Asia Books

The story really has good descriptions(I know because I've been to the light house in the book)and it really makes a picture in your mind of what it would of been like back then!This is one of my favorite books so I would definitely recommend it!

The story, Walk Across the Sea, by Susan Fletcher, takes place at a town near the ocean. White people thought themselves superior to others, especially the Chinese. Chinese were often looked down upon and shunned, mainly because of their religious beliefs. The lighthouse keeper's daughter, however, was different from other white people. Believing her father's talks about Chinese people in the beginning of the story, the girl, Eliza Jane, meets a Chinese boy around her age. After the Chinese boy saves her goat, Eliza becomes interested in the boy's behavior. Soon, she learns that everyone may not be as they seemed.
This story was rather interesting in a way. The time of the story show how the characters act and think. The story also shows how different some characters are, such as Eliza's father and mother. ("Something moved inside me, like a sudden shift in the wind.") Eliza was also, in a way, different from other white people. She befriended and showed kindness toward the Chinese boy. ("`You'll do him no harm? I have your word on it?'") I was also amazed by the twist of the story when the story reveals that the father truly worries about the Chinese boy.
Of all of the stories I have read, I have never found one that was perfect. This story is no different. When the Chinese people were driven out of the village by angry white people, I could feel the same shock and anger Eliza felt. The story, however, has a few more bad parts. One boy, Amos, accidentally broke Eliza Jane's nose while trying to find the Chinese boy. Afraid that he might get in trouble, the boy lied to his father about breaking Eliza's nose. To make matters worse, Amos blames the fault on the Chinese boy! ("I had a mind to shout at him, to tell him to put her down...") On the other hand, I did not like how Eliza acted toward the Chinese boy when they first met. When the boy yelled a warning, Eliza thought he was trying to scare her off so he could steal her goat. Therefore, when the boy was holding the goat, Eliza thought that he was taking the goat from her, when what really happened was that the boy saved the goat from a wave. Even so, that was not the worst part of the story. ("`Get you from me,' he said. `I can't be near you now. Get out of my sight!'") As a father, Eliza's father was expected by me to listen and talk to Eliza about her Chinese friend, and maybe even understand why she was protecting him. As a result, I was shocked and disappointed in her father when he told her that he did not even want to talk to her! Thankfully, there was nothing worse than this part of the story.
("Terrible things can happen in this world-things you can't explain away. It's not safe here, Andrew John. I can't promise you'll be safe. But there are miracles, too-like you. And love. And glories well beyond our knowing.") The ending, where Eliza talks to her baby brother about life and the Chinese boy was my favorite part. It ties everything together and concludes the story about friendship.

Ever since she was three years old, Eliza Jane McCully has lived in the lighthouse at Crescent City, California, where her father is the keeper. Now thirteen, Eliza has many responsibilities, helping her father to keep the light burning, and eagerly awaiting the birth of her new baby sibling. One day while chasing her stubborn goat across the pathway to the island, she is caught by a wave. A Chinese boy saves her goat and warns her about the wave just in time. Eliza is confused, because her father has taught her that the Chinese are evil heathens. An unexpected tragedy causes Eliza to doubt her own beliefs as well as questioning her father's. When the townspeople run the Chinese out of Crescent City, Eliza watches in horror, unable to do anything. But when the boy who rescued her comes to her for help, Eliza must make the ultimate decision. Is she is brave enough to openly defy her father? I highly reccomend this novel to readers who enjoy historical fiction.

genre: historical fiction
setting: 1886, Crescent City CA and its lighthouse
1st person account of Eliza, 15 yrs, protagonist

Eliza struggles to come to terms with the contrast/mystery between a merciful God and the loss of a prematurely born sibling together with rampant community prejudice toward Chinese immigrants.

Fletcher's description of lighthouse technology and administration and tidal cycles is captivating for someone who has been landlocked most of his life.

What makes the story is the unmasking of fear and loathing toward Chinese immigrant laborers who came to America to bridge our country from Atlantic to Pacific with the building of the railroad and to incur exploitation for the sake of sustaining loved ones back home.

This is the account of the expulsion of Chinese residents from Crescent City, CA due to fears of job loss by white, Christian families. It is part of my own legacy--Chinese residents were massacred and railroaded out of Rock Springs, WY, my own native state, around the same time.

Fletcher makes good use of artifacts and dialogue of the period to firmly ground the story. The one shortcoming--Chinese characters are underdeveloped. It's an engrossing story.

* title of book chapter

18th century California was a time of prejudice. Walk Across the Sea, centers around independent Eliza Jane, a young teenage girl who lives with her parents in a northern California lighthouse. When a mysterious Chinese immigrant boy saves her goat from the California waters, she tries to find him to pay him back. She soon learns that prejudice surrounds the Chinese by the people of her town. Along the way helping her is her brave and helpful friend Sadie, her open minded and kind neighbor, Dr Wilton and her pet goat Parthenia. This story has a mix of friendship, prejudice, religion, compassion, and morality. This out of the ordinary story shows prejudice back then and gives lessons on how we can be rid of prejudice today. I would definitely recommend this book to anyone who is interested about life in general. Walk Across the Sea makes you think about things that you normally wouldn't think about in life. You learn you always have to been open minded and very conscious of other people and their beliefs. If you want to read a different story, Walk Across the Sea is for you! I also recommend ALL books in the Dear America, My Name Is America, and Royal Diaries Series.

Don't be shocked of the thickness of the book. I still have my (paperback) copy from '95,and flipped when I saw the price on Amazon.Com. Exellent book,and very deep and thorough information on (Sengoku Jidai era) 16th century Japanese history. This book is for the serious history student,and I mean money no object. Book talks about the military government of Kamakura, Muromachi, and Edo Bakufu's.

This book is best suited for readers looking into specific topics of the vast Japanese Medieval history. For those, who is looking for another affordable alternative to the excellent "Cambridge History of Japan" series, I would recommend this book. It devotes a section to the Mongol Invasion and the Decline and Fall of the Kamakura Bakufu. This was culled from the Cambridge History of Japan and is very informative. The book is thorough and it should be among your collection of Sengoku Jidai books.

This book is a must buy for those who are interested in medieval Japan, but can not afford the Cambridge History of Japan. This book consists of a articles written by such luminaries as Jeffrey Mass and John Whitney Hall. Taken together, their articles trace the political history of Japan from the Genpei War to the formation of the Bakuhan system under the Tokugawa. Essentially, it traces the political eveolution of medieval Japan.

This is a great alternative for those who wants to get the extensive "The Cambridge History of Japan Vol.3" Most of the contents were culled from the later. I find this book very helpful, and concise. It offers alot of good information of the Kamakura Bakufu and the invasion of the Mongols. Plus it's priced moderately. A must for students of the Sengoku Jidai.

Warrior rule in Japan is a compilation of essays by well-known authors on history of Japan: Jeffrey P. Mass, Ishii Susumi, John Whitney Hall and Harold Bolitho. This is a serious academic book on history of institutional development of Bakufu (the warrior government, or, as it is widely known, the Shogunate) in Japan from the times of Minamoto Yoritomo through Tokugawa Bakufu). In contrast to books by, for example Steven Turnbull, who wrote extensively on military strategies, tactics, campaigns and concentrated among other things on personalities of samurai leaders, this author goes into the in-depth analysis of the development of Bakufu as an institution and describes governance of Japanese society, gives some insight into economic and judicial powers of its branches.

"Warrior rule" is a serious reading for a serious scholar. Due to abundance of Japanese terms, it is not easy to read. However, without getting an exposure to the subject of this book, it is not possible to understand, what really stood behind many military campaigns and moves famous people of those turbulent times and feel the atmosphere of samurai age. The life of famous daimyo was not 100 per cent war, but also administration, politics, influence, economics, rituals, law and justice.

In addition, Harold Bolitho provides a general outline of the concept of Han, or local government, or the government of a daimyo, his area of administration and source of power and structure of loyalties. One learns here concepts of local samurai, fudai (or hereditary retainers, although this concept is quite described by other authors as well), shugo, jito and other concepts necessary to learn history of this legendary age.

Something of a misnomer, as he was merely Arthur Wellesley in India.
But this is a minor criticism because this is the first book of a trilogy radically titled WELLINGTON IN INDIA, WELLINGTON IN THE PENINSULA, and WELLINGTON AT WATERLOO.
I must confess I read the last first. But this is because I do wargame that particular battle regularly.
The author is a real fan of ARTHUR, reading the trilogy you get to the conclusion he never put a foot wrong!, and that is I am afraid not true at all... even his flirtations with married women are branded with the comment "consenting husbands" attached to prove it was all right!.
Been serious, Arthur Wellesley made his teeth on military AND political affairs in India, his learnings on matters so important as transports and logistics are duly emphasized (to the limit... with the gratuitous comment that if HE would have been in command of the 1812 Russian campaign the French wouldn't have starved!...which is OUT OF FOCUS... he would never have tried such a stupid campaign at all!).
Mr. Weller overpraise him thoroughly, and in fact this is against the character itself, I must agree with him in the fundamental things thought:
Arthur Wellesley understood proper logistics and campaigning in an hostile land.
He was a master of diplomacy and cooperation with proud quasi enemies.
All the experience he acquired in INDIA and bettered in the Peninsula served him well at Waterloo (where he was nearly licked... only the Prussians arrival saved the day!)
It is to his ever lasting merit the final military defeat of Napoleon thanks to a pincer movement in which his Allied army was the anvil and the Prussian army the hammer. Without the Prussians promised help he wouldn't have fought at all at Waterloo. And it was a near run thing.
He was undoubtedly A VERY GOOD AND COMPLETE MODERN GENERAL by far advanced to his times...
But there is no need to debase Napoleon to eulogize Wellington, after all the former did produce a Civil Code of Law that was valid for nearly two hundred years.

But I digress, this book is very well crafted in an exhaustive American way, and can be recommended to anyone interested in where and how the future Duke of Wellington learned his trade.
A must read.

ADB

PS: Of course if you have read the three books of Sharpe in India, then you know a bit what to expect...

Jac Weller continues his admiration of Sir Arthur Wesley (later Wellsley and Duke of Wellington). Here we take a step back in time to Wesley's earlier career in India. For many this will have little known territory. Those who have read the Sharpe novels may have some idea of the period in question, and they will certainly get the historical background for those novels here.

Wesley certainly learned his trade in India. Much of what he learned here in terms of supply, organization and diplomacy would stand him in well in the campaigns of Spain and Portugal, and of course Waterloo. In terms of tactics readers might see some differences. In the sub-continent our hero aspired to an aggressive stance. The trick to defeating large cavalry type armies whether Mysore or Mahratta was aggression. Wesley always believed that these unweildy masses should be attacked whenever possible with the smaller, disciplined and more maneaverable Anglo-Indian forces. This is a different form of generalship than what we would see in the Peninsular and Waterloo. Again, Wesley was a supurb tactician, and adaptable. He was always learning and researching better methods of supply, intelligence, etc. This combined with his brilliance and coolness under fire certainly made him one of the best generals of the Napoleanic period.

One tactic which the reader will see employed later was his distribution of artillery among his infantry units. The guns were never massed as the Mahrattas preferred, or indeed the French. One marvels how at Assaye the 78th Highlanders were able to frontally attack all those guns. The key was speed and elan, combined with excellent and flexible generalship. India would see Wesley's ability to be everywhere on the battlefield. Because of Orrick's mistake at Assaye he would never truly trust others to carry out his orders. It was here where he developed that personal mega-detail style of generalship that won all his later battles. He was also fortunate never to receive any wounds, even though at Assaye he had two horses shot out from under him! Also, his steady horsemanship and ability to conduct extensive recces on his own or with a small staff was something many generals of the period never took too seriously.

Jac Weller describes how the Wellsely's, Arthur and his two brothers, vastly improved the British position in India. In fact they did too good a job as the conservative East India Company grew tired of their rapid advances with additional expenses. The Wesley's introduced a notion of good government over the growing empire in India, an idea that had profound influence in that nation's future development under British rule. Jac Weller may come across to some as a colonialist, but many of his arguments make sense within the concept of the time. India's peasants were no doubt better off under the British than their own petty and often murderous rulers. Mysore and the Mahratta kingdoms were certainly not about improving the lot of their own people, and there was no notion of a greater India at that time. The work of the Wellsleys would play no small part in developing a greater nationalist outlook in India.

Be warned, Jac Weller is very pro-British. The Iron Duke is his hero, and there is little that he can do wrong. Judgeing from what was accomplished here one tends to agree with that. Still, this is a fine work with many fascinating details, and wonderful tactical descriptions of battle. No one describes Napoleanic warfare better than Weller. Though an older book, no one has come out with anything better since so I strongly recommend this work, especially if you have read his other two works on Wellington in the Peninsular and of course at Waterloo. All that he later accomplished there was first worked out in India. There are also good maps and an appendix on the army's and weapons. A classic work.

Jac Weller's "Wellington in India" is a highly readable study of Arthur Wellesley's formative military experiences in India, and one of remarkably few books devoted to the topic. The book in battlefield level detail sketches the future Duke's 1797-1805 campaigning against a variety of native opponents. The battlefield narratives are closely informed by Weller's understanding the terrain, based on having walked all the principal battlefields. In addition, Weller lays out the complex political environment in which the young Wellesley operated. What emerges from this portrait is a young, ambitious, and professional officer who operates with increasing confidence and success in a challenging battlefield and political environment. From his experiences in India comes the future Duke's understanding of the importance of logistics, intelligence, planning, and the careful deployment of well-trained troops on the battlefield. Wellesley's long apprenticeship in India and later in the Peninsular War of 1808-1814 made him a master of battlefield tactics and operational-level planning, skills that would serve him well in the decisive battle of Waterloo in 1815 against Napoleon. This book is highly recommended to the serious student of Wellington's military career and of the Napoleonic era.

Jac Weller's Wellington in India is a truly excellent book. It is very readable and flows extremely well. It is one of the few books of its kind that I've read literally cover-to-cover - forward, preface, body, and appendixes - everything. The detail of the book is also exceptional. He tells the reader why and how Wellington achieved his successes not just when.

When Wellington's name is mentioned, people tend to think first of Waterloo, then of the Peninsulars Wars. It is easy to forget that he got his start in India, and that is the period which Jac Weller covers so well in this book. This was a completely different kind of warfare than that fought in Europe, and Wellington (or Wellesley, as he was then) had to contend not only with far superior forces, but also with the climate, which caused Europeans to die like flies. Two things above all should be remembered: first, that when Wellington was asked what his greatest victory was, he said not Waterloo, but Assaye; and second, Weller's three books about Wellington's campaigns were named by Bernard Cornwell as the best source material for his Sharpe series.

I was completely amazed at this book. Robert Wolff beautifully illustrates the reality that has only been presented as fiction in books like "Mutant Message Down Under" by Marlo Morgan, and idealized for the future in Daniel Quinn's "Ishmael" series. It gives one hope to know that not all humans live out of harmony with their surroundings, and indeed, each other. I was impressed by his candid portrayals of the various adventures he has had, and the honesty with which he presents his misconceptions, mistakes, and cultural blunders. It makes me hope that one day, books from great minds such as his will be included in high-school required reading curriculums, so that maybe a new great thinker will learn from the past, and give us hope for the future.

If you are interested in learning more about primitive societies prior to civilization, thinking outside the box of western or eastern culture, observing civilization from a unique perspective, this book is for you. As an empathetic anthropologist, Robert Wolff was open-minded enough to really observe and listen to the people he was employed to "help" rather than impose his societies' values on them. He tells their story, and in so doing creates a window to a life style and a society that, otherwise, would have vanished without notice. I once posessed 15 copies of this book, all of which have likewise vanished to friends' libraries.

If you are interested in learning more about primitive societies prior to civilization, thinking outside the box of western or eastern culture, observing civilization from a unique perspective, this book is for you. As an empathetic anthropologist, Robert Wolff was open-minded enough to really observe and listen to the people he was employed to "help" rather than impose his societies' values on them. He tells their story, and in so doing creates a window to a life style and a society that, otherwise, would have vanished without notice. I once posessed 15 copies of this book, all of which have since vanished to friends' libraries.

If this book was a drug the FDA would make it Class 3. It is that powerful and will have that strong an effect on your life.

While it is described as account of a Malaysia tribe, it is, more importantly, a window into another way of thinking about WHAT IT IS TO BE HUMAN. That is also the name the book was originally given by it's author. Robert Wolff opens our eyes to see and think about possibilities for being human that our western world's schools and media do not teach, do not suggest.

Every person I know who has read this books says it changes the way they walk through the world, the way they see, the way they know.

It discusses ideas that impinge upon parapsychology, shamanism, Carlos Castaneda's works, intuition, healing...

The book is a precious gift that will make you feel joy and sadness-- joy from knowing the possibilities of being human, and the beauty of the Sng'oi, sadness, because the Sng'oi were reported to be "absorbed" by the Malaysian culture several years ago. They are gone.

Read the book and see if you can find a way to begin seeing as they did, and find a part of them in your heart.

The book has been re-issued under the title Original Wisdom, so it is readily available without a wait.

This book is an autobiographical account of psychologist Robert Wolff's time among indigenous/aboriginal people, mostly in Malaysia. It's rich, exciting, fascinating, insightful, thoughtful, and an incredible exposure for those of us in the "modern" world to what life was like for our ancestors of the past 100,000 years and what life is today for those still-extant tribal people. This book, and Peter Farb's "Man's Rise to Civilization" are *the* two classics in this field.

Impressive impressionistic poetic memoir, powwerful and free, obviously not for everyone especially english instructors.

a very personal look in a rather unusal life of the author.

Borne from nights of insomnia and kaleidascopic memories, The Winged Seed is a beautiful search for answers for the tumultous inner questions of the mind. Part poem, part waking dream, part remembrance, this haunting book will draw you in to the author's nights, where he is surrounded by the seeds of moments the past has left behind.

love it as you would a sleepless nite of rain and poetry one and the same.

leaving a small imprint, claire

the winged seed is probably the most poetic book i have ever read. li-young lee's quiet, condensed writing style is almost sedating. he is one of the most interesting people i've met and one of the best poets i've ever read. he is what many poets strive to be.

Once again a succinct masterpiece from Dr. Kak about the way India should be viewed; not as a geo-political entity for some foreign government's convenience or as Wall Street's ephimeral love affair with IT's present promise, but as a country with a remarkable heritage which is humanity's beacon.

Dr. Kak presents astounding details on what the great historian Will Durant echoed many years back "... India was the motherland of our race, and Sanskrit the mother of Europe's languages: she was the mother of our philosophy; mother, through the Arabs, of much of our mathematics; mother, through the Buddha, of the ideals embodied in Christianity; mother, through the village community, of self-government and democracy. Mother India is in many ways the mother of us all "

A very good overview to a topic as immensely vast and intricate as Indic traditions. It needs some more work on references (probably in a later version), but Dr Kak is very reachable & quick in responding to queries.
Overall, a great book.

Excellent book. Very convincing and well written. Dr Kak again had proven that he is a master of scientific and archeologic researcher.Highly recommended.

The British era has misrepresented India to the extent that many indians too do not understand their own history or philosophy. This book by Kak is an excellent starting point to understand the "True India".

this book is a must read for anyone who is interested in India. Kak, one of the foremost experts on all things India, presents are wonderfully packaged book which sheds light on India's current place in the world.

Didn't Mr Endo pass away in 1996?

Being a large fan of Shusaku Endo, when I saw this book with an interesting title, I decided to read it. I was very happily surprised. Not only is this excellently written story a very moving tale, but it is often very funny. Endo has used his talent to tell the story of an often foolish man named Gaston Bonaparte, a man with a passion for Japan. He travels to Japan and stays with a small Japanese family. While his old pen pal, the only son of the family, is very supportive of him, the only daughter does not like him at all. Things get even worse when he is abducted by an angry gangster, and eventually forced to make the greatest sacrifice of all. If you like dramatic, moving, and funny stories, make sure you read this one.

I first read Wonderful Fool in a high school English class, it was out of print so my teacher photocopied 60 copies of the entire book, and it was wel worth it. I loved both the story and the way it was told, with vivid colors and moods. Highly recommended

I just finished Wonderful Fool by Shusaku Endo, the fifth novel I have read by him. Like the others, this one was outstanding. He wrote very skillfully and deeply perceptively about human nature. Endo always chooses topics, it seems, which are uncomfortable, which draw up against the reader's "flesh" or that part of them that is worldly and selfish at the expense of others' wellbeing. (As a Japanese too he chooses topics which are particularly unflattering for the Japanese people like the crucifixtions of Portugese missionaries in Silence, the experimentation on POWs in The Sea and Poison, and the pornography industry and sex trade in Scandal. In Wonderful Fool his readers see some of the gangs, spend time with the prostitutes, and go around the slums of Tokyo with a hitman, but all as seen from a holy heart of love, it seems clear to me. Endo is not content to remain on the surface of things- his art is nobler than that and his love more burning than that. He brings his reader with him to touch the nerves that run so deep they cross beyond his cultural moment to the universal heart of mankind.

His characters always act from weakness and sorrow and struggle and failure. Gaston, the socially inept, the ugly, the slow-minded, reaching out to Japan with the most powerful thing in the world, love, but covered in a ball of rags.

Like Scandal this novel contained characters deeply effected by warcrimes that those close to them had participated in. The hitman Endo (Endo likes to make the criminal characters reflect identity with him in some way in some of his novels, naming the hitman Endo or making the main character of Scandal a Christian writer, like Endo, of a Life of Christ.) turns to a life of hatred and coldblooded murder when faced with his brother's having carried out orders to burn the occupants of a village and the brother's subsequent framing by his commanding officers. Gaston persistantly, doggedly, beyond all civil tepid-ity, urges Endo from a position of weakness not to go through with his plot of revenge on the officers. Gaston, despite his outer weakness and failure, is a real man, as the character Takamori discerns, because he takes a stand for the right thing despite his weaknesses that he could have so easily taken as excuses not to do what he should. It is integrity to the gospel that Endo has witnessed, bears witness to, keeps within himself. The "fool" is wonderful for this integrity, this sacred obedience, this longsuffering love, which endures blows and persecutions by the ones he is trieing to help, and which has takes the courage to recognize that he can and must help, that he must, despite all his weakness and absurdity in the eyes of the world, come to Japan for love. Hallelujah!

Endo ends by tieing Gaston's mysterious end into the early Japanese story, "The Tale of the Bamboo Cutter."

Endo's novel is a marvelously winning and affecting story about the wanderings of a saintly Frenchman (and descendant of Napoleon) through the mean streets of post-war Tokyo.

You have maybe met someone like Gaston Bonaparte? The sort of man who apologizes when you step on his foot; who'd rather be cheated than think someone dishonest. Who is, naturally, held in a sort of weary pity by his family and in complete scorn by almost anyone else.

Endo addresses in this novel what it is that world values and what it does to a man who who is apart from those values. While the rest of the world cannily pursues it's own ends (survival, or better, and reproduction) Gaston is --quite unintentionally--pursuing that proffession which is revered in name but entirely held in contempt in actual practice. Gaston is maybe not a man who is good for much, certainly not in the world's eyes -but sainthood has ever been the most egalitarian of vocations.

There is a powerful case made for man's free will implicitly in this, but also in the novel's character, Endo, who is the opposite and the reflection of Gaston. He too though, is pursuing his end regardless of even himself -to the extent of refusing to take antibiotics for a tuberculosis infected lung.

Perhaps the novel's most poignant theme is it's message that even at our most debased and broken, God has not forgotten or given up on us. Endo's illustration of this is original and startling; Gaston chooses to follow after Endo at a cost and in a way that could only be called insane by anyone the world would call sane.

Endo's writing is simple and elegant and executed in an exciting, almost cinematic manner. It keeps the reader turning the pages through the book's all too short duration. If I had to say something critical about this book, I might mention that the writing is not as smooth as some of Endo's later works -it lacks subtlety at moments and there are plot possibilites which are raised and not pursued. That is just nothing though, to the whole of how wonderful this book really is.

This is a brilliant, concise gem of a book that brings certain sights of Kyoto to life unlike any travel guide. When I visited many of the places described here, I'd no idea that any of this remarkable history had occurred.

I think this book is an essential addition to any serious Japan library, and as it is a slim text - I think it'd be a welcome and portable companion on a reader's visit to Kyoto.

Keene's study of Ashikaga Yoshimasa, who many historians call the worst shogun in Japanese history, is remarkable for its central theme: that this man was actually one of the greatest Japanese persons ever.

Keene does a decent job of recounting the historical context of Yoshimasa's life: it was an era of unending war and brutality when famine and sickness ravaged the peasantry and rich aristocrats vied for power in the most brutal fashion - beheadings, suicide and betrayal were commonplace. These same aristocrats also lead lives of dissipation - spending their lives drinking and "sporting" while the masses suffered and Kyoto was razed time after time.

But where Keene shows his brilliance is in his interpretation of the life of this failed shogun who embraced religion and the arts as an escape for the 'impure world' and in the process invented many Japanese cultural forms.

When Yoshimasa fumbles the choosing of his successor and a civil war is unleashed, he decides then and there to leave his shogun's life behind and build a mountain retreat - the so called 'silver pavilion' - where he spent his days contemplating the arts.

It is clear that an aesthete such as Yoshimasa was incapable of leading the Japanese nation in war. But Keene shows in this book that Yoshimasa's peculiar taste in art - simple unadorned wood, sliding screen doors, rustic tea utensils, and gardens filled with rare trees and stones, poetry, Chinese calligraphy, flower arrangements, No theatre and so on - served as the template for future Japanese cultural expression.

Yoshimasa's silver pavilion was thus an incubator for 'the soul of Japan,' and a location where visitors can still see the building almost exactly as it looked a half millennium ago. Now I want to visit Kyoto again with newly aware eyes.

This book's only shortcoming is its lack of explanation as to how the culture born at the silver pavilion spread throughout Japan. Yet that might require a lengthy tome, and one of the nice aspects of this history is that it can be read leisurely in a couple of days. It also features some nice color photos. Highly recommended.

This book was given to me by a friend. Frankly, I wouldn't have bought it based on the back flap. Yet, Donald Keene wrote a great book explaining the importance of possibly the worst Shogun in Japanese history, Ashikaga Yoshimasa. He was a terrible military strategist and his government (especially during the Onin war) was one of the weakest in Japan's history. On the other hand, Yoshimasa was of vital importance to the Arts; calligraphy, Waka and other poetry, the cha-no-yu ceremony and painting all were sponsored by Yoshimasa. He also left the beautiful Ginkakuji, the Temple of the Silver Pavilion, for posterity. Yoshimasa's impact on Japanese culture and the arts is undeniable, even in modern day Japan.

Donald Keene, who probably has done more to make Japanese literature understandable to Americans now turns his attention to the state of Japan during the days of Yoshimasa, one of the Ashikaga shoguns. Like other families to rule Japan in the name of the emperor, the founder of the family generally tended to be a fairly dynamic figure, followed by persons of varying competance before sinking into dynastic decadance.

This book presents a portrait of one of the least competant persons to ever become shogun, but managed to have a positive influence just the same. Keene argues rather convincingly that Yoshimasa, though a weak ruler, was an influental patron of the arts. It is Yoshimasa's aesthetic which eventually prevailed in the Japanese imagination and that is the lasting contribution of both him and the Silver Pavilion.

I thought the book was consistent with the overall general high level of scholarship that characterizes Keene's works in general. However, while I am willing to give this work my highest possible recommendation, I am not sure if I can totally support all of the claims made for Yoshimasa. My main concern is that even though I am ready to concede that he does have an aesthetic legacy, I am not sure (and for that matter no one ever really can be) that he can claim to have originated all of the artistic innovations (though patronage) that Keene claims. My reason for doubt is that many buildings that date back to Yoshimasa's period were themselves destroyed during the Onin war (a war brought about by Yoshimasa's politic ineptness). Lacking anything really to compare the Silver Pavilion to, makes it difficult to determine just exactly how great an influence this building actually had at the time. The fact that it survives at all probably ensures that it has had and continues to have an impact on other generations. I am just not sure on what influence it might have had at the time that it was built.

The title of the book is "the soul of Japan" which means the Silver Pavilion built by Ashikaga Yoshimasa the 8th shogun of the Muromachi period.

Chapter 1 Ashikaga Yoshinori the 7th shogun, a tyrant killed by one of daimoys
Chapter 2 Childhood of Yoshimasa, his wife Shigeko and his "favorite mistress" Imamairi
Chapter 3 Weakness of the shogunate, preparation of Onin war
Chapter 4 Onin war, the relationship between Japan and Ming dynasty of China
Chapter 5 Japanese Renaissance, Eastern Mountain culture
Chapter 6 Yoshimasa as a patron of Cha-no-yu, his interest in Chinese painting
Chapter 7 Poetry at that time: renga and waka
Chapter 8 The Silver Pavilion, the garden and the architects Zenami and Soami
Chapter 9 Cha-no yu
Chapter 10 Religions of Yoshimasa, art of the no theater

The division of the chapters and the description of their content are very rough because the author usually puts many different topics in one chapter. This informal writing style seems like that the author has no clear plan and he just writes down something when he remembers something. Reading the book from cover to cover may not be the best way to appreciate it. The character I most like is the index of the book. It is complete and interesting. Just choose a word from the index, and read something about the word in the book. For example you can just read the paragraphs about the eccentric Zen monk Ikkyu and his poems. After you finish all the words in the index, you are able to construct a whole story in your mind. It is the post-modern style of V. Nabokov's novel "Pale Fire".

Judging from the book, the author is just a good story-teller not a good historian. Actually he is good at Japanese literature. This book just contains much facts and details which I don't think important. The author does not see the essence of Japanese culture and does not explain why Japanese culture is special. It is not easy to understand the essence of Japanese culture for most Western scholars. Usually they just emphasize bizarre events, strange imaginations or explain things from the Western piont of view. In my opinion, the soul of Japan is the Bushido and Zen. These two topics are not treated deeply in this book. If you are interted in Japanese culture I will recomment to you the other books:
Bushido: the soul of Japan by Inazo Nitobe
Zen culture by Thomas Hoover
Kwaidan by Lafcadio Hearn

By the way, I like this little book. It is beautiful with its poetic language. It is a pleasant experience reading the book on the train passing through Appalachia Mountain in the summer.

Donald Keene's latest contribution to the field of Japan studies is a masterpiece on the development of Japanese aesthetics and kokoro (heart, soul, mind), much of which evolved during the Higashiyama Period at the Silver Pavilion (Ginkaku-ji) under the leadership of Ashikaga Yoshimasa. Shogun at the time of Onin War (1467-1477), which destroyed nearly all of Kyoto, Yoshimasa was a hapless leader who devoted himself instead to the pursuit of beauty. In this Period, Noh and ink painting flourished, the tea ceremony "originated in a small room at Ginakaku-ji where Yoshimasa offered tea to his friends," and with it the Japanese art of flower arrangement was born. Keene acknowledges the judgment of most historians-that Yoshimasa was weak, extravagant, incompetent in affairs of state, and unable to end a meaningless war and its incumbent famine and suffering-yet posits that he has yet to be recognized for his contribution to Japanese arts and taste. In the midst of wholesale destruction, Yoshimasa precipitated a Japanese renaissance.
Though respecting his grandfather Yoshimitsu, the builder of the Golden Pavilion (kinkakuji), he had no interest in emulating either his life or works. Yoshimasa's Silver Pavilion stands in stark contrast to his grandfather's Golden Pavilion, the later coated in gold leaf, the former the epitome of Kyoto cool wabi sabi understatement. "The simplicity and reliance on suggestion of the buildings and gardens at Higashiyama may indicate that a man who had earlier exhausted the pleasures of extravagance had at last achieved a kind of enlightenment," writes Keene.
This concise work is a complex web of murder, chaos, and endless war that destroys everything in its wake. And, simultaneously-amazingly, ironically, unbelievably-the Period gave birth to some of Japan's best-known art forms. As an insight into medieval Kyoto, there is no better place to begin.

I've tried several courses: math, science, history and language. My kids especially love the Sign Language cards! I purchased all three card sets and the CD-software. The photographs are more realistic than drawings which you mostly find in ASL products. Great for younger kids too. My daughter's using them in her Brownie troupe and my three-year-old has picked up on some of the alphabet and numbers already. My older son has some mild learning disabilities and looking at a page in a book with so much information all together makes him nervous. I put one card at a time on a cleared table. It helps him focus and that gives him more confidence. People have been making or using flash cards forever, and I think they always will be no matter how fancy computers and software gets (but the Exambusters software is good too). I've recommended them to others.

When I was in school, flash cards were the best way to learn and I always made my own. The exambusters cards cover many of my daughter's courses and I bought her several. Sometimes we work together and she and her friends study in a group too--making a trivia game. Try the software. The screensaver function is great!! In our house, we love to learn new languages. The program flashes words or phrases and then translation every few seconds. The material goes into your brain by osmosis and the constantly changing cards on the screen keep pulling you back to read more. The software is much easier to figure out than some other brands we've purchased. It's intuitive; you don't need to read a lot of confusing instructions. All in all, good investment.

In junior high, my son got a head start on high school courses and that helped him get better grades. He used both cards and CD. My son liked the software, so he studied more than he would have from a book. Learning is hard work, but the exambusters made him feel like it's not quite so bad. The software is well-laid out, colorful, and user-friendly. The messages they give when they score the tests are amusing.

I bought several courses. The cards offer basic concepts in small bites. The information was relevant to what was presented by my teacher. The cards and CD's gave good review before exams and a head start at the start of the new school year. The cards had a lot of questions; you can carry them in your pocket and learn a few each day. The software was easy to use. It is like the cards but on the screen. You can take a test or just review. Front is question, click for answer on back of card. The software can also show the cards on the screen at random, first the question, then the answer. They change every few seconds. That keeps you reading and wondering what's coming up next. It's entertaining while you're studying.

As a Peace Corps Volunteer serving in Armenia, I have found this guide to be extremely useful. I have used the guide on many occasions for myself and to introduce Armenians to the outdoors. It is offers an excellent introduction to the environmental issues currently surrounding Armenia, current and valuable resource list, and the most current topo hiking maps. It is by no means a complete guide but has some of the more popular areas to hike, some focusing around the Tufenkian hotels (Jeffery is the nephew of the famous carpet producer James Tufankian). Future editions will have more hikes, especially in the northwest section. The climbing section is small but offers some of the best areas to climb. If you are coming to Armenia to hike or climb, then you MUST own this guide.

This is one of the most user-friendly hiking guides I've ever used...it's laid out well, provides great resource information, the descriptions are clear and overall it makes what can be a difficult area to access very accessible. It's without a doubt made my time in the country more enjoyable and interesting.

Armenia - land of amazing mountains and plateaus and ancient culture...Are you interested in seeing old monasteries and churches or shepherds moving their flocks across the mountain face that you will be climbing? Come to Armenia and bring this guide-book with you.

Hiking in Armenia is an adventure. Eco-tourism is new and the land and mountains are still untouched. The Adventure Armenia guidebook is a perfect way to explore and experience a way of life that is vanishing in many parts of the world. About the book: I have found both the directions and options (once on the hike) incredibly accurate. I tested the book out five weeks ago on a hike to Mt. Hattis. We found our destination with no difficulty, had an interesting chat with a old woman at the shrine (start of the hike), and found ourselves in good company with shepherds and their flocks of sheep and goats. The shepherds were curious about us and often stopped us to ask what time it was (more for conversation, of course). We had spectacular views of Mt. Ararat and Mt. Aragats and were the only people on the mountain (other than the shepherds). The book itself is light-weight and provides one with plenty of pictures, recommendations, and practical advice about Armenia and getting around in Armenia.

I would highly recommend it to anyone coming to Armenia or living in Armenia that would like to see more of the country and experience first-hand the beauty of the country and its ancient sites.

I have lived in Armenia for over a year, and this is by far the most useful guide book on the market. Not only is it a great hiking guide, but it also provides all sorts of useful information about the country and region in a very accessible format. The authors have done a great job selecting hikes from a variety of regions and with varying skill levels. Unlike most guides about Armenia, the directions are up-to-date and easy to follow - a notable accomplishment given the generally poor signage in the country. Even if you aren't planning to hike, this book is an invaluable resource for anyone planning to venture beyond the city limits of Yerevan. It points you to all the best sights. Another bonus is the size - perfect for slipping in a pack or even a pocket.