North America Books
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A Half-Life of Cardio-Pulmonary Function: Poems and Paintings Review Date: 2008-06-28
The Steady Flow of Water in Ganworth's Half-LifeReview Date: 2008-06-02
And He'll Know His Song Well Before He Starts Singing: the Poetry of Eric GansworthReview Date: 2008-04-17
Half-Life is a perfect book. The themes that Gansworth deals with throughout his body of work are themes that permeate much of the Native American literature of the last few decades. Whether you are reading Louise Erdrich's "Love Medicine" or Gansworth's "Smoke Dancing" you will find a common theme, the survival and adaptation of Native American culture in the midst of a pervasive American culture. As common as this theme is, however, its relevance has never been as well articulated as it has been here.
Native Americans have been battling to keep and remember their culture for years, but it has transformed into a new culture. It is a culture of both Cornhusk Dolls and Pink Floyd. To steal a metaphor from Gansworth, Native culture today has "emerged from the scraps left behind amid the harvest" of traditional Native American culture. Much of it is a memory. Think of the stereotypes that survived: rain dances, feathers, hatchets. It is as if the American culture has taken away what it thought was in someway useful. It commodified a culture it sought to destroy. But what the larger culture has left in the field, Gansworth has managed to weave into a series of poems that are not only profound, but fun to read! To steal another of his lines, "remember the husk is not a useless part of the body."
Take the case of his poem, "Loving That Land O' Lakes Girl." Gansworth is able take the iconographical use of an "Indian Woman" by Land O' Lakes butter and turn it into bitter sweet and humourous poem about loving this image. "She is the first lesson in love for many Indian boys," Gansworth begins, "all tanned hide and feathers, features straight out of Hollywood." He tells us how she "stares out at all from a burst of sunrise." But the poem moves on to reveal that you "fold her spine back, and back again without regard to the vertebrae you snap along the way" (87). This is a perfect subtle commentary on the commodification that I was writing about earlier. But Gansworth ends on a humorous note. "you leave an impression that stays until the next hot thing comes along. Is it any wonder Indian women have grown tough and strong with competition like that?" (88). It is a perfect double entendre. And this book of poems is teeming with such beauty.
Gansworth has included a blend of pop culture and traditional Native American culture. Interestingly, many of his music references are from the British Invasion. In a series of poems entitled for the hotel in front of which John Lennon was killed, "Dakota [I-IV]," Gansworth is able to pay homage to Lennon while also exploring the life of a relationship as it moves from the exciting moments of unity to the loneliness of decline and end, "knowing you will not see me on the dark side of the moon" (113). And as you can see by this last line, he is able to bring Pink Floyd in as well! In another great poem that exemplifies this "cross pollination" of cultures, he pays tribute to being "(Not) Born in the U.S.A."
It is truly impossible for me to write about all of the themes in a short review such as this is. Gansworth masters the theme I have already mentioned, but he does so in the pursuit of more universal themes such as love, grief, desire, aging. My favorite poem is a love poem. Prior to reading Half-Life my favorite love poem was Billy Collins, "Osso Buco," which no doubt is still a brilliant poem, but it has now been replaced by "Arrivals and Departures."
Much of the book deals with the death of his brother. Much of it deals with the anxiety and rebuilding of our lives following 9-11. Every image is concrete and works together with the themes of the book. He creates for us the memories as distinct as the photographs he speaks of. A moment in time is encapsulated perfectly in a phrase.
The poem that best epitomizes the book, however, is "Cross PolliNation." The title alone is a masterpiece! Even more brilliant is that the poem has two columns that one can either read line to line straight across or one column at a time. That is the major theme of the work and it has never been so masterfully rendered. But that is to be expected in "Half-Life." Every word impacts. Surely, the half-life of "Half-Life" will be centuries or millennia. This is a book that needs to be read. One that should put Eric Gansworth on the short list for Pulitzer prize in poetry. After all, like Dylan, he knows his song well before he starts singing, which is best demonstrated in his last poem, "Learning to Speak."
One should also note that the book includes numerous of Gansworth's paintings as well, which add to the themes of this tremendous work of art.
In Good Company!Review Date: 2008-05-17
The National Book Critics Circle "Good Reads" list is a relatively new qualitative alternative to the familiar Best Sellers lists. To be voted to this list by the 800 member national association of professional book reviewers and critics pretty much says it all!

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One of the best Fly Fishing references availableReview Date: 2008-05-29
The biggest surprise for me is that this book is more than just a reference . . . it is a very enjoyable read as well.
Hatches II is an Excellent read as well as Reference bookReview Date: 2002-05-13
Hatches IIReview Date: 2006-07-20
I think if you could have but one book about insects important to fly fishing, this would be the one. It eliminates the guesswork and is simply a great book that I highly recommend.
If you flyfish and/or tie flies this is book is a mustReview Date: 2000-05-06

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Anne Rice fan from MichiganReview Date: 1998-12-14
Perfect for the specialistReview Date: 2002-01-14
I used it on my first trip to New Orleans. It includes self-guided tours of the French Quarter and Garden District that include Vampire Chronicle and Mayfair sites respectively without leaving out the must-see unrelated sites and experiences. The only caveat is that zoo fans should be aware that the Audobon is one of the best in the country.
Three types of sites are covered - those related to Anne Rice herself, those used in - or speculated to have inspired locations in - the books, and those where parts of "Interview" were filmed.
With chapters on guided plantation, swamp and cemetary tours, as well as restaurants and hotels (the last including descriptions of ambviance that helped me considerably in my choice of hotel), you'll have everything you need to plan your trip and not miss anything like the Ursuline convent where Louis found Claudia and the Gardiner House that inspired the home that Lestat, Louis and Claudia shared.
Best of all, Ms. Dickinson wants us all to be careful out there in a city that can become ominous if you go too far off the beaten track sans tour group - especially at night. As she wittily reminds us, we're not all as indestructable as Lestat, and if an area - even one that contains an Anne Rice site - is unsafe, she doesn't hesitate to tell us so. Following her advice, you'll see everything you want to see and get home safe and sound.
Nicely done...Review Date: 2002-04-26
Picked it up In New OrleansReview Date: 1999-01-01

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A book I'll keep closeby for a long, long time.Review Date: 2008-04-12
Simple beautiful scenes of wandering & solitudes of JesusReview Date: 2006-02-06
Kent begins: "We are children on this land a shadow on the still life of time.." Employing words as far more than commentary to his Pueblo saying. He measures words economically descibing past generations "whose arrival is scribed upon the line of history...(yet not adrift) on winds of story, or float upon the shrouds of myth!" I read in his brevity, layers of past, present & future!
From earlier pages he takes us back to BURIAL, "My home is over there. Now I remember it." - A Tewa song..."I am standing before a northern lake on a windswept point of land as a young Indian boy is lowered into the earth by his friends and family.
"It is a strange and lonely funeral-- they all are in their own way...In the Indians who made their home here-- like my young departed friend-- Something lives that invests this harsh land with spiritual values."
Kent never misses chances to relate the present back to the past history of his Northern Lands, even in his continued quoting of Indian Tribes: As in NATVITY: "What is life?...It is the breath of the buffalo in the winter time..." A Blackfeet death oration. After a gripping mysterious picture of a giant buffalo, Kent is at home with his short Essays based on, BLUE, JANUARY, URN, COPSE, GOOD FRIDAY, OFFERING, WIND. Poignant quotations are adopted from Sioux, Papago, Iroquois, Delaware & Crow Tribes. There are parallels between his essays based on tribal quotes and Haunting Reverence of Christian worship in all Nerburn's books... newly birthed from his majors of Religion and Art!
He refers to religion in MEMORY of TREES, "I see men but they look like trees, walking." Again in Solitudes: "The holy silence is God's voice." Golden treasures wait being discovered! Retired Chaplain Fred W Hood "Barbara377" (Fayetteville, GA United States)
A Must Read BookReview Date: 2000-07-22
why doesn't anyone know about this book?Review Date: 2000-05-07


Wisdom for Learning and Listening to Mother EarthReview Date: 2008-04-18
Cree Says...Review Date: 2008-01-25
Beautiful!Review Date: 2008-01-31
A great message from the heartReview Date: 2007-12-11

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hidden Montana - Awesome reasourceReview Date: 2008-09-11
Excellent layout and variety of content.Review Date: 1998-09-01
Covers inns, tours, drives, and outdoors explorationsReview Date: 2001-09-12
Hidden MontanaReview Date: 2007-08-01

a favorite book!Review Date: 2007-09-22
Indian Boy Grows Up Alone In the WildReview Date: 1998-02-03
His Indian BrotherReview Date: 2002-01-23
Customer Review of His Indian BrotherReview Date: 2000-11-16

Incandescent, Brilliant, Compelling, BUY IT TODAYReview Date: 2001-10-16
An Excellent History of the CSNReview Date: 2001-01-27
Luraghi is clearly enthusiastic about his subject. His enthusiasm resonates throughout the book. It is clear that he admires the CSN for it's acomplisments despite the incredible odds.
In addition, the sheer amount of research he must have done is breathtaking. The endnotes take up more than 1/3 of the printed pages. What's interesting is that many of the endnotes are annoted with comments about the sources from the author. In my own research, those annotations have been a great asset.
This is definately a MUST read for the Civil War naval history buff.
Incandescent, Brilliant, Compelling, BUY IT TODAYReview Date: 2001-10-16
THE single book to read about the CS NavyReview Date: 1998-08-14

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A "primary" historical text on early Ojibway HistoryReview Date: 1998-04-25
History of my ancestors!Review Date: 2006-11-02
The American Indian; Raw and Uncensored.Review Date: 2006-01-25
Ojibwa history by one of their ownReview Date: 2000-09-15

Review of masculinityReview Date: 1999-12-13
Helped me understand my father, my nephews, myself, my lifeReview Date: 2003-07-18
HOMBRES Y MACHOS describes that, contrary to the Anglo-Saxon model of the stoic muscleman, macho Hispanic men are typically colorful, loud, and emotionally expressive. I found this description to be a breath of fresh air because in my late teens I became loosely involved in the movement sometimes known as the men's movement. This movement focuses on combatting the stoic macho male model and introducing men to their emotions. I found this bewildering because, in my experience, the more macho the man the more emotionally expressive (my father, Arthur Olivo, who was very macho, had no shame about dancing, singing, crying, etc.). I came to realize that though I am not biologically Mexican - the father I refer to in this review was technically my step-father - I needed books that addressed the Hispanic male experience because that was also *my* experience.
Finally! HOMBRES Y MACHOS is the book I had been looking for. It helped me understand myself, my life, and it gave me a vocabulary, a framework, within which to perceive my journey. And it helped me understand what is perhaps the most complicated issue of my life: why my Mexican father did not consider me his step-son, but told people I was his biological son. As HOMBRES Y MACHOS details, fatherhood in Mexican culture is far more embracing than what is commonly thought of in Anglo-Saxon culture. According to the author, my father's approach to me as his son has precedent in Mexican culture. Just knowing this fact put a big piece of the puzzle in place.
I am so thankful to Alfredo Mirande for writing HOMBRES Y MACHOS and therefore aiding me in my journey of self-understanding, as well as in understanding the men I have grown up around.
Thank you!
Andrew Parodi
Excellent and eye openingReview Date: 2001-01-19
Too much of the mass media assumes that the lazy, super-macho, virulent and violent Hispanic man is the cultural norm rather than the exception. Mirande shows that subjugation has more often than not introduced those elements into this culture, rather than the other way around. Because family is very important in the Chicano culture, these men are more likely to spend time with their children than Anglo men.
Also interesting was the section on GLBT chicanos and how culture influences acceptance of sexuality. Despite the predominance of catholicism in Latino communities (which usually disapproves of homosexuality)evidence presented in the book suggests that their culture's concept of sexuality is more fluid than the anglo counterpart. Furthermore, the author notes the 'Top' male in lovemaking is generally accepted in society while the passive one is the only person who is not regarded as a real man.
Macho vs. Hombre: or Will the Real Latino Men Please Stand?Review Date: 1997-09-12
Related Subjects: Canada United States
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by Eric Gansworth
THIS IS ONE OF THE MOST BEAUTIFUL BOOKS I HAVE EVER READ. IT'S TENDER AND MOVING, OPEN, HONEST........IT ASTONISHED ME. AND I DON'T USUALLY "UNDERSTAND" POETRY -- SO THE FACT THAT I LOVED IT SO MUCH WAS AN ADDED TREAT.