New Zealand Books

The coming of age novel of 13-year-old Matilda against the backdrop of a endless, bloody civil war in the early 1990s where Redskin soldiers terrorize the population and the rebels to re-establish New Guinea's sovereignty. The only white man left on the island, Mr. Watts, becomes the teacher for the island children, alternating his lessons between reading from Dickens "Great Expectations" and and short lectures by mothers about mundane, sometimes practical matters. Matilda is attracted to the alternative life and character of Pip, and uses the Dickens novel to distract her from the daily horrors and hopelessness of the island natives who seem to have been forgotten by the world.

From beginning to end, I found reading the book a chore because it lacked character development other than in superficial, black and white terms. In addition, for me, the books was simplistic and lacked depth in that the major idea explored was that of using literature to transcend earthly realities and circumstances. A secondary theme, the complicated development of the mother-daughter relationship, was relatively simplistic as well and not explored in any great depth.

Ordinarily, when reading a book that entirely captivates me, I dread reaching the end. With this book, I kept counting the number of pages to the end, and was usually disappointed that many pages still remained long after my interest had waned and become indifferent.

bought this book in New Zealand because it was shortlisted for a prize. found an amazing story that weaves together the challenges of life in the developing world with the power of literature to take us all beyond ourselves and allow us to construct new understandings.

If there's one thing this book did for me it was a desire to read Great Expectations just because of the way the author uses it as an important prop for his island based story.
This was a mix of Lord of the Flies and Treasure Island though it remained a mystery right to the end. It's probably one of the most unusual books I have ever read but I liked it because it was a story told honestly with no frills and it was set in a part of the world among people I would not be familar with. This in itself attracted me to the book.
It certainly set the scene for me and I transported myself totally into the story and for the duration of the read I was on that island. It also reminded me of the Life of Pi for some reason.
You could just imagine a scenario where people are faced with moral decisions but the gruesome event towards the end of the book took me completely by surprise.
This was an unusual, easy read but a rich and rewarding experience.

Perhaps, in some way, this could be considered good literature. But, there is one thing it certainly ISN'T, and that is interesting. It's also not "sheer magic," as the back of the book attests. Be wary.

"Everyone called him Popeye." Thus begins Mister Pip, an eloquently written story about how profoundly literature can influence lives. As Popeye evolves into Mr. Pip, the personalities and character traits of the islanders also emerge. Mother and daughter, war and resistance, husband and wife, civilization and nature, life and death, black and white, nurturance and abandonment - these are dichotomies around which this novel plays out. Mister Pip is narrated by a young woman looking back upon her teen years on a remote Pacific island, who begins to come of age under the tutelage of the substitute school master. His true name is Mr. Watts, and he is the only white person on the island, having married one of its inhabitants. Every day, he reads part of Great Expectations to his mixed-age pupils, and the world opens up to each of them in a different way.

Dramatic, evocative, and filled with hope, sorrow, and a touch of mystery, Mister Pip has deservedly won numerous literary prizes. This is an important book with a timeless, unforgettable message.

This is the kind of writing/reflecting many people do while travelling and is not a "how to" type of travel guide. I've recommended this book to several thoughtful people, given it to many thoughtful teens as they begin to self-discover, and re-read the book twice. VERY nice writing, good thoughts, great ideas about humans.

The first sentence sounded promising:"In Alice Springs - a grid of scorching streets where men in long white socks were forever getting in and out of Land Cruisers - I met a Russian who was mapping the sacred sites of the Aboriginals." And indeed what follows in the next thirty or so chapters is a very readable and insightful travelogue of a British (author? archaelogist? historian?) "going bush" with Arkady Volchok, trying to learn about the mythical Aboriginal songlines. Not understandably, then, the author throws in bits and pieces of the protagonist's notebooks, which all more or less anthropological citations and thoughts from very different sources. The concept reminded me a bit of the motif in "The English Patient", where Almasy carries a copy of Herodotus' The Histories with him, adding his own notes and observations. Fortunately, in Ondaatje's novel, this remains a motif which does not disrupt the plot itself. With "The Songlines", however, I found myself flicking impatiently through the interjection-pages in order to get back to the story.

In Alice Springs the narrator called Bruce meets Arkady Volchok, an Australian citizen who is mapping the sacred sites of the Aboriginals. Arkady is fascinated by them, by their grit and tenacity and their ways of dealing with white people. Arkady speaks a couple of their languages and he is often astounded by their intellectual vigour, their memory and their capacity to survive.
It was during his time as a schoolteacher in Walbiri that Arkadi learned of the labyrinth of invisible pathways which meander all over Australia and are known to Europeans as Songlines - a way for Aboriginals to sing out the name of everything that crosses their path during their wanderings: birds, animals, plants, rocks, waterholes and so sing the world in existence.
When a route is suggested for a new Alice to Darwin railway line, Arkady's job is to identify the traditional landowners, to drive them over their old hunting grounds and to get them to reveal which rock or soak or ghost-gum is the work of a Dreamtime hero. Bruce is happy to join Arkady and to spend some time "out bush".
The reader of this novel learns a lot about Australia and the Aboriginals. The plot and the characters however are a bit thin. One finds it hard to sympathise with the Aboriginal figures appearing in the story. What they have to say and the way they express themselves amounts to practically nothing. It seems as though they need the white people to tell their stories and traditions.

The Songlines really captured my attention. Human ecology, cultural anthropology, human evolution, cultural imperialism, Songlines, Native Australians ("aborigines"), travels... this is a book with information about a people and a place. I enjoyed the flow and pace of the story, and I hope I learned the reality of Native Australian culture.

However, Bruce Chatwin chose to use this book to publish assorted observations, quotes, and reflections from other travels. For me (me), they affected the flow of his storytelling, my ability to focus on the theme - Australia, not nomads - and the ending. Perhaps this is a style thing, and I don't know if Chatwin applies this style in his other books.

Didn't work for me. I wanted a conclusion to his original story.

As i never wanted to go to Australia, i have to say that after reading this book i have not changed my mind, but it is not a point. It is not a book about traveling in Australia. It is more a book about walking, for example. As i like walking, i have found in this book so many great examples of what the walking is about, it is not just moving from one point on the Earth to another, it is also philosophy. And so on...this book is highly recommended for those who knows what the word "travel" means. In present time many people travel, but just a few ones deserve to be called "traveller". Bruce Chatwin is among them.

This beautiful book tells the story of one girl's childhood on an isolated sheep farm in Australia; that girl would eventually end up as the first woman president of Smith College, one of the finest universities in the United States (part of the Seven Sisters). Before that, she studied at the University of Sydney, moving on to Harvard University in the States. Much like the movie, "My Brilliant Career," the story follows the harsh living conditions of her youth and her meteoric rise to success.

The part of the story that will speak to you most clearly, however, is that of the young girl with golden dreams who faces so much adversity and such little chance of escaping her isolating circumstances. Her father owned 30,000 arid acres in Australia and when the land succumbed to drought, he committed suicide; shortly thereafter, her brother was in an auto accident that resulted in his death. Faced with these tragedies, Conway's mother was overcome with depression and unable to help her daughter succeed. That Jill Ker Conway lets none of that prevent her from reaching a pinnacle of success that no one in her family or community in Australia could ever have imagined for her is the stuff of dreams.

Jill Ker was born in 1934 in the west of New South Wales, Australia.She grew up on a sheep ranch.She had her share of troubles: her father drowned, possibly it was a suicide, when she was 11. At age 14 her charismatic elder brother died in a car crash. In her 20s her mother began to lose her mental balance. Jill studied history at the University of Sydney and at 25 went to Harvard.Her childhood on a sheep station has some interest, but the details of her unremarkable academic studies are tedious.She comes across as an introverted person who found it difficult to make friends.She had little fun in life: no jolly japes, no humorous anecdotes.Her self-centeredness and lack of humor make for dull reading.

The wonderful autobiography entitled, The Road From Coorain, written by Jill Ker Conway is a must-read! Her engaging and rich detail gives an enchanting description of the Australian life-style from a very unique perspective.
Beginning in the 1930's, young Jill Ker lived with her tightly-knit family on a ranch called Coorain, Australia. Isolated in the desert and located far from Sydney, Coorain, has created an unordinary life-style for not only Jill but for her two brothers, Barry and Bob. Maintaining the remote Coorain is the family's only way to ensure stability and in the eyes of Mr. and Mrs. Ker; the significance of Coorain is considered more important than a formal education. Though, when the dreadful droughts of the arid terrain continue to spontaneously appear, life becomes awfully challenging and difficult for the Ker family. Suffering from famine because of the lack of crops and animals, Coorain becomes involved in a downward spiral. As a result, Jill as well as other family members, encounter the enormous struggle of overcoming the concept of death and sorrow. As Jill grows into a young woman, she faces unfortunate events that set her back, creating various obstacles as she journeys down the unpredictable road of life. Faced with challenges romantically, intellectually, and within the family ultimately affects her career and talents, though somehow Jill miraculously manages to succeed.
Choosing an academic career as a historian, Jill faced the constant struggle of chauvinism living as a young woman during the 1950's. Her passion and remarkable academic achievements clearly demonstrated her natural talent as a student. Unfortunately, the unfair privileges men had in contrast to women was a constant obstacle. Jill had potential and unlike some other women, had the possibility of attaining her high hopes and dreams. Her brilliance and intellectual capability distinguished her as an individual, though she was unfortunately not recognized with equality because she was woman. "But I received a blandly courteous letter thanking me for my interest. I was dumfounded. Milton and I had ranked first in our class and were to be awarded the University Medal jointly for our academic achievements. I could scarcely believe that my refusal was because I was a woman...I knew I was no more and no less intellectually aggressive than Milton and Rob. That left my sex and my appearance." Though Jill Ker faced multiple obstacles throughout her life, she clearly proves that hard work and perseverance is a powerful way to achieve one's goals.
This engaging autobiography is filled with compelling and descriptive prose. Beautifully written, Mrs. Conway eloquently yet succinctly expresses the many conflicts one can be presented in life. Given her natural gravitation towards the subject of history, she enlightens the reader with interesting historical backgrounds of the many places she has traveled. Her simplistic, yet thought-provoking perspectives maintain one's fascination throughout the course of the book. Every moment I spend reading it was enjoyable. Mrs. Conway's, informative yet concise style of writing kept me actively involved. Her marvelously written descriptions, gave me an excellent understanding of the rural Australian life-style: "On the western side the mountains' gentler hills sloped down to rolling countryside; valleys covered with rich black soil sheltered streams winding westward. The gentle slopes rising from each watercourse were crowned with orchards in blossom, while below the contoured patterns of spring crops burst in brilliant green from the dark earth. I liked looking at this scenery with the dew still on it, well before the heat of the day." This autobiography filled with endless drama, love, and the hardships of life, is a definite must-read!

I related to and thoroughly enjoyed this book. Conway's descriptions of Australia are beautiful. She has written a follow-up book which I would like to read also. And on second reading, I feel more and more that perhaps her mother had some chemical imbalance, because she changed so drastically. Either that, or her repressed emotions after the deaths of her husband and her oldest son in the space of five years, led her to the bitter old woman she became.

Not very interesting.

There's not much else I can say. Everybody has a story, including author Jill Conway. Her life began in western New South Wales, Australia:

"My father was elated as he surveyed the realization of his dream to own land and to raise his own flocks of sheep and cattle. For my mother, not born to the bush, my father's long-dreamed-of property was a nightmare of desolation" (p. 18).

Conway describes her memories growing up on a 32,000 acre station they called Coorain. She learned from watching the land and its processes:

"Why did God allow the crows to pick out the eyes of newborn lambs, I asked [my father], as we passed a bloody carcass?" (p. 82).

Alas, her father drowned in a stock pond, the drought wrought hardship, and her older brother died in a car accident. But Conway's interactions with other schoolchildren at boarding school was problematic:

"There was more than my appearance to worry about. My family and school friends agreed that I was 'brainy'" (p. 146).

"My appearance didn't give me many opportunities to be bored by young men" (p. 145).

"The causes of my shyness were complex. I didn't look right and couldn't blend with the crowd" (p. 156).

As you can see, there was constant, constant reference to how she didn't fit in, and that she was considered by many to be "too intellectual." When she applied for a post with the Australian Department of External Affairs (their state department), her male friends got positions and she didn't. "It was all prejudice, blind prejudice. For the first time, I felt kinship with black people" (p. 191). Awkwardly, her interactions with the native people of Australia were obvious by their absence in her story. So life is fairly good until a socially awkward and "intellectual" person doesn't get a position with the state department, which causes the development of a kinship with the native peoples.

What?

This was a hard book to read. The first chapter was a long diatribe of landscape conditions in western New South Wales. Then there was a third of the book on life on a cattle station. Then there was the rest of the book, on life as an adolescent, traveling with her mother to other countries, and applying to graduate school in history in America.

This really read as a book of very selective memories. Granted, they are Conway's memories, and she owns them. They are just not very... enlightening and illuminating.

'Nuff said.

I'm a sorter. I organize. I put things in boxes. Color doesn't want to go in boxes. Or categories, or areas, or mix well with others. It drove me nuts. Sometimes it was too bright and sometimes it was so dull it hurt like a toothache. This book began my understanding of why color does what it does. Michael Wilcox put together a dictionary which unravels for me the complexities of color and the how's and why's of hue, tint, and shade. He has broken down the chemical compounds of color in an understandable way and broken the secret codes of the paint manufacturers so that you and I can read the labels. Now we can purchase exactly what colors we want and either mix our own exact shades and tints or get the individual paint supplier's.

Ever wonder why you sweat in your sister's bathroom and not in your's? Her's is painted peach and your's is blue. Why that works, now, is someone else's story. And then there's black. Who knew there were so many different kinds of black? There's a black to fit each room in your house, made out of every color in the room in which it is to reside. And it matches perfectly. Amazing.

Now when I see two shades of lemon yellow I don't see yellow at all. I see either greenish yellow or brownish yellow and refer to them as green or brown. It's very tricky to see the primary hue over the secondary color anymore. Huh. I guess that's what an educated color sense sees nowadays. Never thought about it before. Three cheers for Michael Wilcox and PO3, PV15, PY3 and others! I get true colors every time.

This ia a fabulous book for any artist or aspiring artist. From a pallet of only 12 colors he show you the hows and especially the whys of mixing just about any color you want. Especially good for water colorists. You'll never be mixing "mud" again.

Ben Albert

this book gets more interest for its paradoxical (and inaccurate) title than for its contents, which are straight out of 18th century color theory and painting practice. for a review of this book and links to background materials, google "wilcox handprint" and click the first few links. i should add that some of the positive reviews posted here appear verbatim at the wilcox "school of colour" website and are therefore just viral marketing.

the quiller book "color choices" and the hilary page book "color right from the start" are excellent resources. this book is heavy on simplification, routine, and computer generated color samples.

I am very pleased with this book. It is filled with valuable information for the painter which is presented in terms that are easy to comprehend. I am currently working my way through the exercises and by doing so can already see where the book has been worth every penny. As someone well acquainted with "mud" I think the book will save me a fortune in paint down the road. I wouldn't hesitate for a minute to recommend this book to anyone interested in painting whether new to painting or an experienced artist. We can all learn something new from it. In fact, I think it would make a great text book.

Before reading this book, I already had a good basis in the basic color theory: the primaries, secondaries, tertiaries, and the ideas of complementary and analogous colors. I even knew that mixing complementaries would result in browns to blacks.

However, I hadn't learned how to apply that knowledge in the way this book presents it. As a result, sometimes I would mix colors that were muddy or shaded, and I didn't know why. This book explains it all so clearly and so simply that you are sure to retain and use the information with ease.

In summary, this book tells you how to mix any color you want, reliably and with confidence, just using six colors, two of each primary color. Everyone who understands color knows that yellows fall on a range from almost-orange to almost green, blues fall on a range from almost-green to almost-purple, and reds fall on a range from almost-purple to almost orange. The fact that these colors are in a range means that, when you mix them, you will get different results depending on where the colors fall in that range.

This book tells how to determine where a color falls in those ranges, and also gives you a clear and understandable way of knowing what to expect when mixing different primaries. The system works.

One nice thing is that, with the price of paints today, if you need to, you can only purchase six colors and you will pretty much be set. Accordingly, this book recommends that you purchase those six colors, two from each primary, with one color each that tends toward each end of each primary (a green-yellow and an orange-yellow, for example).

Of course, you can always buy a larger range of colors, but armed with the information in this book, when you do so, you can confidently purchase and mix those colors and have a good idea of what the results will be each time.

If you are impatient with theory, you can skip all the stuff about reflected light, additive versus subtractive color mixing, color perception in the brain, and so on; it may or may not all be true, and is anyway only Mr. Wilcox's theory about *why* his system works. Instead, if you are impatient, just read the juicy stuff about the colors themselves. It will definitely improve your ability to mix colors well. If I were making a list of "must have" books in an artist's reference library, this would be one of them.

I had expected more out of this book than I got. I suppose it was a bit off putting to be reading about a wealthy guy's travel when I couldn't afford most of what he did. I did appreciate some insights about places even though I'd have to visit them on a lower budget.

I'm off to NZ in a few weeks and was excited by the other reviews of this book. It sounded like a magical tour through a magical land. And while the stories were somewhat compelling, I found myself constantly waiting for something deeper, more profound, more passionate. The descriptions and especially the emotions in the writing were very superficial. Eventually I got tired of reading about all the wine and food and put the book down. Each day is it's own 2-4 page chapter which leaves the book with an unsettled feeling. Yes, I appreciated getting to know a little about a lot of things. But all in all, I thought the book was flat.

I wish my armchair grew wings and flew me to New Zealand, with the book's author as an engaging, enchanting guide! I followed his journey across that country and was transported into landscapes and homes he so vividly described.

This is a wonderful travel narrative: entertaining, informative, fun. As I eagerly turned pages, I felt I was taking a "virtual trip" to NZ (both North and South islands), and one that provided me a sense of familiarity when I made an actual trip there in March 2008. Dr. Elder shares his quirky observations about the people, "straying from the flock" alternative lodgings like homestays and farmstays, the country's history, the local food and wine, and some key destinations on both islands. His highlights of places to see -- like Auckland, Queenstown, Rotorua -- and activities unique to each guided me in planning my own itinerary. The only aspect of the book that proved somewhat "dated" was the reported cost of everything. Clearly, when Dr. Elder made his trip, the exchange rate was much more favorable to the US$ than it is has become in the last year or so. (For example, when he paid NZ$100 for something, it cost him less than US$50. That would translate into about US$80 in today's market.)
In summary, for anyone contemplating a trip to NZ, or just curious about this faraway land, I recommend this book as an essential part of your research and planning.

I bought this book because it was the first novel I have ever seen about New Zealand. Basically every other book has been a travel guide, some of which are useful, but none of which are a narrative of a person's experience in New Zealand. Alexander Elder is a frequent traveler to New Zealand and he relates his story of traveling from the south tip to the northernmost tip of the country over the course of eight weeks (with a few days in Fiji and Australia). He meets new people and visits old friends along the way.
I really enjoyed this book, my only issues were that I couldn't completely relate to his way of traveling. He travels in a style where laying down several hundred dollars to get a guided trip a few times in a week is no issue. I tend to be on a much more restricted budget. He also has a bit of a different attitude than myself, more strict about superb service and attention than I probably would be, but it's his story not my own :)
He does give a good impression of the hospitality that is present in most New Zealanders as well as the beauty of the land itself. I often felt like I was right along side of him during his trip.
This is a good read for anyone interested in New Zealand, especially being a tourist there. He also provides a link to his website where he posted the photos (non-professional) that he took during the course of this trip, a nice little addition to enhance the story.

give a review on something I havn't read, whoever made an idea like that, I give a review after I've read the book.

Witi Ihimaera, Whale Rider (Harcourt, 1987)

This relatively obscure little book exploded after being adapted into an award-winning film. The book still hasn't gotten as popular as the movie, though, and that's something of a crime against nature. I have not yet seen the movie-- I wanted to read the book first (and will likely see the movie next week)-- but I know how the whole book-to-movie thing usually goes. And it's usually a crime against nature when the book doesn't get popular even after the movie's a big hit, so I'm playing the odds on that one.

As for the book itself, it's quite a good little tale, full of a young adult kind of magic realism that's likely to make the reader, if he hasn't already, consider the link between magic realism, the literary cliché du jour, and folktales. Ihimaera gives us the Whale Rider creation myth while telling us the story of a Maori chieftain who refuses to see that his granddaughter Kuha is developing into the new chieftain before his eyes because of his traditional beliefs that a male must take the position. (Despite, we find out, the fact that women have held the position in the past. Hard-headed old sod, eh?) We spend much of our time just learning about the characters, with Ihimaera throwing in some interesting perspectives at times; for example, narrator Rawiri, Kuha's uncle, leaves New Zealand for two years to run a coffee plantation in Papua New Guinea (and this allows for some rather odd humor, as well as a blistering excoriation of modern racism in the region), and we find out about Kuha's development only through letters and phone calls for a while. Yet it is rare that Ihimaera takes his focus off Kuha for more than a paragraph or two at a time.

A lovely tale, well worth your time, whether you've seen the movie or not. *** ½

I love this movie, so I decided to read the book. As with any book on which a brilliant and well-executed film is based, it's a challenge for the reader to fall in love with the original story. The film was very faithful, and so it wasn't difficult to love this novel as well. But there are some deficiencies. First of all, the characters seem more real and dimensional in the film than the book. This is especially true of the heroine, who seems a mystical and distant child in the book, but comes off more real through Keisha Castle-Hughes' portrayal. Second, the film is much more realistic, only slightly testing the boundaries of reality and disbelief. The book is much more fantastic, though it contains more insight into the tribe's culture. And yet, the book is utterly powerful, honestly moving, and incredibly beautiful. It's a brilliant modern folk tale of a Maori tribe threatened by the modern world to hold onto its traditions. The chief (Koro) rejects his great-granddaughter Kahu who has broken the male line of succession. Koro tries desperately to maintain his tribe, reinforce the old traditions, and keep their connection with their totem animal, the whale on which their ancestor traveled to their lands. Meanwhile, Kahu desperately seeks her great-grandfather's love, not to mention acceptance. It slowly becomes obvious that Kahu--despite her gender and great-grandfather's rejection--is deeply connected to the whales and the sea (which is actually a taboo for a female to engage in), and is the salvation of her tribe. Obviously, fate and destiny care not for gender and traditions, as this girl is apparently destined for great things. It's an incredible story of family, destiny, strength, girl power, expectations, traditions, and culture. Grade: A

Like most people, I bought the book after watching the film... in fact it took me ages to find the book because here in Spain it was called "the legend of the whales". Anyway, I thought the film was very moving and since when I'm obsessed with a movie I buy also the book, I did.

The first thing that surprised me was that the girl is not called Pai, but Kahu, and second, that it was told from the uncle's perspective rather than the girl. I though it wouldn't be good because on the film the uncle is a rather minor character... and in fact, it isn't.

I found the story dull and had to make myself keep reading. The only good thing I can say is that at least it explained a lot of the myth of Paikea, which in the movie wasn't explained that much. Other than that, there wasn't anything to keep me hokked to the book.

Niki Caro is a great scriptwriter because she made a fantastic film from this rather forgettable book.

This is an excellent coming of age story for a young girl, or boy! Readers will find delightful lore and learn something of New Zealand. The movie wasn't a disappointment, though I'm glad I read the book first.
Chrissy K. McVay
author of 'Souls of the North Wind'

Just came back from a recent trip to New Zealand with the Lonely Planet in tow. My husband and I were very disappointed with the most recent version of the Lonely Planet. We found lots of errors - the LP recommended restaurants that no longer existed, recommended holiday parks that I wouldn't stick my big toe in, and were consistently wrong on pricing from the cable car in Wellington to ferry rides across the Cook Strait. I think you would be just as well off buying the old version. It seems to be the same. It seems the LP writers didn't do their homework this time around.

I just went on a month-long trip from Auckland to Christchurch, and this book was very helpful. Apparently a new version is going to come out soon. Definitely get the new one as some of the information was starting to get old.

You don't absolutely have to get a travel guide before going to NZ (especially if you're on a tour like Kiwi Experience), but if you are going to get a travel guide, I couldn't imagine a better one than the Lonely Planet.

I've found this guide to be decent. It has tidbits of information, but I find myself wanting to know more about places outside the cities that just aren't covered. I know a new one is coming out in a few months, so I would wait to get that one or get a different brand guidebook if you can't wait. The prices in the the 2006 book are WAY off. I use my BBH hostel guide almost exclusively for finding accommodation. I also found a lot of the restaurants and nightlife listed in the book to be inaccurate or no longer operating. Still using it, but definitely supplementing with internet, BBH accommodation guide, and visits to iSites.

Lots of good information. Will be bringing it on our trip. Print is very small. Needed my extra strong readers.

For years I have relied on Lonely Planet guidebooks as one of my primary travel sources for information. After returning from a self-guided 2 week car trip through New Zealand's north and south islands, my wife and I were both in agreement that this guide was not up to par and disappointing compared to other LP guidebooks. Restaurant information in Christchurch and other towns was already outdated. Hotel information was not comprehensive and I found better information for planning our lodging on the internet before we left home. Things to see and do in towns besides nightlife and museums was sparse, and excursions to interesting places off highways was sketchy. We finally put the book away and stopped referring to it since we were better able to explore on our own. New Zealand has one of the world's best tourist information systems throughout the country which helps travelers find or plan lodging, activities, transportation, virtually anything that would be helpful to the tourist. Offices are located throughout the country under the "i" signs for information, even in the smallest towns. Maps are freely available everywhere, as are also helpful free booklets and brochures for each region you may visit. For general information, this guidebook will answer many of your basic questions, but I would suggest looking at several other books for planning your journey and guiding you along your way in New Zealand.

I read this book after a trip to Australia and after seeing the movie. Don't know what to say about it other then it left me speechless. Is there a country anywhere in the world that hasn't treated it's indigenous people horribly at some point? Rabbit Proof Fence is a pretty amazing story of human spirit. I would suggest reading the book first then seeing the movie.

The book and the movie are something that all people in the world must tray to change. Ethnic and linguistic diversity is real. Read this book!

I visited the Amazon site after viewing the DVD "Rabbit Proof Fence." Although I have not read the book, the DVD contained a lot of landscape and many periods during the movie were what some may consider "quiet." When experiencing literature from another era or culture, I believe it helps to try to put self into the environment of the characters. The pace of "Rabbit Proof Fence" helped me be there.

I would reccomend reading the book (even though I didn't...) and highly recommend viewing the DVD. I experienced the grace and courage that exists in all of us at some level.

A true account of the author's mother who was part of the "stolen generation", a group of aboriginal children who were taken by the Australian government's as part of their policy for the protection of indigenous children.
It is hard to believe that this policy was once considered the right thing to do, and not so long ago either, 1930's. But then again, Australia only granted Aboriginal people the vote in the late 1960's.
This book is about Molly, who was taken by the Australian government as a young girl and put into a settlement, and her journey back to her family.
A great story of courage and determination. Well worth a read.

Sorry folks I just could not get through this book. Unanimously the "critics" said the first 50 pages were disorganized and tedious. I read up to page 10, "zzzz" I then skipped ahead to page 50 thinking "OK NOW the action will begin" nope just more of the same rambling sentences. I am keeping the book for its historical reference, and maybe someone else will read it and then convince me of the story's value.
M*E*G*O = My Eyes Glazed Over!

Read this for a book club. Relationship between two women, one older and one younger, who both are probably clinically depressed and end up being neighbors in the countryside in what seems to be a desolate part of Sweden. They each end up being what the other needs to heal and it is a sweet, if not slow, book. Most of our bookclub did not love it, but thought it was ok.

I liked this book, but wasn't enthralled with it. The accidental friendship between these two women fills a need for both and allows them to face painful events in their lives as they find safety in the other's quiet presence. The language is spare and direct, just as the two women are. I found it a good read for waiting time in the doctor's office or in line for child pickup, etc.,events where interruption is expected. I found it easy to leave off and pick back up without losing anything. It's hard to find a book that offers enough to distract you during those brief snatches of time, but doesn't pull you in or require complete concentration. It served a useful purpose for me and under those circumstances, I enjoyed it. However, when I had to wait four hours for a car repair in a grim mechanic's shop, I was glad to be reading The Pillars of the Earth, which made time fly.

The story was very slow moving and left so many unanswered questions. We read this as a book club selection and not one of us was able to bring finality to the plots in the story.

This book was recommended to me by a friend who happens to be Swedish. It is a subtle, gentle and surprising book with a slow yet compelling pace. It was a breath of fresh air, and I was able to read it on one sitting!

Overview:
"Veronika, a 30-year-old Swedish writer, rents a home in a remote village to finish work on her second novel. Her only neighbor for miles is Astrid, a reclusive octogenarian who has earned a reputation (perhaps undeserved) as the village witch. Veronika and Astrid gradually become friends, taking long walks and sipping wine made from the wild strawberries in Astrid's garden. Each shares painful secrets along the way. Veronika abandoned a devoted boyfriend to take up with a bartender from New Zealand. They fell passionately in love, then tragedy befell him, leaving Veronika incapacitated by grief. Astrid endured sexual abuse from her father and a long loveless marriage to a man chosen by him. Until now, she has never told anyone the truth about her infant daughter's death."

I liked this book and the writing was truly beautiful. I enjoyed how the two women, alone in their own worlds, became such good friends. Their friendship was truly self-less.

The only thing I did not like about the book was that we never knew the real reason behind Astrid's secret, the killing of her infant daughter. I assumed it was because she did not want to see the child abused, but I could not quite make sense of it. I felt a little cheated that this was not further explored.

The Tricksters was an ok book. It wasn't great, an it wasn't boring, but I thought it lacked excitement. It was just going on and on in dialogue of conversations about people fighting. I admit some stuff was funny, though most parts were not. I found this story to be very confusing to follow because it is told through he main character Harry, but she sees it through other peoples point of view. Because of this I felt my self going back and rereading which wasn't fun I wouldn't recommend this book unless you like lots of dialogue, but it's worth a shot if you want to read it.

This was one of the first Margaret Mahy books I ever read, and afterwards I became fanatical about tracking down her books and devouring them. (The only other young adult author I would classify in the same sentence as Mahy is Madeline L'Engle.) I first read this book when I was about 15, and I cannot tell you how strongly I identified with the character of Harry. Not because of the outward descriptors (middle child, writer, etc.), but because of the essence of her character. Mahy's young adult fiction is so effective because she somehow manages to remember what it really felt like to be a teenager. I just turned 30, and re-read this book recently, and it amazed me how quickly those feelings returned. I have now begun collecting young adult fiction for my future children, and I would say anyone interested in the genre should have some Mahy, including this book. It's not as good as The Haunting or The Changeover, perhaps, but it is light years beyond the "Sweet Valley High" fare my contemporaries were reading. Definitely worth a look.

Surprisingly well written teen-type paranormal novel with an intriguing take on coming of age. The 17-year-old protagonist, Harry (a middle child who feels she doesn't live up to her real name, Ariadne), somehow conjures the two villains of her fantasy writings into reality, though they split into three parts, each representing different facets of the spirit of a young man who died on the property and has been somewhat mythologized. Some unique ideas, a sexy undercurrent and a satisfying transformation of the heroine.

i love this story. you get wrapped up in family life, fantasy & all of the characters. i re-bought this book from over 10 years ago. if memory serves me, the haunting was extremely well written as well. perfect for pre-teens, teens & even older.

Margaret Mahy is one of the few (or perhaps the only) world-renowned New Zealand author, whose work has won many awards, as well as the Carnegie Medal for "The Haunting" and "The Changeover". As good as these books are my personal favourite is "The Tricksters", written for a slightly older audience and filled with her trademark New Zealand scenery, supernatural occurrences, family dramas and the awakening of a young person to adulthood. Older readers shouldn't be put off by the claims that this is a "young adult" novel, as any intelligent reader over the age of thirteen should experience Mahy's best work.

The Hamilton family gather at their beach house Carnival's Hide to celebrate Christmas; parents Jack and Naomi, eldest siblings Charlie and Christobel and younger children Benny and Serena. Seventeen-year-old Harry (short for Ariadne) is smack-dab in the centre and suffers the fate of the middle-child, overshadowed by the glamorous Christabel and starved for attention thanks to the younger two. To alleviate her frustration, Harry is writing a story - a wonderful story about dangerous men and voluptuous women that she keeps secret in her attic bedroom.

But there are other things to keep her busy, such as the added presence of Englishman Anthony Hesketh who is to share the family Christmas away from the more traditional winter holiday of his home-country and Christabel's best friend Emma and her young daughter Tibby. Furthermore, the house itself has a strange history of odd happenings concerning the drowning of Teddy Carnival years ago, and Harry herself is privy to a family secret that she knows could destroy her happy, comfortable home.

And then three brothers appear on the scene, claiming to be descendants of Teddy Carnival and charming most of the Hamilton family. But Harry knows there is something strange about Ovid, Felix and Hadfield - something that is deeply connected to the past, the house, her own story and the dynamics of family life. But who are they really? What is this strange connection to Felix that she feels? And do Ovid's threats of ruining her family have any weight? (Watch out reading some of the other reviews, as they give away the secret behind the brothers, something that should not be known till the book reveals it).

Like all good literature, the book is filled with many themes and meanings that demand close and attentive reading. Mahy's language is dense and poetic (reminding me a little of Diana Wynne Jones's adult novels) which involves full participation from the reader to understand what's going on, and will probably require more than one reading to fully appreciate the layering and clue-sprinkling that Mahy spreads throughout the novel. The growth from childhood to womanhood, the power of imagination and storytelling, the secrets and inner-dynamics of a family, the meeting of the supernatural and the mundane, and a creepy ghost/murder mystery - all this is packed into this immensely rich and intriguing novel.

Hopefully this won't come across as an insult to the other reviewers, but I was pleasantly surprised to see that so many of them were non-New Zealanders. When you come from a country that has so few authors of its own, ninety-nine percent of your reading list are from authors overseas and you never really expect your own country's books to be read anywhere other than in New Zealand. So, whether you're from New Zealand, England, Australia, America or anywhere else that Amazon.com ships out books, make sure you read this complex, mysterious, unforgettable novel.