United Kingdom Books

I bought this book for one of my children for a summer reading project. I needed a specific version and was glad I could search Amazon by ISBN. The book arrived quickly and the price was reasonable. I'm sure other family members will enjoy the book when the projcet is complete.

except for the Bible, this is the best.
It is the full and undiluted version from the first english translation.
read it, learn it,live it.
j

Although the story is well known to me, the editing of this audio book was so confusing. I absolutely could not follow it. Too much is cut out.

Story has good twists, but there are too many French places and people which makes the audio confusing.

The book is excelent reading but please get a different version.
This version only has 580 or so pages where as other versions have over 1,300 pages. That means that this version is only half the story.
So much gets lost in translation already don't cheat yourself even more.

Henry VIII is a fascinating man of history. He took six wives, arranged to exchange one wife for another, murdered two, lost one to childbirth, rejected another and died before he could find a way to get rid of wife six. A man of wit, intelligence, excess and greed. He had an enormous appetite for pleasure, riches and love. You'll feel as if you're reading exceptional fiction but it really happened.

This is an excellent account of Henry and his many wives. Well researched, very well written - there's hardly a boring passage.

Watching the Tudors on Showtime got me interested in Henry VIII. I purchased this book because of the depth of its research and historical accuracy. It was excellent. I could not put it down. I tend to be more of a fiction reader, when I read for enjoyment. This was as engrossing as any novel.

If you want to read about Henry VIII's six wives, there are more titles out there that you can ever read. A lot of the material is a combination of guesses and conjecture, with a slant toward the prurient. This book, however, is very different. Alison Weir spent a lot of time looking at primary sources from the Tudor period. She obviously did her homework, and her fictionalized historical accounts are likely the closest to the truth that we will ever find.

Unlike most accounts that paint Henry as a man driven by lust, Ms. Weir paints him as a deeply religious man driven by a combination of duty and fear. He truly believes that the fate of the Tudor dynasty depends entirely on the appearance of a legitimate son. Henry had at least one illegitimate son, Henry FitzRoy, whose last name is a sly poke at his bastard status. (FitzRoy = Son of the King, get it?) As time passed, Henry's sense of duty became magnified and overwhelmed by fear that he would die before a legitimate Tudor prince was born. His son Edward was sick and weak from the beginning, and it was apparent to Henry that he needed a healthy, strong son to take on the mantle of leadership should Edward die. He himself only became king because of the untimely death of his sickly brother, Arthur. His treatment of his wives was based on these twin factors.

Alison Weir takes the dry facts and weaves them into a compelling and interesting narrative, and the tragedy of Henry's relationships with all of the women he encountered becomes stunningly clear. I found the book impossible to put down, and although I knew the bare bones of what happened from history books, I had to keep reading to see what might happen next. This is a wonderful introduction to Ms. Weir's books, and if you read this one, be sure to have the others in your shopping cart. You won't want to waste any time getting your hands on them.

I recieved this book in perfect condition and it came a day before the estimated time of arrival. Thank you.

I used this book to plan my golf trip to Scotland for my brother and I, along with help directly from Mr. Ferguson himself. You really need to read this book over and over again to reap the full benfit of all the info in here. He covers so much important information. I planned my own unique trip, choosing golf courses and places to stay, plus rental car and when to go and what to bring. Our trip came off with no problems, all tee times, rooms, travel, directions, etc were all right on target. We even met other golfers who were using the book as well. I know we saved money using this book as apposed to going through a agancy. I will be using his service again on my next trip as well.

Take some good advice from a guy (Ferguson) who has been there and done that. Very easy reading with some greats tips for planning your trip. You'll pay for the book just by following his car rental recommendation.

You can scroll down to other reviews of this book, I would simply be repeating the praises that others have for this golf/travel guide.

I devoured this book in almost one sittting. The advice is sincere, genuine and as helpful as travel advice gets.

There is no mystery why everyone has rated this book five stars: it IS that good.

I am planning a trip to Scotland in 2009 for our regular foursome. With this book I have a good idea what our group needs to decide on before we go.

(E.g., Is playing at St. Andrews the major reason for our trip? Do we want to stay in a hotel/a B&B/a self-catering location? Do we want to stay in St. Andrews town itself or are we willing to pack up and re-locate to other locations? Do we want to spend $350 to play one fantastic course or 4 lesser-known links?)

This book is practical and I recommend it WITHOUT any reservation!

I have been to Scotland with tour operator, but this book is excellent if you want to save money and plan the trip yourself. Great review of golf courses and good ideas of lodging and traveling. Highly recommended. If you can find a better book, let me know.

Another great book I got my boyfriend who is going to Scotland and going to check out some of these courses

This is probably one of the few books you are going to find about Badfinger, who are another very essential but overlooked rock band. Sure they had hits, but they got screwed over. The book arrived in great shape and very quickly, so I was completely happy with everything.

I ordered this for my brother's birthday and he loved it! The book arrived in perfect shape. This is one of my brother's favorite bands from 'back in the day'!!! He was very happy with it. Thanks

A wonderful book. I knew very little about this band other than a couple of great songs I heard on the radio in the early 70's. By the time I finished the book I felt like I'd known them all my life. I couldn't help but get emotionally involved in their plight...Highly recommend

The most engrossing band bio I've ever read, and also one of the saddest stories in music. I find it funny that the two biggest debunkers of the author of this book are also two people who haven't read it! The story spans the very beggining, when they were known as the Iveys, to the ASCAP debacle in which Pete Ham and Tom Evans were utterly disrespected in front of an audience for their wonderful accomplishment of having written Without You. No stone is left unturned and unfortuntely some of the people involved should crawl back under theirs but haven't.

Dear Joey and Kathie: You can fool some of the people, but you haven't fooled me. At least Pete doesn't have a grave, or else I'm sure you would have been dancing on it quite happily. Why did you have to be part of the problem?

The "tragic" story of Badfinger couldn't be a better title for this book or this band. So much talent and ability and such bad management and naivete' destroyed not just a band but many lives in the process. I believe every young musician should read this book and learn from their mistakes.

Finest biography on Churchill ever written. A pity Manchester died before completing the third book of the trilogy.

William Manchester informs and entertains in this excellent historical account of the critical years leading up to WWII, juxtaposing the appeasement practices of predecessors Baldwin and Chamberlain with the unwavering belief in the principles of freedom held by Churchill. The book (along with Manchester's first volume) gives terrific insight into the transition from the glory days of the British Empire to the Post WWI apathy that beset the British public. As well, the work provides delightful commentary on the characters surrounding Churhill's life including his colorful mother Jennie, his wife Clementine and his nemesis Adolf Hitler.

The Last Lion, Alone covers the history of Europe from the time Hitler first came to power in Germany to the time that Hitler invaded the Low Countries and World War II began. During this period Churchill, who continually fought against the appeasement policies of Chamberlain, rose from Back Bench irrelevance to become Brittan's Prime Minister.

The history of this period is a gripping saga of one man's malicious attempt to dominate Europe and another man's noble efforts to stop him - a classical case of good vs evil - told as an almost unbelievable story in the words of a master story teller.

I was adrift when I finished this volume.
grasping at pathetic things to read for a while - nothing satisfied - Manchester can set the stage, his historical background is so rich that you'll find yourself spouting about it to your friends.

You'll learn more from this book than a two semester course in 20th century history.

Churchill himself is the lead player in a panapoly of exciting elements. But manchester never lets the reader forget the place in history - the man was a masterful writer.

After the fall of France in June 1940, Winston Churchill was begging USA President Roosevelt for military aid (in fact, all sorts of support was then needed) as no one knew what would the 'fate' of the French fleet was going to be.
Churchill kept reminding the American president that Britain would not surrender even if left alone.
Churchill was defiant despite the fact that the two 'key' American ambassadors, in France and Great Britain, were pro Hitler (or at least they were not anti-Nazi).
Joseph Kennedy (USA Ambassador to GB) openly cautioned his fellow Americans against entering the war because the 'allies' would soon be beaten.
However, I would have liked to see more comments about the position and reaction of the king - king George VI.
Was he indifferent?
We should remember that Hitler had been addressing the King as the man whom the British Government circles have loathed, and as the only 'hope' for a reconciliation between the Third Reich and GB.
In this context it is true that Churchill was indeed ALONE

well this is the first book i read on winston churchill . bought it in 1983 . the foreword is unforgettable but historical mistakes in it makes this work not the very best on the luife of sir winston. great prose nevetheless.same can be said of book number two.

This is a truly *massive* work, equal parts scholarship and artistry. Though volume one runs close to a thousand pages (counting notes, sources, etc.), I finished reading it this afternoon after an off-and-on reading of about two weeks, and it just flew by. Manchester crafted this with such precision care that I fell into the narrative from page one.

The greatest strength of the book itself-- aside from it's subject-- is Manchester's gift of narrative. WC was the quintessential Victorian, as Manchester points out time and again throughout both volumes. It is only appropriate, then, that the author should give some feel of what it was like to live in the British Empire at the time of Queen Victoria. Some of the very best passages, in my opinion, deal with life during the last quarter-century of Victoria's reign. These are not mere digressions. These fascinating glimpses into WC's era help the reader to better understand Churchill himself, who was born a Victorian and remained one to his dying day.

Manchester provides insight into British colonial administration, life in the British Raj at the end of the 19th century, and the upper class's attitudes toward sexuality and marriage. While this is fascinating in itself, Manchester goes even further and weaves a vivid tapestry of politics, history, and culture through his use of personal correspondence. It is his exhaustive use of personal correspondence-- between WC and his parents, WC and his wife and children, WC and Members of Parliament, and between all sorts of people talking about Churchill and the events in which he was caught up--- that this gives Manchester's work the feeling, not of history or even biography, but of a life too large to have been lived by one man.

Manchester is one of those writers who appears unable to disappoint. This is a book to be read and savored. For years, it sat on my shelf - I saw as a large undertaking that I wanted to do right.

The book has a very interesting structure. First, it begins with a kind of interpretive introduction to the man, vividly characterizing him while also evaluating his strengths as a man of history and his glaring weaknesses. You see him, worts and all, and it is both funny and enlightening. The psychological depth is virtually unprecedented in any other bio I have read. Second, you get a view both into his milieu - as an aristocrat of talent and privilege in Victorian Britain - and a biography of both of his parents. This is crucially important, as we come to see Churchill as an anachronism, but also as a boy neglected by narcissistic parents. (Interestingly, the absence of one or both parents is a common trait in extraordinary achievers.) Third, you get his life story, more from the events he was involved in than as an intimate portrait, though much of his personal life is covered. Indeed, he used action as the most effective tonic against depression.

The man that emerges is flawed and complex, but evidently a political genius. In my view, the key to his character is that he remained a Victorian gentleman, who viewed martial valor as the greatest source of meaning and glory in life. This suited him to titanic struggles, such as the one he faced with Hitler that places him in the ranks of the greatest historical figures. As an egotist, he always wanted to place himself at the center of events and yet did so with courage and tenacity in spite of his physical weaknesses. When out of power, he exercised other gifts, such as writing, with equal talent and energy.

Nonetheless, Manchester proves that Churchill was not a politician deeply in touch with his constituency: he never developed a typical base of power and often his views did not synch with the mainstream. Without Hitler, his hour might never have arrived: this duality is a theme that runs through the entire book.

If there is any flaw here, it is that Manchester includes a plethora of detail, not only about world events but in Churchill's political maneuverings. Normally, I delight in these details, if I know there is a purpose to all of it, which I did not always sense in this book. (Here a comparison with Robert Caro is instructive: you always know where he is going and why.) Others may see it differently, of course. Also, many of the historical details I already knew, so did not need Manchester's wordy introductions, but they were useful in the many cases of which I was ignorant.

All in all, this is one of the most engrossing and fascinating bios I have ever read. Warmly recommended.

Winston Churchill was not a likable or even an admirable man.He was dishonest,childish,ruthless and disloyal.Perhaps worst of all,he was a megalomaniac-he knew that he was a Great Man,and that some day he would fulfill a magnificent destiny. But when war and catastrophe came to England he was perhaps the only politician psycholigically capable of inspiring continued resistence and defiance to Adolph Hitler and the Third Reich.Given that England had already lost the war,that was a breathtaking achievement.

James Boswell's "Life of Samuel Johnson",published in 1791,is generally considered the finest biography produced in the English language.However,Manchester's work is perhaps superior. Boswell was of Johnson's world and therefore conveyed it to his reader only incidently;that is,he naturally assumed that his reader would be familiar with the things and events with which he was familiar.Manchester,writing of the past,appreciated the necessity of re-creating Churchill's world for the reader.He was brilliantly successful.The world which Churchill inhabited would have been amazing even to most of his contemporaries because of his social class.As Manchester points out,in over 90 years of life Churchill never drew his own bath;one of his relatives,visiting friends without his valet,sent down word that he was having trouble getting his toothpaste to "froth properly".He'd never applied toothpaste to a toothbrush himself.It isn't just the story of Churchill's life that is so engrossing.It is the wonderful recreation of Churchill's world,of the people he knew and the conversations he had,the events which occurred and the way that Churchill and his friends and enemies reacted to the events.

As Boswell loved Johnson,Manchester worshipped Churchill.Indeed,Churchill was in some ways a lovable man.He was devoted to his wife and family(happily married for almost 60 years-how many men can say that?) He revered his father (a syphlitic,who depised him,)and he was loyal to his country and the Empire it ruled.Personally,I doubt that I'd have been able to spend more than ten minutes in a room with Churchill.But this book is one of the finest I've ever read.I was honestly sorry to read the last of its almost 900 pages and I'm opening the second volume tonight.In the forward to the second volume Manchester quotes a definition of biographer.The biographer is judged "by his ability to suggest the sweep of chronology and yet to highlight the major patterns of behavior that give a life its shape and meaning."Boswell did that. Manchester,I believe,did it better.

This is William Manchester at his best. This is fascinating reading and fascinating writing. Of course Winston Churchill was quite a character but to be honest I didn't know that fact until I read this book and its companion volume.
After reading this book I put it to my mind that I would read everything that Manchester wrote. I've got a couple more to go. You can't miss with this purchase. A great story, great writing, and good history. What more could you ask for?

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

I served in the RCAF durin ww2. I later flew fighters in th USAF, served as captain on USAirways for 28 years.I have written 5 books on aviation.Jeoffrey Wellum's book is a master piece.His breath -taking descriptions of aeral battles puts you right in the cockpit of his BEAUTIFUL Spitfire.
" The narrow legs of it 'undercarrage give it a delicate apperance.It has the air of a thoroughbread---It's ellipitical wings and sleder body give it an air above all other fighters,the sound of it'sRR Merline engine produces a sound ,like nothing else in the air.I firmly believe that the Spitfire was the most beautiful fighter of ww2, and I as jeoffery said ,I would also give my arm to fly it.
I don't know which was his most dangerous flying conditions were,weather flack, or bullets. He did a yomans job in all these instances.
I have read dozens of books by RAF fighter pilots, This book is at the top of my list.Great job " BOY"

The best first hand book on flying - particularly the Spitfire, I have ever read. And I've read a lot!

Excellent first person account of the Battle of Britain but not the best I've read. If you're looking for something with a little more of the overall picture, try Fly For Your Life by Robert Stanford Tuck. Tuck's book is definitely the best memoir on the Battle of Britain I've come across and one of the best WW II books I've ever read.

This is one of those books I pick up again and again just to read a random chapter. It is that well written. It tells a story of a generation of people and there unbelievable courage & humility. I know because my own father was one of them. The deeply humourous and self depreciating strong and silent type. I doubt we shall see there like again.

Bookwriters use their fantasy and imagination to tell a tale.
Geoffrey Wellum has written from his younger years, from his own experience,what kind of world he faced.A story so incredible that our mind almost refuse to believe it's true. There's one way of capturing a reader, and that is HONESTY. Mr.Wellum is dead honest.I'm reading the book for the tenths time, stil laughing at some situations and very, very sad at others.A book very hard to put down.I guess most of the persons who want to read this book is aviations "freaks", but this book is a good read whoever you are.I've been so fortunate to have met, one of my heroes,mr Geoffrey Wellum, and talked to him.A fantastic person that I hope to meet again.

I bought the set years ago (actually decades ago) and got through the first two before I gave up. I was "done in" by all the Henrys, Edwards, Eleanors, etc. that my head spun. However, being bullheaded, I started again (since I love history) and this time I went straight through.

English and French history can be extremely difficult for someone new to that period of time. There are a lot of players with the same name (Isabella, the most hated queen of England and wife of Edward II; Isabella of Spain, Henrys I, II, III, IV, etc., not to mention the Henrys (Henris of France). However, plugging away is definitely worth it and reaps great rewards because what could be more fascinating as the truth (as far as it can be told after hundreds of years after the fact). John is more famous as being forced to sign the Magna Carta, not for the fact he murdered one nephew and imprisoned his niece as being threats to his throne while Richard III gets pilloried for his "supposed" murder of this nephews. It was John who had the country excommunicated a few times for his actions (no burials, no communion, no marriages, etc.) until people realized that nothing terrible happened. And it was when I came to the last part and reach about Richard III and the difference between the "real" character and Shakespeare's Richard III when I decided to pursue the case further and then read Josephine Tey's famous book on Richard, The Daughter of Time, that started me on the road to becoming a Ricardian. Eleanor of Aquitaine, the first (to me) feminist.

Great history and worth reading and pursuing if you don't manage it the first time. It's worth the effort. (A genealogical chart would be helpful.)

Costain writes 4 history books about the early British Royal Families.The books are very clear, nicely written, and follow the history of England.

The title of the book led me to believe that this book would encompass the entire "conquering" family of Normandy as they became the rulers of England. However, I was disappointed that the actual conquest was bypassed and the book opens with introduction of the first Plantagenets and not with William the Conqueror as I incorrectly assumed from the title. The book is very thorough where the author choses to be. For example, he can hit a few highlights of history and move the story along very rapidly and then suddenly spend page after page on one segment of one chapter of one person's life. I know I bought the book used, but the original publication date of 1949 and the republication in 1964 seemed obvious in the authors style and tone. I think the book is very informative, and if you are interested in the Plantagenets, it is something you'd enjoy. Just be aware of the "late" start of the book. The actual Conquest is over before this book begins.

These are some of the words that come to my mind when describing this work, but I am speaking of the entire 4 volume set - not just The Conquering Family by Mr.Costain who is a blest and gifted authorin my opinion. I first bought the 4 Volumes in paperback and after reading them cover to cover, I bought the hard cover set because I feared I wouldn't be able to get them later - they might go out of print or become more expensive. I have reread all of them 3 times and I would advise anyone interested in World History or an Anglophile to purchase all 4 Books because they are a must for your library. Each volume is thoroughly researched, full of dates, characters, events, battles, but at the same they are an easy read - never boring or drawn out and tiresome - you just want to keep reading and reading to learn more.

I am writing here for all four books instead just the Conquering Family. Its easier that way since most people who read the first book will definitely end up reading the rest of the three books.

This series by Thomas Costain have been around for a long time. Its one of the easiest to read written history on ruling family of the Plantagenats who ruled England from Henry II to Richard III. That's nearly 300 years of English history. Costain's story telling skills mixed with great history make this series one of the best set of books in introducing anyone to mediveal English history.

Having said that, it should be warned that Costain's history isn't exactly very scholarly. The author does take few liberties with the facts, even putting in few liners here and there to advanced the story. Even some events which may be more mythological then true, have been told as if they may be true. Costain also have his own bend to certain views and his sympathic views on certain events and personalities may not reflect history's. (The series almost does read like "historical fiction novels" and has been mistaken for such by the uneducated. Especially by those who worked in bookstores.)

But Costains' creative inputs should not distract from the fact the most of what written in his four books proves to be very entertaining and accurate history. Even those who may not care for mediveal history have enjoyed it since I have recommended this series to several friends who regards such subject as one of the most boring subject next to watching dust bunnies grow. By the time they were done with my books, they were ordering their own set.

Once you get past the strange layout (described in other sections), this is a great edition of Henry V. It is easy and fun to read and offers valuable insights (not just for students either). Well worth a flutter.

This play is best known for the St. Crispian's Day "Band of Brothers" speech given by King Henry just before the battle at Agincourt. It is a powerful speech that rallies people at all times and everywhere. Sir Lawrence Olivier made a film version in 1944 during WWII and Kenneth Branagh made another as recently as 1989. You can count on there being more versions. Epecially so when computers can help them make spectacular battle scenes (that aren't really in the play) with less expense.

Audiences love this play and they should. There is a lot to like and enjoy. I think upon repeated readings Henry becomes a more equivocal character than he seems at first. And readers of the King Henry IV plays will know him before he became King Henry and know something deeper about his personality.

And of course there is the whole bit about the drive to France being sponsored by the Church to avoid confiscation of property by the Crown. Moreover, there is the slaughtering of the French prisoners, and his treatment of Falstaff (who dies offstage in this play). This isn't revisionist stuff, it is right there in the play, but it is easy to miss the first time you are trying to take in the play.

In any case, this Arden edition is the one to buy and read from. Why? Because it has the most authoritative text, but that is only the beginning. It also shows variants between the early sources. The notes at the bottom of each page of the play are simply fabulous. The editor includes not only helpful notes explaining what might be obscure in the text of the play, he provides sources Shakespeare probably used such as Holinshed and makes for some very interesting study. There are also some helpful notes on how various scenes have been performed over time.

And to make this sound more like an infomercial, you get more! The introduction provides great background material on the play, its sources, and how it has been performed throughout history. After the play, there is a photo reproduction of the first Quarto from 1600 and it is fairly readable. There are also a couple of maps showing the path of the English Army from Harfleur through other towns on its way to Calais and makes clear how they had to pass through Agincourt.

There is also a helpful genealogical table so you can see the confusing claims used by Henry and the French nobility to make their claims. And there is a doubling chart so you can see how theater companies can perform all the roles with fewer actors.

This is a great edition as are all the plays published by the Arden Shakespeare. The amount of work collected in these volumes is stunning and they will enrich your experience of the plays tremendously. I can't recommend them enough.

This play more than any others in the histories glorifies Englishmen and England. His characters in this one are larger than life, but each has their own limitations and flaws. The play covers the time of the Battle of Agincourt when the French King Charles was so sure of victory that he sent a messenger to Henry to ask him to give up and to pay a ransom before the battle. On the eve of the Battle of Agincourt, the English were outnumbered five to one, Henry's troops were on foreign soil and riddled with disease. The scenes where Henry dons a disguise and goes out amongst his troops to bolster their confidence are great. The English managed to triumph in this battle where all was stacked against them mostly because of Henry's leadership. This is such a sweeping story that it is hard to condense in a few words, the plot of the play, but it is a wonderful example of Shakespeare's skills as a writer.

'We few, we happy few, we band of brothers.' What more need I say? Henry V is an imortal classic of western literature. And this edition is complete and accurate. See the film if you want, but be sure to read the words at least once. They are inspiring.

"Now, if these men do not die well, it will be a black matter for the King that led them to it."

Particularly poignant poetry in these times of pompous presidential sabre rattling and wars based on questionable facts.