Europe Books

Gillingham does it again. John Gillingham, again,provides us with another superb account of a remarkable ruler of England.

A great introduction to those curious about this legendary monarch. Gillingham pulls off a bit of a hat trick here. While he does have strong opinions of surrounding figures, particularly Philip and John, he lets the facts speak for themselves about Richard and does not argue one particular point of view. With one exception, his sexuality. This also one of the few times where I found the primary historians, both Arab and Norman, becoming "characters" and their presence is missed when they die or no longer are around the King. The very difficult task of giving all of the counts of Normandy, the Vexin, and the Aquitaine distinctiveness is handled incredibly well. In the hands of a less skilled author this would have been very dry reading and frustratingly convoluted. Also, bit of a heads up to the future reader: This is Gillingham's second book on Richard the Lionheart and he has written numerous articles and essays on the monarch. He has no problem using himself as a reference and he flat out lifts an entire chapter from his previous work and places it in this one. I found this shrewdly entertaining. It does benefit this volume and since the older version is no longer in print, no harm done. After reading this you come away better informed, entertained and with a desire to pick up another book on this era and this king. I can't think of much better praise than that. An essential work for a medieval library.

Richard the Lionheart's life and personality may be the stuff of legend, but they are hidden by the mists of time -- or rather the paucity of relevant documents. Gillingham does a brilliant job of breathing as much life as possible into rather arid fragments without stepping beyond what is warranted by the evidence. For his understanding of the king, he draws as much on contempory Arab sources as European ones, arguing convincingly that the Arab writers may have had fewer axes to grind in talking of Richard. Gillingham goes so far as to place his evaluation of Richard's character at the point where the evidence ends -- following his captivity in Germany -- rather than at the end of the book. Instead the book ends with a well reasoned argument that it was John (and John alone) who lost Normandy whereas Richard was winning the war against Philip Agustus of France. Gillingham also points out that, had Richard lived to complete that struggle, the empire of Henry II might still have disappeared with his death.

Inevitably, some of the work is frustratingly dry -- especially for the process of Richard's development into a strong ruler and military genius against the background of one of history's most disfunctional families. But that dryness arises from the lack of evidence, not from immersion in trivia at the expense of substance.

The book itself is a delight, with strong narrative supported by a myriad of footnotes which are where they should be -- at the bottom of the pages. All in all, a good story well told with insightful analysis based on the record.

I was sceptical getting started on this biography. Certainly, the early parts were fact-laden, slightly uninteresting and slow going.

I am very glad I did not give up.

This is one of the few strictly historical books that restores one's faith in objective research and non-agenda, non-ego driven truth finding.

One might wish for a bit more of a picture of Richard's persona, but from the remove of nearly a millenium, this would be fudging anyway. The facts that there are are clearly and neatly laid out regarding all of Richard's attributes, and some of the modern fadist mythologies (so many of which have their underpinnings in a given academic's desire or need for attention) are dealt with fairly and thoroughly.

Example: Richard was not a homosexual, as "The Lion in Winter" would have a viewer believe. The evidence against it is clear and plenary. It isn't that one doesn't wish him to be, it's just that this notion has its roots in a modern attempt to overlay ancient male and political bonding customs with a template of modern behaviours and modern conclusions which would stem from modern interpretations of those behaviors.

All in all, Richard emerges from the historical record as a great warrior King, who was grossly treated following his exertions during the Crusades, and was forced to try to reclaim the lands that Phillip of France stole while Richard was away. He was therefore forced to stay away from Britain, because the Angevin and Acquitainian and Norman parts of his empire were on the continent. He did not stay away from Britain by choice or by neglect (another myth debunked), but because he was forced to by the duties of his Kingship. Also, Britain WAS part of continental Europe as well in those days. (Or vice versa, if you happen to be English.)

This is the most balanced royal biography I've read to date. Gillingham begins by tracing Richard's reputation through the ages, beginning at it's peak in the 12th and 13th centuries, when he was considered one of the great leaders of his time to it's nadir in the 1950's when academics began to consider him a "Bad son and a bad king..." who spent far more time on the continent than he ever did in England, leaving it in terrible financial straits when he went off to fight in the crusades, and began to conjecture about his sexual preference. Gillingham explores and discounts these and other myths about Richard and his reign simply by letting the historical record speak for itself and allowing the reader to draw their own conclusions, rather than stating his own opinions as facts and then selectively using the historical record to back them up. He also isn't afraid to admit that he can't be sure of something when the historical evidence is either too thin or simply obscured by the mists of time, which is refreshing. The author is among the first to rely heavily on contemporary Muslim sources in constructing his portrait of Richard, because he believes they are less biased in their evaluation of Richard's character than a European chronicler might be. These sources are, for the most part, complimentary, and add great perspective and depth to the reader's understanding of Richard as a warrior. Gillingham strikes the perfect balance between academic research and popular history, making the book very readable. Whether you're interested in Richard himself, or merely seeking an introduction into reading further about his fascinating family dynamics, or the crusades, this is the book to read!

The Ramage's text is considered the standard in its field, and I purchased it on recommendation of my son, who teaches Art History. In my case I wanted to learn about Etruscan and Roman art in preparation for a planned trip to Italy. The book is well-written and has very clear illustrations, and I anticipate extra enjoyment of my vacation next Spring from having learned about this important cultural history.

I'm taking a Roman Art Course and it's an excellent text to start, great images and easy to understand information. I thought it was not going to be in the perfect conditions it came. I feel very satisfied :D

I wanted to refresh on a Roman Art History course I took in college, because I'll be going to Italy soon and wanted to remember all the great things I learned in that class. I found this book and it is identical to the book I study years ago. I'm extremely excited I've found this book. And it has brought back all those things I have forgotten about the history of Art is Roman.

"Roman Art" is easily one of the best art history books I have ever read. What really sets it apart is the writing style - rather than being dry and stuffy, the language is very clear, understandable, and *gasp* engaging! Be warned, the pictures are primarily black and white, but many of the objects covered, being marble statues and buildings, have no need for color. Those items that are printed in color, like wall paintings, are items that really benefit from it. I would highly recommend this book to those interested in Roman art, and even to those who aren't - I had no real interest in Roman art when I used "Roman Art" in an art history class, but this book has made it one of my favorite subjects.

This book is an absolute gem! It is thorough and very educational yet quite readable and even entertaining. The text is paired with brilliant photos that make the topic come to life. Even while cramming for a test, this book made my study time less boring and even enjoyable!
A must for anyone interested in the topic of Roman art - provides a solid foundation.

Just adding my voice to all the positive reviews. I've tried reading other books on ancient Rome and found them to be dry and academic. Hooper presents the history as a history of people, as another reviewer has said, and that makes it much more readable. He gives personalities to the main characters and renders for us the atmosphere and class tensions that surround major events and clashes. He tells where he gets his information and even reviews his sources as strong on some points, weak on others. Finally, it is well-written. Hooper knows his material and knows how to make it interesting. Having said all that, this is not an encyclopedic source book. If you need to know specific facts about a certain period of ancient Rome, then the dry, academic works are where you should start. Roman Realities is a book for those who really want to get a sense of what Rome was like- its people, its politics and its social dynamics.

I read Roman Realities for a class that I had to take for Roman History, although we only touched on a few of the earlier aspects of the book, it is still a great book just to read, even if it wasn't assigned for a class! If you have any intrest to learn about the Rome in any way, go ahead and get this book!

The late Dr. Hooper's terse style is like the Romans he tells of: to the point, shorn of excess, straightforward. The tone of the book matches the expression of the bust of Caracalla that adorns the cover: gravitas personified. He spends more time on the Republic than on the Empire, and breaks off during the Civil Wars for a chapter on Latin letters and poetry (a subject taken again in his "Roman Letters"). Hooper covers all the highlights in highly readable fashion. A fine general/introductory book on the subject, written in magistral fashion. -Lloyd Conway

Although I keep myself busy reading investment publications such as the Wall Street Journal, Barron's, Forbes and BusinessWeek (since I am a financial writer), I also spend my spare time reading about ancient history, particularly the Greeks and Romans. I've tried to get a handle on Egypt but without much success. Among the authors I have read are Michael Grant and Finley Hooper. For the most part, I have not found Michael Grant a very scintillating read-although he does have one fascinating book on Caesar that is read by Nelson Runger for Recorded Books. He knows the territory, but he is not much of a writer. By contrast, the late Finley Hooper has only two books that I am familiar with: Greek Realities and Roman Realities.

Roman Realities is a gem of a book. If I were cast ashore on a desert island, it is one of the 10 books I would hope got washed ashore with me. Dr. Hooper is a superb writer, whose style is crisp and eminently readable. In addition, he focuses on the people more than trends and how the people lived. For my money, people are the key to history. His chapter on Julius Caesar is one of the best summaries of this important figure in Roman history.

If you are intent on reading further about the Romans, Dr. Hooper provides an outstanding list of books to delve into. He also has a detailed index, which some books do not have. There are also plenty of illustrations and helpful maps.

I have read this book at least twice and intend to read it again. All told, I have about 75 books on ancient history, but this one stands out like a beacon. There is simply nothing of a negative nature that I could possible find.

John Slatter, CFA

Dr Hooper does an excellent job on Roman Realities. He not only does a fine job in outlining the history of Rome's transition from Republic to Empire but he also highlights the price of that empire. The inability of the Romans to adjust to the changes that hegemony brought about contained the seeds of its own destruction.

Hoopers narrative is clear and concise and is easily understood by students or laymen. As is pointed out in an excellent review below it is a bit outdated in some areas but its analysis is so well done that few books published on the empire today can match this wonderful book. The reflection on the causes of the fall of Rome are worth the price of the book itself.

Reading Hooper brings to light that fact that much of Roman history is a foreshadowing of the realities empires in every era face.

This is a great map of the city on water resistance paper. Will be with us while spending time in Venice. Have marked on it the location of items we wish to visit. We also have the Rome Rough Guide Map that we are taking on our trip.

The book filled in and added some supplemental information. The book was not used as much as planned as sufficient information was also available via the internet and the local residents.

I spent six days in Venice in April of 2006. After using the
excellent Rough Guide map of Barcelona, I purchase Rough Guide
maps when ever they are published for my destination. What I love
about these maps is that they are complete, accurate and very
tough. You can carry them around in your pocket, bend them and
sweat on them and they still remain as usable as ever.

You cannot get lost in Venice in the sense that you don't know
how to get back to somewhere familiar because there is always
a waterbus stop nearby that you can take to some place you know.
But the twisty pedestrian streets can be very confusing, ending
in canals, so it can be difficult to get from place to place
or to find a place you want to go to. For this you want the
Rough Guide map. I walked all over Venice, including some off
the beaten track areas where I saw very few tourists.

In summary: for Venice my advice is get a wasterbus pass for the
days you are in Venice and get the Rough Guide map. Oh, and
unless you like crowds and higher costs, don't stay in San Marco.

This was a great map! If you want to go anywhere in Venice other than the Rialto bridge or St. mark's square, you will need a map. I put this map through hell, folding it every which way and even dropping it in a rain puddle - oops :) the map stood up to my abuse perfectly and was great for getting us around. we didn't have to find the TI to get a map, and i liked it way better than the nice map our hotel gave us. I highly recommend this map and will use others when we travel!

I can't even count how many times we used it on our trip to Venice, because Venice is one of those cities that once you go off the main streets, you will get lost without a map.

I love that it's rip-proof and water-proof, because I've used other maps and hate when they get worn from folding and un-folding. And since we'll be going to Berlin soon, I ordered the Rough Guide Berlin Map.

It had every street in Venice on it, which when you're navigating your way back to a main street or canal it totally helpful.

This is a quality production. The photos and the descriptions are fantastic. I found myself pouring a glass of scotch from whichever region I was reading that night, ie. Islay, Speyside, etc, and enjoying the dram more than usual.

A couple of years ago I was blessed by being given one of the best, if not the best job in the world. "Brand Ambassador" for one of the finest and best known Scotch Whisky Brands. After an all too brief trip to Scotland, I have dedicated most of my free time to reading everything about Scotland and her Whiskies that I can get my hands on.
Mr. Jackson's wonderfully poetic description of the land that now owns my heart has served to make a return trip much more than a wish.
I so loved this book that I made a gift of it to the library of Cardhu Distillery.
Thank you Mr. Jackson for making Scotland come alive to Whisky lovers everywhere.
Slainte bha
Charles Swett

This book was purchased along with MJ's 5th Edition Whisky guide. I found it an excellent read while enjoying a nice glass of single malt. The pictures are beautiful and MJ's commentary make me want to visit Scotland and tour the distilleries myself.

An excellent book about my favourite all time drink! That's how I would describe this well written, beautifully photographed and intricate journey through Scotland, describing its whiskies.

Working together, Jackson and Wright have put together a combined piece of verbal and photographic artwork. The information provided is very educational, but enjoyable, with historic and technical information entwined with Jackson's fireside conversational style making this a pleasure to read. I can't reproduce the photography but I can give you a sample of the style of writing from page 63:

"After I had breathed the air of early Christianity and Celtic myth, the journey back was slow. It was not just the two hours' drive from Fionnphort to Tobermory, the main town of Mull, but also the otherworldliness of the landscape."

This book has been broken up with the chapters as follows: Overture; The Islands; The East; Coda; Directory of distilleries; Glossary, Index and Acknowledgements. I liked the maps each section had that showed where distilleries were either operating, operating with visitor centre, mothballed or operating intermittently; or closed. This information would come in handy if you are planning on visiting the areas yourself.

`Scotland and its Whiskies' is the perfect gift for that special person who has everything (including you!). It is an informative and enjoyable read; while pleasing the eye at the same time.

I got hooked on single malt scotches a few years ago--not hooked in an AA "higher power" sense--but hooked on sipping and savoring Balvenie, Oban, Cragganmore, and others.

As an adoptee who recently learned of his Scottish heritage, this handsome book with its lovely pictures of the highland countryside makes me proud. The Scottish have given the world the telephone (Graham Bell), the bicycle (Dunlop), the game of golf (St. Andrew's), cloning (Wilmut), penicillin (Fleming), and capitalism (Adam Smith)...not to mention some fabulous hooch

Our author is a foremost specialist on the subject of single malts discussing the subtle differences based on barrel-wood and mineral earth that make each scotch unique to its region. Besides, with someone like Michael Jackson says a 12 year old is tastier than a 16 year old, you better believe him.

A slightly different perspective makes this novella unique. The thread of a soldier on the eastern front in the cold Russian winter is a common one but this time it is based on the memoirs of an Italian. A good and quick read.

very spontaneous and genuine story, of young people catapulted across Europe for no reason, and still performing their duties and trying to be human. you can rely feel the soldiers pain and the bitter russian winter with the words used by the author.

Mario Rigoni Stern's slim memoir of his World War Two experiences sheds light on the effective destruction of the Corpo di Spedizione Italiano (CSIR) in Russia, which is perhaps one of the lesser-known events of the Eastern Front and of the entire war itself. As a personal narrative, Stern's view is from the ground and he offers little or no strategic view of how these events came to pass. This however, adds to the book because as a grunt--even in a position roughly equivalent to an American platoon sergeant of today--he wouldn't have had much access to or inclination to see the war in such a manner.

Plenty of combat abounds through the short tale. Particularly once Stern and his fellows realize the entire front is collapsing and that they're caught in a "bag," slang for encirclement by the Soviets, the fighting becomes fierce. It is interesting to read the accounts of Italians, Germans, Hungarians and other taking part together in desperate attacks to break out of the Axis Powers' first epic disaster on the Eastern Front.

Throughout the book courses one vein of thought that is ever-present in Stern and his soldiers: survival. "Shall we ever get home?" one soldier asks of Stern every time he sees him. "Which direction is Italy in?" others asks from the middle of the frozen steppes. And as the situation deteriorates during the long retreat westwards, Stern constantly commands and reminds the men to "always stick together." Alas, as these memoirs always illustrate, many do not make it home.

A short but good work covering the Italian experience in World War Two, Stern tells his tale of the Italian Army's fortunes as seen and lived through by one of its peasant and elite Alpini soldiers.

I am shocked to find the great many people who are unaware of Mussollinni's ill-fated pursuit of glory in the east. His broken dreams left many Italian families orphaned and widowed. This well written account of the brutality of combat on the Eastern front is a fine addition to any WW2 eastern front library. It is well written and fascinating.

The words in the title are those of one of the author's close comrades-in-arms in the Tridentina Division, which had been attached to the Italian 8th Army on the western bank of the Don in 1942. In December of that year, the Romanians on the left flank of the Tridentines buckled under a strong Soviet offensive, and the Italians found themselves suddenly enveloped. Ordered to withdraw on 19 December, the Italians, along with Romanian and Hungarian remnants and remnants of the German 298th Infantry Division, marched west through icy wind, snowstorms and heavy drifts in an attempt to break out of the pocket. Sergeant in the Snow is a vivid first-person account of the story of this macabre odyssey up to the climactic Battle of Nikolajewka on 26 January 1943 and its aftermath.

Rigoni's memoir is at once urgent, tragic, heroic and poetic. He relays the essence of the Italian spirit, so different from that of the stern and disciplined Germans, and recounts in flowing narrative and earthy dialogue exactly what it was like to march, hungry and exhausted, over 300 miles in the Russian winter. Rigoni divides his memoir into two parts: (1) the Strongpoint, wherein he tells the story of his division's struggle to repulse Soviet thrusts on the Don, and (2) the Bag, wherein he tells the story of the breakout from the pocket (the bag). As mentioned above, the climax of the action, and there is plenty of that here, takes place on the memorable 26th of January when the Italians and Germans defeat, at terrible cost, three Soviet divisions at Nikolajewka and finally break out of the encirclement: "My men hesitate, hold back, one or two of them are already wounded, and I shout: 'Come on.' I too hesitate a bit, but we're in it now, whatever happens."

In the midst of battle chaos and the fog of war at Nikolajewka, one of those inexplicable and mysterious episodes occurs when the famished Rigoni enters an isba only to find a group of Russian soldiers there: "They're armed. With the red stars on their caps. My rifle's in my hand. I look at them, turned to stone. They're eating round a table, taking the food with a wooden spoon from a common bowl. And they look at me with their spoons held in mid-air....There are also some women. One takes a plate, fills it with milk and meal and offers it to me with a spoon from the common bowl....No one breathes a word. The only sound is of the spoon in my plate; and of each of my mouthfuls....The Russian soldiers watch me go out, without moving."

Kudos to Northwestern University Press for bringing this remarkable book to light again. Unfortunately, the book is small and the print small, too. The translator's grammar and mechanics are somewhat archaic, and there is the glaring, almost unforgivable, absence of any maps. Dialogue should be rendered in alternating paragraphs as each character speaks, thus reducing the possibility of the reader's being confused. Although there are some footnotes along the way, this excellent memoir would certainly benefit from a thorough re-edit to include many more. In spite of these publishing flaws, The Sergeant in the Snow is a far better memoir than Guy Sajer's The Forgotten Soldier and as good as Bidermann's In Deadly Combat. Highly recommended.

I loved this book! JC Villar is a wonderful writer; I felt as though I was right there with him to the extent that I could almost visualize some of the places he describes. He manages to impart a deep knowledge of the history and culture without being pedantic - he just casually slips it in. And his asides are hilarious! If you enjoy Bill Bryson, you'll love this book. Can't wait to read about more of JC Villar's travels and adventures.

The Seventh Wonder is part solid history book and part entertaining travel chronicle. This book details the author's expedition to rediscover the world's seven ancient wonders: the Colossus of Rhodes, the Tomb of King Mausolus, the Temple of Diana, the Statue of Zeus, The Great Pyramids, the Lighthouse of Pharos, and the Hanging Gardens of Babylon. The author took a three week vacation to locate and stand at the original locations of each of these ancient masterpieces. Though all but The Great Pyramids stood in forgotten ruin, the author's only regret at the end of his trip was that due to the war in Iraq he could not visit and verify the seventh wonder, the Hanging Gardens of Babylon.

The Seventh Wonder contained the perfect blend of background information about the purpose, construction, and stories surrounding each ancient wonder with the author's travel experiences while in Greece, Egypt, and Turkey. It's such a shame that structures that defined such hope, culture, and the life energy of so many peoples could crumble into disrepair, ruin, and the locations lost in time. Despite this, I think that an expedition to rediscover these sites would be an amazing journey. Until, I can book my own tour, The Seventh Wonder is a great alternative.

I actually went on the Egypt leg of the trip with the author, and I was pleasantly surprised at how well this book was written and how damn funny it is. Some of our misadventures on the trip made me so mad, the author and I did not speak for five years.

In any case, Juan mixes history with a generous slab of humor and sprinkles it liberally with his superb wit to produce a fantastic falafel of a travelogue. A few good stories were left out like the guy at the bazaar who begged us to buy two King Tut paperweights or his child would not get the kidney transplant. (feigned urgency is a common sales tactic). The GPS coordinates are a nice touch as are the cross references to relevant books to learn more about this topic or that.

This is certainly a book worth having just in case these seven wonders get blown to smithereens in the current WAR OF TERROR (oops, I mean war ON terror)... if things continue down the current path, we may never get to enjoy these wonders again. Oh well, it'll all be for a good cause. Like driving SUVs...

This is a thought provoking, educational, sacrilegious, hysterically funny, and practical travel guide. Or is it a study of historically significant architecture, the cultures that built it and the effect of those people and their construction on society thereafter, infused with GPS coordinates, cuisine commentary, bathroom humor and international pickup lines. I just finished reading the book twice in two days and cannot figure out if I was more entertained or enlightened. I'm motivated to trace the author's footsteps, avoid his pitfalls (literally), and capture the real life Indiana Jones experience of which the author wrote. Come to think about it, I did have that experience from my couch. The writing is first rate without being condescending. The book reads as fast and easy as a supermarket tabloid, which initially conceals the author's intelligence, the vast research that he must have done, and his knowledge of history. The author's fabulous sense of humor and insightful commentary on society and religion never make history books or travel guides, which therefore makes this book ultimately unclassifiable, with the exception of a great thought provoking book from which to simultaneously learn and laugh.

This is an engaging, well-written travel book. I loved all the details about the destinations,the history about the wonders and their links to contemporary society.

The research is superb and thorough; I loved the idea of including GPS coordinates.

I highly recomnend this book to travelers and history fans.

Every descriptive word is poured out with honesty and passion. The author's flare and supreme knowledge of the language allows the reader to relive his fascinating journey with tears of saddness and joy!

In the beginning of the book, the author gives us a marvelous glimpse of the world he knew and loved as a child. He makes us feel also the pain that he felt during the times when he witnessed his father's violent behavior heaped against his mother.
The details of the indoctrination of the Italian youth into the Fascist ideology should be an eye opener for all of us.
In addition, the author offers us a clear and painful look at the reality of war and its wretched consequences, and he does that skillfully, sometimes using humor to tone down the pain.
It is evident, however, that from the first chapter of the book to the last,the author considers his mother the true heroine of the book. Her faith, her inner-strength, her courage and her selfless attitude are beautifully manifested with filial devotion and sometimes with poetic flair.
Cione is an unknown name in the world of writing. I suggest that you buy "Sicily On My Mind", and when you finish reading it you will ask yourself: "Why not?"

Boy, does this guy know how to write!
It's like riding a roller coaster of intense emotions: the moving, the humorous, the dramatic, the poetic. The author's mother comes through as a remarkable human being, whose love, faith and compassion are vividly woven throughout the book in a remarkable fashion.
The sections about the author's indoctrination into Fascism and the painful events of the war, are also painted with vivid strokes worthy of a masterful painter.
Pick it up and read it. You'll love it!

I am a history buff and "Sicily On My Mind" offered me the opportunity to learn some insightful details about the indoctrination of the Italian youth under Fascism, as well as some painful aspects of W.W.II.
The author related his youthful experiences in Sicily, from puberty up to his 21st year of age with a delightful style which oftentimes reads like poetry.
Joseph Cione is a marvelous storyteller.Page after page, he kept my interest alive to a point that I could not put the book down.I read the entire book in one evening!
I hope there will be a sequel to it. Will the author write one? Pleeeease!

I live in Buenos Aires now, but I used live in Sicily during the same time that the author did.
I found the author's accounts of his life under Fascism and World War II accurate and fascinating.
The author's command of the language and writing style are outstanding, considering that English is not his native language. Cione has shown to be a remarkable storyteller.I hope he continues to write more books like this one.

"Soldiering For Freedom" by Herman J. Obermayer.
Subtitled: "A GI's Account Of World War II.
Texas A& M University, Military History Series, 98. (2005).

This book is a personal memoir that is different from most. Herman J. Obermayer, at the age of eighteen, was drafted in June 1943. From his entry into the Army at the New Cumberland Army Reception Center, near Harrisburg, Pennsylvania until his return from Europe to the United States on the ship, "Colby Victory", he wrote his parents. His last letter is dated March 30, 1946. These letters, collected during the war years, formed the foundation for this book. At first, I thought I would not like the format of printed edited versions of Obermayer's letters, but then, I found that the author has woven the letters into a sort of personal and contemporary commentary on the events that were occurring at the date of each letter. So, for example, you will find his letters from the College of William and Mary, where Obermayer trained in the Army Specialized Training Program (ASTP), intertwined with a rather detailed explanation of the Army Specialized Training Program, its goals, and that the fact that some 150,000 GIs were assigned to some 222 colleges and universities as ASTP students, and, for completeness, a brief history of the College. Due to his high score on the Army General Classification Test, Herman Obermayer was initially assigned to ASTP, so the former Dartmouth student entitled this chapter as "Back To College As A Soldier".

Basic training, troopship crossings and awaiting combat are all dealt with in individual chapters, which, again, mix Obermayer's contemporary correspondence with succinct summaries of the status of the war in the European Theater of Operations, ETO. An interesting chapter deals with the war against the French, our nominal allies, who were robbing gasoline from the American pipelines. On pages 100-101, the author gives an incidence of the French actually sabotaging a train, resulting in the death of some 200 American soldiers. "Censorship kept the news of this event out of the U.S. press." Even today, the there is little written about it.

The author has provided B&W contemporary photos of himself, his friends and some of interesting events he describes in the book. Additionally, the author has prepared an interesting map, showing his World War II trek across the ETO, and then marking the places he visited, including Paris, the Riviera and Geneva, Switzerland, where he was a student after the end of hostilities. This is an interested and very detailed book.

Soldiering For Freedom, a collection of letters to his parents, describes what World War II was like for G.I.'s whose logistic support made possible the effectiveness and heroism of front-line combat troops. Obe was one of thousands who maintained and protected the pipe line that fueled the spectacular advances of Patton's Third Army. Well-written, a "good read"...his writing brings long overdue recognition to the unsung role of "back area" veterans. Obermayer is gifted with a seeing eye and a feeling heart. His vivid 1944-46 descriptions of France and Germany and his reactions to what he witnessed reminds us that French anti-Americanism was reciprocated by the average G.I., and that black marketeering and fuel theft was greatly responsible for prolonging the war.
This excellent book is a "coming of age" memoire of a patriotic Jewish G.I. from an affluent "Ivy League" background becoming a natural and inevitable part of the American community, that unique bonding of diverse citizens learning to work together sharing a love of country and flag.
These letters remind veterans of the daily "Mail Call's" ability to sustain family bonds in wartime...maintaining contact with the "real" world. Sixty years later in "Soldiering For Freedom" Obermayer wins his personal battle with Time by gathering up and preserving memory. history

I cannot praise Mr. Obermayer too highly. So much of what we think we know we learn from the media these days--and so much of what we think we know about World War II and 'the greatest generation'-- is so much hogwash. When we get discouraged at how things are going in Iraq or elsewhere these days, it is fascinating to learn how people--and our soldiers--really thought about things during the last years of "the good war." He is (and was--as a young man) a wonderful writer.

Mr. Obermayer's book is an excellent read. The chapters feature a summary and then copies of Mr. Obermayer's letters to his family during World War II.

What makes Mr. Obermayer's story interesting is that he was a young man who didn't like the Army, but did his best to serve his country.

Every since the movie "Saving Private Ryan," and the book "The Greatest Generation," the public has viewed WWII veterans as people who were on a crusade. "Soldiering for Freedom" brings back the facts of 1940 military life we've forgotten. He describes:

* The hurry up and wait so common to military operations.
* The dependence on rumors for information and the concurrent frustration of not knowing what's happening.
* The forming and training and then re-forming and retraining. He goes through a dizzying number of programs and units: college based technical training, Combat Engineer battalion, Airborne Engineer battalion, a medic in a Fuel line detachment, and legal clerk.
* The senseless and unfair rules: officer only facilities of higher quality than the enlisted men were provided, censor ship of his mail, working for officers and noncommissioned officers who had less intellegent and/or education than him, etc.
* The resentment and lack of support from liberated French people for the war effort.

This is a part of the Army and the war that use to be shown in the television show "Sergeant Bilko" or the "Sad Sack" comic books--Civilians with an uneasy alliance to military life who often spent their time in uniform doing the best with what little the Army gave them.

Mr. Obermayer brings vividly alive a GI's life in the final years of World War II in Europe and the occupation that followed. But he also finds lessons in that period that inform us today-- especially his insights into the ongoing conflict between the United States and France that had fertile roots in 1944 and 1945.

Alexandr Solzhenitsyn is an intersting figure,a moral giant ,Shakespearean in his essence, equalled only by John PaulII and Nelson mandela among recent historical personage. Shamefully,disgustingly ignored by the left, exploited,shamelessly co-opted by the right,cafeteria style[much like JPII} he stradles above both camps,like Gulliver among Lilliputians. This collection, beautifully done considers the whole of the Canon,from stories written in the 1930's ending with his recent prose-poems[which are quite lovely and distinctive} A Large portion of the book are excerpts from THE RED WHEEL, his Magnum Opus,of which only the first two volumes[called Knots by the author] have been translated into English. The Red Wheel has been chewed and spit out by critics,though I cannot see why. It is in the great Russian literay tradition, long and varied and narrative and lovely. The overwhelming Chapter from the Gulag ArchipelagoII,THE ASCENT, is here, as are his major novels, speeches{the Nobel, Harvard and templeton adresses are here}.An essential volume to understand no just the 20th century, but the hole which exists in our post-postmodern world.

The first time I read anything by Solzhenitsyn was when I was given the opportunity to see his Nobel Speech from 1970 and learn of some of the horrors he had seen just because he was a writer. That day he said many things, too, and of all the words he threw into the audience one thing stuck with me. This isn't to say that everything he said didn't hit like a hammer because it did, but one statement, one paragraph, truly redefined the edges of suffering and made me think about what the word writer really meant. While remarking on the Gulags he made the comment:
"A whole national literature remained there, cast into oblivion not only without a grave, but without even underclothes, naked, with a number tagged on to its toe. Russian literature did not cease for a moment, but from the outside it appeared a wasteland! Where a peaceful forest could have grown, there remained, after all the felling, two or three trees overlooked by chance."
This took me by surprise and, reading more and more of his work, I came to understand how close he tiptoed the edge of a potent razor.

In this compendium of work compiled by Erikson and Mahoney, even the most casual of readers will be given a glimpse into a world that they might not even know existed. It mixes the casual with the terrible, the happy with the sad, creating a loom upon which one can truly look into the heart of the writer and see that he is crafting truths. The Gulag Archipelago was perhaps the most amazing of the pieces here, although the Red Wheel and other mentioned pieces are also well worth mentioning. Also worth mentioning is the fact that this book was translated in part by his son, allowing him to keep intact many of the truths he wanted so much to tell, and that many of these words are words that have never been printed in English. This means that the worlds that many people have never seen before, those forged by iron and starvation and by the silence that comes from being crushed by a curtain cast in iron, are on display and should be read and reread because they have meaning.
They are more history than history in many parts and more revolution than most revolutionaries ever dream of becoming. As both an author and a person willing to face expulsion from his country and death by his countrymen he did what few would ever think of doing; he continued to write so that the suffering he saw would never be forgotten.

When I recommend this read, I recommend it on many levels. First, I think it has something to say and, secondly, it managed to touch me as it said it. This peaks volumes on the subject and on the way the author conveys the subject, taking my mind into places too horrible to be fanciful flights of even the most convincing horror writer. Third, it works as a historical medium, reminding us what freedom entails and where all the Russian forces of nature went when their pens fell silent. That, most of all, is a reason to read this: how many pens churned in what was once a forest simply to be silenced?
Powerful is just a word until you see it taking form.

I'm a newcomer to Solzhenitsyn's writings but after reading his One Day in the Life of Ivan Denisovich, I was anxious for more. This Reader provides just the sampling I desired. It is not only valuable from the literary aspect but also from the historical. I gained insight regarding the Bolshevik Revolution, especially the dehumanizing effect of the Soviet regime under Lenin and Stalin. The effect on Solzhenitsyn of imprisonment in the labor camps is truly remarkable and spiritually edifying.

This set is a major step forward to the presentation and understanding of Solzhenitsyn to English speaking readers. It is a process that will still take years, but I suspect this volume will be pivotal.

In the early days, the writer's books were rushed into print with so-so or even poor translations because of their timelineness and importance. His exile to USA happened at the crest of his frame, but the political establishment was post-Watergate mediocority and the literary establishment not up to speed to help; we were not ready for him. Any great writer and/or polemicist is going to be controversial to somebody. And Solzhenitsyn's voice is a shrewd construct made of turning Soviet literary realism against itself, juiced up with a vocabulary simultaneously streetwise, grand, goading. Understand Russian or not, you really need hear him speak sometime. There is really no equivalent figure in English, modern or ancient, here or in Britain. You would have to conceive of Upton Sinclair as an experimental literary giant plus a man of subtle moral dimensions, then put him in the body of the old prize fighter John L. Sullivan, and finally put him on a soapbox with all the scary zeal of an early century 20 labor rabble rouser. The closest personal affinity Solzhenitsyn found in his own fiction (minus core belief, of course) was Lenin. Solzhenitsyn is the anti-Lenin. And even more. To our soundbite culture, he just looks crazy. We prefer our Rooskies to be chummy vodka drinkers with a wink in their eye, or comradely cosmonauts. In our own history we only produced such figures just before and during the civil war era. The experience scorched our national soul with fire for good and doubtless killed some brain cells; we want the benefit of being on the good side of such turbulence, but don't want to look into that well too deeply for those old issues anymore, whatever they may be. We cover the hallowed ground with platitude, and allow a black gospel singer to replicate the pitch for us on public occasion, then back to business. We in this nation are now so far into such denial as to risk a repeat along new fault lines. This sad and tragic process is known as history.

Professors Ericson and Mahoney have emerged in recent years as the key interpreters of the Solzhenitsyn cyclone for us, and let nobody convince you it is not a cyclone. Truth doesn't come easy; come here if you dare. If the headlines are old, the second fiery wind of artistic sophistication, fully schooled by the giants of literary modernism, is still to be experienced. For Solzhenitsyn resembles Tolstoy only in scope; in the great Russian tradition of literary engagement (unlike our consensus seeking) the game is to take such giants on, and Solzhenitsyn does on every level. Ericson and Mahoney here not only do an able job, but a superlative job of explication, choice, and presentation of the writer, fresh as if for the first time (in some sense it is). Each vital and core statement is here, many in new translations, plus new things from the entire career we haven't yet seen in English. Excerpts are made very well; the greater artistic treasures beyond this set are previewed. The volume works for both those coming new to the writer and those of us who have been following him for decades. I was especially gratified to find major doses of Cancer Ward, a great and dense modern novel wrestling with the nuclear core of what went haywire worldwide in century 20. Then Matryona's House -- is this the best story in any language for 200 years, or what? Yeah, Ivan Denisovich seems missing in action -- but that sui generis masterpiece has remained readily available everywhere at all times. Everybody now knows Ivan worldwide, as they also know the term GULAG. So Ivan does not require this volume, though oddly his creator still does.

The editors expand our understanding, but also set out verdicts in concise statement: "Solzhenitsyn is, in truth, a liberal conservative who wants to temper the one-sided modern preoccupation with individual freedom with a salutary reminder of the moral ends that ought to inform responsible human choice." The editors thus make the case that the writer is within, not without, the arena of modern political dialogue (ie., a liberal in the classic sense, not a traditionalist or nationalist). And within that dialogue, one bringing in the lessons of the past, not a mantra for endless "change" running clear off the tracks (like the "Red Wheel" of Soviet communism -- introduced metaphorically in filmic scenario as a burning wagon wheel broke loose early in August 1914). After a lot of misunderstandings still at large, then, it is both safe and sound to let Professors Ericson and Mahoney teach. Here is a writer worth inhabiting for your own lifetime, and may the wind be at your back -- you'll need it to stay ahead of the fire.

Expertly compiled and collaboratively co-edited by Edward E. Erickson, Jr. (Professor Emeritus of English, Calvin College) and Daniel J. Mahoney (Professor of Politics, Assumption College), "The Solzhenitsyn Reader: New And Essential Writings 1947-2005" is a compendium of the literary, philosophical, and political writings of Aleksandr I. Solzhenitsyn who was born on December 11, 1918 in Kislovodsk, Russia, underwent twenty years of involuntary exile in the West, and after the collapse of the Soviet Union, returned to live in Moscow and continue writing his observations and commentaries about the social, ethical, and political issues of our time. Solzhenitsyn is a Nobel laureate whose writings spoke truth to power, whose courage against a totalitarian regime led to his exile from his native country, whose commitment to ethics marginalized him in the democracies of the west, and whose poetry, short stories, novels, essays, and speeches are as relevant today as they were over the past four decades of his controversial career. Reflecting and demonstrating his life's work to date, "The Solzhenitsyn Reader" is a seminal contribution to academic library collections and especially recommended reading for students of Political Science, Russian Studies, European History, and Russian Literature.