United Kingdom Books

Arthur Herman has written a very balanced popular history of the British navy and it's importance to the development of world history over a period of 500 years. A topic this vast requires a monumental task of synthesis and his account is accessible and entertaining as well as enlightening to the general reader. With the added bonus of occasionally shedding light on the origins of certain terms that are used in every day speech that have nautical roots, the exploration of the amazing parade of historical characters that made the Royal Navy what it was ,To Rule The Waves is a wonderful read for anyone with an interest in European or Colonial history and especially for those with an interest in British history.

Characters from Drake to Raleigh to Cook to Nelson to Darwin and more populate this history and in Herman's account the historical threads that unite them all are clear if sometimes somewhat simplified to facilitate the narrative.

Some reviewers have pointed out some inaccuracies but I would say that for a subject of this scope he has done an admirable job of presenting a one volume history.

This history of the British Navy is well written, an easy read, and a great adventure. No force of men have had a more important and exciting role in shaping the modern world. A great read about great men.

This book was an excellent history of the British Navy. It has the great battles like Trafalgar - I especially learned a great deal about Nelson and his impact on the British Navy - as well as Winston Churchill's role in shaping the British Navy. I also learned a great deal about Elizabeth's response to the Spanish Armada and her mistreatment of her own seamen upon their return (or attempted return) to safety, as well as piracy and the British responses to it.

I really enjoyed this book. It's very comprehensive and thorough. All the stories within it are very interesting and the book is extremely well written.

If you like this book, you may also want to read the influential and very important book the Influence of Sea Power Upon History by Alfred Thayer Mahan written around 1890. Many of the leaders of the world's navies read it and it had a very big influence on them and their shaping of their navies and the commensurate Naval arms race that developed in the first half of the twentieth century (especially after World War I and prior to World War II).

This book is hard to put down, which is an enormous feat for a history book. It's NOT perfect, but since 4 stars isn't going to be fair, I have to give it a 5.

The book tells us the story of the British Navy from the days of Hawkins and Drake, to Robert Blake, to Vernon, Anson and Nelson, to Fisher and Jutland, to its decline post WW2, and to its mini-revival in the Falklands War. Through this book, we know, for example, that Britain didn't immediately become Mistress of the Sea after their defeat of the Spanish Armada. The Dutch did, ruling the sea for more than half a century. We also learn that while Spain declined after Armada, it was a l-o-n-g decline, the flow of silver from Latin America actually increased 100 years after 1588.

We learn about the so many near disasters during the long rivalry with France, from Louis XIV to Napoleon. That the demands of keeping the Navy may have led to the American Revolution. We learn about Dreadnought, and how it may have triggered WW1, which of course led to a lot of other terrible things. (TIME magazine called Gavrilo Princip the triggerman of the 20th century, this book tells us Dreadnought played a heavier hand than we realize.)

Churchill also takes a beating here, in both World Wars, but even a Churchill fan would welcome this other look at his hero, who was clearly a flawed great man.

Above all, we learn that the Navy earned its place of honor because of the courage, skill and determination of its officers and men, and because it had the fierce support of its politicians and its people. When the latter disappeared, when priorities shifted elsewhere, the Navy declined, but happily, the skill and courage of the men remained.

The storytelling is riveting, from beginning up to the time of Jutland. However, it suddenly drops off after that. Compared to the rest of the work, the author practically passes over WW2, when the Navy clearly was in decline. The British feat of breaking the German Enigma is credited almost solely to the codebreakers at Bletchley Park, even though it was also a Navy effort. It was the listening stations at Scapa Flow that picked up transmissions, and it was the men of the Royal Navy who seized the enigma machines from U-boats. One of them even died, sinking with the sub. Basically, the storytelling got thinner with the declining fortunes of the subject.

There were also confusing spellings of names. Boscawen's name appears in at least two versions, sometimes within two pages of one another. And in one battle with the French, the French flagship is first identified as the "Orient", then in subsequent paragraphs it becomes the "Orion". No small matter, especially because the "Orion" happens to be a British ship also fighting in the same battle.

Again, while that seems like a load of complaints, the book still rates a 5-star because:

"This book is hard to put down, which is an enormous feat for a history book."

What a wonderful reference book to have! It is well thought out and researched and the text is illustrated perfectly with beautiful period photographs. So much detail about period costume is included and organized, decade by decade, that this is a must have reference for any collector of antique clothing. Both the novice and experienced collector will find new information here!

This is a great book for anyone who collects victorian clothing. It is the one I refer to when trying to find the date of a particular piece. It goes into the detail of what was fashionable for the bodice, skirt, sleeve, etc. broken down into approximately two-six year periods. The pictures are of old CDV's so you can see how the dresses were actually worn (most originating from California). There are no pictures of period garments up close as some other books have. Still, the best book at mentioning fashions in detail for dating and illustrates tricky terms such as basque and cuirass bodices.

This relatively inexpensive book still features crisp, beautifully reproduced illustrations. A real strength is the frequent inclusion of the full photographer's mount instead of cropping to the image. Setnik also finds it important to record where an image is taken, showing that she is aware that there were geographically specific fashion trends. The author attempts to combine her knowledge of costume with the history of photography. (These topics are often published separately.) The result is helpful. A major weakness is the lack of strong, dated examples. The author instead has written the history, and then found pictures to illustrate it. Consequently, the book is really the history of costume of the middle to upper class. Lower income groups, trades and ethnicity are not the subjects of this book. In my opinion, Setnick also over-generalizes when it comes to "poses" and "backgrounds". It is very difficult to rely on either for dating.

Victorian Costume For Ladies 1860-1900 is a photographic compendium of 350 nineteenth century images capturing yesteryear ladies' fashions worn in America. Author Linda Setnik thoroughly explores the fluctuations in Victorian fashions including undergarments, casual wear, sports clothes, common dress, evening attire, hairstyles, and jewelry -- and tracing the impact of fashion on the mental, physical, and social lives of Victorian ladies. Comprehensive, reader friendly, Victorian Costume For Ladies 1960-1900 is a welcome and impressive contribution that will be greatly appreciated by theatrical costumers, fashion historians, students of Victorian culture, and photography buffs.

I love, love, love this book. I usually can't get into non-fiction books, but this one was a pure joy to read. I was actually sad when I finished. What a fascinating journey back in time. Just a note: the footnotes are the best part. They are full of the most interesting factoids about what really went on in the typical middle-class Victorian's life. Judith Flanders has a wonderful wry sense of sarcastic humor that shines through in her writing, and I found myself laughing many times throughout this book. Makes you glad you live in modern times, but glad you can have an armchair journey back to get a glimpse of what life must have been like back then. It's made me appreciate what I have now so much more, and also to realize why we do things today the way that we do, and where those customs and traditions came from originally.

My only criticism would be that this isn't a totally objective look at Victorian life - it is all tinged with Ms Flanders' personality and judgments, and her feminist leanings quickly become obvious throughout the beginning of the book. Now, I'm all for women's rights and all that, being a woman myself, but it got a bit tiring after a while to be reminded, YET again, of how hard life was for women in that era. One other little criticism is that the introductory chapter is a bit slow - don't give up! The rest of the book picks up the pace quite considerably. It's definitely worth it! It's changed my view of my own life in today's world, and been a wonderful, and fascinating journey back over a hundred years ago, from the safety and comfort of my rather cushy 21st century existence. I didn't want it to end, even though it removed my rose-tinted glasses of "charming" Victoriana entirely!

Like a well-run Victorian home, Judith Flanders has carefully placed each aspect of Victorian life in it's "proper place" with this thoroughly engaging book. Dedicating an entire chapter to each room of the 19th century Victorian English home(Nursery, Scullery, Kitchen,Bathroom, Parlour, Sickroom and so on), Flanders uses each room as a case-study of Victorian English life, from birth to death (and everything in-between). Flander's book draws you in to the era completely with an unromanticized glimpse into the life of average Victorians-not just the wealthy-and through a copious use of contemporary material(e.g. letters, newspapers, advertisements, diaries andliterature). All of this lends an authenticity that at times proves disarming...The details of laundry-day and the immense work involved in basic housekeeping and meal preparation are utterly amazing! After finishing "The Victorian House", I stood in awe of my household appliances and remembered the adage, "The Good Old Days...Are Now".

This is a wonderful survey of British social history in the 1800s - how people actually lived their lives day to day. Drawing from every possible historical source, the author describes what life was like for well-to-do Brits in the Victorian era, with a particular emphasis on London. Her theme is to take the reader through an upper-crust house room by room: One chapter on the kitchen, one on the scullery, one on the parlour, and so on. I found it utterly fascinating.

Victorian England is not exactly ancient history, yet it is amazing how different life was then, and how unpleasant (by our standards) life was even for the wealthy. For instance, people tolerated incredible filth. Even among the well-to-do, coal dust coated every interior surface, clothing was heavy and dirty, and baths were infrequent. London fogs were so thick that pedestrians would bump into things. Food was extremely bland even for the elite, and it was thought that feeding vegetables to children would stir up sexual interest. Most surprising of all, women rarely questioned their inferior status. It was generally accepted that women were mentally and physically weak, and women themselves seemed to accept this with little questioning. The amount of change during the last century, in both material and non-material ways, is mind-boggling.

Incidentally, this book appears to be identical to "Inside the Victorian Home" by the same author.

Although the fifty page intro was a bit sluggish, it fortunately did not represent the rest of the book. Flanders devotes a chapter to each room in the stereotypical Victorian house, plus one for The Street. Her research gives new meaning to the word "depth". She has mined non fiction, letters, fiction,and just about anything that could possibly add insight to life in that very rigid time. The result is a wealth of analysis, as well as wonderful trivia (People did not want newfangled toilets in their bathrooms because bathrooms were clean!). From the weight of women's clothing (37 pounds), to the ways households detected adulteration in their food, and the number of mail deliveries per day (10-12), The Victorian House is a treasure trove of information. The three sections of colour plates add visual evidence to Flanders' text, and the whole thing is remarkably focused trip through this world.

I have no reservations about recommending this book.

During her nearly sixty-four-year reign Queen Victoria produced a cultural and fashion following particularly notable in the jewelry world, where English and European Jewelers produced less expensive pieces mimicking the queen's, which were worn by the middle class of her times. These pieces were long ignored because of their low value and cheap materials - but today are prized for their workmanship, which VICTORIAN JEWELRY: UNEXPLORED TREASURES reveals in chapters of history following designs, materials, and lovely secondary pieces. Styles presented here have been selected from collections around the world and are displayed through specially commissioned color photos just for this book.

This quite a different take on jewelry than most books, and accordingly very worthwhile. I got this book out of the library, read it cover-to-cover, and I am still buying a copy. The pictures are absolutely gorgeous and wonderfully detailed.

These are the common, cheaper, but still beautiful pieces that are normally overlooked. I think that people who like Art Nouveau, which concentrated more on design than the expense of the materials, would find them particularly interesting. In addition, Dawes take us through the various fads of the time period. The text explains many of the peculiarities behind the rise of such styles (e.g.: aluminum was once rare; aristocrats wore iron jewelry to show that they had supposedly patriotically donated their real jewels to the government, etc.)

A very worthwhile addition to a jewelry book collection.

This book is a must for anyone that collects or deals in Victorian Jewelry! Good information with exquisite photos of the finest examples of Victorian Jewelry.

Victorian jewelry is one of my passions and I both collect and sell it. This book has fabulous illustrations, great information, and a bit of a different slant than other books on Victorian jewelry. I am so glad I did not miss this one, and bought copies for both my home and shop libraries. Worth twice the price!

This is a book that would be a benefit to anyone with an interest not only in William Marshal, but medieval people and the society in which they lived.
William Marshal was one of very few men that not only lived up to the hype written about him, but he exceeded it. He truly was a great knight, a great man of honor in all that he did.

My brother is a veteran (medic) and once in a long while he remarks on the brothers in a unit he served with in Vietnam in awe, "There were some real fighting SOBs in our unit." Marshal was the master of arms, the greatest of all western knights. Please read this cracker jack book and consider Marshal's lessons on leadership: competence, loyalty, largess, shrewdness in avoiding the axe, empathy, commitment, iron will, courage, and the ability to do the right thing when at the crossroads.
An example for the later occured when tweleve year old Henry III came to pay his last respects to The Marshal on his death bed. William lectured the King on refraining from "acting" as former kings acted towards others. IOW, Marshal meant, "Don't be a sociopath like your late father King John." I find it odd that no thinks that starving oppenents to death and walling a mother and her child up alive in a castle wall is not sociopathic. Murdering nobles made the southern barons rebel against John, not just having to pay exorbinant amounts to have seizen of their inheritence. After John died of fever, imagine Marshal as regent of England and protector of the young King Henry rallying most of the rebel barons through his strength of character and leading the English army to victory at Lincoln against the remaining rebels and a French army under the banner of the French king's son invited to take the crown of England. Oh, by the way, The Marshall was 70 at that time. William took the Templar oath on his death bed and is buried in London Temple Church along with his son and two of the De Clares.
Did Henry III take The Marshal's teaching to heart? Hell no. In the years following William's death, Henry was swayed by his "foreign" advisors (French) who pursued a policy of eliminating (the effectiveness of and/or the lives), when possible, The Marshal's descendants in both the male or female lines (De Clares and Marshall intermarried). Can't kill everybody.
This book ought to be required reading for all U.S. ROTC and military academies cadets on the subject of leadership and ethics. Many of our best character leaders, meaning our brave generals who have spoken up agianst the bungling incompetence of Rumsfeld and Cheney are reminders of the true values of chivalry that is the essence of William the Marshal.
When I watch Lord of the Rings (the charges into the breach and the rallying speeches) and King Arthur, I think to myself, "That's how it was, except our 24th great grandfather really did slam in to the enemy while his household knights roared, 'God save The Marshal!'" Yes, he really was a fighting SOB. Freedom, truth, and doing the right thing are worth fighting for. The Marshal's values, along with many men and women who held similar values are part of our American and military cultures. William did not go around waterboarding prisoners, but interesting enough the sociopathic Angevins and Normans did. Hell, even the Puritans stopped the practice of dunking as punishment. To think Rumsfeld and Cheney think it is necessary in order to save American cultural values is a lie, a very ancient lie that is making King John smirk in hell and The Marshal whorl in his grave (except it is probably too tight in there for him spin in his cript)at the London Temple Church.

This is a fantastic book about one of the Mediaeval period's most powerful and brilliant men. Coming from humble beginnings, William Marshall eventually served four Kings and became the regent of England and guardian of the boy King Henry III son of King John. It is taken from the actual biography commissioned in his honour by his sons, and is the only surviving account of the life of a knight of the 13th century. Eventually made the Earl of Pembroke, William Marshall gives an insight into the life and thought of a mediaeval knight, his ideas of honour, duty and allegiences. A very readable book and highly to be recommended to anyone interested in this period of England's history.

David Crouch's biography of William Marshal, an icon in his own time, a courtier and knight who served five kings--Henry II, Henry the Young King, Richard the Lionheart, John, and Henry III--as well as a queen, Eleanor of Aquitane, coming to represent the ideal of the corteis (courtly) to his peers and the embodiment of chevalerie for those who have since studied the period, does much to ground the legend and question earlier interpretations that often accepted the contemporary accounts of Marshal's life at face value. Earlier biographers, such as Painter and the French doyen of medieval history, Georges Duby, based much of their understanding of Marshal's life upon the posthumous "Histoire de Guillaume le Mareschal," a still extant epic poem commissioned by Marshal's sons and followers to celebrate his life and many accomplishments. Surprisingly, previous writers have chosen to base their biographies, especially Duby, almost entirely upon what is obviously, regardless of any factual accounting, a suspect source, in doing so ignoring other contemporary documents that go a long way to tempering the portrait of Marshal, not only in the "Historie" but in the subsequent biographies from which they were based.

Instead of the chivalric hero of battlefield and tournament cast in the mold of Chretien de Troyes, or the often fortunate simpleton of Duby that rose to the heights of medieval society through the sheer prowess of his arms, in Crouch we find a poor, relatively minor-born knight who through valor and shrewd financial self-interest uses both the battle and tournament field to promote his own fortunes, aided at times by pure good luck, which he is quick to turn to his own advantage. Upon entry to the courts of the powerful we discover a man who was deft in manipulating the intrigues of his betters for his own benefit, quick to ally himself with those who could help him, adept at playing one party off against another, and, when his politics stumbled, able to ultimately survive and reverse his misfortunes where other men fell. Charismatic, he both received and demanded loyalty from the mesnie and supporters that surrounded him. Generous to his followers, he could be equally stern and unforgiving to those that opposed him, in many ways reflecting the values of the aristocratic society of which he was a part. At the end, he survived both rebellions and the displeasure of the kings whom he served, becoming one of England's most powerful magnates and regent for Henry III, in effect ruling England in the boy king's stead.

The author uses his biography to examine the role of the mesnie in 12th century medieval society, as well as the function of the tournament, both as a social phenomenon and an avenue for advancement, both financial and social. He investigates the evolving notion of chivalry, both as an ideal and its actual practice. And he makes a cursory foray into the influence of religion, especially as it pertained to the noble's household, with its dependence upon an administration of clerical clerks. As much an insight into medieval military and noble society as a biography, the author has leavened his account with some wonderful anecdotes, such as Richard I's remonstrance with Marshal against killing him in battle, and Henry II's pique with his son over the latter's crossbowmen firing at him during a period of The Young King's insurrection. The various interactions and shifting allegiances between King Henry II and his often recalcitrant sons is illuminating in itself. Though Marshal was often out of the king's favor, Henry II nonetheless twice requested that Marshal serve his son, even though the son was at war with his father, and Marshal's military skills and allegiance would be turned against him! Quite a different mindset than what we're accustomed to today.

At present, this must be considered the definitive biography of a medieval icon who not only influenced his own times, but the imaginations of subsequent generations. I suspect that many who read this account will be left wishing for more. Both the Painter and Duby biographies have their value, though the former has long been out of print and will require some effort to find. Read their accounts, then use this book to place their flaws in perspective. Also, Crouch indicates that the original "Historie" will soon be available in translation.

An exceptional book, and very highly recommended. My only complaint is that the price asked by the publisher is preposterous.

Reviewed by Joanne Benham for Reader Views (08/06)

Samuel Pepys was born in London, England in 1633. He attended Cambridge University, graduating in 1654 and became a well-known man of business in London, with an insatiable thirst for knowledge as well as an appetite for pleasure. In 1660, Pepys began keeping a diary in which he recorded all of the details of his life in London.

At approximately this same time, Count Grammont of France arrived at the English court after being banished from the French court of King Louis XIV for seducing the King's mistress.

Lewis Melville used the memoirs of Count Grammont and the diaries of Samuel Pepys extensively when he wrote this book in 1928. The book is a fascinating look into the inner workings of the royal court of King Charles II of England woven around a series of pictures commissioned from Sir Peter Lely by Anne, Duchess of York, who wished to have portraits of the most beautiful women in the court. The eleven portraits were called "The Windsor Beauties" because they were originally hung in the Queen's bedchamber at Windsor Castle.

This revised edition, supervised by Victor R. Volkman, retains the original text. To help the reader better understand the political and social issues of the time, Mr. Volkman has added a large glossary as well as extensive footnotes. He has also added a proper bibliography for anyone who wishes to do further reading.

The Windsor Beauties is the first of a series of restorations Mr. Volkman hopes to do, introducing the great literature of the 17th and 18th centuries to a new generation of readers. I spent several wonderful hours reading this book and then many more online as I started reading more and more about the people in this book.

The Windsor Beauties: Ladies of the Court of Charles II is the newly revised edition of the classic 1928 text. An absorbing masterpiece that meticulously and faithfully renders the day-by-day interplay of court life during the reign of Charles II of England, especially focusing upon those women notable enough to be immortalized in a portrait project at the behest of the Duchess of York, The Windsor Beauties is sparsely illustrated with black-and-white copies of the famous portraits. Yet the real draw is the eye-opening, unrepentantly honest written account, now enhanced with a new glossary, bibliography, extended footnotes for lay history readers, and the first-ever translations of French language poems, letters, and epistles. Highly recommended especially for lay historians and writers planning to pen court life period pieces.

Without repeating what other reviewers have said about the content and composition of this book, I do want to reiterate that it is an excellent and fascinating study of life in Restoration England. (For newbies, that refers to the reign of Charles II.) While there are some problems with readability that the original author (Charles Melville, in the 1928 edition) did not fully resolve, such as smoothly incorporating all of his quotes into the text--it is nevertheless a greatly enjoyable book. As much of it comes from diaries and correspondence that were contemporary to the time, the reader is treated to the uncensored opinions that people only write privately, or at most, to one or two other people--usually--but we get to "eavesdrop" as it were. Rich, gossipy, full of small details that delight--it's a painless history lesson. You learn about the period, the monarch, and the mistresses (many of them, at any rate) by people who were there. It is not a scholarly book, which I mention as encouragement for the casual reader; but it is a fabulous introduction to the time, and to a great many amazing characters that you will find yourself wanting to know even more about, afterwards. That's what I call history at its best! Many thanks to Victorian Heritage Press for publishing this valuable work.

As an editor and biographer, Lewis Melville (the pseudonym for Lewis Saul Benjamin) produced numerous works of literary and social history. Though written nearly a century ago, his books on such figures as William Makepeace Thackeray, John Gay, and Lady Mary Wortley Montagu persevere as well-written and insightful studies of their subjects. This book is something different, a collection of chapter-length biographical studies of women who were prominent in the court life of King Charles II. Eleven of them were noblewomen who were the subjects of a series of portraits commissioned from Peter Lely by the Duke of York, to which Melville added studies of the Duchess of York, Nell Gwyn, Louise de Keroualle and the Duchess Mazarin.

First published in 1921, this book has been reissued by Victorian Heritage Press in a revised edition, with explanatory footnotes, translations, and a glossary added. This is obviously a labor of love, one designed to make Melville's enjoyable accounts accessible to a new generation of readers. Though the research could have been more solidly based (I had a problem with the reliance on Wikipedia as a source, especially when the shelves overflow with so many excellent scholarly works on Stuart England), this is a welcome resuscitation of a useful study of the English upper class in the 17th century.

Winston and Clementine: Happily Ever After

This is the story of a political marriage. In some ways it will be familiar to the contemporary reader, though it began and ended a long time ago.

Both husband and wife in this marriage were interested in politics. The husband was elected again and again over decades to high office. For decades his wife fought at his side, entertained at his table, offered her judgment to him and his colleagues and his enemies. She took his place in his absence, and sometimes in his presence. She became an international figure. She had power, and she used it. Always she had a mind of her own.

Sometimes this couple would quarrel. Once a serving dish was thrown. There was a period, not too long, when one of the partners was out of sympathy with the other, or anyway in sympathy with another.

They knew trouble. They lost a daughter and many friends to death, and some friends to betrayal. They fought political wars at home in which their own party tried to deprive them of office. They fought shooting wars abroad-including the worst ever. More than once, they seemed down and out. Their livelihood as much as their career was threatened. After decades of struggle they reached the summit of power and they knew the adoration of a nation and a world. By then they had grown old together.

Readers of this story will find that wives did not enter politics yesterday, and private lives were influential in politics before last week. But in other respects this story is unlike anything we have known in this time. Here are two people who won every honor that human affairs can offer, and they won them together. Meanwhile they operated upon those natural and traditional lines that involve that deepest of partnerships. Their division of labor augmented the strength of them both beyond what either could do, apart or together, if they both had done the same parts of the job. True, this is the story of a political partnership. More than that, it is a marriage.

The editor of this book is the youngest child of Winston and Clementine, Mary, now Lady Soames. She brings to the work care, intimacy, and insight. She has adopted some of the best devices of Sir Martin Gilbert, Churchill's official biographer, to make the book available to the reader unfamiliar with the times and the people. Her notes are useful. She lets the letters themselves convey the story.

One sees right away the amazing pace at which these people lived. Winston Churchill was a soldier whose bravery and judgment in battle were beyond doubt. He wrote every line of every speech he ever gave, save perhaps one, and they are not surpassed in eloquence or impact or amplitude. He wrote serious books, nearly forty of them. He served in the British House of Commons, and mostly in the Cabinet. Meanwhile he made his living writing and speaking in publications and before audiences all over the world. Their house teemed all day and much of the night with secretaries, researchers, and colleagues. He wrote once that statesmen should exist in a condition of "stress of soul." Ever he took that advice for himself.

And necessarily, then, he imposed it upon his wife.

Winston Churchill and Clementine Hozier were married in September 1908, and they remained so until parted by death in 1965. Martha Washington, wishing to keep her relations with our Founding Father private, burned most all of the letters that passed between them. The Churchills' letters are preserved intact in their remarkable abundance. Partly because they were so busy, and partly because they took many vacations apart, occasions to write were frequent. In their day the post traveled rapidly-Fed Ex was not necessary; e-mail was unavailable; the telephone came along, but its frequent use developed later. And so they wrote, and well they wrote.

Nuggets are found in every shaft of this mine. Sir Winston is candid with his wife as with no other, especially in times of triumph or stress. When the first war begins, he unveils his character: "Everything trends towards catastrophe & collapse. I am interested, geared up and happy. Is it not horrible to be built like that? ...Yet I wd do my best for peace, & nothing wd induce me wrongfully to strike the blow." Another time, in a very different mood, he writes: "you have seen me very weak & foolish & mentally infirm this week...." And then the man of unbreakable will proceeds: "I cannot tell you how much I love & honor you and how sweet & steadfast you have been through all my hesitations & perplexity."

Clementine often bears the burden of saying to her husband what others cannot. When the first war begins, she cautions him about the feelings of a dismissed Admiral: "there only remains the deep wound in an old man's heart. If you put the wrong sort of poultice on it, it will fester." When the second begins, she writes: "...there is a danger of your being generally disliked by your colleagues & subordinates because of your rough sarcastic & overbearing manner.... Therefore with terrific power you must combine urbanity, kindness and if possible Olympic calm."

The letters of Winston are often more abstract and reflective than those of his wife. Sometimes they are effectively first drafts of things he will later publish. His life is saved once in the trenches by an annoying general who makes him walk two miles under fire just for a little chat; when he returns his dugout and all in it are destroyed. He reflects: "it is all chance or destiny and our wayward footsteps are best planted without too much calculation. One must yield oneself simply & mentally to the mood of the game: and trust in God which is another way of saying the same thing...."

At the same time, one sees in the husband a sharp need for his wife. It is he who is "lonely among crowds." It is he who has no one but her "to break the loneliness of this bustling existence."

History has more to say of Winston than of Clementine. He saved his country and more in a desperate crisis, and he leaves behind him a written account of prudential wisdom that is not surpassed. Both his words and his deeds exhibit a longing for honor. He fought for it. He met its demands with utter resolve and lifelong resilience. But of course there was more to his life than that. Honor itself is limited by the high purposes that define it, including the promises and affections that make a family. So he could write to her, at one of the lowest points in his life: "the nearer I get to honor, the nearer I am to you."

Churchill ends My Early Life, his explicitly autobiographical work, with the passage: "Events were soon ...to absorb my thoughts and energies at least until September 1908, when I married and lived happily ever afterwards." And so together they did. And do.

This book was introduced to me through a friend and, quite frankly, my first reaction was to cringe at the idea of reading such a bulky historical book. But from the first letter I was transfixed by the dialogue between husband and wife on both political and personal matters. This book brings with it a new aspect of Churchill's personality - he was not only a great statesman but he was a passionate man who loved his wife dearly which is seen clearly in the letters that were intended for her eyes only.

I often wonder how he would have felt to know millions would one day read the letters he wrote to his "clemmie-cat". In any case, its a great read :)

Cheers, Meagan.

When I considered buying that book, I first felt quite uncomfortable about the idea of reading an exchange of private letters between Winston and Clementine. Fortunately, I overcame my discomfort fast. I quickly enjoyed reading that thick epistolary volume about their political and personal matters. The personal letters of the Churchills revealed to me how influential Clementine was on Winston across the board. Their deep love and trust was the secret of their successful marriage, even if Winston was not always an easy husband and politician to deal with. Corresponding by written messages (today perhaps by email) with each other on a regular basis, even when they were together, proved to be an excellent way to help them keep their enduring flame for each other intact. Today, too many marital and extra-marital relationships get dissolved prematurely because of a lack of enough communication between both players. Life is after all a comedy in which men and women play their part and need to know or rediscover how to communicate their joys and pains to one another in order to increase the odds that they will be successful in their relationship.

The real service that this book performs is to remind the reader that great historical figures are not one dimensional. Chuchill was a renaissance man, warrior, journalist, historian, memoirist, politician and statesman. He was arguably the single greatest personage of this century and his name has become a symbol for the indominitable spirit of a free people. The collection of letters sent to and received from his wife are entertaining as well as educational. They provide a feel for the time in which they were written and place many of Churchill's famous accomplishments (and failures) in proper context. Amazingly, unlike today when the more we know of a public figure, the smaller they seem, in Churchill's case one comes away convinced that this was a great man in the truest sense, and that much of his greatness is due in no small part to his marriage to Clementine.

An excellent source for anyone who wants to write or speak Old English. There are even a few "modern" words.

I like how this dictionary/theaurus is organized. It is very easy to find the words you are looking for. An excellent complement to Pollington's "First steps in Old English" or any other OE language course.

When I bought this book I was not expecting much, however, it is a good little book. It's easy to use. I liked the grouping of Old English words into topics. Well worth the price. It is user-friendly to the layman, which most books on Old English are not.
Wyatt Kaldenberg

Absolutely a fine dictionary that is useful to Anglo Saxon students and enthusiasts! A perfect work for finding Anglo Saxon words when one only knows Modern English. It also is a great piece for learning large chunks of vocabulary (fast). This small treasure divides vocabulary into similar categories that almost makes the book not only a dictionary, but a thesaurus as well. (This in addition to having the entire work in alphabetical order)

The virtues of Martin Jarvis's breezy, insightful and well-crafted autobiography have been noticed here and elsewhere. I can report that the pleasure to be derived from it is increased ten fold by listening to Martin Jarvis reading it. The voice is beautifully modulated, and apparently undamaged by forty years of theatre, TV, film and radio work. Not only is the text beautifully read, but there are also many demonstrations of Martin's Jarvis's uncanny ability to mimic and adopt other voices. You'll not only hear what Sir John Gielguid, Sir Alan Ayckbourn and Harold Pinter say, you actually believe they are there, speaking to you. Even the great radio actress Marjorie Westbury, to whom Martin Jarvis pays a high tribute, is somehow heard again in Jarvis's reading. There is also a Polish film director, and a Hollywood agent whose impersonations you will never forget.

Whether you're a theater enthusiast, an admirer of Martin Jarvis's work, a budding actor, or just someone who likes to be amused and entertained, you'll find this audio book set to be a great investment.

Loved Martin Jarvis's acting stories. It's a lesson to some of us who might have thought, in our dreams, that it's all champagne and roses. This elegant Brit warns that it ain't as easy as he and some of his fellow performers make it look - life on stage and screen can be full of downs as well as ups. Jarvis's sense of adventure makes the book a page-turning treat. His Hollywood tales are nothing short of compelling, not to say hilarious. And I have never read a better account of what it is like to be on stage in some of London's most noted theatres. A beautifully written autobiography, bursting with fun, information and wise thoughts about acting. I recently had a good time in the theatre watching this British star play the title role in the Lloyd Webber/Ayckbourn 'By Jeeves, on its way to Broadway. Look out NYC. Will Jarvis be writing about his adventures on the Great White Way? Hope so.

This autobiography by versatile British actor Martin Jarvis answers just about every question you've ever wanted to ask concerning the mysteries - and absurdities - of his profession. Whether he is writing about his experiences in Royal National Theatre productions with Sir Peter Hall or the intense atmosphere on the set of James Cameron's Titanic, Jarvis is never less than spellbinding. He is fascinating, too, about the detailed work that has gone into his many starring roles in the plays of Alan Ayckbourn, Harold Pinter and David Hare. And the account of his Theatre Royal Hamlet is a comic classic. His pen portraits of Sir John Gielgud, Robert Duvall, Angela Lansbury, Leonardo di Caprio, Kate Winslet, and the incomparable Dame Judi Dench leap from the page with a glittering perception. I adored the stories about the author's introduction to Hollywood - the character of the hysterical manager, Travis, has to be read to be believed. But beneath the humour, Jarvis' elegant prose conveys an extraordinary sense of the value and worth of being an actor. He is moving, too, as he takes us back to his beginnings at school in South London and his early successes (and failures) at the Royal Academy of Dramatic Art. I particularly appreciated the tales of student work with Anthony Hopkins, Mike Leigh and Patrick Stewart. This is the best book on the secret world of actors since William Redfield's brilliant 'Letters from an Actor'. I wholeheartedly agree with Dame Judi's assessment, displayed on the cover of this unmissable paperback: "Marvellously written - I laughed and Laughed!"

James Tilly Matthews lived in London in the late 1700s and was a respected Welsh tea merchant who intended to preserve the peace of an increasingly dangerous city out of control in its conflicts with Paris. Arrested and sent to a mental hospital for his accusation of a lord, Matthews became convinced his mind was being controlled by a secret machine called an 'air loom' hidden in a London basement and run by a gang of revolutionaries: Air Loom Gang sets out to pinpoint the political foundations of his 'madness' in an intriguing true 'whodunnit' mystery

The Air-Loom Gang by Mike Jay is a book about the most incredible events. It is about one James Tilly Matthews who was declared insane for his beliefs about treason at the highest levels of the British Government during the French Revolutionary/Napoleonic period. As it turns out, Matthews was actually right to some extent and as a former spy, was in a good position to be able to determine if there really was treasonous activities in the British government at the time. Matthews's case became a cause clebre and he was eventually released from the insane asylum and eventually started an architecture magazine and even submitted plans for an insane asylum.

This is an excellent book dealing with a most fascinating episode in British history.

Any psychiatrist has treated patients who thought their minds and wills were being controlled from the outside, perhaps from mysterious rays or hidden machines. This cannot sound so strange now as it must have a couple of centuries ago. We may not be used to mind control of that type, but we live in a world powered by invisible rays and hidden machines. When James Tilly Matthews entered the famous hospital for the insane, London's Bedlam in 1797, his complaints must have sounded bizarre indeed. He told his doctor that he, and many of the powerful in England and France, were being manipulated by a mysterious gang who were using invisible gases and rays from an unimaginably complex machine called an air loom, and that his thoughts were being altered and controlled and his body was being painfully punished. Matthews's bizarre story is the subject of a surprising and novel-like history, _The Air Loom Gang: The Strange and True Story of James Tilly Matthews and his Visionary Madness_ (Four Walls Eight Windows) by Mike Jay. What is especially peculiar is that although Matthew's ideas were clearly delusional, his complaints stemmed from real persecutions he was made to undergo. As the old joke says, just because you're paranoid doesn't mean they aren't after you.

Matthews was a wholesale tea dealer who wound up shuttling between Britain and revolutionary France with a peace proposal. It is not surprising that Matthews had little effect; but it is surprising that at the time of the Terror, all he had to endure on the French side was a spell in a French Revolutionary prison. In 1796, after his return to England, he entered the public viewing area of the House of Commons, and yelled "Treason!" into the hall. This got him into Bedlam, and he was to be incarcerated for the rest of his life. His rooms were unheated, he would have straw to sleep on, and for some years he would be chained to his bed. It is quite possible that pummeled first by peculiarities of world events and then by the cruelties of incarceration as a lunatic that he began weaving contemporary ideas about pneumatics, electricity, and Mesmer's animal magnetism into a widespread delusional explanation of just how he got persecuted into such a position. We know about his delusions in detail because in charge of him was the apothecary John Haslam, and Matthews was Haslam's star patient. Jay shows that the delusions can possibly be seen as Matthews's response to persecution, with Haslam as co-creator.

This is a tangled tale, expertly told. There are parts of it that are deeply mysterious, and for which there is no documentation, only speculation; how Matthews came to be running secret diplomacy, and who was paying him to do so, and what he really was doing, can only be guessed at. The gripping story of Matthews coming to delusional terms with his predicament is actually moving, and his eventual (if posthumous) triumph over Haslam is convincing. Best of all Jay has gone a long way in successfully trying to explain the politics, science, and history of the time. His picture of treatment of the insane in the crumbling Bedlam, at the cusp of instituting sympathetic "moral" treatments of Philippe Pinel, is unforgettable. There may not have been a real air loom, but that doesn't keep it from meaning something; and Matthews may have been an incarcerated schizophrenic, but that doesn't keep him from being a bit of a hero.