North America Books

When I first got this book I read it through like a novel . it is that interesting!! Then, as I used the book as a field guide I realized that birds make much more of a mess than we realize and that trackers can easily mistake bird sign for that of man or other animals without this knowledge. Lots of things that I thought were mystery disturbances in the woods were solved for me with this guide. No other bird book touches it for bird behavior.

This book is a much needed guide to bird sign and tracks. It complements Elbroch's guide to Animal sign. It is well written and informative.

This is a guide to identifying bird families or individual species by clues they leave behind of their presence. The title may appear, at first glance, to be a typo. It is not. As the authors explain on the first page: "Sign refers to all the possible signs of their passing: sign of feeding, gathering material for nesting, the nests or cavity holes themselves, pellets, droppings, feathers lost during molt, or kill sites."

This book appears to be packed with too much information for a beginner to digest. But its actually quite good for anyone who is interested in birds and would use such a book more than once or twice. The information is organized by types of sign - tracks, feathers, feeding signs, droppings, nests and roosts, etc., rather than by species. This allows you to read about whichever subject you're interested in and to take in the basics behind, say, interpreting signs of feeding, rather than getting bogged down by details specific to a certain species.

Due to the nature of the topic, the squeamish may not enjoy all the pictures. However, the pictures are certainly not as gruesome as they could have been.

In the introduction, one of the authors writes: "real tracking is bigger than one lifetime. Tracking, as our ancestors knew it, was a body of knowledge handed down from generation to generation. Each person added to this knowledge..." The authors clearly see themselves as a continuation if this process, referring to and giving credit to other excellent books, such a Rezendes' "Tracking and the Art of Seeing".

To my knowledge, this is the only book like this specific to birds. I feel this would be an excellent gift idea for that hard-to-buy-for bird watcher.

petervtamas@mail.com

I really got excited when I saw this reviewed in National Wildlife magazine. I often see bird tracks or even a nest when out walking but didn't know how to translate that into useful information. This book clues me in on the bird that matches those signs.
The author, a renowned tracker, spent 14 months, 12 hours a day studying bird tracks, scats, nests, feeding signs and roosts plus collected information from museums for this book.
Users of this guide may also want to try:
-Flattened Fauna: A Field Guide to Common Animals of Roads, Streeets and Highways
-Scats and Tracks of the Southeast (also guides for other areas)
-A Field Guide to Desert Holes
-A Key-Guide to Mammal Skulls and Lower Jaws
-That Gunk on Your Car (insects)
Bird lovers now have another tool to identify birds.

Call me cynical but in the last twenty years I have seen field guide publishers recylce the same old info over and over again, just adding a new tabulature or color photos. The text is minimal and always leaves me wanting more.

Not so with this book! Mark and Eleanor have created something that goes well beyond any field guide currently on the market concerning birds! This stuff is new and never before seen except for experienced birders in the field. It is easy to use, fun to use and it will help anyone learn more about birds, their habits and sign. The photography is stunning as well.

I cannot over-recommend this book. Go get it, now!

Ricardo Sierra

I wasn't really expecting to receive this book as quickly as it was delivered. As a matter of fact, I also ordered a book from another seller who is only 50 miles away. The books were ordered at the same time. They were also delivered the same day even though the seller was several states away.

I'm into lepidoptera, and own several buttefly books. This is definitely my go-to guide, and anytime I go in the field, this is the book I bring. It's great to have photos, field marks, maps, and there are pictures that show variations among different species. The format's great because one side of the page is all photos, and the facing side has the map and text. I think that if you're just getting into butterflies, a book like Introduction to Southern California Butterflies or the Golden Guide Butterflies and Moths are good to start off with, as this one may be a little to much for someone who is not too familiar with butterflies and doesn't know the basics yet.

This book was recommended by a person who was experienced in butterfly identification. As a beginner, it is awesome. So for the experienced and the beginner, it is wonderful. A must buy for the curious in all of us about those beautiful butterflies God put on the face of the earth!

A while back I wrote a review of the Peterson Series "Field Guide to Western Butterflies", which I had used in the field during the 4th of July Butterfly Count in the Organ Mountains of New Mexico. I gave it five stars as I thought it the best field guide to actually use in the field. The rival Audubon guide to butterflies left me cold because it simply does not show enough detail for identifying hard species. I thus dismissed photo guides because of this bad experience, thinking that artists did better work in illustrating these beautiful insects. I was wrong! There is a way to produce a photo guide to butterflies that actually works and Jeffrey Glassberg has done it! This is the best field guide that I have ever seen for butterflies. The photos, mostly taken by the author, are simply superb! The best thing that Glassberg has done is to standardize the photos so you can compare the same characters. This is a major innovation and must certainly have taken a lot of time. The placing of maps and descriptions opposite the photographic plates is also a major change from the other popular guides. It sure saves a lot of page flipping!

I am often laughed at because I still use a 35 mm SLR for photographing insects, but Glassberg's photos (all with a 35 mm SLR) show why it still may pay. Digitals are, I know, the coming thing and will soon overtake SLRs, but most digitals still cannot match an old Nikon FM2n with a 55 mm macro or an Olympus with a 90 mm macro, both of which I use.

Glassberg's remarks about how much space digital shots take up (5 MB roughly for a decent high resolution) are probably dated because of gigabyte technology which allows as much as 200 shots at a time, even at high resolution. However, I still like the feel of a SLR and many digitals (but not the more expensive ones) are boxy and difficult to hold. I get irritated with the automatic focus that often keeps me from getting the shot of an easily disturbed subject.

Those aside; if you are at all interested in butterflies and can afford only one book, get this guide! It is the new standard for photo guides and it will be hard to ever beat it.

A quick summary for anyone who doesn't want to read my ramblings. This is a great identification reference. It is intended only as an identification guide. And as that, it is excellent. But with so many butterflies described, the casual butterfly observers may want a smaller book / chart with only local species for easier lookup (perhaps in addition).

First, it is important to know what this is. It is a field guide to aid in identification of butterflies and skippers, with very good photos for that end. The photos may not be artistically pleasing to everyone, but they are taken in such a way to best present the butterfly for identification. Unique identification characteristics of individual species are pointed out when they will aid in the identification. Size and geographical distribution is also given. On each photo the author also tells you how large the photo is compared to a real specimen.

This is not a butterfly reference book. You will not find detailed information about the butterflies in this book. Instead, you will be able to identify what you find, and then use the name to look up more details on that butterfly in another book / the Internet.

This is also not a coffee table book with large glossy photos of butterflies. Due to the sheer number of species described in the book, each photo is rather small, and as mentioned earlier, may not be artistically pleasing to everyone. Little attention is paid to the background, since that is not very important to identification. When the plant the butterfly frequents is important to the identification, it will be mentioned in the text.

The sheer number of butterflies in this guide can be overwhelming to the casual observer. I don't know if I'll ever see more than 1% to 2% of the butterflies listed here. Since the butterflies are not sorted by region, getting a less comprehensive book with local species only may be easier for the casual observer. This book stays at home, while I carry a small laminated "quick guide" to common local butterflies.

I don't observe them through binoculars (the book does have a short section on that as well), I photograph them. There's a short section on butterfly photography that, while mainly focused on film photography, does contain some good tips.

The only thing I have not been able to identify definitively so far with this book are skippers.

This book was fabulous! It told the story of Cassie, a pretty girl who was brought up by the Native Americans. She is brought back to her home where she finds one man longing to marry her. She feels affection for this man but yearns for another.

I read this book and passed it around the whole of girls dorms for my friends to read. Absolutely everyone loved it and i've been looking for another book by Vivian ever since. It was absolutely wonderful and was my favourite book ever!

One of the most historically interesting Sunfires. I enjoyed the details about Native American culture.

"Cassie" was an excellent novel! The characters seemed to be so real, and I felt like I could relate to Cassie. She was strong, and she proved to her Indian rival she wasn't a sissy. This was just a GREAT book! I would recommend it to anyone!

Cassie is the best book i have ever read! I have read about three times the amount a person my age should read (13) but countless people will agree with me. I have viewed so many different types and kinds of heroism, but in this breathtakingly real book, Cassie has mastered them all! She has courage, stability, two families, and she knows what the realy world is.

Yes she does become a traitor. But woudn't you do the same thing for the people who you live with? I know i would. She has learned to love the ways of the white man but still no one could forget the freedom of riding bareback on a galloping mustang with the wind in you face and a whole lifetime to enjoy it.

And she is brave once again when she has to choose between to men for the honest sake of love. I am a definite fan of Vivian schurfranz and hope one day to get around to write her a positive, verry long letter on how she inspired me.

If you love people who fight for what them believe in and they don't give up even when the going gets rough.... well, here is a book for you.

Thank you vivian it was truly an honor.

(I'd actually give this 4.5 stars, but Amazon doesn't do that. The reason is that despite the flaws in the narration, the book never ceased to keep me fascinated and entertained. I wasn't pulled out of the story loads of times or anything and the flaws didn't kill it. It's a darn good read!)

The Cleansing is a novel that moves outside of what I normally read. I admit that I have only read one other novel that had Native American themes that I remember (and that was also related to specfic). That was a novel by A. A. Attanasio, the title of which is eluding me at the moment. I've noticed that I don't generally pick up Native American themed novels, and I'm not sure why. Maybe it's some narrow minded view of mine that there isn't a lot of interest for me in such novels because I, personally, don't buy mainstream or literary fiction books very often (I tend to stick to fantasy and SF and rarely go outside them except for non fiction work). I am familiar with Native Americans, particularly of the tribes in and around the Foothills of California (such as the Washo).

That being said, reading The Cleansing was a whole new experience for me, not only because it's about Native Americans and, in particular, about things I've not read much about before, but also because it's actually an entertaining read with a really interesting twist on the "werewolf" theme.

To sum it up, the story is about Wanata, a godlike being in Native American folklore believed to come to Earth in the form of a wolf to perform The Cleansing, a sort of nature-induced population control. The Cleansing has happened before, but there's a reason nobody knows about it: because it's something that is hidden, on purpose. But now, mankind isn't a fledgling little species anymore. We've conquered practically all of the globe, spreading ourselves out by the millions, building great cities, polluting everything, etc. Over six billion of us are on the planet now, and Nature isn't happy about it (hence The Cleansing). The problem is that millions of people will have to die to reestablish order. Laughing Wolf, a Native American shaman, knows what will happen and has a vision that tells him he must kill Wanata and create a new Cleansing, one that doesn't involve destroying millions of lives. Savannah, a reporter, just wants to get the next big scoop on the strange happenings in Alaska (a rogue pack of wolves attacking human settlements). The various other characters are inextricably sucked into the events, many of them receiving a shock to the senses as they begin to realize that some things aren't so easily explained and the things happening up north aren't the work of something as simple as a couple stray dogs.

One thing that really stood out to me about this novel is that it actually gives a whole new view of the "werewolf" mythology. While I don't know if Harvey intended this or not, it was there nonetheless and I thought it was really fascinating. In the novel you get the sense that the werewolf condition is like in most werewolf myths: an disease of sorts. Added to that, however, is that it is a human affliction upon nature, which presents itself in ways I thought were really interesting (imagine that instead of a human becoming a monster that can't control itself, it's a wolf becoming a man, and going back again, without all the rampaging and ability to infect other people). I got a bit of a kick out of it because I have grown a little tired of the cliche werewolf stuff (you know, like every Hollywood movie you've ever seen with werewolves, all of which try desperately to add to the myth, but only manage to keep the common mythology running without adding much to it at all).

The plot is really fast paced, so if you're not prepared to be sucked into it and pushed along at breakneck speed, well, that's your own fault. The best part about the novel is that it doesn't play any games and gets right to it: the world is bad and Wanata is going to take care of things (and humans aren't all that smart when it comes to deal with demigods, as it turns out). Savannah is just snappy enough to make me laugh, Chace is just evil enough to make me want to kill him myself, and Wanata, surprisingly, is sympathetic enough to actually make me care about what happens to him (considering he's supposed to be the bad guy). It's also interesting to point out that Harvey doesn't pull punches when it comes to showing human beings in all their forms: good and bad. There are folks who sit in the gray areas, and some who are black and white. This is something I think is very important to have within a novel like this. After all, we're talking about a restructuring of Nature and to make Wanata seem like only a bad guy would make it too easy. Humans are not perfect: some of us are evil, some of us aren't, and some of us sit in the middle. Nature, unfortunately, doesn't generally make distinctions about good and bad.

My only concerns with the novel is that for some it might have too many characters. While the pace is quick, there were a couple times where I was pulled out of the story when the author pulled me around to different characters, trying to give a wide range of views of the same thing or by trying to split the storylines. It's not a tremendous problem. I found myself getting used to it and not generally being bothered after a while, but I think perhaps reducing the amount of POVs could have helped develop the more important characters (particularly the ones that I liked: Savannah, Wanata, and Chace, though the last one I didn't like because he was good, but because he was a completely horrible human being and it would have really been more interesting to know where he came from and why he had turned out that way). There could definitely be more in the development of some of the characters, as I mentioned, but I think in the end it worked out okay anyway. I still want to know what the heck made Chace into the horrible person he is.

Overall, Harvey avoids stylistic annoyances and gives the story in a way that moves quickly and doesn't dawdle. The plot thickens and becomes more complicated as it goes along, which is both a good and bad thing. The bad thing is that the novel ends with only partial closure. Harvey has proposed a trilogy, and the way it ends is set up for that. While it does end, there are still a lot of things left to be addressed, particularly in Quiet Wolf's (Laughing Wolf's grandson) storyline and Wanata's. Hopefully Harvey intends to get the other books out soon, if they aren't out already. I'm looking forward to those sequels mostly because I would like to see more of Savannah and find out what happens, if anything, between her and Wanata. Basically, this is fast-paced reintroduction to the fantastic disaster story, filled with a wide array of interesting characters, magic, monsters, rogue wolves, and a touch of the werewolf. Not much else to say other than I really enjoyed this book and thought it was entertaining from start to finish.

This book kept me up at night for two reasons- I couldn't stop reading it and it really freaked me out!!! I've read it twice, and let some friends borrow it. I'll probably read it again, too!!!

I loved this book. It is a page turner from the front to back. As a person who hasn't been a fan or this genre - this book sold me back into reading more fiction!

Harvey does an amazing job. Steven King watch out!

BUY This book. You will love it.

The title of John Harvey's first novel stirs memories of the seventies and eighties (when titles of most horror novels included but two words, one invariably being "The"). The narrative style, however, is a throwback to a much earlier era. Harvey's straightforward and earnest storytelling brings to mind the pulps. The book exhibits energy, wit and invention, but the old fashioned prose might have readers believing it's a reprint from the first half of the twentieth, rather than an original work from the first half of the twenty-first, century.

Mining Native American legend for the raw material of his first novel, Harvey tells a tale of an ancient being emerging from his rest into the modern world. The initial focus is on the medicine men of several North American tribes, men who are haunted by dreams of the wolf spirit Wanata, whose periodic visits to the mortal plain over the centuries have inevitably resulted in the destruction of whole segments of the animal kingdom. Wanata is charged with keeping nature in balance--if a particular species has upset that balance, its numbers must be reduced to restore harmony. In the past, this meant the destruction of buffalo or deer. This time around, Wanata's target is mankind itself.

Once you get past the odd formality of the writing (it's not clear whether this was Harvey's intended effect, or simply his normal literary voice), The Cleansing is a pleasure to read, remarkably free of the common flaws that plague most first novels. Harvey guides readers through his universe with a sure hand, providing a plethora of memorable characters (freelance journalist Savannah Channing and Tungtawnee medicine man Laughing Wolf are two of his more vibrant creations) and generous doses of humor along the way. Harvey is clearly unafraid of taking chances in service of his story--although all of his characters are put in peril, the least expected and most likeable members of his cast suffer the most harm, ratcheting up the suspense quotient.

The novel suffers as Harvey's narrative slows almost to a crawl towards the end, ostensibly because this is the first novel of a planned trilogy. Hopefully Harvey is saving equally engaging material for books two and three, and not simply running out of steam. Time will tell.

What an incredible introduction to a new author. THE CLEANSING is easily one of the best, most enjoyable books I've read in a long time. Not since King's THE STAND have I been so unhappy about finishing a novel. It was a joy to read from the opening paragraph until the last page. At times horrific, intriguing and endearing, it grabs your full attention and never lets go. Each of John D. Harvey's characters, both major and minor, are multi-dimensional and unique with their own distinct voices. The reader will even find themselves empathizing with the villain in this book, a preternatural wolf named Wanata, who not only wreaks terror wherever he goes but is, himself, struggling with his own crises. Don't let the cover price keep you from grabbing this one! You won't be disappointed.

The Briarwood Book Club in Midlothian, Virginia will be discussing this amazing historical novel by Connie Lapallo tomorrow evening. The author herself will be present to tell us how she managed to accomplish such a remarkable coup!

The story of the starving time has not been told before from the perspective of the women and children of Jamestown Colony. Dark Enough to See the Stars in a Jamestown Sky is meticulously researched, filled with universal verities, and free of historical anachronism.

I heartily recommend this book to anyone who likes a good story, but especially to anyone with a strong interest in horticulture, Native American studies, American history, genealogy, and family loyalties.

Connie Lapallo's fiction seem so real, as if I was there with those courageous women who came with their families to build a new life in Virginia. Many of them lost so much, material things, husband, brothers, fathers, children, and then, their own life. The description of their voyage on the ship that from England to Virginia, made me feel like I was in the lower bowels of the ship with them. Even the horses had it better on the ship.
Upon their arrival in Jamestown, was unwelcome, they found out that there were no provisions made to accomadate the women and children was heart-sickening, no food, no homes, nothing....
But, the most
Soul Haunting part of the story was the Starving Time. I can't imagine living off of ground acorns, small rodents, tree bark, whatever could found to be edible. Ms. Lapallo really made you feel what the main character was experiencing, when her best friend died, the one who kept every one's spirit alive, seeing good in all things.
The ending seemed a little rushed however, if there is a second book the time between trying to return to England and the main character recounting her life in Jamestown would be a great first half of the second book.
I recommend this story to all teenage girls and their moms to read and discuss. Maybe it will help young girls with the "You owe it to me" thinking to reconsider their attitude.

As a young student, I did not appreciate my History classes. You know why? They were too BORING! Too many names, dates, and disjointed facts that had to be regurgitated in an exact fashion in order to boost up my GPA.
I wish all History books were written like Ms. Lapallo's book. The historical facts are beautifully woven into the mostly historical story. And because of the story format I found myself living, grieving, and surviving with these colonists.
There were so many tidbits that made the story real for me. Because of the rich detail, I felt as if I had been on those ships, being hurled about the ocean during a hurricane. And I felt genuine grief at the thought of all these women mourning for the missing ship. Grief, as SO many men and women perished from disease, hunger, or Indian attack.
This is also a very well researched book. There is a section at the end of the book that explains what is fact, and what is fiction, with charts that tell what happened to each Jamestown survivor. Other pages detailed the main character's ancestry, going from the mid 1500's to present day, and including Ms. Lapallo's own children.
What did I like best about this book? ... I loved that I learned more about Jamestown and the colonial period by reading this book, than I did in all my formal educational experience! So why can't more books be written this way?

This book was a perfect read for me. My family, the Kingsmills, arrived in James Towne around 1613, so this story really helped me connect with what they saw when they got here and the sacrifices so many made to establish this great country of ours. Thank you for taking the time to research all of this so carefully and for conveying it in such an interesting and realistic manner.

Steven E. Bishop
UVa. College of Arts and Sciences 2006
UVa. School of Medicine 2010

Connie Lapallo's book is a wonderful read. Not many people outside of Virginia are familiar with the Jamestown story much less the details of what the women and children went through. The story is woven through the eyes of Connie Lapallo's ancestor who survived the starving time. For anyone interested in geneology or Jamestown history this is a must read!

Some books teach you something new. Some books have you look at things in a different light. This book does both. Before reading this expansive historical work, I viewed the 1863 New York riots as a reaction to the draft. This book shows that it was that and a lot more. Schecter's book analyzes the social-political situation in the United States at the time of the riots and shows how much racial relations and fears, and those who preyed on both, played a role.

This book teaches on so many levels. It serves as a 1) an complete account of the civil disturbance in New York City in 1863, 2) an overview of race relations in the United States during the Civil War and Reconstruction, and 3) a history of New York city in this pivotal time frame. It even includes a travel guide for New York, which includes all the sites related to the narrative. Well written and superbly researched, this book is a great precursor to Eric Foner's works on Reconstruction.

This is the best historical work I have read in the last few years.

Schecter's book is a great read that clearly explains the New York City draft riots and the political and ethnic issues that simmered to the point where in July 1863 Irish immigrants protested and rebelled against what they saw as an unfair draft system that had been put in place allowing $300 commutation fees and a recent Emancipation Proclamation which caused them to fear the loss of their jobs to newly freed slaves coming from the south.
It's an excellent book about a rarely discussed topic in our nation's history.

This is a good book that seeks to help desanitize and demythologize American history. Racism is and always has been an American problem, and not relegated to one region, or for that matter, one race. I think a good book to read with this one is Tom DiLorenzo's brave THE REAL LINCOLN, now available in paperback. It does something to show Lincoln's virulent racism and should act as a supplement to THE DEVIL'S OWN WORK.

Thank heavens for independent scholars!

Barnet Schecter is rapidly becoming one of the best chroniclers of New York's history. His previous book, "The Battle for New York: The City at the Heart of the American Revolution", was an eye-opening revelation at how this city was the true "heart" of our separation from England, and how we (and Boston, as well) were that country's main target for conquest in 1776. Utilizing the same narrative style of writing, Barnet Schecter tackles the week-long convulsion in New York City four score and seven years later.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" fills a void in most histories of the Civil War: the fighting that took place OFF the battlefields of Pennsylvania, Virginia, Maryland, etc. These were the wars that were waged in newspapers, city halls, and, ultimately, the streets of major cities across America. Mr. Schecter is careful to explain that the New York City draft riots were not the only anti-war, anti-emancipation riots during the Civil War. But it was the largest. It was the worst. (While most New York historians claim that around 100 people were killed during the riots, Mr. Schecter rightfully, I believe, puts the number at 500, at the very least.)

The actual riots occupy only the middle one hundred or so pages of the book. Mr. Schecter devotes an appropriate amount of time to examining the roots of the riots: the racism, the class animosities, the mistrust between Nativists and immigrants, and so on. In the weeks and months immediately before the cataclysm, we see battle lines being drawn: Greeley vs. Marble, Democrats vs. Republicans, poor whites vs. poor blacks; in fact, it seems like it was almost everyone vs. the beseiged African-American population. When the five days of rioting are discussed, the sense of prevailing confusion and chaos--the near anarchy--are as expertly conveyed as the awful scenes of violence. The final third of the book is, in many ways, more tragic than the uprising. It is here where Mr. Schecter discusses the aftermath of the riots over the next two decades. Basically, the reconstruction of America fails. The North and the South do not fully unify. The working class does not get the respect it deserves. (Instead, it is treated with more brutality and unfairness.) Worst of all, African-Americans are not truly emancipated. The enmity and violence visited upon them, because they are never addressed, just worsens. And why were they never addressed? Mr. Barnet just comes out and says it: because most people never really wanted to. Therefore, it would takes decades before America would heal or truly reconstruct.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" is a sobering book, true, but it holds our fascination. The details about the quirky politicians, newspapermen, observers and participants breathe life into people who have been dead for almost 150 years. The maps and generous sprinkling of illustrations help us see the people and places more clearly. This is a monumental book for which Barnet Schecter deserves our appreciation.

Also recommended: Iver Bernstein's "The New York Civil War Draft Riots". Although not written in a narrative style, it contains valuable information about the causes of the riots. For a fictional treatment, Peter Quinn's novel, "Banished Children of Eve" is the best I have ever read.

Barnet Schecter's magisterial study of the five day insurrection that erupted in New York City, "The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America", is one of those historical accounts that illuminate more than just the times the work is set in. By providing a multilayered analysis to the issues that marked this breakdown of social order, and through a deft, perfect-pitch, use of basic sources, Mr. Schecter lets the contemporary voices of those living through these events and, at times, driving them, speak for themselves. The result is a tableau of compelling immediacy that is rarely seen in a historical study. Some of the expected characters are here: Lincoln, Seward and Lee, etc. but it is the less well-known characters of that era that permit the real force of the book to be felt. By knitting together and contrasting the recorded dialogue of the restive ferment of the slums of New York and Boston with the tense interchanges originating in the mahoganied board-rooms of these same cities Mr. Schecter recreates the social tensions of these turbulent times. With what seems to be an unerring sense of how the character of a subject will define for him the peculiar social reality that he may act in, we meet figures who by virtue of the author's skill and sympathy are never rendered as simple, one-dimensional heroes or villains. Landmark works in any field of study require that a sense of scope, sensitivity and balance be observed throughout the effort. But such traits alone cannot mark it as memorable. For this the electricity of personal exchanges in statehouses, boardrooms and back alleys must be captured in their raw force and then be woven in into a narrative that flows with seeming effortlessness, from it its own momentum. This is what Mr. Schecter has accomplished.

This is a first hand account of his life in Montana after getting off the boat in Ft. Benton and going into the trading business with a friend. It is a well written account of their life with the Blackfeet Indians, hunting buffalo, daily life, traveling, his marriage to a Blackfoot, the demise of the buffalo, and the arrival of hordes of whites. He also gives us an insight into local politics and business of the times. It held my interest of this period and place of time. I found it to be a delightful book and recommend it for its entertaining and historic value.

This is a terrific story of a young white man's time with the Piegan Blackfeet. James Willard Schultz came west for adventure and joined an Indian trading post 45 miles north of Fort Benton, Montana.

He not only traded furs, gold, liquor, and dressmakers goods to the Indians, but became fluent in the language of the Blackfeet, sharing in their hunts and wars and even taking a young Indian wife.

It's a somewhat self-conscious story from a masculine vantagepoint during a time when warrior bravado was in vogue and the buffalo were still thriving. This book portrays a segment of Native American life and culture just before the buffalo were diminished and the people were forced to reservations.

Given that _Bury My Heart at Wounded Knee: an Indian History of the American West_ by Dee Brown contains only 2 or 3 pages in reference to the Blackfeet, a book such as _My Life As an Indian_ is a superb addition to one's bookshelf. Recommended.

I just came online to see if it was in print. I have had a copy of this book from the 1935 paperback that my Grandfather gave me when I was a boy. Not that I was a boy in 1935, it was actually in the early 70s. . .I was captivated by the stories JW Schultz lived! Helping his friend steal his wife from under the nose of the ever watchful father. It still grips me even today. Alas, my old copy is just that, old. That is how I came to write these words. Ordering a fresh paperback.

I cannot recommend this book more highly!

This is an excellent first hand account of the major transformation of Plains Indian culture that occured during the nearly complete extermination of the buffalo which was so central to their life. It starts with the buffalo in plenty and ends with reservation life. This is a bittersweet book. Schultz marries into a band of the Piegan branch of the Blackfoot confederacy. But although he lives among them, and loves them and their lifestyle, he never completes his assimilation. This is evident when he writes with almost distant amusement of some of their religious beliefs. Adding to this is the problem that while he loves the life of the buffalo days and deeply laments their end, his occupation as a trader in buffalo robes is hastening the end of the very thing he loves. His description of the post-buffalo, early reservation life is the most distressing, complete with corrupt reservation Agents, and sometimes rascist newcomers.
His stories are not all downers though. His writing is a very detailed, intimate, and at times amusing description of his life and those around him. I've loaned my book to a number of people and they all have liked it. If you read this and like it too, you'll be glad to know he wrote a whole series of books of his life in early Montana, and of the lives of prominent people he knew. I've read many, but not all of them, and I prize every one.

This is a eye opening I can't put it down book! Seeing how the Blackfeet lived, their culture, social structure, horse raids, war, etc., through the author's eyes is fascinating. As he joins their society, marries into the tribe and lives as the tribe did you will find it informative and insightful. As the old ways pass away you feel his sadness and the end will break your heart. A beautiful, lively, fun book that takes you into another time and place as you ride with Schultz and the tribe. A must have!

Book about Warblers
this reference book is very helpful in identifying the migrating warblers.
It arrived in very good condition.

This book is much more than just a field guide to the warblers. It contains a wealth of information on identification, but it also functions as a summary of the scientific literature on the ecology of each species, complete with references to the primary literature. This guide is a great way to not only get more serious as a birdwatcher, but also to help this interest develop into an interest in and understanding of ecology.

As a field guide, this book is exhaustive and excellent. The illustrations are extremely clear, and there are distinct illustrations of different sexes, ages, and plumages (fall/spring) whenever these plumages are distinct. In addition to the illustrations of perched birds, there are also excellent illustrations of undertail patterns, which are very important and useful. Throughout the text as well, there are a number of detailed color photos. Visually, this guide has it all! The range maps are large and clear, although I wish that the range maps would mark migration paths more clearly.

The expanded chapters on each species are outstanding. While some of this information, especially the plumages, range, song, habitat, and behavior, would be interesting and useful to birders, this book goes above and beyond by discussing in depth the ecology of each species, taxonomy, and conservation status. The writing is clear and concise, and there are numerous references to the primary literature as starting points for people who are interested in further reading.

Bottom line? If you like warblers, you have to get this book! You will not be disappointed.

Several years ago, while watching the bird feeders at Muskatatuck National Wildlife Refuge in Seymour, Indiana, I heard a voice behind me pointing out that there were two races of White-crowned Sparrow at the feeder. He went into detail about the subtle differences between the two. At first I thought to myself, who is this guy? Later, I realized that it was Jon Dunn! I have had a high respect for him ever since.
Years later, he was the guest speaker at our bird club meeting. He presented some of the plates from his, at the time, upcoming new field guide to warblers. I fell in love with the plates from the very start. Thomas R. Shultz and Cindy House did a remarkable job, and the detail that was carefully gathered from museum specimens is second to none. I knew from the beginning that I had to have this new field guide and I couldn't wait until it appeared on the shelves.
When I bought my copy of the finished product, it was even more than I expected. Aside from the detailed plates making fall and female warbler identification easier, the text is filled with information on virtually every aspect of life history of each species, with cross-references that will aid any serious researcher. More than just a field guide for identification purposes, this book belongs on the shelf of beginners and experts alike who share a passion for warblers.

This book provides good color plates of the warblers in various stages of plummage. The distribution maps are easy to read and color coded. I bought the book because of the multiple pages of natural history information on each species. The birding guide I use in the field has excellent illustrations but totally lacks in the supplemental information. So, when I get home, I grab this book to learn the biology of the species.

Kimball Garrett and Jon Dunn worked together once again to produce a masterpiece. The information on status and distribution is remarkably accurate given the exceptional detail in which it is presented. The identification discussion is thorough and accurate. The discussion of subspecies, their taxonomy, and their identification (as is possible) is remarkable. The books only failing are the illustrations, which are flat and unrealistic for the most part. Their usefulness is limited.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.