Asia Books

Reviewed by Paige Lovitt for Reader Views (3/07)

"Japanese Yoga: the Way of Dynamic Meditation" introduces the form of Shin-shin-toitsu-do, which means "the way of mind and body unification." The author describes it as "the direct investigation of universal principles for living." He believes that we can transform our lives by following this practice. It was created by Dr. Nakamara Tempu, also a sensei, when he went to India in the early 1900's to study yoga. In developing Shin-shin-toistuo-do Dr. Tempu incorporated his knowledge of martial arts, western medicine and psychology, and healing into this form.

Shin-shin-toistu-do is different from Indian yoga. It uses a variety of stretching exercises, breathing methods, methods of seated and moving meditation, massage-like healing techniques, auto-suggestion techniques, and mind and body coordination drills. Included are also principles for the unification of the mind and body. This practice is very practical and can be used in our everyday life.

We are encouraged to use this practice because it will teach us to transcend our bodies and it places a higher importance on mental and physical health over material wealth. In reading and learning about this practice, I appreciated the humbleness of Mr. Davey. He encourages the reader to look inside ourselves to find truth, not at him.

I think that this is a great book for anyone interested in meditation and healing techniques. I think that people with a passion for the Japanese martial arts will really benefit from the training. It is in no way difficult to follow and Mr. Davey keeps it very interesting. He also provides resources to accessing instruction and supplies, and a glossary for quick reference.

My personal interests lie in Japanese martial arts and healing. I am pursuing my third degree black belt in karate and have been attuned to mastery level in Reiki. I was very excited to read "Japanese Yoga," because I felt that in addition to assisting me with my everyday life, it will also help me to achieve my next levels of training in the other art forms. Physically and mentally, I will benefit, especially as I feel myself physically aging. I also think that incorporating something new into my life will bring an additional excitement to my training.

One of the key principles of Japanese Yoga or shin-shin toitsu do is being and staying positive. When you stay positive, the ki or the energy starts to flow in you. When you turn negative, the ki stops flowing. It is as simple as that! H. E. Davey writes in a simple and most effective manner to instill in one this simple principle.

If you are practicing Yoga for some time, you will know that Yoga is not all postures. Living life to its maximum is yoga; letting that universal energy flow through you uninterrupted is yoga. The author writes about the teachings of his master - Nakamura sensei. While acknowledging the roots of Japanese Yoga lies in the ancient practice from India, Nakamura sensei went on to form the foundations of Japanese yoga through his own interpretations and experiences.

As with staying positive, concentration of the mind is a big part of the book. There are several exercises/techniques (candle gazing, listening to the fading of the ringing bells to eternity) explained in the book and how, with such exercises once can connect to the universal energy. The exercise with a pendant is a simple and profound way to illustrate the effects of the mind on the body. You will find the many gentle stretching and ki stimulating exercises easy to learn and practice. This is one of the yoga books that I could read through without the express need to 'know' the steps of postures, the sequences and combinations of different categories of postures, etc, etc.

I found the book to be simple and devoid of the numerous asanas that one needs to learn to 'practice' yoga. You need to read quite a bit of the book to get a sense of what Dynamic Meditation is. That's how this book is different. If Yoga were to be condensed into a two-page booklet readied for a crash course, then there wouldn't be so many books on the subject. Each author and each way of yoga uses a different and often unique way to get the message across. H. E. Davey speaks from his own experience and practice in writing this book and in it you will find a different and welcome way of practicing yoga. This book will be a unique addition to your Yoga library.

`Japanese Yoga' is comparatively an easy book to read and to follow. The author has a good gasp of Japanese culture and its philosophies. His explanations are relatively easy to follow. I think the paradox of Japanese is that they don't say much as most of their communication is through their actions and Davey has managed to explain many of demonstrated action into simple words. Although the book has fewer illustrations of yoga techniques which was rather disappointing but the explanation behind `Japanese Yoga' concept was well handled by the author. I will certainty recommend this book to any student who is keen to understand the basic principles and the source behind various exercises discussed in the book and those who are keen to understand the primary connection between the body and mind.

'Japanese Yoga' is a surprising book that affects your daily life from day one that you practice it.
The fact that i keep on practicing it everyday is a solid proof that the exercises are helpful in many ways.

The author H.E. DAVEY reveals in a clear and instructive way the teachings of NAKAMURA TEMPU SENSEI.
Both the psychological and spiritual background of his method are written in a down-to-earth way and without acting as a 'guru'.
Each of the principles has a PRACTICAL pendant as an exercise or test to make you really feel what is meant. In this way these principles are not mere assumptions, but become true and real, here and now.
For example : the principle that the mind moves and controls the body : the author includes several tests and exercises to make you find out for yourself what is meant.

The practice of Japanese Yoga has a lot to offer : stretching exercises, improvement of posture and breathing, centered movement, healing skills, meditation etc. These are not too difficult for most people, if practiced in the right frame of mind. And they are beneficial indeed.

The author suggests that there could follow a second volume of this book. i would be very pleased to read and learn more about Japanese Yoga.

H.E. Davey also wrote "Living the Japanese Arts and Ways", 45 paths to meditation and beauty. This volume
further explores the Japanese Ways (do) and is equally interesting and revealing. It looks at "body-and-mind-

unification" through the traditional crafts and arts of Japan.

If you're just interested in whether I liked this book or not, I'll get that out of the way first. I enjoyed this book and I expect to read it again in the near future.

I should mention, before discussing the contents, that this book is well-constructed. I like to read on airplanes and took this book on several short trips. It not only fits well into carryon luggage, but also withstands the rigors of travel and hotels extremely well.

This is not just a how-to type of book. Readers will not be overwhelmed by images of slim, svelte individuals in contortionist stances or situations. Rather, this book discusses the mental process of meditation. Any physical postures or exercises mentioned seem to be designed to facilitate the meditation process, not merely to lose weight or
fit in with the burgeoning yoga crowd.

I don't think there is any one good manner of addressing the mental processes, especially those of meditation. It is just too complicated an area. This author takes the approach of discussing some of the short-term goals of the incremental steps of his method, Shin-shin-toitsu-do, rather than ephemeral discussions of long-term, years-down-the-line goals. He
repeats important points, usually from different angles and perspectives. This approach can be heavy-handed and burdensome, if not done correctly.
Mr. Davey keeps his approach light. Just when it seems he is going to spoil things, he is off on another tangent that brings the reader back to the same goal.

I couldn't read this book in one sitting, although it is not a ponderous tome. I felt the need to break it into many short, educational readings. Sometimes just a snippet, sometimes reading longer. The material was presented in an easy manner, free of self-importance, yet not disrespectful. I know I probably didn't pick up all the important material
discussed, but I put it down with the feeling that I had found something that was important. I will read this book again, soon.

Exquisite book, most comprehensive I have seen on this subject. Worth ten times over the Amazon price!

I ordered this book mainly because of my fascination with a blog by the same name. Here is a link to the blog "Japonisme" http://lotusgreenfotos.blogspot.com/ . I ordered my book "used, but in excellent condition". Its appearance is like any book that I have had for a few weeks. With 1105 illustrations and 432 large (10" x 12") pages I still haven't read it all.
The layout of the book really helps a novice like me to understand the influence of Japanese art on the West. Wonderful western images that capture the spirit of the Japonisme but don't copy them are abundantly reproduced in black and white and in color. Japanese images from gardens to tea bowls place no one technique over any other as long as the result is beautiful. Each wood block print is carefully calculated to achieve the most impact within a confined area. In all designs are based on nature, but don't replicate it.
I will be looking at this book for years, reading, looking at the illustrations and just enjoying it.

This beautiful book really opened my mind to the influence that Japanese art had on the Impressionist movement. Some very interesting comparisons of woodblocks and the work of Van Gogh.....Wow...It had never occurred to me before & to see the works side by side is fascinating. I first found this book in the school library & kept borrowing it; such wonderful images.I decided I had to own a copy & made my first Amazon.com purchase. Great service, Amazon, thank you....so quick & efficient. This book is great value and very well illustrated. The text is extremely interesting and thought provoking.

For anyone interested in both Japanese Art and European Art at the turn of the last century, this book will become the most satisfying reference book in your collection.

"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.

Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.

the title says it all - "The Japanese influence on Western art since 1858" --- details print making, textiles, jewelry design, ceramics and glass, home and garden, objects d'art and of course painting. Amazing, for example how much Van Gogh was influenced by Japanese art especially wood block prints and you will see examples of his art and Japanese art which he had access to "Theo and I have hundreds of Japanese prints in our collection..." --- I truly wish I could see an exhibition as put together as this book --- it is absolutely indepth, articulate, clear and consise and immense in scope. Weighs a ton and worth its weight in gold.

This is phenomenal book! There's a slight bit of difficulty with so many Indian names, which are unfamiliar to Western ears and a bit difficult to keep track of. My solution was to turn around when I finished the book and immediately re-read it. I was totally unaware that the Andaman and Nicobar Islands even existed until reading this book, and now I'm mad to see them for myself. The story of the destruction of these ancient tribes over the last 200 years is one of the saddest things you will ever read, and it makes you root even harder for those people on Sentinel Island, who have resisted all attempts at contact by the "civilized" world and are shooting Stone Age arrows at our airplanes when they fly over. Let's hope they're able to maintain their independence--

Madhusree Mukerjee's writing is so compelling I didn't want to stop reading. The historical background she relates is based on solid scholarly research, but the book should easily appeal to popular audiences. Readers will admire the author's persistence on her visits to the Andaman Islands in striving against bureaucratic resistance and other difficulties to search out, experience, and report on the current situations of the aboriginals.

In reading the book, I continually found myself, as the author did, identifying with the native peoples in their confrontations and interactions with the invading visitors, settlers and administrators. Mukerjee has an excellent way with words, including the manner in which she describes the many ironies and the bunglings by the governing bureaucracies. Regarding the resulting messes, she uses perfect imagery: "One could always blame the previous administration, a long line of pointing fingers fading into history."

It's unfortunate and sad how, over much of the world, so-called civilized outsiders continue to arrogantly and ignorantly devastate other lands and their inhabitants, intentionally, unintentionally, and through greed and indifference. Even though the facts recounted in the book eloquently speak for themselves, the manner in which Mukerjee frequently relates her own reactions and feelings on her visits seems entirely appropriate. Hopefully, this book will draw considerable attention, both in India and worldwide among concerned citizens and officials positions to influence policies.

The book is excellent, beautifully written, even poetic in places. The author describes the history of contact by the 'civilized world' with the people of this lost world on the Andaman Islands, a world about which I knew nothing. She uses an interesting novelistic device of weaving together past and current events to described the world of the Andamanese and of her trials and tribulations of trying to work through an uncooperative bureaucracy to meet the fascinating original inhabitants. The cast of characters is huge and includes historical figures from as far back as 1771 to people of today. The role of the author is that of compassionate observer. Ultimately the tale is sad; thoughout I kept asking, "What are we doing?".

Discussions of endangered peoples often invokes stories about Amazonian natives, Kalahari Bushmen, and Australian aborigines to name a few. The people of the Andaman and Nicobar islands are seldom mentioned however. Mukerjee does a great service to the indigenous people of these islands by exposing the destruction wrought upon them by modern intrusions.

The Andamanese and Nicobarese have lived in isolation from the modern world in the Bay of Bengal for thousands of years. They were portrayed in travelogues, including Marco Polo's, as ferocious, cannabilistic, and uncivilized to the highest degree. These impressions were often based not upon direct interaction but rather on distant observation of a unabashedly naked people with a hunter-gatherer culture. When actual interaction did occur primarily by the British, the Andamanese and Nicobarese were often ferociously defensive as can be expected when confronted by an imperialist power intent on conquering and also gathering human specimens to study and display on the mainland. Even in the face of these dangers, they attempted to maintain some peaceable interaction with their conquerors and displayed the great attributes of their cultures.

Mukerjee spent some time in the islands in an attempt to interact with the Great Andamanese, Onge, Jarawa, Nicobarese, and Sentinelese and in the process, has exposed the Indian government's wrongheaded and destructive policies toward these indigenous peoples. It is apparent that most Indian bureacrats in the islands are there to live the easy life and make a quick buck, and the few who desire to make change often are faced with insurmountable obstacles in their attempt to improve policy toward the natives. Mukerjee describes her subjects in affectionate detail, and her love for them and her sorrow for their plight are evident throughout the book. Her feelings for them culminates as she approaches the Sentinel Islands, home to possibly the most undisturbed culture on earth. As her boat nears the islands, she begins to regret her intrusion and thinks to herself "Please please please, let us not destroy this last haven."

Unfortunately, disease and war has wiped out most of the islands' population. Construction and deforestation is wiping out native habitats. The islanders are impotent to change the situation, and the Indian government will ultimately be responsible for protecting these vulnerable and beautiful people.

I highly recommend this book to anyone concerned with the disappearance of a people who have not been able to fight back and are quickly disappearing from our earth.

_The Land of Naked People_ by Madhusree Mukerjee is an interesting and informative account of one of the last stone age peoples in the world (or what is left of them), native peoples of the Andaman Islands, a archipelago located north of the Nicobar Islands in the Bay of Bengal in the Indian Ocean, a people that according to archaeologists, linguists, and geneticists have been isolated from the rest of the world for tens of thousands of years. Mukerjee interwove personal accounts of travels to the islands and interviews with government officials, researchers, activists, local residents, and the tribesmen themselves with vivid historical narratives of early contact situations, warfare with, and research on these aboriginal peoples.

The people of the Andamans, long known to Asian and European travelers, were feared for centuries as cannibals and headhunters. They were often referred to as "dog-people," as sub-human; in the nineteenth century some were displayed in the Calcutta zoo, where Bengali visitors took them to be descendents of the monkey god Hanuman, and as late as 1925 a paper published in _Man_, a journal of the Royal Anthropological Institute, defined the Andaman as a new species of human, _Homo mincopoeus_. Simultaneously intriguing and repulsing Arab, Chinese, and British travelers by their casual nudity (the natives wore virtually no clothing), ferocity towards outsiders (many of the historical accounts are of hostile first encounters and "punitive expeditions" against islanders), and their physical features that were more African than Asian, the islanders were little bothered for centuries, the islands mostly unsettled despite being located on major trade routes between India and China. Though outside civilization has become increasingly dominant in the last 200 years or so, there are still remote areas in the archipelago; the one hundred or so individuals who make the island of North Sentinel their home are still very much a stone age people (though many technically no longer use stone but rather work metal from nuts and bolts that wash up on their shores into arrowheads) who may be among the most isolated humans on earth (though how long they will stay isolated is a matter of some concern).

Mukerjee divided the Andaman islanders into four groups. About ten tribes (at one time during colonial times comprised of as many as 5,000-8,000 people) made up a group called the Great Andamanese, occupying most of the Great Andamans (the South, Middle, and North Andaman Islands) and several adjacent smaller islands. They were at war with the elusive Jarawa, a small group that numbered at one time as many as 600, a group that lived in the dense western forest of South Andaman. Seven hundred or so Onge tribal members lived on Little Andaman, a sizable island farther south, and a hundred Sentinelese lived on the eighteen square miles of North Sentinel off to the west.

The author painted a vivid picture of an interesting group of people. Though only distantly related to the Congo Pygmies, they were originally similar in many respects; they lived in dense, moist tropical forests in small bands, had peppercorn hair, painted their naked bodies with clay (a practice which the author discussed at length), used bows, arrows, and nets to obtain food, and had extraordinary botanical knowledge. Hunter-gatherers, they subsisted on a variety of plant products, fish, sea turtles (a favorite), dugongs (now virtually extinct in the islands), and a number of forest animals, the most favored of which was the wild boar, believed by some to have descended from the southern Chinese pig. The natives cared greatly for children; among the Great Andamanese it was considered a compliment and a mark of friendship if a married man, after paying a visit, asked his hosts to adopt one of their children; these parents would in turn not only visit frequently their own but adopt others. Several of the groups had taboos against killing certain creatures. The Great Andamanese for instance ruled that it was taboo to kill a certain spider, a type of beetle, two bird species, two fish species, a certain mollusk, and two types of trees. Cicada grubs were much coveted in several of the islands as food, but many were fearful of upsetting Biliku, the northeastern monsoon wind, whom the cicada was the child of; the islanders would be "silent as a mouse" during early morning and late evening singing of the cicadas, not doing any work or making any noise.

Unfortunately much of the book is about the very sad state of the Andaman Islanders. Massive, often illegal, deforestation, even in the protected tribal reserves, has resulted in huge erosion problems, silt runoff that has killed nearshore corals and local fisheries, and deprived the islanders of much food and shelter on every island but North Sentinel. Only 42 Great Andamanese remain, most of them alcoholics (a dependency on alcohol and other substances in the past deliberately encouraged by the authorities), suffering from malnutrition thanks to a diet largely of oil and starch, and many of the children fathered by the welfare staff who are supposed to care for them, Mukerjee documenting how the social workers sometimes took cruel advantage of them. The remaining 100 or so Onge are only a little better off. Disease in the past devastated the islanders and still thins their numbers to this day as they are a people without previous exposure to such illnesses as pneumonia, mumps, and even the common cold. The Jarawa are famous for their resistance, having fiercely fought logging and road construction in their forests, killing laborers and travelers as recently as 1998. Much feared, laborers required guards, police had to escort travelers on the road through their forest; one person told the author, if asked if he ever saw a Jarawa, replied, no, "To see is to die." Though there have been some reverses in favor of the Jarawa in the end it seems that they are doomed to be assimilated into Indian culture if they don't perish from disease and deforestation first.

When I decided to move to Lebanon three years ago, I bought the first edition of this book, and it was like a bible for my husband and me as we got our bearings, traveled around the country, and branched out on our own. We still use it as a reference when we go back to visit our favorite places. The information is clear and easy to follow, the historical sections, information about the culture, and practical information are all up to date and accurate. All in all, this is an excellent resource for anyone coming to Lebanon. Enjoy your stay!

For thousands of years Lebanon has occupied a position in history that is entirely out of proportion to its size. Nearly every Westerner has read or heard about this tiny country, yet its past and present, its inhabitants, and the land itself hold countless secrets. Ann Jousiffe's "Lebanon" will help you explore this legendary corner of the eastern Mediterranean, discover many of its unique treasures, and savor its seemingly infinite variety. Her book provides historical, cultural, and political commentary, advice on food and accommodations, extensive background on archaeological sites, a useful language section, and a glossary. It also includes maps and color photographs.

A perfect companion to Jousiffe's book is "Recipes and Remembrances from an Eastern Mediterranean Kitchen: A Culinary Journey through Syria, Lebanon, and Jordan," by Lebanese-born Sonia Uvezian. An astounding achievement of culinary, historical, and cultural research, this masterly volume is a godsend for anyone who plans to visit Lebanon.

When I decided to move to Lebanon three years ago, I bought the first edition of this book, and it was like a bible for my husband and me as we got our bearings, traveled around the country, and branched out on our own. We still use it as a reference when we go back to visit our favorite places. The information is clear and easy to follow, the historical sections, information about the culture, and practical information are all up to date and accurate. All in all, this is an excellent resource for anyone coming to Lebanon. Enjoy your stay!

I returned to Lebanon after many years away. This book had everything! My family (who have never left Lebanon) were also amazed by the detail and accuracy of the book (even the cost of a Taxi from Homs to Beirut to within 50 cents US). Insightful and straightforward. Arranged very well. There is very good detail, even on places that the Ministry of Tourism is scant on. Highly recommended!

Having travelled a lot using the LP guides with no problems I can only recommend them... but even if your not planning a trip to Lebanon- this book is amazing as a reference to the region; making order out of the chaos of Lebanon's recent history in an unbiased and moderate historiography- unswayed by religous or cultural persuasion and remaining sensitive to Lebanon's unique history of generally fruitful co-existance and co-operation between some 15 different religous/cultural groups who inhabit and interpret such a dramatic and tiny country, especially in a region characterised by the sometimes not-so-happy collision between east and west. This is an extremely valuable guide for travellers, people with an interest in the Mediteranean and the Near East, or for that matter, any one of the 13 million Lebanese descendants living outside of that tiny piece of heaven. The section on Mount Lebanon was particularly good, though the author could have covered more of the awesome hiking trails and forest overlooking Beirut to be found in the Metn valleys (midway between Jenkins & Jousiffes Mt Lebanon & Chouf)... but no body's perfect!! :) This book is excellent and very well written- the authors deserve great credit.

You will enjoy & learn a lot from this book. One of the most pleasurable experiences I've ever had in Thailand is eating the food. There is such a wide variety food you can eat in Thailand. As you begin to fall in love with this cuisine, you will want to eat new and more varied dishes. Ordering can be challenging as you evolve into more advanced Thai foods. Yes, you can point and gesture, but if you want to more fully enjoy the culinary delights of real Thai food, you need to know what it's called, and say how you want it cooked or mixed to your spice preferences. There is a lot of important etiquette tips, that will help you if you're invited to eat in a home of a family in a village, or with associates in the city. The regional, colloquial, and relevant slang is included. This means, the author has been there and done it, having lived in Thailand for for the most of 25 years, along with superb homework & research. The photographer, Jerry Alexander helps the reader identify visually with some of the foods that are described. The dictionary at the end included many useful phrases in addition to the food vocabulary. One error though, is that the letter "G" in Thai is listed as a "K" which is only the case when it is a stop final, at the end of a word, or syllable cluster. Read, learn, eat, and enjoy.

I went out on a limb and picked this little treasure up with out even looking at any of the recipies. Glad I did. I spent years as a cook and found that most ethnic dishes are a product of the environment and what the people have at their disposal. And that most methods of cooking are the same with just different spices. These cook books have picked up on that and give you the basics. Every Thai Grandma has her own special recipie for curry but the core recipies are all here. Along with, and this is why I'm so impressed with these books, a history of the culture and it's evolution, common customes at the dinner table, how to shop in the markets, what to order when and where, a great map of the country specifying each regions specialties and (these guy's are great) a little dictionary of the Thai language and their pronunciations. These books would not only make a great gift but a perfect addition to a collection of cook books. I only wanted to buy one Thai cook book and I'm glad I found this one first. It's got evey thing you need to learn and creat great Thai food.

I thought I was an expert on Thai food as I have been living in Thailand for 6 years. However, Joe's easy to read book taught me many a new thing. This is not your average cook book. It is really a cross between a travel guide and a recipe book with a sprinkling of cultural information. I would say that it is the definitive book on eating Thai food - whether that be in Thailand or abroad. Highly recommended for anyone who has visited Thailand and has fallen in love with the food or the armchair traveler who is eating Thai food at home.

I bought this book thinking it was just a cookbook, and was surprised to find much more. Eating is an essential part of life in Thailand, and Joe Cummings gives deep insight into Thai culture -- specifically how "being Thai" comes out in the preparation and enjoyment of food.

If you're buying the LP guide to Thailand and are going there for the first time, also buy this book. You'll get a much more in depth description of the Thai way of life, as well manners & etiquette for a foreigner. And you'll want the recipes when you return!!

The Lonely Planet Guides are justly regarded as bibles by backpackers the world over. They are exhaustively researched and very reliable. I backpacked through Thailand last year and relied heavily on Joe Cummings brilliant LP guide for advice, inspiration and tips on what to eat. When I heard that Joe Cummings had written the LP World Food Guide to Thailand I knew it would be as meticulously researched and filled with the same infectious enthusiasm as his guide to the country itself. I was not disappointed. Though this is not the only Thai cookbook you will ever need - there are only twenty or so recipes - the book rightly sets Thai cuisine in its rich context, building the case that Thai food - real Thai food - is one of the world's most exciting cuisines. The story of Thai food - it's distinctive ingredients, the way it is eaten by Thais, the many regional variations, how to shop for Thai ingredients, street food, etc - is studded with relevant recipes made all the more appealing by what you have just learned. Buy it - you won't be disappointed.

When I was preparing to visit China, I sought for more knowledge about China and their culture. Additionally, I wanted to know what things I should look when shopping. Americans buy so many things that say "Made in China", I did not want to bring home one of these items. This book "Look What Came from China!" by Miles Harvey was very helpful. There was just enough information to lead me to further investigate items for which I was interested. I have read this book several times to my grandchildren. They like to play a game with each other trying to see who can name the most things that came from China.

This nonfiction book gives many interesting facts about things that come from or were invented in China. The book is well organized because there is a table of contents and the book is divided into sections. Along with a glossary, a resource page is also included, which lists other books and websites about China. The book is very educational, and the information presented is clear and direct. The photographs help capture the essence of China's great inventions. The most exciting thing included in the book is the Mandarin language, the official language of China, for some English words. The calligraphy is given first, and then a pronounciation key is provided. The one and only flaw in the book is the illustrations of ancient Chinese people making paper from pulp. The illustrations are vague, which makes it hard to understand the process it took to make paper. This is a great resource to have in any classroom library. Teachers can use this book to introduce a lesson about China. If students are doing research about China, they can use the book to learn valuable information.

Mr.Harvey's series on the different aspects of life in other parts of the world is an excellent way to introduce grades 2 through 5 many other cultures! This is very well organized information! I highly recommend this book and others in the series.

If your preschooler likes pictures, and you as the parent like educating, then this is a fun, educational book! I love to use it to teach my chinese daughter about her birth country!
Kay

As a teacher of history, one of the most important lessons I hope to convey to students is why the study of history is of such importance. One reason is, the study of history helps us to comprehend why we are the way we are. In other words, we must look to the past to understand why we eat what we eat, wear what we wear, and view the world as we do. This book admirably supports, with clear, concise prose and colorful illustrations, why the China's history is everyones' history. It is also great fun to read!

I found this book in the library when I was 14 and LOVED it. I didn't get my own copy until I was 19 (yes, long wait) but I was so happy when I did. The selection is great and the format easily readable. Having never read any tanka before I found this book, I can assure you that the poetry retains the beautiful lyricism of Haiku while expanding on concepts and often adding a more "human" element to the ideas portrayed. Great book for any Tanka lover or to those new to tanka.

Seeing the way this 1000 year old form is being used by modern Japanese writers is inspiring. If you are trying to get the hang of writing any kind of poetry, reading these selections will give your imagination a boost.

a sheer delight in every possible sense. luminous translations, excellent choices, and fascinating biographies. a must for lovers of japanese poetry. or anybody looking for an other-worldly experience.

A wonderful (and beautifully laid-out and translated) anthology crammed with dozens of astonishing poems, plus an excellent introduction. A must for all lovers of poetry, especially tanka

Not only is the book beautiful to have in your hands, its contents are excellent. Ueda's introduction is a comprehensive look at the development of the tanka form, and an orientation of its poets within the broader literary movements of Japanese tanka, and other contemporary poetry. Each poet is introduced with a reletively lengthy biography which provides personal information helpful to the contemplation of their poetry, especially considering that tanka are mostly occasional poems written as an expression of daily living. If you've never read tanka, try it. You'll find yourself seeing your life in immortal poetic fragments. And if you already do document your life in poems, here is an elegant and simple way to express yourself in metric form.

My son keeps checking this out from the library and I thought it would be nice to pick it up for him for Christmas or something. Yikes!

I can see why the cost is so high, though. This is a wonderful book. The illustrations are so rich and beautiful. The story is fascinating.

The little guy is 5 and it's his favorite book right now.

This is a fantastic short version of the Monkey King story with incredible illustrations. I used it to help some of my beginning and intermediate level Chinese ESL students. It makes a good format for them to learn English since they are already familiar with the story. Even though this book is written for children adults can certainly appreciate its beauty.

"Monkey King," by Ed Young, is a visually striking children's book whose story evokes Chinese folklore. The art is a lot of fun; the collages burst with color and energy. The only unnecessary element is an unwieldy gimmick involving pages that fold out of the book. Fortunately, this fold-out gimmick is only a very small part of the book.

The many colorful characters in the book include Red Beard Bandit, Dragon King, Jade Emperor, and the monk Tang. The wildly multicolored title character is a trickster, magician, and likeable rogue. His character is nicely complemented by Guan Ying, the serene Goddess of Mercy. All in all, a good job by Ed Young.

A nice intro to Monkey King & a beautiful book. I could see reading it to a 1st or 2nd grade class as part of an intro to China. If you've talked about collages & how Eric Carle does his books, this would also be a fun book to see. There are also differences the Adventures of Monkey King told by Cheng-En Wu to spot. (My 6 y.o. & I make a game of that at home as we read Wu's version first.)

Title: Monkey King
Author: Ed Young
Reading Level: 5-8

This is a great book. I would recommend this book for ages 5-8. This book is about a monkey that is clever and courageous, with an appetite for mischief and showing off. This book has many other characters. It is adventurous book with magic and fun. This is a good book. J

This is a fun read book! Even an armchair mountain climber like myself, can experience the ups and downs of an incredible journey!

Kevin is just a regular guy who's passion propels him to the top of the world. The best part is that the reader gets to go there too! Good stuff! It was hard to put this book down!

Definitely a masterpeice to add along side my Jon Krakauer's, Into Thin Air; David Breashear's, High Exposure; Kenneth Kamler's, Doctor on Everest; and Ed Viestur's, Himalayan Quest.

I really enjoyed reading this book. It was so approachable and down to earth, but also gave an exciting and realistic account of his climbs. I'm not a climber, but was looking for an inspirational read. The author really expresses himself as a climber and as a person with some significant depth of character. You don't need to be a mountain climber to read and thoroughly enjoy this book.

Kevin Flynn takes the reader on a personally guided tour of Mt. Everest. The account is extremely interesting, without being bogged down with the technical intricacies of the climb. The story is told in very personal, self-effacing terms. It's well worth the read, whether a climber, a fan, or neither. I found extremely inspirational.

Being an Everest-phile who can't read enough about this mountain, I highly recommend this book. It's not just about climbing Everest, it's the battles of overcoming one's weaknesses to do so on....the mountain and in everyday life.

Warning: Whatever you do, do NOT read the Table of Contents or you will find yourself completely seduced by the fascinating chapter titles and you'll be skipping ahead. Titles such as:

Big Head Todd, the Monster
Heading to Base Camp, and the Dead Yak in Room 5
May 16, 2002-The Day I Stayed in the Tent
I'm Through With Big Mountains Forever-I'm Finally Cured
Cheesedick at LAX
The Advantages of Failure
My Dad's Dying
Reindeer Copulation Hat
Potty Talk (literally)

Kevin wrote such a funny book that you'll laugh out loud. He also writes about failing and how it haunts you until you right the wrong of failing.

I, too, had a hike in which it was a day I did not get out of the tent. It was on the mountaineer's route of Mt. Whitney (pretty much exactly 1/2 the height of Everest) and I was so zonked out by the steep hike, I laid in my tent the next day while my hiking party summitted and HATED myself. I could feel exactly what Kevin felt the first time he attempted Everest and did not have the energy to get out and go while everyone else did...even a group of women! On the way home from the trip he tried to avoid talking to anyone about where he'd been because they couldn't understand that while he'd gotten so far up, why didn't he just go for the summit? Very, very funny reading! (See Cheesedick at LAX chapter.)

This failure haunts him for years until he goes out and sets it straight. Being an amateur climber he really paints a stunningly clear picture of what it's like and what it feels like, physically and mentally, to challenge the Big One. What he writes can impact your regular life.

I don't want to give away the ending, but Kevin gives a great first hand description of what it's like to be so tired that finally standing on Everest he feels nothing, he just wants to get DOWN! Which is easier than said. First he had to negotiate down the steep, rocky Hillary Step, then, so exhausted, UP the 60 foot face of the South Summit, Everest not being a just downhill mountain. He just wanted to stop and sleep for a while and we all know what happens when you just "sleep" on Everest. He also credits Sherpa Mingma for saving his life, patiently rousing him awake constantly to get him off the mountain as night falls (chapter "Kevin, please...")

I hope Kevin finds another adventure and writes a book about it. This book is one you can't put down and is extremely well-written. There are superb color photos and some pretty pathetic ones of him after he finally conquers Everest.

Kevin, I'm planning on going to Everest Base Camp next year, being a trekker you climbers hate as "disease carriers", but I can't wait to experience Nepal as you described it!

Congratulations Kevin, great book!!

I have always been fascinated with those who climb Mt. Everest. This is such a great down to earth book. You feel as though you are along for the climb and how very difficult it is. I thoroughly enjoyed it.

When you think of an "explorer" you think of a guy like Hedin. From an early age he ventured again and again into large swatches of Asian geography where few or no Europeans had ever trod. Hedin graphically and realistically portrays his travels with such detail that you can feel the cold, the heat, the parched throats, the curious indigenous eyes and the scenery staggering in its beauty. When you come to the end of this book, you will be all "adventured" out, for on almost every page there is a suspenseful, fascinating episode. Hedin was truly an explorer's explorer. His greatness is dimmed, however, by his fervent support of Naziism during WWII. As someone has writen elsewhere, Hedin knew about the death camps and never disavowed them. He was a solid Nazi partisan. In an epilogue to this book, author and admirer Peter Hopkirk urges us to look at Hedin's many and major contributions and to forgive his pro-German activities in both world wars. I'm not quite willing to forgive, but I will segment my views of Hedin into Hedin the explorer and Hedin the Nazi sympathizer. Anyhow,if you're looking for a fascinating book about exploration in the most forbidding sectors of our planet at the turn of the 20th century, this is a book for you.

(This refers to the National Geographic Reprint edition)

This is truly a great book, full of the amazing adventures of an incredible explorer. You have to admire Hedin's determination and stubborness, although sometimes I wonder about his planning. It seems like every trip all his animals die, and the men are on the verge of starvation. And as for his trips in the desert, I would have thought the concept of "take some extra water" would have occured at some point!
Hedin is a fine writer, and his descriptions are not only accessible to the average reader, but often quite poetic as well.
Nevertheless, I only reluctantly give this a full 5 stars, because I feel that National Geographic missed a great opportunity to make this an almost perfect book, and it wouldn't have been that difficult to do. As a previous reviewer mentioned, some good maps could have helped. There's almost no excuse for NG not to have included some decent maps of Central Asia in their edition. Furthermore, one tends to forget (although Hedin mentions in the text), that he also took photographs on many of his travels. These might have been included as well. (To see some, refer to the Photos section of the website of the Sven Hedin Foundation, "http://www.etnografiska.se/hedinweb/htmsidor/organi.htm"). Aside from the simplistic drawings that are included, Hedin also did many detailed sketches and potraits on his travels. Now one can assume that none of these were included in the original, and this is only a reprint, but nevertheless, it is a missed opportunity. The introductory chapter by A.Brandt also adds little insight, and might as well have been left out as well.
However, despite the lost opportunities, this book is highly recommended.

The Swede Sven Hedin was the last great explorer we will see on this well-traveled planet. Hedin was born in 1865 and this autobiography describes his life up until 1908. Hedin's career was hardly finished, however, as he continued to traipse down the old Silk Road in Central Asia until the 1930s when he was 70 years old.

In a happy trait that should be copied by more auto-biographers, Hedin doesn't spend much time on his childhood. By the third page of his narrative he is 20 years old and off to the Caucasus Mountains which only whets his appetite for the little-known peaks and deserts of Tibet and Central Asia. He spent the years between 1893 and 1908 exploring these regions and filling in blank places on the map.

National Geographic's "Traveler" magazine put this book on its list of 100 best adventure books and, truly, the tales of Hedin's adventures make for good, exciting reading. Hedin displays both charm and generosity in his account. He traveled without the company of other Europeans and he enjoyed the companionship of his local helpers and the dogs he adopted along his way. He draws many clever portraits of the people he met in his travels. Hedin, however, was no mere adventurer. He was a serious, sober scholar who produced dozens of scientific studies of his findings.

One of the most hair raising tales in the book concerns Hedin's first expedition into the sands of the Takla Makhan (desert) of China in which he and his companions nearly died of thirst. A second high point of the book is the account of his attempt to visit Lhasa, the forbidden capital of Tibet. He failed after getting nearly to the gates of the city and was denied the honor of becoming the first foreigner to visit Lhasa in half a century. Amidst the plethora of adventures, the stoic Swede brushes over incidents others would consider high -- or low -- points of their lives. "Fever kept me in Kashgar a long while" is his complete description of one serious illness.

The book is illustrated with many of Hedin's drawings, including his hand drawn maps. I suggest that you read the book with a good modern map at hand so as to trace his routes with more precision as his constant tooing-and-froing can be confusing.

Smallchief

This is a tale wonderfully told of an explorer's quest to fill in the blank spots on the map of Asia. Not only does Hedin present a clear and highly entertaining view of his travels, but he also gives us a portrait of his character. He shows us that he is a man with high goals and is undeterred in achieving those goals, even when all odds are against him. He shows us that he is also a very caring man, very much concerned about the welfare of his men and his animals. He also is a man that is awestruck by nature and is very concerned about not unduly intruding upon it or unnecessarily destroying it.

But most of all, this is an adventure story that is just plain fun to read.

A suggestion to readers who are not very familiar with the geography of central Asia would be to have on hand some good maps as the ones Hedin draws are quite limited and often fail to give the perspective that may be desireable.

I concur with NDylanRay@aol.com. This book is exceptional. I could hardly put it down. You feel the excitement and intensity of his adventures, you begin to understand the force that drives him (and you respect him for it), and you meet the people and the places that make Turkestan and Tibet 100 years ago like no place that you could ever imagine.