Europe Books

This scholarly and highly readable book is of importance to art historians, historians, and anyone with a serious interest in orientalism as both an art movement and a western cultural phenomenom. The illustrations are superb,and the additional profile articles on key orientalists (such as Richard F. Burton) are an added bonus. This book is certainly worth more than its price and will be of lasting value to future readers.

Brilliant book completely covering the subject, solid research, perfect rare illustrations. Lots of forgotten and difficult to find names. Very useful and highly recommended - worth every penny!

"coffee table" art books are usually just vehicles to display reproductions of the paintings. Not here - Davie's writing would make compelling reading if it was published in regular book format. He mainly focuses on orientalist painting itself - and shatters the critics - but he also has a fascinating section on four famous 'orientalists' which include Richard Burton and Lady Digby.

The reproductions are are splendid very accurate ( i have the pleasure of having easy access to some of the original paintings) and capture the exquisite craft of "Orientalist" painters. often with close ups of parts of painting that allow the reader to see the elaborate detail.

Worth every penny. I find myself reading it again and again.

An outstanding volume providing high quality images and interesting commentary. Too many art books commit the sin of spreading large images over two pages so the picture gets lost in the spine - not this one. Orientalist paintings are crammed with detail to show the erudition of the artists and their patrons: for once you can see plenty, and you're not sold short by the layout or the print quality. Not a book if you're looking for lush pictures of harem lovelies, one of the aspects of orientalism not given such high prominence here. Over all impression? The many different effects created by light in Middle Eastern landscapes, and the skill of these artists in capturing it

Really I'd like to give this 5 stars but for the lack of women it's 4. I feel sort of silly doing so because the art is astonishing and the sheer beauty just magnifies how "art" has changed. I wonder if any artist alive today could come close to duplicating these masterpieces. I doubt it. And Mr Davies writing blends with the terrain and subject matter splendidly.

This is not your so called war stories. It is about a man and the men he served with without any liberal gibberish (see his references to more modern times)and the fact that wars happen and will happen, just or unjust depending on one's views. But, they won't go away like some Utopian dreamers think just because other "Utopians" weren't up to it. There were so many pages that hit me in the gut because one could so readily identify with things on the page. I never expected such a great book from a journalist / media person which proves that there is good in every crowd. I salute Fraser and I wish I could tell him so in person.

GMF has outdone himself with this book about his part in the Horrific war in Burma during War II. He tells of his time as a junior enlist then junior NCO with the Border Regiment. He spins his tale extremely well about the story of the last great War fought by the Old Anglo-Indian Army of the Raj. So if you want to get a feel for a bygone Army, its various & exotic troops, weapons and some great characters like the Iron Duke and the Impressive FM Slim then this is the place for you.

I read this entire book with a smile on my face, punctuated by frequent outbursts of laughter. George MacDonald Fraser's memories of his WWII service with the British Commonwealth Army in the Burma campaign was the first of his non-Flashman works I've read. Although it's impossible to really compare two completely different literary genres, I'll just say that "Quartered Safe Out Here" was-in its own unique way- as hilarious, if not more so, than the best of the Flashman novels. The difference is that in the Flashman novels, Fraser's obvious respect for the sacrifices and achievements of the British soldier had to be viewed as a backdrop to the foreground humor while the opposite is true in this work, where the humor plays a supporting role to his tribute, which is explicit.

Unlike his Flashman creation, Fraser was an honest-to-goodness war hero- courageous, honorable, and immensely proud of his country, regiment and platoon section. Like old Flashie though, Fraser cuts through the B.S. and shows no tolerance for armchair generals, civilian second guessing, and the nattering classes' politically correct sympathizing for Britain's enemies, so long as they were black, brown or yellow. It was amusing how Fraser's account of his argument with a bleeding-heart over the atomic bombing of Japan exactly echoes Flashman's dustup with a supercilious academic at the beginning of "Flashman and the Redskins". The alert reader will notice other such episodes in this memoir that seem to have found life in that series, but as Fraser noted, sometimes real life in Burma was so bizarre that he would have been laughed out of town if he had tried to slip some of those stories or dialogue into his fictional novels or screenplays. That's why I'm glad he finally got around to writing this book. It would have been a real shame if this story had not been told.

Fraser details his time as a 19 year old soldier in Burma during the last months of the war. His writing is brilliant, as usual, his stories engrossing, his attention to detail is fascinating, and the characters we meet, from the lovably obscene Cumbrians to the unbelievable Captain Grief, are unforgettable, the more so for being real. Apart from the entertainment value, which is considerable, Fraser's insights into the nature of war and the warrior are poignant and valuable as a historical record of, and paean to, a lost Britain. He bemoans the fact that that Britain (not to mention America) has been replaced by a therapeutic society of hypersensitive p.c. twits who have been severed from the warrior tradition and stoic ethos which made their existence possible in the first place. As with most of Fraser's books, it's not for someone who thinks that the world has improved much in the last 50 years. What else is there to say? This is simply a great book. Read it and love it.

This book had been brought to my attention by the author John McKinna ("The Sen-Toku Raid" and others) when it was learned we both had been combat infantry. And a great recommendation it was. The name of the book was taken from a Rudyard Kipling phrase in "Gunga Din", and outlines the infantryman's life during the final days of WWII as the Black Cat Division pushed down the Burma road towards Rangoon.

His book is unique in that it recounts the perspective of the war-fighter on the ground, who's entire knowledge of a world conflict is about 300 yards. At one point, he described every piece of equipment on his person, a bit of historical information I found of great interest.

Interspersed with this narrative however, was Fraser's meticulous research of after action reports of the units involved to weave a mosaic for the reader that helped round out the full picture of the campaign itself.

Overall, a great read.

George MacDonald Fraser, best known for his Flashman novels, and, in my opinion, one of our best writers, gives us here his nearly fifty-year-old memories of his service in Burma in 1945.

There is so much to like about this book that it's difficult to know where to begin. There is Fraser's absolute honesty about his fears, his mistakes, his attitude toward the Japanese, and the virtues and vices of his comrades. There is his ability to place his unit's activities within the context of larger campaigns and yet give a vivid impression of what fighting with his unit must have been like. There is his brief but compelling portrait of General William Slim, for whom he has an unabashed admiration. There are moments of low humor, of heroism, and of tragic loss of life, and there is an unapologetic pride in what he, his comrades, and the rest of the British and Allied forces accomplished.

This is one of the best books that I have ever read, and I recommend that you make it one of yours.

I enjoyed this book a lot. It makes you think a lot even after you've finished it. There are many lessons to be learned from this book. For example: choosing between your ideals and the loved ones (when of course they are in conflict), God vs atheism, love and hate (how one can possess both of them towards the same person), ideals and the will and determination to fight for them.

...if I live or if I die." Tremendous drama, capturing quickly the complexities of human development in so many camps. This book had me excited to turn the pages.

It will take some time to understand the intent of the author's finish, but she may have created something different than she intended. Soviets could not have understood what they were pushing!

This story is of the same quality as 'Tale of 2 Cities,' so I expect it will become more available soon.

Read this book for the first time in Russian when I was 12 and it had been my favorite book ever since. Was able to read it in the original language just some years later, realizing that:
1. The Russian translation is wonderful:)
2. The book is still my favorite one.

It's amazing how Voynish manages to write a book which countains a love story, yet not boring nor sexual, a fight story, yet not overpatriotic/stupid. The continuation book feets perfectly ("An Interrupited Friendship" and may be should be read between the 1st and the 2nd parts of "The Gadfly" (I read the "Interrupted Friendship" some years after "The Gadfly" and it was still perfect).


BTW, Ethel Lilian is a daughter of mr. Bool - for those of us who know what boolean algebra is - that's her father's doing! I know it's a piece of useless information:)

It's rather a mystery to me that this book has never gained the kind of popularity in the US that it's always had in Russia. And yes, one can put it down to its political background and revolutionary theme, especially in what is a "lesser" known milieu of Italy in the 1840's, but really this is entirely the outer shell that could easily have been set elsewhere more "popular." I think the problem after all is that this book has been judged by its cover, as it were. But setting aside, it is the most profoundly human and tragic book you may ever read. Much was said of the themes of the book in the other reviews, and it is all true, so I will only say that the ending of the book caught me riding home on the subway, and I wept like I have never ever wept in my life. People stared at me as if I were insane, but of course I didn't care - I was being affected by something most people would never imagine feeling for anything, and certainly for no "thing" like a book. I wept for two hours afterward. And then I couldn't touch another written word for months. If ever words produced raw, overwhelming feelings, surely it is between the pages of The Gadfly.

This work is pure treasure and a great place for someone who wishes to begin reading fine literature to start. I cannot believe that I never heard of this book until I was 50! It ended up on my large "reading list" and I had to order it online to find a copy -- then (I kick myself) it laid around here for a year before I opened it. When I finally did, I discovered that I could not put this one down -- a quintessential page-turner. It's a very personal saga of a very good man, and, a Priest who betrays him during an Italian rebel uprising period. I savored "War and Peace" and "The Brothers Karamazov", and while "The Gadfly" is that sort of book (much shorter), it's not such a tough go as the former titles. Voynich was brilliant. I read an average of three books a week, and have done so for many years, and this one is one of my top 3 reads ever. Don't miss this one and if you wish to double your pleasure, get a copy of Dmitri Shostakovich's sountrack to "The Gadfly" movie and allow it to play as wallpaper as you read. Incredible stuff!

The Golden Milestone uncovers the most amazing facts about Italian and Italian-American accomplishments. It is a very unique book that covers just about every subject. Great stuff and fun to read. We also used the book's "Italy Travel Guide" that is included as a supplement for our trip to Italy this year. Read this book and pass it on. It is refreshing to read the positive things instead of stereo-types that the media usually servers up about Italian-Americans. Thank you Mr. Esposito for writing this book.

This thoroughly researched, masterfully written, and fascinating book is truly an encyclopedia of accomplishments from Roman times right up to the 21st century. The book lists countless fascinating facts from Roman, Renaissance, modern Italy, and Italian Americans. It also lists 19 Nobel Prize winners. A great review of somewhat forgotten information about Italian heritage, that is assembled and at your finger tips for reference. A refreshing change from the negative stereotypes offered by shows like "The Sopranos."
Read this book and give it as a gift.

This book is a great review of significant Italian and Italian-American accomplishments since the beginning of time! It is full of information that you may already know in the back of your mind, but the book clarifies it and recognizes the individuals instrumental in the contribution. The author inserts a little of his own humorous antidotes along the way. All in all it is a very interesting book. It would be good for students of any age to learn an overall view of the subject matter. Any reader should be both amazed and entertained!

There is no way to describe the amount of in-depth research on so many interesting subjects in this book. Well written, researched and organized. I got it as a birthday gift and couldn't put it down. It's mind-boggling how anyone could have done so much in-depth research. Amazing stuff that wont disappoint any reader interested in the origins of inventions, artifacts, conventions, foods and traditions, as well as biographies of many famous entertainers and sports personalities. For me, the book's chapters on architecture and American government alone make the book worth the price. Read it and share it. Something for everyone in your family to explore and discover.

Book Description (from Amazon's Editorial Reviews section)
This highly acclaimed and uniquely comprehensive book offers readers over 2500 years of Italian and Italian-American accomplishments. The book's 22 chapters cover every subject: art, architecture, music, fashion, science, law, culinary arts, economics, medicine, automobiles, the entertainment industry, sports, and much more. The author's ability to blend facts, with some humor and personal anecdotes makes this book a joy to read. The book covers the wonders of ancient Rome, Renaissance Italy, as well as modern contributions and Nobel Prize winners. The book is illustrated and contains an astonishing collection of inventions and accomplishments. For example, Italians invented the piano, violin, opera, ballet, battery, telescope, radio, and telephone in NYC years before Alexander Bell. Discover how Enrico Fermi ushered in the atomic age, and how Italian sculptors carved the Lincoln memorial in Washington D.C. Explore the chapter on Literature to uncover the origins of many famous fairy tales (Cinderella, Snow White, Pinocchio, etc.). In the chapter on American Government, the author quotes John F. Kennedy who wrote in his book, "A Nation of Immigrants" that the great American principle, "all men are created equal," originated with an Italian physician, Philip Maezzi, who was a personal friend and neighbor of Thomas Jefferson. Also, learn about many other distinguished personalities: NYC Mayors, the former Chairman & CEO of the New York Stock Exchange, the President of the European Union, and the Director of the European Space Agency. The Golden Milestone has thousands of notable entries and fascinating facts. Critics agree. It is a must for anyone's library.

This book also includes a unique `Italy Travel Guide' supplement that combines history and attractions for over twenty cities and locations in Italy. A great virtual tour!

Superbly researched, detailed, and precise. In 22 chapters the author proves his points. He sometimes got overly preachy, but with all the negative stereotyping of Italian-Americans by many in Hollywood and the media I can sympathize. It is one of the most organized books I've ever had the pleasure of reading. From the Roman Republic to the present, Italian contributions to Civilization are described. It also contains a unique travel supplement and some funny personal stories. Anyone who is a history buff should read it, every possible field is covered.

Judith Sherman's Say the Name can be seen as a theodicy that arises out of the Jewish tradition and in response to the events of the Holocaust. In poetry and prose we see, on the one hand, the horror of human evil, and on the other, the hope and meaning that arises out of tragedy in the form of poetic expression and imagination. Sherman a provides vivid and horrific account of physical pain, mental suffering, and moral wickedness. In a moving passage, Sherman recounts:

Today a woman runs suddenly from the Appell line--she runs towards the electrified fence. The dogs get to her before she reaches it. Screaming, she tries to put push the dog away...The animal is not called back, he attacks until there is no more movement. Every horrified one of us wants to rush and help--no one does. Silence. There are so many of us here, how are we so crushed into silence and inaction? The reason right there, in front of us--they watch us closely, provocatively, hand on the trigger and dogs at the ready--hoping for another futile sacrifice...We are filled with rage and pity and helplessness and are paralyzed by their brutality (102).

This passage confronts us with the reality of evil as experienced by Jewish women in German concentration camps. Based on this reality, it is not difficult to see how people who believe in God, and have a particular image of God, can question or call into account the God in whom they believe. Sherman's account reveals a questioning of the divine. Is God not outraged? Does God not hear what is going on? Indeed, where is God? "Where is the judge? Where are you, judge? Is there a judge?" (117).

Her response to these questions is to invoke biblical imagery and to invite God to come and witness, and account for the tragedy that has taken place. In her poem, "The Invitation," she invokes the imagery of Jacob's ladder and asks that God come down the ladder and witness the sights "not fit/ for Godly eyes/ not fit for thee/ is it for me?/ who will make it fit for Thee?" (118). Or again, having experienced so much pain, she requests that God take on her pain, "You have it/ and be/ branded" (122). Does God identify with our pain? Is God in solidarity with those who suffer? It seems that Sherman is inviting God to be present with the women beaten down by guards, chased by dogs, shot to death, and with those who have to witness these events without the ability to respond. It is a moving book in which the author has mustered up the courage to recount her experiences and to "say the name."

How can there be so much evil in the world? More pointedly, how can an all powerful and loving God allow such evil? Where is God? These and other tough questions are asked by Judith Sherman as she reflects on her time spent at the Nazi concentration camp Ravensbruck at the young age of fourteen. Combining narrative prose with short poignant poetry, Sherman walks the reader through the painful and emotional events, describing her sense of frustration at a God who has abandoned her and the rest of the Jewish people. Most accounts of the Holocaust elicit deep emotions and feelings and this book certainly does that, but in a unique way. The prose unfolds the details of her story and then all of a sudden you become struck by the overwhelming emotion and powerful insight of a short three or four line poem. This combination has a strong effect and throughout the book the poems remain clearly in your memory and serve to give more meaning to the details and descriptions of the horrendous struggles of a concentration camp.

With detailed descriptions, Sherman focuses on everyday objects, such as a pair of shoes, and transforms them from their ordinary status into things that have a greater significance and meaning. The transformation and emphasis on objects shows how Sherman's outlook on life has changed and through this outlook Sherman has finally been given the voice to tell her story, giving the reader the chance to connect to it in a moving and profound way. Reading this book will give new meaning to the themes of theodocy, family, memory, the human spirit, and most of all will give you a new outlook on life.

After having learned at length about the atrocities of the Holocaust in history class every year of middle and high school, and after hearing personal accounts from my many Jewish classmates about their grandparents in concentration camps, I felt almost overloaded with news of the horrors and wasn't particularly excited about reading another book about the Holocaust.

But Say the Name is different. Judith Sherman manages to convey the depths of despair and suffering that occurred during her time in hiding, in concentration camps, on a death march without any trace of stridency, but rather with her own quiet and simple words that are humbly defiant and moving. She communicated to me, for the first time really, how it feels to not have any control over what happens to your body, to be stripped of a voice, to be robbed of a name. This poetic novel, more than any other I have read on the topic, speaks to the psychological death as well as the physical one that the Nazis inflicted on so many millions. Judith Sherman resists both, however, and her spirit is evident in the fact that she was able to share in writing her deepest and most agonizing thoughts and memories about her experience.

Another aspect of the book is Sherman's relationship with God, which is a complex and vacillating one. In some passages it almost seems as if she is referring to a lover who has betryaed her, and she is filled with sadness, anger, longing, and ultimately a love that she will not forsake. She does not, however, blindly accept "the will of God," instead demanding over and over, "where are you?" If God should be praised for the blessings he gave her, then he should also be held accountable for his apparent abandonment of his people.

To read this book is to explore memory, theodicy, religion, family, genocide, the human spirit, and will leave you saying its name.

Say the Name is a powerful and poignant account of a young woman's experience in Nazi imprisonment during WWII. After years of silence, Judith Sherman was compelled to come out and tell her story, not only for herself and her family, but for the millions of other who had no voice. The unnamed victims of human suffering in camps like Ravensbruck cannot be put away with the history books. They are people who were made to be things, but they were not things. Sherman describes in her prose and poetry how the life that they had known before the war melted away, and was replaced by a reality that terrorized, brutalized, and destroyed. This reality was the dehumanizing force of the Nazi regime.

I wonder how an author who is so modest with her prose, who even wrote that "words fail" to capture the "monumental horror" of the Holocaust, is able to to move the reader with her words with such remarkable ease. Her voice resonates with the child, the daughter, the mother, the friend, and the person who had to ask God, "Why?". Sherman's writing, and especially her poetry, are evocative and elegant for sure, but I think that it is the place that she is writing from that creates this feeling of "being there' with her. Her pain and the pain of those she names is human pain. Their loss is human loss. As people we have lost something by allowing evil like this to exist in the world. It doesn't have to.

Her tale is not one of Jewish suffering but human suffering and survival. She recalls the ways she resisted the forces that sought to destroy her. Sherman's life was never the name when the war was over, which is to say that the experience never ended. However, she is able to take her pain and wordlessness and make something that helps others understand. I thank her for that. Sherman's book would be good for students of all ages and particularly those interested in the stories and history of the Holocaust. I guarantee this courageous little book will move you no matter what you're looking at it for. Her connections with human suffering are particularly intense regarding family loss, motherhood, friendship, the struggle with divine over the existence of evil, and the loss of the "ordinary things" we take for granted when we're home.

Judith Sherman's Say the Name is a survivor's account of a teenage girl's struggle with God and humanity in Ravensbruck concentration camp during the Holocaust. Sherman, now a wife, mother and grandmother living in the United States, writes her memoir some 50 to 60 years after the Nazi's carried out their "Final Solution."

Sherman's poetry and prose in this book reflect a loss of people, places and things that make up the fabric of a person's life, culture and beliefs. She is, at turns, angry and bewildered. She demands an accounting for these atrocities. But ultimately Sherman's quest for survival and her insistence on remembering the names of women who were killed conveys a sense of humanity and even of hope. This is Sherman's first book, and she is not a polished writer. She writes in fragments and one has the sense of poetry scribbled on napkins over the years and then included in the memoir. Her book is all the stronger for this.

John Conroy performed a courageous feat of journalism with this book. As an American writer he put himself in the midst of the conflict and in incredible danger at times to capture the true picture of Belfast in the 80's. The stories of the people he encountered and the tough environment he experienced and witnessed is indispensible reading for anyone who wants to understand what the conflict was all about at the street level.
While Belfast seems to be enjoying more peaceful times at the moment this book is a reminder of just how volatile a political climate there is and provides the reader with a much fuller understanding of the how , the why and major developments in the Troubles in Northern Ireland.

Not only do I admire John Conroy's writing, but I admire his courage to put himself right in the middle of 'the troubles' just to get the story right. It would one thing if Conroy was a Belfast resident and was just reporting on his day to day life, but he is not. He is an American who more or less stumbled upon this assignment and saw it through.

It struck me a few times in the book just how close Conroy was coming to being killed in a place where death is a way of life. He is to be commended for this and we owe a debt of gratitude for making this sacrifice just so we could get a look right from the belly of the beast.

I really enjoyed this book. I thought that Conroy did a great job putting the 'Troubles' in Belfast into perspective from an American living in the midst of it all. Having visted the area that he writes of brought back memories. I referred to his map at least 50 times during my reading of the book to recall the streets that I walked in relation to where he wrote the book and spent his time in Belfast. I highly recommend this book.

of what it is like to live, work and experience the turmoil of "The Troubles." Conroy covered the Troubles the right way...he went in and lived among the people in Belfast instead of swooping in for drive-by interviews like too many journalists have done in the past. He also manages to convey what he experienced while maintaining objectivity...this skill when dealing with terrorist and paramilitary violence is something writers covering the "War on Terror" these days could learn from. Required reading for anybody interested in Northern Ireland, its history and how to possibly make a better future in that wartorn nation...

This book was recommended to me as excellent reading about the Troubles, particularly for Americans. I whole-heartedly agree; it is all that and more. Conroy does describe the daily workings of life in Northern Ireland but he also tackles the prejudices and ignorance of Americans (and the U.S. government) when it comes to the political climate in Northern Ireland. He pulls no punches and sugar-coats no issues. He explicates the situation as he sees it and is not afraid to indict those who turn blind eyes. The version I read was older so I have not yet seen the updated book that includes information on semi-recent IRA ceasefires. But I do think many of Conroy's observations are still applicable, changes in administration notwithstanding. He describes the intolerant view towards Sinn Fein taken by the American government in the 80s and the biased, oversimplified treatment of the Troubles by the American media. Indeed as Conroy notes it has not been hard to sell the British point-of-view to American audiences but what of the counterpoint? When do proponents of the other side get a chance? Conroy also concludes that for as long as Northern Ireland remains a British enclave, continued violence is guaranteed. For that reason alone, Americans owe it to themselves to read _Belfast Diary_.

A Child's Christmas In Wales CD: And Five Poems
Hurrah! Now I won't have to wait for the radio to play Dylan Thomas reading his wonderful Child's Christmas every Christmas. Truly a beautiful recording of the other poems as well.

My goodness, these illustrations are ugly. They completely detract from the beauty of the language. Either read it out loud to a blind person or stick with the version illustrated by Trina Schart Hyman.

This reading of A Child's Christmas in Wales is tops! It wouldn't be Christmas for us without hearing Dylan Thomas tell his story. He recounts a holiday of simple, family and neighborhood doings, and paints a picture of snowy, seaside Wales of the 1920's.

I love this story, as do all my children, who, from their earliest years, have not much struggled with the density of the language nor the scatteredness of the story. 5 of my 8 great-grandparents are from Wales, and the remaining 3 have the blood in them as well, so maybe it is like drinking water for us.:-D Our minds are all scattered, and words, even English words ;-D, fall on us in clumps....which makes it doubly hard to keep a clean house. LOL

The sort of prose-poetry imaginative way of seeing and describing the world unique to Welshwomen and Welshmen and Welshchildren, which does not seek to keep up the pretense that history can be separated from myth, story and desire, and which requires loving with eyes wide open to [and eventually embracing] one's own and others' bumps, bruises and idiosyncracies included, is extraordinarily well represented here. So, by the way, is speaking and listening to the close and Holy darkness!

My favorite version isthe one illustrated by Trina Schart Hyman. To me she has captured the complexity of the Welsh personality best, though i have nothing to say against the other illustrators praised in these reviews. I DO have a warning for you: there are some skinny versions flying about which do not have the poem-story complete and correct. This sort of work cannot suffer removal or modification, IMHO.

gbg

If you have read A Child's Christmas in Wales, you know that it has to be a classic. But you can't fully appreciate it until you have heard Dylan Thomas read it. What a deep, expressive, poetic voice. For years, I have listened to the recording on a Caedman record. It is wonderful to have it on a CD.

Excellent book on the rise of the Nazis by an author with a very humane and sensible view of life who lived through the events. Haffner gives voice to the average Germans who witnessed the rise of Hitler and did not approve - the majority, as it turns out - but who could simply not make sense of the madness around them nor could they find a way to realistically oppose the Nazis.

Haffner's narrative is often touching as he discusses personal events of his own, friends' and family's, illustrating how the sphere of their private lives was affected by politics. The result is that it reads like a 'non-fiction novel', and one extremely relevant for contemporary world events.

It is a pity that Haffner never actually concluded the book. In the last section, his son briefly explains what happened after the abrupt ending of the narrative, thus we miss the detail and richness that Hafner's own perspective would have undoubtedly provided. Still, it is an unmissable book, packed with lessons for present and future generations.

Amazing book! Proves that not all Germans were rabid Nazis. A personal journey through a unique perspective on how and why the Nazis were able to assume power, as well as why the Germans were unable to stop them. Highly recommended!

Sebastian Haffner's "Defying Hitler" has an ambitious initial scope - to chronicle the rise of Hitler from 1918-1939. The memoir is "unfinished" in that the narrative leaves off in 1933 as Haffner put down writing the manuscript with the advent of World War II and never came back to it. Haffner's son, Oliver Pretzel ultimately had the work published after Haffner's death.

Even in its "unfinished" condition, the work is a masterpiece. Haffner's purpose is not to excuse the average German in germany to succumbing to Nazism and to Hitler but rather to EXPLAIN the phenomenon. Excusing it would simply be post hoc. Explaining it serves the additional function of future application.

Defying Hitler was a difficult thing to do in practice. One could certainly not do so in public. The repression of Nazism in Germany was all the more pervasive by its reach into the private sphere and by doing so, obliterating the prior German distinction between public and private. The only safe way to defy Hitler was, ultimately emigration.

Haffner's narrative is frank, honest and ironic. It was a joy to read.

Finally, a word about Robert Whitfield, the reader of the Audio edition of "Defying Hitler." I believe there are instances in which the audio edition of a work is equal to or superior to the printed version. These instances of "audio excellence" are directly related to the quality of the reader. Robert Whitfield repeatedly accomplishes "aduio excellence." Whitfield's diction is spot on, his tone fluctuates to match the text. If the text is ironic, so then is Whitfield's tone. If the text is frank, so then is Whitfield's tone. If the text contains italics for emphasis, that emphasis is contained within Whitfield's voice. In short, his contributions always enhance a book and never detract from it. For other texts read by Robert Whitfield, I would recommend Bleak House by Charles Dickens, and The Abolition of Man & the Great Divorce: Library Edition by C.S. Lewis.

This is the story of Sebastian Haffner, a man who lived in Germany during Hitler's rise to power. I loved hearing the story from the perspective of the average German. I can't imagine living in such tumultuous times, but reading this book gives me a glimpse. The best part about it is the fact that it tries to answer two very important questions: how on earth a regime like the Nazis could rise to power, and how almost the entire nation where corrupted by them. It's a wonderful story that I would recommend to anyone that is the bit interested in that period. Remember, it's by understanding the past that we can best keep from repeating it.

This is a powerful story of the rise of the Nazi movement with scary parallels to modern day events. The question has often been asked how the Germans could allow this to happen and Haffner does an amazing job at describing how. Along with a controlled media, one method was to turn the volume of fear and intimidation one little almost imperceptible increment at the time. Most people just laughed at the antics of Hitler and his crowd in the beginning, but by the time that people caught on to the seriousness of the issue it was too late. By this time many secretly just hoped that it would go away like a bad dream, but history tells a different story.

The difference with this book is that it is told from a very human perspective from an ordinary German who was living through those times and who saw the transformation of German society and social interaction.

Along with this book I would recommend the movie V for Vendetta (Two-Disc Special Edition), and the book Political Ponerology (A Science on the Nature of Evil Adjusted for Political Purposes), which describes the process by which a society is taken over, and by what kind of people.

Those who do not learn from history are bound to repeat it. This book is an important book to read so as to be better able to read the warning signs before it is too late.

I bought this book in the 60's in the Time/Life edtion, but didn't get around to reading it until 1995, when I was in Jalalabad, Afghanistan for a few weeks. Of course, that was the perfect setting, but from any viewpoint in the world "Eastern Approaches" is quite close to the perfect travel book. I left my copy in the library of the American Club in Peshawar, trying to save luggage room for Afghan textiles, and I was very sorry to learn when I got home that it was out of print. Now it's back, and I look forward to reading it again while sitting in my armchair. "Eastern Approaches" is a great read, and never more relevant than today.

This is an exciting autobiography, which I have read and reread over the years. Of particular interest is the author's introduction into the SAS.

This book will become a permanent fixture in your library.

Pre WWII, Maclean finagled trips through parts of the USSR where no westerner had previously been, even crossing into Afghanistan from the north at one point. He spent much of WWI aiding Marshal Tito's effort to drive the Germans out of the Balkans. Fascinating stuff, this, eloquently written and he's a damn good storyteller.

This book is of great historical value. The narration is witty and elegant. I would recomant it to everybody interested in European history.

This is a truly unique book and comparable only with Churchill's 'My Early Life' as an adventure history. Some people write adventure books, some people have adventures but Fitzroy McLean, like Churchill, or TE Lawrence, is able to do both. A rare treat and very easy to read.

the illustrations and delightful story of Eloise in Paris with Nanny and all of their pets. Almost as delightful as the original, if you and/or your children liked the first book, you will like this one too. I promise, i promise, i promise....

I love Kay Thompson and ordered this for my great-niece without ever having read an Eloise book. It certainly has the feel of a different era (one moment of Eloise swatting the doctor and him ordering a Johnny Walker Black) but the flair, exhuberance and open personality of Eloise makes it "tres drole". Just remember to read it fast and without taking a breath. Pure fun.

Eloise's First trip to Paris, is unforgetable.
With her Nanny (Nanny), Turtle (Skiperdee), and her Dog (Weenie)...It's a Treasure. It's a keeper. It's great. A+

Eloise gets a telegram one day from her mum inviting her and Nanny to come over to Paris. Eloise can't wait. She falls onto the French capital like an American storm and goes just about everywhere. She dines, sightsees, meets locals, gets a dress made just for her by none other than M. Dior, and she eats so much she gains "rawther" a lot of weight. In the end, Eloise misses the Plaza and is happy about her return home to New York. In a nice touch, in the doorway above the famous old hotel Eloise and Nanny call home, a big banner hangs, and it reads, "Welcome Back Eloise!" Eloise has gone full circle and we feel we've taken every galloping step along the way with her. Yet another fun and charming volume in the Eloise series from Kay Thompson and Hillary Knight!

I'm 32 years old and I LOVE Eloise - she is an absolutely delightful character! I have bought several of the Eloise books for my 5 year old daughter and she just loves Eloise as well. How fun and inspiring is it for a little girl to read about a character as whimsical and independent as Eloise?

The illustrations in this book are fantastic and really bring Paris to life for children. I have read this book at least 100 times to my daughter, and each time I enjoy it more. My daughter now wants a champagne cork necklace just like Eloise...thanks Kay Thompson for laughs you have allowed my daughter and me to share!