Fencing Books

I am no expert whatsoever in Iaido, although I have taken classes in it as part of my training in Aikido; in my school of Aikido, Iaido is integrated with the Aikido.

The first 60 pages of the book covers the philosophy and ideology behind this martial style, at the time I did not know much of samurai ideology, which is very different from Aikido's, so it was very fascinating to read about it.

The rest of the book describes techniques of Eishin-Ryuu with text and pictures.

I wouldn't refer to it as an complete instructional book, you really need a teacher for learning any traditional martial art.
That said, if you already know some Iaido beforehand you could learn from this book, assuming you have the gear.

You will gain the most from this book if you actually take classes, or have taken classes, in Iaido...because sword training really should be experienced to feel the joy and mental depth of it, not just read about.

This book is an excellent reference for anyone studying Iaijutsu! It does not however replace the proper instruction of a qualified Sensei. See www.jikishin-kai.com to find a qualified instructor in this style of Iaijutsu in your local area today!

NEWS FLASH!

Shimabukuro Sensei will teach a seminar in Muso Jikiden Eishin-Ryu Iaijutsu in Pensacola,FL on March 6, 7 and 8, 2009. The seminar will be held at the dojo (Big Green Drum Japanese Martial Arts.)


We will have more details up on our web site soon.
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For more information about Shimabukuro Sensei, see [...]

I recommend this as a reference for anyone interested in Iaido/Iaijutsu. One word of caution, though: there's many schools of Iaido, so some of the material presented herein will or will not apply to your particular school. However, the background and philosophy material are applicable throughout.

...Let's face it everyone. You are not going to learn the kata from this book. The book is helpful for remembering them by Name and by Bunkai, helping you keep the cirriculum sorted out in your head, but to learn the kata correctly you will need instruction from a sensei. If there is no chance of instruction, like no dojo within a long distance, I recommend all you self-teachers purchase the MJER videos from the 'Sei Do Kai online catalog'. These are the best videos on MJER I've ever seen, with superbly detailed demonstrations and bunkai. Without the demonstrations and descriptions by a teacher on a video like that, you have no hope of gaining even mediocre mastery of the system without personal instruction.

For those who are recieving instruction the book is perfect, since the kata descriptions are mostly for reflection after being taught firsthand. As mentioned by the other reviewers, the best aspects of Flashing Steel are the Philosophy section and the Kihon. These will help you learn the purpose and fundamentals of Iaijutsu, but for the kata, this or any other book will always be insufficient on their own.

I give the book five stars because it is definitely a great read and reference, but don't buy this thinking it is all you need to master Iaijutsu. Too many people make that mistake. Just look at YouTube.

A well written book with good hints for those who are well qualified in Iaido and just need some very details about the Katas. The book covers all levels and all major Katas. Probably due to size limitations the number of pictures are less than enough to follow in detail the actions. The posing helping staff in the pictures are beginners which greatly hinder the understanding of the real meaning of the bunkai (applications).

When it comes to martial arts, kendo is my second choice after karate. If you plan to enter a kendo dojo, read this book first. It introduces you to the world of this great art and makes you want to practice it even more. I recommend you the both: to read the book and to perform the art.

Anticipating the start of Kendo classes, I ordered this book to get an overview of what to expect, what to do, and how to do them. The book is well translated by Angela Turzynski, and makes for a quick, easy read. Segmenting the chapters into snippets is perfect for one studying, and not looking to get an overly drawn-out explanation of procedure and custom.

Not looking to memorize the entire book, I went through the book rather quickly to pick up the basics and have a small understanding for the first lesson. Upon entering the class, after the first practice the sensei asked me if I had studied Kendo before, which I had not. I attribute this compliment to "Kendo-The definitive guide". When I learn something new, I can also come back to the book and review in more detail what the move entails without having to drag the class down with questions.

In the appendix you can even study scoring, refereeing, terminology, and get a list of Kendo associations near you.

The book has good illustrations to show you the different strikes and the katas for Kendo. This is a good suppliment for any new student to help review what they learned in the dojo. It is also good for experts to have the names of the techniques and the rules for the tournaments. The book is a complete guide. The Heart of Kendo and Kendo: Elements, Rules and Philosophy is good if you want to know the history of Kendo.

This guide is a must have for any kendoka, with correct and up-to-date information on the IJKF rules, techniques and theory. I highly recomend it.

but still a very good guide yes... i have very much intrest in kendo but don't have the chance to do it here... no clubs near or far... i do iaido that is... and i can imagine how it must be...


but then again, i can not really tell if it's a good book for people with years of experience...

"Autumn Lightning" by Dave Lowry appeared to me as a combination of biographical sketch mixed generously with Japanese History, and Spirituality.

The book (for me) was in itself, a "Fair Read," but not necessarily one that will become part of my spirit. Much of this could however, be due to my age. While reading this book, I was often reminded of the movie; "The Karate Kid." In that movie; "Daniel Larusso" becomes "Miyagi-fied" and is turned into a great Marshal Artist. Likewise, Dave Lowry in this book becomes "Kotaro-fied" and emerges as a great Occidental swordsman.

I own one other book by Mr. Lowry on the "Art of Kendo" complete with photographic examples, and many teaching comments that have been very helpful to me.

Mr. Lowry writes and teaches out of sheer devotion and love of the subject, and for this; I truly applaud and respect him! I believe this to be a worthy book but, probably for a younger individual looking for a mentor of desciplines that help to develope spirit and physical attributes.

Dave Lowry offers a perspective in his books not often available to the Western martial arts practitioner - a considered interpretation of modern martial arts in the context of traditional (koryu) arts.

Written in a exceptionally approachable style, Lowry tells the story of his introduction to martial arts, interspersed with anecdotes from Japanese martial history.

Lowry's books provide me with insights into my own training and have helped me grow as a martial artist. Rather than the simple discussion of technique, his essays delve into the "-do" of the arts

One of my all-time favorites, it's recommended reading for all of my students. Mr. Lowry's story is similar to my own. He tells his tale with crisp and humorous writing that has you on the edge of your seat and then lets you sit back and chuckle. A wonderful classic.
If you don't have a copy, you're really missing out.

This is a great read for anyone interested in learning about the history of the Yagyu Shinkage Ryu of swordmanship. Woven into this history are the events that lead Lowry into studying this Ryu and his dynamic interaction with his Sensei.

I've recently reread all the books I have on martial arts, Japan, Japanese culture and history. When I find a passage that really strikes me, I underline it and dog-ear the page. After finishing the handful of books I already have, I came to Amazon to find more. Dave Lowry's book seemed interesting from reading the first few pages available online. Little did I know I would be underlining and dog-earing most of the pages in the rest of the book! An excellent read for new or experienced readers in Japanese history, culture and/or martial arts. I highly recommend it!

I found this classic in the library the other day and what a treat it was to read. To read--but not to accept. It's a sad but inexorable fact that editors today are more salesmen and paper pushers than shapers of authors. What comes through in Berg's fine biography is that writers like Scott Fitzgerald and Thomas Wolf would likely fall through the cracks if they toiled at the desk now. Although Perkins is best known for his troika (the first two authors mentioned) and Hemingway, I had not known that he was largely responsible for Douglas Southhall Freeman writing his multi-volume history of Robert E. Lee. This superb work is as disciplined and fascinating as its subject.

Berg's work rallies all aspiring authors to the cause of sainthood for Max Perkins...maybe even deification. He tracks Perkins's career vis-a-vis the literary careers of important 20th century American authors. Gives a peek at the largely ignored man behind the curtain...and stands as a monument to his contributions to our literary heritage. A must read for anyone who enjoys books.

Scott Berg's biography of Max Perkins is a warm, sparkling account of America's greatest editor in the prewar period, the midwife for works by F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe in the twenties and thirties, when big-time publishing converged on New York. Berg's book is cunningly organized: the reader steps at once into the rough and tumble of editorial work at Scribner's, leaving Perkins' early life, marriage, and family to be described in concise digressions taken only after we get another satisfying dollop of publishing history. Unhappily, once Perkins has delivered his discoveries to the public, the rest is mostly about their boozy extravagance (Fitzgerald), bullying ego trips (Hemingway), and petulant indiscipline verging on insanity (Wolfe). So even if, for this reason, you stop two-thirds of the way through, your curiosity about this key figure in modern literary history will be very well satisfied.

Max Perkins was the great editor at Scribners who handled quite a few of the finest writers of the twentieth century, F. Scott Fitzgerad, Hemingway, and Thomas Wolfe being especially noteworthy (and dealt with at length in this biography). One might envy such a man with such a job, but Berg makes it clear that having to deal with the likes of these authors was like walking around with a huge millstone around Max's poor neck. His job was endless and thankless (Wolfe actually betrayed him). You see from the many letters quoted that many of them are blatant pleas for money. Saying that Perkins had to coddle some of these authors like children would be putting it mildly. Berg does an admirable job relaying Perkins's life and hard times. Recommended.

This is a wonderfully written book, very informative and inspiring for authors, editors, agents and anyone else involved or interested in publishing. Berg does a terrific and subtle job of painting these larger than life characters, allowing their own letters to speak for them. He shows remarkable restraint and good taste and yet has created a book that is enriching and very difficult to put down. Highly recommended!

Yet another outstanding book from the Chivalry Bookshelf, the ultimate source for literature on Medieval martial arts.

Translated from the Fechtuch of Sigmund Ringeck of Bavaria, Tobler provides us with a modern interpretation of this significant work on fencing. The book is heavily illustrated with photos to demonstate the techniques. Ringeck's original text is translated into English, supplemented by Christian,s modern interpretation.

The text begins with basic skills in use of the bastard sword, and also features instruction in use of broadsword and buckler, unarmed grappling skills, and armored combat.

This is an astoundingly high quality text, a series of lessons in battle-skills from across the centuries, presented in a manner that is useful to the student in our time. Sigmund Ringeck would be quite pleased to see this portrayal of his work, still inspiring students of arms half a milennia after his day.

What can I say besides this is a great book. It really helps understand Ringeck's work. Get this book if you are interested in German Longsword fighting. Though if you are starting off I would recommend the excellent book Fighting with the German Longsword, also written by Tobler.

This book also works well with Sigmund Ringeck's Knightly Art of The Longsword by Lindholm and Svard. Same material but some different interpretations.

If you are interested in this book go to the publisher's website. It's in stock there at the regular price, not this inflated used market price at Amazon.

This book is essential for anyone interested in doing medieval swordsmanship. Tobler has done all the hard work for you, he has interpreted the moves perfectly. There is very little guesswork left up to you, each move has many pictures showing every subtle change in position. Easy to follow and the pictures are very clear. A great book, none better.

`Western martial arts are every bit as sophisticated as their Asian counterparts. The German martial systems incorporate both armed and unarmed combat, with and without armor, on foot and on horseback, using daggers, long and short swords, bucklers, shields, falchions, and spears and poleaxes.'

In Secrets of German Medieval Swordsmanship, Christian Henry Tobler has done an outstanding job of introducing the reader to the skills and methods of the Germanic man-at-arms.

The book is broken down into five major sections:
>> Longsword Techniques
>> Sword & Buckler
>> Wrestling Techniques
>> Armored Combat
>> Mounted Combat

Secrets of German Medieval Swordsmanship is an interpretation of the teachings of Master Johannes Liechtenauer and of the later work in the 15th Century of Sigmund Ringeck, a descendant of the Liechtenauer school and master-at-arms to Albrecht, Count Palatine of the Rhine and Duke of Bavaria.

While there were, of course, no photographs in the 15th Century ~ Christian Henry Tobler has filled Secrets of German Medieval Swordsmanship with hundreds of photographs demonstrating the techniques of the masters. He has made an accurate interpretation of the techniques described in the writings of the masters and displays that described in photographs.

Each photograph is clear and in sequence allows the reader to learn the techniques of the masters. These techniques are highly effective and the more one practices, the greater insight one gains into the secrets of the masters of arms of the 15th Century.

The book concludes with a glossary of terms well-worth learning to improve understanding of this text and others related to it.

I found Secrets of German Medieval Swordsmanship to be an absolutely indispensable reference for the student of Medieval Swordsmanship and Western Martial Arts.

I first bought Mark Rector's _Medieval Combat_, but I didn't feel I truly grok'd many of the illustrations in that book until after I read this book.

For the most part I think that Mr. Tobler's interpretations of Ringeck's verse are dead on target. But in many cases, it seemed pretty nebulous what Ringeck meant - not that surprising considering we are trying to take a very abstract description of a full-sensory 4d event - verbal, and put back all those lost details.

In those cases were I couldn't figure out for myself what Ringeck meant, Mr. Tobler's work seemed at least internally consistant, and well thought out.

Again, excellant.

This book is a very useful resource, but for who? See below.
The book is detailed, informative, and has many historical sections that are interesting to read. The author, whom I traveled long distance to learn from after reading his book is a genuine sword enthusiast and expert fighter in the use of the Chinese straight sword. He is a historian with extensive knowledge of Chinese antiques and metallurgy. He also deals in authentic antique arms and armor from China, so he has a very in depth grasp of how swords work. In fact, a wide range of Chinese sword forges and other sword manufacturers currently approach him to evaluate and do reviews of the quality and authenticity of their contemporary sword productions.

WHO WILL THIS BOOK BE USEFUL FOR?:
1. People who are learning Chinese straight sword forms who want to learn how their system works.

Read the book then attend a seminar with Mr. Rodell. Then read the book again. Then apply what you have learned to whatever lineage you are studying. That's what I did about four or five years ago, and it has taken me a long way in my study of Chinese sword usage.

2.People who want to compare and contrast their interpretations of the widely practiced Yang Style "Public" taiji jian set, and see detailed applications. You will probably gain many insights from this book. You may also want to look at Yang Jwing Ming's Shaolin and Taiji(same form) books on straight sword and "The Art of Chinese Swordsmanship" by Zhang Yun (WU style). All these books complement each other well.

3. Any student of Yang Jia Michuan jian. A must have.

4. People who study any double edged sword style from any culture, or any other weapons system for that matter, who would like to cross-reference what they are doing.

5. People who think that Japanese swordsmanship is better than Chinese swordsmanship and that Kali is the only weapons system that really works.
YOU need to read this book and broaden your horizons a bit. These guys fight too.

6. Taiji and other CMA stylists who wish to begin studying swordplay and want to do it REALISTICALLY and SYSTEMATICALLY.

7. Curious people. This book still makes interesting coffee table reading if you are none of the above.

This book, unlike other books about Taiji and weapon forms, describes the sword form from the application point of view. How has the Jian developed to become what it is per today, who used it and what techniques are used in combat? He describes clearly the differences between the Yang family style and the public sword form. What I find remarkable are the differences between the public form described in the book and the public form described by (for example) Chen Wei-Ming. This book is worthwhile studying for those who want to have more background in Taiji sword.

I bought this book, read it and was utterly amazed that someone with the knowledge and skill level finally wrote a reference guide for those of us who haven't been able to go that extra mile because of lack of the information available. I really recommend this book for someone who is learning Taiji sword (from a teacher of course), because it will be of big help to you when you need to refer back to it.

The book is about the Yang Family Taiji Sword Tradition. Two different styles are presented: one which most of us are familiar with that was down from Yang Chengfu's lineage and taught to Mr. Rodell by Master T.T. Liang; the second one came from Master Wang Yen-nian of the Yang Jianhou (Yang Chengfu's Father) tradition. Those that are familiar with the history of Yang Taiji will understand that there is a difference between father and son's technique.

The book begins with the Author's Introduction and then History, Sword Ettiquette (which I found particularly interesting), Jian (sword) Anatomy, how to hold the sword and perform the secret sword fingers, basic stance and sword cuts. Then both forms and their applications(!) are shown using real antique weapons from the Ancient China. There is also some interesting stuff in the Appendices.

I hope you buy this book it will be of great benefit to your training.

You can not learn a martial art by reading a book. That said, this book is a wonderful companion to a class.

Without a doubt, Scott Rodell has written one of the most accessible and comprehensive books on swordsmanship (Chinese or otherwise) I have read. The book welcomes the novice reader and makes him feel comfortable with the subject, while the seasoned martial artist immediately understands the author's intended message, without feeling lectured to. Scott speaks the language common to traditional martial artists with quiet elegance and confidence.

Andrew Winston

It opens up your mind... to the range of movements available for the longsword (some of them you'd never thought possible), to what swordplay was... The things I've learned from it so far helped me greatly in improving my stage combat performance, even if the book doesn't contain specific stage swordplay techniques (quite the opposite, I'd say).

I am a "newbie" to the longsword. For the last six months I have been studying on my own. I have used other books and publications to try to understand the guard and strike positions. These sources use "static" drawings or photos. This approach makes it difficult to visualize the full movement of a maneuver.

The authors of "Sigmund Ringeck's Knightly Art of the Longsword" converted photos to drawings. The drawings include arrows that represent the flow of the maneuver. It is much easier to get a complete visual image of the technique being discussed.

If you plan to "go it alone"; I would recommend this book above all others.

Doug C.
Austin, Texas

This is a seemingly accurate and easy to follow presentation. Manuals like this are hard to find. I was able to take it and within the space of a week employ many new gambits in my practice. I would have considered most of these beforehand to be inaplicable at speed or too awkward to quickly learn. Very direct and clearly illistrated. If you're part of any of the medieval re-enactment groups out there this book will be very rewarding.

This is an excellent book. It is a great place to start. Having said that, there is nothing like having a good Western Martial Arts instructor though.

This is an excellent interpretation of Ringeck's manual. It offers clear concise instruction, guiding the reader and practitioner towards a very good understanding of the German Longsword combat system. Excellent read. The glossary alone is exceptional, explaining common and relatively obscure terms in comprehensible language.

Guy Windsor teaches at the fencing school he founded in Helsinki, Finland (School of European Swordsmanship). In this manual, he introduces us to the two-handed longsword, one of the primary close-quarter weapons of the Middle-ages and Renaissance, a weapon highly prevalent in many ancient European martial texts.

Mr. Windsor's text explains the history of this particular sword, with commentary on the philosophies of Italian fencing-masters who wrote some of the most influential early fighting-manuals. Inside, you will recieve instruction in drills of footwork, armed-practice (alone and with a training partner), principles of fencing, and warm-up for sword-practice.

Thoroughly illustrated with black & white photos, as well as historical line-drawings from the original Medieval manuals, you will find this to be a true gem among the new wave of Eurocentric martial-arts books.

Also to be recommended: Medieval Combat by Hans Talhoffer, translated by Mark Rector

When I saw this book advertised on Amazon, I said to myself...oh no!!! not another one of those books written by these whackos who think they can swordfight, just because they played with metal bars in their backyard !!!! Then as I looked through it I said .....Finalmente ....Finally....a well researched book written by an intelligent man who has studied the period manuals and presented his theory on the subject!! What is great about Guy Windsor is that even on his discussion forum he admits that he is learning everyday, and that he feels no shame in changing something that he might be wrong on. Great book written by a great author !!! If you want to learn to fight with the Longsword by this book !!!!!!

This is an excellent book. The demonstrations of the techniques are clear, and easy to understand. Guy Windsor intended for this to be a workbook for the Historical Western Swordsman, and this is. He does an excellent job at conveying the subtlety of the Italian longsword tradition. I look forward to other works by Windsor on the Longsword and other weapons used on the battlefields of medieval Europe.

The broadsword in s good place to start for anyone interested in learning Historic Swordsmanship. This book is well written for those who want to learn the basics. I personally found many new drills and new ways to teach my students.
Personally I have been in the martial arts for over 20 years and have been doing Western Martial Arts for about 8 and I really liked this book. It is always good to return to the basics and make sure they are solid.
I would recomend this book to anyone who is starting or thinking about getting into Historic Swordsmanship, also and well equiped sword library should have this book.

Although I read this a few years ago, it remains for me the best book on the subject of swordplay that I've ever picked up. Although I may disagree with some of his interpretations (and that may simply be the result of his models handling blades too long to accurately demonstrate some of Fiore's guards), his decriptions of the fundamental principles of swordfighting are both elegant and insightful. This book was a pivotal experience in the evolution of my understanding of medieval swordplay.

Over My Dead Body is the seventh in the Nero Wolfe series. A young lady claiming to be Wolfe's adopted daughter from Yugoslavia asks for his help with a charge of stealing diamonds but this quickly evolves into a situation where she is suspected of murder. The case frustrates Wolfe no end, it gets more complicated all the while, but of course he manages to uncover the solution by the end of the story.

This book is a prime example of a Nero Wolfe novel. Archie Goodwin is in top form as a wise cracking pain-in-the-neck. Inspector Cramer is present more than a lot of stories giving Goodwin plenty of opportunities for zingers besides the ones he routinely fires at Wolfe. Wolfe himself is definitely out of his comfort zone dealing with the situation of his adopted daughter and this also adds to the potential for laughs.

This is a very entertaining book and I would recommend it for readers unfamiliar with Nero Wolfe as a great place to start or for established fans.

In this Nero Wolfe mystery-one of the earlier episodes-we encounter Wolfe's adopted daughter, who is in a bit of a fix. Wolfe comes to the rescue and along the way, shares little glimpses into his past: his tumultuous youth in Europe; the origins of his suspicion of all women; how he came to adopt a child. In this book, probably more than any other in Rex Stout's series, do we see the effect that women-especially those from the former nation of Yugoslavia-have upon Wolfe's psyche. It's a good read-a good mystery with a great plot-like pretty much all of Stout's works.

This book hits on all cylinders. The plot is excellent, intricate but clear. The characters are well drawn. The atmosphere, New York on the eve of World War II, is almost palpable. The dialogue is perfect. I'm at a loss as to what else to say about the book except, "Read it."

A Britsh undercover agent is murdered at a Manhattan fencing school, skewered by an epee with a gizmo attached that turns it into a weapon sans blunt end. Yugoslav women who are instructors there are possible suspects, one of whom is Nero Wolfe's adopted daughter from his days as an ill advised Austrian agent in the Balkans, pre World War, before we started numbering them. This alone is a startling revelation about Wolfe. Wolfe slender? Youthful? Abroad, outside, involved with people? I was astonished.

As usual, the beer drinking, orchid collecting, erudite, corpulent food lover Nero Wolfe declines, under any circumstances, to leave his brownstone abode with a greenhouse rooftop for his rare flowers. Using Archie, his assistant, as legs, Wolfe solves the baffling case. I knew he would. He's solved all the other mysteries in the Nero Wolfe books I've read.

Mystery fans who have not read mysteries from the golden age (pre-1950) do not know what they are missing. There is no sex to lure the lascivious reader, very little violence, no profanity. What there is (and this book is an excellent example of the sub-genre) is intelligence.
That's a rare commodity in most modern mysteries.

This is, at once, one of the best books in the series and one which translated brilliantly to TV on the A&E series.

Rex Stout decides to deal us a little shock in this one: Nero Wolfe, woman-hater, has a daughter he's not seen since she was a baby. She comes from Yugoslavia to New York, unknown to her pops, and gets into a real tight spot involving murder by "coldymort."

When Archie learns this, he considers resigning on the basis of his boss's morals. You just have to read this one to find out.

Or, again, buy the A&E series - they did a great job here.

Having read just about all of the Nero Wolfe series, I have to say, this one contains all of the elements that make Rex Stout's detective novels wildly entertaining, without most of the elements that make some of them maddening

In this mystery, the utterly unswashbuckling Wolfe is revealed, in his younger, svelter days, to have been quite a romantic. Not only did he fight on the anti-Imperial side in Montenegro during the Great War, but he adopted and may even have actually sired a young girl.

To his shock, this young Yugoslav maiden--whom he had lost track of--reappears in his life, up to her neck in a particularly messy, intricate affair that may or may not include missing diamonds, a dead body or two, international intrigue, and a bellboy's uniform. For all of the peeks into Wolfe's previously unsuspected soul, he remains as crumudgeonly and as immovable as ever. Archie Goodwin, of course, remains the wisecracking, milk-drinking sidekick, flirting with anything in a skirt and even giving a Nazi agent a black eye just for the fun of it.

The joy of these books is their marriage of the American gumshoe attitude and the British cozy focus on character. Where they generally fall short is their plotting. This entry in the series is, without a doubt, the most successfully rounded out of the lot. Stout manages to keep the mystery truly mysterious, and yet never manages to confuse the reader so thoroughly that s/he can't find the exit. The plot actually ends on the last page--many of the Nero Wolfe mysteries fizzle out, wrapping up a chapter or two before the end, leaving nothing but rumination and grumbling for the final pages. Others seem never quite to wrap up all the loose ends. Here, the conclusion is both inevitable and unexpected--utterly satisfying.

Dr. Hatsumi shows swords and armour nobody else would posses and demonstrates tecniques in a way else would be able to master .

Great book. A must for anyone interested in Japanese Sword Fighting, Ninjutsu, or Budo Taijutsu.

One of the reviewers of this book used the fact that Soke's creative use of the Japanese language was the source of much of his wisdom. For those interested in language then this description would seem sufficient.

I would suggest to the would-be reader however, that Hatsumi-sensei is first and foremost a budoka and the source of his 'wisdom' stems from his martial art. Soke himself has written that it is his understanding of martial arts that allows him to successfully perform other arts. It is encumbent on the reader, certainly for those who are students of the Bujinkan, to see this book from the perspective of the martial arts.

This book is another testament to the persistance and creativity of Hatsumi-sensei. Forever finding the next step, Soke is always able to continue and, in his own words, 'keep going'. This book is a MUST for any student of Hatsumi-sensei's Bujinkan art.

This book is awsome!!! it not only shows you how to do difforent moves in japenes sword fighting but it also teaches you the backround or history of the sword style what the difforent swords are called and it teaches you at least 5 moves for each difforent one. All around this was a very good book and i'm glad i found it.

Relatively little has been written covering Samurai sword fighting techniques: here ninja grandmaster provides both a history of the art of Japanese swordplay, rich in biographical surveys and cultural insight, and a survey of classical techniques used in two-sword fighting. Vintage and modern black and white photos and illustrations pack an account that blends step-by-step how-to photos with calligraphy, description, biographies, and background history. A 'must' for any serious not just about Japanese sword fighting, but Japanese culture and history as a whole.