techniques beyond those that our practitioners provide.

This is an extraordinary book about a conventional nurse executive who is led by her work, her family and her destiny to explore Native American healing to heal her daughter and her family history of traumas around birth in five generations.

In the course of her work in the Sioux Valley Hospital in South Dakota, she met and befriended Wanigi Waci (Spirit Dancer), a Native American healer of the Lakota Sioux who was ministering to patients served by her hospital. Wanigi Waci offered classes to the hospital staff in cultural sensitivity, to help the conventional medical personnel appreciate the traditional ways of healing of his people.

Koerner's daughter, Kristi, nearly died in birthing her first child, requiring an emergency caesarian section. Her son nearly died of an infection due to the prolonged labor. He had repeated hospitalizations for respiratory infections during his first six months. Kristi's second pregnancy was marked by diabetes, hypertension, toxemia and preeclampsia. In both childbirths, Wanigi Waci was present, unbidden, and enormously helpful with his Native American healing treatments.

Koerner went on to study and participate in the healing ceremonies of the Sioux. She shares from her many lessons of the heart and spirit, in a book that is hard to put down.

Koerner is clearly gifted as a nurse and as a teacher of the essence of nursing. She shares many insights around conventional and Native American healing.

Koerner's integrity as a healer who walks her talk is evident in the stories she shares about her healing journeys. What she writes of others is also true of herself.

Hopefully, Koerner's pioneering work with Wanigi Waci will open more nurses and hospitals to healing collaborations and spiritual lessons.

This outstanding book should push back the horizon for every nurse dealing with persons of differing faiths, healing modalities and cultures. It may help to eliminate bias and lack of information regarding self healing. It should be useful to both the healing professions as well as the general public. I caution the reader against drawing any personal conclusions about the author's content until the entire book has been read for the content is a complicated mix of biography and theory.

This is a great book and a powerful message. It is a must read for everyone associated with health care.

This book is a wonderful exploration of intergenerational caring and the power of the mother daughter relationship. Willing to do anything to save the life of her daughter, the author, who is herself a well known registered nurse, explores the depths of native american medicine and its healing powers. This is a wonderful book, I have given it as a gift to all the important women in my life.

My Life is a fascinating book. I was most attracted to the style in which Trotsky took responsibity for his mistakes. He didn't try to blame others for what happened at Kronstadt. My Life is a wonderful show of a great and bizarre life. Since the McCarthy era, it has become fashionable to slander revolutionaries or look for "Physcological" motives. My Life is written from a bias, but it certainly has none of taint of an author who tries to discredit someone smarter than them. My Life also show Trotsky as a complete person- bound by unbreakable ties to an idea. My Life is written as many different things- half autobiography and half history of the revolution. The only thing I found bad about My Life is how absorbed it is in its time. My Life is entertaining and readable, and includes some rather funny incidents- like Trotsky naming his socks after Soviet leaders. The only fault is that My Life requires a basic understanding of events to be fully understood. For instance, if you haven't the foggiest what permenant revolution is, you may need to find out. My Life is idea-based, and challenges readers to discover those ideas- and then to do something about them. Buy the book-it is worth a $1,000

Today we expect our political memoir writers to take part in a game of show and tell about the most intimate details of their private personal lives on their road to celebrity. Refreshingly, you will find no such tantalizing details in Russian Bolshevik leader Leon Trotsky's memoir written in 1930 just after Stalin had exiled him to Turkey. Instead you will find a thoughtful political self-examination by a man trying to draw the lessons of his fall from power in order to set his future political agenda. This task is in accord with his stated conception of his role as an individual agent at service in the historical struggle toward a socialist future. Thus, underlying the selection of events highlighted in the memoir such as the rise of the revolutionary wave in Russia in 1905 and 1917, the devastation to the socialist program of World War I and the degeneration of the Russian Revolution especially after Lenin's death and the failure of the German Revolution of 1923 is a sense of urgency about the need for continued struggle for a socialist future. It also provides a platform as well for polemics against those foes and former supporters who have either abandoned or betrayed that struggle.

At the beginning of the 21st century when socialist political programs are in decline it is hard to imagine the spirit that drove Trotsky to dedicate his whole life to the fight for a socialist society. However, at the beginning of the 20th century he represented only the most consistent and audacious of a revolutionary generation of Eastern Europeans and Russians who set out to change the history of the 20th century. It was as if the best and brightest of that generation were afraid, for better or worse, not to take part in the revolutionary political struggles that would shape the modern world. As Trotsky notes this element was lacking, with the exceptions of Rosa Luxemburg, Karl Liebknecht and precious few others, in the Western labor movement. Trotsky using his own experiences tells the story of the creation of this revolutionary cadre with care and generally proper proportions.

Many of the events such as the disputes within the Russian revolutionary movement, the attempts by the Western Powers to overthrow the Bolsheviks in the Civil War after their seizure of power and the struggle of the various tendencies inside the Russian Communist Party and in the Communist International discussed in the book may not be familiar to today's audience. Nevertheless one can still learn something from the strength of Trotsky's commitment to his cause and the fight to preserve his personal and political integrity against overwhelming odds. As the organizer of the October Revolution, creator of the Red Army in the Civil War, orator, writer and fighter Trotsky he was one of the most feared men of the early 20th century to friend and foe alike. Nevertheless, I do not believe that he took his personal fall from power as a world historic tragedy. Moreover, he does not gloss over his political mistakes. While one would not want to be on the receiving end of his rapier tongue neither does he generally do personal injustice to his various political opponents. Politicians, revolutionary or otherwise, in our times should take note.

The phrase "Life is Beautiful" in the Italian film came from Leon Trotkys's last testament. It was written in exile in Mexico. At the time Trotsky's friends, family, and comrades were being harassed, slandered and murdered by Stalin, when he himself faced imminent assasination. He also faced death from the growing illnesses that had slowed him. Yet, in his testament he proclaimed that life is beautiful. Life must be cleansed of the evil and garbage Capitalism and Stalinism have left to this world.

Read this book and you will see how Trotsky's life became valuable for him because he decided to fight oppression, decided to learn about the world to fight, and never stopped fighting. Maybe your life can be beautiful if you read this book, and decide to fight like Trotsky did.

The introduction by the late Joseph Hansen Trotsky's secretary in Mexico is worth the price of the book. Joe explains how the household and work center in Mexico functioned, about how Trotsky valued hard work, but also valued celebrating comrades birthdays, hobbies like raising rabbits, trips to sites of Mexican history. Reading this also tells you how Joe organized the staff at World Outlook/ Intercontinental Press, working with him was one of the great privileges of my life.

In these pages and memoirs of Trotsky by Joe, George Novack, Farrell Dobbs, and other comrades who knew Trotskty, you could find how serious Trotsky enjoyed and embraced life. In Turkey if he wanted to go fishing, he went to sea with Turkish fishers in their trawlers. If he wanted to raise rabbits as a hobby, he soon was taking care of something bordered on a commercial rabbit farm. Both in valuing work--chained to his desk was the term Trotsky passed down--and valuing parties and celebrations of new people coming onto the staff and leaving, Trotsky made his life beautiful.

Read this book, valued as much as a literary work as a political statement, and learn how you can make your life beautiful.

This is many books in one. A fine autobiography from a literary point of view, a historical document with brilliant insights into the time period and major players, and, most important, a rich and sustained polemic in favor of a life of commitment to revolutionary, working class politics. Trotsky dedicated his later life to keeping alive the continuity of Lenin and the Russian Revolution, and what a fascinating, courageous life it was, full of prison, exile, escape, insurrection, and more exile. Trotsky was an inspiring man of action, one of two or three figures who matter most to the working class. The politics of the working class struggle for total human emancipation is the piston that drives both the man and his autobiography.If not available from Amazon, booksfrompathfinder will have it. Click on "New and Used" near the top of the page.

When I decided to write this review, I had to choose between the various reasons why it's so beautiful and important. But, above all, I think that, in a world where the necessity of Marxist was supposedly to be more deeply felt than ever, what repels most people that would be liable to lend an ear to it is the repelling Stalinist mythology of the revolutionary as the relentless, ruthless, single-minded, google-eyed fanatical. Trotsky, on the contrary begins by assessing that, although his life was out of the ordinary, he neverthless remained a men with a penchant for a well-ordered ordinary life; that he found pleasure in seeing a well-ordered table or a well-kept fence; that he didn't becomne a revolutionary out of a feeling of opression, but because of being faced with a life that, although prosperous, offered him nothing but grey drudgery and no opprtunity for individual achievement; that he, like all revolutionaries, was a man like any other. I think that would be reason enough to commend this modern classic to the reader of today, outside from the wonderful style, the importance of the events narrated and so much else.

This book is a view into the life of a young girl forced into adult hood and is forced to cope with the trials and troubles of an adult in post WWII. It shows a very brave woman with a strong sense to survive. This book is a must read for anyone who would like to understand what people had to go through during post WWII or anyone who wants to read a captivating book. Very, very good book.

This book is a poignant account of Gertrude's childhood in Germany during and after World War II. She intertwines the historical perspective well with her childhood memories. The book is written from a young girl's perspective with amazing details. The feelings and fears of a child in an abusive situation are compelling. As a social worker, I find this to be a very realistic account of a child's life in an abusive environment.

Gertrude's story is by far one of the most intriguing true life post W.W. II experiences written. In her book, she expresses some of her most traumatic life experiences, and how she survived with the help and love from her grandmother. A well written novel, and must read.

An outstanding novel this is from the beggining to the end. A true epic bringing up emotions while forcing one to the edge of there seat. For all who have not read this fascinating book, please read it, you will definatley enjoy it.

An astonshing peice of work that Gertrude has written. One of the greatest books of this era. Very few books have been written about post German war. Many must read this novel to fufill there voidness of the time, a wonderful novel.

I will be brief,a man as large as life as Mussolini was , no one but he could write with his vast knowledge of the political turmoil that was slowly tearing Italy apart in the early 1920's.Too bad he came to Italy in the 20th century instead of the 21st!Getting involved with Hitler and his war gives Western writers an opportunity to demean this man.If you take the time to read this you will find the man to be both highly educated and relentless in his faith for the Italian people to move progressively into the 20th century.Buy this book!!!!

This book is actually a compilation of Benito Mussolini's memoirs set approximately 16 years apart: the first being dated c. 1928 only eight years after his Fascisti 'Black Shirts' had assumed power in Rome by plebescite; the second being dated c. 1944 when the Fascist party in Italy was able to retain power only with Germany's occupation and Mussolini's 'rescue' by German forces.

When it comes to Mussolini, most modern readers immediately compare him to Adolf Hitler even though they understand little of what brought fascism to Italy or why Mussolini was so well received at home and abroad. Contrary to what many believe, Mussolini never had a very high opinion of Adolf Hitler and tried desperately to form a political pact with France/England with regards to Italy's future: Mussolini remained opposed to Hitler because Germany was unified with Italy's arch-enemy, Austria: Mussolini formed the ill-fated axis alliance only at the last minute when he was unable to get the concessions he wanted and Germany formally declared war against France in 1940. It would be his demise as Mussolini and his party would lose power in Italy by 1943 and, instead of the great empire they had promised to the Italian populace, Italy had become a vassal state occupied by the German military: Mussolini himself being nothing more than Hitler's puppet and mouthpiece. Thus, through his memoirs, we can follow how he was a favorite defender of freedom against Boshevism in the 20s and 30s adored by the US and England, to becoming nothing more than Hitler's lapdog by 1943.

This is a very important book where, by his own words, one can measure the man for who he was. Unlike Hitler's rambling anti-semitic diatribe in 'Mein Kampf', Mussolini's papers address purely political and social questions adding with his rather pompous flair that he and his Fascisti are an indispensable to the formation and prosperity of the state. He explains why he was motivated to act and describes the political environment he found himself in fighting the socialist, communist, and capitalist interests in Italy. His memoirs are not only interesting from a historical perspective, but also from a political one in that they provide a lot of insight as to the events that were responsible for the development of fascist doctrines in Europe in that period of time.

I bought this book on the belief that it would explain to me the very essence of Italian Fascism. Although some important themes and ideas of Mussolini's fascism were discussed, I was disappointed with the lack of detail and expansion. However, I was enthralled by Mussolini's elegant writing style.I found the Duce's view of his own history - however biased - very informing. It gives an intimate view of early 20th century Italy,and in particular, the mood of the Italian people(especially the war veterans). The book's two parts, the first written well before the Second World War and the second during the war, offer a stark comparison of the different outlooks on the world that Mussolini possessed - he was once popular and arrogant, then hated and bitter. The book offers an extraordinary opportunity to take a deep and intimate look inside Mussolini's soul, as well as a thorough - however biased - examination of Fascist Italy. A must for anyone interested in the Duce, Fascism's general themes or World War II in general.

This book is a combination of several primary sources related directly to Benito Mussolini. The first "My Rise" was Mussolini's account of how he came to power in Italy. It has its uses but the reader should be ware that it does omit several parts of his rise to power and it is worth keeping a good Mussolini biography close at hand to compare the account with. "My Fall" is a compilation of about a dozen articles penned by Mussolini about the time that occurred from the Grand Council meeting to the establishment of the Salo Republic. Overall these provide an interesting look into Mussolini's mind and a chance to understand what he considered important in his life. The accounts are well written and Mussolini does an excellent job of recounting the parts he feels are relevant. It is with an eye towards revisionist history but despite that the documents can still be useful. All of the preface and introductions are done by top notch historians and do an excellent job of putting things in perspective.

one of the best book I have read.
You do not have to agree or disagree with Mr. Mussolini to enjoy this book. Because you can learn a lot about the will power, the determination, and the courage of the man.

Two smart and spunky girl heroes, disguises, international travel, art history, and a compelling mystery to solve - what's not to love? As one who craves chances to get lost in adventures and learn along the way, I found this a fun and fabulous read. I heartily recommend it, especially to girls who love to read! Kari and Lucas enter the world of intrigue through the story of Rembrandt's Lucretia paintings, and it's wicked good fun from there, as their adventures take them from Minneapolis to London, Paris, and Amsterdam. They keep their cool as they race from art galleries to the mean streets of Amsterdam's red-light district, to find their quarry and solve "The Mystery of the Third Lucretia." Better still, for those of us who hate to let go of fun characters, there's more to come in "Rescuing Seneca Crane," sure to be on my 2009 summer reading list!

Mysterious music begins this adventure tale about two young artists in pursuit of an international criminal. Protagonist Kari and her best friend Lucas (a girl) spend their days painting, visiting museums and dreaming of traveling through Europe. It is refreshing to hear a story about girls who spend their free time doing non traditional things.

The mystery begins 26 centuries ago in Rome with the historical figure of Lucretia. After introducing Rembrandt's painting of Lucretia the story turns to the present - where Kari and Lucas bump into the creepy "gallery guy" who they observe staring at the painting. The plot thickens when the girls bump into him in London. This is a smart book that isn't afraid to be feminist (Lucas' grandmother is a feminist and environmental activist) and doesn't ignore the rape and misogynistic scorn of the historical figure Lucretia. Author Runhold respects listeners enough to allow them to understand real life beyond the mall -all while managing to feel lighthearted. It's a skillful balancing act indeed.

Whether talking about art history or Lucas' brother "the meep" narrator Krista Sutton manages to sound young, hip and appropriately sardonic. Kari and Lucas are smart girls with witty tongues, and Sutton captures their age, tone and occasional sarcasm perfectly.

I chose this story to read to my eight year old daughter at night. We were entranced from the beginning right through to the end. This book is well written from the 14 year old's voice and we both thoroughly enjoyed it. It provided a springboard for us to talk about very important things facing a young girl in today's world: mom and daughter relationships, friendships, family, travel, art, dangers, emotions...it was wonderful. If a parent has the opportunity to read a chapter book to their daughter, I would highly recommend this one. It touches upon so many issues worthy of late night chats.

Besides the previously mentioned, this story was fantastic. We both fell in love with the characters. Loved the mystery and travel. We just wished there were more of these stories out there to read together.

Reviewed by Andrea Sisco

Do you remember Judy Bolton? Perhaps you remember Trixie Belden? No? You would if you grew up in the 'olden days.' Well then, how about Nancy Drew? Even young girls recognize Nancy's name.

If you've read every Nancy Drew ever written and longed for more excitement in solving mysteries by a young person, you HAVE to read Susan Runholt's The Mystery of the Third Lucretia. I want to call her book the Nancy Drew of the twenty-first century, but somehow that doesn't seem to do Runholt's novel justice. It's in a league all of its own because it's not just a mystery. It's an exciting travel lesson and an art class-and the heroines have VALUES that surface regularly but do not slap you in the face with them.

Kari Sundgren and Lucas Stickney are fourteen. They are from St. Paul, Minnesota, love art and are best friends. Kari's mother's job takes her all over the world and Kari and Lucas get to accompany her occasionally. The girls love to travel so it's a perfect set up. Kari needs a guardian while her mother is gone and Lucas escapes her dysfunctional family.

Kari and Lucas spend a day at the Minneapolis Institute of Art where they encounter a crabby man painting in the room where the famous painting of Lucretia is hung. Indelibly embedded in their minds is his secretiveness and anger as he snarls "Go Away" when they try to see his work. A year later, they see the same man in London. He looks different, but his voice and the words, "Go Away" are the same.

The girls put together some clues, and with their intelligence, artistic talent and gutsy determination, they decide to solve the mystery of the Gallery Guy using a few things like disguises, fake accents and the little 'ole snake they use for diversion. What begins as an exciting 'game' while traveling becomes a dangerous mission. It could be deadly if the adults in charge don't believe two 'kids.'

I hope that this is just the first in a long series of Kari and Lucas adventures.

Armchair Interviews says: The Mystery of the Third Lucretia is a must read.

Author Susan Runholt should be congratulated and rewarded with substantial sales. MTL is really outstanding; smoothly written, effectively uses interesting and occasionally exotic locations, and you couldn't have more charming and engaging central characters. It would be hard to imagine two better foils for a mystery revolving around one of Rembrandt's famous paintings. From Minneapolis's Institute of Arts to London's National Gallery, Kari Sundgren and her pal Lucas Stickney, intrepid, bright, teenaged girls manage to put several fragmented clues together to convince Kari's mother and the authorities they do know what's going on. The pace is swift, the characters well-drawn and the dialog, especially between the two girls, is right on the money. I hope to read many more adventures of these two charming young women.

Haj Amin al-Husseini represented the opposite of the noble Emir Faisal Ibn Husein, the enlightened Arab King of Hejaz who had cordial relations with Chaim Weizmann and wanted to achieve a peaceful Middle East with co-operation between Jew and Arab.

Unfortunately Al-Husseini's ideology of hatred won out. As Grand Mufti of Jerusalem he spearheaded the imperialistic or utopian strain of Islam that has turned into a modern hydra. In 1920 he organised the murder of Jews who were praying at the Wailing Wall, and he never looked back. Throughout the rest of his time in Palestine he furthered his murderous designs because of the British policy of appeasement, with further campaigns in 1929 and from 1936.

In the 1930s Al-Husseini became a proponent of Hitler, eventually settling in Berlin where he encouraged the annihilation of European Jews and planned to become the leader of the Arab world in expectation of an Axis victory. He unceasingly promoted the Holocaust and Nazism amongst the Arabs. This strain of Nazism was a blend of National Socialism and fundamentalist Islam that would make deep inroads into the Arab world.

After the war Al-Husseini fled to Cairo where was instrumental in accommodating fleeing Nazis and organising for the destruction of Israel. The hatred of Israel now took on a Leftist flavour as the Soviet Union became the champion of the Arab cause. Arab leaders like Gamal Abdel Nasser, Saddam Hussein and Yasser Arafat were all influenced by his hateful ideas.

Al-Husseini did not only target Jews, but also moderate Arabs and the free West in general. Nazism was the spiritual and physical bridge by which Islamic extremism became prominent in the Arab world. He introduced the demented belief that utopia could be achieved on earth by the destruction of Israel and the annihilation of the Jews.

This malevolent Islamo-Fascism is the cause of much of the misery in the Arab world today and at the root of the hatred of non-Muslims, particularly the United States and Israel. In this, the extremists are assisted by international leftists. The Western democracies are now tasting the fruit of a decades long policy of appeasement towards this odious movement and its demonic founder.

But there is still a chance that the legacy of Emir Faisal might prevail, although recent developments in France and Europe as a whole do not look promising. Al-Husseini was without doubt one of the most evil personalities of the 20th century as meticulously documented in this revealing book.

Plenty of black and white photographs enhance the text, illustrating Al-Husseini's meetings with Nazi and Arab leaders, and of Bosnian Muslim brigades in World War II.

There are nine indices with documentary evidence of the historical narrative. Appendix A is the Balfour Declaration of 1917, B provides excerpts of the correspondence of King Faisal, C is the Weizmann-Faisal Agreement of 1919, D provides a dialogue between Lord Peel and Husseini from the Palestine Royal Commission Report.

Appendix E gives the minutes of a meeting between Hitler and Al-Husseini, F is an excerpt from the diary of Al-Husseini on his meeting with Hitler, G is a letter in which he asks the Hungarian government to send 1000 Jews to their death in Poland instead of allowing them to escape to Israel, H is his address to Arab-Americans and I is the Palestine National Covenant that denies the right of Israel to exist.

The text concludes with a moving prayer for the state of Israel by the Chief Rabbinate. It is a prayer that all true Christians would do well to heed and incorporate into their worship in these trying times. The book concludes with notes, an index and biographical information on the author.

I also recommend The Other War: Israelis, Palestinians and the Struggle for Media Supremacy by Stephanie Gutmann, Our Hands Are Stained with Blood by Michael l Brown, Dream Palace Of The Arabs by Fouad Ajami, Israel: Life in the Shadow of Terror by Nechemia Coopersmith, Myths And Facts by Mitchell G Bard and Unholy Alliance: Radical Islam And The American Left by David Horowitz.

Peace: The Arabian Caricature of Anti-Semitic Imagery

In 1919, the international community saw the Faisal-Weizmann Agreement, an agreement between the King of Iraq (Faisal) and the eventual president of the World Zionist Organization (Weizmann) that set reasonable conditions for mutual recognition of a Jewish homeland in Palestine and an adjacent Arab Nation. Today, a large number of Middle Eastern nations refuse to recognize Israel's right to exist. Ever wonder what happened? This book offers a significant piece of the puzzle.

This book focuses on the Grand Mufti of Palestine, Haj Amin Al-Husseini, and his influence in funneling anti-semitic, Nazi propaganda into the Middle East. From reading this book, you will learn about Al-Husseini's frequent meetings with the Nazis, including Adolf Hitler, Al-Husseini's push for extermination of the Jews and his responsibility for disseminating volumes of ludicrous Zionist conspiracy theories into the Middle East. You will also learn about Al-Husseini's significant influence on Yasser Arafat and former Egyptian President Gamal Abdel Nasser.

The appendix of this book also contains a number of historical documents, including meeting transcripts, letters of correspondence and other relevant documents such as the Faisal-Weizmann Agreement and the Balfour Declaration.

I have a few complaints about this book. First, it is too short. Second, there are many egregious spelling errors, which is very unprofessional. Most importantly, although I think Morse has made a compelling case to argue al-Husseini's influence on the modern anti-Israel facet of Islamic terrorism, I think he overlooks the most significant driving force behind Islamic terrorism: religious fundamentalism. Unfortunately, this is a common oversight of many religious conservatives, who often seem too overzealous in identifying secular roots for acts of terrorism.

Overall, this book is an important chapter in the ideological origins of Islamic Terrorism.

Author would do better if he was not so repetitive. Still it is worth reading as one realizes that Islamic Terrorism is not a new thing starting in recent years, but has deep historical antecedents.

This is an important book for many reasons, especially for providing one especially significant and important aspect concerning the origin of the Arab-Israeli conflict. The author's thesis is that Al-Husseini, the Mufti of Jerusalem, successfully merged his Islamic fundamentalism with the theology of Hitler's National Socialism. He supported the final solution in Europe, rallied Muslim troops to support and perpetuate the final solution, planned to import the Holocaust to the Middle East, and influenced future Arab generations. As a historian, the author pulls together many esoteric events (such as the Weizmann-Faisal peace agreement)that may surprise those who thought they knew the history pretty well. Morse illustrates how one individual can spread enmity and hate for thousands across generations. Recommended for those who want to gain more insight.

A very informative and revealing book on the role that Al-Husseini played in bringing about the dangerous situation in which we, in all the world, are living today. It leaves many questions unanswered, though, like: how or why the British, and later the French, favored this psycho so unashamedly. The crimes of this devilish man being left unpunished -even covered-up- claim for an explanation that is not offered here.

About 130 pages of fast and furious read. Very relevant to understand today's crisis between the suicidal West and the paranoid Muslim world. It has some very good analyses of the Palestinian conflict. It covers many issues related to the terrorism suffered by Israel thru the personal observation of relevant figures, not only Al-Husseini.

A book covering the whole 20th century, and practically the whole world geographically.

The Holocaust denial that is emerging in some parts of the West is a clear sign (as referred to in page 100) of more trouble on the horizon.

Do you still not know that God will bless those who bless Israel, for truly it is His people? So, also, he will crunch those who mistreat her.
Things pass slowly but surely. This short book gives a tremendous global view of what really matters in the world today. Capture the vision.

In the poignant story of his father's service in WWII, the author presents a moving portrayal of the sacrifices made by all soldiers and their families. Through his father's letters home, the author has also provided historical information about the 110th Station Hospital which arrived in England December 1942 as part of the build up in anticipation of D-Day. As a descendant of an Army Nurse who served with Dr. Carter, I find this book to be an absolute treasure, finally shedding some light on her service in WWII. If you have ancestors who served in the war as Army Nurses, doctors or foot soldiers, this is a book you should read. If your ancestors served with the 110th Station Hospital, this is a must read. And since it is only about 200 pages, it is perfect for younger readers, too.

I heard Walter Carter tell this story before he put it on paper and yet, despite that fact, I was riveted by his telling of it again. This slim volume is a wonderful read and a very personal recounting of the sacrifices endured by the sons and daughters of Brokaw's "greatest generation." Read it for the history, for the story and for the lasting impression it will leave with you.

I traveled with Walter Ford Carter and the Normandy Allies (www.normandyallies.org) of Rochester, NY to Normandie, France, in Summer 2004. I heard Walter's story of his father's WWII experiences in person and visited the field where his father died near St. Lo. I had read the story of Dr.Carter before this trip and was very touched by the human-ness and how Walter reconstructed his father's and mother's war years through love letters and documents. This is a worthwhile read of a personal WWII history.

Furthermore, my father landed in the 5th Wave on D-Day. He died in 1995 and Walter inspired me to do some digging to fit the pieces together of my father's history with the 5th Engineering Brigade. Baby Boomers with veteran fathers and mothers will gain insight and understand the war years--and the silences kept by our parents over a horrific war.

Read this book. You won't regret it.

The book is a personal story of a man trying to come to grips with who his family was and what sacrifice really means to those who are left behind to pick-up the pieces of their lives after the father/husband was killed in the 1944 Normandy campaign. Mr. Carter, one of the co-authors of the book and son of CPT Carter, successfully communicates who his father and mother were - whether those stories were done for their childhood days, young adult lives, CPT Cater's military experiences, and the later days leading to his mother's death. The sacrifice of the Carter family was not only the death of the father, but also those who were left behind. Sacrifice and love are threads that hold this story together. This is a very good read.

Military history focuses on battles and campaigns in linear time stopping and starting around the time of the war. WW2 Memoirs cover in greater detail the lives of the particpants usually before and during the war but usually stop there or only give a brief postscript. This work is unusual because the author tells you up front the basic story and then unfolds it from there. The knowledge of Norval Carter's fate looms like a shadow over the story but nevertheless his death and his son's (the co-author)discovery of his father still will bring the tears when you get to those pages. This is a story about the meaning of courage, sacrifice and the meaning of being a father and husband. The story covers the events of the war and the buildup for D-day in enough detail that even someone with no knowledge or interest in military history will enjoy and understand this story. At a slim 199 pages it is a very quick read. I highly recommend this book for anyone.

I just got done reading this book.Although I was skeptical at first because I get bored easy.I dont know if it was because I know the authors son or if it was Mr.Courtney's quick wit that kept me glued.I found myself asking the same question,"is Courtney going to ever take this war serious?"Through his faith in God and himself,I believe that is the reason he made it home.What I've learned from this book is that.Lifes a journey embrass it and live life to fullest.I will be keeping this book for my children to read.Thanks Kelly for the recommendation.And thank you Mr.Courtney for my freedom and my childrens:)

The thing that aways amazes me is how many really good memoirs have come out by veterans of WW2. The extraoridnary events that they lived through made such indelible impressions that very similiar stories can be told by countless story tellers and they always seem fresh. This is a very descriptive well written account and the author comes across as the kind of guy you'dove to meet. Highly recommended.

My father served in Co G, 104th Regiment 26th Infantry - a sister company to the author's. He refused to talk about the war. When he passed away in 1990, I found his short written memoirs penned during recuperation from wounds suffered in Germany while in an English hospital. Reading this book alongside his memoirs was an incredible experience for me. It filled in many blanks by being much more complete - yet was absolutely true in time, place, and tone with my father's notes. It was like he came back and finally decided to tell me his stories. THANK YOU SO MUCH!

Richard D Courtney's 'Normandy to the Bulge' book is a well done account overall. Courtney was a Pfc with the Yankee Division (26th Infantry) in a 57mm gun platoon. Unfortunately the author does not go into too much detail on the various combat actions he was invloved in but there are a few tidbits I thought you might find interesting.

-The 57mm gun had removable gun shield extensions. He said most folks would take these off after awhile because the extra weight and having them bang around was annoying. They figured the thin metal wouldn'd help much against enemy fire anyway. Might be nice for some divirsity to have a few of your 57mm guns without shields.

-He talks a lot about the 'truck' that pulled the guns. He finally states it was a 1 1/4 ton truck. He never mentions half-tracks at all.

-Every enemy tank he mentions is a Tiger! I can't believe they all were so I wonder if this was just lack of detail on his part, foggy memory, or the old cliche that every American thought the German tank they were facing was a Tiger?!

-He notes the ineffectiveness of the 57mm gun against tanks and how they had to try and get side shots. They relied a lot on the TDs to do the real work. He was with the gun through the very end of the war. He talks about acting as infantry a lot with the guns left somewhere especially towards the end of the war.

-He mentions that the German AT guns were very well balanced and easy to move by just two guys. The 57mm gun he said was very unbalanced and very heavy and awkward to move even with four guys.

My dad was in M, Co. 104th Rgt. same as author. I lost him on Memorial Day 1969 before he ever had a chance to discuss his experiences as I was only 20. I have been searching for people who were there, and in finding this book, it showed me very clearly how proud I am of him. Thank you Richard for sharing this with all of us.

I am using this book as a text in school and I am quite impressed. I bought this book (hardcover) for half the price of the paper back version sold at my school. The text in interesting, not dry. The images are good reproductions. The only thing that I don't admire about the book is that some of the images are printed in black and white.

Just buy it. You won't be sorry. Great images and lots of informative discussion of imagery.

I think that I am like many people in that my knowledge of the Renaissance Art of Northern Europe comes from a few lectures in a college art history survey course. A few iconic images from the likes of Bosch, Holbein,Durer and Breugel are all that come to mind. I knew the era was important but the details were sketchy.

"Northern Renaissace Art" is everything you could want to deepen your knowledge of this important period of history. The book is 750 pages long and has over 680 illustration of which 250 are in beautifully reproduced color. James Snyder does an excellent job of explaining why those iconic paintings that everyone knows are great and deserve to be remembered 500 years after they were painted. More importantly, Snyder takes those second tier masters out of obscurity and elevates them to their proper place in history. Before reading this book, I had never heard of such masters as Jan Gossaert, Jean Fouquet and Petrus Christus. It was a exciting to get know their work. By no means is "Northern Rensaissace Art" a reasonably priced book. But it is the type of book that will give you great pleasure for many years.

I am using this book as a text in school and I am quite impressed. I bought this book (hardcover) for half the price of the paper back version sold at my school. The text in interesting, not dry. The images are good reproductions. The only thing that I don't admire about the book is that some of the images are printed in black and white.

Books on the Renaissance can be quite confusing to non-specialists. For example, Shakespeare classes in English schools discuss him as a Renaissance writer. Yet art teachers describe his near contemporary, Rubens, as the quintessential Baroque artist!
So exactly what does Northern Renaissance Art cover? Is it an age that can be separated, marked out and surveyed by political or religious activities? And by northern what is meant? Is Switzerland the home of northern art? Can it be made in Italy? And what makes it significant and different from the universally recognized world of Italian Renaissance Art, where the term 'art' is always capitalized?
Well, the truth lies pretty much with all of the above. As Snyder shows, several distinct cultures fall into this very large historical category. If you're buying this book as a student for a class, I can only hope you have more than one semester to give to the material. Northern Renaissance Art covers an enormous time period and many countries. It approaches in diversity the far better known works and ideas of the Italian Renaissance. No one seriously discusses the Italian Renaissance in a single semester - the material is taught in a series of classes. The same limitations and requirements should apply to teaching the Northern Renaissance. Art history today no longer focuses on aesthetic questions of style; as a result a student faces a lifetime's study of a period's culture and history.
However, there are some basics. If one word could define what separates the two worlds of the Italian and Northern Renaissance - that word would have to be naturalism. Northern European artists revel in achievements of realism that far surpass the Italians, who, while perfectly capable of such stylistic work, prefer a more intellectually formalized approach. Indeed, Michelangelo dismissed northern artist's attention to nature and care for photographic details as incidental, and excessively ephemeral, when contrasted to his Italian art which used images for projecting deeper spiritual values. The public, however, was delighted with the landscapes, and their non-abstract openness. Many artists from the north specialized in landscape, and it became a manner so associated with them that it was not uncommon for Italian painters to hire Northern artists to fill in the 'less important' landscape backgrounds of their larger canvases.
The Italian Renaissance differed also in that it was singularly connected to the revival and reappreciation of ancient 'pagan' works of art. These antiquities provided a challenge, as well as a reawakening, for the artists and thinkers of Italy. In the north artists did not have at hand magnificent works of ancient architecture or sculpture: as a result intellectual challenges were quite different; though initially tied to the Italian thinking, the northern artists more and more shifted focus onto their own immediate world. As the fifteenth century closed they became attuned to newer discoveries from the exploration of new (not ancient)worlds by sea, and the individuals emancipation brought about through the beginnings of Protestant thought. For moderns this means that the Northern Renaissance often appears closer to us and our own post photographic record of the world. The artist's sense of intimacy with nature seems little different than what most of us know as landscape art. Their religious works also convey a striking ease with space less contrived than our eyes find the representation of space in most Italian painting of the same era. All made the more attractive for being so accessible. Some of this difference marks profound religious and philosophical differences - northern art has about it some of the fervor of emancipation - there is here a reflection of the Armana naturalism revolting against the old art of a more dogmatic less individualistic Egypt. Eventually Italian artists would adapt to this new naturalism, especially in the north of Italy in Venice, in the works of Bellini, Giorgione, and Titian.
This book introduces the reader to the early Flemish master painters, such as Van Eyck and Rogier van der Weyden, the later great German artists, such as Durer and Holbein and Grunewald, and the strange inner universe of Bosch. Topping off the age are the works of one of the grandest of all humanists, Pieter Bruegel the elder. And these are just some of the great painters! There remains a wealth of sculpture and architecture, drawing and craft work. Moreover, the Northern Renaissance is also an artistic universe filled with fresh new theories and a milieu profoundly effected by the great religious upheaval of the Reformation.
Snyder gives as good an overview of so much material as one could hope for - his work replete with an enormous number of images, many of which have for nearly half a millenium been accepted as iconic. The text treats the material with a practised consideration, born of many years study. However; the impetus of the book is to direct the reader further afield, and this is indisputably the author's greatest achievement and the point of such a survey work. The real jewels for readers will be enlarging these discoveries by travel and on site awareness, these efforts made more satisfying through study of specific texts directed at the new artists whose work transforms your view of what the Renaissance was.