United Kingdom Books

Fascinating details of Edward's life and times. Interesting for any history buff, supplemented with photos.

edward 7th was the uncle of kaiser wilhelm and they did not like each other

He waited in the wings while his illustrious mother ruled on and on. And when his time came to strut across the kingly stage the performance was all too brief. But it was not merely a cameo role that "Bertie" was to play as Edward V11, as this portait by Christopher Hibbert makes clear.

Hibbert traces Bertie's early life as a backward child who was to become the bane of his parents, Queen Victoria and her worthy, hardworking though somewhat stuffy Consort, Prince Albert. So concerned was Albert about his son that he consulted a phrenologist, who promptly noted the "feeble quality" of Bertie's brain.

"Poor Bertie, he vexes us so much", wrote Victoria. And the vexation turned into near hysteria a few years later as a result of Bertie's escapades with young ladies definitely not thought worthy to be considered future queens.

When Victoria's long reign ended in January, 1901, the Ewardian Age began. The new king was 59 years old, portly, and going bald. But he took up his new duties with obvious relish, fully conscious of his vocation, combining hard work with his more agreeable activities of cards, racing, partying and womanizing. Aware of the dangers of war in Europe, he set out to strengthen his country's position on the continent. He had notable success in Paris. At the beginning of the visit an aide noted the subdued response of the crowds when his carriage passed. "The French don't like us", the aid whispered. "Why should they?" replied the King and continued waving. By the end of the visit the King had won the French over and had cemented the Entente Cordiale.

Hibbert writes that Edward V11 was popular as a monarch because he was a human one, and because, in spite of his racy life, he was never hypocritical or pompous. As Hibbert puts it, "he would rather sit down to a meal with an entertaining acrobat than a tedious duke."

It's easy to form an analogy between Bertie's relationships with his parents and those between the Prince Regent and his father, George 111. And it's even more tempting to form a similar analogy between the current Prince of Wales and HIS parents, though we will probably have to rely on future historians to put that into perspective.

Strachey is deeply sympathetic of both Elizabeth and Essex, recognizing their strengths and their tragic shortcomings. Most modern biographies of Elizabeth rake her over the coals for her famously dithering and constipated decision-making process, but Strachey makes a good case for indecision as a political weapon, and cites this quality as part of Elizabeth's genius. The relationship between this hugely complex 70-year old queen and the magnificent but deeply flawed earl is dissected factually and emotionally. An amazing achievement. Jill Masters has a beautiful, silky voice and brings real poignancy to this subtle work.

this is a lovely book. The author's mastery of the English language is a pleasure to savor. I will keep this book to re-read and I'm sure I will enjoy his way with words and his way with a story again and again. He makes his characters come to life. If you love Elizabethan history, if you love the English language, read this book, you won't be disappointed. I wish I were articulate enough to do justice to his art.

once upon a time it seems there was this fella who thought you could actually write creative and lively non-fiction. his name was lytton strachey and he carried his thought out onto paper. all of his books are wonderfully written non-fiction. why oh why do so few non-fiction writers swing for the fence with their writing? is it editors? i know nothing about the inner-workings of the book business. it just puzzles me why almost all non-fiction writing is so uncreative, so unimaginative. lytton strachey, God bless you man! wherever your soul may be.

If somebody want to know more about the history of central Asia, to read about the Great Game is a must. This excellent book explain, in a very engaging way, the latest events in the relations between Britain and Russia, concerning Persia, Afghanistan and Tibet after the 1907 entente. This relation was very complex in nature since Russia was pushing forward to broaden its empire and influence, fact that directly affected British interest in the zone, always thinking in India. So by using those "buffer" states Britain was able to contain Russia advances to a certain limit, in particular Persia that become of major strategic importance for Britain because of its oil resources. It is obvious then, that the entente didn't finish the game, it was just the best way for both empires to conduct their policies in Central Asia at the time, a fragile understanding but mostly peaceful and only finished by the Great War in Europe. All in all, a great book.

Endgame: Britain, Russia and the Final Struggle for Central Asia won the 2003 Barbara Jelavich Book Prize awarded annually for the most distinguished monograph published on any aspect of Southeast European or Habsburg studies since 1600, or nineteenth- and twentieth-century Ottoman or Russian diplomatic history.

The book prize selection committee wrote the following about this book:

Possibly the most significant contribution to Russian diplomatic history in a decade, Siegel's work richly deserves the Barbara Jelavich Book Prize. Endgame revises our understanding of the dynamics of Anglo-Russian rivalry in Central Asia, the struggle better known to its contemporaries as the Great Game. Historians traditionally believed that this Victorian Cold War ended with the Convention of 1907, as the erstwhile adversaries now joined to face the spectre of rising German power during the years leading up to the First World War.

Based on meticulous work in Russian and British archives, Siegel effectively disproves this teleological approach to early 20th century international relations. Instead, she demonstrates that the Great Game's final round came after the 1907 Convention, only to conclude as the guns of August began to sound in 1914. In the best tradition of diplomatic history, Endgame also has considerable relevance for the present by shedding light on a region that, while largely sidelined in the literature, has sadly reclaimed a central place in the news. Written with panache and confidence, Endgame is a pleasure to read.

This book reveals much to anyone who is interested in the relationship between Britain and Russia in the pre First World War period.

It focusses on the power struggle for Central Asia, an area of the world which, particularly today, is the arena for some of the most complex and important questions of international security. This work provides fascinating background to a key historical period in a region which has been so analysed in recent months.

It is obviously the result of detailed research into archives, only recently opened to the West, some of which I believe may shortly be closed once again for many years to allow renovations to take place. I can only take my hat off to Dr Siegel, for enduring what must have been many cold months in Russia, combing the various archives to produce such a detailed work.

A fascinating and thoroughly absorbing book by Dr Siegel, whose next work I await with eager anticipation.

One of the best WWII memoirs I have ever read, this coming from a reader who does not like"Flying Stories". If an old friend had returned this book I'd have read it more than once.

This story of 617 Squadron's Dams raid in WWII was written by the original leader, who won the VC for his leadership , skill, and bravery in battle. You won't put down this insider's look into the plan and attack on the dams, at night, using custom rotating/ bouncing bombs at 60 feet in the fog !! Also read The Dam Busters, on the same squadron, continuing the story to the end of the war, with even more harrowing ops to follow, including the great raids , and final sinking, of the Tirpitz.

I first read it when I was at the military aviation school in Venezuela and I was fascinated. It is very well written and you actually feel the intimacies of the bomber pilot. I recommend it to everyone who is interested in WWII history.

Caroline Evans has written an important book that explores the work of cutting-edge designers of the 1990s such as Martin Margiela, Hussein Chalayan, John Galliano, Alexander McQueen and Viktor & Rolf. The book's subtitle - "Spectacle, Modernity and Deathliness" - sums up the author's focus on the underside of fashion. Evans acknowledges that much of the fashion featured in this book was "economically negligible", arguing that its cultural import is of greater significance. She explores how designers of the 90s consciously or unconsciously explored the dark history of the 20th century through their work, with death, trauma, cruelty, and horror as recurring themes.

Where is this all leading? The conclusions are doom-laden but fascinating. British designers, with their focus on "gothic fashion", may represent the ghost or shadow of rational American designers. Creatively, Evans posits a bleak future for fashion "doomed to ricochet between modernist experimentation and dark despair." In a memorable line, Evans writes: "Now, more than ever, everything new and beautiful seems to arrive already haunted by its own demise." The financial insecurity of many of these designers in their early days may have fuelled their creativity. They were, as designer and teacher Fabio Piras put it, "fashion desperadoes". This book is full of illuminating insights that put fashion design at the core of our culture, expressing our deepest concerns.

Outstandingly researched, beautifully illustrated, and thrillingly authoritative, Fashion at the Edge may prove to be the definitive book on the generation of designers from London and Antwerp who came to prominence in the 1990s.

Caroline Evans deserves some applause for attempting to explain the dark elements of today's fashion. She acknowledges and defines this thread of darkness which weaves itself through fashion. Schizophrenic fashion, if you will. However, I disagree somewhat with her theory of explanation. I would have liked to see a spiritual argument as well. How can anyone discuss death without such a discussion? Today's media is filled with horror and violence, especially in the movies. Even some crimes mimic the sickness portrayed in the media -- that of pornography and violence. This dark element extends to mainstream movies and television, where death and darkness are themes. Many movies and books are criticized by religious groups as being against God. And of course, history if filled with war and violence. Yet the "New Look", created after World War II, was clearly a turn away from the depravities of war. So why is today different? It seems that we live in a spiritually darker world, and it's only natural that designers would be affected by this darkness. Evans also points out that designers tend to revisit the past in creating new designs. My personal opinion is that the designers are only gathering ideas from decades past, and absorbing the culture of today. As history repeats itself, in a lot of ways fashion also repeats itself. Anyways, Caroline Evans makes a good effort to analyze todays' fashion, and puts her argument on the table. It deserves a lot more discussion.

The photographs, stories of design history and research in this book are phenonmenal. This is a great book to inspire, shock and mesmerize. It is my most recent favorite in my costume research collection.

Prior to the publication of this book there were important gaps and inaccuracies in our understanding of the battles for the Falkland Islands. Were Argentinian ground troops cowardly slackards? Were their officers self-serving and tactically incompetent? Was a British officer attempting negotiation under a white flag at Goose Green intentionally fired upon? Was the Argentinian Air Force commanded by a political bureaucrat? The surprising answer to all these question is No, and in a careful and touchingly human review of the activities and decisions of Argentinian forces Middlebrook reveals the tragic gap that developed between Argentinian political leaders and the troops and officers given the difficult task of defending the islands without adequate support as winter closed in. The junta's colossal mistake of assuming the UK would not fight for the Falklands led to the isolation, suffering, and defeat of the occupation forces and, while ultimately setting the stage for democracy in Argentina, seared a painful wound into the soul of a country already conscious of past failures. Middlebrook's access to Argentinian commanders, troops, and families helps reveal the complex social and political landscape of a country which still sees the "Malvinas" in terms of classical European colonialism. It also reveals the operational planning and situational understanding of air and land commanders at critical points in the conflict.

Prior to the publication of this book there were important gaps and inaccuracies in our understanding of the battles for the Falkland Islands. Did Argentinian troops intentionally fire upon a British officer attempting negotiation under a white flag at Goose Green? Were Royal Marines successful in their ambush of Argentinian armored vehicles during the initial invasion? Was the Argentinian Air Force commanded by a fanatical maniac out to establish his service as the dominant domestic political force? The surprising answer to all these question is No, and in a careful and touchingly human review of the activities and decisions of Argentinian forces Middlebrook reveals the tragic gap that developed between Argentinian political leaders and the troops and officers given the difficult task of defending the islands without adequate support as winter closed in. The junta's colossal mistake of assuming the UK would not fight for the Falklands led to the isolation, suffering, and defeat of the occupation forces and, while ultimately setting the stage for democracy in Argentina, seared a painful wound into the soul of a country already carrying conscious of past failures. Middlebrook's access to Argentinian commanders, troops, and families helps reveal the complex social and political landscape of a country which still sees the "Malvinas" in terms of classical European colonialism. It also reveals the operational planning and situational understanding of air and land commanders at critical points in the conflict. Students of this subject will recognize the author as a highly accomplished battle historian.

Martin Middlebrook has once again shown why he is one of the best British authors covering military history. His masterful account of the Falklands, 'Operation Corporate' now has a companion volume, this time covering the war from the Argentinian point of view. The book is well told and is a delight to read and only one of very few covering this war from the 'other side'. You really have to give it to the pilots flying their aircraft against the Britsh Fleet, they had guts, they knew what they were in for but continued with their mission. This is a great story, if you can get a copy do so, you wont be disappointed!

There's something irrepressible about a wedding of royalty. Even the most jaded of us is capable of maybe an 'awww' or two as we get to see a bit of a fairy tale come to life. There is pomp everywhere, from the fabulous gown and jewels that the bride is wearing, the wedding cakes and favours, to public displays of the wedding gifts.

This handsome little souvenir album is to commemorate an upcoming wedding anniversary -- that of England's Queen Elizabeth II and Prince Philip, who will have been married for sixty years, in November 2007. It is also a look at how Royal weddings have changed and evolved from fairly private ceremonies that were witnessed by close family members and courtiers, to now what is a spectacle watched by millions on the television and launching a flurry of books, magazines and various souvenirs from the pleasant to the grossly tacky.

The five weddings themselves occur in a period of time that spans just over a century, from 1840 to 1947, with the criteria that either the bride or groom would be a monarch of the United Kingdom.

The first wedding is that between Queen Victoria and her cousin, Prince Albert of Saxe-Coburg-Gotha, in 1840. Victoria had been Queen of Great Britain for two years when her wedding was celebrated, and public curiosity was intense as to who she would choose to be her consort. With the rise of new printing techniques, there were now ways that the public could observe, albeit from a distance -- there were special prints and panoramas that were printed to feed the curiosity about the event.

About twenty years later, the next royal wedding occured, this time between Victoria and Albert's eldest son, Bertie, the Prince of Wales and the future Edward VII, and his fiancee, Princess Alexandra of Denmark, 1863. Now there was the art of photography to add to the documents; some of these were hand-tinted to create a nearly painting like quality. The gifts were also more opulent, and this time, were described in a special magazine that supplied all of the details from what the guests were wearing to engravings that showed various aspects of the wedding service itself.

Thirty years later, another wedding occured, this time between Bertie's son, George, Duke of York, and his cousin, Princess Mary of Teck, in 1894. This time, celebrations and public notice were high, with various royalties from around Europe visiting to pay their respects. The gifts were put on public display this time, and admission was charged, with the proceeds going to a charity. The bride's trousseau was described in various ladies magazines in lavish detail and illustrations.

The fourth wedding was that of George VI and Queen Mary's second son, Albert, Duke of York, and Lady Elizabeth Bowes-Lyon in 1923. No one really expected them to become sovereigns of Great Britain, and so the celebrations were not quite as extravagant as might be expected. But one notable addition was that this was the first royal wedding to be filmed, and soon there would be opportunity for anyone to see it, all for the price of a ticket to the cinema, and sitting through a newsreel.

The fifth wedding was in 1947, with that of two of Queen Victoria's great-great-grandchildren -- Princess Elizabeth, and Prince Philip of Greece. After the dreary years of WWII, and the troubles of rebuilding, London was ready for a celebration. The outpouring from the public was immense, and it seems that all of England took the day off for a holiday. The marriage proved to be one of the most successful in the royal family, and appears to be still quite solid after nearly sixty years.

Each wedding goes into some detail about the clothing, providing pictures and closeups of the brides' gowns, showing some of the intricate sewing and decoration that went into the making. As was traditional, all of the clothing worn were made from British materials and designers. What I found especially beautiful were the samples of lace and embroidery, often with monograms and special designs incorporated into the designs. A very brief history of the couple is also included, talking a little about their childhoods, and what happened after the weddings. At the end of the book, there is also a listing of what music was performed at each wedding, with a few surprises tucked in.

What may surprise you is what you will not find in this book. There isn't any mention of Lady Diana, or of the notorious wedding of Edward VIII and Mrs. Simpson.

For anyone interested in royalty, and how what started as a private celebration soon became an opportunity for public celebration, this is a lovely, well-made and designed book. The photographs and pictures are unusual, many of which I had not seen before, and gave a sense of intimacy.

The author, Jane Roberts, is the Royal Librarian, and has compiled a beautiful little volume on the lore of royal weddings. For anyone interested in the English monarchy, it would be a nice addition to their collection.

Five stars. Recommended.

A wonderful book that takes you back in time for 5 royal marriages. I had a splendid time reading and looking at the photos. I have been watching the "Royals" all my life. I remember the day Elizabeth and Phillip were married, and this little book just made those memories much more clearer than ever before! A "must" for "royal watchers"!!

A wonderful display of that special wedding. It was like the Queen was showing these momentos to me herself.

An excellent book by the only man who has really seen the series from the very beginning. He is the only actor to have worked with all the actors to have played the Doctor. Thanks to the Big Finish audios he has appeared with the 6th Doctor and will be appearing with the 8th when Paul McGann returns to the roll next year. He rarely does conventions any more and, when he does, refuses to tell some of the stories he's famous for.

This is the sort of autobiography you would expect from The Brigadier. Solid, dependable, traditional...but Nicholas Courtney isn't the Brigadier, and this also tells the story of his off-screen life, and life before Doctor Who stardom.

The first part of the book tells the story of the actor's early life, his parent's separation. Then follows the customary section on National Service, weekly rep, meeting Donald Wolfit and John Geilgud. It's good to hear Nick tell the familiar "actor's autobiography", because his style is friendly, humorous, and honest. This makes the book so enjoyable that the pages zoom by. We learn about the author's successes with the ladies, and, to his credit, his failures, and the breakdown of his marriage is dealt with in what seems to be a very honest manner.

The section on his Doctor Who work is well-written, and leaves out a lot of familiar material. This could be due to the work of Courtney's editor, John Nathan-Turner. For whatever reason, this remains fresh and exciting even thirty years after the fact.

The last part of the book details the post-Doctor Who work, and it is remarkable to see that since Courtney stopped being a Doctor Who regular in 1974 he has played the Brig no fewer than seven times. His work continues of course on the Doctor Who audio adventures, but this book was written before they had been established.

The large format suits his story well, allowing space for many rare and well-researched photographs. There are a few too many blank spaces for my liking, and some unnecessary tributes from those who have worked with him. He could also have cut down the number of references to Equity, the actors' union. Other than that, this is a first class read, and tells a more interesting story than the well-worn convention anecdotes, or sections in general Doctor Who books.

All of my life, I have been a no-nonsense man, who knows nothing but work. In 1986, I began to watch Dr. Who, just as a whim in a miltary barracks, on a TV set in the barrack day room that was chained to the floor so no one would steal it. At first it seemed rather cheesy, but then I found that I could not miss a single episode and if I had to miss it, I would record it. Once, I brought a VHS out to a live fire gunnery tank range, where we were to fire all day and all night for two nights.

In one of the tents where the crews were de-briefed and rested, I set up a small TV and the VHS and powered it up by using a military 15kw gas generator. We and the tank crews of my battalion watched Dr. Who.

My first experience with Dr. Who were the Pertwee years and the Brigadier played a large roll. I enjoyed these immensley and bought each one for my collection...and I am still watching them today..(In fact "Planet of Spiders" parts three and four are on tap this weekend).

In short, buy this book. By any book associated with any character who played in this marvelous series.

Thank you Brigadier for your part in allowing an ordinary man,for a few moments anyway,to escape the inescapable life of medocrity.

The Concorde flies from New York to London New York to Paris
Washington,D.C. to London Washington,D.C. to Paris.
Air France/British Airways. they use the Concorde on the set of The Concorde Airport 79.

I looked at a number of Concorde books, and this one and Orlebar's Concorde Story stood out.

This one is easy to read, very informative, talks about the technology without getting too detailed and talks about some of the politics and difficulty without getting caught up on it.

It's black and white and medium format, so the Orlebar makes a nice color complement to it.

Enjoy

This book talks about the design of the aircraft and flight operations first. Then it goes on to describe flight testing and the history of the aircraft.

It is a special plane and it is flown in a special way. It is a must have for those curious about the concorde.

Five stars plus for this young mans insight, interpretation, and brilliant display of history. I like many other readers were turned off by the boring history books we read in school. Lambers captures the true spirit of history! Because of the excitement this book ignites; this book has the potential to change the course of how history is viewed and studied. This book is a MUST READ for everyone. This book would make a great gift not only for teachers and history buffs, but also the person who hungers for knowledge. (The study guide is an added bonus to treasure) BRAVO!

I read the book first, and it was interesting to realize that the peaceful relations with Britain that we now take for granted were nonexistent and took hard work to accomplish. And the Study Guide is very good, and is surprisingly loaded with historical facts and fun word searches. I wish I had studied with this kind of material instead of boring history books that made me "hate" history for many years. Now I love it!

This book is early American history in a "capsule," full of important events describing the conflicts between America and Britain, yet imagines the ordinary citizen's feelings about the wars in an interesting blend of fiction and history. Young people especially should read it.