Europe Books

In W.W.II there were many places were battles took place. There were battles in France, POland, Russia, and Africa. This book focuses on the African part of the war. The book War In the Desert was an excellent book. It was a very in depth book on th etrials an dtribulations of the war. The pictures are very good deppicting exactly whhat went on. This book was a great help for me to understand the war in the desert better.

Alan Moorehead was a war correspondent who covered most of the 3-year desert campaign in North Africa in World War II. Therefore, he saw the war at first hand, sometimes coming under fire himself (usually from aircraft), sometimes getting lost in the vast desert, sometimes missing key events because his reporter's intuition led him astray. Although he was not usually on the front line, he did manage to get into towns within hours of their liberation. He had interviews with the general staff of the (British and U.S.) armies and a good grasp on the overall strategic vision of the campaign, from the Allies' point of view.

The writing quality is top-notch, especially descriptions of the burnt out and fought-over towns and countryside. You get a good flavour for the conditions the troops fought in and for the bravery and resilience shown by the soldiers. There are a number of very interesting sidelights to the action, highlighting the difficulties encountered in trying to report the war.

Unfortunately, there are a number of quibbles that detract from a 5-star rating. This book is not a "definitive" history of the war - it was written too soon and from a purely Allied point of view. It is undoubtedly biased - he constantly makes excuses for the Allied generals' failings to deliver a knock-out blow to the Axis, especially blaming the long supply line from England (neglecting the fact that half of the Axis' supplies were sunk in the Mediterranean). He refuses to admit the Allied forces were consistently outgeneralled by Rommell, blaming the British training and internal organisation instead, first claiming the generals could not change it (bureaucratic inertia), then applauding Montgomery for changing it quickly. There's distracting (and long) digressions from the front, especially a trip through India and a vacation to the U.S. While the politics of Indian independence are interesting in their own right, they are complex and require an historical context so they couldn't be developed properly. Finally, there is no background material - the author assumes at least a passing knowledge of the people and politics of the day, so it might be frustrating for a beginner. The maps are generally quite good, however, so geographical mastery of the area is not necessary.

Therefore, I recommend this book as a personal snapshot of the attitudes and actions of the Allied armies in the desert campaigns of WWII. As such, it is clearly biased, but the quality of the writing and the descriptions overcomes this difficulty.

If you are interested in the War in North Africa this is the read for you. It is absorbing and well written with a flow of a correspondent who is constantly moving to different parts of the front. I love and would recommend anything by Moorehead, but this is still a special book because he lived most of it. It is not however a history of the war. There are large chunks of the war that are not written about, time frames where whole battles are not directly refered to. That is because Moorehead was not there to cover the war. That does not detract from the flavour and action of the book. Moorehead is great in, among other areas,

* his description of the British Campaign against Italy in Ethiopia
* his descrption of the early days of the war and also the Australian role in the war against Vichy France in Syria and then its role to nip a coup and Nazi support for Iraq, firmly in the bud
* his description of the ebb and flow of battle that confused both sides, but ultimately was most boldly exploited by the Germans. The swirl of dust and whole lines of transport and tanks wondering either into or out of battle can almost be tasted.
* the seldom written about race to Tunis at the end of the book, the sudden rush across Algeria and then bogged down fighting in Tunisia; tough battle that tested the Americans for the first time and one where, despite the public image, was still largely British in effort.

The book is also of note in that halfway through Moorehead leaves the front for India and covers the Scripp's mission on Indian Independence at the height of the Japanese invasion. I know of really few descriptions of the positions of all the major parties in debating future of India: Gandhi with his unrealistic notion of "sating the violence of the Japanese invader with the blood of pacifist Indians who merely submit to the bayonets;" Ali Jinnah's willingness to send millions of Muslim troops to support the British if Britain would grant defacto status of the Muslim homeland of Pakistan. Somewhere between the two was the ever boxing clever Nehru. Moorhead met all these men and interviewed them in detail.

Moorehead also relates the loss of other correspondents in the fighting. The constant weariness and grind of the campaign that had Britain in the fighting for more than 3 years is apparent and there is a heartrending description of a British Tommy experiencing too much of the constant slogging and pounding of battle and not caring, in desperation, leads a forlorn attack in what was obviously a case of suicide.

This is one of the best books on WWII and war that I have ever read... and I may have read over 1000 since my early teens.

Moorehead's first person account of the African Desert Campaign is top-flight. He captures the moment as he experiences it. I feel I am sitting right beside him as he describes events and his reactions to them. Could this man write! I carry this book in my briefcase and whip it out whenever I have a few minutes to spare. I am always rewarded.

Experience the Desert War (and other related campaigns) with the immediacy and freshness of a journalist writing his dispatches from the front. No dry, revisionst tome here. This beautifully written book gives you a sense of what it was like to actually be there. A must read for anyone interested in WW-2's North Africa Campaign.

Heading to Germany for the Football (Soccer) World Cup in June 2006? Take a detour to Berlin and be amazed by the vibrancy and architecture of this new/old city. Reading Ruth Baja Williams' "Detour Berlin" is an excellent introduction to your visit, giving the city a unique flavour from the perspective of a 20-year-long visitor. The former East Berlin is currently being transformed with renovated apartment buildings, stunning new high rises, and everywhere there are trees and parks to soften the built environment. As you wander around Alexanderplatz recall Ruth's experiences there, imagine the life she describes of her friends residing on the `other' side of the Berlin Wall. Visit cosmopolitan department stores, putting yourself in the position of a long suffering 1960 -70s East Berliner attempting to purchase scarce, very basic products. Picture yourself living in West Berlin, separated from family and friends by a forbidding wall. Allow Ruth, through her warm, yet incisive observations, to take you on a journey that will make your own visit so much more meaningful and appreciative of a lifestyle often taken for granted. Ruth's prose is vividly accessible as she generously shares the daily lives of her family and friends in a way that brings a European city into the realm of understanding of a non-European. Do detour!

Ruth Baja Williams memoirs of post-wall pre-unification Berlin are hard to put down. Buy this book and you're guaranteed to be caught up in her vivid storytelling abilities and compelling gifts for observation. In a way, her book also serves as a mini-biography of her husband Charles Williams, one of America's most gifted and creative singers and teachers (he created the role of Sporting Life at the Metropolitan Opera's premier performances of Gershwin's Porgy and Bess in 1985).

What a read! Ruth took me to Berlin, placed me in her family, and brought me a rich, honest encounter with a place I knew little about. Thank you Ruth (and Charles) for letting me share your wonderful detour to Berlin.

Ruth has witnessed a period of our modern history which is too little known and understood by much of the supposedly educated Western world - and written so well and thoughtfully about her experiences. We share her disappointments, admire her achievements with the German language, freeze with her, are inspired by the stoicism and even good humour of individuals who have suffered so much in war, feel the warmth of her German friends, can imagine the hassle and frustration of crossing into East Berlin and appreciate the fascination Ruth and Charles had with the events, culture, history, politics and customs of Berlin.

This 20 year detour by an interracial American couple in Cold War Berlin is an interesting, compulsive read which also permits valuable insights into personal interactions within the culturally diverse international community.

A compelling account of a 20th-century love story set in Cold War Berlin. Ruth Baja, a girl from an upper class Philippine background, marries Charles Williams, a black American singer, against her family's wishes. They find themselves in Berlin--temporarily they think--soon after the Wall divides the city. They stay and raise a family while Charles pursues a European career. This is a voyage of political, cultural and personal discovery, told with wit, poignance and grace. You'll fall in love with Ruth and Charles, and with Berlin too.

We Americans tend to forget that Vaclav Havel was an Artist, poet, writer and existentialist thinker long before we seized upon him as our own private "anti-communist hero extraordinaire." And as with most other things, we in the West tended to "fixate" on Havel as just the one-man anti-Communist sideshow: the singleton hero of the Prague Spring. That is to say, we saw in him only what we wanted to see -- only what was comfortable for our myopic vision and only what tended to calm our democratic sensibilities. For had we looked and drank just a bit deeper, there was a lot more of this self-made "artist turned political activist," to see than just our knee-jerk recreation of him through our own eyes as our own larger-than-life anti-Communist hero.

This book offers another vision of him that looks deeper into his very troubled, but nevertheless very important soul. Having had this book on my bookshelf, left unread for almost 20 years, this oversight alone makes me as guilty of seeing only the "shadow Havel as anti-Communist caricature," as the rest.

In this very thoughtful series of autobiographical interviews, the "deeper Vaclav Havel," comes through loudly and clearly. And here I mean of course the one just beyond the popular anti-Communist Western created veneer. Havel has always used his very subtle, supple and artistic mind to become more than just an Anti-Communist firebrand. In the grand tradition of other Europeans, and more than anything else, he is an existentialist humanist thinker, with much practical advice for democrats. However his primary concerns have never been just with the fetishized political games that superpowers play. Whether they be the brutal class-based politics of Communism which, before it committed suicide, had morphed into a softer form of equally fetishized version of socialism; or about the equally brutal racist-based capitalist consumer-driven democracies, which as they begin to see their own self-inflicted deaths just over the horizon, have also morphed into a "kinder and gentler" form of American racism, or what amounts to about the same, Mandela's softer version of South African Apartheid: Either way, none of these has been Havel's primary concern.

In this book we see Havel's real concerns spread out on the table, as he tells us how his keen sensibilities evolved until he learned to reject his own bourgeois class-based Communist upbringing. He learned to reject it because as he puts it "it gave me unearned privileges and alienated me from myself and from the rest of society in ways that could not be undone until I became aware enough to develop a refined sense of fairness, and until I could develop a "social emotion" that was antagonistic towards the class privileges I had inherited." Havel's "social emotion" was one that was also antagonistic towards unjust social barriers, and towards any pre-determined status awarded at birth, or based on the "false consciousness" of race superiority or any other forms of unearned status whose existence is designed specifically to humiliate, dominate and dehumanize others.

Although Vaclav rebellion against his parent's wealth is classic and familiar to us in the U.S., he did not blame them -- as he saw them as decent people merely caught up in and locked into the social customs and way of life of their time, perhaps in the same way that we Americans do when we use the same lament to excuse our own parent's evils of Jim Crow and slavery. Like his American counterparts, Havel too, even as a member of the bourgeois, preferred a sensibility that sided with the oppressed rather than with the ruling class of which, through inheritance, he was a member in "good standing."

However, unlike the typical American or South African racist, who would never grant moral superiority to those they oppress, even though classism was his natural inheritance, Havel opposed his social station at an almost instinctual level because with all of its undeserved advantages it was seen by him as morally inferior to those it oppressed. He also opposed it because of its inherited privileges, the sponging off of the powerless, due to its social injustices and the immoral barriers that tended to degrade man and condemned those it oppressed to the status of sub-humans. Havel said that by the time of the 1968 uprisings, he had become what he called "an emotional" and a "moral socialist." But even this was just a half way house on his journey to greater personal awareness and enlightenment.

As his social consciousness evolved he began to see the crisis of the world as deeper than just particular ways of organizing the economies, their respective peculiar social arrangements, or the politics of a particular system. What he saw long before it became obvious to the rest of us, is that both the East and West are suffering from the same dilemma: a crisis of alienation, a malaise in which man is isolated from himself; a conflict between an impersonal, anonymous, irresponsible, corrupt and uncontrollable juggernaut of power (the power of mega-corporations, mega-technology, and mega-dollars in politics and mega-churchs), and the elemental and original interests of man as a concrete individual.

In this sense, Havel sees this conflict in the same terms that Ernest Becker saw them: as a nostalgic loss of metaphysical certainties, a lack of a capacity to experience the transcendental, of any super-personal moral authority, or any kind of higher moral horizon. As he puts it: "As soon as man begins to consider himself the source of the highest meaning in the world he begins to lose his human dimension, and control of his humanity. We are going through a great departure from God, which has no parallel in history: we have become the first atheistic civilization."

But again, as in the case with Becker, we must resist the temptation to force these comments about God and the need for a return to spiritualism, into our own facile, lifeless and morally compressed Procrustean Beds. His reference to God and an "extramundane authority" is similar to that of Professor Cornel West's version of his own self-styled version of "Chekovian Christianity:" They both represent "Existentialist revolutions" more than they represent traditional rearrangements of existing religious norms of morality. Anyway you cut it, both West and Havel's versions of "God" seek to drive the moneychangers from the Temple.

Havel, Becker and West all put at the foot of our collective dilemma, man's arrogant anthropomorphism, in which he attempts to know and control everything. As we go about, bouncing between obscene consumption on the one hand and novel but obscene repression on the other, these great men all agree that we need to find a deeper sense of responsibility to the world and to something higher than ourselves. We need a new moral order based on returning man to his genuine human dimension, which can eventually lead to new social structures where personal humanity may again begins to rule supreme.

Far be it for me to suggest that these great men and their shared vision may have missed an important point: that man's humanity is not what it used to be. It has changed and been transformed in fundamental, perhaps even in irretrievable, ways. We cannot "walk the cat back" to an earlier more pristine moral time. Moral ground zero has changed, perhaps forever. Like everything else, our humanity too has been corrupted. We can't un-ring that bell; there is no way to back.

Sadly, the new humanity that we have created is what it is, period. There is lots of practical advice for democrats here, but Havel's larger message is, in my view, much more important.

Ten Stars

Edit of 17 Apr 08 to add links.

This book should be read as an adjunct to the author's other major book along these lines on power to the powerless.

The most gripping and troubling conclusion that I drew from this book is that the United States of America is today much closer to where Czechoslovakia was in 1968 than anyone other than the Chomsky's and Vidal's might be willing to admit. We have both a federal government and a national corporate economy that thrives on elitist secrecy and blatant lies--even our non-profit sector is corrupt, from the Red Cross to United Way to many others. The people, the citizen-voters, truly have lost all power, as well as access to the information that might give them back the power, and this is indeed a black, absurdist-realist situation.

On a more positive note, the author offers up, in the course of a long series of interviews, a number of ideas that are relevant to America today, as well as to any other emerging or re-emergent democracies in the making.

1) Model of behavior. When arguing with the center of power, do not get side-tracked with ideological debates over right or wrong. Focus on very specific concrete things (e.g. term limits, campaign finance reform, neighborhood economics) and stick to your guns.

2) Popular coalitions. Non-violent non-partisan popular coalitions are the core means of taking back the power. They represent a means for bring together groups of people from widely divergent backgrounds, with genuine social tolerance.

3) Informal networks. Even under conditions of repression and censorship, informal networks of dissidents and quasi-dissidents can be effective in sharing information through samizdat publications. [With the Internet, these possibilities explode, although caution must be taken on the fringes since the Internet is easily monitored and the more radical leaders could be declared seditionist "combatants" ineligible for their rights as citizens...speaking of the Soviet Union, of course, not America.]

4) Man versus Machine. Havel reaches his own conclusions founded in Czech literature and his own experience, with respect to the urgency of restoring the kinship and human connections that used to drive politics, economics, and other aspects of organized living. He is at one with Lionel Tiger among many others, with respect to the terribly consequences of the industrial era in terms of de-humanizing decision-making and allowing remote elites to treat individual workers as dispensable cogs in the machine, whose lives matter not a whit.

5) Neighborhoods, Politics "From Below". He joins the authors of the Cultural Creatives (Paul Ray and Sherry Ruth Anderson) and of IMAGINE: What America Could be in the 21st Century (Marianne Williamson) in emphasizing the vital role that neighborhoods must play in any democracy. From political self-governance to sustainable economics to low-cost healthy agriculture to cultural cohesion, neighborhoods are the sin qua non of democracy--without active neighborhoods, one can go so far as to say, national democracy is a sham, a false theater, fully equivalent to the centralized, repressive, inefficient totalitarian control states of earlier eras.

6) Small Numbers Can Make a Difference. I was struck by how few were the original dissidents and organizers--in some cases, 20-30 in number, in others 70-80. Earlier studies have suggested that Hitler took power over millions with just 25,000 people. One can only hope that the anti-thesis is true, and that the 50 million cultural creatives can take back the power by getting serious about organizing across neighborhoods and into a national network.

7) Art and theater matter. Even under conditions of severe censorship and control, art and theater can be the manifestation of uncensored life, "life that spits on all ideology and all that lofty word of babble; a life that intrinsically resist(s) all forms of violence, all interpretations, all directives....here stood truth..."

8) Absurdity is a warning. Nihilistic and absurd theater or other works of art are a caution. They "do not offer us consolation or hope (but) merely remind( ) us of how we are living: without hope.

9) Truth can be misappropriated. The author experienced the misappropriation of his words and was both hurt and enlightened, ultimately creating a play about truth, the circumstances in which it is said, and the whom, why, and how of it.

10) Great men doubt themselves. Most touching are the author's many retrospective and current references to his insecurities, to his doubting himself even as he made history and became President of Czechoslovakia.

11) Writers live to tell the truth. This is certainly not true of most American writers who write for money, but it reflects the ideal and merits thought.

12) Change the atmosphere. If you can do nothing else, strive for a moral mobilization and a change in the atmosphere of governance, at any level. We cannot even begin to conceive the magnitude of the positive changes that can occur overnight if the people begin to speak truth among themselves. Work toward a process "in which people's civic backbones (begin) to straighten again."

13) Role of the intellectual. While I the reviewer would churlishly doubt that America has many intellectuals right now, the author's concluding words on the role of the intellectual strike me as very important: "...the intellectual should constantly disturb, should bear witness to the misery of the world, should be provocative by being independent, should rebel against all hidden and open pressure and manipulations, should be the chief doubter of systems, of power and its incantations, should be a witness to their mendacity."

Any person concerned about the corruption and misdirection of their government and their corporate as well as non-profit entities, will be provoked and inspired by this book. It speaks to the future of human life as it might be, were we willing to stand up straight and be counted at citizen-voters, active at every level beginning with our own neighborhoods.

Living in Truth: 22 Essays Published on the Occasion of the Award of the Erasmus Prize to Vaclav Havel
Teaching to Transgress: Education as the Practice of Freedom
A Power Governments Cannot Suppress
Leadership and the New Science: Discovering Order in a Chaotic World
One from Many: VISA and the Rise of Chaordic Organization
The Tao of Democracy: Using Co-Intelligence to Create a World That Works for All
Society's Breakthrough!: Releasing Essential Wisdom and Virtue in All the People
The World Cafe: Shaping Our Futures Through Conversations That Matter
Collective Intelligence: Creating a Prosperous World at Peace

Other reviews are right on the money in terms of this being a very good book and of course it covers many key elements of the events and times during the changes in Czechoslovakia. However the are several key messages, and lessons for anyone interested in managing, motivating and leading people; particularly through difficult or uncharted changes. There are also some good reflections on the role, character and nature of theater and other individual and group activities in the arts.

This is a fine book about an amazing man. I was truly inspired by Vaclav Havel after reading this book. This book is an "easy read" even though it is largely about weighty matters. It is an interesting and enlightening book.

Whenever I need a moral boost I go back and reread Vaclav Havel's
"Disturbing the Peace". This book is a series of essays by the
dissident Vaclav Havel that were smuggled out of communist
Czechoslovakia and translated by a Havel friend in the West. Vaclav
Havel was a playwright who became a Czech dissident who became leader
of the Velvet revolution (which ousted the communists) and who finally
became president of the republic.

Vaclav Havel was the foremost
dissident under the communist regime. He openly challenged the ruling
government with such essays as "Power to the Powerless" and
"The Soul of Main under Communism". (Actually I forgot the name
of the latter essay. I think "The Soul of Man under Communism"
is an essay written by Oscar Wilde. But Havel did address this theme
in "Disturbing the Peace" and in essays he forwarded to the
communist rulers.)

One of the most exciting parts of the book is
where Havel describes the dissident communitie's efforts to publish a
Havel essay advocating that the Czech government adhere to the terms
of the Charter 77 human rights accord to which they were a signatory.
The story is spine tingling thriller complete with car chases and
obscure drop points. It reads like a John le Carre novel except it is
real.

After you read "Disturbing to Peace" I also recommend
"The Magic Lanten" by Timothy Garton Ash. This is a first hand
account of the fall of the communism as the democratic revolution
rolled across Czechoslovakia, East German, Hungary, and Romania.
Garton Ash was privy to the inner circle of people who plotted and
executed these bloodless coups. (Bloodless everywhere except, of
course, in Romania.)

Jacques Sandulescu

I really enjoyed reading this book. I read it in one evening. It's a real page turner! It's a great book for the teenager, as the hero, Jacques Sandulescu is just 16 when he is captured by Soviet troops and sent to work as a slave laborer in a mine camp. Donbas is his true story how he survived and escaped. The sequel Hunger's Rogues is currently out of print but I found a copy through Amazon.

Amazing story. I'm glad it wasn't lost and is being republished. I bought two copies. This would be a great story for teenagers to read about endurance and survival (for all ages, but the story is easy to read and the guy is a teenager when he was captured by the Russians and sent to the slave camp). It is very remarkable story if even mostly true and now one of my favorite books.

When I met Jacques Sandulescu, I was a pasty college kid whose idea of exertion involved a highlighter and a textbook. Jacques was twice my age, a giant, rock hard, with hands that swallowed pens whole. Romania was deep in his past, as was his career as a professional boxer; in l968, when we met, he was a Greenwich Village bar owner.

Like Big Daddy Lipscomb --- the legendary giant of a football player who used to help opponents up "so the children won't think Big Daddy's mean" --- Jacques was a calming force in every room he entered. You couldn't imagine trouble erupting with him around; he was that big and strong. And, at the same time, peaceful --- he had the kind of calm only people who have passed through fire seem to know.

It wasn't until I read his book that I understood the horror Jacques survived.

"I was arrested in Brasov on my way to school," his book begins. And right there your stomach sinks. Because you know what's coming: a terrible story, told in unadorned prose.

Well, brace yourself, you're about to be devastated.

As "Donbas" opens, Jacques is 16 years old, 6 feet 2 inches tall, 180 pounds. He's the youngest person in the box car filled with Romanians that the Russians are shipping east in January of 1945. But his youth vanishes fast when he watches guards execute some would-be escapees. On one hand, he envies their death: "no more cold, misery, hunger." On the other, he wants to live. Which means he'll have to escape.

This is a book about noticing everything, paying sharp attention, looking for an opening. His first conclusion: Don't try to escape in winter, don't think you can get out of Russia without knowing Russian.

But after a few days of working in the mines of Donbas (now considered part of the Ukraine), his thoughts turn from escape to survival. The work is wet and cold. A cave-in could come at any time. Exhaustion, exposure, hunger --- death comes in many forms here.

I have never read an account of work in a coal mine that made me so claustrophobic. I found myself reading faster, as if getting to the end of a particularly horrible shift would provide some relief. But it didn't --- above ground, there were sadistic guards and icy winds. "Many prisoners died," Jacques reports matter-of-factly. "Over half the camp. Four hundred and fifty weak and sick weren't suffering any more."

Jacques is comparatively well off. He is strong and uncomplaining, a good worker. He gets privileges --- when he goes to nearby homes for dinner, it's a delight to read as he eats and eats and eats. But he's never fooled; there's always a power-mad guard around the corner. And one does beat him so badly he almost dies. Which makes it all the more satisfying when, with the permission of a senior officer, Jacques stomps that sadist mercilessly. "It was a good feeling while it lasted," he says. I think even a pacifist would agree.

After two and a half years, his luck runs out --- Jacques is trapped in a cave-in and rescued only by a friend's heroic efforts. He fears his legs will be amputated. He must escape. His legs are running with pus, he is a mass of sores, but he slips onto a train, hides in an open coal car and begins the slow, freezing ride to the West.

Books like this have a built-in handicap --- we know the author survived. Only the best of the breed make us forget that there's a happy ending. And this is the best; reading these pages, you will feel cold and hungry, raging with fever, wet and dispirited. But mostly, you will feel Jacques Sandulescu's spirit, his unyielding insistence on life, life in free air, life at all costs. And, after you put his book down, you will, literally, take a deep breath

I first read donbus in my sophmore year in high school. It was a 1st edition copy quite tattered and worn. I figured it looked easy enough to read to get my credit for the book report that would follow. In the week that followed, I became attached to the book. Every free moment was spent reading it. His story facinated me. I couldn't put it down. Needless to say, the book never made it back to the school library. I re-read it every year and enjoy it more and more. I contacted the author a few years ago and told him of my enjoyment of his work and how i had permanently borrowed the book. To my surprise, i recieved an autographed copy from him i treasure! This book is incredible. Read it and enjoy the story of one mans will to survive. You wont regret it!

I had first heard about Jacques Sandulescu through my father, after he loaned me the book, "The Carpathian Caper", a novel by Sandulescu and Anne Gottleib. It was a Topkapi-esque adventure, about a man's return to his homeland behind the Iron Curtain after being kidnapped by Russian soldiers as a youth and shipped off to a Soviet slave labor camp, escaping after a mine cave-in crushed his legs, escaping to freedom, working his way West from black marketeer in the Middle East and Europe, to prize fighter in the midwest to nightclub owner in New York. It deals with his friend's plans to embarass the Russian Government by the very high profile heist of priceless religious icons right from under their noses.

The lead character, Jack, was one of those impossible men, like Indiana Jones, Dirk Pitt, Jack Ryan or James Bond. Who knew that he was for real?

Donbas is his story, the true tale of a 16 year old boy's decent into the hell of the mines in the Donbas region of the USSR. His torture, his survival, his escape and his life since then is the stuff great movies are made of. So why is Hollywood sitting on their hands on this one?

Read the adventure, then rent movies like "Moscow On The Hudson", "The Owl And The Pussycat" and "Trading Places". Watch for a big, burly man with a thick Russian accent and say hello to Jacques.

An account of the stand of the 1st Battalion, the Gloucestershire Regiment, at the Eastern crossing of the Imjin River during the Korean War 1950-1953, by the Adjutant of the Battalion at the time. It continues with an account of the captivity experienced by the author: of his journeys up and down North Korea, now an escapee, now recaptured; of interrogations in Pyongyang Political Prison, of life with the Chinese both in and outside prison Camps; and of the men with whom he shared those experiences.

The other 5-star reviews have it right, this is one terrific story that is difficult to put down once begun. However, this book provides more than an engaging account of a lost battle and the subsequent periods of escape and captivity by the author. The author delves deeply into the psychology of the captor/captive relationship - both in general and the specific dynamics of this war.

What I found fascinating is the maniacal desire of the communist Chinese to obtain some measure of legitimacy for their actions, both political and militarily, in signed statements, confessions from their captors, and in the comical re-education classes.

It becomes apparent that for these captors and captives at the Pyongyang Political Prison, this period was a test of the legitimacy of their way of life - philosophically, politically, and morally. And while these men lost the military battle for the hills near the Imjun River early in the war, they held the intellectual and moral high ground until the day they returned home. This was their victory.

This account of the fight put up against overwhelming odds by the "Glorious Gloucesters" at the battle of the Imjin River in April 1951, and the subsequent imprisonment as POWs of most of the survivors, deserves to go down as a classic tale of warfare and heroism.

The author, Captain (later General Sir) Anthony Farrar Hockley, who was adjutant (e.g. battalion chief of staff) of the first battalion, the Gloucestershire Regiment, originally wrote the book in the mid fifties, shortly after his return from captivity.

During a major Chinese and North Korean offensive during the Korean war, the 1st battalion of the Gloucestershire Regiment held their position on the Imjin river against many times their numbers for three days. There were heavy casualties on both sides - shortly after his capture the author counted more than two hundred Chinese bodies on one slope of one hill after one morning's fighting.

After supplies and a relief column failed to get through, the battalion was forced to retreat and most of the survivors were captured while trying to get back to Allied lines. The first seventy pages of the book describe the battle: the remaining 216 describe the author's experiences in captivity, including his attepts at escape.

I can't improve on the description of this book in the foreword to the 1955 version which was written by Major General Brodie.

"Captain Farrar-Hockley, then Adjutant of the Glosters, who himself was outstanding in the battle and afterwards, has written the most graphic account of a battle and of escaptes from captivity I have ever read.

This is a book which ought to be read by every soldier and prospective soldier.

Here he may learn what is meant by real discpline and inspiring leadership."

I must have read this book at least seven times, and also acknowledge the author as a great military historian (22? books), as well as being a knight of the realm. He was a gutsy Adjutant of the Gloucestershire Regiment at the Battle of the Imjin River in the Korean war. He pens a rivetting story about his exploits in escape from the North Koreans and the Chinese. I believe that he remains the most escaped prisoner of war in history.

He was decorated for his gallantry in Korea, and retired a Field Marshall, (five star general). I believe as the Allied Supreme Commander of NATO?

His story is an inspiration to all persons military, and to many who may have never even spoken to one. He suffers his captors and their tortures to become an extraordinary personality.

I'm about to read it for the 8th time!

Do yourself a favour, touch through these pages a hero from the "forgotten" war.

General Sir Anthony Farrar-Hockley shares his personal experiences from the Korean War in "The Edge of the Sword". The result is a powerful book recounting battlefield heroism and the highest standards of conduct during his 30 months of captivity.

This incredible book begins with then Captain Farrar-Hockley, the Battalion Adjutant, in position on the hills overlooking the Imjin River in April 1951. After four human waves of Chinese soldiers attempting to overrun their positions, the British broke contact and attempted to rejoin the rapidly retreating allied forces. After days of brutal combat, they were surrounded and surrendered to Chinese forces.

General Farrar-Hockley details each of his six escapes from either the Chinese and North Korean forces. Along with these gripping tales, he also shares the emotional stress caused by some of the various torture methods, including the particularly cruel water-boarding.

In 1955, President Eisenhower created the Code of the U.S. Fighting Force to serve as an ethical guide for US combatants who fall into enemy hands, as a result of actions of US prisoners held captive during the Korean War. The current code contains seven articles providing a moral compass in the areas of leadership, resistance, escape, and faith in your country. In this book, General Farrar-Hockley's tale exemplifies each of the key articles of the US Code of Conduct taught to all US service-members.

This book is a powerful, inspirational story that belongs in the library of every modern day warrior.
===============
After reading additional books, I have discovered that Anthony Farrar-Hockley is the master of the understatement. The "Glosters" were the premier British unit in the Korean War. The Battle of Imjin river is known as the "Epic Stand of the Glosters" in England. There is no better way to read about the battle, except to hear it from a man who lived through it. J. Rudy, 9/7/2008

excellent book, all that you need to know about many things that have been hidden to us by many centuries by religion and things that shoundn't been hidden because they belong to humanity, to history, to everybody;it make you wonder how we been used and been confused century after century.

Simply excellent! tanys alfonso, west palm beach,florida.

Now this is a really heavy book, there is so much information its amazing! Lei esta version en el original ingles y luego en castellano. Poniendo religion a un lado este libro es espectacular, tiene tanta informacion que tienes que tomarte la lectura con tiempo y calma. Las posibilidades son increibles, y muy logicas si piensas abiertamente y dejando dogmas de lado. Este libro es definitivamente de esos que guardas y relees mil veces.

iT IS A VERY GOOD BOOK IF ARE YOU LOOKING FOR SOMETHING SIMILAR AS A DA VINCI CODE. PLEASE READ IT AND YOU WILL SEE HOW ENGROSS YOU WILL BE.
INGRID

Excelente en forma y fondo. Està escrito para que el lector no quiera dejar de leerlo de principio de fin. Historicamente espectacular, un golpe al cristianismo donde mas le duele, en la verdad. Ya era hora de romper los mitos y desenmascarar a la iglesia y toda su farsa de los ùltimos 2000 años. Afortunadamente ya no quemam brujas porque de lo contrario los 3 historiadores que hicieron el libro estarìan en la hoguera junto a los millones de inocentes que el cristianismo ha matado durante su historia

Esta es la verdadera fuente de la cual Brown tomo su idea para "El codigo da Vinci". Aqui la historia y las especulaciones en torno al tema de la descendencia de Cristo provienen de fuentes historicas. La informacion, mas "heavy" que esa aguada que aparece en el libro de Brown, requiere de un lector con cerebro, dispuesto a detenerse de vez en cunando a pensar en lo que le estan diciendo. Apasionante.

This is an awesome book. Buy it and enjoy it.
Libro cojonudo. Disfrutarás como un chaval.

Este es por lejos una de los mejores libros que he leido. El autor encontro una manera muy agradable de contar una historia de la que la mayoria de la gente no quiere saber, concuerdo con otros comentarios, este no es un libro de texto, sin embargo como historia aporta mas que muchos libros de texto (al menos a nosotros los no filosofos de profesion) y de una manera muy interesante. Este es un gran libro que le deja como herencia al lector el reto de ejercitar la imaginacion y recuperar su capacidad de asombrarse con las cosas mas cotidianas.

Este libro llego a mis manos por casualidad en la biblioteca de Nueva Acropolis. Concuerdo con uno de las opiniones vertidas en esta página: No es un libro de introducción a la filosofía, si estás buscando filosofía no compres este libro. Este libro es un cuento en el que el autor va dejando a medida que se desarrollan los mágicos acontecimientos de manera inteligente una breve reseña de las corrientes filosóficas, sus representantes y sus ideas. Mi formación en este campo era NULA (ese curso no lo lleve en el colegio)...después de leer este libro, me intereso la filosofía y pude comprender de que se trata. Si te gustan los cuentos ágiles, la lectura amena, quizas un poquito de suspenso, debes adquirir este libro. Disfrutarás de su lectura y adicionalmente cuando termines de leerlo, sabrás un poquito desde Socrates hasta Popper, pasando por Nietsche, Lock, Santo Tomas de Aquino, Espinoza...Me despido de Uds. me voy a leerlo de nuevo.

Este es un libro bastante entretenido sobre la Historia de la Filosof?a, pero no debes catalogar este libro como un texto in extenso del tema, porque lo mas seguro es que te vas a defraudar. Cierto que nos habla de las principales corrientes filosof?as, pero no debemos pretender que abarque todo el contenido de todas o de alguna de ellas, critica que imagino es con la que mas se se?ala este libro. Como una introducci?n a un curso de Historia de la Filosof?a no es mejor ni peor que los otros cursos de introducci?n, y como quiera que sea, pasa a contar exactamente la misma historia que los dem?s libros. ?qu? hace entonces que este libro sea para mi especial? Es la forma en que Gaarder lo hace: convierte la introducci?n a la historia de la filosof?a en una novela que llega a desbordar todos los limites de imaginaci?n entre un padre y su hija.

Si nunca te has interesado en la Filosof?a, te aseguro que este libro clavara esta palabra en tu mente. Esto, sobretodo, si eres de aquellos que temen los libros textuales y formuleros. Pero si has incursionado en alguna corriente filos?fica con alguna profundidad, no mires este libro deseando analizar lo que seguramente ya sabes de la corriente que deseas, porque es seguro que sabes mas que lo que aqu? se presenta. Pero, como quiera que sea, como sucede con cualquier libro, siempre tendr?s algo que aprender de el.

Me han regalado el libro por mi 15°cumpleaños. Realmente es interesante ver como se desarrolla la trama de tal manera que los personajes principales van evolucionando. Por una parte Sofía la niña que corría el riesgo de convertirse lo que se llamaría un "apatico humano" logro superarlo mediante las enseñanzas de un completo extraño. No es un libro sobre las opiniones del autor acerca de preguntas filosóficas. Al contrario si eres el tipo de persona que te agrada pensar en ellas este libro te ayudará desde el princio al final a razonarlas un poco más por tu propia cuenta y saber opiniones de antiguos filosofos que tal vez coinciden con las tuyas.

An expansion and refinement of the author's Ph.D. dissertation on the diplomacy of Gouverneur Morris during very troubled times in Paris.

Gouverneur Morris was an intelligent man of solid good sense, with an obvious love for life. Dr. Miller, as befits one holding a law degree, writes as an advocate for the historical reputation of this important figure from our country's early days. In my opinion, she wins her case.

Anyone interested in the diplomatic efforts of our country in its infancy will enjoy this book.

I hope that the talented Dr. Miller will continue writing graceful books on equally interesting subjects.

This well-written and lively book should go a long way in restoring Gouverneur Morris to his rightful place among the Founding Fathers. The prickly Morris has had a pretty bad press over the years, but Envoy to the Terror provides a vigorous, in places brilliant, and ultimately convincing defense of Morris' conduct. Miller shows how Morris energetically defended America's interests under extraordinarily difficult circumstances and successfully disproves charges made both at the time and by later historians that his term as minister to France was a failure.

We learn to see our future by looking at our past, and contemporary French and American relations--as they relate to French censure for America's enlarging foreign policy and the U.S. zeal for "democratization" of the larger world--can be viewed in greater focus by narrowing in on the history of our two countries during the French Revolution and the French `Terror' that followed it. The American diplomat pivotal to this period-the only one on whom Washington could depend for analysis of what was happening abroad-was Gouverneur Morris, today one of the lesser known founding fathers, who as United States Minister to France from 1789-92, during the height of the atrocities taking place there, turned out to be profoundly perspicacious in seeing the terrible future of this, one of America's first adventures in `democracy building,' and its unpredictable, and sometimes terrible results. In Dr. Melanie Miller's insightful revisiting of the historical record of relations between the United States and France during this fateful and terrible period, as set down in her recent biography of Gouverneur Morris, Envoy to the Terror, Dr. Miller tells us much that is relevant to French and American relations today.

Gouverneur Morris may be the virtually unknown, underrated key to understanding the American Revolution, and this exciting new book tells his story from a fresh viewpoint. Thorough-going scholarship combines with bright and lively prose to bring Morris to life and set the record straight on his role in the establishment of the American Experiment. Dr. Miller shows that the conventional view of Morris has been much too limited and is due for thorough revision. This study is much more thorough than the recent popularizing biography of Morris by Richard Brookhiser. If you liked that book, which acknowledges Miller's ground-breaking research, you should read this one to learn the whole story. This book is invaluable for serious students of the Revolutionary period.

Gouverneur Morris has been a long underrated yet instrumental figure during important times. He took a critical part in the constitutional convention in Philadelphia, and he played as crucial a role as his predecessor, Thomas Jefferson, in his position as U.S. ambassador to France during the Terror, when French and American citizens alike sought his intervention, hoping to avoid losing their heads by guillotine. The author provides plausible explanations for this strange obscurity. Melanie Randolph Miller does much to humanize Morris's daily life, times and dilemmas, not to mention the big and small events of the French revolutionary era, deftly weaving into her text original and previously unknown sources, such as his own meticulously kept diaries, letters to and from his mistress, Adele Filleul, comtesse of Flahaut and other paramours, and urgent communications with key protagonists: the falling and fallen royal couple, Danton, Robespierre and the Girondins, among many others. The author's prose is brilliantly precise, enhanced by a dry and intelligent wit, and I agree with reviewers that the book is written with "the discipline of a historian but a novelist's eye," "a page turner." I admit that I found myself dragging my heels as I read along because, truth be told, I didn't really want to finish. In the final stretch, I stayed up way past my bedtime, skimming excitedly to learn what happened in the end, even though of course I already knew. I recommend Envoy to the Terror to anyone with more than a passing interest in the events of revolutionary Paris.

The eyewitness series is excellent. I own several of these books and we have used them on three different vacations to Europe. The book introduces you to Paris with background and historical information. A summary of seasonal happenings, weather, art, architecture and regional food information. The short essays are occpanied by pictures, maps, photos and graphic representations. It makes the book easy to read and a quick reference for planning daily activities while on vacation. The main section of the book has a break down of "regions" or areas. Each section starts with a map and locations of sights. You can then reference the specific site descriptions, which also include business hours and contact information. The back of the book list hotel and restuarant information. These books are an invaluable resource for planning a vacation itenenary. Also, they make an good refernce tool during your stay. The only negative I have found to these books is they are somewhat heavy to carry in your shoulder bag or packback all day long.

I purchased this before taking a spur-of-the-moment trip to Paris with my boyfriend, based on its excellent reviews on Amazon. I was not dissapointed!

This guide provided an incredible wealth of information about everything Paris -- from sights to see, places to eat, and things to do. Almost every site is accompanied with a nicely written description, map, and full-color photograph.

Here are a few notes: 1.) The information (allbeit interesting and informative) is about the touristy stuff. If you're interested in going to visit lesser-known sites, you may want to get a supplemental guide. 2.) Make sure to look up every place you go/have gone. I was surprised to found out that many of the seemingly understated little cafes we visited have long, rich histories, which the book very colorfully described. 3.) The restaurant guide, while good, is not entirely complete. If your visit will center on the French culinary experience,you may want to do a little additional research beyond the confines of this book. 4.) This leather bound special addition also contains 4 laminated, easy-reference information cards (menu reference sheet, address finder, Metro map) and a full-size city map, all of which were incredibly helpful and can not be purchased separately. 5.) The section about customs is good, as it contained valuable information on topics such as tipping and using the bathroom. (Interesting Fact: In many restaurants you have to *pay* to use the ladies room -- even if you have already purchased a meal or snack. Make sure to carry a handful of 2 Franc pieces with you at all times.) 6.) The book, though helpful, weighs a ton. Be prepared -- or beg one of your travel mates to carry it for you!

Bon voyage!

Dorling Kindersley makes the best travel guides hands down. They are extremely well illustrated, have extensive and detailed maps (thank god, because I tend to get lost very easily), up to date information on hotels (rates, rooms etc), restaurants (costs and reservation policies), and sites to see.

The travel guides have wonderful pictures, well researched histories and facts about France and more specifically Paris, what wines to look for and taste (not just by region and vineyard but also by year), sample dishes that one should try, detailed walking tours, information on famous art (there is a great section on the Louvre and all how to speed thru if you only have a limited amount of time).

The guide covers customs, money changing, travel information - you name it! Most importantly, it shares with you the best places to shop (and there are SO many in Paris), where to get good deals and SOOO much more. The book give you wonderful ideas on how to see the city in a limited time or really enjoy it if you are there for more than a few days. The book also covers things to do that many tourists might over look as well as telling you what is worth your while and what to skip. The guide also has great ideas for day trips beyond the city itself.

This is one of the best guides available on the market. It is perfect if you are planning to go to a few cities in a limited time or for more in depth information when planning a longer trip. We always lend this out to people before they plan a trip and everyone else has agreed it is top of the line.

This guide is wonderful - I have never flown anywhere before and was very nervous about going to Paris, but after having this book for a week now I feel MUCH more confident! I am always opening it to look up more info - Theres so much in it I can't imagine how all that stuff can be in Paris!! I researched quite a few travel guides to Paris before buying this one and I am SO glad I chose this guide... it has detailed descriptions of each region, each monument, each street! Even comes with a menu card to help you figure out what you're about to order! haha... It gives detailed walking tours, bus routes, best times and price differences for visiting museums,... The very best part of this book though is the PICTURES!! There are pictures of everything and THAT makes it the best for me... What else can I say - if you're going to Paris - BUY THIS BOOK!

I purchased numerous guide books before our trip to Paris, but the Eyewitness book was the only one I took with me. It is so comprehensive in its coverage of Paris, it was only book I needed. In it's handsome leather case, I felt comfortable refering to it on the bus and metro because it wasn't obviously a guide book. It didn't shout "tourist!" to everyone around me as I consulted it. Do not depend on the maps, however. Invest in a Michelin map of Paris; it's worth it.

A brief but inclusive text, Folklore of the Scottish Highlands provides exactly that: and overview of clan lore, information on second sight, witchcraft, social customs, life and death, and seasonal cycles all as they related to the customs and folklore of the Scottish Highlands. For those that have done other research on traditional Celtic/Scottish culture and religions, much of Ross's text will be familiar as her sources include Carmichael and Campbell, two of the most important authors in the field. Ross does, however, narrow down the field of study to just the highlands, making this a useful resource for the reader interested in localized information. Her information on seasonal religious practices is particularly useful.

The book's first section, "Clan Lore," is specific to the Scottish Highlands and unlike anything I've seen in books on this and similar topics. Ross connects fairly ancient practices to fairly modern practices, in part through the clan system. She also discusses the primary attributions and functions of the clan, and how these attributions interact with religion and folklore. This section will be particularly useful to the reader interested in narrowing his research to a more specific location. It does, however, cross over some traditional boundaries in time and practice, and so it needs to be read carefully and with a grain of salt.

Much of the rest of the book will be familiar to those that have read Campbell and Carmichael, and Ross fails to add much in the way of new or insightful commentary. She does, however, restrict her purview to the highlands, again making the book useful to the reader who wishes to localize his study. The section on witchcraft, while definitely folklore inspired/corrupted by Christianity, is more complete than corresponding sections in similar texts. Ross also include a handful of illustrations of varying usefulness that are scattered throughout the text.

As mentioned, the section of seasonal and religious practices is defiantly the most useful and complete of the book. Unlike many authors in the same field, Ross does a more than adequate job of summarizing various sources and practices into a coherent text on each of the subjects she talks about. This will help the reader put other research into context and gain a greater understanding on seasonal/religious practices in Scotland as a whole. All in all, I do recommend this book, but not very highly. It is an interesting and fast read with a few useful sections, but on the whole it lacks the depth, analysis, and new content of similar books by authors in the field. It's a good book to borrow or to wait to buy, and I would recommend other books and authors ahead of it.

This is an excellent book, especially if you are writing a book set in the Highlands and need cultural information that is often left out of history books. It was very interesting and enjoyable to read (not stuffy). The most informative book on customs/culture of the Highlands I've found.

Anne Ross gives a wonderful introduction to the lore of the Scottish Highlands and the Isles. She covers Clan lore, Second Sight and the Seer, Witchcraft both black and white, Folk cures, meaning of omens and social customs. The covers the festivals dates through the year and gives you a nifty list of Folk Museums, with drawings and maps to aid the readers unfamiliar with Scotland. Gaelic speaking, Celtic scholar and archaeologists, she brings her knowledge to bear on looking at death rights, and try to remove the veneer of Christianity and look at the origins in Pagan customs that date back to the dawn of time.

Its a small book only 170 pages, but she does a wonderful job bringing this part of All Things Scottish into the spotlight.

Highly Recommended.

Anne Ross, in the tradition of F. Marian McNeill, has done a superb job in recording the core facets of Scottish Highland beliefs and customs. Covering such topics as the mystical elements surrounding Scottish clan lore, seers and the second sight, witchcraft (with the a thorough scholarly distinction made between white and black magic in Scottish tradition), cures/omens/taboos and social customs, as well as a wonderful exploration of Highland "death teachings" and cosmologies, The Folklore of the Scottish Highlands is one of those texts that will forever be looked back to. I wholeheartedly recommend it.

Like a beautiful fruit, what lies beneath the peel is most revealing and rewarding. And, no one has done a better job of revealing old Scottish customs and traditions than the native Gaelic speaking Celtic Scholar and Archeologist, Anne Ross.

Dr. Ross takes an in-depth look at the beliefs and customs of the Highlands and Islands of Scotland, stemming from pre-Christian customs and surviving for centuries through oral tradition, Christianized hymns and incantations, and folklore.

This text covers the mysticism of Scottish clan lore and it's importance in Scottish society, the Seers and second sight, witchcraft and magic, cures, omens, taboos, social customs, reverence toward life/death, calendar festivals and other daily practices and rites, all stemming from the Scottish Highlands and Islands.

One thing to remember about this book is that many of the sources are Christian in nature and that influence is readily seen in Scottish tradition and folklore, but the author peels away many of the Christian customs to reveal a system of beliefs and practices most commonly associated with the pre-Christian (Pagan) era.

The depths which she reveals in Scottish traditions are quite amazing, and her analysis makes this a thoroughly interesting book, from cover to cover.