North America Books

SO many times you pick up a novel expecting to be entertained, but for that entertainment to last you also have to believe in the story and want to keep reading. Sherwood's work is not only entertaining, but not once did I skip ahead with a longing sigh for reality (a big achievement!) The plot is engaging, the characters sympathetic and real (no obviously trumped up stereotypes in this!) and the ending is very satisfying in a way that is both unexpected and relieving, as well as brutally realistic. (key words: realistic realistic realistic) His attention to character and environment is truly exceptional. I am impatiently awaiting his next literary endevor!

What an outstanding novel! It was thoroughly enjoyable. The western setting is authentic and you quickly feel like you are a part of the community. Similar to other reviewers - I was sorry when I finished it. I am looking forward to Steve's next novel!

I just finished Steve Sherwood's novel Hardwater and I'm very disappointed...that it's over! I couldn't put the book down. Mr. Sherwood has created such compelling characters that I feel like they are a part of my real life. I am a suspense and mystery novel buff, but Hardwater is the most emotionally involving novel I've read in a long time. Get this book, then get settled into your favorite chair, because you won't be getting up for a while! The setting, politics, relationships between characters is a joy to behold. When is Mr. Sherwood's next novel coming our way?

Hardwater is a hidden gem of a suspense novel set in the contemporary American West. The story opens on a gruesome crime scene, and a journalist intent on sniffing out the identity of a serial killer with a knack for verse.

Underneath this murder mystery is an issues novel about the contemporary American West, where native tribes and white farmers battle over water rights, and failed uranium mines sit abandoned in the landscape, to be approached with Geiger Counter in hand.

But more than the mystery or the provocative issues, what makes Hardwater such an enjoyable read is its fantastic setting. Hardwater is a world of granite monoliths, tribal customs, and wide open spaces. Fans of Tony Hillerman and John Nichols will eagerly devour this worthy winner of the 2003 George Garrett Prize.

If you're looking for a fine, fast suspense, Hardwater is a book you won't want to miss. Outstanding characters, fast paced plot, interesting setting--this novel has it all. Not to be missed.

In under 350 pages, David Brion Davis presents a wealth of information for those exploring the history of slavery for the first time or for readers seeking additional information to supplement past books and articles.

Unfortunately, it reads like a choppy college lecture, with the flow of material marred oftentimes by the circular exploration of material. A topic may be introduced, then discussed in depth later and then reintroduced for concluding remarks many pages later.

Davis utilizes numerous resources from contemporary historians and it is appreciated that he introduces the author and the work to the reader while quoting from the material.

Inhuman Bondage is an important work in the growing number of books covering the sordid past that has been "conveniently" ignored or flippantly tossed aside in past historical writings.

By coming to terms with the past and acknowledging the damage it has done is the only way the words from Davis and others will truly have full meaning.

This book contributes to recent studies on slavery in Brazil and the French west indies, a wide study ot Slavery in the new world, explainings its origins, terrors, history and final liberations and conflicts. One wonders however how much the subjects needs a companion on Slavery in the Old World, and why there is no discussion of how pre-European enslavement of Africans by Arabs led to the formation of slave empires in Zanzibar and west africa that fueled the European slave trade. Imainge if these scholars dared to prick the bubble and reveal the fact that Slavery did not originate among Europeans and tha tin fact a study must be done on the rise and fall of slavery in the old world.

Seth J. Frantzman

This is an altogether splendid book. It is skillfully written such that it is difficult to put down; the notes are voluminous, the maps helpful, the range of information brought together and organized successfully impressive, the opinions of the author clearly expressed, and acknowledgement and credit to other historians generous. Despite this, one does wonder for whom the book was written, surely not the hypothetical general reader. Much more information than the lawyerly standard of what everyone knows is frequently called for. To give just one example, on pp. 265-66, a free black is shown worrying about the effects on him of the Fugitive Slave Law. One drops immediately to how Anthony Burns was hauled through the streets of Boston on his way to Virginia. Is one to infer that Burns was a free black erroneously seized or an escaped slave? And although Davis details how important the religious motivation was in abolitionist thought, nowhere was there any explanation of how this Biblically based thinking, which at this time was largely literal, coped with or was able to get around the clear Biblical acceptance of slavery. And one could wish, particularly in view of their extent and comprehension of various aspects of the subject, that the citations in the notes had been compiled into a bibliography. Nevertheless, I would recommend to anyone who is at all interested in slavery, the Civil War, racism, and a host of associated topics, that they do themselves a favour and read Inhuman Bondage.

If you are over 60 and did not self-educate on slavery,you need to read this book. Believe me, slavery was a barely mentioned topic in elementary school through college. I know this is true for Blacks in the South and probably is true for other races as well.

This book is a must read for those non-academics who want to have a better understanding of slavery in America and the Americas. The sexual exploitation and psychological impact of slavery is generally known. This book, however, allows one to get the full picture of slavery from a global, economic and political perspective. There is nothing better for a painful subject like this than finding a reliable (well documented) and easy to read source by a respected author.

A great gift for your friends, no matter what race!

Readers of "Inhuman Bondage" have the privilege of entering the mind of one of the greatest living scholars of American slavery. In what truly may be his opus, Dr. David Brion Davis writes not simply a book, but composes a symphony. Like all great composers, Davis blends seemingly disparate notes into beautiful harmony.

Wide-ranging, even sprawling in coverage, Davis tells the epic story of the inhuman bondage of human enslavement. Laying the foundation with a captivating and accurate portrayal of the history and philosophy of ancient slavery, the author then moves into the modern era of slavery, first in the "New World" then in America more specifically.

"Inhuman Bondage" masterfully weaves together these larger socio-political realities with the very specific psychological realities of groups (such as the Amistad) and individuals. The clear message resonates: even inhuman treatment cannot dehumanize the human soul. In their rebellion (sometimes overt, other times, by necessity, covert and even internal), enslaved African Americans displayed their full humanity.

For a brilliantly written, in-depth, comprehensive, captivating narrative of new world slavery, look no further than "Inhuman Bondage."

Reviewer: Robert W. Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction , Soul Physicians: A Theology of Soul Care And Spiritual Direction, and Spiritual Friends: A Methodology of Soul Care And Spiritual Direction.

This book is one that every artist needs it goes in to detail about the legal aspects of art that almost no art school every explains to there students. i have learned so much and now know how to not only protect my art work but also how to protect myself as an artist from being taken advantage of in the art world.

This is the "Bible" of legal forms and information. Used early 1989 edition quite a bit. Will use this up-dated edition even more.

It's not always the most entertaining book to read (who enjoys reading about taxes?), but read through it once. Stick it on your shelf. And then whenever you need it, the book can reference you to certain government documents such as release forms, copyright forms, tax forms, consignment forms, authenticity forms, etc. There's tons of forms in the book for you to work off of when you are writing up your own agreements. Also current on laws for artists. Always keep a current edition of this book handy.

This is an excellent resource to define and explain legal issues in the arts. It is a little dry in some parts but far easier to read than books written for the legal profession. I have been using this book as a textbook for a college class at an art school for graphic design students for several years.

The book covers copyright law and touches on legal business issues that pertain to all visual artists. The focus of the book is on fine artists but it is the best resource I have found for graphic designers.

Tad Crawford does his as-usual excellent job clarifying a complex area for the working visual artist. Readers will admire his straightforward writing style and many, many practical examples.

A word of warning, though: as Tad himself says, he is not providing legal advice and, while the artist will thank Tad if he or she follows Tad's advice, it does not substitute for appropriate legal consults as needed.

If you are willing to take the time to read this somewhat short book, I guarentte you will love the contents. It opens your mind to every possible scenario of every possible minute of Lincoln's Last hours. I reccomend this to anyone/everyone!

This little gem combines the readability of journalism (the author's teaching profession) with in-depth historical research, an unusual combination. It is a well-known subject, but here are some new perspectives:

--the photo often described as Lincoln's last portrait was
actually taken in February, 1865. This book shows you the
real last one.
--Booth didn't bore the peephole in the door to Lincoln's
box or make the bar obstructing the door leading to the
corridor of the boxes - that had been done some time before
by or for Lincoln's guards.
--Booth's illegitimacy preyed on his mind as a youth - perhaps shaping his character in a perverse way. One must
wonder about the same effect in some other, modern day
individuals with the same origin (Fidel Castro, Ted Bundy
and a recent US President).
-- Most telling are the widely varied descriptions of events by eyewitnesses. The author evaluates these and tells you the most likely version. Here is proof that circumstantial evidence
(including letters, bloodstains, etc.) is often more reliable than such eyewitnesses.
A minor issue - it is mentioned that the entry in Booth's diary for the day of the assassination states he cried "Sic
semper" - omitting "tyrannis" - and that he may have done so
because he didn't know how to spell tyrannis. It is, however, pointed out that he had asked about this spelling beforehand
(so he knew it). Also, Booth was undoubtedly familiar with the
6th verse of the Confederate song, "Maryland, My Maryland," which runs "Sic semper! 'tis the proud refrain" and he might have used the shortened phrase in his diary just as an abbreviation. Incidentally, as the book states, Lincoln's wallet contained several newspaper clippings. Not mentioned is that among these were laudatory articles. Lincoln had been the
subject of many cruel newspaper attacks and it is pathetic that even a great man apparently needed to know that someone approved of him.

I, too, purchased this book at Ford's Theatre. At first, I thought it would be one of those whodunnit books, but I was wrong. The author obviously put alot of effort, time & research into the book. I thoroughly enjoyed it. I finished the entire book during the plane ride back to Los Angeles. I lent it to my family members and they, too, enjoyed it!

This book captures the readers attention and takes him on a step by step discourse of the hours before Lincoln's assassination. A very sad image is presented in the book because it's obvious Lincoln's last day of life may have been his happiest day of life. Lincoln was overcoming the anxieties of war, but was cut down when he had a handle on life. In this book the reader learns of the threats to the president's life and what could have been done to prevent Lincoln's death. Infortunately in 1865 all Booth needed to end the president's life was a passion against Lincoln. Great book!

A. Lincoln: His Last 24 Hours is one of the best books I've read about the fateful day in April 1865 when the 16th President was shot and killed at Ford's Theater. It paints a fascinating picture of a very tragic man on the last day of his too-short life. The relief and joy that Lincoln must have felt with the end of the Civil War finally at hand, his concern for how to achieve the nearly impossible task of reconstruction, and the never-ending personal challenges he faced in dealing with his wife are all captured in the words of Mr. Lincoln himself as well as through comments from observers who had contact with him on that day.

The book reads very much like a novel but is obviously very well researched with plenty of reference material documented via footnotes throughout. The author knows the subject well and is careful to note when conclusions not fully supported by documented research are drawn. The result is wonderfully readable and highly informative unlike many other accounts of that day.

I had a problem at first when the author stated that the population of Tikal was 100,000 and covered 65 sq. miles. Over its period of reign as a city,a couple hundred years,Tikal might have been this extensive but i question if it had this much influence at any specific time period of say 10 years.Other books say that this city at its peak served about 20,000 and its urban spread reflects different time periods.
Other than that,myself possibly missing the author's interpretation,I like the descriptions of this Mayan city,which according to the author,was either founded by Teotihuacan rulers or at least was heavily influenced by this Mexican town.Excellent color photos and well described info on the tombs of the Tikal Lords. I hadn't realized before that alot of the Maya superstructures at Tikal were actually tomb bases for high status rulers which were then built to reach the sky.Indeed alot of these temples were built for astronomy purposes as well and tied into Mayan ceremonial life.It sounds alot like Ancient Egypt and their vast tomb complexes.There was one drawing in particular which showed Tikal at its peak,complete with evidence of pronounced forest defoiliation,(a possible reason for its collapse)?
Ther was another chapter where the author explored the conflicts between Tikal and its neighboring rival cities.Mr. Harrison explains that rivalries between towns,while undoubtedly real,have been exaggerated and there were longer periods of cooperation and friendly commerce between Tikal and its rival cities.So it would not be worth too much to place stock in the "bound captive murals" and advertised cruelty in alot of Mayan art.It's probably just propoganda put out by the Tikal Lords,no different than the Anglo-Saxon rulers of England at the same time period,(about 750 AD).Some of the Mayan lords of Tikal had long reigns,one reigned as long as 60 years,which would have rivalled Elizabeth I lengthy tenure as Queen of England.

The pyramids at Tikal are perhaps the most breathtaking and awe-inspiring structures of the pre-Hispanic world. The research available in this book helps shed light on the fascinating history behind the facades of limestone. There is so much history and culture that is essential to the American (the Pan American) identity. And this is a clear, concise, enjoyable read to learn about it.

I visited Tikal last Feb. I had read about it for years and still wasn't prepared for the magnitude, the scope the complexity of the civilization it was a small part of--it is a place you have to visit and see for yourself to even begin to really grasp. When I got home I found this book--I really wish I had read this BEFORE I WENT, the trip would have been better for it. In any case, I was happy to read it after the trip. This is the single best work I've found for sharing part of what I discovered at Tikal with people who haven't been there. I recommend it--especially if you are considering a visit--but also if you just like to armchair travel...It is a nice place to go either way.

The city we call Tikal was called something like Mutul by its Mayan inhabitants and was inhabited continuously for about 1,700 years. While there has been magnificent archaeological and translating work done in recent years, the foundation of what we know of Tikal was laid in a great excavating and mapping project done by the University of Pennsylvania from 1955 until 1969. The author of this book, Peter D. Harrison, Ph.D. had participated in these (and other) excavations and brings that first hand authority to this very interesting book.

Dr. Harrison starts with the pre-history of Tikal and ends with the little we know of its inhabitants after the collapse in the 9th century. However, most of the book centers on the succession of 30 rulers (Kings, Lords, or whatever you want to call them). We know who most of these people were because of the Mayan predilection for documenting great events by erecting great monuments that had writing on them that we can now read (mostly).

The author also shares important understanding of the building of the great palaces and temples and shows us their important orientations and relationships with each other. Since what we see today is the decayed form of the final state of Tikal, I found it fascinating to work backward and realize all that wasn't there when the city was at its height of power and influence. The great pyramids we associate with the city today were late additions by an important set of rulers, but by no means the most powerful the city had known.

The book is full of pictures, great drawings, maps, and even some beautiful color plates. There is also a page on when and how to visit Tikal that would be very helpful for those intending to visit the site. There are also many helpful notes and an index.

I have two tiny nits to pick with the book, however. The first is that for several of the maps I had to use a magnifying glass to read the labels for the buildings. The second is even less important and I am not convinced that the author didn't make the better choice. However, when I am reading about Mayan culture I like to see the dates given in the Long Count format when applicable with our western dates in parenthesis. The reason for wanting the Long Count is to easily see when events are associated with important dates. Dr. Harrison does give these Long Count dates in the notes, but uses our calendar for the dates in the text (most of the time).

Anyway, these do not detract from the immense value of the book or the fun I had reading it. Thanks, Dr. Harrison!

I very much enjoyed this book. It presented the history, archaeology and architecture of Tikal in a clear fashion. Harrison wove the various threads of evidence together skillfully without getting bogged down in details. After an introduction to the site and its environment he proceeds in a chronologic order telling the history of this ancient city. He takes two breaks in his story to describe the city's architecture. Because there is dispute in the field of epigraphy you cannot take this book as the last word, but that is the nature of writing about something which is an intense subject of research. I must also say that I found some of Harrison's assertions about architectural alignments dubious. Certainly, I could not see how his maps could support all his claims. Nevertheless, I would heartily recommend this book.

my kids loved it when the BBC series came out years ago. the concept is good, the story, excuse me, novel. But the execution could be revised somewhat, maybe extended and needs to be less author-driven and the theme as a whole could be taken further. It is a book of its day. but it's still a good read in this time of hit-and-run writing.

When I started reading this book, I thought: "Oh great, a boring story about some girl who's sick in bed. Fun." But, as I got into the book it became incredibly interesting. I started to feel I was Marianne, even though I'm a boy. When she met Mark in her dream as the boy she drew, because her tutor Mrs Chesterfield told her about him, I really felt for him. This book is really and truly gripping, an amazing read. When it ended, I was really sad because I wanted it to go on forever and follow the rest of the adventures and Marianne and Mark.

Overall, this book is incredibly enjoyable and I would recommend it to anyone.

I really liked this book. What I couldnt understand was what was wrong with Marianne? I indeed did find it a little scary but more eerie when reading at night. I loved reading it from front to back and I have read it again the same old plot not getting old.

I absolutely loved this original tale that beautifully captures the world of a sick young girl. Marianne is ten when she develops an illness that confines her to bed for several months. She passes time by drawing a house on paper, and dreams feverishly of the same house while asleep. Her adventures in the house with a boy named Marc become more frightening as her illness worsens. In the dreams, Catherine Storr touches on the dream-like fears of the children while in real life they deal with more substantial fears, such as illness and lonliness. Sometimes Marianne's fears turn into nightmares, which I found frightening but still appropriate for children. This is not the case for the movie, Paperhouse, which was way too much for pre-teens. All in all, I'd say that this is a book that crosses all age bounderies and I'd recommend it to anyone looking for a simple but facinating story.

And a bit odd too. Parts of the story that are supposed to be scary just end up being mearly curious. I mean I would not be scared by a boulder with an eye. Nor would I constantly eat sausages, like Marianne and Mark do. And they are particulary fond of the word "beastly". Every second sentence contains this word.

I won't go into detail about the story as the other reviews provide enough info but I will say that the book differs from the film (Paperhouse, in which Marianne becomes Anna Madden) greatly. It doesn't feel as menacing nor does Marianne have the same kind of cockiness and early-adulthood intelligence she has in the film. Instead, she's a year younger and seems more childlike. The story of Marianne's absent dad and having him appear in her dreams as a madman is not here either. The evil forces take the form of monolithical stones with eyes. And the stones chase Marianne and Mark?!

Very weird indeed, I'm not quite sure how the physics of that works tho. It's probably all subtextual. But I can't figure it out. The ending is also completely different from the film too.

I wish this book was darker and had a bit more evil in it. The boulders with eyes just don't do it for me. It didn't feel threatening at all. Althogether this a bit of a disappointment. It's not fully engaging or mysterious and seems too tame. I can't figure out what audience Catherine Storr was writing for but it seems a little unmagical for kids and a too tame for adults. Maybe it was different back in 1958 tho.

I loved this book! Marsha Scarborough's journey to the heart of Native American spiritual healing is so human, so vivid, so damn funny, I felt I was with her every step of the way. I loved the reality of it all. Marsha seems such a clear-eyed and practical person. Her encounters with the mystical realm thus seem all the more believable as we share in her own struggle to see beyond the surface, into the deeper nature of things. Through it all, she keeps her own fine sense of the absurd - of how ludircous it is to be offering a cake to the spirit of your dead mother in your own back yard, hoping the neighbors aren't watching! To go from there to the scortching desert ritual dance of the final chapters is such an amazing journey. What a gift that she has shared that journey with us.

I am compelled to write my first review as this book is truly a MUST READ!
Marsha Scarbrough writes in a tone that flows easily as we travel on a journey of Deep Insight and Discovery that leads to Healing. As we travel on the journey along with her, we learn about family, friendship, betrayal, acceptance, joy, and self-realization that all lead to Healing. We learn about the profound revelations and the freeing power of Love & Acceptance as the author takes us with her on this sacred healing journey. Bravo!

I devoured this book, I couldn't put it down. It was so powerful and wise, I stopped a lot to deeply reflect on the content to evaluate my own life. It was so humble and refreshing. You must read this book.

Medicine Dance is so engaging and funny that I couldn't put it down. I hope Marsha Scarbrough is working on a sequel.

Medicine Dance grabbed me from the first page and didn't let go until I finished the book. It's full of life lessons and laugh-out-loud humor. A great gift for your best friends - and yourself.

I just finished a ride of a little over 1000 miles from my home in NJ to and through WV and VA. I used this book to guide me on some really terrific roads and through some truly beautiful areas. This was the first long, extended ride I've ever taken and it was in large measure due to the "encouragement" expressed through this well written resource. If you're thinking of traveling through the Appalachians then I would recommend that you purchase and pour through this well written book before you go.

I just got back from a near-1000 mile trip through the Appalachians. I used this book to guide me through some thoroughly fascinating and beautiful areas -- the author, Dale Coyner, has create a terrific resource! I am not exaggerating when I say that VA Route 39 has changed my view of the eastern United States (I lived in the West -- Alaska, Utah, and Arizona -- until 2000). I'm sure I won't be the first, but I've set a goal to do all 36 rides in the book.

I showed this to the clerk at the bookstore at the Peaks of Otter wayside on the Blue Ridge Parkway. She's a rider, so she took the name of the book down with considerable enthusiasm and pledged to talk to the manager about stocking the book in the store. It seems strange NOT to have your book on the shelves in such a rider's paradise!

great book detailing not just roads, but local custom and color for the mid-atlantic area from PA down to the Carolinas and eastern Tennessee.

numerouse routes from a central point in each region are detailed and the local dining, lodging, and other points of interest are detailed in an interesting style of writing.

useful for anyone who wants to tour the mid-atlantic region and take their time doing it...

I worked in the motorcycle industry for over 10 years as a service manager and still ride with all my old co-workers.

We thought we knew all the best roads in our neck of the woods but we were wrong.

We pick a route, get into the middle of nowhere and then get lost.

This book has filled in the blanks for us.

A must have if you're a real rider.

For me there are three parts to a good trip - the preparation, the adventure itself, and then the memories. This book has helped me a long way in achieving all these pleasure points. The maps and text are wonderful; the crafty photo's with tasty captions peppered appropriately throughout this guide left my partner (who does not accompany me) recommending more sights than I could handle. A keeper, if not just for that.

This book is a great collection of primary source documents about the Native American experience in America through the development of the country. Very useful for American literature and American history courses and anyone interested in the Native American voice in US History.

Native Americans have been fighting for ages to tell their side of the story, but they haven't been able to get through to the mainstream. In this book, Nabokov presents us the Native American perspective from prophecy to present. By reading the testimony of Native Americans themselves, we get a clear picture of their plight. This book doesn't give a detailed history of Native Americans, but rather gives us a finger on the pulse of the Native spirit.

Native Americans have lost a great deal. When Europeans first arrived in North America, they did what they could to help these new brothers, and were happy to share what they had. However, the Europeans kept on coming and they started taking what didn't belong to them. The Europeans started fencing off the native lands. They destroyed the land and the animals with their greed. The Native Americans were continually pushed off their ancestoral lands and were driven to less desirable lands. They suffered the loss of their lands, traditions, and way of life. It's important for us as Americans to examine this sad episode of our history. We should take this lesson and apply it to our lives, and think about how we treat others who are different from us. I really recommend this book to those who are interested in reading the other side of the history of our nation.

I bought this book to help me learn about my family's history as a Native American Indian. I was always concerned that the Native American Indians had a unfair portrayal in American History. This book I think is a valuable literary piece. It breaks events down in historical order. They are easy to read. Once I finished with I felt I had read the Native Indian's perspective which is amiss in the Northeast school teachings of history. There were some interesting stories that were accounted as well.

Testimonies from all different tribes of Native Americans which are grouped by subject in part and chronically in part. Very informative primary sources. Wonderful for research.

Nabokov's book is a fantastic compilation of Native American history as remembered and documented by the First People of America. I bought this book for a class that I am taking and will definitely keep this in my library as a valued treasure. It's easy to read and is in somewhat of a chronological order

This book contains many chapters written by others, so why does Dr. Lepper call himself the "author?" The book would properly be "edited by" Lepper. Why does "Written by" appear on book cover? I have never seen a book cover with "written by" on it. Why are no references cited? Some of the statements the authors make certainly require references in order to be considered credible. Most startling, much of the "original thought" in this book was published two years prior to Lepper's book, in THE ARCHAEOLOGY OF OHIO, by Robert N. Converse. Converse's book is clear, concise, and original and printed on higher-grade paper and binding. I invite you to compare the two books.

The Sociey for American Archaeology chose this book for its Public Audience Book Award. It is a fine choice.

This beautiful book has many things to recommend it: the importance of the subject, the beauty of the artwork and the photography, the quality of the contributors and the masterful presentation by its author, Dr. Bradley T. Lepper.

Ohio is loaded with treasure for archaeologists. Not one but four ancient Ohio sites are likely to receive World Heritage status from UNESCO in the next few years. These include Fort Ancient, the Newark Earthworks, the Serpent Mound and the earthworks at the Hopewell Culture National Historical Park in Chillicothe. Just this winter the U.S.Department of the Interior has released a list of fourteen sites it will present to UNESCO for consideration - including all of these. And of course Ohio has even more amazing ancient places and stories to offer.

Such treasures call for stunning images, and there are many here. There are also fascinating contributions by more than twenty of the world's authorities on ancient Ohio. It is hard to imagine a better team to teach this subject. But this is more than a coffee-table book and is not an anthology of independent articles. Bradley Lepper leads us through the story from the ice age to the era of early contact between American Indians and Europeans. He writes wonderfully and is the master of both science and story telling.

Ohio Archeology is a must read, with beatiful photos and illustrations, for those wishing to learn the most up-to-date information on the Native Americans of the Woodland Period. Learn how archeologists decipher the mysteries surrounding the amazing earthen monuments of these early Ohioans.

As a long time citizen of Ohio and long time fan of Archaeology, I should have had a much higher awareness of just how much incredible history there is to be had right here in my home state. While I always had a vague notion that people have lived here in Ohio for thousands of years before the first European settlers arrived ... I never encountered any material that seemed to do a very good job of shedding light on this period of the state's history. Well, Mr. Lepper's book does a FANTASTIC job of bringing this part of our state's history the attention it deserves. Great text, diagrams and photos.

Ohio Archaeology is a splendid overview of Ohio's native American cultures and sites. Beautifully illustrated and photographed (including photo's of assembled artifacts) it deserves a place in any collection of materials on the subject.

One of the best acquisitions I've made this year.