North America Books

Jake George's previous book Grandfather's Song is a marvelous work. He continues the Lenape Indian saga in this fantastic and soulful sequel out of which beautiful and richly crafted characters leap into our hearts and imagination. As he guides us like an accomplished tracker and warrior through the wilderness and seasons of the new world, we come to find ourselves enveloped by a warm yet admonishing Native American spirituality...one in which we learn to commune with nature, awaken to our responsibility and love for each other, and which ultimately causes us to reflect on our own inner being. I truly loved this book. As long as Jake George keeps writing, I will keep reading!

I read this some time ago and still think this is one of the most fast paced, interesting and exciting books that I have read. I thought it ranked right in there with "The Da Vinci Code" as I couldn't put it down. Excellent story line, character development and vivid descriptions that place you in the midst of the story, scene and characters. It is a very "visual" book with descriptions so well written that you really feel like you are right there walking the paths with the characters. Along with native lore, there are some steamy sections so get out your fans too. Ron Howard, this would make for one dynamite movie!

'A New Dawn' - Jake George defines what Native American culture is. It is not the same today as it was a thousand years ago - even a hundred years ago - where in Native American life, justice is served for an evil.

The saga continues from Jake George's book, 'Grandfather's Song'.

Using authentic Native words, 'A New Dawn', Jake George forges a successful alliance between the Above World and the Old World. Jake gives his Native voice to his People.

Character development is very strong. The relationship between Running Woman and Crying Woman holds a very special place in my own heart. Custom is true to the instructions given; how to survive in harsh climates, a sense of community, herbal medicine and doctoring and authentic Native tools of survival.

Jake incorporates a spellbinding transformation, a guise of human to animal and back to human shapeshifting through the characters Elder Fawn and Elk Caller.

Jake George has written a phenomenal account of a Native American adventure. 'A New Dawn' is rich in spiritual energy which reflects old-world Native values and survival ties with the land to restore peace to a troubled world.

'A New Dawn' makes its way into modern-day Indian communities to emerge a new generation to sustain cultural identity and respect for being Native American.

The name on this book, 'A New Dawn' in the absolute highest spiritual sense, is an educational gift on behalf of all Native American tribes.


~Sage Sweetwater, firebrand lesbian novelist, author of Blue Corn Woman, edited by Jake George

I found this book a delight. The story was strong as were the characters, with excellent and compelling writing. It was fascinating to be caught up with the native American Indian way of life and quite an eye opener for a Brit like myself who normally only writes and reads thrillers. Well done Mr. George.

'A New Dawn' is a smooth transition from the novel 'Grandfather's Song' by Jake George. We plunge into the 'Old World' where the Lenape and other tribes have chosen to travel to in order to help return the balance between man and nature that has fallen apart in the 'Above World'. The tribes must struggle to adapt, for many have forgotten the old ways or long for the life they left behind.

There's an environmental and 'life lessons' theme pulsing through the novel, but it is far from being preachy. The interaction between the characters is fast-paced and extremely engaging. Those who have returned to the Old World do not have a completely peaceful existence. In fact, there are brutal murders and deep seeded problems that must be solved, many of them involving great sacrifice by some members of the tribe.

I thoroughly enjoyed this sequel! The setting, characters and blend of Native American traditions simply flows along in a swift current of vigorous language. Jake George has a vision and an obvious love for the Lenape People that shines through in his writing. His tense action scenes and tight dialogue has an edgy quality that reminds me of some of my favorite westerns. The graphic torture scenes, erotica, and some harsh language, etc. cautions 'mature audiences only'. Adult readers new to Jake George novels will find their appetites craving more...

Chrissy K. McVay
Author of award winning novel 'Souls of the North Wind'

Harvey Arden has once again written a superb piece of work. Along with several of his other works, Arden continues the tradition that he, along with Steve Wall, began many moons ago; a tradition of listening and learning. Arden has stimulated my own path and for that, I am truly grateful. I also highly recommend his book, "Have you thought of Leonard Peltier Lately." A sad episode in U.S. history to make the ultimate understatement. Brother Arden, Keep Hope Alive!

Very good and truly authentic..

This is one of the best books written about Native American spirituality. It is a book I shall treasure always. My one regret this that I was not able to meet and talk with Mr. King (Noble Red Man).

"We Lakota people have our giveaways. When something important happens we celebrate by sharing what we have," said the late Chief Mathew King, known as Noble Red Man in Indian Country. "Even the poorest among us share what we have....The more you share the more you're given to share."

Which is precisely what editor Harvey Arden has accomplished with his passion for keeping alive the wisdom of the American Indian. In this book, Arden, a former senior editor for National Geographic, has compiled a comprehensive volume of the thoughts, philosophy, humor and spirit of the great Oglala Lakota (Sioux) chief.

Noble Red Man was born Mathew King in 1902 in Grass Creek, S.D., a small community of Indians from different bands. He died in 1989. In the long stretch of time in between, he absorbed knowledge, wisdom and experiences that molded him into a sage and respected leader.

After three years in military school, his parents enrolled him in the Springfield Indian Seminary to become an ordained Episcopal minister. Hunger, more than faith, was his motivation.

"If you converted you ate better," said Noble Red Man. "To help feed the starving Lakota my father and uncles became missionaries." During training, he concluded that - despite being very spiritual - that the clergy was not his calling. He had misgivings over Christian theology. "I have always believed in the Great Spirit and worshipped Him in my own way," he said. "These people don't seem to want to change my belief in the Great Spirit, but to change my way of talking to Him."

Instead, Noble Red Man set out to do the Great Spirit's work by teaching Indians to "earn their bread by the sweat of their brow," finding work and securing labor rights for thousands of Indians over the years. He became a voice not only for the Lakota people, but American Indians everywhere, taking their case to court, before Congress and even overseas. His passion was fighting to regain South Dakota's Black Hills, sacred land promised the Lakota by the Fort Laramie Treaty of 1868, but swindled from them five years later when gold was discovered.

The federal government belittled the Indians' claim to this revered land in the 1970s by offering them $100 million. Noble Red Man retorted: "The Black Hills aren't for sale. What if we offered you a hundred million dollars for the Vatican, for Jerusalem?" The money still sits in escrow, unclaimed.

Arden first met Noble Red Man in 1983, on the 10th anniversary of the Lakota occupation of Wounded Knee, S.D., a reservation hamlet that was the site of the American Indians' last stand in 1890, as federal troops massacred over 350 Indians. The 1973 occupation - which was met with an FBI siege for 71days - was staged by the American Indian Movement (AIM) in protest over the government's harsh treatment of Indians. He and venerated Chief Frank Fools Crow provided moral support to the occupiers, while placating armed FBI agents.

As Arden attempted to explain to Noble Red Man why he'd come to Pine Ridge, the chief shot back: "I know why you're here! White Man came to this country and forgot his original Instructions. We Indians have never forgotten our Instructions.... I can't tell you what those were, but maybe there are some things that I can explain...."

That is what Arden has done. Culled from his interview notes and tapes, Arden felt that he didn't have enough material to compile the book that was Noble Red Man's unrealized dream. After the chief's death, Arden visited his daughter, Lavon King, who had kept her father's old reel-to-reel tapes in a trunk. In a labor of love, by 1994 Arden finished the job he began 11 years earlier. With this book, he has put into print Noble Red Man's credo, reflections, recollections and hopes.

There is even a good measure of humor, which captures Noble Red Man's keen sense of irony. My favorite anecdote was how he became a smoker at age four (!) by rolling cigarettes for his grandmother, Cane Woman. She "was blind, and I had to guide her around with her cane. People really laughed when they saw us....We must have been quite a sight, the two of us, both smoking Bull Durham cigarettes while I led her around by the elbow."

Reading his words, I was struck by how senseless the gulf between American Indians and the Americans occupying their land is, for they aspire freedom in the truest sense. However, more than any other people, American Indians have been systematically denied that freedom.

Yet, Noble Red Man kept optimistic. He counseled his fellow Indians to stay true to their heritage.

"Only one thing's sadder than remembering you once were free, and that's forgetting you once were free. That would be the saddest thing of all. That's one thing we Indians will never do."

This book enlightened me with the wisdom of the original Americans. It's hard to believe the Christians were trying to convert a people most likely much closer to God than themselves. Several Indians performed acts that would be considered miracles by those of other faiths. Wonderful book.

I gave this book to my husband. He is a rangeland management major and he is in love with the book. I do not know anything about plants, but he seems to love it and find it extremely useful. Compare to the expensive "weeds of the west" this book is relatively cheap for the amount of plants it has.

As a Range Conservationist in WA State a great book for all range mgrs, range techs., however, I was surprised to see Thurber needlegrass taken out of the most recent issue.

This is a great reference book for North American Range plants. It includes a detailed description of each plant along with sketchs and a maps to show distribution. Grasses, forbs and shrubs are included. This book also closely follows the lists for university range plant identification team contests. An excellent reference or study book for North American plants.

This book contains 200 of the most common range plants in North America. Each entry contains a detailed illustration, range maps, scientific and common names, complete written description, growth habit, origin, livestock value, and medicinal uses of the plant. I found the illustrations to be the best I've ever seen, especially the detail included in the grass spikelets. This is an excellent reference for anyone trying to familiarize themselves with common range plants.

North American Range Plants is a great book for any beginer, taxonomy student, layman, and expert alike. It is easy for the novice, because it's not in a key format, which may disappoint some more serious plant collectors. It contains 200 of the most common, and important plants found in the United States, Canada and Mexico. I have had this book for sometime now, and it has become an invaluable resource in my studies at Texas A&M University, where I have come to know one of the co-authors, Stephan Hatch. He has an unparralled knowledge of plants and a dedication like no other to put forth a good product, so i know from experience that this book was written by folks who are the top in their field of study. Being from Texas, i have worked internships in the plains of central North Dakota and the desert "outback" of eastern Oregon and have found the book to most useful, oftentimes referring to it before trying to "key out" a plant in a more technical publication. It just doesn't get any better than this.

For somebody who appreciates exceptionally fine photography and writing that is definitely a cut above today's standard, I highly recommend Pacific in My Soul. Seldom does a "picture book" do it for me, but this is an exception. Having acquired my first copy as a gift, I've now found it an excellent way to communicate that majesty we here on the Northwest Coast are lucky enough to call "home". I've not yet read any of Anne Chadwick's other work, but am looking forward to doing so. Her descriptions are accurate, vivid and most of all, readable. She is an author who knows both her subject, and has a way of delighting her readers with the simplicity and the depth of her understanding of nature captured in both word and photography.

Looking at the pictures in this book took my breath away! The photography is so wonderful, I felt as if I could reach into the pictures and feel the water. I would love to have many of these framed in my house. I loved how Ms. Chadwick used her personal experiences in the book to tell me how she took them. She gave information about the animals and locations in such and easy to read and relateable way. A lovely book to keep around!

I picked this up while I was on vacation up at Sea Ranch this August. I love finding local books. I've been going to Sea Ranch for the past 5 years or so and this book is like bringing a little bit of that life home with us. I have read it and loved it, but leave it out on the coffee table, where just a glance is like a whiff of ocean breeze that calms my soul and soothes me.

Pacific in My Soul by Anne Chadwick is a remarkable effort. From the gray whales of San Ignacio Bay in Baja to the brown bears of Katmai in Alaska, the book examines the Pacific coast from a naturalist's keen and insightful perspective. It's a surprisingly big view of a big place in a compact 96-page package. More than 40 illustrated essays cover fauna (seals, otters, sea lions, whales, raccoons, deer, bear, elk, eagles, cormorants, swans, butterflies); flora (azaleas, rhododendrons, lilies, amanita); phenomena (waves, storms, fog, moon); and moods (sunrises, solitude, morning dew, sunsets). The writing is engaging, entertaining, and enlightening. The style is crisp, fresh, and lyrical. The voice is contemplative and reverent, and not a bit shrill or strident. The photography is stunning. Pacific in My Soul is practically a clinic in combining the visual with the verbal to evoke a powerful sense of place. Highly recommended.

Whether you have been there and want to reminisce or just want to understand the draw of the northern Pacific coast you will enjoy the beautiful photography and personal narrative of Pacific in My Soul. Pelicans, elephant seals, egrets, waves, sea otters, solitude, rhododendrons, herons, tidal pools, gray whales, redwoods, raccoons, ospreys, wildflowers, fog (beautiful picture), sea lions, lily, orcas, butterflies, elk, bald eagles, sunsets and other subjects are addressed in the book. Written as a personal sharing of the author's favorite things about the Pacific Northwest, it is both a beautiful and intimate work. Pacific in My Soul is highly recommended for nature enthusiasts of all kinds.

The book Pasquala is about a brave girl who suffers because her dad and mom die. Pasquala is a strong character because her uncle who adopts her isn't very kind to her. For example, he doesn't let her go to the mourning ceremony or be in the ceremony changing kids into adults. Pasquala is the book's narrator, and she is a good one because she helps others. She saves the padres when she runs for 3 days and nights to warn them about an attack, and that's why she dies. I think that the book is good and it teaches a valuable lesson: we need to help others and then they are going to help us back when we need it. Pasquala even got her name from a padre who calls her that because she helps others. I like this book a lot, and think most kids my age would enjoy reading it. I learned many things from this book, such as how Yokuts Indians collected salt.

The book Pasquala is about a brave girl who suffers because her dad and mom die. Pasquala is a strong character because her uncle who adopts her isn't very kind to her. For example, he doesn't let her go to the mourning ceremony or be in the ceremony changing kids into adults. Pasquala is the book's narrator, and she is a good one because she helps others. She saves the padres when she runs for 3 days and nights to warn them about an attack, and that's why she dies. I think that the book is good and it teaches a valuable lesson: we need to help others and then they are going to help us back when we need it. Pasquala even got her name from a padre who calls her that because she helps others. I like this book a lot, and think most kids my age would enjoy reading it. I learned many things from this book, such as how Yokuts Indians collected salt.

The genre is historical fiction. The story began when Pasquala and her mother were hiding in a cave because they saw soldados coming to their village. Pasquala was scared when she sees shadows near the cave opening so she closes her eyes and then feels a hand touch her; when she opens her eyes her father is right in front of her. Her father said the soldados had gone. After a couple days they go to the Pacific Ocean and on their way back Pasquala gets sick, so they have to take her to the mission to save her life. After a while they start living at the mission. One day her father finishes a beautiful saddle, so now the soldados want him to take it to the presidio where the soldiers live. When he gets back he is sick and dies. But before he dies he tells Pasquala and her mother to leave the mission. When Pasquala and her mom go back, the other villagers don't really like them anymore, because they had to do their work while they were gone. From this book I learned a lot about the Yokuts Indians who lived in the Central Valley. The book was short (about 90 pages) and easy to read. I liked the ending because usually most books have a happy ending; this one was sad. Read this book, it's enjoyable and a great way to learn about Califoria history and geography.

I found this guide easy to follow, well organized and practical. It probably is most useful for 2nd - 5th grade.

The authors have done a fabulous job in bringing to life what it must have been like to be a little Yokut indian girl living in California's Great Central Valley 200 years ago. It teaches a great deal about the Yokut way of life and how things started to change when the Spanish arrived with their missions along California's coast. This is a fast read! You won't be able to put it down! Each turn of the page brings little Pasquala to a place in your heart where she will remain long after you finish the book. It is a fantastic book for 4th grade teachers to read aloud to their classes. It is also an excellent book for anyone who simply enjoys reading a well-written compelling story.

A really complete,exact and interesting guide to the observation of the North American Mammals.Very nice.

A thorough guide to North American animals. Lot's of color plates and informative. It even covers animals in their stages like a fox in winter and midsummer and how their coats change color.

To put it simply you won't be disappointed.

Fiona Reid has created a tour-de-force in The new Peterson Field Guide to Mammals of North America, the first update of the Peterson series on mammals in thirty years. This is the best Peterson Field guide ever, the ideal gift or stocking stuffer and a must have for anyone who loves environment, natural history, the outdoors and wildlife, from your budding naturalist eight-year old to your birder grandmother in Wisconsin.

The new guide combines all the best features of recent ground-breaking field guides in a completely new book. It is both encyclopeadic and accessible, beautiful to hold in the hand and, as has always been the case with the Peterson series, the perfect size to take to the field. It will also look very good on your window sill and be handy next time that bear or ermine comes to the feeder.

A revision was of Peterson's Mammal Guide was long overdue and Fiona Reid has gone about it masterfully. In comparing the new and the old guide, one need only look at the new paintings to realize how much we needed this brand new treatment of North American mammals and to see how beautiful a book this is. Our knowledge has advanced tremendously, even for better known groups such as the carnivores; but it is when you spend some time with groups such as the bats and the chipmunks that you begin to realize just how far we have come since the last edition in our understanding of the mammalian diversity we see around us. Brilliant author-biologist-artist Fiona Reid has captured the traditional basics of a field guide with astounding plates and just the right amount of detail on ranges, biology, morphology, and even environmental threats.

This is the new gold-standard of field guides.

As someone majoring in Wildlife Science, I needed to have a field guide for my studies. I bought the previous edition about 3 yrs ago, but found it lacking. For example, it showed the historic range of raccoons, but not the current (expanded) range. It also used older genera (plural for genus) names & had very few bat species depicted. These & other factors made it impractical for me to use the book in my studies.

However, this new edition appears to be much more applicable for someone like me. It has color maps (the 3rd edition's maps were black & white) which are included in the species accounts (rather than at the end). Introduced species & their populations are shown in blue; historic ranges are shown using dashed lines; & sea mammals' ranges are included (no ranges were given for them in the 3rd ed.). Select maps are even shown with county lines drawn in in large states like CA & TX so residents can easily determine whether a species is in their county or not.

The color plates are better too. Animals are depicted in more natural body positions & appear more lifelike. There are many many more bat species depicted than in the 3rd ed. Sea mammals are included in the color plates; in the third edition, they were only depicted in black & white drawings. Introduced species (like the Blackbuck) are also depicted in this section. Select black & white animal tracks are included in the color plate section, rather than on the inside cover.

Skull identification is very important to biologists, since skulls are often all you'll find of an animal. This book has color photos of various skulls. The 3rd ed. had only black & white photos, which wasn't so bad, but I like the color photos better. Also, the dental formulae are given in this section for the respective genera. I will say, however, that I did like the dental formulae chart in the 3rd ed. because it summarized them all in 1 place, rather than spreading them out over several pages.

Immediately following these plates is a section of illustrated shrew teeth & molars of sm mammals. On the page just before the Species Accounts section is a depiction of pocket gophers with grooves on their incisors, a feature often used to distinguish between them.

Although most color photos are found in the skull section, there are more throughout the species accounts.

Species' names have been updated too. In the 3rd ed, the author chose to stick w/ some of the older names. In this edition, the accepted names (like Spermophilus) are used & even Bison bison was updated to Bos bison.

In the species accounts, common names other than the one Reid used are written in sm uppercase letters below the line w/ the common & scientific names. For example:
COYPU Myocastor coypus (introduced)
NUTRIA

The species accounts describe the animal, sounds it makes, similar species, habits, habitat, range, & even its status (whether it's common or endangered, & which organization lists them as such, such as the USFWS & the CITES appendix #). The previous edition included eyeshine colors (which are included in some entries in this new edition), number of mammae, & economic impacts, but for the most part these features were left out of this edition. However, I doubt many people will miss them.

I think this edition is excellent. I only had my book for a day & yet I found all the improvements mentioned above. I recommend putting a self-adhesive plastic book cover on your book because the plasticized coating wears a bit quickly. (Note: I've had my book just over a year now and am slightly editing my comments to fix minor typos & improve the flow a bit :})

This new guide is hands down the best mammal guide for North America currently available. An impressive volume and effort by the author. The artwork is superb, the photography crisp, and the phylogeny and other science accurate and up to date.

This book gives an awesome insight to the everyday meaning of pet in America from colonial times to present. I will read this book again and again.

Pets in America: A History, was purchased as a gift to a friend who is a pet-lover. She seemed delighted with the gift. I skimmed but did not read the book in detail.

Katherine C. Grier has written a book that is both entertaining and informative. Although I don't think it was intended to be a textbook, it will be a very useful book to use in the college classroom...students will not fail to be engaged by it, which will result in good discussions and thus more learning about the way our society views companion creatures. Dr. Grier blends history and visual images in a way that supports and extends the reader's general comprehension and enjoyment of the many interesting facts in it. Beyond it's usefulness in my classes, though, I have to say that this book is probably one of the best reference works for the history of pets in America that has been written to date. It's also fun to look at the pictures. It is the work of a rare type of scholar: she "reaches the student before she teaches the student." I'm going to make this a required book in my classes next Fall. Thanks, Dr. Grier, for a job well done!Pets in America: A History

"Pets in America", an astonishingly comprehensive new book by Katherine C. Grier, relates the history of pets as we have known them from the earliest days of our nation. In doing so, she has given us a compelling look at the evolution of how different animals became popular pets, how we treat pets as a society and what their needs are compared to ours.

Grier begins by asking "what is a pet?" and then follows up with remarks about "why pets matter". She sets the stage for the reader to begin to view the animals we call "pets" (and what Americans in the nineteenth century called "favorites") in a different way than just furry little creatures that greet us upon our return home. One of the many surprises I found in reading "Pets in America" was that one hundred to one hundred fifty years ago the most popular pet to have was a caged bird. She explains part of the reason by saying that there was far less noise around then and songbirds added a cheerful level of volume that was most welcome in many homes.

While Grier's book understandably covers dogs, cats, birds and fish as the most common pets to find around the house, there is also a good deal of writing about livestock animals.....horses, swine, barnyard fowl and rabbits. There are many quotes from diarists of the 1800s and the most alluring ones come from children. Being much closer to "pets as dinner" she quotes a few girls who couldn't stand the thought of losing a newborn calf or lamb, knowing that it would end up on someone's dinner table....possibly their own. There's also a charming section on "the Bunnie States of America"....a club set up in 1898 by the children of an Albany, New York couple who had rules and regulations for their club, held meetings and wrote of the happenings of their beloved rabbits.

Grier takes an awful lot of time in the middle of the book describing the liberal goodness of the upper middle class and their views toward treating animals with kindness and respect. Although she presents her case effectively, it is the one place where "Pets in America" bogs down a little but she picks right up again with a chapter titled, "Pet keeping and its dilemmas". As animals moved closer to humans with their increased indoor contact, boundaries necessitated change. Understandably, at the same time, livestock became more foreign to many Americans with the advent of the automobile, as horses were decreasingly necessary for transportation. However, Grier describes in great detail what city life was like prior to that with pigs running through the streets, chickens cackling in many a backyard and the undeniable stench of horse manure. The seemy side of pet life....those who dealt in the selling, trading and butchering of pets is a terrific addition to the work. It's hard to believe, sometimes, that we are just a few generations removed from all of that.

The author finishes up with a look at the twentieth century arrival (on a large scale) of pet stores, pet food and other accoutrements such as "clothing" and bedding. There is not much about veterinary medicine in this book other to say that in earlier times, a pet's best caregiver (and often its only doctor) was its owner.

Many wonderful, early photographs and drawings accompany "Pets in America". It's a welcome addition to a fantastic book. I highly recommend "Pets in America" for its depth and incisiveness and I applaud Katherine Grier for combining a straightforward analysis with an outstanding narrative.

It's true that Americans love their pets. Ask anyone at school or work and your will usually get quite a story about the family pet. Katherine Grier's Pets in America: A History is a wonderful attempt to trace the history of pets in America. It is ironic to see how the social development of Americans so closely parallels the sociological importance of our pets.

This book is absolutely recommended for you or the pet lover in your life. It is filled with little pithy facts about pet ownership down through the ages. For instance, I was pleasantly surprised to read of George Washington's hounds and the level to which his personal correspondence referenced them.

Pet ownership has existed in some form since the 1500s and continues to grow in popularity. I found it intriguing how much of pet inclusion is tied directly to our sociological evolution. For instance, our incorporation of pets into photographs directly corresponds to American's desire to share memories with their posterity. The modern purveyor of the digital camera doesn't even give Fluffy a second thought to being included in a photo spread.

Grier also shares the realities for capitalism which increasing pet ownership brought to America. In some of these sections the minutiae will creep to the surface. You would be ill advised to sit down and read it in a few sittings. I did this and found myself absorbed in the details.

Instead, read this book in small chunks. It is filled with incredible information about pet ownership - and every pet lover will find it a must have for their library. George Bernard Shaw said it best: "Animals are my friends, and I don't eat my friends." I wouldn't recommend you eat your pets - but I do recommend you read this book.

Armchair Interviews says: This is a yummy book!

About the only objection I could have for this book was there wasn't enough of it.
But in reality, this is a very good and useful overview of an ancient and still-vibrant American Church movement. Origins are explained well, if not in too much detail, and the various ceremonies themselves are outlined with accuracy.

And then there is the art and the artifacts. Some fine examples of Peyote Visual Arts are featured like the sacred implements used by the Road-Man and his helpers as well as the personal items, fans, gourd rattles and cedar storage boxes.
There are great pictures of silverwork, altar cloths, hide and ledger-book paintings, and sacred staffs from differing fireplaces.

Probably what I like most about this book, is the respectful and dignified approach to the subject itself. Even the title expresses respect.
The institution of the Native American Church has been controversial throughout it's whole history, but Daniel Swan assumes the topic from the standpoint of what it is to the people who attend and worship: the Art of an ancient American religion, and it's symbols of Faith and Belief.

"Peyote Religious Art" has been selected for listing in "Religion and Psychoactive Sacraments: An Entheogen Chrestomathy."

Not only a wonderful book for the uninitiated, but a lovely work for those familiar not only with the NAC but also those featured in the book. Daniel Swan presents a well-written and enjoyable read on the topic.

The artistic traditions associated with the Native American Church are amazingly diverse and dynamic. Long neglected by scholars, Peyote Religious Art is now the definitive examination of this rich artistic field. While Peyotism is often misunderstood by both its detractors and its admirers, this clear and factual book is the result of Swan's long-term friendships with artists and other members of the church. It is beautifully written and wonderfully illustrated in color.

I am truely taken by this book. As a fan of Native American artwork, I found this book not only informative regarding the struggle for religios freedom taking place in our nations heartland, but the images to go with it were incredable. A must read for any one interested in current Native American affairs, Native American religious history, or Native American traditional artwork.

...this book is definitely for the obsessive. These are pioneers who, for the most part, predate the concepts of stardom. Early recording companies, like early movie studios, were not interested in sharing any revenue with any "stars" that required promotion -- yes, Sarah Bernhardt made a movie or two, and Caruso sold a lot of records, but they were exceptions -- people who had reputations built outside the new mediums. For this reason, you'll find a lack of big-name stars. What you will find is a wealth of information on the practically unknown legions of men and women who were among the first to actually record the sounds and songs from the last two centuries. I found it fascinating, and of value in the obsessive cataloging that often goes hand-in-hand with the hobby of record collecting. It also helped to make a great many names a lot more human to me, and I'm thankful to the author for that. Not for the average reader, but if you have an interest in the acoustic recordings of popular music from the earliest days... well, you'll be as happy as Jones & Hare.

This is a well written biographical dictionary of the key popular (vs. classical) performers featured on early recordings. For example, you can look up "Edison Quartette" and find out that it was also known as the Hayden Quartet and exchanged performers with the American Quartet. Then you can look up the individual singers. I just consulted it this morning to find out about an early recording of John Philip Sousa's band.

While it is not a discography, it has information about selected early records, along with a song index. If you want to get a peek at the style, check out Tim Gracyk's site online.

I don't see how any collector of early popular records could live without this book.

POPULAR AMERICAN RECORDING PIONEERS: 1895-1925, by Tim Gracyk, has detailed biographies of singers/musicians on old records! 444 pages. This is the ONLY book ever published to give biographies of early recording pioneers. Learn facts about the singers who made records of "popular" music before 1925! The book's opening essay gives a summary of the history of the early recording industry, the "acoustic" era. Rare sources were used--trade journals like TALKING MACHINE WORLD, memos from the Edison, Victor, Zon-O-Phone, U-S Everlasting, and Columbia record companies, etc. Following the long intro are detailed encyclopedic articles (organized alphabetically): 100 artists with separate entries in the book include the American Quartet, Billy Murray, Ada Jones, Cal Stewart (Uncle Josh), Nat Wills, Steve Porter, the Original Dixieland Jazz Band (other "jass" bands of 1917 covered, too), Paul Whiteman, George J. Gaskin, Carl Fenton, Sam Ash, Aileen Stanley, Henry Burr, the Peerless Quartet, Arthur Collins, Byron G. Harlan, the duo Collins and Harlan (separate entry--new info!), S. H. Dudley, Al Bernard, Edward M. Favor, Rudy Wiedoeft, Sousa, Walter B. Rogers, Vess L. Ossman, Sam Lanin, Bert Williams, Frisco Jazz Band, Olive Kline, J. W. Myers, Ben Selvin, the Green Brothers, Haydn Quartet (the quartet that sang "Take Me Out to the Ballgame" for Victor), Marion Harris, Arthur Fields, Irving Kaufman, Will F. Denny, Frank C. Stanley, Nat Shilkret, Frank Ferera (did his wife and fellow recording artist Helen Louise die of foul play? she vanished during a ship voyage in 1919!), James Reese Europe (Jim Europe), Victor Military Band, Victor Light Opera Company, Werrenrath, Shannon Four (Revelers), Richard Jose...many more! Rare info here from descendants of the artists, from old letters sent to historian Jim Walsh (some never published by Walsh), from rare primary sources like birth & death certificates, from archives! This is the ONLY book that covers artists who, from the 1890s to the mid-1920s, made records of music that was "popular" in nature, as opposed to records of operatic arias, symphonic works, or concert pieces. A pre-electric method for recording was used, with musicians performing into a horn, not a microphone. This encyclopedia covers American artists who recorded Tin Pan Alley numbers, Broadway show tunes, ragtime, "coon" songs, novelty numbers, quartet arrangements, parlor ballads, early jazz (sometimes called "jass"), blues, dance music, hymns, and early country. This book makes a distinction between stage personalities who happened to make some recordings--when they found time in their busy schedules--and artists who made their living largely by recording regularly, perhaps finding a little time on the side for theatrical performances, vaudeville, or concert recitals. Few stars of the stage made records regularly, exceptions being Bert Williams, Nora Bayes, and Al Jolson--even their output is minuscule compared with that of Henry Burr, Harry Macdonough, Lewis James, Vernon Dalhart, Irving Kaufman, and others who, for a long time, earned a living by recording. Over 100 of these kinds of artists covered in detail, with info available nowhere else! This book has a GREAT INDEX if you want to look up specific records/songs.

Anyone who collects old 78s knows how frustratingly difficult it can sometimes be to learn about the musicians responsible for making the recordings. This book spotlights dozens of acoustic-era (1890s-1920s) recording stars, in most cases providing the most complete and detailed biographies I've found anywhere. The introduction is particularly helpful, providing an overview of the recording industry in its early years, examining how recording limitations dictated what and who was recorded, offering glimpses into the studios where these records were made, and a valuable note about estimations of record sales. This introduction nicely balances the individual accounts that come after and helps us see how these musicians fit in the "overall picture." If you've got moldy stacks of old 78s by Arthur Fields, Irving Kaufman, Ada Jones, The Sannon Quartet, Joseph C. Smith, or others like that, you might just find yourself cleaning them off and playing them again after reading this book. I find these old acoustics are much easier to enjoy once I know something about the people who made them.

This isn't a sit-down-and-read-like-a-novel book, it's more like an encyclopedia, with 1-10 page articles about individual musicians and groups. At times, the articles feel a bit "choppy," but on the whole they are quite readable and there's plenty of information. Unfortunately, the binding of this paperback version is rather poor (the sheets are just glued directly to the flimsy spine, not sewn together), maybe the hardcover version is better bound? So far, my paperback is still intact, but for how much longer, I can only guess. This is a book I pull off the shelf often to answer many of the questions that come up when I listen to my 78s. Gracyk and Hoffman will give you a whole new appreciation for these old records! Highly recommended!

POPULAR AMERICAN RECORDING PIONEERS: 1895-1925, by Tim Gracyk, has detailed biographies of singers/musicians on old records! 444 pages. This is the ONLY book ever published to give biographies of early recording pioneers. Learn facts about the singers who made records of "popular" music before 1925! The book's opening essay gives a summary of the history of the early recording industry, the "acoustic" era. Rare sources were used--trade journals like TALKING MACHINE WORLD, memos from the Edison, Victor, Zon-O-Phone, U-S Everlasting, and Columbia record companies, etc. Following the long intro are detailed encyclopedic articles (organized alphabetically): 100 artists with separate entries in the book include the American Quartet, Billy Murray, Ada Jones, Cal Stewart (Uncle Josh), Nat Wills, Steve Porter, the Original Dixieland Jazz Band (other "jass" bands of 1917 covered, too), Paul Whiteman, George J. Gaskin, Carl Fenton, Sam Ash, Aileen Stanley, Henry Burr, the Peerless Quartet, Arthur Collins, Byron G. Harlan, the duo Collins and Harlan (separate entry--new info!), S. H. Dudley, Al Bernard, Edward M. Favor, Rudy Wiedoeft, Sousa, Walter B. Rogers, Vess L. Ossman, Sam Lanin, Bert Williams, Frisco Jazz Band, Olive Kline, J. W. Myers, Ben Selvin, the Green Brothers, Haydn Quartet (the quartet that sang "Take Me Out to the Ballgame" for Victor), Marion Harris, Arthur Fields, Irving Kaufman, Will F. Denny, Frank C. Stanley, Nat Shilkret, Frank Ferera (did his wife and fellow recording artist Helen Louise die of foul play? she vanished during a ship voyage in 1919!), James Reese Europe (Jim Europe), Victor Military Band, Victor Light Opera Company, Werrenrath, Shannon Four (Revelers), Richard Jose...many more! Rare info here from descendants of the artists, from old letters sent to historian Jim Walsh (some never published by Walsh), from rare primary sources like birth & death certificates, from archives! This is the ONLY book that covers artists who, from the 1890s to the mid-1920s, made records of music that was "popular" in nature, as opposed to records of operatic arias, symphonic works, or concert pieces. A pre-electric method for recording was used, with musicians performing into a horn, not a microphone. This encyclopedia covers American artists who recorded Tin Pan Alley numbers, Broadway show tunes, ragtime, "coon" songs, novelty numbers, quartet arrangements, parlor ballads, early jazz (sometimes called "jass"), blues, dance music, hymns, and early country. This book makes a distinction between stage personalities who happened to make some recordings--when they found time in their busy schedules--and artists who made their living largely by recording regularly, perhaps finding a little time on the side for theatrical performances, vaudeville, or concert recitals. Few stars of the stage made records regularly, exceptions being Bert Williams, Nora Bayes, and Al Jolson--even their output is minuscule compared with that of Henry Burr, Harry Macdonough, Lewis James, Vernon Dalhart, Irving Kaufman, and others who, for a long time, earned a living by recording. Over 100 of these kinds of artists covered in detail, with info available nowhere else! This book has a GREAT INDEX if you want to look up specific records/songs.

I found this to be a well written, high quality book that should prove to be a great read for anyone. The language is easy to understand which makes it a good leisure read but at the same time it provides a wealth of information about wildlife, habitats, environments, and interactions that, as a grad student, I still found very interesting and informative.

An excellent book. Well written and scientifically accurate. I highly recommend this book to anyone who is enchanted with the beauty and grandeur of the North American prairie.

I love the prairie, no doubt about that, and I'm proud to have been born and raised in the vast expanse of the middle of the great continent. The prairie brings a unique feeling of solitude, quietude, and openness that can be found not many places else in the world. I fully recommend this book to those that love the prairie, but also to those who are not interested at all in the vast expanse, who, as the book asserts, would rather get across it as quickly as possible. Scientifically and emotionally written, it is a beautiful book, with many illustrations, one that is worthy to be read.

The book is very well written, and the many artful photos in the book really make me wish I could spend a whole summer in the prairies. The author knows what she's talking about for certain. I could just keep on reading such educating books.

The Great Plains of the North America extend from Alberta to Texas and from the Rockies to the Mississippi river. It's the heartland of America.

This book, profusely illustrated and reverantly written is the story of the heartland. While it is the story of people, it's more the story of the land itself. It's the story of ancient seas, of Tyannosaurus Rex, Triceratops, and grass. Grass, seemingly engless miles of grass. Tall grass, short grass, drought resistent grass, food for the buffalo that wandered here in vast herds.

Of course the book talks about man's impact on the land. Farming plants a handful of crop species, where 5,000 wild plants grow in the Great Plains.

The future has to be discussed in a book like this, and for once the news is not all bad. To be sure, there are species at risk, but the overall picture is certainly one of hope.

A fascinating book on an area that is rarely thought about, let along the subject of books.