Paint Books

Are you struggling to find God in your religion? God is in relationship, not in religion. For a long time, I couldn't figure out why I wasn't "getting it"....I'd go to church every Sunday, led Bible studies and other study groups, knew all the Christian lingo...but felt like a fraud and felt like something was missing. Something definitely was. Jim Palmer found it and he writes about it in both "DivineNobodies" and "Wide Open Spaces". He's living in the questions of his life ("What if God isn't a belief system, a set of doctrines?"), and he's really good at asking the questions that matter. If you are a seeker, you will love both of his books. Although you can read either one first, I'd recommend reading them in the order they were written, "DivineNobodies" published in 2006, then "Wide Open Spaces" in 2007. Also, check out his website/blog at [...].

This book, along with Jim Palmer's Divine Nobodies, delivered me from a year-long broken heart caused by my church. Thank God for people like Jim who share their story in hopes of helping others realize that God exists outside of organized religion. Since reading this book I have become more aware of God's unconditional love and his powerful presence in everything around me. From now on I too will be using the "freedom filter". It works!

Jim Palmer has had a fascinating spiritual journal. Though his resume includes working in pastoral ministry at Willow Creek Community Church and pioneering an emerging church in Nashville, Tennessee, Palmer has found his own faith grow wildly by stepping outside the confines of traditional religion and experiencing the fullness of God in everyday life. WIDE OPEN SPACES is the follow-up to his debut, DIVINE NOBODIES, and invites readers to look for a deeper spirituality beyond the status-quo. Palmer believes that the kingdom of God that includes love, peace and freedom is awaiting every follower of Jesus who will open his eyes and hear what God wants to do.

Each chapter of WIDE OPEN SPACES takes a different snapshot of Palmer's spiritual journey and ideas. The chapter titles play on pop culture phrases and references such as "The Devil Wears Levis 501 Jeans" and "Humankind is from Mars, God is from Venus." The subtitles, though, more clearly identify the purpose of each chapter-length essay. They ask thought-provoking questions such as "Does It Matter If We Can't Do It?" "Is the Reality of Evil an Inconvenient Truth?" and "Can We Trust Our Gut?" Along the way, readers get insights into Palmer's thought process, background and life.

Though well written throughout, the best chapter of the book is also the first, "My God Can Whup Your God! Is God a Belief System?" Palmer writes, "One of the most freeing discoveries these past few years in my relationship with God (and it's still sinking in) is that God is not a belief system or a fixed set of theological propositions. On the one hand, it seems patently obvious that a list of claims about God can't actually be God himself. There isn't a lockbox at the center of the universe containing a divine computer program and doctrinal code. Hopefully we've all realized that THE HITCHHIKER'S GUIDE TO THE GALAXY is fiction and that the number forty-two doesn't answer anything of ultimate significance."

Despite such realizations, Palmer points out that for years Christianity was thought of as a well-defined set of propositions and practices. As a result, he spent many years treating his belief system as his savior. While important, solid doctrine is not the basis for salvation; instead, it's a relationship with Christ. Palmer shares quite transparently that for years his sense of security and comfort came from being right about God. Now he finds his security and comfort in knowing God and discovering His compassion, goodness, favor, forgiveness, beauty, truth and love. As demonstrated throughout the book, he finds it in more places than you can imagine.

WIDE OPEN SPACES is a well-written book that contributes to the emerging conversation on where the church has been as well as where it is going and what that journey looks like in one little Christ-follower's life. It is recommended to people who are ready to color outside the lines of traditional faith and delve into a deeper relationship with Christ.

--- Reviewed by Margaret Oines

I found this book to be incredibly amazing and thought provoking. I am currently reading Palmer's first book "Divine Nobodies" and i would recommend that as well. it really struck a chord with me and everyone should think about picking it up!

Palmer's former life as an executive pastor is a little bit fresh, making his outline of a new kind of orthopraxy both refreshingly freedom-focused and depressingly churchy in its expression. Still, Palmer is vulnerable (and cautious not to overstay his welcome) in sharing his changed perspective on Christ and Christ's message. The result is a challenge to orthodoxy that almost sings (especially his careful explication of American culture's sky-god). If you're fed up with traditional church, read this book.

My 3rd grade daughter is a horse lover, and we were looking for a horse book that featured a girl when we found this one. We loved this story. I wasn't quite sure what the connection was with Artemesia at the beginning of the story. Maya's lying bothered me quite a bit as well. But I loved how it all turned out.

To my daughter it was just a neat story with horses and scary parts and a happy ending. To me it was a work of art, weaving life lessons and even great art into a beautiful tapestry.

Paint the Wind features a young girl who has lost her parents and her primary caregiver, her paternal grandmother, before coming to live with her maternal family. Maya's grandmother was very protective to the point of sheltering her from the world. When she goes to live with her mom's family, she learns a whole new way of life, rides horses, and is caught in a survival situation in the woods after an earthquake. The story is fast paced at times, while also being slow and descriptive in places.

I learned so much about horseback riding by reading this book. Maya's bravery was amazing to me as I've just begun to ride horses again in the past year. It is a humbling experience and I am in awe of young children who ride with Maya's skill and grace. A look inside the training was very interesting.

In the classroom, I would share this book with any horse-lover. It would be a great book for adventerous young girls looking for survival stories with strong female characters. In addition, a study of earthquakes might occur as an offshoot of this reading. I would certainly show the location of the story on a map and investigate the earthquake history of the region.

My husband and I took turns reading it to our kids, age 6 and 8. We all enjoyed the story. The writing is quite nice, and the vocabularly is just right for an 8-year old, and OK for a 6-year old. There are quite a few "big" words that are good to explain to kids, but not so many that they can't understand the compelling story. I recommend it!

Eleven-year-old Maya has lived in the sterile and cheerless environment of her grandmother's regime for the past six years, ever since her parents died. And every single day she is reminded of her father's lost life by her grandmother who mourns his death with a crippling grief. Maya's mother, on the other hand, hovers only in the shadows of her memory, while her grandmother occasionally utters a horror or two about the woman who ruined his life.

Maya only has a faded photo of her mother astride a beautiful mustang horse and a few small horse figurines as remembrances. Maya must keep these items hidden from her grandmother or risk losing them forever. They are the only light she has left in an otherwise bleak and lonely life.

The household, which includes Maya, her grandmother and an ever-changing rotation of housekeepers, is void of laughter, joy, warmth or improprieties of any kind. Maya lives in a prison of prosperity, with a fancy house and an expensive education but no friends, freedoms or fairy tales. Maya's one treat every week is her trip to the library, where she devours books on horses. And though she knows all about the different breeds and interesting facts about them, she can't remember ever having met one face to face.

This all changes rather abruptly when Maya's grandmother suffers a massive stroke and dies. The lawyer shows up and announces that she will be living with her mother's family. He is shocked to find out that she hasn't been visiting that side of the family every summer as the courts had decided; her grandmother lied to them about shared custody.

All too soon, Maya finds herself on a plane bound for the wilds of Wyoming and the family horse ranch. She is torn, feeling curious about her mother's side of the family and nervous because of the off-color remarks from her grandmother. But what Maya discovers soars beyond her wildest dreams, and as she gets to know one of the wild mustang horses living near the camp, she finally begins to shed the prison walls installed by her grieving grandmother.

PAINT THE WIND is a beautifully written story filled with spirited characters and colorful descriptions of the amazing Wyoming landscape. Award-winning author Pam Munoz Ryan delightfully weaves two stories together --- that of strong-willed Maya, forced into hibernation and just begging to bloom, and the beautiful tobiano Paint horse, Artemisia, forced into isolation due to a wild horse roundup and desperate for love --- to create a charming novel.

--- Reviewed by Chris Shanley-Dillman, author of FINDING THE LIGHT and THE BLACK POND

I LOVED this book!!! It has enough "horsey person words" in it that you can tell a horse person wrote it. I highly recommend it to anyone under the age of 17.

I purchased this book after considering many watercolor painting books on Amazon.com and I'm so glad I did. It is beautiful in every respect. I also got one heck of a good price, too. This book has everything I wanted and more. Super concise and easy instructions and illustrations - just perfect for a beginner like myself. Every step of the painting is shown and explained. You just couldn't go wrong when using this book. I wish I had this book years ago because if I had, I would not have given up trying to paint with watercolors. Now I'm back and I'm going to love every step of learning with this helpful book. Gorgeous photos throughout. You will definitely be inspired!

An Excellent reference for beginning through advanced painters.

Everything needed to paint lovely floral watercolors: Selection of paper and paint colors; step-by-step sequence of demonstrations along with samples of completed "floral portraits".

If I were to own only one book of floral watercolors, this would be it!

I found this book to be very helpful in painting flowers with watercolors. Being new to the medium, this is a very valuable reference.

This book is on the top of my list of books I would recommend to learn to paint and draw flowers in watercolor, and I have a huge number of watercolor painting books to compare it to. It is also great for learning basic watercolor techniques, as the beginning chapter cover everything a beginner would need to know, but it is a book for watercolorists of all levels.

After the basic techniques and materials chapters which are outstanding in themselves, the student is given 26 beautiful flowers to paint, each with detailed instructions, and sometimes close-up views of exactly where the detail such as masking fluid goes, or where the next glaze goes, etc.. Each exercise gives the exact pallet you will need. The instructions are excellent.

I consider myself still a beginner, but was amazed at how beautiful my first flower turned out, and credit most of it to the teaching methods in this book. This book is among the very BEST OF THE BEST to learn from and also to enjoy the beauty of the paintings. I can't think of anything I didn't like about this book. It's tops in every way.

Not all artists can teach, but Adelene Fletcher is definitely a teacher. One thing I like about this book is she tells you all the colours you will need to do each flower in the book, and then gives you some very good instructions in painting them. I have done the first two flowers in the book and thoroughly enjoyed her method of teaching. I am now looking to buy her Trees and Foliage A-Z book but Amazon cannot get it and the other suppliers I've looked at so far do not ship to Canada.

It's a lot wider and taller than I expected and it's a little thinner than I expected...I really don't know what I was expecting though come to think of it =) But it's a very easy quick read and even though i also bought Cartoon Animation (also by same guy) and this book seems like a summary of that bigger book I still liked it and will refer a lot I'm sure to this and his other book.

My only complaint is that it doesn't really fit on my book shelf unless it's on its side XD

I have been drawing cartoons and doodling for years and could never figure out why my flat drawings didn't look as good as the masters from the "golden age". (almost all comic strips nowadays look flat too, so people just accept that it's how they are supposed to be). Well taking the advice from John K's blog, I bought this book and basically started over from scratch. The basis of Preston Blair's technique is starting with an egg or circle with 2 lines in it and making the characters face from there. You wouldn't believe how it makes the images pop out, and how much easier it is to draw them from different perspectives all the while keeping your characters consistent. Other techniques are how to draw cartoon hands, facial expressions, and body positioning. If you are an amateur cartoonist looking to refine your work, buy this book now. Best 8 dollar investment you will ever make.

If you are looking for a small, comprehensive analysis of how to do animation, this is your book. Walter Foster is one of the best companies out there on drawing books, though I wouldn't recommend them all. I highly recommend this one. :)

This is a great way to see how animation starts. I would recommend it to anyone wanting to choose Animation as a career. I am taking Web design and Animation.

The book is arranged like this: Drawing principles, character design, then animation. The principles are about constructing forms and wrapping guidelines & features around them properly, facial expressions, building a simple skeletal foundation, how bodies can be drawn, and hands!

The character design section is small, but brilliant. There are great example drawings to work from and trust me when I say the characters are pleasing to look at.

As for the animation section, it's got the essentials for walks, runs, understanding squash & stretch and line of action in movements. It might not have enough movements as one may want, but really, using what you learn here to analyze actions from life will enable you to learn how any movement can be strengthened for animation. I actually haven't started animating yet (still doing the drawing sections), but I know I'll be perfectly fine with just this. Harold Whitaker's "Timing For Animation" does seem like it could be a perfect supplement to this though, so you might wanna check that out as well.

Other pages include things about dialogue phonemes, takes (when's the last time anyone's seen a Tex-Avery-style reaction in a cartoon? learn this and bring it back!) pointers on animation, and, best of all, TONS of characters to practice from.

The book is only eight bucks and, being from Preston Blair, a genius from the golden-age era of animation, you can't go wrong. Buy it, follow everything that he says, draw from each drawing in the book until the concepts seep in, and make some cartoons. Even if you wanna draw comic strips and/or comic books, get this now!

...and it's an intermediate-level classic! As I understand it, this book went out of print sometime during the 1980's- which was before my time in art school and before the Internet came into popular use. A number of my art instructors had recommended this book, yet at that time I couldn't get my hands on a copy. Now that the Internet is up and running (thanks!), word has spread pretty quickly, and you'd think it wouldn't be hard to keep this thing in print. Many professionals *today* cite this book as being an inspiration in their work. It's 9" x 12" and 204 pages- which is very different looking than his slim & tall Walter Foster collections. Its content is similar to Willy Pogany's The Art of Drawing, and Jack Hamm's excellent Drawing the Head and Figure- very much a classic, mid-20th century style. In any case, this is an *intermediate-level effort* on drawing figures from memory & life, geared towards people aspiring to a career in professional illustration. Included within is his famous *ball/sphere-based* method of head construction, but it's in an abbreviated form here- His Heads collection for Walter Foster really does a *much* better, in-depth job of covering this particular area. Still, Loomis here shows how all figures can be constructed using simplified forms & shapes- He constantly emphasizes how these figures can be placed in perspective, and then rendered to a professional degree. He's very three dimensional in his approach, yet his drawings are mainly realistic looking. This is in great contrast to Burne Hogarth's excellent style, which is also very three dimensional- yet the drawings in Dynamic Figure Drawing are highly stylized in exaggerated 3-D, for exceedingly precise understanding of foreshortening. Loomis' work is *far* more natural & direct; it's especially great for life drawing and commercial illustration- definitely worth considering! P.S. In these pages (p.65)- Loomis himself recommends the excellent books by George Bridgman- certainly a great idea!

This book is more of a high intermediate to advanced level book in which Loomis shows you a somewhat elaborate construction process to building the figure primarily from life. He really misses the gesture + building form portions which are the most important, with the exception of passively mentioning in a couple sentences that its important you 'feel' it.

All the Loomis books I feel are purely mechanical in nature with the exception of Fun With a Pencil. If you really need to refine your mechanics AFTER you've acquired the natural element to drawing this text is very valuable. Examples of beginner texts include the Vilppu Drawing Manual, Nicolaides' Natural Way to Draw, and Edwards' Drawing on The Right Side of the Brain. In order to do drawing you need core elements like a scaling element, feeling/ building form element, etc. which all the above mentioned texts are best in giving.

This book left me speechless. There's not enough stars in the ratings for me to express to you just how great this book is. And the strange thing is, no matter in which branch of art you work, you'll feel as though Andrew Loomis wrote this book just for you.

If you're serious about your art, be you illustrator, comic book artist, animator, fashion designer, or even a games designer, you need to have this book in your library. The text and illustration work together to take you on an odyssey of discovery, a thousand and one techniques that will make your life easier, and your art so much better.

The original was printed in 1943 and has come to be recognised as the bible of figure artists. Although it's out of print now, you can still find a number of great condition reprints. Get one! Keep it by the drawing board and you'll never again be stuck on how to draw a figure, work with horizon lines, and place figures in space so that they relate perfectly to each other and their surroundings.

Ignore the price and get one ASAP. Don't eat for a couple of weeks if needs be, but acquire a copy of this book as soon as you find one.

I'm off to read mine now. You guys don't know what you're missing!

I wish there were 10 stars.

Having stood the test of time, it was first published in the 30's, this book teaches you all that is there to figure drawing.

Andrew Loomis is one of those rare, gifted artists who can articulate as clearly and truthfully using words as he could with lines.

Using very simple tools to define the structure of the human body, essentially the skeleton as the foundation, he teaches how fantastically easy it is to draw the human body from any angle, in any action, and of any type.

This is not one of those 'feel good' books that teaches you to do 'yet another thing'. This is a grand text. absolutely dedicated work, you can see the earnestness in Loomis' anxious words about getting across the details to the reader.

Kimon's 'Natural Way to Draw' is a classic in a different way, where he asks us to discover almost everything. Loomis gives us the crutches. I think a combination of these two approaches can be terrific. thats what I am finding out.

It has been very fullfilling , since I can pick up the artifacts of drawing the figure, and infact drawing anything for that matter, Loomis will lead you to explore and expand, the techniques are amazingly simple, yet absolutely powerful.

He reiterates to see the structure beneath anything, the skeleton, and how it aids us in construction.

Note: the book is out of print, but several online versions are scattered across the Net.

Everybody that does or aspires to draw the human figure from imagination, not particularly from live study, should run, not walk, to get this book. A long time secret classic for people working with cartoons, concept art, character design and so forth. If you think you are covered because you got Burne Hogarth's books on the human figure, think again. Not to dis Hogarth, but this one is the real thing.

This is a lovely book with lots of information. However, I bought it to try to decide on a new color scheme for my Cape Cod home, only to find that just one Cape is shown in over 300 pages of this book. There are many beautiful houses presented, but most of them are not what I would consider your average middle-class home. I found nothing appropriate for my house, so it was a disappointment for me and I will probably return it.

This book by Susan Hershman has been invaluable in many ways. Since we live in a Victorian City, the book is a way to show off ours and other similar cities. We use Susan's book for ideas and suggestions for our neighbors when they are improving their homes. Visually, House Colors is so stunning that it is now our number one cocktail table book. We can't imagine anyone undertaking a project involving painting without utilizing House Colors.

This is the best reference I have ever seen for exterior colors. The pictures are of real houses, not staged for photography and the book gives you the paint brands and numbers of the colors used on each house. Very very helpful. I found colors to paint my home I would have never thought to consider and I am a decorator. Thank you Susan!

This book will be very useful to laymen and professionals for use in selection of exterior colors and materials for new houses, remodelings, and even when the house is getting re-painted.

Laymen, when re-doing their own house to whatever degree, would love the book because Ms. Hershman clearly and simply explains her points by use of examples (in beautiful photography) as well as the written word. For professionals, the book offers a collection of images and ideas that can presented to their clients so that they can understand that color is not a "paint job". Rather, exterior color is really an integrated system of materials and colors--and that system can range for the very simple to the very complex.

This book would be wonderful addition to anyone's library.

This book is destined to be a classic for professionals and novices alike. Rather than another "pretty" book to ad to the shelf, it is an extensive resource that can be used for years. If you've ever chosen a paint color only to have to change it several times, this will save your sanity and money. Susan is a professional who does the work for you. The resource section in the back of the book is amazing. If you want your house to be the one other's drive by and admire, buy this book. Bravo!

My 2 year old is crazy about Bing Bunny and the adorable Flop! The stories are so appropriate and appeal directly to the toddler mind; calling to attention all the things that toddlers' notice. The crisis concerning the loss of Flop in Bing Bed Time is especially important: one cannot go to bed without Flop! (or in our case, Dee). We plan to purchase all the books. Great quality and excellent illustrations!

I wish Bing were as popular in America as Barney is. These books are a hoot and my son just can't get enough of them. I checked all 8 out from the library and had to end up buying them.

Bing is a bunny who interacts with his stuffed animal Flop. The books show Bing learning colors, foods, potty training, etc., all in the course of a day.

Adults will enjoy the '60s vibe of the cars, houses and furniture in the books.

Maybe an animated Bing show in America will make these books as popular as they deserve to be.

my son loves reading the Bing and Flop books. His favorite is the night time book. teaching him our bedtime routine is so much easier. the colors and shapes are simple and easy to understand.

My daughter Kylie, now 2 1/2...LOVES! LOVES! LOVES! the Bing series! She now "reads" the stories to us since she has memorized them all!

The Bing Bunny books appeal to both my 4-year-old and my 1-year-old. They're simple in format and style but manage to ably relay the oh-so-important-for-kids message that it's okay to make mistakes. "Paint Day" is held together by the repeated refrain of, "Don't spill the water, Bing!" Of course, he does eventually spill that water, but it's okay - it's a Bing thing. In "Bing Gets Dressed", Bing labors to get himself all dressed and then wets his pants. It's a sweet and accepting message for little kids who do make mistakes and need to hear that these things happen. We all love Bing - one read and you just can't help it.

If you want a great overveiw of how to apply flames, this is the book. If you want to learn how to apply flames, this is the place to start. It gives detailed instructions, materials, and brand names, so you get started right, and getting started right gives you a great base for gaining expearance.

This really does show you how to paint flames and in lots of styles. Well worth picking up if this area interests you.

I bought this book for my brother since he paints flames on cars as a hobby. He was THRILLED to receive this book. He said it will really help him fine-tune his skills.

This is a very inspirational book! great tutorials and very nice information about some general fields in custom painting. If you feel you like some flame works, you'll find this book leads you to flame almost anything around you... BEWARE! maybe you never stop!

I suggest to read this book together with "How to paint your car" also from Motorbooks, this one first because maybe you'd like to start with some nice graphics before putting yourself on a whole car painting job.

The best instructional book I have ever read regarding Flame design, inspiration and how-to. It covers every aspect there is in the world of flamework; from traditional flames,wall-of-flames,realistic and ghost flames. Not only does it give you an in-sight into the world of creativity but gives a step-by-step guide to all products used and why they are used. In a nutshell, if you are considering the thought of customising Mom's shopping wagon, this book is for you!!!

Don't lend it to a friend, guard it with your life! Ms. Goldberg's drawings are wondrous. I want to say that they remind me of David Hockney's work - but that wouldn't quite do it. Because her style is hers alone and it's magical! The accompanying text throughout gives you an understanding of her drawings - and how she's able to unleash that part of her creativity - and have FUN! I never fail to read the latest Natalie Goldberg book - her insights, her truthfulness about her struggles help me realize that we're all artists. Some of us are just a little freer and further along than the rest. Thank goodness Natalie keeps writing to show us paths that she's hewn for herself.

Natalie's paintings are dazzling...she seems to have caught the emotional color of her subjects, the inner dance of things...it's essential magic. In the chapter titled "How I Paint", she says: " I noticed that the blue of my paints wasn't blue enough to get the intensity of that New Mexico sky. I painted the sky red instead. I painted Jazz yellow. He was a brown dog, but yellow expressed him better. Color became fluid".

There's a chapter on her father, with 7 paintings of him, the first from '78, the last, '98...wonderful portraits, with a sadness in them, despite the vivid colors.
Another chapter, "A Deep Source of my Writing", is about how her writing and painting are interrelated.

She writes of her European travels, her visits to the Musee Matisse, Cezanne's studio, the Kafka Museum, and so much more...with an easy flow that makes reading a pleasure, but it's the paintings that captivate me.

Her interiors are incredible..ordinary places like bathrooms and kitchens, turned into playgrounds of glorious color...her buildings and outdoor scenes are also amazing (her sense of perspective is fabulous !), but I love her cars best of all. If I could own one painting, it would be the green Chevy truck on page 22. It seems to have a face, with a side window that's winking at me.

This is a very special book, so full of life and love. It makes me laugh, inspires me, gives me hope and warms my heart.

I can only echo the other rave reviews: This book is a must-own (not just a must-read) if you're an artist, a writer, or both. Even if you can't draw a stick figure, but have always wanted to be an artist, this book will set you on the path to creative expression. Don't just wish to be an artist... get this book, and start painting!

I am reading and drawing. I am writing and here in southern New Mexico, Alamogordo all by myself. I am sooo glad she found art to be a good tool for seeing detail. I'm seeing differently.
I have seen color all my life but been afraid to express it. I grew up parttime in Maryland. The East Coast has its own flavor, but out West we command another kind of beauty. Natalies writings have been a good refresher for me. I'm excited to do a workshop up in Taos. Thanks.

I had never heard of Natalie Goldberg before this book was mentioned casually in an online journaling group. But the comment peaked my interest and I surely was not disappointed! I read the entire book in one sitting (during the first major snowstorm of '05!) There were many "ah ha" moments...and I especially enjoyed the chapter about her father...very emotionally moving and insightful. Highly recommended if you do visual art and are curious about what propels you.

These are some of my favorite children's books, I could read them over and over, Ms. Rylant really knows how to make children's stories shine......

Everyone should read this simple, fun book! We bought this for our daughter's 7th birthday because she checked it out of the library so many times over the last few years. We like all of the Mr. Putter and Tabby books, but this one is her favorite. It is well-written, humorous, and perfectly illustrated. There are funny surprises in this story, and it makes us laugh every time we read it. What a great book! We highly recommend Mr. Putter and Tabby Paint the Porch!

You really cannot go wrong with Mr. Putter and Tabby. My 3 year old and 5 year old boys adore this book, we read it again and again and each time the picture of Tabby all pink makes the boys howl and me giggle... what more can you want from a book than that.

My three year old daughter Serena loves this book, we've read it and our two other Mr.Putter and Tabby books every night since we got it. she always laughs at mTabby's pink whiskers. This series of books is fun to learn to read from and a frolic for everyone.

My children, ages three and five, adore Mr. Puuter and Tabby, and I believe this is Ms. Rylant's funniest rendition of their adventures so far. When the box arrived, I read the book alone because I couldn't stand to wait. Ms. Rylant uses a nice collection of short and medium-length words for beginning readers, and the story rollicks along. Mr. Howard's illustrations capture the subjects' expressions beautifully. We checked these books out of the library so often that we finally ordered some to keep.