North America Books

This book is about the creation of life. How human beings evolved in a world that had kaos. This tale includes many different worlds, in which life was discovered. Many gods have created human life to bring forth to what we arrived to today, but the only thing to destroy us is kaos. Hatred among both sexes causes the seperation which leads to longing for one another. Among the humans, anxiety was brought to the world and the gods who created the world, got angey. So the gods took action and destroyed the world by pushing all forms of life out almost killing everyone, but the humans were the smartest and emerged into the next world which is known today

This is a book that is easy to read. It beautifully explains many of the Navajo stories of their creation. There is humor, pathos and much wisdom.
If you read it, you will see parallels to other stories of creation.
A lovely book to read any time, but especially if you are planning to visit the American southwest. You will appreciate New Mexico, Arizona, Colorado in a heightened way, seeing sacred spots to the Navajo and understanding why they are to be respected.

There are several versions of the Navajo Creation Story known but Paul Zolbrod has captured the most plausible and accepted rendition in print. Most Navajos that I know accept this text as adequate and feel that the author's treatment of the subject matter is fair and sensitive to a very vital element of Dine' culture. Many Navajos, especially elders will say that the material printed in this book used to be reserved for the sweat hooghan and special times between family members but understand that now things have changed and accept the publication of very special and sensitive aspects of a great peoples' religion, as long as it is done under the auspices of the Navajo Nation. Perhaps in time others will publish material more to the needs of Navajo scholars but to this day this book is the literary standard of the creation stories.

Paul Zolbrod does a fine job of collating his own transcriptions of Navajo oral traditions with the records of other scholars from decades past to create a seamless narration of the Navajo story of creation. This is a valuable contribution to a deeper understanding of a specific native American culture.

I liked Dog Friday alot. It was very interesting but sad too. It would definetly be in my top ten book list!

Do you have to read for school? Are all the books boring to you? Then this book is for you! Drama and humor makes the book even more exicting.

This was a great book for readers in the grades 6-8. I read it for a summer packet report and i really hate to read. This book is one of my fav. books because it has some drama and stuff like that! It left you on the edge at some points of the book and the end was like a cliff hanger. But it was a great book and it all came to a great finish like all of her other books. If you want a good book that doesnt take long to read and is easy to read choose dog friday

The book was very very very very very very very very great and funny

Hodagneu-Sotelo's poignant look at the lives of Latina immigrants in Domestica: Immigrant Workers Cleaning and Caring in the Shadows of Affluence, can be a source of enlightenment as well as a sort of "how-to" manual for any employer or employee in the nanny/housekeeper and house cleaning fields. The author argues that the women in these types of work continually battle for basic employee rights: adequate pay and set hours free from discrimination, harassment, and substandard working conditions. She addresses issues of long hours, unreasonable demands, alienation, and the reasons that the workers stay in these situations; fear of retaliation from employers and deportation.
Although a bit verbose, this book is packed with valuable information and resources that the reader is sure to use or be able to pass along to someone else. It is a meritable attempt at expressing the angst felt by Latina immigrants and the unresponsive attitude of the employer. It does tend to come across as a bit one-sided, due partly because not many employers or employees were willing to participate in her research efforts, but is still a great and easy read.

Dr. Hondagneu-Sotelo's beautifully written work takes the reader into the world of Latina nannies and housekeepers, showcasing the women's own voices and perspectives while maintaining an academic's sharp-eyed analysis. She chronicles the difficulties of domestic workers while still acknowledging their ability to impact their own work environments. One of the strengths of Hondagneu-Sotelo's book is the analysis of class inequality, particularly the ways that employers awkwardly handle their own discomfort with their priviledge. Her conclusions, rather than knee-jerk dismissals of domestic labor, suggest ways that domestic employment can be viewed as the job it is. The author's thoughts on her own position to her research subject in the preface is worth the price of the book. This book recently won five awards from different sociological organizations, and deservedly so.

In Pierrette Hondagneu-Sotelo's Doméstica: Immigrant Workers Cleaning and Caring in the Shadow of Affluence, readers explore, along with the researcher, an oft overlooked element of domestic labour in America. In examining this particular manifestation between the haves and have little, Hondagneu-Sotelo has provided a "scholarly" treatment where Ehrenreich's Nickel and Dimed fell short. This is by no means an indictment of Ehrenreich's work, quite the contrary. Ehrenreich's Nickel and Dimed is approachable by the many levels of readers that seek to understand the phenomenon of the working poor and their interaction with affluent Americans (here, I speak specifically of Ehrenreich's chapter two titled "Scrubbing in Maine"). However, in Doméstica, Hondagneu-Sotelo has opted to focus her research on immigrant domestic workers, specifically Mexican and Central American women in Los Angeles. In so doing, her research provides insight into the minds and worlds of both parties who engage in what can easily be termed a "love hate" relationship; one where, out of necessity, both the employer and employees are in need of one another. In addition, Doméstica serves to highlight some of the struggles of members of America's largest "minority" population (be they documented or otherwise). While Hondagneu-Sotelo relegates her analysis and interviews to women in the Los Angeles area, this reviewer is of the opinion that her research may well be duplicated in other cities with similar populations and yield like outcomes.

Reading this work, I began pondering the future of work and workers and four questions came to mind: (1) As America becomes more diverse, will the question of immigrants holding less than desirable positions along the socio-economic margins become of increasing interest to researchers and politicians such that worker-friendly policies emerge? (2) If so, what forms will later policy manifestations assume? (3) What will such a shift mean for the future of economic relations between these two disparate groups? (4) Also, will America continue to marginalize employees that hold the critical job of caring for our young such that we ensure a future of troubled youth due to attachments to caregivers and the familial realities of economic and social stratification? History has shown if we ignore questions not unlike these, problems are sure to result.

Historically, "love labor" had been performed, initially, by captive African American women and later those under strict laws (Jim Crow) of mobility, both physical and social. With the relative ascension of African Americans into the socio-economic sphere of marginal acceptance in America, certain forms of work are left to the cheaper, and sometimes unpaid, labor force of immigrant women. Increasingly, such workers are admitted into affluent homes in America through informal networks. For this brief iteration, we consider Hondagneu-Sotelo's Part Two titled "Finding Hard Work Isn't Easy." Here, Hondagneu-Sotelo discusses the other worldly process where women in need of domestic workers and the women in need of domestic work come in contact with one another.

This "whole other world" is highlighted when Hondagneu-Sotelo writes, "most prospective employers looking for paid domestic workers in Los Angeles bypass employment agencies, newspaper ads, or other formal job announcements, which they find expensive, slow, and unreliable. Instead the majority rely on their co-workers, neighbors, friends, and relatives when they seek domestic help" (63). This in itself is telling in that it pulls from Granovetter's theory of the strength of weak ties as mentioned in Deirdre Royster's Race and the Invisible Hand. Applied to Hondagneu-Sotelo's work, there exist, in the domestic worker community, ties that allow for a potential employer in need of workers to gain access to a network of domestic workers with the ability to refer friends and/or family members to employers in need of domestic assistance. Additionally, such a process not only allows for a socially and economically unequal relationship to ensue and continue for years in some cases, it also provides the foundation for further entrenchment of unequal employee and employer relations rooted in economic exploitation.

Whereas many of these workers are not earning a living wage, some employers exercise great pains not to flaunt their affluence. In one telling moment, Hondagneu-Sotelo writes, "some employers try to snip off the price tags on new clothing and home furnishings before the Latina domestic workers read them because they fear the women will compare the prices of those items with their wages - which they invariably do. While some employers often feel guilty about 'having so much' around someone who 'has so little,' the women who do the work resent not their affluence but the job arrangements, which generally afford the workers little in the way of respect and living wages" (xi-xii). In this instance, we witness the uneasy but, to the employer, necessary relationship between the affluent employer and the unaffluent worker. Additionally, we note how workers, through Hondagneu-Sotelo's in-depth interviews, indicate that they would rather that requests come not "as a symbol of servitude and a humiliating affront" to one's dignity, but that their work is seen for what it is, essential to the functioning of the household in which they are employed (145).

In producing a work with statistical data on domestic labor in Los Angeles, coupled with the voices of women on both sides of the issue, Pierrette Hondagneu-Sotelo has done an admirable job of broaching the subject of the uneasy relationship between affluent women who require domestic assistance and unaffluent immigrant employees that work and, in some cases, live among them. Of the many good points in this work, her in-depth interviews with employees and employers are most revealing. Not unlike the work of Ehrenreich in Nickel and Dimed and Katherine S. Newman in No Shame in My Game, Hondagneu-Sotelo allows readers to, as Newman suggested, gain a clearer understanding of the interconnections between people and networks that a purely quantitative work would not permit. That being said, this reviewer applauds Pierrette Hondagneu-Sotelo and her effort to provide a clearer understanding of the women we see on train platforms and in bus terminals that dot American cities and suburbs of affluence.

First let me begin by saying that this is an interesting read. You basically learn about domestic workers (live in nannies, home cleaners). The author gives you alot of information, in fact I would say that she gives you a plethora of information. As such it took me over a month to finish this book, and the fact.

Basically, the two problems I have with this book are 1. The author's monolithically leftist viewpoint (which seems to be common in books like this), 2. The hard time she has getting to the point. In particular comments like "Some feminist theorists, especially those influenced by Marxist thought, have used the term "social reproduction" or "reproductive labor"..." (Page 23) or "The United States has a long history of incorporating people of color through coercive systems of labor...slavery and contract labor systems...today, international labor migration and the job characteristics of paid domestic work" (Page 51)

Again the biggest problem I have with this book/writer is the use of a marxist/conflict theory filter in regards to analyzing domestic worker (as in us [domestic workers and their allies] vs them [middle class homeowners who employ domestic workers]). When if you actually take a moment, breath and impartially assess the facts the relationship is more of a symbiotic/functionalist/"we need each other" type deal in which two autonomous human beings are simply trying to work out a mutually beneficial arrangement.

Now what I do like... There is some great information presented in this book. 1. Domestic workers are entitled to minimum wage like normal employees and can sue for backwages. 2 Live-in housekeeper is a common first job of immigrants to the United States and as such is very important to economic integration of immigrants (legal and illegal alike).

Basically, you learn all about domestic work in all it's most interesting facets. An example being spoiled children who are hell for their domestic workers, and the situation is compounded because consciquences for bad behavior are underminded by the parents. Or usage of prozac and ritalin by parents for behavior modification of children and the avoidance of direct confrontation between domestic workers and their employees and many other interesting facts concerning the profession.

Because of how interesting this book is I'm giving it 4/5 stars (although I'm tempted to give it 3/5 because of the marxist rhetoric).

this is a great book, it is very interesting and seems to be fairly accurate to what might have happened in the life just after the land run.

This story is sooo close to fact one feels like they are part of the land run.

Hard to believe the same guy who wrote "Empire" wrote "Dreams to Dust" what a vast improvement on story telling. Dreams to Dust is a great historical fiction that centers around the founding of Guthrie Station, OK. The characters are diverse and well developed. This was a fun book to read.

DREAMS TO DUST
A tale of the Oklahoma Land Rush
By Sheldon Russell
University of Oklahoma Press: Norman
ISBN 0-8061-3721-5
Copyright 2006 by University of Oklahoma Press

BOOK REVIEW BY CAROLYN BRANCH LEONARD 2/10/2006

Standing at the foot of Mavis's grave, Jerome held his hat in his hands.
"You danced your dance," he whispered, "and left your memory burned in my soul. Now, I will dance mine, and leave my mark upon this land."

This quote from Dreams to Dust, by Sheldon Russell, represents the author's profound understanding of the birth of Oklahoma by land run in 1889, and his brilliant gift for capturing the dramatic events and violent conflict that shaped the legends of our epic West. Dreams to Dust is a rip-roaring tale of the history, land and people of a city born grown in one day - a day of chaos, unique adventure, risk and total confusion. The author knows his subject well, researched it thoroughly and told his story faithfully in a writing style unique to him ...and what an exciting story he has to tell. Dreams to Dust presents many facts revealed in fictional format, such as the station that becomes Guthrie - the first state capitol, abandoned as result of one frontier newspaperman's greed, with the capitol seal stolen away in the dark of night.

Not since James Michener's Centennial has history been told in such a spellbinding way. From the opening line when Creed McReynolds locks his legs against the inside of a rail car, I felt relentlessly carried along on his journey and unable to get off the train until turning the final pages in the wee small hours of morning.

McReynolds, half-breed son of a U.S. Cavalry doctor, becomes just one of an assortment of powerful, unforgettable characters; like the girl with sapphire eyes, or the French architect who designed beautiful buildings of stone, the dog they called Flea Bag, hard-scrabble entrepreneurs who became tycoons, and an orphan boy forced to grow up too soon.

The author speaks in language of the time, through the voices of homesteaders, sooners, cowboys, claim jumpers, soldiers, railroad bulls, mail-order wives, opportunists and common thieves, steadfast men, women and children who come to build their homes and seek their fortunes on former Indian lands. The three million acres of the `89ers are outside the authority of Indian government, and without civil law. Nothing is spared: danger, brutality, hunger, sudden death, the loss of youth and innocence, prejudice, natural disasters, promiscuous women, even the unselfish friendship and love that McReynolds unexpectedly finds in this barren land.

But what comes through strongest is the idea that each man and woman has an innate dream to possess land and prosper on it; a compulsion capable of redeeming a soul or destroying a life. We are subtly reminded that this land - which McReynolds fights so hard to claim - originally was given in peace treaties to his mother's people by the US government.

Even the closing graphs present a ripping good read with a hint of Hemingway:
"As he climbed from the meadow, the air smelled scrubbed and clean, and a soft breeze blew through the trees. At the dugout he stopped, laying his hand on the door, listening to the sounds of the mountain. It was here that he and Alida had been the happiest, had built traps and laughed about hoopers, had made love and planned their future."

.....But no matter what the future held, this much he knew: this land was where he belonged; this land was where he'd stay.

The books were as described, and I would be happy to shop with this vendor again!

This 16 3/4 X 12 inch book with sewn binding and semi-gloss pages with 2 large photos on each page is a great value. At 256 pages, one would think the paper itself would cost more than the book price. Selected from a vast series of photographs Curtis took near the end of America's Westward Expansion, the book includes a biographical account of Curtis himself and a brief description of the American political context in which Curtis made the photographs. This description is insufficient in relaying the impact of all the treaties broken by the American govt. in the course of removing the Indians from their lands and their means of existence. The book points out that Curtis often had to ask his subjects to don their traditional garb for the photograph because by the early 1900s many wore the same clothes as European-Americans. THIS IS NOT A STAND-ALONE BOOK; it provides a rare and rich visual account by a former studio photographer who spent thirty years trying to capture the sympathy of white Americans on behalf of the people they had recently nearly killed off. For that reason, and because Curtis considered himself to be documenting the death of a race, the emphasis is on the past, the "heyday" of Native American cultures. No doubt naivete on Curtis's part, it served well the need of Congress to obliterate the fact that Indians still exist and want justice. Thus the book can also be read as a portrait of good intentions and their insufficiency when they privilege the values of the reigning culture. At least read Bury My Heart at Wounded Knee in conjunction with this book. Within these constraints, the photographs are stunning.

Great book! Photograhs are rich with history. Presents Native Americans as they were. Gives a hope for the future. It is a BIG, heavy book. Not for lap reading, but an excellent resource for any home library.

This book includes photographs and/or information on the Apache, Jicarilla, Navajo, Pima, Papago, Qahatika, Mohave, Yuma, Maricopa, Walapai, Havasupai, Yavapai, Teton Sioux, Yanktonai, Assiniboin, Apsaroke, Hidatsa, Mandan, Arikara, Atsina, Piegan, Cheyenne, Arapaho, Yakima, Klickitat, Salishan, Kutenai, Nex Perces, Kwakiutl, Nootka, Haida, Hopi, Hupa, Yurok, Karok, Wiyot, Tolowa, Tututni, Shasta, Achomawi, Klamath, Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwok, Yokuts, Dieguenos, Washo, Tiwa, Keres, Tewa, Zuni, Chipewyan, Cree, Sarsi, Wichita, Cheyenne, Oto, Comanche, Peyote Cult, Nunivak, Eskimos of various bays, islands and capes, as well as others.

I found this book shortly after Christmas of 2007. There may be larger or multi-volume offerings of Edward S. Curtis' photographs, I'm not sure, but this is a very nice one at an affordable price. The background history does not treat him blindly as a hero or villain. It illustrates both his faults and better attributes. The book mentions pictures that are staged, as in the case of Red Dog on page 66. Curtis described the Sioux as living in terrible poverty on the reservation when he photographed them, but one would not know that from the regal photo of Red Dog that clearly points back towards much better times.

The book includes many regions, tribes and ages of people, and in some ways even some of the more negative aspects of his photographs are invaluable because they informed much of the mainstream American (worldwide, really) mythology that surrounds First Nations peoples of North America. The photos are somewhere between documentary and romanticism. Where he could have taken straight documentary photos of poverty and tattered Western/white clothing, he instead staged warrior meetings on horseback and the like. In one sense though, even those seem valuable to me. Not so much as historical data from, say, 1903 when a given photo was taken, but just in the sense that these were the sorts of scenes that the older people in and around these photos would have remembered from their youth.

There are a couple famous faces, such as a lesser-known photo of Red Cloud. You'll also see men who were there at the Battle of the Greasy Grass... er... Little Bighorn.

Curtis' work will always be viewed historically as having good and bad aspects. His work now (even the pay-offs, etc...) is part of American history, and that makes this book important for those of us who can't afford something huge, or whose libraries don't have big collections of the original volumes. One way or the other (and I would guess both), the book will move you.

The paper, binding and cover are all very nice. It feels like a quality book that belies the fact that it's only $20ish for such a big, hardcover book.

I wish there was some way that books like this filtered money back into the communities today. This is by a UK publisher and printed in Hong Kong. At least you can also pick up the fantastic, original "homeland security. Fighting terrorism since 1492" shirts at the westwindworld site where the money does go where you'd like it to go.

Now in a newly revised and updated edition, The Fetish Carvers Of Zuni is collaboratively written by Marian Rodee (Curator of Southwestern Ethnology, Maxwell Museum of Anthropology, University of New Mexico) and James Ostler (Pueblo of Zuni Arts and Crafts) and offers a thoughtful, fascinating, and informative look at the Zuni Native American tradition and art form of carving fetishes. 103 halftones and 94 color photographs profusely illustrate the history of fetish carving, works of art, and its practice today. Personal testimonies of modern Zuni fetish carvers as well as scholarly appraisals of this art form round out this book about a unique and fascinating Native American art form. The Fetish Carvers Of Zuni is a welcome and much appreciated contribution to Native American Studies reference collections and supplemental reading lists.

This book is worth the effort it usually takes to track down. It is well written, easy to read (lots of white space and illustrations). Now we just need for them to write another volume, it's been a while since this was written, and the Zuni fetish world is always evolving.

I've been collecting the carvings of the Zuni for some years now and have found this book to be the most valuable and useful source for information not only on the carvers, but on the meaning of their creations. It is an excellent introduction to the carvers, but I also find the family trees very helpful. I keep track of the carvers whose work I have in my collection and this book is the only one I've found that helps me to do that. It is also as honest a guide to this culture and the carvers as you will find. It is very difficult to keep up with the carvers and their families, but this book is as helpful a source as you will find.

When collecting Native American fetish carvings, one important factor in determining a piece's value is the availability of the artist's name. This book provides the only source I've ever seen into the lives and work of modern Zuni carvers. It includes several family trees which show how the particular styles of carving were passed down through families. I have found this book to be a great resource and a fascinating view of these peoples lives

Although this study is situated within some african american communities in the Carolinas, it - rather than reading gospel as a "folk expression" - takes into account gospels deep involvement in the devotional life and christian experience of its "audiences" and "artists" (each concept here inapropriate within a more christian frame of referance). To acheive this the author Glenn Hinson (who's a folklorist/anthropologist) approaches christian onthology and epistemology in a more respectful way than what has been common in the social sciences. At least in order to understand the believers point of view (concerning gospel) one has to pay closer attention to their stories. Much space is therefore left to (nonreduced) extended citations from various interviews, live testemonies, prayers, sermons, songs, private conversaution and other sources. Hinson also deliberately shares with the readers from his own process of trying to understand, his own failures and ethical problems in the dual role as seeker/researcher. A very sympathetic book indeed, and a human achievement I hold in high regard.

Fire in My Bones is an examination of Afro-American gospel surveying the gospel music program as a whole, considering how it works to join performer and audience, prayer and singing into part of the worship service and how Afro-American Christians have made gospel an integral part of their world. Fire in My Bones is a fine in-depth examination of devotions and devotional services.

This book is an excellent study of religious expression and gospel music in African-American congregations. Hinson takes his readers through an anniversary service for a gospel group while providing thorough and insightful descriptions of salient aspects of the context for the religious expression that he presents in this sensitive and articulate study. Although Hinson allows for a range of interpretations about what the participants are experiencing in religious devotion, he makes a strong argument that is too easily dismissed in academic research. Namely, rather than explaining away encounters with the supernatural as physical or psychological phenomena, the researcher will gain a different understanding of culture if he or she takes the claims of a believer as a valid starting point for ethnographic inquiry. Hinson suggests that experiencing divine presence provides a new way for readers to truly "understand" what he writes of in this book. I have attended countless gospel services, and Hinson's book provides an excellent resource for gaining a greater awareness of what I have seen as believers "have church." Hinson's methods, theories, and insights as a folklorist provides an incredibly rich and accurate way to complete ethnographic study. This book is also beautifully illustrated with the superb photography of Roland Freeman.

This examination of Afro-American gospel examines the gospel music program as a whole, considering how it works to join performer and audience, prayer and singing into part of the worship service and how Afro-American Christians have made gospel an integral part of their world. A fine in-depth examination of devotions and devotional services.

This collection of poems, stories, narratives, folktales, oral histories and essays very aptly portrays the vital importance of salmon to the native peoples of the entire northern Pacific rim - not just as a food resource, but as a basis for their culture and a component of their identities. Several of the contributions, particularly an essay by Jeanette Armstrong, note how sustainable yield was applied in salmon fishing for thousands of years and how the discarding of this principle in modern times has led to the excessive depletion and near extinction of this species. Since I grew up in the Pacific Northwest, I am more or less familiar with the importance of salmon to the local economies and the Native American cultures of the region, so I found the sections of the book dealing with the Ainu of Japan, the Ulchi of eastern Siberia and the Nyvkhs of Sakhalin particularly informative and enjoyable. It is also a bit depressing to learn that like the U.S. and Canada (although not nearly as brutally), Japan and the USSR/Russia similarly mistreated the local populations by, among other things, limiting or restricting their access to traditional salmon runs and/or trying to force them to adopt non-traditional ways of life (assimilation). "First Fish, First People" may be attractively published, with striking cover art and attractive photos and illustrations, but it is not a coffee-table book - its diverse contributions, taken together, outline a philosophy of respect for and wise use of natural resources, as well as (and just as importantly) respect for different cultures and different ways of life. It is almost a cliche to say that it is high time that such lessons sink in at all levels of our modern globalized and hyper-industrial societies.

Aba book of the Year!!

Buy it especially for the Sherman Alexix poen at the beginning. It's touches the core of the Salmon environmental and cultural dilemna in the Northwest.

This book is a work of art, and provides evidence that the University of Washington Press, through its cooperation with other smaller publishers (such as One Reel) is doing the work that needs to be done in Northwest history and cultural studies.

This book is a collection of perpectives on salmon from representatives of the peoples around the pacific rim whose lives have centered on salmon for thousands of years. The contributors are talented indigenous writers from the United States, Canada, Japan, and Siberia. The engaging text is amply illustrated with historic and contemporary photographs, as well as drawings. The historic photographs are not the same ones that usually appear. For example, nearly every book on salmon in the nortwest has a twentieth century photograph of Indians fishing at Celilo Falls. Most books use the same photo. This book uses one that features in the forground the cable system that was used to get down to the fishing platforms, with the fishing platforms themselves in the background.

Some of the work in this book has been published elsewhere. But the context it is given here accentuates it in useful ways. For example, Sherman Alexie's poem, "The Place Where Ghosts of Salmon Jump," is engraved into a sculpture in Overlook Park behind the Spokane Public Library and is published in _The Summer of Black Widows_. But in this book it appears beside a nice photograph of the falls as it appears today, and a photo of Mr. Alexie standing on the footbridge above a section of the falls pointing downstream.

I grew up in So. California, so I've been fishing and diving the Pacific for many years. Now I live in Mexico and fish/dive the Gulf of California. I have never found a better field guide for these waters. I keep a copy on my boat and use it constantly.

The full-color illustrations are excellent and the descriptions are precise and accurate. It is laid out logically and is very easy to use. I've settled many arguments and won many bets on the docks with this book.

As a volunteer for the new Long Beach (CA) Aquarium of the Pacific, I needed to quickly learn about fishes of the Pacific coast and how to identify them. This book exactly suits my needs. It is interesting and informative, without being too technical. The color illustrations are beautiful. This is the perfect book for anyone who wants to learn more about Pacific coast fishes.

Fishes of the Pacific Coast is an excellent reference guide with beautiful full color illustrations of approximately 450 fish. I truly appreciated the inclusion of the fish of the upper Sea of Cortez. Small ecological and historical blurbs are fascinating. The handbook size makes it a must have on your diving or fishing boat.

I do a lot of fishing and own quite a few books on fish. I also keep a life-time fish list, a list of every species of fish I have ever caught that I was able to correctly ID. I have found Fishes of the Pacific Coast by Gar Goodson in particular to be very useful for ID purposes, but I also find it to be very good writing, highly interesting, and full of information that most other fish ID books usually lack. For example, he tells you here if a fish is considered good eating, or not. He tells you where they are found, in how deep of water, locals, tidbits of history about the fish, and also what they eat.
I recently bought two new books on fish, one about fish of the Gulf of Mexico and another on fish of the Atlantic Ocean and looking them over I kept finding things missing; I suddenly realized how much better this book of Goodson's is.
The many illustrations by the artist Phillip J. Weisgerber are all excellent and every single one of them is in color. I am a writer myself, author of some 5 published books now,... and I appreciate books that are put together with care, appreciate writing that is fun and interesting and highly informative. Fishes of the Pacific Coast is an inexpensive book and a darn good one. If you fish in the Pacific you'll want to own this book and will find that having it, and bringing it along on fishing trips will add a great deal to your pleasure. Also, I would certainly recommend this book as a present for anyone who is interested in nature,in fish, in fishing. A marvelous book and one of my favorites for sure!

I grew up reading the Famous Five in Denmark. My classmates and I would fight over them in the library. I used to hole up in my room with the Famous Five and wishing I was part of their adventures! I had every one of the books but unfortunately they were given away when I left home. I'm now in the process of collecting them all again.

I read all of Enid Blyton's books as an American child living in Pakiston in the late 1960's. I loved every one of them. I am now trying to find another children's series by Blyton called, "Mallory Towers" a schoolgirl series. There were six books in the series. END

I am german and have read probably all Enid Blyton Books around, they are very popular in germany. My favorite serises of hers was the five friends, it is about friendship, it is mystery, it is catching and it makes you want to read..like all of her books this one is a great present for any occassion and a TUMBS UP! I wish more of her works were available in the United States.

I have read most all of Enid Blyton's books, esply her adventure series of Famous Five, The Five Find-Outers and dog, and also her three boarding school series. Most children outside the US read a lot of her work. Her work is not only creative, thus appealing to children, but it establishes fundmental concepts of right and wrong, and a simple code of ethics. Some would call it old-fasioned, maybe. But in this world of violence, Ms Blytons books are a breath of fresh air. Wish they were available in the US!