Europe Books

Any book that tells you how to say "May i give you a back massage" and "I dont have any diseases" in three different languages is definatly worth buying it. Also it has the basics and maybe the more useful phrases like "where is the bathroom" "check please" and the like.

I bought this book because of the reviews I read and it lived up to the hype. It came in handy in both routine and emergency situations - particularly when I had left my passport, money and credit cards on a train in Italy and had to communicate to the stationmaster in Genoa!

This is one of my best purchases in Amazon, it's amazing how good is this book. It's very practical for any traveler around the world, it has detailed content in subjects like: what to tell to italian men if they are bothering you (and as a woman... this can become very handy!) or everything you need to say in a medical emergency or how to enjoy the food in a restaurant (because you can understand now the menu). I really recommend this book if you are looking for a better experience in your trips or if you are learning a foreign language (like me). Greetings from Mexico. Nayeli

This books is great. It has many handy phrases that make traveling in Europe easier. Contrary to what most people believe, not everyone in other countries speak English. If you are the adventurous type and like to explore on your own, knowing some phrases to navigate the area is really useful.

I purchased additional copies of this book for a few friends that were traveling as well.

This book is full of practical advice and essential information that kept me from making some mistakes on our vacation this summer. Though I probably won't return to Europe for a few years, this book will stay in my bookshelves for future reference. I have always enjoyed Rick Steves' travel shows because of his down-to-earth, straight-forward style. The book follows that pattern perfectly. I highly recommend this book to any European travel novice.

One third of this book is standard heroic stuff. A non-Jew in a position of some authority takes steps to create a haven for Jews and -- in the midst of annihilation -- saves a lot of them. You have to find your way to this by navigating the first third of the book, which tells a different story: how to find someone using multiple information sources and documentation, both scattered and (some of it) sequestered. The last third of the book is given over to appendices and afterwords, original documents that only become compelling provided the heroism of the man has taken hold with the reader.

Karl Plagge was a courageous individual in a time and place when individual courage was in short supply. His example, of a person who saw terrible things happening and took the initiative to stop them from happening within his purview to the extent he could, gives a glimmer of hope in the midst of the overwhelming despair of the Holocaust. That he had been a National Socialist very early on in its history is his initial credential as an unlikely hero, but the unfurling of his identity reveals this to be ultimately of little consequence in defining him. Yet Plagge was circumspect to a fault. Were it not for the documentation of his de-Nazification trial, there would be very little to show him revealing himself. One hopes it was not an overwhelming sense of guilt over what he could not do that made the man seem to place so little importance on what he did do (which did and does matter).

Plagge's story does not have the razor's edge of Wallenberg's. Michael Good is not primarily a writer. But all in all this is a compelling new chapter in the story of the Holocaust. Vilna was of as much consequence as Warsaw for the Jews, and its story is not as well known today. And written from the viewpoint of one who only lives thanks to Karl Plagge, this is a book worth reading.

The Yad Vashem Holocaust Museum, located in Jerusalem is the largest holocause museum in the world. As you would expect it describes the terrible inhumanity the Germans imposed upon the jews and leaves you with a feeling of hoplessness. But in the museum there is one shining glory, the wall whereupon is inscribed the names of those considered to be 'Righteous among the Nations.' This term is used to describe non-Jews who risked their lives during the Holocaust in order to save Jews from extermination by the Nazis. There are people of all nationalities listed on the wall. Among the names are some 380 germans. Among these is the name Karl Plagge.

A low level officer in the Wehrmacht he commanded a military vehicle repair unit in Vilna, now Vilnius, Lithuania and he saved the lives of at least 250 jews, including the author's mother.

This is the story of Major Plagge, who as usual for heros would admit to no special courage.

This is a remarkable book both for its deeply moving story and for its underlying message of how a day-to-day battle of moral choices can be waged with the strength of conviction. It begins with an existential question most people never have to ask and ends with the satisfying feeling of a debt repaid as completely as life can allow. I recommend this book to anyone.

a superb and engrossing investigation of a nazi who tried to protect jewish people from certain death by setting up a factory not unlike oscar schindler. the son of a survivor who always told the story of the mysterious major plagge who saved many tried to find this man and his motives. spellbinding and heartening unlike so many other holocaust stories.

There is so much evil when Governments attack their own people as has happened throughout history. The Nazi Government in Germany was especially evil as it attacked many millions of its own people and neighboring peoples. The Nazi Government which was, as is always the case in evil governments, run by a relatively few number of people with awesome power, was on a murderous rampage in Europe. A very few courageous people stood up in opposition. One of these people is Major Plagge. It is thrilling to read of his courage, bravery and success. Everyone should read this book. Hopefully, then more persons could stand up against evil governments before its too late. Why is it that of all the species on the Earth that Man is the most evil? It is because of the accumulation of power in the hands of a few people. That is always a recipe for disaster.

This is a great book. The beginning starts rather sweetly and relies perhaps a bit too much on a Kafkaesque-Proustian pastiche, but then the whole thing comes alive with the Father, the birds, and his theories regarding the Second Genesis. When the father assumes the podium-the book ceases to re/present and enters into Being. His monologues are fantastic! It is a pity they are so short. Schulz was a man of rare genius. His dual pursuit of writing and the visual arts make him an even more fascinating figure. I am eager to get his book of drawings.

This book reveals a great talent that was taken from us. The richness of the sentences, their imagery and use of language reveal a great depth of talent. Who knows what Mozart might have done if he'd lived another 36 years? A slim volume worth every penny.

Awe and perhaps a bit of terror are the appropriate responses to this work. Schulz wrote like a man possessed by the spirit of creation - his sentences are alive, they breathe and hiss with color and form as a revelation of the world is made. His control of imagery incarnate in language slides and shifts from the most gracious to the most grotesque. Beyond it all is a vision of the cogs and gears upon which the cosmos turns, a radiant pattern from the Baroque era. Schulz dropped down to the mythopoeic essence at the core of time and crafted stories that told more of his childhood than any more literal record could've.

Ten stars, and sadness for the premature passing of one of the greats.

I first heard about this book through the pages of the 5-star novel "The History of Love." What is most unusual about it is the author's lack of intention to actually publish his writing. This book is a manifestation of personal letters he had addressed to a geographically distant friend. It is by no means an easy read. The language is powerful and supremely complex and requires absolute focus and sometimes the need to reread a paragraph a few times to truly appreciate the intense magnitude of brain power that this author possesses. This is a book of highly exaggerated proportions. Schulz takes "magical realism" to another level.

Convoluted ideas that twist into abstract thoughts walk through dark alleyways and emerge triumphant. This is how I would describe Schulz's writing. This is not the sort of book you can breeze through but rather, like a dense and flavorful truffle. You will want to savor every word, let it sink in and roll it around in your grey matter before you can appreciate its true meaning and beauty. There is real depth and symbolism in Schulz's writing. That said, it is certainly not for everyone. If you're looking for a lighthearted bedtime read, skip this book. On the other hand, if you're looking for mental stimulation and a book that truly promises an escape from reality, you won't be disappointed by this street of crocodiles.

I am not sure I got this book in a real way. I had heard of and read of Bruno Schultz as a writer of the Shoah(The Holocaust) but the events of the Shoah are not a direct part of this story. The Shoah connection is given in the fact that Schultz was murdered by the Nazis.
The book itself I found disconcerting, bizaare, and difficult. It is filled with descriptions , word- pictures which seem at the one hand beautiful, and on the other somewhat unreal. I suppose what bothered me above all is the narrator's tone and relation to the events which are happening.
As the major action of the work relates to the physical and mental deterioration of the narrator's father I was taken aback by the lack of human sympathy displayed . In fact the whole disconnectedness of the human beings in the book to each other is another thing which makes the work so troublesome.
There is a world in this book, a mind in this book which is not like anything I myself have experienced even in reading.
But however beautiful some of the images given by this mind it seemed to me so fundamentally alien that I could not really grasp it.

I'm doing research on the hope of writing a romance novel based on a story my ex-husband told me about how his grandfather came to America. I found this book fascinating. It gave me a real feel for the time and the place. And unlike many history books, it wasn't boring.

Fred Morton certainly lived up to his reputation in this novel about the waning days of the "Imperial City of Vienna" and all the different personages inhabiting the Empire [Stalin, Hitler, Trotsky] during these turbulent pre WWI years. Excellent for history buffs such as myself or anyone else for that matter who enjoys a good read about the declining days of Empire and the effect of the Great War on European Aristocracy. Also interesting to note that Franz Ferdinand's three surviving children [daughter and two sons] were taken in by a friend after their parents murder by a Serbian Terrorist [not family as they were morgantic children due to their mother's status] and all eventually found themselves sent to a concentration camp [Therienstadt] when Austria was gobbled up by Germany during the Nazi's rise to power..as they did not possess "Imperial Status" Dont hear too much about this in any books. Eventually they were liberated by the Allies and their property restored to them. Sophie outlived both her younger brothers living to the ripe old age of 91. Her desendents live today in Konopiste; the Palace of Arch Duke Ferdinand and his wife Sophie Chotek.

There is an historical theory, or perhaps it is no more than a bon mot, that empires at the end of their power and political influence spend their last energies on a showy efflorescence, like a century plant. The prime examples would be 18th century Venice and early 20th century Vienna.

In "Thunder at Twilight," Frederic Morton presents a gossipy and apparently frothy portrait of such a bloom, told as a tragic love story. Like a good Mozart opera, there is a subsidiary, comic love story as well.

The tragic lovers are Franz Ferdinand, crown price of Austria-Hungary, and his wife, Sophie Chotek. Because Sophie was not royal, merely a countess, the archduke could not marry her as consort but only as a morganatic wife, and their children would not be in line for succession to the throne,

The comic lovers are Emperor Franz Joseph and the Widow Schratt, who also could not marry but who were so proper that they did not even make out.

The villain is Montenuevo, first court chamberlain, epitomizing the sclerotic empire that after rolling along for 800 years had almost seized its gears.

There is a huge supporting cast: Trotsky, Lenin and Stalin; Freud and Jung; the mad general Conrad von Hotzendorf and the crazed Serb Apis, etc. etc.

With an eye on the weather and the changes of seasons and in a flurry of adjectives, Morton leads them all toward a doom. This is one of the few reviews of the period that treats Franz Ferdinand as anything more than a stage prop.

In fact, in Morton's interpretation, the archduke is practically the only sensible man in the empire, full of fierce words masking a desperate attempt to keep Austria out of war with Russia. Sophie plays the calming influence who steadies her hotheaded lover.

Morton rightly calls Franz Ferdinand's policy appeasement of Serbia. It could never have worked. As we know from a further century of bitter experience, the South Slavs can neither govern themselves nor be governed

Conrad, though incompetent, was right. Serbia needed to be crushed. The problem was, Austria could not do it unless Russia stood aside; and Russia, another dying empire, was as full of aristocratic nitwits as Vienna, and had its own ungovernable Slavs (and Germans, like Lenin).

As hardcore history, "Thunder at Twilight" is too light, too consciously melodramatic. But it is great fun to read and seems to get the big picture more exactly right than more ponderous tomes.

A college professor recommended this to me so I read it in about a day. It is very interesting how Morton weaves history into some sort of a novel that's very easy to read. Inspired by the death of his uncle in World War I, Morton writes about the history and the climax leading up to the very moment when the Crown Prince Francis Ferdinand and his wife Sophie were assassinated by a Serbian terrorist youth.

Morton explains the nasty relationship with the Hapsburg Empire (that includes Austria) and the lower Slavic nations and the growing animosity between them. This is a great book for history buffs. My only complaints are that there aren't any citations in the book and that the friendship between Carl Jung and Sigmund Freud don't seem to have anything to do with the story itself.

This is a favorite of mine, all the info about the Fin du siecle, Rudolph, and why we went into World War 1, and why some young people don't make it somehow!

Amazing and amazingly entertaining book, very very higly recommended. I dont have anything to add to the info of the book itself, go for the editorial reviews.

I am so glad Ed Black wrote this book.
Every since Schindler's List I have wondered about those Jews and Zionist who collaborated with the Nazis? Of course Jewish businessmen were/are just as sleazy and opportunist as gentile businessmen, so it should be no surprise that this took place.
Of course all criticism of Jews and Israel is anti-semetic. As we all know, Jews are above criticism in America.
Good work Mr Black.

Glen Yeadon, author of Nazi Hydra in America, had this to say about The Transfer Agreement:

I found it very boring--it was steeped with internal Jewish politics and very little about the actual negotiations with the Nazis or the actual deal and its results. It is geared to Jewish historians and only vaguely to the war and the Nazis... I liked IBM and the War against the Weak - both were good and I bought this one on the strength of the other two. It tried to remain neutral rather than to place the blame on the Zionists. For example, there was no mention of the Zionist who helped load the trains in Hungary to Auschwitz, who was hanged in Israel in the 50s. That type of material was neatly sanitized by omission.

Researchers have recently unearthed `directives' sent from Heinrich Himmler to Dachau, and Mauthausen concentration camps to the effect that all inmates were to be bathed in showers providing insecticides, their heads cleared of hair, their heavy garments that bore Wool Collars were to be burned outright. The reason for such directives was to prevent lice, and leprosy from spreading among all other inmate prisoners.

Gypsies, Polish, Slavs, Soviets (Christians and Jews) who had been incarcerated during the war and routed into the five main Concentration Camps, {which had been established throughout the years 1933 to 1939}, were in their majority suffering lice parasite, notably on youngsters. Himmler ruled "they should be showered in insecticides twice per week in order to remove the nits attached to their hair - difficult to remove without specialized products."

Many inmates were homosexuals' prisoners of war, suffering from venereal diseases - transmissible. This parasite was widely spreading at the time Germany was lacking enough doctors to take care of the prevention process or even to guard against casual means of transmission.

Most doctors were preoccupied with war related engagements; on their priority list was first and foremost to take care of injuries from battles, research, and the last was to worry about concentration camps per se, unless in absolute emergencies like `fear that certain virus might not be contained and would be causing widespread damage'.

In very few pages of this book did the author speak of Concentration Camps - dispersed on ten pages? Even there he did it casually in the context that ""workers were rushed to construct a mysterious political concentration camp at a pastoral village called Dachau...."" """Every train entering Denmark was crowded with German Jewish refugees..""" indicative that the `Transfer' from Germany to Palestine (in transit through neutral Europe - France had fallen by then) gives credence to this book.

Perhaps written books on the `Pogrom' will soon be revisited and be traced back with more up to date material on these most fateful human tragedies of WWII.

This was an area of World History that I had no clue about prior to reading this book. This is indeed a tragic story of the plight of Jews in Europe during Hitler's regime. This book was so suspenseful I simply could not put it down. Black does an excellent job of engaging the reader and does not reveal the details of unfolding events until the last moment. Simply WOW!

As person who is not Jewish I think it is important for everybody to learn the lessons of the Third Reich and the Holocaust. However, equally important is that there were greedy and ideology zealots that contributed to the growth of the Third Reich via the Transfer Agreement, i.e., Sam Cohen and even Hoffien and Landauer. The Transfer Agreement was just that a business arrangement to transfer German Jews to Palestine in return German exports would be bought through Zionist entities to ensure the economic growth and wealth of Palestine. Moreover, what was incredibly stunning was the ability of the 18th Zionist Congress to go against the international boycott movement by suppressing the Revisionists- strong arming them into abandoning their ideology.

This makes me wonder what would have happened if the boycott prevailed and the Third Reich "cracked"? Would there still be a Germany today? Would we even have had the Holocaust? I know it may sound harsh and I am sure I will be labeled an anti-Semite because of this, but the reality is according to Black, the Zionists contributed significantly to the rise of the economic and military might of the Third Reich.

This book is simply a phenomenon in and of itself. It completely forces one to reshape how they view events during that time period. I highly recommend this to anyone who wants to learn about a different dimension of relationships between the Third Reich, German Jews, and Zionists. This will definitely throw you off and have you thinking for days. Definitely one of my top 10 books of all time.

I cannot praise the author, his research, his explanations and his writing enough for this singular tome. Like other reviewers have said, the reader goes into this book, whether Jewish or not, with their mouth open at the incredibility of this occurence. It's easy enough in hindsight to make judgement calls about what the the leaders of the Jewish community world-wide should have done about Hitler's rise to power. However, given the economic situation of the time and the Reich's strategems to place all blame for Germany's economic hardships on the Jews throughout Europe, it's hard to determine that even had the massive boycotts been organized and on schedule, would they have work? And even more important, if Hitler was ousted due to the economic stranglehold on Germany,who or what would have taken his place? And would that have been any less devastating for the Jews in Europe.

There are few obvious heros and anti-heros in this book, except for the Nazis as being the ultimate in villains. One man paid dearly for his attempts to save European Jewry...with his life. It was not conclusive as to whome the assassins were and who put out the price on his head. It's all too easy to blame the reactionary groups, but there are obvious questions about whether his death was one of convenience so that blame could be placed by the leading group of Mapai at the door of the reactionary Jewish groups.

Sam Cohen was a businessman through and through. His reasoning to press The Transfer agreement was purely motivated by money, and not the need to either save European Jewry or to establish Israel as a separate state. It is this 'selling' of the agreement by so many that is so mind-boggling. So many were willing to take the wealth of German Jewry (and later the funds that were supposed to be used to save the lives of Jews who had no homes or businesses to return to) and use it to set up a home in Palestine...it's beyond my ability to pass judgement on these men as to their motivation, yet I am not certain I could possibly decide to shake the hands of these men. The fact that there was a need to set up a Jewish state, and that there was all this money to fund its establishment is beside the fact. At no other time, was any other method even considered to rescue the millions of Jews trapped, even the children...this is so reprehensible as to curdle anyone's blood.

And though this happened, our countries, including the U.S. and Britain were equally at fault for closing immigration quotas, even though they knew what was going on in Germany. It was easier to merely close their eyes and ignore The Holocaust, until it became obvious that no one was safe from Hilter and his cronies.

This story is just so incredible that I wish there was some way to make it into a movie that does the story justice. I don't suppose that is a possibility. But it is a tremendous story that needs to be included in European history, as it's impact was great. Edwin Black did a fantastic job. (...)

This veteran reader has come across many books in his time - books that deal with important subjects; books about important people; books that have increased his knowledge and understanding of the world, a few that have been plain dreadful and a penance to plough through, but every so often books that are unadulterated entertainment and an absolute pleasure.

The Unlikely Voyage of Jack de Crow sits firmly in the final category. I did not want to put it down, and I was sorry when I turned the last page and realised there would be no more. End of story.

But what a story. A.J. (Sandy) Mackinnon, born in Australia, but with strong links to Britain, is teaching at a school in Shropshire, close to the Welsh border, when he decides that it is time to move on "not by the Inter-City 10.15 to Birmingham with a suitcase in each hand, not by a lift to the airport checking the whereabouts of my passport every three minutes....but like dear Doctor Doolittle, by sailing away in a jolly little galleon and seeing what I bumped into on the way."

The "jolly little galleon" was in fact a Mirror dinghy called Jack de Crow after a pet jackdaw, long since departed, which had in turn taken its name from the school's headmaster. Initially planning to take Jack down various canals and minor rivers to Gloucester near the mouth of the River Severn, Mackinnon just decides to keep going, cutting back across Britain to the Thames, then across the English Channel to France, Germany and through the heart of Europe and eventually to the Black Sea - 4900 kilometres in a tiny vessel more suited to a sunny afternoon on Lake Burley Griffin.

And what an adventure it was. Hardly ever out of sight of land he nevertheless encounters a succession of obstacles including obstructive lock keepers, stifling bureaucracy, drunken revellers, a burgeoning Balkan war and Danube River pirates. Forced to strip off and swim out to a wayward Jack swept downstream by floodwater on the River Vyrnwy in Shropshire he inevitably encounters a party of female canoeists as he is rowing back to his camp site with nothing but a trusty pith helmet (an essential part of his equipment until it is stolen somewhere in Germany) to cover his modesty.

Mackinnon is without doubt an eccentric and while the British are known for their love of them, the Europeans also embrace him. He is fortified by a throng of friends and acquaintances along the way, but several times damage which could easily have ended his voyage is repaired, usually without cost, by kindly strangers bemused and intrigued by this intrepid adventurer. Many times, wet, miserable, and in Serbia penniless and starving, he admits he is on the point of quitting, yet the new day somehow recharges his enthusiasm often simply by finding a warm, dry Laundromat where he can wash his clothes and write letters.

"An astonishing question kept insisting: why wasn't everyone doing exactly as I was? For there was no doubt about it: this was the most perfect occupation known to humankind."

The story is aided by its author being not just an adventurer, but an artist, philosopher and keen observer of the world around him. Details of birds in flight, the plants and animals of the riverbank work their way into his narrative, often with appropriate extracts from the great nature poets, Masefield, Keats, Wordsworth and so on. Anyone with an education that predates the computer age will delight in the classical references and there are moments in the journey painted so vividly one is almost inside the writer's head, sharing his experience completely.

One of my favourite passages among many comes as he is struggling to take Jack through London on the Thames at night and (illegally) without lights. Desperately dodging party boats and giant barges which had no hope of seeing him in the darkness he still has time to observe the Houses of Parliament, towering above him.

"As I passed, one youngish-looking man came to the window and stood staring out beyond the glass into the darkness over the Thames. He rested his forehead for a moment against the cool glass. He looked tired and a little glum, I thought, as though he longed to be away from that lit room, its secretes and its linenfold panelling. Perhaps he longed to be in a small sailing dinghy off to foreign parts on an outgoing tide under the stars."

Finally, I will commend this book for its illustrations, drawn by the author, which add greatly to the gentle humour of the narrative. Sandy Mackinnon is now on the staff of Geelong Grammar at its Timbertop campus in Australia. His students are fortunate to have such a teacher.

I think a lot of us who sail in small boats have occasionally thought about getting in our boats and seeing just how far we could manage to sail. Sandy MacKinnon set out in a Mirror dinghy, thinking he just might be able to reach the channel.. and ended up in Eastern Europe!

Beside being a great adventurer, MacKinnon is a first-rate storyteller. He paints a vivid image of his adventures large and small, whether he's crossing the English Channel in his tiny open craft, or simply trying to navigate the shallow rivers that mad up a good part of his early journey. He has a knack for putting the reader into the boat with him, sharing his trials and triumphs alike.

If you own a small boat, have ever thought of owning a small boat, or if you're a fan of Swallows and Amazons, or even The Wind in the Willows, you'll love Sandy MacKinnon's real life adventure. As Toad of Toad Hall says, there is nothing quite as nice as simply messing about in boats- and few authors describe it better.

Sandy Mackinnon says it himself - 'I exaggerate, for effect'. I loved the description of the journey from small streams in the north to the tidal rivers of the south and the crossing over to France. It all rings true to my own much more limited experience of rivers and canals in small rowing boats and canoes. But this man is much more capable than you might think from a superficial reading of the book - I know this because I'm on my third reading and have no intention of leaving it there.

The only other book I've loved this much is Riddle of the Sands by Erskine Childers, in some ways the complete opposite of this book where the main character convincingly describes the skill and expertise of Davies, the owner of the small yacht Dulcibella. A J Mackinnon as a single-hander must write of his own journey himself, so to preserve modesty and to entertain the reader he presents himself as a bumbling amateur with little idea of how to row, sail or maintain his eleven foot boat, but he still gets to the Black Sea by way of rivers and canals that would challenge any experienced sailor. His self-deprecation mightn't fool me but I'm left feeling even more impressed by the journey he describes so well.

I'm not a sailor nor intend to be after reading this wonderful adventure book but, I love adventure stories especially true ones where someone goes off on their own and let's nature do what she will.

This book had me laughing out loud as I think our boy here bit off more then he could chew at the start . seemed like a good idea at the time I suppose : ) altho he did manage to become learned about the nautical jargon thru trial and error . buy it, borrow it ...have a laugh .

A. J. Mackinnon writes like an eccentric Englishman, just perfect for this type of travel. Just imagine going out one afternoon with almost no preparation and embarking on an epic journey, really this is the stuff most of us would like to do, but can't for all the obvious reasons and now here A. J. Mackinnon has gone and done it and written it all up for us. Heck, maybe it might motivate you enough to have a go at it one day. Certainly A. J. Mackinnon can write in a way that is easy to relate to, though you can't help but be in awe of his intellect when it comes to a command of the english language, not to mention history, culture and all things worldly wise that we all should know....

The book arrived well on time and in excellent condition. The price was the best I'd seen from any of the online retailers I viewed.

It is an amazing and helpful book. It really is a guide to using contemporary Russian. The best book I purchased in 2007. I use it often. It is one of the five important books for learning Russian. What do I list as the five book? Wade's A Comprehensive Russian Grammar, Wade's Using Russian Synonyms, Beyer's Pronounce it Perfectly in Russian, a dictionary and this book.

If you want to master Russian as a secound language, this book is a major help.

There's not a whole lot I can say about this book that hasn't already been said. I noticed, however, that most of the reviews were written before the second edition of this book was published. Rest assured that Mr. Offord has made a great book on Russian even greater.

Perhaps the most useful part of the new edition is the section on computer and Internet terminology in Russian, a lexicon that is conspicuously absent from most of my other Russian books. Thanks to the revision, this volume is now every bit the contemporary usage guide its subtitle indicates. And if you want an idea of just how authoritative the book is, the Schaum's Outline of Russian Grammar (which has earned five stars practically across the board) lists "Using Russian" as its source for the entire chapter on Russian prepositions. And the prepositions section of "Using Russian" is only a tiny fraction of its rich repository.

The only drawback to this book is that it is a bit expensive, especially for a paperback, but it will reward you with a constant return on your investment. No serious Russian student's reference library should be without it.

I've always had my command of the Russian language complimented by native speakers. Not only do they praise the refineness of my speech, but also the varying degree of registers and different applications of style of my spoken Russian. My written Russian has gotten no less compliments; it has always been compared to that of an educated Russian - well-refined, very correct and very upscale, with a nice touch of colloquialism to spice up the writing. When chatting with Russians of my age (21), I will often resort to colloquial speech. As a result, what people compliment the most about my Russian is not only my command of the language (which does get its fair share of compliments), but also its 'flexibility.'

However, this is not a review on my fluency in Russian, but what has become of my Russian after reading and studying this book.

Not only does it take your command from advanced to proficient, it also covers different aspects, styles and registers of the Russian language; something which is often ignored in other conventional Russian textbooks. I have books of the same series focusing on different languages (i.e. Using German), and none of them was as in-depth as the Using Russian textbook. It even covers aspects of the Russkiy Mat - or Russian swear words, that other, more "politically correct" textbooks are often inclined to ignore. Russian swear words are an essential part of Russian colloquial speech, whether we like to admit it or not. This book, unlike other Russian textbooks, acknowledges this issue and dedicates a small, but detailed, section about the Russian swear words. That's only a small part of it.

While it does explain the grammar at some points, this book is primarily focused, as the book title suggests, on the APPLICATION of the language, and different circumstances that require different registers. It also gives the varying dialects and different words used across different styles (from colloquial to elevated) in order for the learner to add more flexibility to his command of the language.

In sum, I cannot say anything but agree with what every other review has said about this book. It is simply awesome and truly helpful to those learning Russian.

However, I would disagree with those who say that Using Russian substitues Wade's "A Comprehensive Russian Grammar" because both books are important and both books are invaluable to the Russian language learner. The only difference is that both books have two DIFFERENT FOCUSES, where one is more concerned with the grammar and fundamentals of the language, and the other is more concerned with the actual application of the language. Both books, in essence, compliment each other.

Mr. Offord has done an amazing thing by developing this book. I'm not exaggerating when I say it has clarified the language and helped me speak it more than did living for months in Russia -- or maybe the combination of the two was the trick. I can't wait to see what he's added for the 2nd edition.

The book -- and the others in the series (German, French, etc) -- will appeal especially to those who enjoy learning language using a formal approach, organizing topics into e.g. registers, augmentative suffixes, homographs, modal particles, etc. Don't be afraid! It all adds wonderful clarity. His English equivalents of words and phrases with subtle meanings are very well done.

After having studied it, I still enjoy picking it up and looking through a random section. Don't hesitate to get it if you enjoy Russian and are past the basics.

It has been more than 60 years since the Holocaust occurred, yet there can never be enough written about this tragedy, especially so since many of the survivors are diminishing in numbers. In Witness: Voices from the Holocaust, we are able to learn about this human tragedy of epic proportions that was the Shoah based on actual testimonies of survivors.

The book is very well-organised and is divided into chapters, i.e. Life in Europe in the 1930s, The Outbreak of War, The Ghettoes, Escape, Hiding, and Resistance, Deportation and Arrival, The Camps, Death Marches, Liberation and Aftermath. Apart from the compelling eyewitness testimonies [not just by survivors, but also in some cases Gentiles], there are also pictures that depict the lives of European Jewry before, during and after the war.

A compelling addition to Holocaust literature and though the stories themselves aren't lengthy, the horrors that they evoke is enough for us to reflect upon.

This great, compelling story of historical drama and is told from many points of view from that time in history, the 1940's. The book is set all over in Germany and is told by many different characters. I really liked how the authors described in detail what they felt when,they were being taken to a concentration camp or taken away from their loved ones. This book is a collection of many autobiographies of the survivors in the Holocaust. I loved how this author put together these autobiographies in chronological order, so it was easy to follow. Witness does a great job of telling about the memories that the survivor's in the Holocaust have had for many years. It also helps you understand what is was like for the Jewish citizens and the huge impact the Germans had on people around the world. This book is for every person that wants to know what it was like in the life of a Jewish man, woman, or child during that horrible time in history.

This great, compelling story of historical drama and is told from many points of view from that horrible time, the 1940's. The book is set all over in Germany and is told by many different characters. I really liked how the authors described in detail what they felt when,they were being taken to a concentration camp or taken away from their loved ones. This book is a collection of many autobiographies of the survivors in the Holocaust. I loved how this author put together these autobiographies in chronological order, so it was easy to follow. Witness does a great job of telling about the memories that the survivor's in the Holocaust have had for many years. It also helps you understand what is was like for the Jewish citizens and the huge impact the Germans had on people around the world. This book is for every person that wants to know what it was like in the life of a Jewish man, woman, or child during that horrible time in history.

I read this book several years ago and it had a profound affect on me. It is divided into three sections: life before, life during, and life after the holocaust for Jewish survivors. All the accounts are first-person narratives by the survivors themselves. I believe they were all interviewed on tape for a documentary. And then they put it into print to create this book. Something that surprised me was how prevalent anti-semitism was in the years before the Holocaust. Sometimes we think Hitler suddenly arose out of nowhere with his anti-semitism. But he was actually just "riding a wave" of hatred of the Jews. The Polish people were in particular very hateful of the Jews. It really surprised me how much they had to endure before WWII even began! This book was a compelling read - true accounts directly from those who survived the greatest horror of the 20th Century.

As opposed to earlier commentators I do not come from a background rich in readings on the subject of the Holocaust and therefore Witness came as a unexpected mine of memories of people that had experienced the unimaginable.
My knowledge of the events of the Holocaust were almost exclusively from video documentaries and those documentaries had left many unanswered questions: questions about the Transportation, about the Marches after the camps closed late in the war, about the closing of the ghettos, about the long-term hiding, about the massive anti-semitism that greeted the survivors after the war upon returning "home" and finally the Jewish guerrilla bands that sprang up throughout eastern Europe.
The remarkable thing about this great exercise is the broadness of the interviews that compose the book: the authors assembled a very wide ranging collection of these interviews that spoke about all the topics that I had only heard snatches about in the video documentaries. It was all the more remarkable because these were all primary sources-they were not what somebody had interpreted but the memories of the people that lived the experience and because of this the book had an enormous impact on this reader.
I am a slow reader and the book absorbed me totally and I finished it in a matter of days.
If you read no other book about the Holocaust-read this one.

Quite simply as my review title indicates, every Division or unit that served in the Normandy campaign, deserves an author of Mark's calibre. I am a working tour guide of the D-Day battlefields, and I wish that every unit was covered in the same incredible detail as Mark Bando covers the 101st Airborne in his books. If you want to really get "under the skin" of a WWII combat division and hear true and verified stories of young men in combat, then this book is a must have. The only danger is that after reading this author's books, works by other authors on other units will seem dull and lifeless in comparison.

If you have gained an interest in the 101st because of computer games or a TV series, then BUY THIS BOOK. There is nothing to compare for personal stories of the men who jumped into the area behind Utah beach on D-Day. Unlike other books, these are not re-hashed anecdotes relayed third-hand from other works, these are fresh, exciting, gripping and moving accounts from the author's 35 year hobby of interviewing and more importantly befriending the veteran Screaming Eagles.

Mark Bando, the author of this exposition of the bigger-than-life adventures of the fabled 101st Airborne "Screaming Eagles" at Normandy, is an old acquaintance and comrade from the Detroit Police Department. We spent time together years ago as writers for our police patrolmen's union newspaper, the Tuebor. We have happily renewed our acquaintance of late, and while I remember Mark as an astute and accomplished writer, my less-than-passionate interest in military affairs had, until recently, kept me from reading this fine book. Now that I have finally done so, I deeply regret that I waited so long.

"101st Airborne: The Screaming Eagles At Normandy" is a marvelous work on several fronts:

It is beautifully bound and presented; the layout and format are perfect for the subject matter; the photographs (many of them rare and quite beautiful) are heartwarming or bone chilling, as the case may be; the narrative is painstakingly researched from personal interviews of old soldiers and authentic military records; and, most importantly, the writing is masterful...accurate and careful as from a shrewd reporter's practiced and skeptical eye...loving and lyrical as from the pen of a writer of first rate fiction. I suspect Mark's experiences in "combat" on the dangerous streets of Detroit over the years have engendered in him a unique capacity to understand the special sensibilities of the combat veterans depicted in his book. Quite simply, "101st Airborne" is an astonishing accomplishment, worth reading more than once, and worth buying as gifts for the whole family, whether students of military history or not.

Mark has been very kind in his assessment of my own work elsewhere on this website. I am only sorry that I took so long to offer my heartiest endorsement of this first rate book. Get it. Read it. You'll be very happy you did.

Using the mixture of photography, facts and quotes, 101st Airborne: The Screaming Eagles At Normandy, can serve as a great historical document. Within the pages of this great book, eye-catching photographs bring to light those events from World War II and the Normandy Invasion. The actions and reactions of the soldiers that fought in that war are caught forever through the historical eye of a camera, through famous and infamous quotes and accounts of the heroes from World War II.

The pages show the heightened moral and anticipation of the men prior to the invasion. Then the reader is brought into the middle of the battle with stories and quotes not just eye-opening photographs. This technique brings you side by side with the people of the villages and into the ranks of the soldiers marching off to fight another battle. I believe one of the best chapters is the true story of the movie ýSaving Private Ryaný. This chapter, Saving Sergeant Niland, shows the true-life drama of a man that Hollywood has made famous.

The book brings to light some of the things that are never seen in movies and footage of events of the war. I am sure that this book, as well as its predecessor The 101st Airborne at Normandy, will bring back memories of the way it was behind the lines during that part of the war to those who served. Even though there is a predecessor to this book both stand independent of each other.

When my uncle past away last year, my aunt showed me the 101st Airborne in Normandy, a book by Mark Bando. In the section on combat experiences, the first soldier profiled was my uncle Manny Gesulga. Manny was part of the 101st paratroop drop behind enemy lines at Normandy and his combat exploits read like something out of a GI Joe comic book. After living his harrowing experiences in Normandy, he went to fight in Operation Market Garden (wounded by sharpnel) and the Battle of the Bulge (wounded by sniper fire) and came out to live a full, productive life. He never mentioned his role in WWII but I am glad Mr. Bando gave credence to him and other heroes of the 101st. This book is a must read for all history buffs and really brings home the sense of duty and committment to freedom that is the legacy of the young men of America.

Outragous book, my father was in this book and I had to call him to recount the details to me first hand. Because of this book, I now know more of the war my father fought in.

I have always been fascinated with the Bayeux Tapestry and avidly devour any written material I can get my hands on that pertain to it. This book puts a new spin on the accepted presumption of who sponsored the work on the tapestry and offers speculation as to a subversive counter story hidden within the images. The tapestry is actually a 70 meter long piece of linen (comprised of 8 sections) upon which is embroidered the tale of King Edward the Confessor and Harold Godwinson (Harold II) of England and the invasion of England by William the Conqueror that ended in his victory at the Battle of Hastings in 1066. Although some of the theories posed in this book may or may not be valid, it is well written, provides an excellent birds-eye view of the political situation at the time and engrosses the reader from the very start.

My only complaint is that the images in the book are in black and white and are so small that it is sometimes difficult to make out the details. To solve that problem, I recommend that the reader refer to larger color images of the tapestry when reading the book. I read it simultaneously with my Thames and Hudson edition of The Bayeux Tapestry, With Commentary by David M. Wilson, which has full color plates of the complete tapestry that are so large that you can see the individual stitches.

I would highly recommend this book to anyone remotely interested in English history or in the Bayeux Tapestry.

I found this to be a very interesting book. I did not think all the conclusions he arrived at where justified by the data provided, there was a touch of making mountains out of mole hills (IMHO). However, most of the discussion was well thought out, well presented, and very thought provoking. It was also well written. I would recommend this one for anyone interested in the period.

Andrew Bridgeford's "1066, the Hidden History of the Bayeux Tapestry," brings a fresh interpretation to an amazing, mysterious piece of cloth. This strip of linen seventy meters (230 feet) long presents an account of events leading up to William the Conqueror's successful invasion of England. The traditional interpretation is that the Tapestry was a costly trophy commissioned by a Norman baron or bishop celebrating the Norman victory. Bridgeford disputes that view. He finds conflicting messages stitched onto the fabric, messages that tend to support the French, rather than the Norman, point of view. He even finds support for the English, and perhaps a challenge to Duke William's right to the English throne. Such messages would have been punished by death, and whoever commissioned and stitched the Tapestry would have taken great risks. Nevertheless, the ambiguous message was embroidered less than a decade after William's invasion.

What were the real intentions of the sponsor who dictated the images and message stitched into the Bayeux Tapestry? The whole tale is here: ambiguous negotiations, fatal misunderstandings, Duke William's landing, the battle of Hastings, the death of King Harold in battle and the aftermath of war in a ravaged land. The Tapestry (an embroidery, really) was originally longer, but the final scenes are missing. Did fire, damp or rats carry the ending away? Or did fear suborn courage, causing an unknown hand to cut off a dangerous truth in a deadly world? That is one of a thousand mysteries inhering to the Bayeux Tapestry.

Nor is that all. The Tapestry brings us a dwarf who may have been a founding father of French literature; and reminds its contemporary viewers of an unlovely tale, of two queen-mothers thrusting their several sons forward, sometimes fatally, in their own lust for royal power. Why? How do these apparent sub-plots relate? It has been an abiding mystery, one for which Andrew Bridgeford may have supplied - if not the missing end of the cloth - then at least several answers.

By Robert Fripp, author,
Power of a Woman. Memoirs of a turbulent life: Eleanor of Aquitaine

A true delight in print, Andrew Bridgeford's "1066: The Hidden History in the Bayeux Tapestry" reads more like a well-written mystery book than a history text. Many a past author has tried to make history "interesting" with unusual and sometimes ludicrous literary devices, but this book doesn't stoop to such silliness. Instead, the history we read here is indeed real history, but woven with a most intriguing claim, turning the book into a page-turner of scholarship from start to finish.

The main contention of the work, which I will present here without spoiling the details and supporting evidence for the reader, is that the common view that the Tapestry is a work of Norman propaganda to support William the Conqueror's claim to the English throne is incorrect. Rather, Bridgeford argues, the Tapestry is instead a truly English work which gives more credit to a Frenchman (not a Norman) for the 1066 battle victory, and was meant to serve as continual reminder that William's taking of the English throne, though successful, was not morally just. In this sense, the work can be somewhat considered "subversive," because its message of the invalidity of William's ascent was played out in full view under the noses of all the Norman entourage, and indeed, full public scrutiny. The makers of the Tapestry could only do this by creating a work that passes the "scratch and sniff" test for supporting the Norman cause, but only for those wishing to read that preconceived notion into what they see, and for creating a work that, on its superficial elements, appears to do just that. But woven into the threads of this work is a contrary view that becomes apparent if one rejects the temptation to skim over and "read into" each of the Tapestry's scenes, and it is a message quite different that it might at first appear to be.

Bridgeford's prose is consistently up to this challenging task. Each page of the text further illuminates our understanding, not only of what we already know about 1066, but of those things we "know" that really do not "fit," if we took the time to further reflect on it. After carefully considering each of the pieces of evidence presented, we come to feel there is good reason to support the author's claims. In fact, the book at times lays out its evidence and persuasion much like a lawyer might do in court, and if we find ourselves on this jury of opinion, we tend to find ourselves convinced. And although the reader here might think the author will have to resort to fantastic claims and that we'll have to check credulity at the front cover, we quickly find we can rest easy. The author's case is logical, cogent, and reasonable; the work never veers outside of accepted scholarship for evidence, and rejects many surrounding claims even if some of those might further buttress the argument. This is a solid book that is a fascinating addition to the library of works surrounding the Tapestry.

Bridgeford's text begins by laying out what must be considered an epic drama of the history of the Tapestry itself, a history which begins in the 11th century but, much like an Indiana Jones movie, finds itself the target of Nazi's, governments, and various nefarious forces throughout the centuries. Once we have followed the Tapestry's journey throughout the years, we settle into an examination of the tapestry itself, a scene by scene look at each element with the work. Thankfully, the entire Tapestry is photographically reproduced in full color with additional scene numbers and annotated text to translate the Latin so that we can refer to the Tapestry itself while the author makes his points and explanations. Historical background is provided within the narrative whenever necessary, helping us understand the possible motivations for the prime characters and serving as a historical backdrop to the story. Bridgeford makes his case scene by scene, and is not unconvincing. It is a true adventure to pry open the explanations of each of the scenes, and regardless of how convinced the reader may be of the ultimate assertions of the book, the result is likely to be a newfound interest in the Tapestry itself, and perhaps even a desire to make a trip to see the Tapestry in person.

But much of the charm of this book remains in the prose which relates Harold's and William's story, with characters whose motives and intentions come alive, settings that jump out of the past, and the ebb and flow of history once again surging past us when we thought it was already finished. And that is indeed, according to the author, the whole purpose of those enigmatic creators of the Bayeux Tapestry: to serve as a constant witness of historical fact that would hopefully guide those of future generations who were willing to listen to its message. They may well have succeeded. It's now approaching 1,000 years since the Tapestry was woven, and we are still here examining, debating, and enjoying it.

Many years ago I saw the Bayeux Tapestry while on holidays in Europe. My lasting impression of the work is the sheer size of it. It was much larger than I would have believed based on the odd picture seen in a book I'd come across before leaving home. I now wish I'd been able to read a book like this one before I'd viewed the Tapestry (or embroidery actually).

This book takes you scene by scene through this massive work of art - and a different picture slowly emerges than the one you might have read about in other books on the subject. This embroidery is the work of a conquered people - and to please their new masters it superficially shows their success in the conquest. However, the events, and how the artist chooses to highlight them brings out another story, and its not the same one that the Normans told of their "right" to conquer England. The Tapestry also brings into focus formerly obscure people that never feature in any other period work on the conquest - and the author of this book has done some research into these named individuals and dug up some very interesting information indeed.

If you have any interest in the Bayeux Tapestry or the Norman conquest of England in 1066 this is a book you should read. The author is a Lawyer by trade and not a historian but he has done dome very impressive and detailed research with this book. I didn't know much about either the Tapestry or the Norman conquest before reading this book, so even if you don't know much about this period this is still a good read as the author tracks down the mysteries in the Tapestry that many other writers gloss over.