Europe Books

This is a highly recommended book about Anne Frank and her diary. Miep Gies tells her whole story from start to finish what it really like hiding from the Nazis. She was a friend of the Frank family from the beginning so this is first hand knowledge and a must read for anyone who is interested or has already read the Diary of Anne Frank. It deserves 10 stars but there were only 5 available to give. *****

This tape was so captivating I couldn't put it down. I think its the best book I have ever heard of. I think everyone should read it or listen to it on tape. It makes the hardships and danger of World War 2 come alive.

This tape was so captivating I couldn't put it down. I think its the best book I have ever heard of. I think everyone should read it or listen to it on tape. It makes the hardships and danger of World War 2 come alive.

Anne Frank rembered captured my heat and it will capture anyone's heart who likes to read about Jewish people in hiding. It tells of the hardships of people trying to stay alive during World War 2. This book is one of the best books I have read in my entire life. I know that millions or all ready millions that has read it will be touched by it.

This book was the most fabulous book that I have ever read! All my friends liked it and so did I. Thats why I am on aol looking for a website on her. If anyone finds one please contact me at my email adress Heatluver33. thank you and if any of you want to look at this book make sure to read it because you will love it out of your mind!

I have never met such a book. It is a plain pleasure to take it, sit down with a cup of tea and spend some hours (!literally!) on observing the life of those people or looking for all the hidden jokes made with the perspective, composition, citations, self references... So in fact anyone in my family is happy because of this Journey: my 3 years old son as well as my wife and me.

BTW we are Polish, so, as you can guess, there is no language barrier. Anyone on the world could take this book and just start to read and appreciate it.

Wonderful book. I take it on trips if I need a gift for a wide range of children. With no words, the reading level is not a factor. Full of visual jokes, historical buildings, modern characters hidden in the crowds, famous art and buildings, childrens games, similarities from one page to another ...

The parents love it even more than the kids. It takes days to spot all the interesting things hidden in this book and it's a painless way to talk about history and art with a child. PERFECT for babysitters to use.

As in other Anno works, an anonymous Everyman is seen in each two-page textless illustration. In this book, the traveler begins his trek alone, buys a horse and rides through progressively more populated scenes -- magnificent scenes, filled with literary and artistic allusions, mini-stories, children playing, panorama and touching detail -- all at the same time! Scenes are viewed as if you were just outside the picture and about 40 feet high. The reader/viewer cannot see the details of people's faces, but much human experience and emotion is contained in small details -- children despairing after a lost balloon, flirting lovers, a mother touching her child, etc.

Your child will appreciate this work through many 'reading' levels, and you will constantly make new discoveries yourself.

Mitsumasa Anno's books are not to be missed, and Anno's Journey is a beautiful example of the author/illustrator's work.

I am so glad I discovered this book. My children enjoy telling a different story every time we open it. The fact that there are no words in it makes the children invent a new story each time, and I believe it develops their imagination better in a way, than with a storybook with pictures. I also like the art involved in this book, the minute details that the author/artist had included are adorable! I enjoy reading it myself! Each page reveals several goings-on in a small town, it is so easy to imagine yourself walking among the characters.

A testament to the peace and charm of simple drawings executed with grace. A wordless book that, while made for children, is still able to captivate even the most jaded of us hipsters with its simplicity.

I am a fan of autobiographical history, especially WWII and U-boats. The authors really try to be as factual as possible.
The book is based on recollections and diaries of Werner Hirschmann.
It is a book that is hard to put down and really makes you feel like you are in his shoes.

I have reviewd books in the past, but only review books that have made great impressions.
It has parts that may be too techincal for some, but that doesn't take away from the story and could be enjoyed by anyone who liked the book "Iron Coffins" or the movie "Das Boot".

I'm a big fan of Werner Hirschmann and am glad he let me read his diaries.

Stevie

One of the services with the highest casualty rate during World War II was the German U-Boat service. Of the 40,000 men who served in that branch, 28,000 were killed. Werner Hirschmann was one U-Boat officer that entered the German Navy in 1940 and served until 1945 when he and his boat surrendered to Canadian forces.

This book covers several different subjects. The first few chapters deal with his joining the Navy and the training he received. Then it's to see on a destroyer, including excort duty for the Bismark when it left for the Atlantic raid. Finally he is transfered to U-Boats with more training followed by going to war. Finally came the sixth and last patrol, ending in surrender.

There are two appendicies to the book. The first is a Pictorial Tour of the authors boat, the U-190 and the U-889, both type IXC long range boats. The type of submarines that were used in the patrols to North America, the Caribbean, the southern Atlantic, the Indian Ocean and the Orient. This pictorial tour is well illustrated. Mr. Hirschmann was the engineering officer on the boat, so as you would expect, these pictures feature most of the technical aspects of the boat. There is even a picture of the quite rare four rotor Navy Enigma machine.

The second and somewhat smaller appendix is titled Life on a U-Boat. Again, it is fairly technical in nature.

This is a splendid book, especially for the technically minded

I recently received this book and have looked forward to reading at least one chapter each day. The story flows very nicely with an interesting read (by no means boring) and the multiple pictures supplement the story for visual support. The book gives an entirely different glimpse into this officer's life and what it was like for him during the war as opposed to just being at sea and searching for ships to sink, etc. I love to read about submariner's from the World War II time era and this is certainly one of my top five reads.

An excelllent account of the war time life of a U-Boat officer,other than the commander. An interesting account of the what it took to be in the Kreigsmarine during and after the war.

I found the book well written and could not put it down. I reccomend the publication to anyone with even a passing interest in U-Boats.

For the U boat buff's this is a very good read. I own over 60 books on U Boats and would rank this in the top 10. Its very different from other books since its a focus on a person not so much as the boat. I found myself living the writers life. I would say its a must read and again different from many other U Boat books.

Though this book is written for a younger reader than myself, I found that it spoke to me in spite of that. I would recommend this book for all ages. The story touchingly portrays two females of different generations and much different backgrounds, who don't have much in common (besides family). We watch as they are finally able to connect and begin to understand each other. Like me, you may find yourself swept up in their world, their minds, and their hearts, as their beautiful and sad stories are told.

This is a fantastic beautifully written book for all ages. I, like many people, often forget that my elders were once young. One of the profound beauties of this book is that it allows the reader to share in the epiphany of the protagonist when she learns about her great-aunts youth as a young Jewish woman in Nazi occupied Europe. The revelation that her great aunt, whom she at first regards with some contempt, has lived though and survived so much, offers the basis for a beautiful bond to form between them. I was swept up in the story.

This short touching fictionalized biography of a wonderful aunt who survived a terrible time in an unusual place is targeted towards middle school children. But, its true story of an ordinary young Jewish woman caught in the maelstrom of the Holocaust and whose survival was due to her extaordinary bravery will be an inspiration to both youngsters and adults. The book is easy to read, hard to put down and when its 91 pages are finished , the lesson of how adversity and evil can be thwarted despite the heavy price that is paid will remain a lasting tribute to "Anya" and a lesson for all of us. Buy this book for your children and even more importantly for yourself.

This is a touching story. You get wrapped into the current and past history and the relationships that intertwine them. The writing is beatiful and engaging.

i read of course with trepidation since i am also a holocaust surviver, but talking with some frioends made me realize even more how deeply a young woman can express its sympaty with a person of another generation and bring it up as if she herself was there. it is a children's book but it has a style which can bring feelings and pleasure at any age.bravo esty for your wonderful heart and talent .

Review published in Library Journal, April 15, 1999. "This new series, focusing on France is a 'unique travel guide and handbook on contemporary art and architecture.' Stich, an art historian and curator, has brought together under one cover a complete, user-friendly guide to the French art world. She provides detailed descriptions of galleries, museums, film and video centers, public artworks, art bookstores, sculpture parks, and even a parking garage, sites that are not mentioned in other guidebooks. The main focus of the book is Paris, but there are chapters on day trips and excursions to other French provinces. Each chapter is organized by neighorhood and region and contains a map with numbers and site icons that are easy to distinguish. Stich's knowledge of and joy in the art world is evident throughout the book; a great addition to any travel collection."

Review published by NY art critic Walter Robinson in ArtNet "News", April 9, 1999: "Art lovers en route to France this summer will want to pick up a copy of Art-SITES FRANCE by curator and avid art traveler Sidra Stich. The $19.95 paperback blurbs all the important museums, art centers, galleries and public art works, famous and little known."

art-SITES, founded by art historian and museum curator Sidra Stich, is launching art-SITES FRANCE thic month and expects to release art-SITES GREAT BRITAIN & IRELAND early next year. A travel guide and handbook on contemporary art and architecture, art-SITES FRANCE provides maps and commentary on vanguard buildings, art fairs, film centers, even a patisserie with superbly designed cakes. "It's museums, but not just museums, and we provide text that's a very readable course on art at the same time," said Stich.

"Forget the Louvre's Renaissance masterpieces. This guide focuses its attention on the great museum's I.M. Pei-designed glass pyramid renovation. And in its pages Roy Lichtenstein trumps Toulouse-Lautrec. A San Francisco-based art historian, Stich casts a wide research net over this art-appreciative nation and offers a well-organized, well-written take on where to encounter the best painting, sculpture, architecture and film of the last few decades."

Sun. July 11, SF Examiner-Chronicle, Linda Watanabe McFerrin,(travel editor)wrote: "This is the inaugural book in an ambitious new series covering the world's contemporary art and architecture. Innovative, intriguing and refreshingly intellectual, it provides well-researched, well-informed guidance to the museums, art and film centers, galleries, bookstores, public art and notable buildings in France. Details about recent exhibitions and artists further familiarize readers with the often mystifying world of the avant-garde. Serious students of contemporary art will find it a satisfyingly comprehensive guidebook."

A work of art! You don't need a plane ticket to see what's inside some Italy's great churches and museums. Chock full of interesting details and artifacts, I was given a wonderful tour of Italy's "hidden treasures,'' many off the beaten path. As one who once lived in Italy, I would say this book is an essential guide for anyone who plans to visit one of the world's most beautiful countries.

Artful Italy is a wonderful book. I checked out Florence and Venice first because those are the cities that I really know. I was daring Artful Italy to come up with something I didn't know. And it did.. The Stibbert Museum which sounds like a delight I missed entirely. But the thing I really regret is not knowing about the Bomarzo Gardens, a bit of a trip from Florence; as a teen I was always after the odd, hidden statuary that you turned a corner and came suddenly upon.. Both sound like winners and make me eager to return to a place I thought I knew well.
Artful Italy's prose hits just the right tone, conversational without being condescending, funny without that guidebook jokiness that can be so off-putting. And it sometimes can take your breath away. When the 17th century architect , Borromini is compared to an origami master, suddenly we see again how Mannerist architects have turned stone into paper - to give just one example. And you have a nice discursive air that proves always to have a real point to it. The book is unique and a pleasure. It will make those who know Italy start looking for cheap air fares, and even those making a first trip to Italy will find the book valuable.

This book is for all visitors to Italy-even the jaded few who feel they have seen it all. Ann Brandon has covered
so much art that most of us have neither seen nor heard of. I was totally captivated by just reading the book, Ms. Brandon has great writing style and wonderful detail covering all of the pieces. What I found most exciting was visiting sites that I hadnt been to before-expanding upon the content. This book isnt just about museums!!-

I am recently back from a visit to Venice, where I used this outstanding new guide. I found it the ideal guidebook: highly readable, gets you off the beaten path to a combination of less mobbed attractions and some quirky fun places, and (my favorite) includes lots of fascinating historical and personal backgrouind on the sites and artists. This book is sure to enrich greatly your visit to Italy's major art destinations. And it's fun to read even if you are just dreaming about visiting Italy.

Even if one never travels to Italy, there'd be no harm in reading this book. It is well-written, entertaining, and loaded with fun and interesting facts. I disagree with the notion that this is a tour or travel guide; what it is in fact is a semi-scholarly appreciation of Italy off the beaten path. (It is meticulously researched and documented, to boot.)

Ann Brandon must be a kick at a cocktail party. Historical examples trip off her tongue and add just the right humor, import, and context for each bit of art appreciation. Reading this book is not a necessity for travel planning; the volume is a standalone orchestration of Ms. Brandon's love affair with Italy.

I have a few qualms with the book, but they are merely intellectual disagreements with some of its premises. First, I would not focus so much on art, but on the whole invisible lifestyle of the Italians, the life that "turisti" probably never see. I would also go beyond visual arts, and talk about music, as well as the culinary and design arts. Even in the visual arts there is so much architecture that one could find off the main trails. But Brandon promises more books in this vein, and will no doubt address these topics.

Second, I do not feel that the Parco dei Mostri qualifies as a hidden treasure. I consider it an excellent yet run-of-the-mill tourist attraction. A lot of people go there.

Finally, I disagree with the glowing assessment that Vasari's "Lives of the Artists." I have always considered this book at best uneven. It apparently draws its inspiration from Diogenes Laertius' "Lives of the Philosophers," which suffers from a similar spottiness in insight and accuracy. If I had to recommend a book that does what Brandon purports Vasari's does, it would be Burkhardt's "Civilization of the Renaissance."

All these quibbles aside, anyone who wants to learn about Italy should buy and read this book. It does not disappoint. I learned so much from this book, and it was as if Ann Brandon was telling me what I learned in a personal conversation. So warm is her style of writing that it just makes for a quick and delightful read!

Anyone with a serious interest in the late Habsburg Empire, Austria-Hungary, or Viennese culture should probably read this erudite, encyclopedic study. Johnston deserves praise for taking on a challenging subject. His extensive research and learning are obvious in the bibliography, notes, and the many names rescued from oblivion (many probably discussed here in English for the first time). Parts of this book are outstanding. That being said, I do not share the enthusiasm of other reviewers. In his search for overarching cultural forms or attitudes (such as "therapeutic nihilism"), Johnston makes too many sweeping generalizations, reducing individuals and their actions to sociological categories or cultural stereotypes. The people he describes often seem like caricatures. Not everyone in Vienna was neurotic, death-obsessed, or a dandy on the Ringstrasse. At one point he makes the far-fetched claim that the Hungarian language, by its very structure, causes Hungarians to become dreamers, disinclined to scrutinize reality. Johnston pigeonholes individuals by their ethnicity, religion, or nationality. He emphasizes conflicts among the different peoples and groups in the empire, but says little about the cultural cross-fertilization that also took place. He does recognize that the multilingual environment inspired reflection on the problems of language.

This is essentially a history of intellectual movements (who taught or influenced whom), not a social or cultural history, as the title might suggest. It does not say much about the politics of the era or the broader society (the section about Hungary is an exception). Johnston is at his best and most informative in discussing economists, legal theorists, and philosophers. The sections about philosophy and social theories are perhaps the most interesting, showing a range of thinkers, some of whom were very prescient concerning the future of Austria and Europe, and whose theories ranged from the utopian to the pessimistic to the sinister.

Johnston falters with literature and the arts. He treats Johann Strauss Jr. and his music in a rather dismissive way, seeming to overlook the fact that Strauss was a very good composer whose works quickly became popular all over the Western world and are still enjoyed more than a hundred years later. (For a better discussion of operetta as a cultural form, see Peter Hanak's book on Budapest and Vienna, "The Garden and the Workshop"). An artist as important as Oskar Kokoschka is quickly passed over in a few short paragraphs, conveying no sense at all of how Kokoschka's work developed and changed during his long productive lifetime. Other artists and works (Kolo Moser and the Wiener Werkstatte design studio, the operatic collaborations of Hofmannsthal and Richard Strauss, Ernst Krenek) are not mentioned at all. This is too bad, because the art and music of this period are perhaps its most lasting legacy. By contrast, the stature of psychoanalysis has declined since the 1960s, when this book was written, and the presentation of Freud in particular seems dated.

Some details: Johnston does not translate any of the many German titles he cites, a disadvantage for those who don't read German. He often refers to the "Herrenhaus," the Upper House of Parliament, without explaining the term. He mentions Marcionism many times, but defines it only after more than two hundred pages. Ditto for Herbartianism. Readers should have some background knowledge before starting, and be prepared to question some of the author's analysis and conclusions.

This book is packed with detailed information, and we learn a great deal from it, but somehow the full color and complexity of life have gone missing. Its strength is in the details, not the synthesis. We do not come closer to understanding the forces behind the unique cultural flowering of Central Europe, and of fin-de-siecle Vienna in particular. The prodigious creativity of that place and time remain as mysterious as before.

This is a wonderful book for all intellectual historians, and cultural historians interested in fin-de-siecle Austro-Hungary. It's a tour de force if ever there were one! But it manages to remain accecible at the same time.

Also, while many have written about Freud, Wittgenstein, Schiele etc., Johnston talkes about the lesser known figures of the era. That is this book's niche.

Johnston's book may not have everything that you ever wanted to know about the intellectual and cultural life of Austria-Hungary under the Hapsburgs, but if ever a single volume came close to having everything, then this is it. It has discussions of not only the "usual suspects" like Mach, Freud, Wittgenstein, but it also provides coverage of important figures in economics (i.e. Carl Menger, Schumpeter, Hayek), jurisprudence (i.e. Hans Kelsen, Karl Renner, Anton Menger), men of letters (i.e. Musil), philosophers (i.e. Schlick, Neurath, Lukacs, Buber, Ebner), music (i.e. Mahler, Schonberg), and many, many other important people. Johnston's book also covers other less well known but important figures too. For example, he covers Hans Gross, a pioneer in the development of scientific police detection.

Anyone who has already read such books as Allan Janik and Stephen Toulmins' *Wittgenstein's Vienna*, Malachi Hacohen's *Karl Popper: The Formative Years 1902-1945* or even, Edmonds & Eidinows'*Wittgenstein's Poker*, will appreciate this fascinating and well written book.

This book is worth every cent, an amazingly well written and concise history of the culture, from all angles. I can't recommend it highly enough.

For anyone interested in the artistic, philosophical and psychological impact of Viennese culture, this is a must. Freud, Wittgenstein, Schiele, etc. Prof. of History at U. Mass., Amherst, Johnston writes clearly and with enthusiasm. See also his illustrated _Vienna, Vienna_.

As one reviewer mentions, this guide fits nicely into the big empty, underserved middle of guidebooks that cater neither to broke backpackers or the wealthy. It leans toward the lower end with its inclusion of hostels in the accommodations section, but overall it's a nice alternative to the extremes. I suppose Rick Steve and Frommer cover the midrange budget too, but this one does so with much more originality--its choices are usually a bit less bland or stuffy than those guides.

The guide is particularly welcome in its choices of many interesting cafes, bars and restaurants I did not find in any other guidebooks, including great casual and non-budget breaking neighborhood places for food, and small, atmospheric, authentic cafes frequented by ordinary locals, rather than the usual Paris choice of moneyed professional locals or tourists.

The guides to sights and neighborhoods are, on the other hand, disappointing, for the most part repeating standard guidebook recommendations or, worse, stating the obvious (we recommend you see the Eiffel tower!).

But the goods more than outweigh the bads. (With the exception of the astonishingly obnoxious cover--nothing can make up for that atrocity.)

There are unfortunately only two main kinds of travel books written in the English language today. You have the scruffy, nasty travel book that expects you to hitch hike, stay in hostels and wear a back pack. Think, "Lonely Planet" or "Let's Go." Then there are the ones that contain many color photos and only lists five star anything in five star cities; I suspect such things are written for wealthy retirees, or people who wish they were. Both kinds of travel book are pretty much useless to me.
I want travel books which tell me interesting things to do, and don't assume I'm going to live like a jerk on my trip abroad. I want a damn Vacation Book. Avant Guide writes the kinds of travel books I want. I've read all the ones they've published (unfortunately, too few). The Paris one is excellent. The descriptions are colorful, informative and useful, as are the maps. They do not assume I am a millionaire with a Yacht, or a wannabe Hobo who enjoys living like a dirtbag. Instead, they write for the rest of us: young professionals who might visit a city for a week or two. The franchise is small enough they are able to maintain the quality. Hopefully they stay that way.

I just got back from my first trip ever to Paris and sadly, had to leave my copy with a friend who lives there. In short, this guide was so good, so comprehensive, honest, easy to read and understand that she wanted it for herself. (And my copy wasn't even the current one!) I bought four other guide books "just in case" and found them useless compared to this one. I can't wait to buy other Avant-Guides for future trips.

I must say that when a friend gave me this Paris guide as a Christmas present last year I thought "oh great, another guide book." Once I started reading it, and after the first time I put the book down, I found myself obsessing about my trip to Paris. This guide is written in an unusually fun and kicky style - which is a big difference from other travel books. Wandering around Paris I found the information about each of the restaurants and bars was spot on. And better yet, I didn't feel so much like a tourist. This guidebook was the most useful I have ever come across! So I just wanted to let everyone know - superb guidebook. I'm certainly going to grab the Avant-Guide London for my next trip there. Maybe it will even change my opinion of that town!

This was the best guide that I've ever used for truly gaining a native's perspective of a city. (An almost impossible task in a tourist's timeframe!) I found Avant's information easy to get at, funny to read, and amazingly accurate for finding the hot spots, and also some hidden beauties I would have overlooked. The only major negative was the book's weight. Heavy paper stock and lots of photos definitely made you aware it's with you. After a few successful outings, I had friends from Paris asking to keep my book when I went home!!!

I originally had trouble reading this book until I went to the table of contents and read what pertained to me at that time. It even refers to other pages to reinforce the point there making.I actually have read this book completely but not in the order the chapters are in. Now I use this as an excellent reference tool and it helps me explain to the player in a more concise manner.Now the player realizes it's not all physical and he can have fun with basketball by thinking on his own.

This takes the mental aspects of basketball and applies fundamental techniques that anyone can use. I read it avidly and it is a source of reference now.

A simple method for a basketball players to know the mental effect of fantastic basketball game.

Jay Mikes has written a book that is a definitive guide to mental training and the analysis of the mental side of basketball fundamentals. He has managed this in a style that is not only captivating but also clear and concise. I found the book a great help in preparing young players for competetive basketball. This book not only helps in solving a crisis (eg: a shooting slump) but also in preventing them. A great read for coaches and players alike.

Basketball Fundamentals is equally valuable to coaches and players of the game. This easy to read book help players and coaches understand WHY certain things happen.

Why can't players afford to complain about reffing? Why can some players shoot well in practice and not in games? How can consistency be developed in players? In easy to read language, Jay Mikes not only offers answers to these question, but also solutions.

This book will be required reading for my Varsity players.

My wife and I have used this wonderful publication throughout France, and highly recommend it. When in a city, we find that it's sometimes helpful to contact the local tourist informtion office, if local B&B's are not shown in the referenced book. In both cases, we've had great experiences using these resources.

Traveling independently has its rewards! I feel compelled to share some of the B&B's that we have stayed in as a result of this book. When we look back on our trips, we remember the warmth of the hosts who shared their home with us and waved goodbye as we left.

# 359 en route to Lourdes. I felt like I was staying in a doll house. Everything was PERFECT! The hosts were lovely people. The evening meal was excellent.

# 334 just south of Toulouse. The owners will enchant you in this lovely farmhouse. They make sure that everyone has GOOD TIME at the evening meal! English is not necessary! The owner's have hosted guests from all over the world!!!

#386 Normandy. This a a perfectly lovely half-timbered farmhouse. The owners will make you feel like family!

We will be using this guide again for the 4th time this September. So far, I have chosen # 567, #672, #336 and #334 (listed above). I will keep you updated! I always choose B&B's where some English is spoken. I always look for comments concerning the hosts hospitality. You can spend as little as $. and take home memories that will last a lifetime!

...If we can help .... Spain or France???

...julie and gordon foster

"The best guide for the finest kind of vacation." Elle Magazine

"This series has long been respected as one of the best of its kind. Each book contains detailed color maps and a listing of accommodations by area. They include color photographs, the address and phone number, a star rating, amenities, price, and a brief paragraph describing the property. Newly revised and updated, these excellent guides to accommodations in Europe are highly recommended for all libraries." Library Journal

"This series has long been respected as one of the best of its kind. Each book contains detailed color maps and a listing of accommodations by area. They include color photographs, the address and phone number, a star rating, amenities, price, and a brief paragraph describing the property. Newly revised and updated, these excellent guides to accommodations in Europe are highly recommended for all libraries." Library Journal