North America Books

This very fine history of North America covers 10,000 or so years of exploration and settlement all in one volume. It is written in a clear, concise prose, and although it is loaded with facts and anecdotes it is never dry. Morgan starts out by describing the peopling of North America via the Bering land bridge. Then he moves into the stories of the European explorers and early settlers, and how they deal with the Native Americans. After many hardships and failures, the Spanish end up with permanent settlements in the south, the French in the north and the English on the Atlantic Coast. Morgan then describes the emergence of the Americans and how they eventually dominate the continent and displace Europeans and Native Americans alike.

I highly recommend this if you enjoy American history.

Beginning with the passage of people across the Bering Strait, Wilderness at Dawn : The Settling of the North American Continent takes us through the westward expansion of the United States. Carefull attention is given to the Spanish, French and British influences on the American way of life. An excellent and concise reference for anyone interested in North American History. Easy to read, and full of real life history

Breathtaking approach to a well known subject. History from the people's viewpoint. No dull dates, battles, generals, presidents; but living, breathing stories by and of the most unique and most common. Must also read Shovel of Stars, the sequel (also 10)

Ted Morgan's "Wilderness at Dawn" is one of the best of a crop of North American colonial histories published since 1990. Rather than a comprehensive history, it is a series of incidents that add up to a very readable whole. Morgan begins with pre-Columbian history and goes on to relate the experiences of the Spanish, French, Dutch, and various flavors of English colonies. One of my favorite stories is how the godly Pilgrims found themselves neighbors to a riotous colony led by one Thomas Morton. Before Miles Standish put their rivals out of business, Morton's drunken crew traded guns and booze to the Indians in exchange for beaver pelts and sexual favors. Anyone who believes history is boring has not read Ted Morgan's and other recent works about the American colonies. The last section of this book addresses the problems of post-Revolutionary War colonization, including chapters about the appalling dangers of trans-Appalachian settlement and about how the Old Northwest was surveyed.

Reading these first person accounts of day-to-day and moment-to-moment life in pre-Colonial America gave me such an appreciation for what our predecessors went through to make our country the great one it is today. This is the book our children should read in their American history classes. Exceptionally well-written, with a "you are there" feel to it. Makes me want to learn more about the young George Washington after reading about his escape from the center of the freezing river. Well-written, entertaining and informative. I'm lapsing into cliches, but this book is a MUST READ. Just brilliant. You'll admire the everyday people who built our country one day at a time, and never tire of reading about their adventures. I hated to see it end, so thank God there's a sequel!

Nate Shaw was the father of my Uncle Oscar Turner's best friend. His real name was Nate Cobb and the family of the son, Lorraine, is prominent in the Middletown, Ohio ghetto.

The author has done a masterful job of illustrating how greatness was thrust upon him. Nate never set out to become a hero, only to protect his own dignity and provide for his children.

I do not believe that there is a better book for teaching about the lies of 20th century sharecroppers. Theirs is an overlooked legacy.

This is a timeless classic, and not just among memoirs, because the subject was a great American---a man who "had no get-back in him." Nate Shaw (real name Ned Cobb) had an amazing memory, and also an acute understanding of the post-Civil War rural South. The rhythm of the seasons, work routines, knowledge of livestock, nature and people too, combine for a profound view of a vanished America. (If you want to really know about mules, Ned's the man.) But Ned didn't just observe, he worked with the Alabama Sharecroppers' Union and defended powerless friends, serving 12 years in prison for his pains. This activism sets him apart from Kas Maine, a South African sharecropper to whom he's been compared in recent years. The earthy dialect wears out some readers, but otherwise "All God's Dangers" is compelling from start to end. Writers from Wendell Berry to Pete Daniel praise both man and book, while John Beecher's "In Egypt Land" is a moving poetic rendition of Ned's story. R. Kelley, "Hammer & Hoe" vividly recreates 1930s Alabama; on Kas Maine, see C. Van Onselen, "The Seed Is Mine." But Ned tells about his world far better than the others. In living, then narrating, a life of great struggle lived with great dignity, Ned Cobb performed a signal service---for all of us. We are in your debt!

I am hoping that by entering a review here, I can see other reviews that I can use to write a book review on this title. Its due tomorrow! Yikes!

Ted Rosengarten is a masterful writer. All God's Dangers is an amazing undertaking that brings Nate Shaw's story to life. After a few pages, it's almost as if you can hear Nate talking. A must read for anyone interested in history and anyone who wants to learn how a book should be written. And Rosengarten's Tombee, if it can be found, is another must read.

In the middle of Rosengarten's book, truly a masterpiece of oral history memoir making, Nate Shaw says "all God's dangers ain't a white man." This would seem truly a remarkable thing for a black man who spent over a decade in an Alabama prison to say, but as a farmer growing cotton in Alabama during the first half of the twentieth century it quickly makes sense once he explains it. Shaw's story of his chaffing under his good for nothing father's roof; his growing prosperity as share cropper and than as a yeoman farmer; his hucksterism when dealing with violent and hostile whites attempting to cheat him; the defense of fellow small farmers that got him thrown in jail during the Great Depression; and his takes on the science of farming, race relations, the American class system and his own life experiences show Shaw to be a master story teller and Rosengarten and master interviewer. The combination of these two was absolute dynamite.

If you buy this book because the title might indicate it is an overall look at the banjo, its playing, its musics, and its place in society, that is not what this book is or pretends to be.

This is a history of the physical development of the banjo and its construction and manufacture during the 19th Century. There are some small references to the different musics the instrument was used for, but not many. There is elaborate and detailed discussion of the main lines of construction of the banjos during this period. The authors also write well and thoroughly about the business dynamics of the chief producers
of the banjo during the 19th Century.

While this book is obviously the work of two of leading banjo collectors in the world and of interest to banjoists and instrument makers of all kinds, it is an important picture of America social and economic history as well. Someone interested in the rise and development of capitalist industry, fetishism of "the finer things in life" by the middle class, and how culture wars were waged in the 19th Century would profit from reading this book.

For the artistically inclined there are a number of beautiful plates of 19th Century Banjos as works of art. It is clear that the authors priviledge the decoration and physical beauty of the instruments as much as they do the instruments "playability."

This work is great in itself. I found it very readable and believe someone who did not know much about banjos would also find this readable.

If you are interested in the social and cultural history of the instrument to the present day, what you need is
That Half-Barbaric Twang: The Banjo in American Popular Culture Culture by Karen Linn.

If you are interested in the African origin of the instrument, its development from African playing styles, as well as the roots of contemporary "frailing" and clawhammer and much else about the musical tradition of the banjo, especially as used in traditional folk music try African Banjo Echoes in Appalachia: A Study of Folk Traditions by Cecelia Conway. Both books are available here on Amazon

At last, another important book has emerged to stand with the few other necessary references on early American 5-string banjos.

Unlike the two fine Tsumura books which are primarily photographic essays of considerable magnitude, Gura and Bollman's treatise combines a highly readable and informed history with a remarkable collection of rare antique photographs and ephemera plus 4 lengthy sections of recent photographs of exquisite instruments and banjo related objects. Any one of these three aspects would be sufficient reason to own the book.

The frequently startling and personal photographs impart a very human feeling as we progress through the story of the evolution of the banjo in American culture. Amazingly, they represent just a minor fraction of Jim Bollman's immense collection.

Special praise is due Peter Szego for his magnificent photographs of the wonderful early banjos from his own collection.

I find it hard to remain objective as I turn the pages and imagine what it must have been like to pose for one of those Dageurreotypes, rudely dressed, banjo in hand, daring the photographer to capture my soul. And again, when I turn to that favorite Boucher or Fairbanks banjo and long to feel and play it.

Well done, gentlemen, and thank you!

James Bollman's collection of banjos and banjo memorabilia is stunning and this volume may be the only way in which I would ever be able to view it in my home a photograph at a time. The history is a resource for historians and reenactors alike. The vintage photos are mostly ones I've never seen before. This collection has the most vintage photos of lady banjo players I have ever seen. The 1860's photo of a young woman playing the banjo on page 93 has enough detail for a reenactor to duplicate her dress and accessories as well as her banjo. The same is true of an 1895 photograph of a woman playing a Fairbanks Electric. The turn of the century all woman banjo band on page 10 is inspiring. It's great to know that there have always been lady banjo players and these photos give the lady reenactor a place to start when planning a period costume to go with a period banjo. There is a section of breath taking color plates in this book that allow you not only to see detail on some rare banjos, but also depict antique banjo clocks and memorabilia. I never knew such pieces existed until this book. A great book and a must have for anyone interested in vintage instruments and pickers.

As a banjo player of some twenty-five years experience, as well as a historic interpreter/performer of Early American music, all I can say is that this is the book that I've been waiting for! This well-researched, well-written, beautifully illustrated tome doesn't just give us an interesting history of the banjo; it offer us a fascinating view of the instrument's pivotal role in the birth of American "pop" music.

My favorite features of the book are the antique period photographs, as well as the many wonderful illustrations of authentic period instruments and ephemeria, primarily from the extensive personal collection of the book's authors and fellow collectors such as Peter Szego. The majority of the 19th century photos depicted belong to author Jim Bollman, whose home can best be described as a museum and shrine to the banjo. I'm also a collector of vintage photos of musicians and I can tell you there's no one more respected in the field than Jim. His name is constantly invoked with awe and reverence by both dealers and other collectors. I have to admit there were times at photo shows when I've had cause to harbor some unkindly thoughts towards Jim every time it had become that he had scored all the best photos. However, purchasing this book, which contains many of those incredible unattainable photos, more than makes up for that.

My only complaint about "America's Instrument..." is its failure to really explore the banjo's African roots other than to briefly quote Dena Epstein's pioneering work on the subject. Also, the authors are mistaken in their statements that the African ancestors of the banjo, such as the xalam, "lack the shortened string on the top of the fingerboard that is characteristic of later banjos." In fact, the xalam has three "chanterelles" (drone strings) of various lengths above the two long melody strings. A cursory look at the xalam illustrated in the book would reveal that.

Be that as it may, I highly recommend "America's Instrument...!"

If one were to collect instruments, art and ephemera to organize and document an exhibition about the banjo, a good place to start would be to review Gura's and Bollman's "America's Instrument: The Banjo in the Nineteenth Century." This impressive book actually seems like a comprehensive companion to a museum's exhibition which could have the same name, and I could envision such a treatise being a museum gift shop's best-seller.

James Bollman is recognized as one of our Nation's foremost banjo collectors, and his outstanding assortment of Victorian-era banjos and related paraphernalia is one of the finest in the world. He was very pivotal as a project consultant to the fine exhibition that took place in 1984 at the Massachusetts Institute of Technology called "Ring the Banjar!: The Banjo in America from Folklore to Factory," curated by Robert Lloyd Webb. That exhibit's catalogue had some wonderful information, photographs and illustrations. After seeing it, I was personally inspired to research and write an article about "Banjos at the Smithsonian Institution" which subsequently appeared in Bluegrass Unlimited magazine (Vol. 27, No. 5, November, 1992).

Philip Gura, historian and Professor of English and American Studies at the University of North Carolina, is an expert in the history and culture of America's music industry. I found Gura's 2003 charming book, "C.F. Martin and His Guitars 1976-1873," to be well-researched, thoughtfully written, beautifully illustrated, and professionally executed.

In "America's Instrument: The Banjo in the Nineteenth Century," Gura and Bollman begin by documenting the banjo's evolution from the plantation to the stage. An interesting overview of the minstrel tradition and early performers is given. The authors show how the popularity of banjos increased, largely due to effective marketing. As the banjo made its way from the minstrel stage to Victorian parlors and concert halls, the physical development of the instrument was also affected. Part III of the book addresses "selling the banjo to all America," focusing on the efforts of Philadelphia's S.S. Stewart. It's interesting that Stewart's adoption of the "cause" of the banjo (nothing short of everything about it) set him apart from other makers. The book's fourth part, "manufacturing the real thing," delves into how the Boston banjo makers (Fairbanks, Cole) began to challenge Stewart's preeminence in the mid-1880s and eventually design and build the acknowledged standards of the banjo world.

Ragtime is given cursory treatment in this book. Another direction that banjo music took was into classical music, and the book could have devoted something to that incarnation of the instrument. I found it curious that this book makes no mention of Alfred A. Farland, "the progressive banjoist," who caused quite a stir in the banjo world in the mid-1890s when he played concertos, Beethoven sonatas, and even Rossini's "William Tell Overture" on the instrument. He was also known as the "Scientific Banjoist of Pittsburgh, Pa."

It also becomes quite apparent that the major banjo makers in the late 19th Century were located mainly in the urban north, and the great majority of major makers are discussed. However, this book should have at least acknowledged J.B. Schall, from Chicago, who built a large number of banjos about 1870-1907. Of a list of manufacturers of "classic" banjos in Akira Tsumura's "Banjos: The Tsumura Collection," most are addressed. Rettberg & Lange (New York 1897-1929) aren't mentioned, and only very brief mention is made of Weymann & Son (who made banjos in Philadelphia from 1864-1935) and Charles Bobzin (who operated in Detroit from 1892-1915).

While this book is beautifully laid out with over 250 illustrations, some of the very special banjos featured in the MIT exhibition, at the Smithsonian Institution, and in private collections such as Akira Tsumura's or David Vachon's, might have further enhanced Gura and Bollman's book. Some of the instruments are credited as from the collection of Peter Szego or Philip Gura, and the other uncredited photographs are apparently from the extensive collection of James Bollman. While the many full page color illustrations are definitely nice, perhaps the book could've added many more by placing two to four per page. Banjo afficinados typically enjoy such "eye candy," and photos speak a thousand words.

Keep in mind that this book only covers the banjo in the 19th Century. There is a cursory link to the banjo in the 20th Century, and there's only minor mention of firms such as Gibson, Paramount, Bacon and Day, and Weymann. While the authors state that "the stories of these companies and their instruments are fairly well known and...belong to the history of the new century," I hope that Gura and Bollman will consider pulling all these tales together into a sequel that documents the banjo in the Twentieth Century. All in all, they've done a very fine job covering a hundred years of the instrument's early history in America. Banjo-players and others interested in the instrument's history should certainly add this book to their library. (Joe Ross, staff writer, Bluegrass Now)

This is a great book!! It is well worth your money. If you are planning a vaction, then buy this book. It has theme parks from Disney to Universal Orlando, to Cedar Point, all of the Paramount Parks and many, many more!! The ultimate guide to rollercoasters is this book!!

I had gone to the conference with much knowledge about the subject. I was told about the book from there. Could I have obtained it, I would have been the top in the list of performers.

This book is a must for all amusement park fans. It gives all the information you would need to have a fun and exciting day at any park in the U.S. or Canada. Mr. O'Brien has done a masterful job of helping you plan your visit by giving the operating times as well as the best rides and shows. There is also a listing of all the roller coasters in the park. His vivid description of the park gives you the feeling of being there. I would recommend this guide book to anyone planing a trip to an amusement park in the future.

This is, truly, the bible of amusement park guides. I am always amazed at its thorough coverage of parks, both large and small, in the United States and Canada - is there an international edition in the works??? If so, put me on the list of buyers.

It's difficult to think of a park that isn't listed here - from the mainstream parks such as Disneyworld and Universal, to the tiny, neighborhood parks such as Weona and Nelly Bly, they're all here, and beautifully documented. Signature rides are listed for each park - from the big, modern coasters, to the rarer flats. As a huge fan of Flying Scooters and Lusse Auto Skooters (you fellow park nuts will know what I'm talking about, here), I love that such rides are included. Park histories are here, as well, for all of us preservationists.

Directions, websites, and further information are included for the parks, also, which greatly helps if one wishes to visit a park. Also, common-sense tips for park visitors are here, as well as little-known secrets that assist with getting around a park to the greatest efficiency.

I was fortunate enough to find this book while visiting Knoebels Grove (the best park in America, as far as I'm concerned), and couldn't put it down during the entire ride home. It's addictive, informative, and, well, a must-have. What with the summer practically here, run, don't walk, and get your copy NOW.

This book is just awesome...it reviews over 350 theme parks, amusement parks, and waterparks all over the U.S. and Canada, providing everything you'd want to know about every park...the great roller coasters and other thrill rides, costs, operation schedule, directions, special tips, insider facts and trivia, historical milestones, etc. Also gives phone numbers and website addresses for each park. The author is a life-long park expert and senior editor of a major park industry publication...he really seems to know his stuff, and he injects some fun and personality into the book. It's a great guide to use to plan your park trips and to carry with you for quick reference. It's also fun to to sit down and read through it because it gives so much interesting trivia on the parks. Just a fantastic, authoratative, fun, easy-to-use resource on parks.

The mission of IHS to promote and ensure that the Native Americans/Alaska Natives receive the best possible health care available. The network of SOME Commission Corp and higher up management officials have at their disposal the IHS to abuse their positions and inflict harm on faithful IHS employees. Ii commend you Mr. Burns on your book. I as an Indian female IHS employee have felt the RATH of IHS and have filed EEO's MSPB,Whistleblow, Office of Special Counsel complaints and no protection is offered to complantants for reprisal. This insanity, misappropriation of funds, abuse of positions and harassment of any form needs to stop. Short of a congressional hearing no one, not even Donna Shalala, seem to care about the abuse within IHS. When all administrative channels are followed, and still nothing is done, What is next? If you want a best-seller write about the complantants who suffer and lose their livelihood and years of dedicated service to managers directors who abuse their positions. People are willing to give you their stories. The only Mission these directors/managers have at heart is their own, a mission of illegal tactics.

I am calling all American Indians especially women to come forward and contact Amazon Books to tell their stories of EEO violations and management's abuse of power. Without Amazon, Indian women would continue to suffer in silence. The book is real! How can the Indian Health Service mistreat Indian women. Shame on you Indian Health Service.

When I consider how the Public Health Service has treated Native women, I am so disgusted and outraged by the white male agenda of hatred that I could scream. To think that Native women were FORCED into sterilization! It is just so typical of the white male government. As a radical feminist woman of european descent, I am OUTRAGED by the way the Native population has been treated. Apparently our government thinks that their suffering is just some sort of big joke. Let's remember, then, that someday white males will need affirmative action!

This book needs much wider exposure. Finally the Native people and especially Native women have an advocate.

There are others, for example, the elderly Native population and young Native people who are also suffering, unfortunately, from IHS's inability to meet the health needs of the Native People.

The IHS Director continues to allow and tolerate inter-office romantic affairs especially those between married staff. I can name names of Headquarters and Area staff who have had affairs still ongoing or within the past 4 years that include: Area Directors, Executive Officers, and Division Directors (all males). My next review will contain the names and this time it is not fiction.

Wow!! What a terrific book . . . the text, the sounds, the selection of species, the layout . . . everything works perfectly together. And, the Western book is just as impressive as its eastern companion.

I opened my pre-release copy, intending to spend just a few minutes and return to it later. Two hours went by, and I was still reading and listening; I couldn't stop turning the pages.

Of course, I went right to my favorite birds, reading the text and pushing the buttons to listen, as I expect that most people will do. But then I settled in and went to other species, and then I read the introductory pages. The information there will bring you to a whole new level of enjoying these remarkable creatures.

I have struggled for years to identify birds through their song, aided by mostly meaningless mnemonics as these are presented in most guides. For the first time, Kroodsma's full description of each species' song gives readers enough detail and context to help them understand what they are listening to. These birds come to life in the text and then the icing is the lovely songs themselves. Push the loon button and you are immediately transported to remote northern lakes. Push the phoebe button and hear how he sings his two different songs. Hear how animated a pewee is at dawn compared to later in the day. Try the wrens, thrushes, warblers, sparrows. They're all there and more, in the text and at the push of a button!

This is a truly special book. I'd give it ten stars if I could. Now I have the perfect gift to give to my friends to show them why I've always been so thrilled to hear a singing bird.

(Originally submitted 4/29/08 but missing from current list of reviews)

This is the bird identification book I, personally, have been waiting for all my life. Easy to use, easy to share with kids to introduce them to the joy of hearing that bird and then seeing it. Easy to share with bird experts, who love filling in whatever is always left out.And a joy to share with anyone in between (like myself and my friends) who just thinks birds are so much fun. Sincerely, S. Phaeton

A great book with an innovative way to engage the children in learning about birds. A descriptive passage is written about each bird. Also an authentic audible sound can be created simply by pushing a button. Great for adults as well.
gary

I got this for my Dad for Fathers Day and he loves it. He was impressed with the quality of the recordings and the different meanings of the songs that some birds sing.

The illustrations & descriptions for each bird are done very well. The sound quality of the individual bird songs is excellent. This book is a great way for anyone to begin learning about common backyard birds and their songs.

Richard Schwartz paints a picture of Berkeley in words that transports you back in time. Interesting and lively, the stories show life around the turn of the 20th century. Even for people who don't live in the Berkeley area, the characters and pictures are fascinating. A must-read for anyone who wants a sense of how life really was around 1900.

This book really gave me a different perspective on Berkeley, the geography and the people. The way the information was delivered brought the book to life and added depth. It is not in any way a "typical" history book. The vignettes about the people made the time period approachable and real. A must read for anyone who has ever been to or lived in Berkeley.

Just a few words to tell you how much I enjoyed "Berkeley 1900." I saw
pictures about a past I never knew existed. It gave me an appreciation of
Berkeley I never thought I would have. Prior to seeing the book, I thought
Berkeley was just a bunch of pinkos.
jake

This compilation of hundreds of newspaper articles shows a small town at a point in its evolution. Berkeley, California is now a well known city throughout the USA, but it started out from humble beginnings. Each article reveals something different about its people, its society and movements and norms of the day.

I expecially enjoyed items such as these:

Chapter 18. Saloons and the Temparance Movement. "Scientists. . .reported that daily indulgence in beer would result in a mental state akin to criminal insanity. . ." Fascinating stuff.

Then dive into Chapter 19. Milk, the Problem. In a creamery's advertisement one can learn "Absolutely pure country milk and cream from healthy cows and fed in a well-ventilated and sanitary barn -- fed on only the best food obtainable."

Just slices of 100 year old life in Berkeley. . .

Some historians avoid the controversal events of history. Richard Schwartz's book paints a realistic view of of life in Berkeley, California at the turn of the century.

From articles condemning dairymen for not giving their milk cows the tuberculin test, to stories about organizations forming to discriminate against Asians in the city, Schwartz tells it all, the good, the bad, and the ugly.

A great portion of the book is devoted to "human interest" articles. There are stories that deal with fires, ferries, and the conflicts between horses and the new automobiles.

Richard's book is filled with interesting articles, artwork, newspaper ads, and photo's. It makes a great coffee table book, one that can be picked up anytime for a few minutes of exceptional reading.

This is a great addition to any home or collection. This book has the family, species(latin name),length, wingspan, plumage habitat, weight, nesting, and more for over 930 species of North American birds on over 1000 pages.

Just got home from B&N, where I saw this book -- I spent a LOT of time flipping through it ... talk about lust! I must have this book ... must must must. After this review I'll buy it now at [...]. I knew [...] would have it at a discount (no discount on it at B&N), plus this tome is very heavy ... and I already had a stack of books (seriously discounted) that I couldn't part with. I'm not even a serious birder, but I love birds and keep track of those that visit my Brooklyn patio (you'd be amazed at the variety!). Can't wait 'til it shows up ... this is truly a handsome book, chock full of terrific photos and info. Splurge and treat yourself!

If you love birds, you may want to add this book to your collection. Clearly it is not a field guide: too heavy and bulky. It does, however, contain a great deal of information that will help in the never ending quest to find and identify another bird. Each bird listed has a section on song, behavior, breeding habits, nesting, population, and conservation. Flight patterns, nest identification, and habitat are also described iconically. Good range maps are included. The "photos" will not help much in identifying birds, but a complementary guide such as Sibley's can fill in the gap nicely. Place this book on your coffee table, open it often to learn another tidbit about one of those birds you haven't yet seen, and I don't think it will be disappointing.

This book has more information than any other book I own. You will find birds listed here that you won't find elsewhere and the information offered is second to none. Considering the cost of this book, the value is tremendous. You will find common names, scientific names, very specific identification notes and interesting facts on all the birds listed. In the upper right hand corner of each page is a diagram showing the relative size of the bird to the size of this book and this is very helpful. You'll also find information on breeding, nesting and basic behavioral aspects of each listing. I personally recommend this book to any casual or enthusiastic birder.

Birds of North America written by Fred J. Alsop is one of the most complete books on birds of North America that I've seen.

The contents of this book is comprehensive and has a very well-written introduction and a how the book works section, this describes how the books pages are set-up for easy indentification of the birds you find in the wild. The guide to visual references helps again to further refine your classification and a identifing of the bird you've found.

There is an anatomy, topography, and variations sections; also a how to identify birds, birds in flight and by silhouette, but to further hone your indentifing of your birds, there is a behavior, abundance and distribution; classification and how to watch birds in the backyard, along with those in the field.

There is a very fine glossary and index with this book to get the birder to the species you've found. this book classifies birds by species... this I found is the best and fastest way to find and classify to birds you're looking for.

I highly recommend this book for those who really need a book for their birding experience. Along the outside margins of the pages, there is a place for a date, time and location on the page for you when you spot a bird species.

All in all, this is by far, one of the best bird book that I've seen. Excellent choice for a gift for the birder in your family or to get the children involved in what is around them while the are with you on walks through the woods.

I enjoy this book and look at pretty regularly. I plan on using some of the details on future construction projects. However, the author is a bit too politically correct for my tastes. She keeps reminding us how "poison" vinyl is. That sort of bothered me. I am sure, given a choice, most people would choose to live a beautiful wooden or stone home rather than a vinyl clad manufactured home or tract home.. however lets be realistic. Those types of home are often what is affordable to the average family. Other than that issue.. I would recommend the book.. it has some great pictures and lots of information about bungalow exterior details.

Together writer Jane Powell and photographer Linda Svendsen create the best bungalow books on the market -- full of information, not just fluff. Whether you are thinking of remodelling your house, changing a few details, or just want to understand the history of your bungalow, this is the book to buy... and really, this book is very cheap compared to the price of a bad remodel.

In my opinion the chapter on avoiding replacement window scams, while energy-retrofitting your house, should be required reading for all homebuyers.

Jane Powell is THE bungalow author to read. As a remodeler who specializes in 1920's bungalows, it pleases me to no end to read an author who really knows what she is talking about. Every Jane Powell book I have read is like a college course on that aspect of bungalow history, preservation, and renovation. This book is no exception. And she is really funny! Beautiful photos (as usual)by Linda Svendsen.

I don't live in a Craftsman bungalow, but I'm adding a number of Craftsman details to my existing NW cabin style house. Over the years I have collected numerous books full of photographs of various bungalows but I have sold all of them now that I have this book. This one book contains information on nearly every exterior detail you are likely to need, and is lavishly illustrated with photographs and drawings. It's an excellent reference for buffs and restorers. I have already pre-ordered the next volume which will cover interiors. Shame I have to wait 6 months!

This book became and instant reference for our home project and I have quite a few in my collection. If you are looking for good examples to put the finishing touches on a bungalow or arts and crafts project, Ilike this one!

(My review is on Thoreau's Cape Cod rather than this specific edition).

While some literary critics seem to slight this work by Thoreau, saying that it is not as "powerful" as his other works, etc., I personally find this one very enjoyable. Sure, it does not have as much "philosophizing" as other books by him, but it is full of humor and very fun to read. The part where he describes the old man spitting into the hearth is particularly hilarious. The part about him sleeping in a lighthouse is also very funny. It lets us experience the more jovial side of Thoreau. This is probably one of the easiest to read among Thoreau's books.

Published posthumously, this volume is surprisingly consistent and complete (unlike "The Maine Woods" which is chopped into three different parts), it gives one the feel of walking along the entire cape, although the materials are quarried from several different trips. One only wish Thoreau had lived longer and had seen the West, imagine him taking a trip in the Sierra! Oh, well, meanwhile, we still have this one to enjoy.

Thoreau visited Cape Cod in 1849, 1850, and 1853. These trips formed the basis for a series of essays, several of which Thoreau published in magazines. After Thoreau's death, the essays were gathered together and published as "Cape Cod" in 1865.

Thoreau's "Cape Cod" is different in tone in theme from his earlier books. The tone is leisurely and light. Instead of solitude or the wild woods, the picture that remains with me from this book is that of a long walk, or, as Thoreau puts it, a "ramble" through the sand and dunes of Cape Cod. The book is picturesque, full of humor and wry observation. Thoreau unforgettably describes the ocean, in its storms, vicissitudes, and moments of peace, the fish and the fishermen, the sands, birds, plants and lighthouses of Cape Cod, and the people. I have visited portions of the Masachusetts coast, but I have never been to Cape Cod. Thoreau took me there in his book.

The book is arranged into ten chapters. It opens with a description of the shipwreck of the St John on a rock off the Cape. Thoreau then describes a ride by coach across the Cape. But the heart of the book lies in the following chapters in which Thoreau with a companion walks the 30 mile beach from Nauset Harbor to Provincetown with many stops and diversions along the way. I felt the salt air and saw the fishermen and the sandy beach as I walked with Thoreau.

The most vivid characterization in the book is in the chapter "The Wellfleet Oysterman", as Thoreau describes a grizzled, taciturn, and ancient native of Cape Cod and his family who offer him hospitality for the night. Another memorable chapter involves the description of the Highland Lighthouse, no longer standing, and its keeper. The stops with the Oysterman and the Lighthouse punctuate Thoreau's long walks through the day over the beach and his meditiations about and descriptions of what he finds there.

Thoreaus walk ended at Provincetown, on the northernmost portion of Cape Cod, with its wood walkway, shanty houses, and ever-present scenes of fishermen, boats, and drying fish. Thoreau offers what I found an affectionate portrait of these hardy fishermen and their families. Following a description of what he found at Provincetown, Thoreau offers a great deal of historical background on the exploration of the Cape, from the Pilgrims reaching back to earlier French, Icelandic, and English explorers.

Thoreau's "Cape Cod" is a worthy companion to his books describing his experiences inland, on Walden Pond and on the rivers and woods of New England and Maine. It is beautifuly written with unforgettable descriptive passages. It made me want to get up and go from my life in the city, and over 150 years after Thoreau wrote, wander and walk for myself along the dunes and sands of Cape Cod.

This hardcover edition from Peninsula Press is unquestionably the best available edition of Thoreau's Cape Cod, for these reasons:

1) While all other editions are based on Thoreau's journal entries from only his first three visits to the Cape, this edition includes an epilogue compiling Thoreau's notes from his fourth and final visit, in which he traveled south to Chatham and Monomoy.

2) This is the only edition to translate the many, many Greek and Latin phrases Thoreau includes throughout the work, and it is also the only edition to provide illustrations, maps, and sidenotes in-text.

3) This is the only indexed edition ever created.

HIGHLY RECOMMENDED for fans of both Cape literature and Thoreau in general.

This book details the flora, fauna and people that Thoreau found in Cape Cod in the 1850s. Thoreau organizes the book around a single trip to Provincetown, although much of the material that he uses in the book came from various visits to the Cape, and to the ocean in general. He starts with a description of a shipwreck at Cohasset, then a stagecoach ride from Plymouth, then a walking trip with a companion along the outer shore to Provincetown. Along the way, he describes not only the plants and animals he encountered, but also the people who he met. The book finishes with a lengthy academic historical account of the discovery and mapping of the Cape.

I found this to be the most humorous of all Thoreau's work. The character sketches he provides in this book, sharpened with his trained eye for observation of natural phenomena, are legendary. The cultural description of the Cape and its environment is quite fascinating for those interested in the history of daily life in 19th century Massachusetts. As Thoreau describes the desolate, treeless desert that made up the far reaches of the Cape, one begins to comprehend what it meant for an economy to be based on wood and whale oil for fuels. Thoreau stresses how valued driftwood was for residents of the Cape, as one of their main sources of heating and cooking fuel. Doubtless, he would not recognize the Cape today with its lush new forests. Or its Wal-Marts--switching to an oil economy has brought mixed blessings for the Cape. For those who think Thoreau to be a humorless didactic philosopher, this book shows a very different aspect of Thoreau as a writer.

You will forget about the outside world when you read this; nothing but sand, wind, and water. Plus some natural history, local folklore, a few shipwreck tales. Typical Thoreau; he finds beauty, interest, detail in the wilderness. The desolate landscape will help to clear your mind. Highly recommended.