North America Books

Back when the now-infamous Top 100 Books of the Century list was proposed, there were a number of glaring omissions, including Djuna Barnes's Nightwood, William Gaddis's The Recognitions, Thomas Pynchon's Gravity's Rainbow and, yes, The Place in Flowers Where Pollen Rests. With the exception of William Gass's The Tunnel, I have never read such stunning prose so effortlessly rendered. The book centers around Oswald Beautiful Badger Going Over the Hill; too primitive to adopt white mentality, he is "too tainted with book smarts to be at ease among this tribe." He is overshadowed by the looming presence of his uncle, George The Place In Flowers Where Pollen Rests, a legendary carver of kachina dolls. Haunted by his involvement in the death of a porn actress, Oswald is forced to leave the low-budget film industry. A short time later, the Vietnam War pushes him to the perimeter of sanity. Whitmanesque in its simplicity and affinity for nature, West achieves a lyricism that brings concepts as overarching as constellations into the drawing room and hangs them there like bright mobiles. So detailed and incisive are West's descriptions-whether of life on the mesa, George's carving or Oswald's thoughts-the book is more an experience than a piece of literature. Uncle George tells Oswald "a doll covered with chisel scars is not more beautiful than the universe, of course not; but it is cut to our size, like the television." So West takes art, myth and Hopi cosmology and gives them to us in something handy enough to carry on the subway or leave on the bedstand. West's inexhaustible imagination and uncanny skill with language make the reader realize, as Oswald does, that she or he is part of something as eternal as the seasons and as incalculably vast as what surrounds us.

This is a difficult, provocative, awesomely beautiful book -- easily one of the great novels of the twentieth century. I can only think of a handful of other books I've ever read that are as brilliantly and thrillingly written: Styron's The Confessions of Nat Turner; Robert Penn Warren's All the Kings Men, and Faulkner's Sound and the Fury come to mind. It is the story of a man looking for his place in the universe, a member of a dying tribe trying to keeps its legends alive. It is the story of an artist, the story of someone merely trying to live and make sense of what living means. It is the story of every person, every culture, every tribe. I loved it.

Back in the fifties, a writer named Jack Green wrote a series of articles blasting the critics for ignoring the genius of William Gaddis's `The Recognitions'. By and large, the reviews were incompetent and had been cribbed from one another-most reviewers had not even read the book. Green went so far as to take out a full-page ad in the Village Voice, at his own expense, exhorting people to buy `The Recognitions'. That is the way I feel about `The Place In Flowers Where Pollen Rests'. The reviewers were anything BUT incompetent-all the reviews I have read have extolled its lyricism, its out-and-out originality and the sheer vision of the author. Readers, however, seem not to have given it its due.

Set on the Hopi mesas of northern Arizona and in the jungles of Vietnam, the book is told alternately by George The Place In Flowers Where Pollen Rests, his nephew Oswald Beautiful Badger Going Over the Hill ("not so much a name as an expedition") and even Sotuqunangu, a Hopi god. "Unhandy names, these," West writes, but they bring something to life on the mesa: a touch of color, which is the obvious thing to say, but also, to the very act of naming, something narrative, as if all of nature had been in motion at the moment of your birth. It was."

Oswald, who has learned to speak English and made his living in Los Angeles as a porn actor, returns after the accidental death of one of the actresses he was working with. He tries to re-establish the relationship with his "uncle", George, a carver of one-of-a-kind kachina dolls (a kachina is a kind of Hopi angel) who is considered the Picasso of his art. Nearly blind and hampered by a failing heart, George, for the first time, has need of Oswald-who is in fact his son-not only as someone to guide him through his perpetual dusk, but to listen to his stories of Hopi gods, Jimsonweed girls and the ghosts of his past. Ironically, it is Oswald who, in his confusion of two cultures, receives guidance and it George's voice, perhaps, that is Oswald's salvation while fighting in Vietnam.

Returning to the mesa after his tour of duty, Oswald tries, after his uncle's fashion, to get up-close and personal with stone formations, with the desert wind and even, after picking up a book on astronomy, with the stars.

There is no page you can turn to in this book where you will not find a sample of an extraordinary prose style or an observation that a lesser novelist would have saved as the punchline to end the book. For example, on the topic of happiness, West writes, "Don't try. Don't try not to try. Happiness is an incidental thing like feathers falling from a bird in flight. Fly, be a bird, and feathers will fall." In these few sentences West has captured the essence of the Baghavadgita and its "Way of Right Action." The book is simply loaded with stunning insights and beautiful sentences--the kind that put many younger authors of "Big Books" (Franzen, DeLillo) to shame. One of the absolute best novels I have ever read, readers have far too long ignored this masterpiece.

PS -- the Voyant edition has two previously unpublished essays at the back of the book; "The Backlash Against the Novel" is a fascinating read all by itself.

To merely say that the prose is lyrically buoyant is not enough, to say that the writing is merely insightful is not enough. I'd probably need the gifts of Paul West to be able to adequately get across to you just how beautiful the experience of reading this book (3x) was for me.

For me to comment on the book's story or plot would be a waste of time, because turning the pages for me was not a matter of what will happen next but a matter of what deftly rendered prose was waiting. You can get lost in it like a Faustian moment, a Coltrane solo, or an inspiration that makes you miss every exit home.

This is West's best work by far, as well as one of the best works to come out of 20th century literature. He is in absolute command of his voice, of his subject, and of his characters. If you love to read for the sake of reading, read this book. You won't be disappointed.

The late Carl Sagan thought that science should be "user-friendly," presented not in jargon but in regular English. He believed that the general public could -- and should -- have access to the latest scientific discoveries.

Sagan would be proud of _Planet Ocean._ The central theme of the book is stated clearly on page 1: "Nature is a workshop, not a temple." Matsen spends the rest of the book supporting this concept, explaining that life is not a stately, well-executed design where species climb a ladder of progress; rather, evolution is an inescapable and completely random condition. Animals and plants breed, have offspring that are slightly different, and continue to become slightly more different with each successive generation until the distant grandkids look nothing like the original parent. In addition, through totally weird, sometimes avoidable and sometimes unavoidable circumstances, the species as a whole will either do very well, or get pushed out of the scene. The environment works like the stock market -- fortunes are made, and fortunes are lost. (The metaphor of "rolling the dice" comes up more than once.)

Matsen's prose is engaging, entertaining, and extremely informative. In one of my favorite sections, he describes the success of the trilobites (who survived for 300 million years in Earth's oceans):

"They would eat anything and breed anywhere, and they made themselves as unattractive to predators as possible. We all have relatives like them. From [trilobites] and their success and longevity, an evolutionary rule of thumb has emerged: 'The more specialized a species, the less able to cope with change it will be once the inevitable happens and old habitats change beyond the point of recognition' [...]. In other words, generalists usually outlast specialists, and evolutionary progress is not necessarily a matter of refinement. [...] Ninety percent of success is just showing up. Ask an arthropod, like a trilobite or a cockroach. [...] Generalism won't get you to Carnegie Hall with your cello, but a cockroach doesn't need a cello." (p. 14).

This conversational tone is used throughout the book, and it really works. Matsen's prose reminds one of an after-class discussion with a very generous, patient biology teacher -- the kind you always wished you had, and didn't. Matsen takes otherwise very difficult subject matter and explains it in understandable terms that don't insult the intelligence of the reader. He even suggests amusing mnemonics to remember the order of epochs in the Palaezoic and Mesozoic eras ("Crying over sleeping dragons may puzzle people, terrify, (or) joyfully convert") as well as for the Cenozoic era ("Palaeontologists eat only murky plankton porridge hot").

Interwoven with the education that Matsen offers is the story of his and artist Ray Troll's voyage of discovery. Brad and Ray actually travelled to many of the sites discussed in the book, and the little personal touches -- Brad's vision of the Cretacious sea as they drove across Kansas, Ray's discovery and naming of a totally new species of pterasaur, and the fishing trips enjoyed by both -- really draw in the reader. One becomes intimate with the friendly voice, the casual, personal stories, and history of life on Earth.

Not to be missed, of course, is the wonderful art. Ray Troll is a meticulous artist, and his offbeat sense of humor is perfectly in place with the spirit of the book. For example, his illustration of a lungfish's hesitant voyage out of water is captioned, "Out of the ooze and born to cruise." Not to be missed are his "ads" for a wrist watch that measures geologic time; Burgess Brand Primordial Soup; and that great French wine, Chateau Mosasaur. Doodles, sketches, and highly detailed pastel paintings are strewn throughout, and they are worth the price of the book by themselves. (Interested readers can preview some of Ray's art at his homepage, www.trollart.com)

This book is an excellent introduction to evolution, palaeontology, marine biology, and/or marine science. Alternately light and serious, one is sorry to finish the book. It -- like the 650 million year history it encapsulates -- is such a joy to experience. Highly recommended.

Brad Matsen and Ray Troll's "Planet Ocean" is a lively swim through the fossil record, beginning at the beginning 650 million years ago in the watery depths.

Troll's whimsical illustrations accompany Matsen's humorously accessible explanations of what we've learned - and think we've learned - from the earliest fossils. Matsen traces evolution from the primordial soup to the first colonies of multicellular organisms to the ubiquitous trilobytes - "the most diverse and successful animals on Planet Ocean until the Permian extinction claimed the last of them."

He discusses the engineering that went into chambers (the nautilus) and hard shells and the arrival of backbones and speculates (with the experts) on the role of extinctions in evolution, including our own.

Although he sometimes demolishes or supports theories without sufficient scientific explanation, Matsen's watery perspective is well-organized and refreshing and Troll's drawings and paintings are as likely to be detailed and informative as they are fanciful and quirky.

I bought this book essentially to serve as additional curriculum support to my 'Science & The Art of Discovery' workshop designed for kids, 8-12. I have kept it in the office library where the kids can have ready access.

Participating kids often like to take out the book to browse. I often find them transfixed with awe.

The book is a wonderful visual & intellectual treat. The printed text integrates natural history, paleontology, geology, & biology into a wholistic narrative about the origins of all life on earth.

I like to conclude this review with a quotation from the book: "We shall not cease from exploration. And the end of all our exploring will be to arrive where we started. And know the place for the first time. (T S Elliot, 'Four Quartets')"

I would enthusiastically recommend this entertaining book to your kids, particularly when they have an interest in science.

This book was a pleasure to read- even though it was mostly facts (and this is coming from a teenager)! Sure, I love learning about evolution and fossils, but I rarely sit down to read long, boring books about it. But this book is fresh, colorful, full of information, and INTERESTING!!! I congratulate the author and illustrator for putting out such a masterpiece! It is sure to recruit paleontologists for the next generation!

This is an important study on some of the descendants of the Plantagenet family, whose ranks include many kings, queens, princes, princesses, dukes, duchesses, counts, and many more of the ranks of royalty and nobility, in almost every country of the world. The sources used are original or transcriptions of original records (as much as possible), along with other records, to document the family ties between the people listed in this book. Mr. Richardson et al, have also attempted to give many of the individual royal and noble titles held by each person (if any), to aid in finding these persons in other original and printed resources. Though I'm sure there are mistakes here and there, Mr. Richardson et al does a wonderful job straightening out as many of the known errors as well as a few new ones that had yet to be addressed. The great part is that this work seems to be an ongoing work - I haven't as yet gone online to check out the website, and we can look forward to many new family tidbits in the future. This book is a "must have" for those researching historically or for those with family ties to the Plantagenets!

One of the best sources for the amateur and professional alike, Douglas Richardson's books rank as the be all and end all along with John Dorman's Adventurers of Purse and Person for those wishing to tie their American genealogical lines with the petty nobility and royalty of Europe. A must-have for every genealogist. Extremely well sourced.

Exceptionally well-sourced and well-indexed. One can tell at a glance which immigrants are descendants of each person listed. Where possible, the author has listed both parents for each person, along with all possible siblings. A must-have for anyone doing research on American colonial ancestry.

Even though I do not, to my knowledge, have a single drop of royal blood in my veins, I have a longstanding interest in peerage genealogy -- if only because the earliest surviving records concern the lineages of European society's movers and shakers, not the yeoman farmers and small tradesmen whose genes I carry. Richardson is well known and widely respected in this field, having published numerous peerage articles in the most respected journals and having been a contributor to the last couple of editions of Weis. Those of us who hang out on the soc.genealogy.medieval newsgroup have watched for years as this massive work took shape (always keeping in mind that the level of discourse in that venue often verges on the sophomoric). The final result is close to being a masterpiece not only of genealogy of the traditional sort but of comparative historiography. His purpose is to document the lines of descent for about 190 individuals who immigrated to the North American colonies before 1700 from the Plantagenet dynasty who ruled England from 1154 (the accession of Henry II, Duke of Anjou) to 1485 (the defeat and death of Richard III at Bosworth Field at the hands of Henry Tudor). He notes that his work is an expansion and major revision of David Faris's _Plantagenet Ancestry of Seventeenth-Century Colonists,_ but the new work is so very extensive, this must really be regarded as an entirely new work; Faris considered only the descendants of Henry III (who died in 1272), where Richardson traces the progeny of all sixteen of Geoffrey's great-grandchildren who left descendants, both legitimate and illegitimate. Further volumes are planned to cover descents from Magna Carta sureties, the early feudal barons, and the Emperor Charlemagne. (Remember that anyone who descends from a single royal house in Britain or on the Continent will also have descents from most of the others.)

The plan of organization is reminiscent of that devised by Frederick Weis, with each family's listed lineage beginning at the point of bifurcation from the previous, earlier lines; all generations are numbered from Geoffrey, Count of Anjou, the first "Plantagenet." Citations are very, very full, which is sure to make this a heavily cited secondary source itself. In fact, Richardson seems to have read everything (the bibliography is the most complete I have ever seen, running to more than seventy-seven pages!) and obviously has thought very carefully about what he read. A number of important discoveries and changes to previous scholarship are included, such as the proven parentage of both Margery de Bohun and Joan Hastings (both major problems for decades), and the maiden name of Margaret de Mowbray (important for descendants of Mayflower passengers). Even more important is the discovery that the "Fair Rosamond" Clifford, mistress of Henry II, was not the mother of William Longspée (created Earl of Salisbury); that dubious honor now goes instead to "Countess Ida," wife of Roger Bigod, Earl of Norfolk. Nor does he consider his work to be complete: His snail-mail and e-mail addresses are included, as well as a website address, with the plea that new discoveries, additions, and corrections will be submitted by readers. This oversized volume was my birthday gift to myself this year and it already has two dozen bookmarks tucked into it.

Reviewed by Sara McGinn (age 9) for Reader Views (12/08)

"The Porcupine Year" by Louise Erdrich is a story about an Indian girl called "Omaykayas," which means Little Frog. Omaykayas is a girl from the Objibwe tribe. She and the rest of her family were exiled from their original home on the Island of the Golden-Breasted Woodpecker. She has many adventures! She and her brother were swept off-course when her brother was hunting by canoe. They soon landed on the other side of the island where they met a porcupine. That porcupine became her brother's medicine animal. On their way back to Omaykayas's family, she and her brother saw a memegwesi, which is a little person that only kids can see!

Also, Omaykayas once tricked an eagle and took two of its feathers! Because of this experience her dad dreamed her new name, Ogimabinesikwe or "Leading Thunderbird Woman." Later, she and her family were on their way to see Omaykayas's aunt, uncle and cousins when their uncle and two other men robbed them! It was really hard for them after that happened. Soon after, a tribe woman named Old Tallow died while killing a bear. Omaykayas was really close to Old Tallow so it was really hard for her.

This book was action-packed and wonderful! The author did a terrific job making me feel like I was in the book as one of Omaykayas's friends! My favorite part in this book is when Omaykayas and her brother find the porcupine. He tries to knock it off a tree but instead he gets quills all over his face! It was really funny! I also liked the Indian stories and I learned a lot of Ojibwe words. They are really cool! I would change nothing in this book because it rocked!!!

"The Porcupine Year" by Louise Erdrich is for 8 to 12-year-olds, which I think is perfect. I would definitely recommend this book to my friends!

In Louise Erdrich's third novel about the joys and sorrows of a family of Ojibwe during the mid-19th century, Omakayas, the heroine of the series, is 12 winters old and feels caught in an in-between place: "She was that creature somewhere between a child and a woman --- a person ready to test her intelligence, her hungers. A dreamer who did not yet know her limits. A hunter, like her brother, who was beginning to possess the knowledge of all that moved and breathed. A friend who did not know how far her love might extend. A daughter who still winced at her mother's commands and who loved and shyly feared her distant father. A girl who'd come to know something of her strength and who wanted challenge, and would get it."

Omakayas's in-betweenness is mirrored by the exile of her family. After being pushed off Lake Superior's Madeline Island (the Island of the Golden-Breasted Woodpecker) by the United States government in order to make room for white settlers, Omakayas's family is on the move, hoping to rejoin the rest of their extended family near the Lake of the Woods in northern Minnesota.

Their journey is fraught with dangers and marked by growing responsibilities for Omakayas and her younger brother, Pinch. The novel opens with an alternating harrowing and humorous episode, which begins with the siblings losing control of their canoe in a rapid-filled river and culminates with Pinch's painful encounter with a porcupine. The boy's connection to the porcupine, which becomes his close companion, also results in his renaming as Quill. With his new name seems to come a new, more mature personality, as Omakayas's bad-mouthed, troublemaking little brother continues to exhibit new thoughtfulness, maturity and skill as a hunter and trapper.

Omakayas also must discover new skills and strengths, particularly in the face of adversity. After a devastating robbery leaves her party without food or supplies just at the start of the long, cold winter, Omakayas is forced to call on all her resources to help her family avoid starvation. Dangers abound --- from the black bears who are just as hungry as the Ojibwe to the bands of Bwaanag (Lakota) whose plain hunting grounds the Ojibwe travel near. By the end of their journey, Omakayas is older, wiser, perhaps a bit sadder after several losses, but also many steps closer to being a woman and not a little girl.

Like Omakayas and her family, THE PORCUPINE YEAR spends time looking backwards --- to the idyllic days on the Island of the Golden-Breasted Woodpecker --- and forward. The emphasis, however, is on the future. The novel drops hints about the girl's spiritual callings and future loves and closes Omakayas's ceremony marking her physical maturity as a woman. Readers will look forward to participating in Omakayas's continued transformation into a woman and a respected, full member of her community.

--- Reviewed by Norah Piehl

Omakayas, or Little Frog, is now twelve winters old. Her family, members of the Ojibwe tribe, have been forced from their homes on the Island of the Golden-Breasted Woodpecker, and are now making the long journey to Lac Du Bois, where members of her extended family are living.

Omakayas and her family face many hardships throughout their journey. Omakayas and her brother, Quill, are almost killed in the rushing waters of a swollen river; their provisions for winter are stolen by an evil French trapper; and Old Tallow, Omakayas' elder, dies in a battle with a bear. Omakayas also becomes a woman during the hard winter they endure in the forest.

Through all of this, Omakayas discovers first love, the great power of storytelling, and her own inner strength.

THE PORCUPINE YEAR is the third installment in Erdrich's series of Omakayas and her family. Those who have read the first two novels will be happily reunited with the main character and follow her on new adventures. The chapters are short and flow well together. The illustrations also add to the humor and drama of the story.

Erdrich states in her author's note that Omakayas' story will continue into a fourth novel set in the 1860's. I am sure fans of the series will be excited to see what becomes of Omakayas as she continues her journey into adulthood.

Reviewed by: LadyJay

Louise Erdrich writes The Birchbark House. It becomes a National Book Award Finalist. No surprises there. Louise Erdrich writes The Game of Silence. It does slightly better than its predecessor and wins the Scott O'Dell Award for Historical Fiction. Very good, but still not surprising. Now the third book in Erdrich's "Birchbark House books" (surely there's a better name for them, right?) is present and accounted for. The Porcupine Year picks up where the last book left off without a glitch, hitch, or hiccup. Readers who have never read Erdrich's books in this series, or who haven't seen them in a very long time won't need much help in catching up and understanding Erdrich's magnificent world. How far will this latest installment in the chronicles of Omakayas and her family go? It remains to be seen. The only thing I can say with certainty is that The Porcupine Year does not disappoint. It gives the series a richness and fullness it might not have had before.

It's 1852 and 12-year-old Omakayas and her Ojibwe family are traveling west to escape the expansion of the white settlers encroaching on their land. In trying to decide where to go next, the family and their companions must choose a route. At last they decide to go north to be reunited with family there. All too soon the trip turns more perilous than anyone expected. There are other tribes to avoid, lost children to take care of, fires to escape, and a traitor whose actions bring about the death of a beloved character. Still, through it all Omakayas keeps a clear head and a loving heart. An Author's Note at the end offers additional information on the Ojibwe language and its many dialects. A glossary provides pronunciations and definitions of Ojibwe terms.

How do you recount a story about a people in dire peril of losing their way of life without making the book deeply, deathly, oppressively depressing? Some people would go the opposite direction and try to stuff the book full of false hopes and forced cheer. Credit Erdrich with indulging in none of this. Which is not to say that the book isn't often funny. As always, she has a sense of humor and what I liked most about The Porcupine Year was how that sense of the absurd filters in right from the start. At the beginning of the book Omakayas's brother Pinch gets a faceful of porcupine quills (the accompanying picture is worth the cover price alone). Then, when he and Omakayas return home to find their family convinced that the kids are dead, the boy has the audacity to suggest that it would be a perfect time for the siblings to cover themselves in flour and pretend that they are ghosts of themselves. That right there sets the tone for the rest of the book. On the one hand you have people dealing with very real issues and grief too huge to name. On the other hand, you have characters that key into the wonderful absurdity of life. You have people like Pinch who aren't afraid to get a little profane, even when people's hearts are panting on the floor (to steal a phrase). And an author who can strike that balance and strike it well is an author you should keep a close eye on. You never know where they're going to lead you next.

What also helps the book along is Erdrich's sense of how people really are and how they act when they're under stress. Sometimes you see the best in them, but more often than not you get all their insecurities and concerns on parade for everyone to see. There's a wonderful moment when Pinch (now Quill) is returned from a capture by his father Deydey that puts his mother's emotions on perfect display. Look at how Erdrich describes the scene. "Yellow Kettle always confused her affection with anger, and even as she put her head against Deydey's chest, she gave a furious shake of her hand at Quill and cuffed at him before he darted away." These little details make the book worth reading. I love the loving insults Omakayas and her brother throw at one another in the morning and how much she misses them when he gets distracted with other matters.

As with the Little House books (a series these books are often compared to), the characters in Erdrich's world learn and grow. I'm going to be sad indeed when Quill is too old to pull pranks and drive his sister nuts. Or when Two Strike isn't a headstrong hellion anymore. As with the previous books there's plenty of hardship, pain, and sorrow to this series. Yet there's always that tempering of the bleak with hope. The Porcupine Year serves to satisfy old fans and lure in new ones. Wherever Omakayas's journey takes her, we'll be poor indeed if we can't come along. A worthy companion piece.

Charles Young's fascinating, intensely readable novel vividly recreates the relatively recent history of eastern Connecticut's Native Amnericans, how they lived and worked, interacted, squabbled and dreamed of a better future, soon to be realized. In riveting, cleverly evoked flashbacks, the author takes us back more than 275 years to dramatize how Potassett's forebearers survived tribal jealousies, betrayals, bloody warfare and meager resources to sustain hope for future generations. A marvelous reading experience which shows how indomitable spirit and will bring triumph in the end.

Charles Young has a neat way of combining history with fiction. The book describes the life of the protagonist, a native American male, from childhood to manhood in a modern Indian village set down amidst the populous Connecticut shore. Along the way he is surrounded and educated by crusty, eccentric, lovable characters.

There is a sweet love affair, and the solution to a mystery about the tribe's heartbreaking past.

The action precedes the establishment of the casino of the Mashantucket Pequots.

I found Potassett to be both entertaining and educational. Charles Young has done a masterful job of combining a story of the early history of the Indians of eastern Connecticut with a modern day account of Native Americans of the same tribe in the pre-casino era, and all in an engrossing and delightful novel. I highly recommend it to anyone who is interested in the history of Native Americans in New England or who just want to read a good novel.

When legend and ancient civilizations converge narrowly on the past, it is up to our authors to recreate the world and let those long dead live again. Instead of paying homage to older notions of indian representation, Charles Young hits the New England coastline with a un-biased trowel and digs in search of his own arrowheads.

In his fictional account, Young sets his anti-hero in past and present and allows him to identify with his roots and find his place as a bright, contemporary, though somewhat nerdy, native american.

The story spans several eras from pre-colonial to the present day construction of the casinos in Connecticut. With the help of his girlfriend/teacher/mentor, the protagonist, a budding archaeologist, searches for the ancient past, and focuses his attention on one question: what happened at blood creek?

Young stretches typical conceptions of native americans, and even isn't afraid to portray Uncas as an unseemly character (in your face Cooper). The book was a good read, filled with authentic local flavor and historical faction.

Blending together elements from several eras, Young shows the native american as a man who can scoff at assimilation and flourish in the land that was his by birth-right. The main characters are generally handled with dignity, and compassion; however, some of the lessers act as negative metaphors or somewhat overbearing stereotypes.

The story is well written and worth the time. I recommend you take a look.

Become aware of life in the New World between invading Eurpeans and Native Americans in this beautifully and powerfully written book. It will inform and shock you with it insights into the two vastly different cultures and shed light on modern day American values that have often go astray. Another book of insight, passion and info on Native Americans is Walking the Trail, One Man's Journey Along the Cherokee Trail of Tears by Cherokee author Jerry Ellis. He was the first person in modern history to walk the 900 mile route and the book was nominated for a Pulitzer and National Book Award.

Gleach does a wonderful job of presenting both worlds while maintaining an objective outlook. I have truely enjoyed reading this selection based on that alone. Gleach manages to keep you informed of the details yet helps you to gain new prospective on the view of both cultures. He not only tries to make sense of what happened in the contact period but does a good job of making you understand why it happened the way it did. Not your average Native American/ Colonial Conflict documentary. A wonderful job of teaching the Native side that you never learned in school. Blaming neither side for the outcome Gleach will make hard work of any other writer pulling off one as good.

In this book, Gleach (Cornell University), who was a consultant on Terrence Malick's new movie "The New World," provides a wise, interesting, and readable analysis of the much-fabled Native American-English encounter in what became Virginia. AMong other things, his analysis makes sense of an incident that most everyone has heard of and many (not least the Disney studio) have sentimentalized: Pocahontas's intervention to save Captain John Smith in 1608.

What Gleach does convincingly in this book is to draw on his extensive knowledge of Algonquian(-language-speaking) peoples to interpret the scant records of Powhatan culture and cultural assumptions. To understand Powhatan reactions to the English immigrants, we need to put aside our knowledge of who won in the long run. It was far from obvious to the Powhatan that they were going to be subordinated by aliens who were barely surviving. An earlier attempt to establish a Spanish colony had failed. The Powhatan sought to incorporate the English within their society (the one to which the English had immigrated), though none of the English ever seemed to conceive that "heathen inferiors" believed that they could and should make the rules for uninvited and unruly immigrants to the Powhatan homeland.

The English view prevailed, and colonial history has been written from the viewpoint of the winners. As Marshall Sahlins has done for the native Hawaiians' understanding of Captain Cook's incursions, Gleach has recovered a plausible picture of "how natives think" (the title of Sahlins's second book about initial English-Hawaiian contacts). In addition to showing the rationality within their own understandings of the world and proper human interaction of how the Powhatan tried to educate (literally reform) those who thrust into the Powhatan world by drawing on studies of other Algonquian cultures, Gleach also draws on extensive knowledge of English culture ca. 1600 when the Church of England was relatively new and in the English view recently legitimated by the defeat of the Catholic would-be invaders.

Fred Gleach's piece is both acute and aggresive. Fered Gleach writes this book like only Fred Gleach can. This means a lot. Not everyone can live up to their potential. Fred Gleach lives up to his potential here. I tell you- this is Fred Gleach writing from Fred Gleach's heart. This means a lot. Some of us write, and it is not from the heart, or it is to get tenure. But Fred Gleach here writes this book like only Fred Gleach can. Some things, like the truth, is important. This Fred Gleach's message. This book is very Gleachian. This means a lot.

Buy it.

I was so impressed with this book - it struck so close to home - that I could not read it all at once. Like Mohatt, I lived with these people, I Sundanced with Joe Eagle Elk's father, ceremonied, got drunk, into trouble & rose again to help people. Mohatt's text is so close to the actual truth of the conditions on the reservation it literally scared me. That's why I had to stop reading from time to time. The Price of a Gift is the equal of Lame Deer, Seeker of Visions, which is one of the great books about Lakota spirituality.

This is a remarkable work that honors the true voice of a Lakota medicine man and the voices of his people. Mohatt's labor is not to analyze or interpret so much as present an experience which can only begin to be appreciated or understood when the suffering, missteps, fears, and clowning of the healer are shown along with their transcendence. Eagle Elk was an ordinary man who resisted but finally gave himself over to his calling. There are many books that romanticize tokens of Native cultures or presume to make use of them; this is not that sort of book. Like Fadiman's, The Spirit Catches You and You Fall Down, this is a work of great reverence.

The story of Joseph Eagle Elk, Lakota Healer (1931-91), as told to Gerald Mohatt, cross-cultural psychologist, is simply and beautifully told.The effect of many mirrors of the gift of Joseph Eagle Elk derives in part from testimonials by people who he knew and helped to heal themselves. The sacrifice, persecution, and exhausting , demanding life of the traditional Lakota healer are fully portrayed. But the beauty that sings through in Price of a Gift is undeniable. Just to read such a book, just to know such a person lived and touched others, is profound and impacting in itself. An awareness of the core value of our lives radiates through the stories of the life of Eagle Elk. It is impossible to avoid the basic message of this book, with all its humble compassion. Without distortion, greed, evil, or pettiness, the matter of spiritual healing both as duty and joy is its glorious burden. Black Elk's vision included an awareness that the Lakota legacy would include an intrument of healing. The Price Of A Gift is evidence of that legacy. What a gift it is, to us all.

Nancy Lorraine, Reviewer

This is a must-read for everyone interested in healthcare, healing, mental health and/or Lakota culture and spirituality. It's a biography of the late Joseph Eagle Elk, which is riveting and remarkable. And as an extra bonus, the last chapter consists of a lively, multicultural discourse on the spiritual aspects of health and healing. I wish it were required reading for all healthcare professionals in the U.S.! As a Lakota, I found the book accurate and very moving. It's also one of the few books about Indigenous Tribal People written by a European-American that is truly and deeply respectful. The author conveys the complexity of Lakota culture without being patronizing or pseudo-mystical. Thank you, Mr. Mohatt, for this beautiful book.

The previous reviewers said it all; this book is great! I used it with my Honors Social Studies and Language Arts class, and you could have heard a pin drop! Well done, Sally Crum!

Race To The Moonrise is a carefully researched adventure tale of two young Mogollon trader children who run an exciting race against the full moonrise in prehistoric (1200 A.D.) northern Mexico and southwestern U.S. Little Basket, the young girl prophetess and her brother Long Legs make the arduous journey from their village in northern Mexico to the area of Chimney Rock and Finger Rocks, near the Four Corners area of today, before the 19th full moonrise to participate in a religious ceremony. All details are carefully researched and help authenticate this exciting children's educational action adventure book. Note: Race To The Moonrise was approved for use with Native American children by the Intertribal Cultural Committee of the Council for Indian Education. It is fascinating to follow the ebb and flow of this exciting tale. So much of early Native American prehistory is not known, yet what can be surmised of these ancient MesoAmericans is both intriguing and of enduring value to the young people of today. Race To The Moonrise is a fine work to honor one's ancestors with.

Race to the Moonrise, by archaeologist Sally Crum, is a wonderful resource for teachers teaching the history and cultures of the Southwest and Colorado. It is a fictional story which contains a vivid picture of the cultures of the Southwest from Casa Grande to Chimney Rock in Colorado. I used it with my fourth grade students to enable them to visualize the people and their lifestyle, compare the environments, weapons, religions, clothing, tools, foods, building styles, use of natural resources, trade, household objects, and travel of the Pre-Puebloan people. The story is appropriate for fourth grade and above and through a fictional narrative with carefully researched background, keeps students interested and learning throughout. The author has also published a teacher's guide with questions and activities to use with the book. I would recommend Race to the Moonrise to other teachers. It has been a great addition to my unit on Colorado History.

I have a really difficult time reviewing children's books. Until now. I have just finished "Race to the Moonrise: An Ancient Journey" by Ouray, CO author Sally Crum. It is a wonderful book. It was written for the fourth grade level, but let me tell you, I think readers of any age will not only enjoy the book but will finish it with a greater understanding of native American culture and feel good about having read it. The setting of the book is around 1200 AD and centers around Little Basket, a young girl with some very special powers, and her brother, Long Legs. These two, with their uncle, embark on a journey from their home in Mexico to what is now southwestern Colorado. The purpose of the journey, which takes them through the country of the Mogollon of New Mexico, the Hohokam of the Gila and Salt River Basins, the Sinagua of Wupatki Pueblo, the Hopi, and the Chaco Canyon, Aztec, Mesa Verde and Chimney Rock Pueblo peoples, is to save their village. Besides being a great read, the book is impressively accurate in its description of the native American cultures, and geographic and archaeological places which exist today. On a recent trip which included many of those places I was amazed at the author's accuracy. Do Little Basket and Long Legs save the village? To be sure, it's not here today. But then, when a little girl has special powers and a strong, brave, and protective brother...who knows? Sally Crum is a working archaeologist and has worked for numerous national parks and monuments over the past 16 years. The book has been approved for use with Native American children by the Intertribal Cultural Committee of the Council for Indian Education and published by Western Reflections Inc., so you know the quality is second to none. This is a wonderful, enchanting book. It is truly for children of all ages...right up into geezerhood!

Whether an a railfan for decades or just getting into the hobby, this is a great book. Copy is informative and not overdone. Photos and graphics are outstanding. Although my interest in railroading in the Northeast, I found the collection of schedule graphics, promotional pieces, etc. very interesting and, simply, just fun to look at. I lent my copy to a few of my buddies and was happy to see they didn't glance over the pages, but were caught by photos and info. (Hats off to the graphics people). And these are former railroaders and modelers who are "rivet counters," so for the book to get their attention says something about it. A few commented on the price, and thought the book was a real bargain.

Train travel enthusiast and photographer Claude Wiatrowski is a member of the Colorado Midland Chapter of the National Railway Historical Society; the Railway & Locomotive Historical Society; The Colorado Railroad Museum; The Friends of the Cumbres & Toltec Scenic Railroad; Friends of the East Broad Top; the Nevada Northern Railway Museum; the Pikes Peak Historical Street Railway Foundation; and the Lexington Group in Transportation History. He is therefore in a particularly knowledgeable position to create a profusely illustrated history of American railroads, and has done so with "Railroads Across North America: An Illustrated History", an amazingly informed and informative 256-page compendium of information and images ranges from the first steam-powered locomotives of the 1800s down to the high-speed commuter trains of today. Enhanced with a descriptive listing of historical societies and other railroad organizations, as well as a section devoted to preserved railways, museums and historic sites, ""Railroads Across North America" also includes a bibliography and a comprehensive index, making it an ideal and enthusiastically recommended addition to personal, academic, and community library Railroading reference collections and supplemental reading lists.

As a general book on railroading, this is an excellent book. The photos are excellent, and it covers all the major railroads (and most minor ones) across the USA. There are many chapters on various aspects of railroading, and it is very informative for those who are learning or new to the hobby.

Railroads Across North America is a unique book in this field. it illustrates in great color the historic rail lines that made America great. It also shows the breadth of railroad activites that were a part of operations. This book is just plain fun!

Bill Lock,
Founder Friends
of the Cumbres & Toltec Scenic Railroad

Love the animated street map. Will not cover all of San Diego, but will hightlight the popular sights.

I don't think I'd go to a new vacation city without the MapEasy Guidemap. I've used them in Seattle, San Fran and now San Diego. They've helped me find interesting places to visit, tasty food and even parking!

This easy to read and informative map shows all the cool spots in San Diego. Great for first time vistors or locals who want to know more about what America's Finest City has to offer. Makes a great gift! Illustrations make this a unique map.

This Mapeasy shows the tourist where things are in the tourist-visited areas. It is not intended to help you find your way if you are lost, though the major routes are there. It has a detail of Downtown La Jolla, downtown San Diego, and Balboa park, with a blow-by-blow of all the shops and restaurants on Prospect and some the streets that head inland. This is the clearest rendering of Balboa Park I have seen yet and I have several other current San Diego travel helps.

It is made of a plastic material that is more durable than paper.
It is worth the current $6.95 amazon price.