New Zealand Books

At last the Pacific islands are beginning to take their rightful place in the annals of world history. It is this book that takes a major step to establish that historical perspective.

The Pacific islands are dispersed across one-third of the Earth's surface. All the major island groups have been inhabited for the last two thousand years, some for more than six thousand years, yet a detailed prehistory of the region has been lacking until now. This book, written by a noted Pacific anthropologist and archaeologist who has studied the area for more than thirty years, takes a tour of the diverse islands of the Pacific, beginning in the west in Melanesia, then across the many small islands of Micronesia. The tour concludes in the sprawling area covered by the islands of Polynesia, which extend from New Zealand to Hawai'i and eastward as far as Easter Island. Along the way, the author conveys the personal drama that he experienced in uncovering artifacts that reach back into a deep time. At one place he unearthed a small piece of carved white bone. When he turned it over, he saw the two eyes and the subtle nose of a stylized human face. On another island, while enjoying a beach picnic with his host family, spearing octopus and gathering mollusks, the author took a walk along the beach and discovered, a short distance from where they were camped, a distinct rock layer filled with pottery fragments. Those fragments would prove to be a record of people who had lived on the island more than two thousand years earlier. This book is both a personal narrative of modern-day exploration of the Pacific and an account of the rich prehistory of the region.

The book draws generously from the detailed archaeological work conducted by the author and by others in the Pacific region--most of it done since the Second World War--as well as from studies of language and biology that answer such fundamental questions as where did the Pacific islanders come from and when and how did they settle the thousands of islands at least two millenia before any Europeans entered the Pacific? To most people, the Pacific islands are no more than a place of idyllic scenery and the people of the Pacific are the willing subjects of fanciful tales. Now, through the enlightening text of this book and the many striking photographs that it contains, the Pacific islands take on a fuller meaning. And the many cultures of the Pacific take their proper place in the remarkable story of the development of civilization.

The pacific islands and people who inhabit them have long been viewed as seperate, isolated and somehow different from the rest of the world's civilizations. Patrick Kirch takes this view into contest in this revolutionizing book on the pre-history of Oceania.

He collects a myraid of information about life in the islands before European contact and strives to present it, not as isolated bits of evidence, but as pieces of a cohesive whole. These pieces can be fit together to give a greater understanding of the culture of Pacific Islanders and help place them as an intricate portion of humanities story, not as a group of people untouched and unrelated to the rest of the world.

Kirch shows that the culture and past of the people who came to inhabite the islands of the pacific are unique. But, he also contends that Pacific Islanders do have an important place in the story of humanities past as well as our future. By writing On the Road of the Winds, Kirch has helped make sure that this story gets told.

I bought this book to learn more about the primal religious practices of the Aboriginal people. I got more than I bargained for. What I found was a comprehensive study of "The Original Australians," from their migration to the continent 40,000-50,000 years ago, to the present.

Flood's work is thorough, analytical, well-researched and unbiased. She obviously loves the indigenous people of whom she writes, yet she does not patronize them or romanticize their history or their plight.

Neither does she condemn the English, who first colonized "New Holland," or the Australian government, who enacted laws that forever changed the course of Aboriginal life.

Flood proves to be both a scholar, who honestly reports the facts, and a compassionate human, who cares deeply for the objects of her research.

I recommend this book highly. Where other books on Aboriginals tend to be anecdotal in nature, Flood's book is meaty, yet digestible; objective, yet heartfelt. It'll stimulate your mind and touch your heart.

Ms Flood has set herself the challenge of avoiding the political diktat of our times and trying to give an honest and thorough account of what aboriginal culture and life was like at the time of first contact with whites and following. my own interest is to look at a 50,000 year old culture - the oldest on earth - as the human roots of us all, and learn more about the basics of being human. it should come as no surprise to any sensible and honest person, that the picture is one of violence, mistreatment of all who are physically weaker, especially women. there is also a harsh lesson on the fruits of supernatural belief insisting on no change, no innovation, no learning, no progress. isolation and stasis bear terrible fruits.

Australian Aboriginal art is gaining international recognition, and rightly so. It is an art form driven by the culture of the artsists, and this book covers the traditional works of desert Australia, and also touches on more the more contemporary works of urban dwellers. These works are vibrant and alive, and the illustrations do justice to the richness of the work. The accompanying text is detailed and authoritative.

If you are interested in the art works of other cultures, or even art in its broadest sense, you will find many of the works presented in this volume to be quite different, even provocative. Others are as spectacular as any landscape known to the Western world.

This is an excellent introduction to a complex topic, and a worthy addition to any library.

This book was recently reviewed on the Sunday Arts program on ABC television in Australia. The book presents an authoratitive overview of the origins and development of Aboriginal Art and Culture in Australia.

It presents information in an easy to read format with enough detail to satisify most readers. It even includes sections on contemporary Aboriginal artists including Lin Onus. There are many colour illustrations of artwork to illustrate the narrative text.

A must have book for those interested in the history and contemporary state of Aboriginal Art and Culture in Australia.

"The Oxford Companion to Australian History," revised edition, is edited by Graeme Davison, John Hirst, and Stuart Macintyre. More than 700 pages long, the book is full of alphabetically organized articles. The book's preface notes that the articles range in length from 100 to 2000 words.

The "Companion" is truly vast in scope. Subjects covered include Aboriginal topics (art, history, languages, etc.); people (opera singer Harold Blair, Olympic athlete Betty Cuthbert, suffragist Alice Henry, etc.); cities (Adelaide, Hobart, etc.); newspapers (the "Argus" of Melbourne, the "Canberra Times," etc.); religious bodies and movements (the Uniting Church, etc.); important events (the Cape Grim massacre, the Castle Hill Rising, etc.); political parties; various ethnic groups in Australia, and more.

I particularly appreciated the entries on Australian colloquial terms like "Pommy" and "reffo." There are also many articles that address certain big topics in Australian context: agriculture, censorship, feminism, the film industry, literature, social justice, etc. And interspersed throughout are entries on many other interesting topics: the Bunyip (a mythic animal), convict history, "Waltzing Matilda" (a song), Internet resources, pubs, Vegemite (a food), etc.

Also included: maps, a useful subject index, and a 9-page directory of the book's many contributors. Many bibliographic references are incorporated into the individual entries, making this a good starting place for more in-depth reading on particular topics. The "Companion" is an achievement as big and colorful as Australia itself. While this book is certainly a logical choice for the reference section of any good library, it's also a good book for any individual with an interest in or love for Australia.

This book provides introductions to a wide variety of topics in Australian history. It has been edited by three of the most eminent Australian academic historians and many of the entries have been written by experts in their respective fields. The entries themselves deal with events, people, noted historians and current issues in Australian historiography.

This is undoubtedly the best analysis of the High Court of Australia ever compiled. It is easy to use, being fully indexed, and it covers every aspect of the court from biographical details of Judges to analysis of important decisions. It is a great mixture of history and information.

The individual entries have been written by eminent judges, jurists and lawyers in Australia. It was edited by 3 of the most well regarded legal academics in Australian history and is a terrific reference source. I can recommend it to anyone with an interest or need to look in detail at the Australian legal system. There is no other work with such detail and information in one volume.

This volume represents the most comprehensive bank of information on the High Court to date. With no less than 800 pages dedicated to the various aspects of the Court's history, personalities and institutional structures, it is a must-own for the students of the High Court.

The book is organized encyclopedia-style, with entries arranged alphabetically from the AAP Case (1975) to Ziems v. Prothonotary of the Supreme Court of NSW (1957). The entries are contributed by various Australian legal scholars, and cover a very wide range of interests. My personal favorite entry is the one on 'Jurimetrics' by Tony Blackshield.

Despite the hefty price tag (to match such a hefty book), this is one book that is well worth owning. Toting it around may give me permanent back problems, but I'm willing to risk it.

It is a great collection of modern architecture, it is wonderful to see such examples throught the world. Since I know the author personally, I love to see how his second book is even better than the first.

We purchased this book as a reference for clients building new homes. We are based in Australia and have seen these photos before...our clients hadn't so it was still very useful. Clear and with floorplans shows how space and light work well.

This is one of those rare academic books that has much to say to the general reader as well. The images are both beautiful and disturbing. I never before realized just how outsiders viewed women of the Pacific regions... once you see it, though, you'll always be aware of it. Dr. O'Brien has written a powerful and important book.

The general reader with an interest in women's studies, history or anthropology will find O'Brien's book, as I did, a well researched and thoroughly intriguing study of Pacific women's lives since the earliest voyages of discovery. The colonial stereotypes of the exotic Pacific woman are analyzed in a contemporary perspective from the viewpoints of art, literature, film and journals of the explorers and missionaries. This book opened my eyes to the facts that since the 1500's women of the Pacific have been romanticized, educated by missionaries, used, abused and sexually exploited for the advantage of the colonial powers.This is a "must read" for understanding the myth of "The Pacific Muse". It opens another window for understanding women's lives for those of us lacking background of Pacific history during this period.

Who exactly invented the Pavlova cake? Deftly written by Helen Leach, "The Pavlova Story: A Slice of New Zealand's Culinary History" focuses on the cake, and looks at how three different cakes have taken on the name of the famous dancer. Showing the evolution of the three variations of this specific culinary delight, through how creative innovation from carious chefs have altered the cake forever, and how sometimes the professional cook altering historic recipe can be an everyday housewife, "The Pavlova Story" is an informative and entertaining look at New Zealand cuisine through one of their most treasured national dishes.

This book is not a cookbook in the standard sense. It is the story of the pavlova (the iconic Kiwi / Aussie national dessert -- although it documents many variants from the "standard" pav). As any good story, it has a subject (the pavlova) but also a theme and a message. In this case the theme is the irrepressible creativity of the New Zealand housewife. But the take home message of the book is that the origins of the pavlova were a cooperative evolution, not a competition and any attempt to cast this history as a competition dishonors the many contributions that were made on both sides of the Tasman sea.

As for how to make pavlovas, the book goes beyond "just do what I say" recipes (although there are dozens of recipes given, both historical and adapted for modern ingredients such as the change in composition of baking powders). There are many helpful tips and it documents as much as is known of the mechanisms involved. As soon as my diet (triggered by my recent trip to New Zealand) is over, I have every intention of seeing if I can add my own wrinkle to the pavlova story. A great read that offers the promise of many "just desserts".

My history professor claims that this is one book which former students complain about years after having read it. It is dense. There are lots of odd names which run together. It is absolutely not for the casual reader. But I would consider it necessary reading for all scholars of China, Asia, or just history in general. I found it fascinating that the steppe tribes and the various Chinese governments had a not-always unspoken agreement, in which the tribes were essentially allowed to conquer a limited region of China, in exchange for securing trade routes and defending against tribes outside of the system.

Barfield's primary thesis is that the dynamics of Chinese civilization are not intelligible considered in isoloation. Rather, comprehension requires the distinction between Manchurian and Native dynasties and the role that empires of the steppe played in the changes between them.

Of special interest is that by far the best know steppe empire, that of the Mongols under Temujin and his successors, was an anomalous exception to the 2,000 year pattern. Typical steppe empires were interested in extortion (or tribute, or gifts, depending on who tells the story), not direct rule.

If you're a student of Chinese history or of the dynamics of civilizations, read this book. You'll think differently.

Its probably not fair that I write this review so early as I am only on chapter 3. But... this is a most informative and entertaining book to read. There is obviously a good collaboration between Sibley and PJ as much of it is not only written with PJ's cooperation, but in his words from personal in depth interviews. Great personal family photos also.

I ordered my copy from AmazonUK. Its too bad it is not more readily available here in the U.S. but do try and get a copy. You won't be sorry.

The book is on the shelves in New Zealand right now. It's a remarkable journey he has made, from struggling apprentice printer to mogul.

The book, like his movies, is long, and rewarding for it. The emphasis is more on pre-LOTR work and life, and it really focuses on the movies - no business or personal exposes here.

Three things struck me:
The first is his overwhelming passion for movies - passion that led him to just do it, rather than learn first by going to university. The results speak volumes, and he is in good company with this approach.

The second is that he is a leader with an ability to gather large amounts of people around him - from the first movie made with a bunch of mates on weekends, to LOTR with over 24,000 kiwis involved.

And the third is that he is an astute businessman - the book only hints at this, but it is clear from the continuous improvement in his Film Commission submissions, and the improvement in the deals struck with New line and Universal.

Read it.