South Africa Books

This book was really good and an eyeopener in many ways. Sometimes it is hard to believe the bad things that really go on in the world.

...about my life, my educational opportunities, my social status. Miriam's Song should be required reading for all spoiled brats who think their lives are difficult. Shame on me for ever taking education for granted! Shame on me for ever complaining that my opportunities in the US are limited because of my gender! This book left an indelible mark on my social consciousness. Not just a touching and eye-opening memoir, but also a story of fierce determination and strength, Miriam's Song ranks among my must-reads. Her story is inspiring and her candid writing makes the reader feel as if she is sitting right there in the room, like an new friend telling you about her life. The text does not attempt to justify or rationalize or otherwise explain the social structure, and is remarkably pure in its telling of Miriam's story. Because this book is free from philisophy and pontification about wrong and right, fair and unfair, here-and-there comparisons, the reader is left to come to these realizations on his/her own and thus the story becomes most poignant. I find myself wondering how Miriam is doing now, and would welcome another book including the rest of her story and her observations of the US. Whole-heartedly recommended. Finished it yesterday and loaned it to a friend today.

How nice it is to sit in our American homes and vaguely read of the troubles of South Africa. I am ashamed to have never paid more attention to this subject. This is a riveting book that takes you past the superficial headlines and into the lives of the blacks who suffered under apartheid.

The Mathabane family lives in a suburb of Johannesburg, in a one-square mile ghetto that is home to over 200,000 people (400,000 by the end of the book). Employment is hard to come by--for one to work, one must have a permit. But to get a permit, one must have a job.

Their home is a two room shack, where four of the children sleep on the kitchen floor. There is a communal tap outside. Raw sewage runs in the street outside their door. Black children are only allowed to be taught certain subjects in a certain manner, and Miriam and her classmates are routinely beaten for any infraction--mistakes in schoolwork, uncombed hair, nails that are dirty/too long, wearing dirty bloomers, or not wearing bloomers at all. (These people live in complete poverty, and it was not uncommon for children to not have underwear.) The young teenage girls are easy targets of sexual abuse. Many become pregnant, single mothers, unable to finish school.

While the story is unbelievably horrifying, their outlook is one of constant hope and faith. I am unable to get this family out of my mind, and I will be reading Mark Mathabane's autobiographical books as soon as I get my hands on them...This is an amazing story of how people in other parts of the world live. I strongly recommend this book.

The book Miriam's Song, by Mark Mathabane, opened my eyes to the hardships and terrifying stories of Alexandria's slums and poverty. Told through the eyes of Miriam Mathabane, a poor black girl in Alexandria, South Africa, the story is inspirational and heart braking at the same time. From the beginning of the book, I was enthralled by the vivid details of Miriam's Bantu Education and poor living conditions. By the end of the book I felt as if I was inside Miriam's head, dealing with her emotions as if they were mine and following her story with a devout interest. This is the story of her struggle to overcome the difficulties of living in South Africa during the apartheid to achieve the power women and blacks were starved of.
Miriam lived in a dysfunctional family consisting of an abusive father, smart but illiterate mother, and enough brothers and sisters to lose track of. The family lived in a shack they called a house, in an over crowded slum full of disease and mal-hygiene. On top of all of her hardships at home, Miriam had to deal with the Bantu (black) Educational system, which was staffed by cruel teachers and based on tough discipline. The teachers were more interested in clean hands and fingernails than the quality of education in the over crowded classes. In the book Miriam describes one experience with the strange education system saying, "Mama forgot to borrow a fingernail clipper... to trim my long and dirty finger nails... the mistress finally class my name... I gingerly step forward. I never take my eyes off the thick ruler in the mistress's right hand... `They are long and dirty'... the mistress slowly raises the thick ruler... high up in the air and prepares to rap my fingers." (24). It is clear that the mistress, or teacher, is worrying more than she should be on how long each students nails are and is disciplining in a harsh way. The only encouraging force keeping Miriam in the awful school was her brave mother who was continually encouraging.
This book taught me more about how women are treated in superiorly in other places of the world and how differently I live from many other people. It was clear through out the story that physical and sexual abuse was accepted in the ghetto of Alexandria and was quite common. The discrimination of blacks was also very surprising. Even when the vast majority of the population was black, they were still treated like animals, and squeezed into small towns around the country. It was inspiring to read about the struggles for equality and the great measures many people went through to overcome the all-white government.
After reading Miriam's Song I have gained a new respect for black women all over the world. The story showed me a new side of inequality not just judged by the color of skin but by gender. Miriam taught me to stand up for what I believe in and "fight the system." This is a great book for girls throughout the country to read because it is encouraging and a great read.

I strongly encourage everyone to buy and read this book. This book tells the story of what it is like to be female in apartheid South Africa. Do not pass up this opportunity to learn more about the legendary Mathabane family!

"Mongo" is a slang term--new to me--that refers to an object that has been reclaimed from the trash. According to The Cassell Dictionary of Slang, quoted at the beginning of Ted Botha's book, it's a term specific to New York, which is fitting because Botha's exploration of mongo is likewise based in New York. In each of his ten chapters Botha discusses different types of trash reclamation by profiling some of the "collectors" he's met. He writes about freegans and "canners" and artists who work with found objects, about "black baggers," about people who trade in discarded books. (I had no idea so many people were throwing away books.) He profiles a pair of friends who dig up old privies in search of antiques. He writes about men who sift through old landfill when it's dug up during construction. Unless you've thought about the subject matter before, you'll probably be very surprised by the variety of mongo that exists.

Botha's book is uneven. It includes a few too many passages in which the author rattles off long lists of items reclaimed from the trash. And it ends with an unfortunately dull chapter about a man who collects large chunks of demolished buildings. But the book is also fascinating in parts, particularly when Botha discusses the sociology of trash picking. He writes about the lifestyle of people who specialize in can collection, for example, and about the hierarchy among trash pickers. (Who knew there was a hierarchy? Who knew there was specialization?) But I would have liked more detail, both because the subject is interesting and because I was left with some questions. Botha writes, for example, that "black baggers" are on the lowest rung of the dumpster diving hierarchy. Apparently, opening up a black bag is an act of desperation, presumably because one can't be sure ahead of time what will be in it. But it's not as if most trash bags are transparent. Why are black bags singled out for demonization?

Botha's book isn't perfect, but it's worth the read. He's hit on one of those wonderful topics that's right at your feet but which only the blessedly curious think to explore. Kind of like mongo itself.

-- Debra Hamel

I loved this book. As a life-long dumpster diver I know the
thrill of finding something really great that's been thrown out.
Ted Botha does a wonderful job of conveying the excitement as well as the downside of collecting. He portrays real people on the hunt and their resourcefulness is truly amazing.

Ted Botha is not completely unbiased in his report on the garbage collecting phenomenon; he tends to show an affinity for the activity and the collectors he describes, but this is forgivable because many people reading the book will feel the same way he does about trash. That said, the overview of the craft and its followers is quite organized and flows naturally from one topic to the next.

I have to say that this book is going to mislead readers and wannabe collectors who do not live in New York City. It is overly idealistic to read of the great finds this book and think you can find some of these things in the garbage on your street or anywhere else in America - I'm not sure it's that easy. But it's interesting to read this book as a sociological study.

One last thing of note. I found the sentence structure Botha uses to be a little trying. The sentences in the book aren't very easy to follow. For instance, after describing some large mongo items in one collector's apartment, he writes: "Small by comparison, but a special favorite of Iver's nevertheless, is a strangely colored door that serves as an entryway to the firewood storage area" (Page 210). Reading the book, I kept thinking to myself, 'Isn't there an easier way to say that?' and mentally rewriting sentences. The writing style required me to be a more attentive reader than usual. Other than that, it's a fascinating book that will make you think differently about garbage.

This book contains lots (and lots) of details, some of them interesting, but the narrative is so poorly tied together, and so packed with inane and pointless analysis, "Mongo" is mostly discardable. Why do people collect things? This question is posed every other paragraph, apparently to fill space. At one point, a psychologist and psychiatrist are enlisted to answer it, whereupon ye olde theme of addiction is recycled: people collect things because of the temporary "gratifying physical sensation" it gives them. "It's like a fetish, or sexual arousal," clarifies the psychiatrist. Equally clueless theories are introduced elsewhere: a fear of death, a desire to snoop, a desire to preserve the past, and/or a need to feel immortal. Never entertained is the possibility that people collect things because they find them interesting.

And the book, while ostensibly about items found in the trash (or on the street, or under the ground), is very much about collecting in general. In fact, many of the items discussed are antiques or collectibles, not ketchup-soaked hot dog wrappers or used, ant-covered yogurt containers, or even soda cans worth a nickel ("Adventures in items retrieved from the trash" does lack the proper ring, though). And so the entire, cliched range of collecting is covered--from the first few pages, we know it's only a matter of time before the crazy-lady-with-400-cats motif shows up, for example. When it does, it's almost a relief. In fact, we get two cliches in one bag: the crazy-lady-with-cats theme combined with the house-piled-high-with-garbage motif. Something else we've never heard before: some street people are mentally ill. (No! Can that possibly be true?) As proof for this radical and controversial thesis, an interview with a psychotic bag lady is included. Her assertions and theories are carefully considered and, ultimately, discarded as too down-to-earth for a volume such as this.

I truly enjoyed Ted Botha's story of the characters he encountered in search of Mongo,As any dumpster diver knows there are treasures to be found in dumpsters everywhere. Ted Botha does an excellent job of giving us insight into the world of the amazing and gifted people involved in dumpster diving in the streets of New York. The only thing I would have liked to have seen in this book is pictures of some of the incredible things rescued others considered trash. The individual & group efforts that were undertaken on the streets to perserve the wonderful history & culture of New York are incredible. Thank you Ted for showing the world that Dumpster Divers can be intelligent,resourceful,caring, creative & artistic human beings.

Just received Power Lines and am excited to read it. I glanced at the Introduction written by the author's grandfather, former President Jimmy Carter, in which he describes how his own mother joined the Peace Corps at 70. She was based in India; her grandson spent his time in Africa. Looking forward to reading!

I loaned this book out from the library hoping to find something relating to travel, to the Peace Corps, and something relating to new ideas and places. I got this and a great story from a very successful teller. Carter's experiences are exactly what many dream of while working in the Peace Corps. But this book is full of history and even more personal experience. I enjoyed it immensly.

Read this book to learn about Ubuntu which is a philosophy of life that Jason Carter found to be thriving in the Swazi. This approach to people and thus community is held out as a core strong hope for the South African native culture. This book is well worth reading. I have not stopped thinking whether Ubuntu is possible in our country or not. Let's hope it is not too late...we need it!

Jason Carter's account of his two years in the Peace Corps was an easy, comfortable read. I was captivated. Thanks to Jason Carter and National Geographic for sharing this important experience about a nation in transition. Few have commented on the poignant introduction of Jason Carter's grandfather which concentrates on President Carter's own mother, Lillian Carter, and her own experience in an Indian village in the Peace Corp when she was in her 70's and at a very different time in the late 1960s.

A great book that gives rare insight into Swazi culture and life in rural South Africa. Having lived in the area as a school teacher and a researcher, I enjoyed the innocence with which Jason re-created and shared his impressions and experiences.

Jason's immersion in the language and culture of poor rural South Africans is admirable. He clearly "goes native:" identifying with "the Blacks" and uncomfortably, judgmentally, dealing with Westerners and South African Whites. The brilliant twist in the story comes when Jason struggles to come to terms with South Africa's Black elite. He's the rugged, White bushboy reaching out to victims of apartheid who are now more like American yuppies than real "Africans."

I also appreciated his attempts to reveal the differences in experiences that Black (like me) and White Americans often have in South Africa. Interestingly, Jason's feelings about race in America affected how he perceived South Africa, and his South African experienced revised his sense of US race relations.

Definitely worth reading, along with James Hall's Sangoma!

We've gone to "The World" for 3 years now in a row, this year will be #4, our 5th total. I've purchased this book for 6. In fact, I've purchased just about every 'help' book on WDW there is out there! Sehlinger & Testa put out the best, hands down....period. They're un-biased, independent, honest, and fair. As a single parent of two boys, I just don't have the time to spend the absolute hours/days it would take to gather the info and do the research these folks do for me with teams of 'professionals' gathered by the authors! If you've never been to "The World" or never tried to plan to go there before, we who have can tell ya just how much and often 'Disney' changes just about anything you can think of. The 'Guide' even gives us a web-page where we can check for up-dates and changes 'Disney' makes. They provide the research to help you plan your day(s) in each park, in-depth info for each attraction, dining, lodging (on and off property), when to go...., just about anything you may need to plan your visit to see "The Mouse". You can't do any better nor find anything to help plan your vacation more thoroughly than using this book to get you started......'The Best Out There' and "....Still Champion!!!"...PERIOD!

I have both the 2008 and 2009 Unofficial Guide, and honestly, my summary is that this is a good, necessary companion to the Birnbaum guide, but it is poorly executed as a stand-alone. I find myself vascillating between loving it and wanting to throw it off a freeway overpass.

First, the good. It is certainly a very indepth guide. It is updated with reasonable amounts of materials between the editions. It treats most subjects much more thoroughly than Birnbaums. The off-property hotels, for example, are excellent compared to Brinbaums. The tour plans are also a neat idea, and I look forward to trying them. The letters from customers are also a nice touch (adding customer insights, tips etc) but are a tad over-done.

Now, the bad. This book screams for a good technical editor. The information is fairly inaccessible, given the number of pages, the poor organization and the hideous indexing. (Honestly, in any book about Disney, should anything be indexed under "Disney's XYZ"? I wanted to kick my dog when I tried to index some attraction and the index said "See Disney's ) I research for a living and have a doctorate, and the amount of work you have to go through to find every last scrap of information in this guide about a given subject is really inexcusable. The information is in there, and thorough, but dear me you really have to flog the thing to get it out. I find myself constantly referring to a Birnbaums guide just to get myself oriented and try and get the full context of what it is I need to extract from the Unofficial Guide's multiple sections.

A final complaint that I have, that some people might consider a benefit rather than a detriment, is that this book has a bunch of non-disney stuff in it. While it is a nice touch to make people aware of what else there is to do and get them "off property," I personally consider it cluttering up the book with unneeded information. The title is U.G. to WALT DISNEY WORLD 2009, not Universal Studios, not Gatorworld etc etc. Honestly, for people who want to know what there is to do off property, let them buy a book about stuff off property a la "Unofficial Guide to Everything But Disney." Don't junk up a guide that is supposed to be about Disney with non-Disney stuff. It is just more stuff to slog through in an already bloated, unorganzied reference work. (Again, I readily concede some will consider this non-Disney information a benefit, but the book isn't "Disney and Stuff.")

I like the book, it has great information, but it is poorly executed and really could benefit from serious editing/reogranization. As it stands now, most people will probably benefit from having the Birnbaums guide as a kind of concise Concordance to the Unofficial Guide's sprawl and bloat.

P.S. I ordered from Amazon online on a Friday with standard shipping and had it on Monday.

This venerable Walt Disney World guidebook covers all the bases... and then goes further. It has a no-nonsense, cynical tone that is refreshing and sometimes funny. Anyone planning a visit to Disney will benefit from it.

Sound strange coming from a competitor? Well, it shouldn't. Though I am the author of The Complete Guide to Walt Disney World, the two books approach Disney from different perspectives. Whereas mine is a standard-size book with lots of color photos and factual detail; this one is a huge tome with tons of fieldwork and opinion.

The 844-page book goes into exhaustive detail, especially about topics outside the theme parks. A full 171 pages are devoted to Accommodations, including layout maps of the different Disney resorts, maps showing where non-Disney hotels are located, how to shop online for lodging, and a list of recommended websites that are good resources for this topic. There is even a list of 33 questions to ask the owner or rental company of a vacation home you may want to rent.

I especially enjoy the reader comments. These italicized quotes are a guilty pleasure for me; I like trying to picture the person behind the words. One mom describes choosing a Cinderella character meal at 1900 Park Fare instead of trying to book Cinderella's Royal Table at Cinderella Castle: "It wasn't easy to get, but I was able to get a reservation only about two months in advance instead of the 180-days-and-atomic-clock routine that the Royal Table requires. Maybe someday we'll do the Royal Table, but this time my daughter was delighted with the dinner at 1900 Park Fare."

Often the comments are blunt: "Lodging a complaint with Disney is like shouting at a brick." I've found in my own work how knowledgeable and passionate many Walt Disney World guests are; the comments in the Unofficial Guide reflect this.

I also look for the boxed sidebars from Disneyphile Jim Hill, called "Disney Dish with Jim Hill." These bits of trivia are always interesting, and sometimes very funny.

New for this edition is a small section with photos. These 16 color pages are right up front, before the table of contents. I especially liked the photo comparing a Disney hamburger with a regular McDonald's hamburger.

As for the book having some factual errors, I know firsthand that that criticism is unwarranted. Disney changes its ticket prices more than once a year, some restaurants change their menus quarterly, and Disney's shops can reinvent themselves almost at the drop of a pin.

Despite what all of us in the Disney community like to think about ourselves, no book, no web site, even no Disney executive is a perfect source of Disney World information. The place is just too big, complex and dynamic. Overall, the authors of the Unofficial Guide do a good job keeping their information updated.

If you go to Walt Disney World without a plan, you can easily waste precious time by not knowing what to do, or by doing the wrong things. Having good information can make the difference between having a fun, memorable vacation and having a tense one. The Unofficial Guide is chock full of reliable information. It's a proven tool.

Here's the chapter list:

Introduction
Part One: Planning Before You Leave Home
Part Two: Making the Most of Your Time and Money
Part Three: Accommodations
Part Four: Serenity Now! A Look at Disney-area Spas
Part Five: The Disney Cruise Line
Part Six: Walt Disney World with Kids
Part Seven: Special Tips for Special People
Part Eight: Arriving and Getting Around
Part Nine: Bare Necessities
Part Ten: Dining in and around Walt Disney World
Part Eleven: The Magic Kingdom
Part Twelve: Epcot
Part Thirteen: Animal Kingdom
Part Fourteen: Behind the Scenes at Walt Disney World
Part Fifteen: Disney's Hollywood Studios, Universal Orlando, and SeaWorld
Part Sixteen: The Water Parks
Part Seventeen: Beyond the Parks
Part Eighteen: Shopping in and out of Walt Disney World
Part Nineteen: Nightlife in and out of Walt Disney World
Appendix, Indexes, Touring Plans and Reader Surveys
List of Maps

This book is a must have for anyone considering a trip to Disney. It gives you the ins and outs of everything from rides, hotels, food, and prices. You will find it easy to read, and very accurate. Bring it with you on your trip and it will help you even more.

It is important to give respect to those that have identified some errors and ommissions in the "Unofficial Guides." The guide is not perfect, and one might expect perfection from a reference book. That being said, no Disney vacation is perfect either, although we all seek perfection from this expensive theme park trip!

What the Unofficial Guide does is break down, in a very user friendly way, how to understand a Disney vacation and make the most of it. The authors also make an 800+ page book fun to read and explore and that is no easy feat!

From understanding resort accomodations, meal plans, those attractions that might upset your stomach, travel, moving about the parks, shopping, attendence levels, health and safety, pets, etc etc etc., the Guide makes these complicated topics manageable.

We can look to Wikipedia for hard, real-time data (and the Guide should strive to have all their information fact checked.) But, Disney is expensive, complicated, and does involve lots of planning. The Guide is the best $13 you will ever spend towards your vacation. It's cheaper than your Coke and chicken strips lunch at a counter restaurant, but will save you untold amounts of confusion and frustration about bus routes, check-in policies, how to see characters, and so forth.

It is also important to note, that with the purchase of the book, you receieve access to the Unoffical Guide's crowd calendars (viewable on its website). It's a nice little perk to help with your long-range planning.

We have bought numerous travel books for our trips, but the Unoffical Guide is more than just a travel book, it is a How-to guide to getting the most from your Disney Vacation.

I enjoyed the book very much. Really gave me a feel for Steven Biko and his brilliance. Also gained some insight into South Africa and its politics during his time. Many of his thoughts are universal and can be applied to the world today. Two thumbs up.

"I Write What I Like" was set on the backdrop of the thankfully defunct system of apartheid, but the parallels to our modern world remain both pertinent and poignant.

While activists such as Desmond Tutu and Nelson Mandela fought apartheid on the political and economic front, Steve Biko fought it on the most basic psychological level. He rejected the fundamental premise that made racism and subsequent apartheid possible. The premise he rejected was "that one kind of man was superior to another kind of man". The questions he posed and the answers he gave made him the most dangerous man alive to the white minority government of South Africa.

The movement Steve Biko helped found was called "Black Consciousness". Many decried it as a form of afro-centric racism. That characterization could not have been further from the truth. Black Consciousness differed sharply from other anti-apartheid movements in that it advocated the preservation and advancement of black culture from the individual level. Far from being reveres-apartheid, Biko called for blacks to have their own institutions, their own achievements, and preserve their own languages and cultural heritage - not to the exclusion of whites but with a clear assertion that their culture was valid, valuable and should be allowed to thrive and grow.

Biko asked the questions that were too hard to answer for their simplicity. "How can one prevent the lose of respect between child and parent when the child is taught by his know-all white tutors to disregard his family teachings? Who can resist losing respect for his tradition when in school his whole cultural background is summed up in one word - barbarism?"

Blacks struggling for equality in South Africa were labeled "terrorists" by the white minority government. This fact resonates ominous parallels with America today. As we rush to shred the rights enumerated in our constitution under the euphemistically titled "Patriot Act", we should be wary of this history. Surely people demanding equality for themselves by non-violent means were not terrorists. Yet this is how they were defined. Anti-terrorism laws, without an objective definition of "terrorism", can be turned against anyone the government finds... uncomfortable.

Torture is another concept that is being openly discussed these days. The question "would we torture of this reason or that reason?" assumes on some level that torture is effective. Steve Biko had some very important observations on torture, as he was often the subject of it; "If you want to make any progress, the best thing is for us to talk. Don't try any rough stuff, because it won't work." - "If you guys want to do this your way, you have to handcuff me and bind my feet together, so that I can't respond. If you allow me to respond, I'm certainly going to respond. And I'm afraid that you may have to kill me in the process even if it's not your intention."

Steve Biko died September 12, 1977. Authorities initially claimed that his death was the result of a hunger strike. The Truth and Reconciliation Commission of South Africa Report, published March 1999 stated that: "On 7 September Biko sustained a head injury during interrogation, after which he acted strangely and was uncooperative. The doctors who examined him (naked, lying on a mat and manacled to a metal grille) initially disregarded overt signs of neurological injury." By 11 September Biko had slipped into a continual, semi-conscious state and the police physician recommended he be sent to hospital. Instead he was transported 1,200 km to Pretoria - a 12-hour journey which he made lying naked in the back of a Land Rover. A few hours later, on 12 September, lying on the floor of a cell in the Pretoria Central Prison, Biko died from brain damage. Yet he and his culture were the ones called barbarians.

Biko said, "The most potent weapon in the hand of the oppressor is the mind of the oppressed." As we look to our world today, we must be leery of those who seek to mold our impression and thus our beliefs. There are forces out there with much to gain by inciting division and reactionary strife. Divided we fall

Steve Biko's "I Write What I Like" is an excellent look at ta voice who tried to articulate the struggles of his people and to provide workable solutions. The "Frank Talk" articles and his testimony in the court are highlights, but it is also interesting to read the manifesto of the effects of Christianity on African Religion. Very raw stuff of the Malcolm X school. Overall a very moving and inspiring read. Like Ghandhi and his contemporary Nelson Mandela, Steve Biko's writings are those of a revolutionary with a heart.

It's good to see this book back in print. The apartheid era might seem like the distant past, but it wasn't so long ago that so many people were knee-deep in this issue - and so many South Africans were suffering and dying.

South Africa today could have used a leader like Steve Biko. His writings show him to be a man of great intelligence, and the accompanying essay by Father Stubbs shows Biko to be a leader of great charisma. Read this book and you'll see what the world lost when Biko was slain.

As a clear formulator of a useful, modern, Black Consciousness for South Africans, Biko is unimpeachable - his criticism of liberal whites is fundamentally sound, that a racist system, in its import, taints the actions of everyone who works within the system as racist. Biko is working out the nuts and bolts of his theory of African advancement and affirmation while working on the front lines of the struggle. The intensity of the struggle is captivating, because the risks are great and violence is imminent - but Biko should also be captivating because of what he represents as a modern, critical African intellectual.

Criticizing Biko is hard because he was clearly interested, above all, in changing his own people's view of themselves, and re-instilling their necessary sense of self worth. How important to Biko is the cynicism of liberal whites in the present political culture that blacks "may not be doing a good job leading" (xxii)? Is his preferred, future "non-racial" South Africa something that other black leaders sympathize with? I think that we can link his popularity among young blacks inthe apartheid state with a new will to participate in the struggle. Because Biko was so courageous, it is perhaps a hard to get a clear idea of what he saw as the possible end games to the struggle.

This book is non-rhetorical and pragmatic, and the fact that Biko's conception of, and motivation of countless blacks in South Africa around, the idea of Black Consciousness make what Biko is talking about here successfully revolutionary. At times blisteringly critical of black church leadrs who he beleive have acquiesced to apartheid, at times bravely courteous, as when he is being tried before a coutroom full of whites and white security officials and he maintains his awesome collectedness and cutting wit as he indites THEM for crimes. Biko is an exciting writer, and his influence on men like Mandela, as well as his model for grassroots political empoerment, make him an important theorist on what can and should happen to make a better future in Arica. His energy and creativity are still highly applicable, even in the new South Africa and beyond in 21st Century Africa.

I've seen many ornithological-works encompassing large regions of the world. This is by far the best relatively compact field guide in the world today. Africa, surprisingly, but due to a large bird-enthusiastic population and publishing capacity in South Africa, have produced some excellent field-guides to their region and surrounds. This, by far trumps attempts by any other avifaunal regions to describe, map and illustrate all species in a concise and affordable format. Maps are small, but clear and opposite the corresponding plates. Illustrations are larger and more detailed than most all-encompassing regional guides, like the "Illustrated Checklist" series. The text is more comprehensive, with description, habitat, status and voice.
Note: Madagascar and Indian Ocean Islands (sub-avifaunal region under the Afrotropics) have their own excellent field-guide by some of the same individuals as this one. North Africa falls within the Palearctic avifauna dealt with in numerous decent guides.

Before having this book I had 3 others on east, west and southern Africa.
This book is more complete than the others including species not in the 3 others!
This "new" species are in Zaire and Angola not covered by classicals recents guides to birds of Africa.

You MUST have this book!

This book has taken on a monumental task by introducing the entire bird fauna of a huge region in one volume.
I was sceptical before seeing it, thinking that quantity would probably take priority over quality. It did not!
For a start, it is surprisingly detailed and well-organized. The editors have resisted the usual temptetion of cramming too many similar or small species on one page. Usually there are just 5-6 species on each page, sometimes 7 or just 3-4.
What this means is that illustrations are big enough to show detail, plus there are often 4 or more different illustrations for the same 1 species, showing different colour morphs, juveniles, females, birds in flight, head or wing details, etc.
It also means that the maps and text for each species could be placed on the page facing its picture.
The text itself is still amazingly detailed for a book of this scope, giving the essential information on distribution, appearence, habitat, status and voice.
Too good to be true? Well, some of the illustrations show important colour or pattern details wrongly, even contradicting description in the text - in these cases the text tends be more accurate, so have a look at that one, too!
But all in all, this book is a great value introduction to the bird fauna of Africa, though perhaps unsurprisingly, I found it a bit too bulky to carry on the field.

We purchased this book upon our return from a safari in Kenya and Tanzania because our guides used it. We used it to identify birds in the 650 best of our photos, and found it to be quite complete and reliable. It's a winner.

I used it in Cameroon last year and in Niger this year. Although it suffers some weaknesses, like some breeding/non-breeding plumage difference not documented, and like some upper-parts of raptors not shown, this is definitely one of the books any birdwatcher must have in his pocket in the West Africa bush, and I would not leave without it, although it is a little worn out now. The Borrow & Demey is a good complement.

Zapotek "Zet" van Heerden is beaten, bruised, and sleeping off a drinking binge in a South African jail when he is hired to work as a private detective for attorney Hope Beneke. Hope's client is the lover of Johannes Jacobus Smit, an antiques dealer who was tortured with a blowtorch before being shot and killed. His safe, reportedly containing two million dollars, has been emptied, and his will, purportedly leaving everything to his lover, has been stolen. If it cannot be found within a week, everything will go to the state.

Living on the edge and decidedly antisocial, Zet van Heerden is fighting numerous personal demons. Once honored as an intelligent and resourceful crime fighter, he feels responsible for the death of his mentor, Nagel, who was shot in front of him. Filled with rage which he does not even try to control, he now lashes out at the world and then escapes into an alcoholic stupor.

As van Heerden tries to unearth the will and information about Smit's past, he also investigates events from 1976, when Smit was in the army, and from 1983, when Smit accumulated an enormous amount of cash. During his research, Zet is haunted by two other cases--one from 1991, involving the murder and mutilation of a woman who lived behind him when he was a teenager, the event which led him to join the police force, and the recent tragedy involving Nagel's death, which led him to leave the force.

As van Heerden's family background, his past love life, and the events which have brought him to his present state unfold, the reader comes to appreciate how disturbed van Heerden really is and to feel sympathy for him. A wide variety of peripheral characters in various police organizations add to the depth of the novel and expand its scope, as van Heerden must deal with the Murder and Robbery division, a "friendly" gangster with a large security force, the Urban Anti-Terrorist Force, the military Defense Force, and the American consular office.

Meyer resists the temptation to turn this compelling psychological mystery and character study into a quasi-love story, choosing instead to involve the reader less through romance than through intriguing and alternating stories, time periods, and points of view. Details about South African life and the individual characters give immediacy and emotional intensity to the action, and Meyer's deliberate withholding of key information keeps the various mysteries fresh and exciting. The conclusion is satisfying on all levels, making this unusual and psychologically astute mystery far more intriguing than the typical police procedural. n Mary Whipple

Generally speaking, I don't like novels where the hero carries around a lot of psychological baggage as a backstory. Deon Meyer's Zet van Heerden, a former police orficer turned failing private investigator, carries a backstory that would have a Freudian analyst turning cartwheels.

To Meyer's credit, he controls the backstory and although he comes close to overdoing it at several points, he does rein himself in time. It's a personal bias of mine, no doubt, but I think "Dead at Daybreak" would have been a better novel without spending so much time on van Heerden's psychological problems.

Even with that reservation, "Dead at Daybreak" is an engrossing mystery. Sprung from the local jail by attorney Kemp, who apparently holds van Heeren in low regard, he is deposited at the office of Hope Beneke, a young woman lawyer who has but seven days to recover a will that was stolen in a grisly execution style murder. If the will is not found, Wilna van As will collect nothing from the estate of the deceased, with who she has lived and worked for more than a decade.

Once a rising star in academic criminology, van Heerden leeft the academy and joined the police force. After the death of his partner and mentor, he embarked on a downward slide of alcohol and anger. His mother, a famous artist, is still there to lend him moral support.

Van Heerden is convinced that he is a failure and on several occasions comes to Beneke and quits. But each time he is pushed forward by a new idea. Seven days and they are passing quickly.

Van Heerden uses his network of old police and criminal contacts and the story of the murder begins to unravel as new threats to van Heerden, his mother, lawyer Beneke and others are introduced.

Meyer is skillful writer. His plot is imaginative, sometimes coming close to straining credulity, but almost always staying within the boundaries that keep the reader interested.

At the end, a plot nearly a quarter of century old is revealed. The police, military intelligence, even the CIA have become involved. All together it adds up to a fascinating mystery.

Jerry

Meyer's second work of fiction, Dead at Daybreak, is set in South Africa, as was his impressive first novel, Heart of the Hunter, once more proving that greed and murder are universal, humanity equally flawed anywhere in the world. Zet van Heerden is disenchanted with life since his partner's death, having quit the force, spending his days in alcoholic oblivion. His old cronies in the department think it is Nagel's death at the hands of a serial killer that has pushed van Heerden over the edge, but it is more than that, an unbearable guilt that the disillusioned detective carries in his heart.

When van Heerden, now a private investigator, receives a call from attorney Hope Beneke, he begrudgingly accepts an assignment to recover a handwritten will, stolen from Johannes Smit, an antiques dealer who was tortured with a blowtorch before being shot, execution-style, in the back of the head. Smit's specially built safe is empty, but nothing else in the house has been touched. The antique dealer's live-in partner, Wilna van As, has only seven days to find the will and claim the estate. Zet's job is made more difficult by the time restriction, his frustration mounting with each dead end. But when he discovers there is no paper trail for Smit prior to starting his business, the PI turns his attentions to Smit's activities pre-1983, opening a Pandora's box of killers, intelligence agents, mercenaries and assorted desperadoes, all of whom will do anything to keep certain information quiet, threatening van Heerden's life and those around him. Suddenly, Zet is pursued by faceless assassins and determined intelligence officers in an accelerating cat-and-mouse game that quickly degenerates into violence.

The chapters counting backward from day seven, the prose moves back and forth between present and past, the investigation of Smit's murder reopening old wounds, bringing to the surface what the protagonist so desperately wants to suppress. Within the plot of Dead at Daybreak, Meyer creates a parallel universe, the police procedural translated into a struggle to contain the despair that has crippled van Heerden's spirit. Forced to look into his darkest motivations, Zet sees only the evil, unforgiving and without compassion for himself, his concentrated self-denial usurps his waking life, poisoning the present and the future; only the jailer can unlock the cell. Ironically, van Heerden's mother and Hope Beneke have the patience that may foster his resurfacing, as both women allow him the freedom to escape from a moral quagmire of his own making.

Constructing a picture of a man in conflict, Meyer ties art to life in a subtle marriage of music, passion and imagination, giving a sense of purpose to suffering: "I didn't realize how finally, how dramatically the morning of my life would spill me over the edge like so much flotsam". In this fascinating drama, personal morality overlaps professionalism in a moral quagmire, the characters sharply drawn with complicated motives. Even Tiny Mpayipheli, the hero of Heart of the Hunter, makes an appearance, lending his critical support to van Heerden on the final bloody leg of their journey. Insightful and psychologically taut, this South African thriller is compelling, a thoughtful examination of denial and personal responsibility and the acceptance of human limitations. Once again, Meyers displays his impressive skills as an observer of human nature, with all its misplaced passions and yearning for compatibility with the interior landscape of the heart. Luan Gaines/2005.

A brutal murder, an empty safe and a missing will - this is the central theme around which this thrilling who-dun-it from South African Deon Meyer evolves. The unlikely hero takes the form of Zatopek "Zet" van Heerden, a former policeman who once excelled in Police Science, but now is a lonely, aggressive alcoholic, bent on self destruction. It is also well known that the safest place to be when Zet fires a gun is directly in front of the target.

Zet was on the scene when an accused serial killer fatally shot his partner and mentor, but this is not the only skeleton in his closet. The author skillfully ties in his past and present, so we soon get a picture of what makes Zet tick.

At the beginning of the story, a drunken tussle with a group of five men lands Zet some jail time, but a former colleague links him up with attorney Hope Beneke, who has a job for him. Hope's client is Wilhelmina Johanna "Wilna" van As, significant other of Johannes Jacobus "Jan" Smit, the unfortunate target of the aforementioned murder and robbery. Zet has seven days to recover the missing will before Wilna loses her inheritance, and the investigation takes every ounce of his considerable skill.

It immediately becomes obvious that nothing can be taken at face value, and that the case goes back nearly two dozen years to 1976. Time is running out, the situation is getting desperate and the players are bringing out the big guns.

A richly embellished tale, laced with murder, mayhem, intrigue, a little romance and a lot of cooking.


Amanda Richards, January 14, 2006

This is South African Deon Meyer's second thriller. His first release was Heart of the Hunter in 2004.

Former Afrikaner cop, Zatopek "Zet" van Heerden is a drunk. He"s in jail sleeping off a huge hangover after a fight with five (yes, five) dentists. This is definitely a man with a past and a lot of problems. In other words, he does not play well with others.

Hope Beneke is an attorney who hires Zet to locate a missing will. An antiques dealer, Johannes Smit, was killed execution style and his safe was emptied. As Zet tries to stay sober and learn more about Smit, he discovers the man did not exist prior to 1983. Zet attempts to learn who Smit was but there are others who will stop at nothing to prevent that. Things begin to happen and Zet's survival depends on what he can do in seven days.

Armchair Interviews says: Deon Meyers is a master storyteller. His action-packed novel is filled with scintillating tension, the characters are multi-dimensional and compelling and the plot is exciting. This book just plain sizzles and I can"t wait to get my hands on Heart of the Hunter. I am a new fan.

Freedom Next Time The book could be improved by getting to the point of each chapter with half, or fewer, of the number of words used by the author. Moreover some of the references are unsatisfactory, such as Note 37 in the Introduction. It refers the reader to note 97 in Chapter 4 that in turn reads "See note 17". Note 17 reads "Ibid. p. 1. that reads "The Discarded People". No date, no publisher, nothing! Vitrol is worthless unless it is justified by firm evidence.

After reading this book it made me think ...

God is Crying!

A must read!

A great book from a great man; this is a must-read for anyone truly concerned with some of today's "global" issues. Moreover, it also serves as a crash course in what truly constitutes Western media and government. Propaganda and willful ignorance are not allowed in this text.

Freedom next time is an excellent read. Thought provoking and puts new light on the crimes of the west on developing countries. John Pilger narrates a harrowing tale of betrayal and deceit with well-sourced interviews on both sides of a myriad of important injustices that currently plague our world. He starts with the little known plight of the Chaogisans: a people who were evicted from their Island at the same time as the Falklands war. This was because the British government `sold' it for a discount on a Nuclear Trident submarine and the 2500 people forgotten and ignored. The US consequently turned the Island paradise into one of their largest overseas bases from which they would later launch air attacks in Iraq and Afghanistan.

Pilger then discusses the increasing stratification of society in India, reveals the true results of the end of apartheid in South Africa. He gains access to many influential parties involved in the current genocide of Palestine by Israel and exposes the barbarism of Governments, the complicity of the media in suppressing the true nature of how the Palestinians are being treated.

This is an excellent companion to Naoim Kleins, `Shock Doctrine' which goes into more detail into the involvement of the IMF, world bank, corporations and military industrial complex in many of the same issues that Pilger discusses from the human contact and investigative journalism he has undertaken.

Essential reading.

Many of the interviews from this book can be seen in a series of BBC documentaries available by searching google video.

This book gets to the very heart of the way injustice is perpetrated in the world. In the best traditions of investigative journalism, Pilger examines in depth a number of ongoing situations in the world involving exploitation and injustice. The first of these relates to the plight group of islanders evicted from their Chagos island home using blatant deceit and brute force and given so little compensation that they were consigned to a life of penury in Mauritius. Why? So the British could give their American allies an island paradise as a new military base. The fact that most of us have never even heard of the Chagos islanders demonstrates the complicity of the world media in selectively reporting the news we often naively assume to have at least a modicum of impartiality.

The true shock of the book comes with the following chapters, however, where we are systematically shown the perspectives of those who have suffered most in the Israeli-Palestinian conflict, the war in Afghanistan and since the end of the apartheid regime in South Africa. Did you think the average black South African has more opportunities to get ahead since the end of apartheid? or that the average Afghan woman is much better off since the ousting of the Taliban? I did - but completely erroneously as it turns out.

Pilger combines a concise summary of the facts with vivid snapshots of the situation on the ground in each location. He gives us excerpts from interviews with the victims that allow the reader to get a very personal perspective and juxtaposes these with excerpts from interviews with those responsible for the decisions that brought about the suffering. The combination is powerful and enlightening.

If I were to criticize the book it would be to say firstly that the chapter in India does not have the depth of the other chapters and adds little to the book. Secondly, Pilger very occasionally commits the same sin of telling only part of the truth that he accuses other journalists of. For example, he relates that the US has intervened 72 times in the affairs of other nations, including the overthrow of democratically elected social democracies such as in Guatemala, Brazil, Iran and Chile. I doubt that some of those governments would really have qualified as having been democratically elected by the standards that Pilger himself would apply to democracy. To be fair, this is a rare occurrence in the book and does not in any way detract from the substance of what Pilger has to say.

a long slightly boring recitation of life with the bush people. there are flashes of very interesting insights about people and western civilizations impact on indigenous peoples.

This is a detailed, fascinating, and even beautiful account of the author's field study of the Kung! Bushman. Along with the Australian aborigines, the Bushman of the Kalahari desert, who inhabit an arid tableland in southwest Africa, are considered one of the two most primitive cultures in existence. The Bushmen aren't native to the Kalahari but were forced there as a result of conflicts with the white man and other tribes after the 17th century. Thomas gives a detailed account of their way of life and how they are able to survive in one of the most desolate places on earth. The Bushmen are very short of stature, averaging only 4 feet, 10 inches tall, and their skin has a yellowish tinge that is different from the blacker skin of their surrounding neighbors. The Kalahari has no surface water, and the rare rainfall immediately dries up. One of the few ways they get moisture as well as food is the tsama melon, which grows underground. The tsama melons are so important that the rights to a particular locale are inherited, which is unusual among the Bushmen. To survive in this harsh environment, the Bushmen have become expert botanists and can identify over 300 different kinds of plants, and they hunt antelope with poisoned arrows. Marriage among the Bushmen can occur at a very early age, but for women it is considered inappropriate to become fully sexually active and to marry before the age of 12. After having been almost completely wiped out between the 17th and the 19th century through conflicts with other tribes and the white man, there are now about 50,000 Bushmen inhabiting the Kalahari.

Years later, when I saw the movie, The Gods Must Be Crazy, I recalled my first encountering the Bushmen in Thomas's wonderful little book. Several years after that, I had the opportunity to hear Jamie Uys speak, the south African director of the movie, The Gods Must Be Crazy, and he also described what it was like to work with and live in the Kalahari with the Bushmen during the making of his movie. Both he and Thomas commented that there was something very likeable about the Kalahari Bushmen, who now live very peaceably in their little arid paradise with relatively little conflict and strife. Well, paradise isn't exactly the word for the inhospitable environment where they live, but nevertheless the Bushmen came across in both Thomas's and Uys's accounts as overall quite happy and content with their life. Ever since reading this book, I have thought it ironic to consider that the more advanced cultures in other parts of the world, including those of us in the modern western countries, who are considerably more advanced, probably live no more happy and less stressful lives than the primitive Bushmen. Of course, one must be careful about the "Noble Savage" fallacy, but in the case of the Bushmen it seems to be true. This book is an updated edition of the one I read many years ago in college. Overall a classic study that takes its place alongside other great anthropological classics of Africa like Colin Turnbull's The Forest People, about the pygmies.

I could hardly put the book down. The writings were simple and descriptive. I have always found Tribal life very interesting and of all the books I have read hearing the Author's firsthand account was amazing. Listening to the people's tales and day to day life is something I am going to miss now that I have finished the book.

I read 'The Harmless People' for my anthropology class and I enjoyed it. I liked the writing style and the story kept me interested and learning the whole time.

The Bushmen are well known - and intriguing - to phoneticians, because Bushman languages, along with Bushman-influenced languages such as Zulu and Xhosa, are the only ones in the world with linguistic clicks. As a teacher of phonetics, that was my own original motivation for reading this book. I also thought it would be useful background to have before visiting South Africa. Finally, I met a very friendly and kind Nama-speaking Bushman in Minnesota once, and that further piqued my curiosity about his home culture.

This book is truly a rich, firsthand resource on what traditional Bushman life was like in the 1950s. The Bushmen may be praised for their cleverness at being able to live in a land with very little visible water; but in this book you will learn that in fact many Bushmen died of thirst and hunger, not to mention disease, when times were unusually hard.

One half of the book is dedicated to each of two Bushman groups with whom the author and her family stayed for extended periods, the Gikwe, and the !Kung, of "The Gods Must Be Crazy" fame. It was fascinating to read about how they courted, married, divorced, gave birth, chose names, cared for children and the aged, went through puberty, gathered and hunted, interacted with animals, told stories, died, and dealt with the spirits of the dead. I especially enjoyed the descriptions of Bushman music, e.g. singing accompanied by playing on the stringed guashi, the bow, and the te k'na (mbira/kalimba/thumb piano), and the ritual dancing that sometimes went with it. Thomas states that music is by far the strongest of the Bushman arts.

Mentions of some of the effects of intruding white people on the Bushmen's lives may give you pause. The Bushmen treated their white visitors with great openness and kindness. You can praise the generosity of the white chroniclers when they give gifts of food, clothes, and other useful items, and feel relieved when a formerly powerful hunter with a gangrenous leg is taken to be fitted with a peg prosthesis. Yet Thomas also mentions that some Bushmen had been tracked down and taken into slavery by people who had followed the tracks left by Thomas's family's vehicle on a previous visit. And other Bushmen had their guards down when whites came to kidnap them to do forced labor - the Bushmen welcomed them, expecting them to be as friendly and harmless as Thomas's clan.

Thomas goes to great pains to depict the people she observed as accurately and honestly as possible, consciously avoiding the "noble savage" trap. Bushmen shared everything - because it was expected and it would cause great jealousy, conflict and bad relations if they did not; they did not take anything they knew to belong to another; and they had a strong sense of family and cared for those unable to care for themselves. But they practiced infanticide if a baby was born while the previous one was still nursing, since there would probably not be enough milk for both to survive. They could also be vain, jealous and petty, and they could be cruel in razzing people with obvious weaknesses - like any other humans.

You will pick up new Bushman-specific vocabulary reading this book, including words like kaross (the skin wraparound which was a Bushman's usual attire), veld food, pan (a water hole), scherm, gemsbok, tsama melons, bi root, and tsi nuts.

Thomas includes two family tree diagrams at the front of the book to help the reader sort out the relationships between the characters in her accounts. I found these most helpful and referred often to them.

Beyond providing informative content, Thomas is an engaging writer. This is all the more impressive since she wrote the book in her early twenties.

Thomas's book is one of the very few sources of detailed information on the Bushmen. I read the original edition from 1959, so I haven't seen the updated parts on how the Bushmen were doing by the 1980s. Although a lot of what I've heard about Bushman societies today is rather negative and depressing, I look forward to finding out more, and hope the various Bushman groups manage somehow to preserve their remarkable languages and the best of their unique cultures and traditions.

This book's title describes it as one about "De Beers, Diamonds, and the World." Instead, a more accurate title would have described the book as telling of "Political Inequality Between the Races in South Africa." True, the book discusses De Beers quite a bit, but the discussions seem incidental to the author's focus on the plight of South African blacks throughout history. The description of De Beers's diversification is less than cursory; the book often omits major business decisions completely but then later assumes knowledge of them by the reader. For instance, the book leaves out any mention of *how* De Beers came to own an interest in copper mining, but still mentions such mining interest a couple of times toward the end. Further, complex business relationships, such as that between Anglo-American, Consolidated, and De Beers, need much more explanation than they get. The author spends considerably more time discussing how "Anglo-American" was chosen as the company's name than what its exact corporate form is and how it its relationship to De Beers works out in practice. Last, I take issue with the writing style itself. The prose is heavy and dry; even interesting characters' stories are flaccid and dull. Overall, this book is a good complement to other South African history books, but as a book about diamonds and the workings of De Beers (the book it puts itself out to be), "Last Empire" falls utterly flat.

Thank you Mr. Stefan Kanfer for tackling the project on the diamond empire. The subject matter is not easy to write, but Mr. Kanfer managed to tell a story in a way that portrays a business biography in an academic yet exciting tone. "The Last Empire" is a very thoroughly researched and extremely well written book. I've learnt so much about the history of the most powerful diamond organization in the world (The DeBeers), its operation, structures, system, human interaction and the people behind the industry. Lots of great pictures and the stories of old Africa is filled with romantic images it makes reading a pleasure. Truly inspiring!

Fascinating history of both the country and the diamond business. Fast paced, interesting, makes you look at diamonds in a whole new light.

"The Last Empire" is a history of De Beers Consolidated Mines from the discovery in 1867 of diamonds in South Africa until 1993. Author Stefan Kanfer chronicles the diamond rush in late 19th century South Africa, with its colorful, unscrupulous speculator-magnates, black diggers, and illegal diamond traffic. He recounts 3 generations of diamond men, starting with De Beers founder Cecil Rhodes and other plutocrat-statesmen of the first generation who operated amidst tensions between British, Boer, and black populations. Ernest Oppenheimer, founder of Anglo-American gold mining, brought De Beers into the 20th century and created the diamond syndicate that we know today through the turmoil of 2 world wars, the Great Depression, labor revolts, and racial strife. His son Harry Oppenheimer, the third generation of De Beers royalty, expanded the company and ruthlessly consolidated its power while he embraced progressive politics at home.

The history of De Beers is no less than the history of South Africa itself: complicated, controversial, predatory, violent, and idealistic. South Africa was built on the diamond business. The author points out that De Beers fits the dictionary definition of "empire" better than any other commercial entity. "The Last Empire" leaves the reader in awe of that empire, intrigued by the adventurers and swindlers that created fortunes from big holes in the ground, and at the same time taken aback by the inescapable power of De Beers. Stefan Kanfer clearly admires the Oppenheimers' accomplishments, though he also illustrates their hypocrisies. He does not express an opinion as to the benefits or downside of De Beers' price controls, but Kanfer does detail De Beers' more ruthless campaigns to prevent devaluation by controlling supply in the 1970s and 1980s. I would have liked more information about the market for industrial diamonds, but this is absorbing, essential reading for anyone curious about the history or economics of diamonds.

A lot has changed since 1993, when "The Last Empire" was published. Then, the wholesale market for diamonds was oversaturated due to recessions in the West and Japan, De Beers controlled nearly 90% of the world's diamonds, its companies constituted 54% of the listings on South Africa's stock exchange and accounted for 25% of the nation's wealth. This book was written with De Beers in the midst of a diamond glut crisis but with a firm hold on its dominant position. Now the recession, and apartheid, are over, South Africa's economy is growing, but De Beers controls no more than 50% of the world's diamonds. The value of gold is through the roof, however, and De Beers sister company Anglo-American is the largest gold producer in the West. The Empire still stands even if the cartel falters. "The Last Empire" is a fine introduction to the tumultuous and exotic history of South Africa and an impressively researched account of how the diamond industry came to be what it is today.

Of the books I've recently read on the subject of diamonds, "The Last Empire" is without peer. It's more a history of the diamond fields during the early years than a study of the diamond industry as a whole, but it offers many captivating stories of those times and Kanfer's writing brings them alive. I won't use the usual "I couldn't put it down" cliche (it's a bit big to read at one sitting) but I couldn't wait to start reading it again.

It explains in great detail the convoluted shenanigans of those early "pioneers", how greed made South Africa into a land of woe and strife, and how one man managed to gain a diamond monopoly and turn it into a huge industry. I learned quite a bit from reading it, and I only wish an updated edition were available.