Europe Books

The author tells us, in a whispered and poetic voice, an intimate story of her search for love and chocolate across continents and years. On the way, we learn how love and chocolate conspire to fuel her odyssey. Bittersweet Journey's end reveals that, at least for Charlotte, you can go home again.

Thank you, thank you for the incredible experience of having a book, in its simplicity, tenderly assault one's senses in so many ways. I feel completely saturated, utterly spiritually fulfilled, and terribly well fed.

Like a fine truffle this book seems best consumed in one or two bites ... marvelous bites. The text is the most poetic prose I have read in some time, and the stunning photographs (also by the author) make the various chocolates as delicious, alive and sensuous as the book's heroine, Charlotte. I found the "journey" hauntingly appealing. It is alternately nostalgic, melancholy, exciting, intriguing, fulfilling ... but always permeated by an atmosphere of longing and the "bittersweet."

It is also a most unique and sophisticated book. The chocolate stands as both metaphor and solid object in the writing, with recipes for some of its delicacies spelled out in an appendix. The design of the book and its pages is beautiful, unusual and clever: a perfect complement to the text. Yet it is one of the rare cases where the whole seems even greater than some very high-quality parts. A delicious book.

Deep questions are looked at and lived .Wisdom gained by walking the razor's edge is on on nearly every page .

I know several people who need these questions explored and I'm glad there is this book to recommend.

There is more than enough chocolate lore and lust for anyone...and who thought there ever COULD be enough?

Fnid Futterman understands .

Also having Ms Futterman's own photos illustrate her journey added, on many levels, a wholeness of vision .

Chocolate is itself... and a metaphor for much.

This book will take you as deep as you want to go and most likely futher than you thought possible

It's deep fun.

The photography, the story, the knowledge of chocolate -- altogether Enid Futterman's Bittersweet Journey is a delight for all the senses. Perhaps the first of its kind, it is a visual novel, and it is just beautiful. In this deliciously rich and psychologically profound piece of work, the photography is every bit as evocative as the narrative.

It is the story of a woman sprung loose from her marriage who begins an obsessive journey to find the right man via the great capitals of chocolate. Sampling love the way she samples truffles, Charlotte scours Vienna, Munich, Zurich, Brussels, London, Paris, Hawaii, New York and New Hapshire (where the most delicious real ganache is housed in the unlikely bodies of chocolate mice) finding bad boys and beautiful chocolates to arouse her.

But most significantly, Bittersweet Journey is the story of journey into the interior of a woman, a dark tour of the female psyche where longing and love are indistinguishable. Enid Futterman writes in a sharp, spare, deeply poetic way that is reminiscent of Jean Rhys and Marguerite Duras, and comes up with something that will resonate in the heart, mind and palate for a long time to come.

This is great trivia for those who already have a basic knowledge of the middle ages. It's filled with gross and gristly bits that will entertain and inform. Don't let the juvenile presentation of the book deter you. A really fun read for teens and adults alike. I'm looking forward to reading more in the series.

Who says history has to be boring and serious? Measly Middle Ages tells the history of the middle ages while completely entertaining the reader. The book itself is filled with lots of interesting information, surprising facts, and insider jokes. It's great fun!

Measly Middle Ages is part of a series of Horrible Histories which teaches history in a interesting, fun, and humorous way. All of these books have great titles like Rotten Romans, Awesome Egyptians, Groovy Greeks, and Vicious Vikings. A copy of these books should be in every local school library.

This great, enchanting, and captivating series attracted me since i was a child. Not only is this an educating experience, this also provides information in a very enjoyable way. Attractive to the most intelligent minds, and interesting to every child, this makes a great gift and also a great reader.
It will make you smile and even laugh out loud as you read book after book. My only question is, why would they ever stop priting? I ask Scholastic to continue print so all who desire a book can recieve one. Thank you.

The book really had no main characters. This book was an informational book covering the Middle ages. The book covered such great people in history as Queen Isabeau, King Richard II, and King Richard III.

The plot of the story is about the middle ages. Also about
how the people changed history and life as it was during the Middle Ages. The history that I learned was a lot different of how it is today. The story also focused on famous kings and Queens and important people who changes history forever and their improtant contributions to the Middle Ages.

The setting of the story is during the Middle Ages which is from 410A.D.-1453A.D.

The Measly Middle Ages is about the people in life that made a diffrence for the people of today. It also tells you about important events and the historic importance of individuals of during the middle ages.

One of the resons I liked this book is because I am realy into history. Another reason that I liked reading this book is because of the awsome illistrations throughout the book. I also enjoyed how the book kept my attention throghtout the story and this is why this was one of best books i have read in a long time.

I came across Terry Deary completely by accident ~ in a gift shop in Scotland, shoved amongst other more "scholarly" hardcovers. As my graduate area of study is the Middle Ages, I was intrigued and bought the book on a whim ~ and haven't stopped buying Terry Deary's books since! Are the books chock-full of historical facts guaranteed to allow someone to walk away thinking they know everything about the Middle Ages, Greece, Rome, France, or any of Deary's other topics? No, of course not. Are the books a wonderfully entertaining (and illustrated!) way of addressing what can admittedly be a bit of a dry topic? Of course! I say any books that can make someone, young or old, become interested in history should be embraced fully. And, hey, I learn something new from every book I read, which is an added bonus! Further, I think these books definitely appeal to adults who have an interest or education in history ~ much as what "The Reduced Shakespeare Company" teaches us about Shakepeare is true about Deary's treatment of history: the better you know the original, the more funny and entertaining the condensed versions are.

I was fascinated by Huxley's use of this story as a way of trying to explain his thoughts on "man's deep-seated urge to self-transcedence, of his very natural reluctance to take the hard, ascending way, and of his search for some bogus liberation either below or to one side of his personality" - as revealed by our dependecies on religion and in joining mass movements like fascism or communism, as well as sexuality and substance use and abuse.
In Chapter Three he focuses on the religious aspects of these tendencies to "desire - and desire, very often, with irresistable violence - the consciousness of being someone else."
In the Epilogue ["In amplification of material in Chapter Three)"], he expands on these ideas by discussing substance use and abuse: "Alcohol is but one of the many drugs employed by human beings as avenues of escape from the insulated self." He adds to this the use of "From poppy to curare, from Andean coca to Indian hemp and Siberian agaric, every plant or bush or fungus capable, when ingested, of stupifying or exciting or evoking visions....seems to prove that, always and everywhere, human beings have felt the radical inadequacy of their personal existence, the misery of being their insulate selves and not something else.."
He then continues with the "crowd delirium" of mass movements:
"The professional moralists who inveigh against drunkeness are strangely silent about the equally disgusting vice of herd-intoxication - of downward transcendence into subhumanity by the process of getting together in a mob." leading to "The final symptom of herd-intoxication is a manical violence. Instances of crowd-delirium culminating in gratuitous destructiveness, in ferocious self-mutilation, in fratracidal savagery without purpose and against the elementary interests of all concerned, are to be met with on almost every page of the anthropologists'textbooks and - a little less frequently, but still with dismal regularity - in the histories of even the most highly civilized peoples."
His concluding sentence: "Every idol, however exalted, turns out, in the long run, to be a Moloch, hungry for human sacrifice."

This book is not merely an historical essay describing the lurid details of the events at Loudun [other books on the subject do that job], Huxley covers far more ground and delves far deeper into the experience of being human than that; it can be disturbing at times, but also illuminating.
Huxley's own later use of psychedelic drugs [mescaline, and, as has been said, LSD while on his death-bed] - which he describes in "The Doors of Perception" [1954] - indicates that he was still trying to reach an understanding of self-transcendence - in a more positive light.

It is the early 17th century in Loudun, France. The local parish priest, Urbain Grandier, has become embattled in various local rivalries with civic magnates and ecclesiastical officials. He makes powerful enemies among them but they are helpless to action against for the moment. Both sides are determined to see victory and religious sanctity takes a back seat to revenge and personal gain. Against this backdrop an altogether remarkable occurrence takes place; the inhabitants of the local covenant experience an extraordinary case of mass possession by demons. The head of the covenant, Saeur Jeanne des Anges, experiences the worst of the possessions and under an exorcism conducted by Jean-Joseph Surin she, or the demon within her, places the blame squarely on the shoulders of Urbain Grandier. The moment his enemies have waited for has arrived.

For those who are fans of Huxley's fictional and non-fictional works this book is not one to be missed. Although it falls into the category of non-fiction as it tells the story of a historical event in 17th century France, Huxley uses his creative powers and imagination to make the tale come alive. Granted historians may have an issue with taking such liberties in writing about a historical event, but Huxley's goal is not `pure' history, a pretty questionable term in itself, but rather to tell the story of a remarkable event with all the drama and suspense that it deserves.

His account of the mass possession in Loudun is backed up by an admirable amount of research. It is clear that Huxley's knowledge of both the time and place extend far beyond the details of the story and serve to enlighten his account. His understanding of human psychology as plays a prominent role in this book. It goes beyond a simple recounting of historical events, which as interesting as they are does not in itself make the book a unique one. It is Huxley's continual fascination with the human mind that really makes this book special. After setting out the basic historical framework for the story, he attempts to reconstruct the psychological factors that played a large role there. After examining the individual characters from the Loudun saga, Huxley takes the time to reflect and draw conclusions about humanity in general and what drives people to believe themselves possessed and the further implications this has.

Whether one agrees with the validity of conducting a sort of psychological analysis of historical figures hundreds of years removed from us and then in turn using those conclusions to draw wider ones about humanity or a time period in general, this book is an immensely interesting read.

Huxley has written a wonderful study of witchcraft,demonic possession and social commentary that is an historical cornerstone.Both religion and psychiatry are carefully intertwined in this lengthy novel.Set in France, it explores the human condition at that time.Greed,jealousy,revenge and theatrical performances are core themata.The inquisitional pressure coupled with political appeasement on the local,state and national level are explored.Mad nuns teased by repressed sexual needs and the subsequent outcomes are discussed. The careful documentation of the interplay between religious fervor and satanic influence are revealed in this exacting book.The twisted motivations of maladjusted individuals and the harm they can cause,the somatic possibilities and manifestations,coverups and intrigue are deftly and intellectually examined and detailed.The horrors of torture,self mutilation and sexual deviation as viewed as deviate for the times, gives one a sense of being voyeuristically one of the crowd.Watching the nuns perform their tricks,allegedly possessed by devils for the benefit of the church is amusing.Sister Jeanne,Father Grandier and Father Surin are all players in the game of gods love,human sexual needs,demonic possession and rather kinky goings on in the nunnery.It's a regular satanically,sexual soap opera with much guilt, regret and tragedy at the end.Any fan of Huxley needs to read this if they haven't already.Fans of the origins of psychopathology will marvel at the many mechanisms of defense used as justifiers for actions that were over the top for a pre-enlightened world.For witchcraft afficionados this is required reading.Again, it is a long read but worth it for purely historical anaylysis of the crypto religious/sexual linkage that to some degree is still present today.A must read for lovers of this subject matter.

HOW does a book this important come to be out of print?!!

No matter. Used copies can be had here for very little. Buy one and read it.

One of the joys of reading is how one subject can lead to a serendipitous find. Having recently come across a brief reference to the early 17th century barking nuns of Loudon I went in search of a more detailed exploration. In Aldous Huxley's book I found all that I sought and much more.

Urbain Grandier, the local parson of Loudon, is a very naughty cleric who partakes much too much of the sensual world. One morsel happens to be the daughter of his best friend. She becomes pregnant with unhappy consequences for many people. Grandier manages in this way of behavior to alienate nearly every important Catholic in Loudon as well as make an enemey of Richelieu.

When Grandier spurns the local prioress, Sister Jeanne, she claims demonic possession at the hand of Grandier as do 2 of her nuns. Grandier may have been guilty of many sins, but demonic possession was not among them. Exorcists are brought in as much too destroy Grandier as to throw out the devils (7 specific ones inhabit Sister Jeanne alone). The exorcists produce devils in 14 more nuns. The public exorcisms provide great entertainment, reviving the local tourist industry, but eventually produce the trial of Grandier, who in due turn is burned at the stake. The story continues when the Jesuit Surin arrives to finally successfully exorcise Sister Jeanne's demons.

Huxley's 1952 work explores the psychological aspects of demonic possession and exorcism, sometimes brilliantly against the backdrop of the madnesses of his own time. Liberal rationalists had "fondly imagined" an end to persecutions of 'heretics'. Instead, as he observes "from our vantage point on the descending road of modern history, we now see that all the evils of religion can flourish without any belief in the supernatural, that convinced materialists are ready to worship their own jerry-built creations as though they were the Absolute, and that self-styled humanists will persecute their adversaries with all the zeal of Inquisitors exterminating the devotees of a personal and transcendant Satan...In order to justify their behavior, they turn their theories into dogmas, their bylaws into First Principles, their political bosses into Gods and all those who disagree with them into incarnate devils. This idolatrous transformation of the relative into the Absolute and the all too human into the Divine, makes it possible for them to indulge their ugliest passions with a clear conscience and in the certainty that they are working for the Highest Good."

In the last third of the book he explores the nature of Sister Jeanne's possession, the possession of her exorcist Surin, and the manner of her recovery. The modern mind has some difficulty here. Clearly Surin and possibly Jeanne believed in the reality of demonic possessions (it is worth noting that many learned men, including those behind Grandier's fall and most Jesuits did not believe in the authenticity of these possessions). At the same, Jeanne is also play-acting at times as she concedes in her own subsequent writings. They believed in the Devil, they believed in possession, but understood that the Devil could not overcome the will of the possessed. Huxley paints a poignant, if oddly amusing, scene when he describes how Surin ordered Jeanne's devils to discipline themselves - in other words to flagellate Jeanne. Two of the devils lay on the whip with gusto, but Balaam and Isacaaron abhorring pain, would barely swing the whip and yet the possessed Jeanne would scream in agonized suffering.

An absolutlely fascinating read by one of the great minds of the 20th century.

This is an ok effort by Ms. Goldstein but unfortunately the recipes don't quite result in the amazing flavors that Georgian cuisine is known for. Perhaps it is Ms. Goldstein's substitutions of less authentic ingredients as some ingredients in the "real" dish are hard to find. Perhaps it is something else. (Her "adjika" is REALLY bad/wrong for instance....)

OK book if you want an idea of what Georgian cuisine is like. Not good if you REALLY want the real thing...

This is a marvelous, utterly authentic encyclopedia of Georgian cooking. I tried some of the recipes before leaving for Georgia in summer 2006, and they were great, and gave me a good idea of what to expect. Once in Georgia, the book was an invaluable reference that I constantly turned to whenever I tried something new. Just about *everything* I had is in here, along with many things I didn't get around to sampling.

This book also helped me learn the correct Georgian names for the dishes and many of the ingredients. A significant portion of the book is devoted to providing cultural background on Georgia and Georgian food, such the elaborate rules for a _tamada_, or Georgian toastmaster. With its charming photos of representative paintings scattered generously throughout its pages, it also made me a Pirosmani fan, and better able to appreciate the originals when I saw them for myself.

Most importantly, as the other reviewers say, the recipes *work*. We just made the potato salad with walnut paste (p. 172), and it was delectable. Other dishes we have tried and like include tomato soup with walnuts and vermicelli (p. 73) and green beans with egg (p. 130). Pkhali was one of my favorite dishes in Georgia, and I'm glad to have the recipe for when I get around to making it myself. There is a recipe for beets with cherry sauce, a dish a travel companion had tried but that even some of our Georgian hosts weren't familiar with. For the few recipes that seem to be missing from this book, like eggplant with walnut paste, try Please to the Table: The Russian Cookbook, another excellent collection of delicious recipes from all the former Soviet republics.

_The Georgian Feast_ is well worth having even if you don't eat meat - many of the recipes are completely vegetarian. This book is a real treasure.

I've already written a review of this great book. I have only one suggestion: the basic khmeli suneli recipe can be augmented further to reach the authentic smell and taste. The wikipedia article on khmeli suneli has additional ingredients that can be added to the recipe. I tried that, about 2 teaspoons of each ingredient that's not already in Darra's recipe (less for black and chili pepper), and it came closer to the authentic smell and taste. I think the author of the wikipedia article might have meant safflower (marigold) instead of saffron though, so I didn't add that.

I gave this book to a Georgian and she loved it. It had all the dishes she had eatten as a child. If your looking for a book to fill in any missing recipes this is the book for you.

As someone who was born and grew up in Tbilisi, I was very happy to find this book -- it captures all of my favorite recipes, and when I prepare them according to this book, they taste just like my grandma's cooking.

More than just a recipe book, this is also an exploration into the rich history and culture of Georgia, and how the history shaped the cuisine. I suggest this book to everyone who would like to add some interesting preparations to their cooking. For vegetarians, Georgians have plenty of healthful and filling ways to prepare veggies and beans, and also some mouth watering sauces that will enliven any dish (veg or not).

I enjoy this book both as a cook book, and as a historical book!

When a book appears on the same Newberry Award shelf as: The Island of the Blue Dolphins, Julie of the Wolves, Number the Stars, Dear Mr. Henshaw, Sounder and and other classics, one sits up and takes notice because it means the best in children's literature. This recent addition to the honour roll, made up of narrative poems reminiscent of The Canterbury Tales, gives the young reader a real sense of what daily life was like in the Middle Ages.

A few of the monologues deal with complex topics which may require some adult guidance to guarantee comprehension. For example, in the story told by Simon, the Knight's son, the Crusades are mentioned, which are a key to understanding his story. To familiarize the young reader with this intricate historical episode, the book provides a two page summary of the Crusades crammed with many facts and more in the margins. These summaries have been inserted beside the half-dozen selections dealing with the more difficult topics, but may serve to further confuse the reader with fact overload. Topics like the Christian attitudes toward the Jews, Pilgrimages, the Crusades, and Feudal customs, call for some direct teaching and/or guided research to assure comprehension. In short, they will need to be explained to most children. The majority of the narratives, however, can be read independently. The stories in this fine piece of historical fiction are the right stuff for engaging reader's theatre.

Winner of the 2008 Newberry Medal, Good Masters! Sweet Ladies! was actually written to be performed. Laura Amy Schlitz has written here a series of interconnected monologues and dialogues which, taken together, depict the life of kids of all kinds in a medieval village. There's the Falconer's Son, the Blacksmith's Daughter, the runaway villein, the Young Lord, The Pilgrim and The Sniggler, all of whom help complete the picture.

The reviewers have covered it all, but such a truly great book deserves ongoing praise. How nice to see that this jewel of a book won the Newbery! Standing ovation from this reader.

A wonderful book from a wonderful person. This is especially good for lower- and middle-schoolers. Quite usable for in-school performances.

I didn't really realize it would be a children's book when I placed the item on hold at my library. I just knew that I wanted to read the latest Newberry award winning book. I guess I figured that if it fell into the same category as "A Wrinkle in Time" by Madeleine L'Engle then it must be good.

I was a little surpised at how thin it was. I was also surprised at how it is not just one coherent story (or even a story in the general prose form).
They are monologue and dialogue plays written by a librarian for the children in her school classes. She wrote them so that each child would have a starring role for three minutes.

They are poetic and easy to read with nice large print. The tone and vocabulary is all medieval - let's face it, I learned a few new words. Large colorful pictures are on every page and even the margins are colored and have text that explain certain words or aspects of the medieval culture/life. A large colorful map is on the first or second page and instead of locations being labeled the specific characters in the story are shown and labeled.

The tempo of the words is good and interesting -- I was particularly impressed with the two monologues done by the sisters talking about the apprentice boy their father has taken and how one of them must marry the apprentice for the apprentice to inherit the shop. The older daughter likes the boy and wouldn't mind marrying him but thinks the boy would want her sister (younger, prettier) instead. The younger sister thinks the boy will want her older sister (so he doesn't have to wait to inherit) but thinks that it's terrible that one of them will have to marry the boy in the end. The dialogues are completely different but manage to come together for a chorus type of refrain.

Another one that does this is the dialogue between the Jewish boy and the Catholic girl. They are able to put aside their differences for a little while and just be children playing together. The dialogue ends with the children saying together "Almost like she's a Jew;" "Almost like he's a Catholic."

The one down spot I can see - if I were the one performing the plays - would be having to play the role of the beggar child or the child of the villein where you obviously are not well-cared for and have to scrimp to survive. Or maybe that's just me being a girl and wanting the character I embody to be noble somehow...

All in all, it was a beautiful book and very easy to read. It took me maybe forty minutes of carefully thumbing through and looking at the pictures to complete it.

I have the honor of being one of Dr Feig's students studying Eastern European History. I have read many things she has written, this book, like everything else , is amazing. I highly recommend it to everyone.

I have had the honor, and pleasure, of being Dr. Konnilyn Feig's student at Foothill College, CA. I have read this book, and I think I can say that it reflects the personality of the author. Dr. Feig is a Teacher, first and foremost. She is one of the few, rare, great Academics, a scholar of enormous skill and learning. This is shown in every page of her book, her intelligence, her strong, vibrant personality, and her critical, clear eye of a Historian. This book is possibly one of the best histories of Hitler's death camps that could ever be written, because it is written by an intelligent person who strives to keep this horrifying part of our shared past from being forgotten. She writes with strength, with passion, and with the vitality of a woman who has devoted her life to teaching, to one of the most noble professions of this world. Not only is this book an unsurpassed history of a terrifying time, but it is a monument to the vital, burning mind of a woman who can best be designated by a single word, a word that speaks of intelligence, nobility, and necessity-a Teacher. For the author alone, the book is more than worth reading, for Academics such as this are not often found.

I read this book when I was 16, after FINALLY watching a copy of "Schindler's List". From the moment I began the movie, I was entranced by the Holocaust and immediately wanted to read as much as I could about this dark time in Our History. As I expected, there isn't that much available to a 16 year old (I am 19 now), but this book was enough and then some! It is amazing how the author goes through EACH individual camp (major camp) and illuminates the reader as to what occured and what fate awaited not only the comandants, but the female SS officers. From this book, it is so easy to FEEL what the victims of the Holocaust felt and SEE the horror they witnessed. This is one of my most favorite books!

I'll be brief. A deeply disturbing account of Nazi concentration camps and the activities that took place at such locales. It is truly hard to imagine the abhorrent behavior and actions that were used against Jews, mainly Jews, and other non-sanctioned races designated by the National Socialist Worker's Party in the years before and throughout WWII. Feig guides the reader along a nightmarish tour of grisly death and, what many inhabitants of these camps must of felt, psychological hopelessness.

This book does an admirable job of detailing the horrors inflicted on those victims of the Nazi camps. From Chelmno to Bergen-Belsen, all the major camps are described in unflinching language. The only drawback to the book is some of the critcisms the author levels at the Allies during World War II and before the war. Some examples of this unfair treatment: 1) She berates them for not attacking railroads leading to the camps or bombing the crematoriums. However, she herself admitted that the Germans would have quickly repaired the tracks and the crematoriums. Thus it would have taken multiple raids made against these targets, effectively denying the bombers from use against the Nazi war machine. If there were multiple raids made, it could very well have led to defeat of Allied forces on key fronts. It is doubtful that even if these multiple raids had been made that the Germans would have given up on killing their victims. The author herself stated that the Nazis, beyond any reason, was fervently trying to kill as many concentration camp inmates as possible before Allied troops arrived. Thus it would be unlikely that the Nazi effort to kill Jews would have been dissuaded. 2) She berates the US and Britain for not allowing widespread immigration during the Depression. She ignores the fact that both US and Britain were in the grips of (surprise!) the biggest Depression the world had seen and thus didn't need more people competing with American and British workers for scarce jobs. 3) She attacks Britain for not allowing widespread Jewish immigration into Palestine just before World War II and during it. She obviously doesn't understand that if that thing she wished for was allowed, the Arabs might have revolted against the British (as she even mentioned in the book) and may have sided with Germany. If that had happened, the Suez Canal would have been cut and Britain would have lost a vital source of supplies. Being deprived of that, Great Britain might have actually fallen to Nazi juggernaut and Hitler essentially won the war in Europe. If THAT had happened, I guarantee many more inmates would have died.

...in preparation for my long overdue personal visit to Ireland a number of books including `Last of the Donkey Pilgrims' by Kevin O'Hara (www.kevin-ohara.com) were purchased online through Amazon.com for shipment to the parched distant locale of Doha...another Qatar `Transient', he being a native of Ireland, last 31 August had kindly written an Itinerary of Travel setting off westward from Dublin to Galway, proposing then a sweep about the coastal extremes of Eire on a circuitous route in return to Dublin a fortnight later...

New Zealand born with Great Grandfather Irish ancestry (Co. Tyrone), some years since I had the privilege of living on a long established property in Hawkes Bay, New Zealand, created by it's owner `in the manner of England', and on which co-resided an elderly Donkey of much spirited antic, mannerism and personality - an endearing memory remains of that acquaintance in those bygone days, and influenced the choice that the Donkey odyssey would be my final read...my reward was to discover an absorbing chronicle of Kevin's 1979 1800 mile trek around the peripheral coast of Ireland, walking alongside his donkey Missie `Long-Ears' Mickdermott yoked to her cart, and written in 2004, 25 years after the doing...

...an inspired achievement to be applauded, and for me a delight to share the journey by way of an intimately personable published recall of such a grand meander through a land and people of a then traditional lifestyle which soon would substantially fade away into history...Ireland 2008 surpassed my any and every expectation - time and change may have advanced apace since the Nation in attaining EU membership emerged from being a `third world' Country, bringing financial advantage in some quarters and also significantly transforming the landscape and makeup of the populace, but the welcome and essence of the Irish people as acutely portrayed by the innumerable encounters and acquaintances along Kevin O'Hara's wandering way, we found to be very much the same...

...the book and infectious spirit of Missie accompanied us throughout as by car we drove, blessed I must add with only fine weather, our brief excursion along some of the highways and byways that shared partial commonality with the much earlier passage the Donkeyman and his travelling companion together had traipsed many years prior...there were particular moments which brought upon me a quiet smile with vivid memory of what I had read; hearing the call of the Cuckoo at Inishmore and Doolin - boarding the Killimer to Tarbert ferry, then later that same day driving through Abhainn an Ghleanna (running at but a shallow flow) on the road to Slea Head, Missie's obstinant reluctance to go on in chancing upon those two same `obstacles' came to mind...we sought out and had the pleasure of meeting Robert Shannon, mentioned in the book who happily recounted the long ago arrival of Missie in lovely Doolin - affection for Kevin and his roving partner lingers...

...having partaken of the ready welcome, spirit, beauty and abundant joys of Ireland, a return is inevitable - likely to be sooner rather than later I would venture...similarly I am driven to pick up and once more read `Last of the Donkey Pilgrims' - my immense pleasure and appreciation of the Tale at first take will assuredly be all the greater at a second reading, enhanced further by familiarity and insight gained from our recent visit...

Lindsay McLean
Doha, State of Qatar
16 June, 2008

I bought this book on my way out the door on a trip to Ireland, as a friend had recommended it. I read it on the airplane and during quiet moments, and finished it on the way home.
Not only is this book entertaining and well-written, I was amazed by how much I learned about Irish culture and history as I was reading.
It is especially recommended to those traveling to Ireland, but has wide appeal for its insight into human nature, and warm humor.

I enjoy reading about Ireland, and thought this book would be like Bill Bryson's A Walk in the Woods. The donkey book was much more serious. I liked reading about the different people he encountered, but at times, felt that it was a glossary of names of potential buyers. I did enjoy his time with the travelers. He exemplified the attitudes of the 70's, and I think the book would have been more effective if he had written it 25 years ago. Still, it was a good story.

This is a fun story of a Yank's trip around Ireland with a donkey cart. His trip fulfills his longing to know the land of his forebears, and he wonderfully captures the language and attitudes of the people just before modernity finally arrived full force. Highly recommended!

Kevin's writing draws you into his journey - a remarkable romp around Ireland with a donkey that seems human. I loved it. You could nearly smell the air and see the characters. A magical look at an island that has changed so much in the 25 years since his journey took place. I wanted to be there by his side as he runs into character after character. His book is the next best thing to being there.

I didn't want his journey to end. Alas, time moves on and progress can't be stopped. If only there could be a sequel.

Anyway, it is written in very short, easy to read chapters. Perfect nighttime reading. If you like adventures, humor, self reflection, and interesting characters - read this book. If you have ever been to Ireland and fallen in love with it, this book is a must read. If you live in Ireland now and want a look back at the country as it existed 25 years ago, this book is required reading.

Anne Boleyn continues to fascinate. A woman of wit, intelligence and a feminist in her time. She won a king's heart but incurred his wrath. A life cut short, a child deprived of her mother. A true tale of intrigue, corruption and manipulation. A cast of interesting characters vieing for power, wealth and fame.

I became fascinated with Anne Boleyn after watching The Tudors and The Other Boleyn Girl. I really wanted to find out the factual truth about her. I thought this book was fairly easy to read and the author seemed very interested in writing as close to the factual truth as possible.

I definitely am interested in reading more about this period.

i loved this book, very accurate and insightful, great read for all anne boleyn fans.

This is a must-read for any Anne Boleyn fan, who wants to learn more about her life. This book lists many intricate details about Anne's life at court, which I found fascinating!

Anne Boleyn was undoubtedly one history's most fascinating woman. She was not conventionally beautiful, she had a sharp-tongued, acidic personality, and she engendered both obsessive love and implacable hatred in the people around her. She also was caught in the middle of a bitter, bloody war between the traditional Catholics and the Reform Protestants. As a result, trying to know the "real" Anne Boleyn is a hard task indeed, as contemporary accounts are extremely biased. In the end, we don't even really know which drawings or portraits are accurate.
But Eric Ives has taken up this enormously difficult task of finding the woman behind the legend, and his book will probably be the standard for years to come. He has carefully considered all his sources, including the ones that are obviously extremely biased, and weighed what is probably true and what is not. He has started from scratch, using only contemporary (meaning, Tudor era) sources, and spends an entire chapter weighing which sources can be trusted, and which cannot. For instance, Eustace Chapuys's accounts are heavily biased towards Katherine of Aragon, but they also give a great timeline of the divorce proceedings. He spends anther chapter devoted to which portraits or images of Anne is likely to be the most accurate. His conclusion: a ring that Anne's daughter Elizabeth wore that had a cameo of herself and her mother. Little details like that make the book more human, for while Henry tried the best he could to erase Anne from history, it is clear that Elizabeth never forgot her mother. Ives also uses the poetry of Thomas Wyatt, an early admirer of Anne who seems to have always carried a torch for her, to great effect.
Ives' tone is that of a detached scholar, and while he is obviously fascinated by Anne, and eager to dispel the more vicious myths about her, this is no hagiography. He reports the ugly side of Anne's personality -- her imperiousness, her tendency to kick people while they were down. Of Katherine of Aragon, Anne once coldly remarked that she "wished all Spaniards were at the bottom of the sea." Yet the overall picture of Anne is that of a remarkable woman. Intelligent, independent, radical in her belief of the Protestant Reform movement, a mover and shaker.
That such an intelligent woman could fall so fast in fortune speaks volumes both of the cruelty of Henry VIII, the machinations of Thomas Cromwell (the book's villain), and the status of women in Anne's time. Henry loved Anne because she was outspoken, witty, elusive, and cultured (she spent her adolescence in the French royal court). But once they were married, she was expected to start bearing sons, and to tolerate infidelity. She was also expected to keep her nose out of political and religious affairs. She could not do any of the above. Her fall (three weeks from arrest to execution) is documented with astonishing detail.
Warning: although Ives' book is extremely well-written, it is not an "easy" read. It is extremely scholarly in tone, and if you want a more general overview of Henry VIII's wives, then Alison Weir, Antonia Fraser, and David Starkey have all written excellent books on the subject. The middle section, which goes into rather arcane detail about Anne's interest in arts, culture, court life, interior decorating and religious reform is on the dry side.
My other criticism of Ives is that in his eagerness to paint a picture of a larger conspiracy to dethrone Anne by Thomas Cromwell, the religious conservatives, and the ever-ambitious Seymour clan, he almost lets Henry VIII off the hook. In the end, one person could have stopped Anne the "beloved wife" from such a cruel fate and that was her husband. But despite these flaws, Ives' level of research goes above and beyond the call of duty. Anne finally had her fair day in court, and no doubt she would have been very proud.

Don't even think about going to Pamplona without reading this first!

Ray Mouton's Pamplona: Running the bulls bars and barrios of Sanfermin is the ultimate and undisputable guide to enjoying the best party on the planet.
From where to eat, what to drink and how to run, this amazing read, details everything a novice and a veteran Sanferminner should and must know!

Mouton explains the deep traditions and reasons for the Encierro, or, running of the bulls. Why it exists, and why people by the millions continue to flock to the most amazing experience in the world.

The book recounts several experiences and stories surrounding this wondrous event, and covers in detail absolutely everything including the running, the Corridas (bull fights), the parades, the ceremonies and all the festivities that make up Sanfermin.

At the core of the book is Mouton's passion for the event.
Readers will be mesmerized by the description of beauty and sometimes horror that fills every page and will feel as though they are in the heart of the festival itself, even though they remain in the comfort of their reading chair.

Anyone even entertaining the slightest thought as too participating in this life-changing experience must read this book.

I read it twice before participating in my first Sanfermin, and I can honestly say that it made my trip not only perfect, but incredible and amazing!
I ran with the bulls several times, I ate the most amazing meals, drank the most delicious drinks and met the most interesting and fabulous people all thanks to Mouton's book.
His advice and stories made my experience far more incredible because I arrived in Pamplona knowing exactly what to expect and knew what I needed to do to make the experience perfect!

So sit back and let the amazing descriptions of Mouton wash over you like a warm comforting bath.
I defy you not to go to Pamplona after reading this book!

This book is an excellent account of what exactly happens during the Festival of San Fermin at Pamplona. It is a first hand guide of the day by day events of the festival including the historical figures of bullfighting. A must read for those planning to go to Pamplona someday or those with the curiosity of the event.

I truely enjoyed this book. Someday I will get there and also live the legend of this city that Ernest made popular- though it was doing just fine without him.

Good writing takes you to a place you have not been before and Ray Mouton does it with this book.

The best book ever written about Sanfermines, the festival of San Fermin known to many as the running of the bulls. This truly is a guide to Fiesta. No other work published will better educate and prepare you for this event. A well written must for all who plan on attending and immersing themselves in the spirit of Fiesta.

Held each year in Pamplona, Spain in July, Sanfermines is much more than the daily spectacle of the encierros or "the running of the bulls" early each morning and much more than the corrida de toros in the Plaza de Toros late each afternoon. The fiesta is a celebration of family and life in Navarra.

Fiesta belongs to the Navarrans, and has for centuries; however the gracious citizens of Iruña (Basque for Pamplona) have opened their arms to the people of the world, inviting all to participate in what has often been described as one of the most exhilarating experiences on planet earth.

Of course you should read Hemingway's "The Sun Also Rises", however if you buy only one book before heading to Sanfermines, it should be Ray Mouton's "Pamplona: Running the Bulls, Bars and Barrios in Fiesta de San Fermin."

Whilst unavoidably orientated to North American aficionados this is a brilliant book which goes behind the scenes to tell the story of why thousands are drawn back to Pamplona from all corners of the world for 9 days in July. Beautifully presented and written Ray Mouton has done the Festival proud. This publication renders Michener's section in "Iberia" obsolete and brings Pamplona to the contemporary world giving those of Generation Y who are the future long term serious runners a narrative that lives and breathes the Fiesta.

I agree with the critics who claim this book . . . "a delightful, rollicking history, a fun read and well supported by research". Greenfield's account is entertaining as well as informative, not a book to put you to sleep as some histories are. I read it as a library book and decided it is a 'must have' in my library. Although her style is professional, the read is easy - no big words to look up in order to understand the full meaning. Her account of world events is so insightful and complete, you come away with more than an appreciation of how color has changed the world An understanding of world history in general is gained, both political and economical. I especially loved the personal stories that added so much interest for me.

I live in Oaxaca, Mexico and even many people here are not aware of the impact of cochineal on the Spanish Empire and Europe. This book is fascinating! And well written.

This was one of two books a friend traveled across the country to share with me. I am so glad she did. I would never have picked up this book on my own. I have a terrible time finding non-fiction works that are interesting - unless they are recommended. I look at the table of books and decide something looks good. Then when I get it home, I have a hard time getting to my 100 page allowed stopping point.

Greenfield does a wonderful job of describing the importance of the color red throughout history and the different compounds used to create it. With a focus on the cochineal originating in Mexico, this book covers the fortunes of Spain and the industry itself. Weaving the domestication of cochineal with the efforts of other countries to destroy Spain's monopoly, the book moves quickly. there were very few sections of the book where I was willing to put it down. Yes, I could stop at the chapters, but I only once put it down while in the middle of a chapter.

I highly recommend this book - and if I didn't have to send it back to its owner, I would keep it in the library. I will be recommending it to my mother for her book club. With their focus on women authors and a mix of fiction and non-fiction, this book will give them much to discuss.

Some of the best stories are the histories of everyday objects that few ever consider. This book is an example of such a story. It traces the history of the color red; specifically, it examines the sources of red dye sought by humans over the past 700 years. Something as simple as a color can actually be quite difficult to obtain without the marvels of modern technology. This book starts of at the Venetian textile guilds of the late Middle Ages and shows the reader the state of the world's textile industry. Of all the colors, bright red is hardest to produce on clothing, and individuals and governments devote a lot of time and effort to procure new sources. Many are found, but the best one is carminic acid found in the insect cochineal, native to the Americas, and cultivated in Mexico specifically to obtain the color red. Starting with the Spanish conquest, red dye from Mexico is exported to the rest of the world, and four centuries of trade wars and political intrigue follow. The book lays all this out in chronological order, citing places, people, governments and institutions. But eventually, man's technology caught up with nature's bounty, and by 1900, synthetic red dyes destroy the cochineal cultivation industry. All the ensuing technical advances, scientific discoveries, and commercial contests are detailed clearly by the author. The book ends with a survey of the dye industry at the end of the 20th century, and a review of how red dye has influenced, and been influenced by fashion tastes throughout the centuries. This book touches many countries, and ties in history, economics, fashion, politics and science into a wonderful tale of man's obsession for a specific color.

This book is one of the very best I have seen in a long time. The author has taken great care to present historically correct and detailed information about the long history of cochineal farming, and sale of this commodity (dried beetles that can be processed to create a brilliant hue of red).
She reveals all of the intrigue of Spain's royalty, as they sought to keep this much prized product of New Spain exclusively for the Spanish empire. Even Perkin's discovery of the color "mauve" is discussed. This book will find broad interest among scholars and the general public. It is certainly a book worth owning, if you love the history of textiles.

Patricia Cummings