United States Books

This book was very helpful. As someone who currently has no "mentor" so to speak in the film industry, this book has acted as my temporary guide. It addresses many problems screenwriters go through, as well as warning people of the pitfalls that many aspiring screenwriters fall into. Highly recommended.

I own several screenwriting books and consider this one to be in the top 3 (McKee and Vogler being the other 2). The reason is because this is one of the few screenwriting books with information coming straight from successful screenwriters. This is key, because through their insights you can better understand how they work, think, and live. And this ultimately affects your writing positively because a lot of the uncertainties during the writing process are discussed. It won't teach you about structure etc, but it contains information that to me was equally vital: how to think as a successful screenwriter.

In real estate they discuss the three "L's" Location, location, location. This is the three "W's" Write, Write and Write more. I highly recommend this book for anyone who wants to write a screen play.

This is a must read for anyone who aspires to be a screen writer. Any wannabe writer has their own personal favorite blogs, a blog that helps inspire, motivate and teach them. This book is almost a best of those blogs from successful writers whose movies they have written have actually BEEN PRODUCED.
The one main theme of this book is just write and write and write because you love writing and not because you want the Hollywood celebrity lifestyle. Great writing will open a lot of doors for one and most importantly, keep that door open.
In my opinion, I like to study and and read how successful writers from all genres got their first break, their work ethic and how most importantly they work through writer's block and rejection. Again, Karl Iglesias' book does that successfully.

I was lucky enough to meet Mr. Iglesias at the Screenwriting Expo. He knows his craft, he loves the business. And he's brutally honest in conveying the realistic odds of breaking into Hollywood. While no one ever says it's easy, he can tell you just how hard. This book is a must read for any aspiring screenwriter. Interviewing some of the greatest screenwriters, they all are forthcoming in telling their own tales of struggle, achievement, success, and most of them, frustration.

This book may be geared toward all screenwriters, however it succeeds in leaps and bounds, by telling the realistic truth any up-and-coming screenwriter needs to hear. Too often people are putting together a script hoping to win the lotttery, sell it for mid-six figures, and not taking the time to understand that the money should never be the motivating factor of writing any script. And if that's your only motivation, you'll never succeed in making your dream come true. This book reminds those of us that do it for a different reason, what that reason is. It's the love of writing. Anything else, any other reason, is simply a waste of time and energy.

Mr. Iglesias lays it out in plain view, through interview after interview, just how much of an uphill battle it is get someone to simply give your script a look, and even then, chances of your selling it are slim. Nicholas Kazan once spoke at a seminar. He told them to go turn in their registration forms and go home. He then told them that if any of them seriously entertained that advice, they would never make it. It's all about challenge and it's all about sacrifice. This book will help you realize how important both of those things are.

Although this novel was published almost 50 years ago, it is amazingly contemporary. The political infighting--both honorable and petty--definitely mirrors the politics of 2007. If anyone thinks today's politics are nasty, this book shows that even in the late '50s, there must have been plenty of vituperation, pettiness, and, fortunately, integrity. Remove the dated technology--special-delivery mail and wire updates--and substitute email and the Internet, and the story could take place right now. Some tighter editing would have made this book even better (some of the accounts of nonpolitical, i.e., domestic, action drag), but the political action is fantastic. Is this 1959 or 2007?

At the age of 18 in 1963 while my husband and I were stationed in Chambley France (USAF) I discovered this wonderful political novel, almost by accident. Later, and with great anticipation, I read the follow ups all the way to The Promise of Joy. Later in life, I managed to obtain all 6 of this series (hardback of course, because I knew that they would be used over and over) for my personal library and as of today have re-read them several times (each time, enjoying them even more). Back in '63 I never thought that America could really become what Mr Duruy was writing about, cause after all we all love our country Right?? Well, as the years have passed, I do see exacally what he meant. There really are a great many Americans that would do harm to her. Although these may be novels, I do believe that there is a lot to lean about the workings of our govenment. Although I have read several reviews of the series, I disagree with most and advise you to read them ALL!! Each one deals with different area of the government and are well worth the read.. As I travel to Washington D.C. for the first time next month, I have a burning desire to see our National history and it great part it stems from reading and enjoying to the fullest these great works of a brilliant mind.

I just reread "Advise and Consent" hard upon the recent Senate brouhaha, and even went so far as to purchase the recently-released DVD, which does not do entire justice to the source, although Walter Pidgeon is a better Bob Munson than even Allen Drury wrote. "A and C" is an admirable novel of a literary quality likely far above the other contenders on the NYT Bestseller List in 1959, if likely inferior to contemporary political novelists like Ward Just. Other reviewers have pointed out that Drury later started chewing the scenery at the distant right edges of the set, but "Advise and Consent" remains a splendid portrait of its time. Highly recommended.

This is easily the best novel ever written about American politics. Drury, who began as a Senate reporter, really has the feel of the Senate down pat as he tells the story of the nomination of Robert Leffingwell, a one-time communist sympathizer, to be the Secretary of State at the height of the Cold War.

While Drury's later writing became somewhat stilted and out-of-touch, this book is dead on and creates real and believable characters.

A fun game, for those really in the know, is to try and guess which fictional Senator corresponds to which real-life Senator from the era.

(A freebie- Brigham Anderson of Utah is reportedly based on John F. Kennedy, a surprising development given the... revelations... about Anderson in the book).

This is a classic novel that deals with the nomination by the President of a highly controversial person for the office of Secretary of State. A group of Senators is dead set against the nominee, and others are equivocal and unsure. The nominee has a dark past and this begins to come to light, the question is asked as to whether he has overcome this past and can now serve as a sturdy and reliable public servant.

The novel portrays Washington DC as a snake pit of intrigue and maneuvering, where anything goes in an endless struggle for power and position. It also shows America's capitol as a city which still has a place for idealism and principles. No, these two things are not contradictory, as this novel also shows.

The story moves along at a brisk pace, although it slows down in places. This novel was written in the early 1960s, and thus the story contains certain anachronisms, such as the Soviet Union reaching the Moon before the United States does. The novel also has an intolerant and non-contemporary view of homosexuality, which is unfortunate, but which ultimately does not detract from the story. (The movie is far worse in this respect, incidentally.) No matter. This novel is as relevant today as it was when it was written, at the height of the good old Cold War.

One of the oddities of this novel is that almost all of the conflict occurs within the majority party (although unnamed, it is the Democrats.) The minority party (Republicans) play almost no role whatever, and the novel barely acknowledges that they exist. This is the Democrats of the 1960s, when that party was much more conservative than it is today.

This is an excellent novel that should be required reading for all high school and college students.

This book does a very good job in trying to explain some of the causes of violence and some of the systemic failures in our society. It also provides an interesting narrative of the people involved in the story.

I am a descendant of James Butler. For the record, that family is not Scotch-Irish, they were English and had been for hundreds of years. They went to Virginia from England in the 1600's not because they were poor or down trodden but because they were wealthy and well connected with the intentions of making more money.

Shoddy research just makes me cringe.

I'm not A reader of books. I was refered this one and I can't stop referencing it in everyday conversations. This book is not only a great history lesson of Racial tensions but also a great look into the history of violence in our Black Youth....

On a cold wintry day in March 1978, Willie Bosket, a 15-year-old boy with an extensive juvenile record, shot and killed a middle-aged hospital worker in a New York City subway robbery. Eight days later, Willie robbed and killed another man under similar circumstances. Shortly thereafter, he was arrested, confessed, and was found guilty of these two homicides. He was given the maximum sentence for a juvenile of five years for the two murders. He felt not a whit of remorse for his actions, and was quoted as such in the papers.

A few days later, New York Governor Hugh Carey, reading about the trial in the New York newspapers, became so incensed that he immediately called a special session of the state legislature in Albany. He proposed and was successful in passing a new law in record time, the Juvenile Offender Act of 1978. This law allowed kids as young as 13 to be tried in adult criminal courts for murder and receive the same penalties as adults. This law was a sharp reversal of 150 years of American tradition. New York became the first of many states to make this watershed change in juvenile justice policy. Willie Bosket had made history.

If All God's Children were merely a harrowing recitation of the criminal life of Willie Bosket, it would be a fascinating chronicle of the "most dangerous prisoner in the history of the state of New York." But it is much more than that. It is also a multi-generational tale of the Bosket family dating back to 1834 in South Carolina. It in particular traces the interweaving stories of Willie Bosket and that of his father, Butch Bosket, with all that they held in common-genius-level IQs, a history of explosive anger, psychopathic tendencies and a conviction for two homicide.

In telling this saga of the Bosket family, Butterfield has successfully woven together a sociological treatise on violence in America, a cautionary tale of the pernicious effects of slavery, and a genealogical study of a truly tragic family.

Armchair Interviews says: A stunning read.

This book was indeed an eye-opener. I encourage all who are concerned about our society as a whole to study this book, and especially those who are in social services. Mr. Butterfield should be applauded for this work.

Professor Emeritus Harry Gottesfeld has done a lot for mental health in the USA and in Europe. His programs have literally helped hundreds of thousands of people. This book is a classic reference and everyone in the field should have a copy.

Sometimes a book is written that is insightful and helpful. Harry Gottesfeld, the eminent scholar, professor, and Director of Mental Health is at his best in this tome. No one else comes close to presenting this information so well.

Dr. Gottesfeld's book is the classic work on this subject and well worth buying if you are lucky enough to find a copy. It always seems to be out of stock due to great demand. I really like the way this famous professor, clinicial pyschologist, and former Director of NYC's 28 Mental Hospitals presented this material so anyone can read it and "get it" right away!

This book is used in Universities, Social Agencies, Government agencies and Courts. It should also be used by every American family who faces this problem! The book is written by one of the most fruitful and wise clinical psychologist's of our time.

The best book I have ever read on this important subject. This book is written by one of the most brilliant psychologists of this era, the humanist and clinicial psychologist, Dr. Harry Gottesfeld.

Thurber's classic about growing up in Columbus, Ohio is laugh out loud funny, even 80 years removed. Talent like this is rare. He deserves his literary reputation.

James Thurber was one of the funiest authors of all time and this book cements his reputation. I enjoyed it many years ago and after re-reading it, I enjoyed it again.

Should be required reading for all folks of any age looking for an introduction to life in these United States, for those learning to overcome despair and disaster with humor and grace, for any and all learning the English language.

Thurber is a great favorite of mine, and this was another fun book to read.

Take your mind back half a century and read these mildly amusing essays about life in the 1920s and 1930s. The style is so different from modern prose, but it is well worth the read.

Zainab Salbi's life seems idyllic, but even as a child she senses the tension felt by her wealthy parents as they entertain and are entertained by Saddam. Salbi's story shows two sides of Saddam: the cruel and abusive despot and the genial manipulator. In spite of the web Saddam spins around her family, Salbi experiences adolescent rebellion, ignorant of the danger her parents see threatening her, just as it threatened her mother and eventually ruins her parents' marriage. Salbi's story is a fascinating portrayal of a family living in luxury under tyranny and the dangers faced whether the choice is to endure or to escape.

There was not one moment during this book that I wasn't totally captivated. The author puts a human face on the struggle of those in Iraq who lived under Saddam Hussein. And throughout, you are constantly reminded that she was among the "fortunate" by comparison. I found it to be an excellent education in the history of the country and the evolution of it in recent decades as well. I read this book on a recent camping trip in New England when I should have been mesmerized by my surroundings. Instead, I found I could not put this book down.

Short and sweet.. This is an awesome book. You see so many sides of Suddam. His dark side certainly made him a candidate for his execution!

it took a while to get here, but it was in good condition when it did.

Wow! This book knocked me out. I could NOT put it down. It really helped me understand some of the conflict within Iraq, but more importantly, the author and tone of this book is just very human, real, and accessible. As a youngster, and for all of her formative years, Saddam Hussein is in the background as a family "friend". Though her parents resisted his friendship, they found it more and more dangerous not to be his friend. It's like living with the devil! However, the author eventually gets out of Iraq and away from Saddam Hussien, due to an arranged marriage. I won't say how that goes as I don't want to ruin the ending.

I do feel that this is one of the absolute BEST memoires I ever read and it was written with a lof of grace and humility. For me, it was an important book, and I highly recommend you read it. I think it will become a classic memoire.

This is a view of the Iraqi people and of the war without the hype and politics. How it impacted the people who lived there, who had no part in any aggression against the US, the parts that our national news doesn't talk about or show us. It is well written and paints us a picture of Iraqi lives in a war zone. Dahr deserves our thanks.

It was refreshing to read some non-mainstream news reports from Iraq. I wanted to see more contact with our troops and their comments and I was disappointed that his reporting wasn't more recent but suffice it to say, Jamail did a great job reporting what he saw. The risks he took to get some of his stories left me a little shaky. I'd certainly read some more of his writing.

"Lying in bed near Rana was Hanna, fourteen years old. She had a gash on her right leg from the bullet of a U.S. soldier. Her family had been traveling in a taxi in Baghdad past a U.S. patrol that very morning, when a soldier opened fire on the car. Her father's shirt was spotted with blood from a head injury from when the taxi crashed." (page 236)

This is Jamail's eye-witness account from an Iraqi hospital and an example of the really good journalism that puts the reader inside the Iraqi experience. Understanding what civilians are subjected to under the occupation helps explain why the resistance against the U.S. is so popular. This book's relentless exposure of war crimes is a scathing contrast to the establishment media. Jamail should be on national network shows to share the truth with America about what we sent our troops into harm's way to do to another people.

This is a "slice of life" report on the reality of what is really happening in Iraq. It is nice to read a report that doesn't depend on the control by the neocons that is part of an embedded journalist's story. He was the first author to bring to me the news (since confirmed by Congressional hearings) that the Iraq "parliament has for over two year voted against our occupation of their sovereign country, wants us to set a date to leave, would help us to leave, believes that we are causing the problem, and refuses to give our country their oil. Se Congessional hearings on U N mandate for occupation of Iraq. M L G

I am placing an order for this book once I am done writing this 'review'...so, no I have not yet read it...but I have been reading Dahr's reports for the last 3+ years - you can subscribe to his dispatches at his website - and have found his work to be a hugely grounding element in my thoughts and feelings of the US invasion and occupation of Iraq.
I had the pleasure of meeting Dahr in NYC in 2005 at one of his presentations on his trips to the country. I asked him how he ever came to the incredibly corageous decision to go to Iraq and he told me that he felt that if he *didn't* go, didn't do something, his head was going to explode. To be so motivated to actually put himself in a war zone is the kind of sincerity and passion that is sorely needed in the journalism of our time.
Dahr Jamail is one of my heroes.

Blue Monday is an interesting but not a compelling read. We never get inside Fat's head to understand the man, so we get an expanded discography. The dates, times and places seem to be well researched which begins to wear after a while. The matter of fact style just does not bring Fat's personal life into focus, although there are many descriptions of incedents about him. He remains a mystery in reference to his personal motivation, dual life style, and reclusive habits.
Russ H.

I guess if Antoine "Fats" Domino could keep the President and First Lady waiting, then he could keep us waiting for his first biography - this is a Natural Born book about a musical genius, intriquing personality, and unassuming cultural revolutionary.
The author tells his story and includes many entertaining anecdotes about life at home and on the road with several sets of support players - the greatest names of course being Dave Bartholomew, Herb Hardesty, and Lee Allen. We get a strong picture of the smiling, "safe" rock and roller, as the often defiant man's-man. And a complex artist/showman: he could sing The Rooster Song while flashing rings to make Freddie Blassie envious.
A great bunch of previously unpublished black and white photographs from Look magazine, among other handsome prints of lesser known shots really bolster the text.
A serious ommission for the audiophiles: not even a selected discography and no sessionography. [Though there are "Notes" in the back of the book on the mysterious Broadmoor recordings, including personnale and dates!]. Of course the '50s period sessions can be found as a booklet in the Bear Family 8-CD set, and in a European book, "Jazz Records"; also in a fairly recent issue of Goldmine magazine. But Fats Domino ABC-Paramount, Mercury, Broadmoor and Reprise FD session data has never, to my knowledge, appeared in print, and what a fabulous component that would have made.
Speaking of the ABC-Paramount tracks, the author did not mention in the text a very important 4-CD set, "The Paramount Years", which included the *incredibly* rare fourth l.p. for that label, plus the 1980 "If I Get Rich" from another record company!
The idea that "The Fat Man" is the first R & R record also doesn't agree with me. Yes, the elements are there, the upbeat shuffle and bright lead vocal, but that powerful sound (and many others by Fats in that '49 to '54 period) were not *primarily* for the youth. The first discs to be produced for teenage tastes came much later. I wouldn't even include "Tutti Frutti" in that category, as it too, lyrically and instrumentally echoed an earlier, "swingin'" sound. [It was "Ready Teddy" folks which screamed out...Rock and Roll!!!].
Still, this book should be "required reading" for those dedicated followers of those Rock and Roll Hall of Famers.

Boy ol Boy, Rick Coleman has written a great book on the TRUE story of Rock & Roll! I know as I was there and if you want to know what it was really like to be on the scene when true rock & roll was called race music on a juke box, Boogie Woogie and the down home blues was taking over the country then get this book and turn others on to it also. No one person was more responsible for the birth of R&R and R&B than the Fat Man! This was long before Elvis, Haley and the hand full of others came on the bandwagon. [...]

Rick Coleman's new book "Blue Monday" is the first full biography of Fats Domino. Many interesting things are therein.
- Fats was the first black rock & roll star. His records made the pop charts before r&r's dawn in 1955.
- Kids did not buy albums in the 50s, but Fats' albums sold, meaning he had an adult following like Louis Armstrong's.
- Fats concerts were often scenes of teenage riots. He may be known for `Blueberry Hill,' but his fierce rolling piano ignited his audience.
- "Blueberry Hill" was the product of a botched session. Engineer Bunny Robyn edited together the best parts of several incomplete takes and simply repeated the chorus.
- The string-laden "Walkin' To New Orleans" was a big breakthrough which traditionalists lamented. But it hit R&B (#2) even higher than pop (#6).
- Roy Brown once ditched a plan to have Fats open for him on tour. Fats never forgot it, and refused to have Brown open shows for him when the tables were turned.

Of the Big Five (EP, FD, CB, JLL, LR), Fats is the least lionized because he was not a "rebel." Historians normally embrace only people with bold lifestyles.

From his first record in 1949 until his harrowing escape from Hurricane Katrina in 2005, Antoine "Fats" Domino has defined New Orleans and its culture. This book puts Fats, his city, and his music into perspective in amazing detail. In the process, Rick Coleman convincingly demonstrates that Fats and his collaborators--especially songwriter/arranger Dave Bartholomew and producer Cosimo Matassa--have as solid a claim as Elvis, Carl, and Jerry Lee with Sam Phillips in Memphis or Wolf, Muddy, and Chuck with the Chess brothers in Chicago as the prime architects of rock 'n' roll. The product of more than 20 years of exhaustive research, this is, surprisingly, the first biography of one of the greatest early rock stars. Coleman had his work cut out for him; Fats is notoriously reclusive. Nevertheless, you come away from this book admiring Fats's talent and drive, and Coleman's exhaustive research and evocative writing. All the other great Louisiana rockers are here--the bayou wild men, backwoods musical savants, and forgotten honkers, shouters, string-benders, and drum-thumpers who helped create the Crescent City sound. I highly recommend this to anyone who wants to understand the real, complete history of rock 'n' roll instead of the revisionist pap that passes for such. -Mark Hoffman, co-author of "Moanin' at Midnight: The Life and Times of Howlin' Wolf"

Upon rereading this recently, I discover many areas in which Niven's memory is faulty in recalling certain events. This isn't surprising, given the fact that he was writing his memoirs decades after said events took place.

Some are frantic to know who "Our Little Girl" could have been. It can only have been Vivien Leigh. No, she wasn't from Arizona, she wasn't a blonde, etc. This would have been Niven's way of protecting her identity by creating an entirely different look and background from Leigh's own. When Leigh had her famous breakdown, Niven stayed with her for two days until Laurence Olivier, who was still married to her at the time, could come from England. Niven writes about this very occurrence in "Our Little Girl", which helps to identify the actress as Leigh. He was good friends with both of them, which may be why he chose to hide her identity rather than to give it out straight - Leigh died years before the book was published, but Olivier was still very much alive.

Niven has a style that is very easy to read, very human, warm, and often hysterically funny. He shows us a Hollywood apart from the glamor, the opening nights of movies, the gorgeous people. His Hollywood is populated by real people with real faults. A widower himself (his first wife died as the result of a tragic accident), he treats the stories of Clark Gable and Fred Astaire, both widowers, with empathy and compassion.

Tricky memory notwithstanding, it's still a wonderful read.

David Niven is an often neglected actor from the Golden Age, but as a man, he was very likable. This book is proof that the talented actor was also a talented writer. He discusses many different people and scenerios in this book, the title of which is derived from an amusing incident on a film set. He writes with depth and clarity; it is obvious he has really analyzed the people he mentions. His respect for fellow stars and directors is admirable, especially the malligned ones.

Here we learn that the "Goldwynisms" that Samuel Goldwyn is so famous for might have all been made-up. We learn that Errol Flynn was indeed a womanizer, but no rapist. We hear an amusing story about Edward Goulding's funeral complete with the worst pallbearer casting in history.

The oddest thing in the book is a short story in the form of a chapter called "Our Little Girl." I still am not sure why it was included.

What a treat! So refreshing to have someone as talented and connected as Niven share his uncensored experiences. The stories of Errol were moving beyond anything I'd ever read about him before. Everyone has sung this book's merits, I want to concentrate on "Our Little Girl". WHO THE HECK WAS THAT???? People are saying Vivien Leigh (came from Arizona, left her mother behind, had a baby, married a camera man, married three times, grew up in the Hollywood system, a blonde known as the Erector set?????) Vivien Leigh doesn't even begin to fit this description. Lana Turner seems most viable but these details do not fit her story either. Same with Rita Hayworth. WHO WAS IT???

I read both books at school in the eighties. I well remember coming across them at the back of the room in my English teacher's large bookcase. I don't remember much, just that they were a great read. Well his first time sticks in my memory....

There is another book about David Niven, titled The Other Side of the Moon. Its author is Sheridan Morley. You might want to read Mr. Morley's recitation of David Niven's life in order to get a more balanced picture. Bring on the Empty Horses is much more about the famous people with whom David Niven hobnobbed during his Hollywood career, than it is about David Niven himself. As to himself, Mr. Niven plays it close to the vest in his autobiography. Mr. Niven makes only a passing reference to the multi-year affair he conducted with Merle Oberon. And a mystery that was not addressed in the autobiography, or in Mr. Morley's book, is exactly how Mr. Niven's wife died. The story from Mr. Niven is that his first wife died accidentally by taking a fall while playing "hide and go seek" at a party at a friend's house. Oh, please! No adult, let alone the sophisticated glitterati of Hollywood, played "hide and go seek." I get the impression that Mr. Niven's autobiography presents a very calculated and sanitized image of himself and his life. But his book does relate fascinating stories of his famous Hollywood friends. Despite my resentment over Niven's obvious lack of forthrightness relating to his life's story, his book remains one of the most entertaining books I have ever read.

This book introduces jazz to a young audience. It explores the sounds, rhythms, and emotions of the genre through colorful pictures and rhythmic words similar to the beat of "scat" singing.
Lots of the words are there just for the sound of them. By focusing on the sound words, students could develop spelling strategies that help them move from phonemes, the sounds they make, to graphemes, the written representations of those sounds.

This book is excellent. The illustrations and musical text allow for early readers to really enjoy and learn from this book. Perfect for preschool and kdg age. I used this book as the basis of a jazz unit, it worked wonderfully.

"Charlie Parker Played Be Bop" was my son's favorite book when he was two and nine years later we still have fun reading it. I now purchase a copy for new parents to read to thier babies. As a speech language pathologist, I want to share to magic of words and the music they can make! This book is an absolute MUST read for all children.

I wasn't sure how my little one would respond to this book even though I love it. If I ask, "Do you want to read about Charlie Parker?," she lights up and starts literally starts to bop. The baby digs it. Just more evidence that the jazz is a universal language. I like the introduction to poetry, rhythm and randomness ("Never leave your cat alone"). I bought two other copies and gave them to my friends for their babies.

I am an elementary school music teacher with students ranging from pre-K to 5th grade. I read this book to all of my pre-K and kindergarten through second grade classes and sometimes the mood strikes me to read it to older students. There is something in here for most every age. Everyone loves it.

So why does Raschka draw chicken feet in such odd places, e.g., on overshoes, alphabet letters, pancake flippers?

Well, rumor has it that one day Charlie Parker was driving back to his boarding house and, as luck would have it, he hit and killed a chicken that had run out into the street from someone's front yard. Such chickens are called "yardbirds". The alleged events include Parker doing the unthinkable, namely, backing up his car, picking up the dead chicken (aka "roadkill"), taking it to his landlady (hey, it was fresh!), her cooking it, and him eating it. When friends heard this story, Parker was known forever after as "Yardbird", which was eventually shortened to just "Bird".

If you didn't catch the part about the chicken feet on your own, don't feel badly. Insiders like Rachka and myself know it and now you do too. Rachka has done a terrific job in providing a lot of feeling about some very notable personalities. Plus he does it with humor, some of which is very subtle.

My students probably have as much fun going through Parker's history as with the book itself. But all of that is just the preliminaries: I then have to read it several more times with the students reading and acting out the story. We have a rockin' good time.