Europe Books

Anyone with a serious interest in the late Habsburg Empire, Austria-Hungary, or Viennese culture should probably read this erudite, encyclopedic study. Johnston deserves praise for taking on a challenging subject. His extensive research and learning are obvious in the bibliography, notes, and the many names rescued from oblivion (many probably discussed here in English for the first time). Parts of this book are outstanding. That being said, I do not share the enthusiasm of other reviewers. In his search for overarching cultural forms or attitudes (such as "therapeutic nihilism"), Johnston makes too many sweeping generalizations, reducing individuals and their actions to sociological categories or cultural stereotypes. The people he describes often seem like caricatures. Not everyone in Vienna was neurotic, death-obsessed, or a dandy on the Ringstrasse. At one point he makes the far-fetched claim that the Hungarian language, by its very structure, causes Hungarians to become dreamers, disinclined to scrutinize reality. Johnston pigeonholes individuals by their ethnicity, religion, or nationality. He emphasizes conflicts among the different peoples and groups in the empire, but says little about the cultural cross-fertilization that also took place. He does recognize that the multilingual environment inspired reflection on the problems of language.

This is essentially a history of intellectual movements (who taught or influenced whom), not a social or cultural history, as the title might suggest. It does not say much about the politics of the era or the broader society (the section about Hungary is an exception). Johnston is at his best and most informative in discussing economists, legal theorists, and philosophers. The sections about philosophy and social theories are perhaps the most interesting, showing a range of thinkers, some of whom were very prescient concerning the future of Austria and Europe, and whose theories ranged from the utopian to the pessimistic to the sinister.

Johnston falters with literature and the arts. He treats Johann Strauss Jr. and his music in a rather dismissive way, seeming to overlook the fact that Strauss was a very good composer whose works quickly became popular all over the Western world and are still enjoyed more than a hundred years later. (For a better discussion of operetta as a cultural form, see Peter Hanak's book on Budapest and Vienna, "The Garden and the Workshop"). An artist as important as Oskar Kokoschka is quickly passed over in a few short paragraphs, conveying no sense at all of how Kokoschka's work developed and changed during his long productive lifetime. Other artists and works (Kolo Moser and the Wiener Werkstatte design studio, the operatic collaborations of Hofmannsthal and Richard Strauss, Ernst Krenek) are not mentioned at all. This is too bad, because the art and music of this period are perhaps its most lasting legacy. By contrast, the stature of psychoanalysis has declined since the 1960s, when this book was written, and the presentation of Freud in particular seems dated.

Some details: Johnston does not translate any of the many German titles he cites, a disadvantage for those who don't read German. He often refers to the "Herrenhaus," the Upper House of Parliament, without explaining the term. He mentions Marcionism many times, but defines it only after more than two hundred pages. Ditto for Herbartianism. Readers should have some background knowledge before starting, and be prepared to question some of the author's analysis and conclusions.

This book is packed with detailed information, and we learn a great deal from it, but somehow the full color and complexity of life have gone missing. Its strength is in the details, not the synthesis. We do not come closer to understanding the forces behind the unique cultural flowering of Central Europe, and of fin-de-siecle Vienna in particular. The prodigious creativity of that place and time remain as mysterious as before.

This is a wonderful book for all intellectual historians, and cultural historians interested in fin-de-siecle Austro-Hungary. It's a tour de force if ever there were one! But it manages to remain accecible at the same time.

Also, while many have written about Freud, Wittgenstein, Schiele etc., Johnston talkes about the lesser known figures of the era. That is this book's niche.

Johnston's book may not have everything that you ever wanted to know about the intellectual and cultural life of Austria-Hungary under the Hapsburgs, but if ever a single volume came close to having everything, then this is it. It has discussions of not only the "usual suspects" like Mach, Freud, Wittgenstein, but it also provides coverage of important figures in economics (i.e. Carl Menger, Schumpeter, Hayek), jurisprudence (i.e. Hans Kelsen, Karl Renner, Anton Menger), men of letters (i.e. Musil), philosophers (i.e. Schlick, Neurath, Lukacs, Buber, Ebner), music (i.e. Mahler, Schonberg), and many, many other important people. Johnston's book also covers other less well known but important figures too. For example, he covers Hans Gross, a pioneer in the development of scientific police detection.

Anyone who has already read such books as Allan Janik and Stephen Toulmins' *Wittgenstein's Vienna*, Malachi Hacohen's *Karl Popper: The Formative Years 1902-1945* or even, Edmonds & Eidinows'*Wittgenstein's Poker*, will appreciate this fascinating and well written book.

This book is worth every cent, an amazingly well written and concise history of the culture, from all angles. I can't recommend it highly enough.

For anyone interested in the artistic, philosophical and psychological impact of Viennese culture, this is a must. Freud, Wittgenstein, Schiele, etc. Prof. of History at U. Mass., Amherst, Johnston writes clearly and with enthusiasm. See also his illustrated _Vienna, Vienna_.

As one reviewer mentions, this guide fits nicely into the big empty, underserved middle of guidebooks that cater neither to broke backpackers or the wealthy. It leans toward the lower end with its inclusion of hostels in the accommodations section, but overall it's a nice alternative to the extremes. I suppose Rick Steve and Frommer cover the midrange budget too, but this one does so with much more originality--its choices are usually a bit less bland or stuffy than those guides.

The guide is particularly welcome in its choices of many interesting cafes, bars and restaurants I did not find in any other guidebooks, including great casual and non-budget breaking neighborhood places for food, and small, atmospheric, authentic cafes frequented by ordinary locals, rather than the usual Paris choice of moneyed professional locals or tourists.

The guides to sights and neighborhoods are, on the other hand, disappointing, for the most part repeating standard guidebook recommendations or, worse, stating the obvious (we recommend you see the Eiffel tower!).

But the goods more than outweigh the bads. (With the exception of the astonishingly obnoxious cover--nothing can make up for that atrocity.)

There are unfortunately only two main kinds of travel books written in the English language today. You have the scruffy, nasty travel book that expects you to hitch hike, stay in hostels and wear a back pack. Think, "Lonely Planet" or "Let's Go." Then there are the ones that contain many color photos and only lists five star anything in five star cities; I suspect such things are written for wealthy retirees, or people who wish they were. Both kinds of travel book are pretty much useless to me.
I want travel books which tell me interesting things to do, and don't assume I'm going to live like a jerk on my trip abroad. I want a damn Vacation Book. Avant Guide writes the kinds of travel books I want. I've read all the ones they've published (unfortunately, too few). The Paris one is excellent. The descriptions are colorful, informative and useful, as are the maps. They do not assume I am a millionaire with a Yacht, or a wannabe Hobo who enjoys living like a dirtbag. Instead, they write for the rest of us: young professionals who might visit a city for a week or two. The franchise is small enough they are able to maintain the quality. Hopefully they stay that way.

I just got back from my first trip ever to Paris and sadly, had to leave my copy with a friend who lives there. In short, this guide was so good, so comprehensive, honest, easy to read and understand that she wanted it for herself. (And my copy wasn't even the current one!) I bought four other guide books "just in case" and found them useless compared to this one. I can't wait to buy other Avant-Guides for future trips.

I must say that when a friend gave me this Paris guide as a Christmas present last year I thought "oh great, another guide book." Once I started reading it, and after the first time I put the book down, I found myself obsessing about my trip to Paris. This guide is written in an unusually fun and kicky style - which is a big difference from other travel books. Wandering around Paris I found the information about each of the restaurants and bars was spot on. And better yet, I didn't feel so much like a tourist. This guidebook was the most useful I have ever come across! So I just wanted to let everyone know - superb guidebook. I'm certainly going to grab the Avant-Guide London for my next trip there. Maybe it will even change my opinion of that town!

This was the best guide that I've ever used for truly gaining a native's perspective of a city. (An almost impossible task in a tourist's timeframe!) I found Avant's information easy to get at, funny to read, and amazingly accurate for finding the hot spots, and also some hidden beauties I would have overlooked. The only major negative was the book's weight. Heavy paper stock and lots of photos definitely made you aware it's with you. After a few successful outings, I had friends from Paris asking to keep my book when I went home!!!

I originally had trouble reading this book until I went to the table of contents and read what pertained to me at that time. It even refers to other pages to reinforce the point there making.I actually have read this book completely but not in the order the chapters are in. Now I use this as an excellent reference tool and it helps me explain to the player in a more concise manner.Now the player realizes it's not all physical and he can have fun with basketball by thinking on his own.

This takes the mental aspects of basketball and applies fundamental techniques that anyone can use. I read it avidly and it is a source of reference now.

A simple method for a basketball players to know the mental effect of fantastic basketball game.

Jay Mikes has written a book that is a definitive guide to mental training and the analysis of the mental side of basketball fundamentals. He has managed this in a style that is not only captivating but also clear and concise. I found the book a great help in preparing young players for competetive basketball. This book not only helps in solving a crisis (eg: a shooting slump) but also in preventing them. A great read for coaches and players alike.

Basketball Fundamentals is equally valuable to coaches and players of the game. This easy to read book help players and coaches understand WHY certain things happen.

Why can't players afford to complain about reffing? Why can some players shoot well in practice and not in games? How can consistency be developed in players? In easy to read language, Jay Mikes not only offers answers to these question, but also solutions.

This book will be required reading for my Varsity players.

My wife and I have used this wonderful publication throughout France, and highly recommend it. When in a city, we find that it's sometimes helpful to contact the local tourist informtion office, if local B&B's are not shown in the referenced book. In both cases, we've had great experiences using these resources.

Traveling independently has its rewards! I feel compelled to share some of the B&B's that we have stayed in as a result of this book. When we look back on our trips, we remember the warmth of the hosts who shared their home with us and waved goodbye as we left.

# 359 en route to Lourdes. I felt like I was staying in a doll house. Everything was PERFECT! The hosts were lovely people. The evening meal was excellent.

# 334 just south of Toulouse. The owners will enchant you in this lovely farmhouse. They make sure that everyone has GOOD TIME at the evening meal! English is not necessary! The owner's have hosted guests from all over the world!!!

#386 Normandy. This a a perfectly lovely half-timbered farmhouse. The owners will make you feel like family!

We will be using this guide again for the 4th time this September. So far, I have chosen # 567, #672, #336 and #334 (listed above). I will keep you updated! I always choose B&B's where some English is spoken. I always look for comments concerning the hosts hospitality. You can spend as little as $. and take home memories that will last a lifetime!

...If we can help .... Spain or France???

...julie and gordon foster

"The best guide for the finest kind of vacation." Elle Magazine

"This series has long been respected as one of the best of its kind. Each book contains detailed color maps and a listing of accommodations by area. They include color photographs, the address and phone number, a star rating, amenities, price, and a brief paragraph describing the property. Newly revised and updated, these excellent guides to accommodations in Europe are highly recommended for all libraries." Library Journal

"This series has long been respected as one of the best of its kind. Each book contains detailed color maps and a listing of accommodations by area. They include color photographs, the address and phone number, a star rating, amenities, price, and a brief paragraph describing the property. Newly revised and updated, these excellent guides to accommodations in Europe are highly recommended for all libraries." Library Journal

What a great book! I actually am a lover of Paris and photography, and of course who can resist a dog, let alone two? I really hope the authors make this into a series, maybe London, Florence, Venice? The book reads like a childrens book, but the target audience does seem to be aimed at adults. Whomever reads this book, it's enjoyable and one of my favorites!

This book is a charmer. The pictures are delightful and some are hilarious. It is a perfect gift for anyone who (1) is a dog lover and (2) has a sense of humor. They did a wonderful and creative job.

Being a good friend of the family, you can see how hard Malyszko and Huges have worked on this terrific book. The photographs are sure to go down as wonderful photos and the short poems are nice and 'crisp'. If you want a fantastic book to look at, read, learn a little French, or just have on a coffee table for guests to marvel over,this is it! It is a splendid and interesting book. I highly recommend it!

This book was a gift from a friend who knows our love for dogs and Paris. My wife had just returned from the city of lights to our four "children" when the book arrived. What a delightful remembrance of the city seen trhough the keen photographic eye of Michael Maylszko. The text is complementary to a fault. A truely seamless product.

This should be enjoyed by anyone who understands the mind of a dog or who has been to Paris. It will be especially pleasing to those who appreicate both

The dogs on their own are adorable, the words on their own are wonderful, the sights of Paris are beautiful - but put them all together in this lovely book and you get the dreamy package that is "Betty & Rita Go to Paris". Excellent work! I look forward to Betty & Rita's next adventure.

The Victorians were never the prudes our English teachers made them out to be. I will never look at an 1800s fashion plate the same way again.

Excellent service, as usual. I am thrilled with the service provided by Amazon and it's vendors and will buy books only from these sources.

This book is an absolutely brilliant, lucid, beautifully written, engrossing exploration of the relationships between women in Victorian England. Marcus' arguments are fresh and deeply surprising -- revolutionary, really -- yet somehow manage to feel utterly inevitable after the fact. I love the breadth of sources -- novels, diaries, fashion magazines, pedagogical manuals, pornography -- Marcus draws upon, and the stunningly diverse modes of relatedness she portrays as available to Victorian women. I rarely find myself reading academic books, yet for me "Between Women" was a real page turner. I recommend it very highly.

--according to the London Review of Books, the London Times, the BBC, and me! Marcus is smart, engaging, thorough-- and makes dazzling use of a vast array of primary sources. She asks (basically), "What if we re-read the Victorians as if women's relationships were important to one another?" Looking through this lens at diaries, letters, conduct manuals, law cases, anthropological writings, fashion plates, doll stories, and pornograpy, Marcus reveals a world that leaps off the page with life and immediacy. Go read it.

Sharon Marcus's "Between Women" is that rare academic book - utterly readable and absorbing and juicy. It not only re-casts Victorian literature in a new light, by examining the roles that women characters have in securing the marriage plot, but ushers the reader into a new way of understanding women's surprising power in Victorian society. The book argues that women and female friendship wielded considerable influence in Victorain society- in novel plots and in the work of marriage reform thinkers and leaders. Her work on "the plot of female amity" has been called ground-breaking and I can see why. Sharon Marcus's pages on "Great Expectations," for example, are just amazing, bringing the reader along, at every step, as this brilliant, clear mind details the charged interactions of Miss Havisham, Estella, and Pip. "Between Women" uses a fascinating array of source materials - not just novels, but pornographic magazines, fashion magazines, and treatises of social reform movements. She points out that sometimes female friendship meant friendship and sometimes it meant lesbian relationships. John Stuart Mill, for example, modeled his marriage reform ideas on the equitable dynamics at play in contemporary lesbian couples. The book's exploration of how mothers and daughters, and daughters with their dolls, were depicted in illustrations, often with sado-masochistic overtones, is pretty unforgettable and quite persuasive. It was fascinating to read how the language of fashion magazines and the language of pornographic journals were often the same. The writing in "Between Women" is wonderful and the research well-organized, diverse, and accessible. It is true that Sharon is a great friend of mine, but please know that it is also true that I would not write these sentences if I did not believe them. I read and adored this book and I hugely recommend it, to academics and non-academics (which I am), alike.

This is a work which, if you like solid history, you should read. It tells of the momentous things going on in Europe in the 19th century which are illuminated by this excellent work

I have just finished reading this book and the preceding two volumes. This is very solid work, and if you appreciate, as I do, feeling that an author has done good and careful research you will like these volumes. I have concluded that to really understand the Hitler period one must learn more about the 19th century in Germany. It seems to me that Bismarck, by his brilliant defense of autocratic rule in Germany, helped make Hitler possible. The footnotes in these volumes are where they are supposed to be--at the foot of each page--but it is regrettable that there is no bibliography as such.

This three volume biography (this is vol II) on Bismarck is the definitive work on the man. Pflanze is unsurpassed by other lesser biographers on this subject. If you want to learn about Bismarck these three volumes are what to read.

This three volume biography (this is vol III)on Bismarck is the definitive work on the man. Pflanze is unsurpassed by other lesser biographers on this subject. If you want to learn about Bismarck these three volumes are what to read.

Otto Pflanze's book describes how Bismarck manipulated domestic and international politics to unify Germany.
This book, ending in 1871 at the end of the first phase of Bismarck's career is the first of three volumes. The book begins by showing how idealists and romantics tried and failed to unite Germany, but Bismarck was a realist and based his methods on the strengths and weaknesses of individuals.

First Bismarck used cunning diplomacy to isolate the Austria, Prussia's rival for control of the German states. The Franco Austrian war demonstrated Austria's weakness, and increased worries among northern Germans about French strength. This improved Prussia's hand, and later Bismarck's hand.

Pflanze follows Bismarck's tactics step by step through his labyrinthine maneuvers as he
played France against Austria during the Schleswig Holstein situation Bismarck wanted to separate Austria from the German confederation and inspire the northern German states to unite into a Northern German confederation.

After Bismarck unified northern Germany he designed the constitution to allow him to play the Reichstag against the Prussian chamber of deputies. There was also a balance of power between the state and confederate governments. We also see domestic political and economic background to Bismarck's actions. Pflanze shows the domestic politics after Bismarck created the northern German confederation.

Bismarck used relations with France to make advances toward the southern German states. Pflanze carefully shows how Bismarck cleverly tried to use the Luxemburg crisis to woo the southern German states. But the southern German states were afraid of being overwhelmed by Prussia. The only thing that the southern German states admired about the northern German confederation was the Prussian military expertise.

Relations between France and Prussia worsened when the throne of Spain was offered to a Hohenzollern Kaiser William did not care if any of his relatives got the Spanish throne or not. But when Bismarck made it seem that the French had demanded that Kaiser William renounce any attention in the Spanish throne, he angrily refused. The nationalist French responded by declaring war.

Bismarck wanted a war with France to inspire the southern Germans to join the northern confederation against the threat of France. In this he succeeded. But nationalist anger of many, and political reasons of Bismarck caused Germany to annex Alsace Lorraine, which resulted in permanent hatred from France.
The only faults of this book are that Pflanze should have described the people more. He also should have included more maps and a bibliography.

The second part in the Black Cross/Red Star series focus on the air war between january - june 1942, perhaps the least know phase of the entire air war on the eastern front.

Knowledge of the air war on the eastern front has always been scarce in the west, and has mostly been influenced by the german point of view. This is a unfortunate result of the cold war, when access to soviet sources was almost nonexistant. But the cold war is over, and the soviet archives are slowly being opened for western scholars.

This book is full of interesting information about the equipment, aircraft, tactics and pilot training of the Luftwaffe and the V-VS (Voyenno-Vozdushnye Sily, Soviet Military Airforce. The included glossary is excellent!), not to mention the excellent photos and aircraft profiles.

Among the interesting information in this book are accounts of the V-VS and Luftwaffe activity during the soviet winter offensive, the airlifts at Kholm and Demyansk (with some very interesting observations the german leadership ought to have studied closer), the soviet attempt to resupply the trapped Second Assault Army at Lyuban and the air campain against Sevastopol.

The authors tries to give an impartial account on the events from the views of both sides, and I think they accomplish this task well. Few books on the war on the eastern front are so unbiased, and I have read many.

For the student of the air war in the east this book is necessary, as air, as bread.

I originally ordered this book in August, but delays in shipping prevented it from arriving in my hands until recently. Let me say that the wait is all the more frustrating because this is a wonderful book!

Volume 2 of Black Cross / Red Star retains the written quality of Christer Bergstrom and Andrey Mikhailov, but adds aviation color profiles done by such notables as Claes Sundin and Tom Tullis. Those in the aviation community are familiar with their excellent work.

When I reviewed Volume 1, I made comments about the quality of the maps and photos. The authors and publisher listened to reader feedback and made the necessary corrections. The maps are outstanding! No blurring and all place names are readable. This greatly assists the reader when following the myriad of battles on the Eastern Front.

The strength of Black Cross / Red Star has always been the team of Bergstrom and Mikhailov. They intermix dates, times, persons and events with first-person accounts by all protagonists. Using this formula, the numbers and facts are given a human face. Joy, triumph, sorrow and pain all lie beneath all military statistics. For every victor there is a defeated foe. The reader learns about them in their own words from diaries and interviews.

Every day, surviving veterans pass on. Books like Black Cross / Red Star will soon be the only resource by which they will be remembered.

I highly recommend this book to anyone with even a sprinkling of interest in historical aviation.

Looking at BC/RS as a series, the overwhelming weight of reviewers rate it 5-stars. I heartily agree. The authors are gifted, analyzing the multiple factors relevant to combat and battle outcomes, then expressing their findings in an easily readable way.

The text is authoritative. To see where they got such a boggling mix of information, check the back of the book: their "Sources" fill more than 4 pages. Their approach is even-handed, it relies on facts to give an unvarnished view of true history.

Events are organized by Eastern Front combat zones with the focus on how air battles affected the outcome of major battles. As with Volume 1, the authors continue to illuminate new material and go on to dig into reasons why. A prime example is their thought-provoking chapter on the Demyansk pocket airlift.

Throughout the text, outstanding pilots of both sides get recognition for their exploits and often enough the worthy but lesser knowns also get their due.

In one respect, volume 2 improves on its predecessor -- illustrations. Photos are better. Also, fresh, hi-quality profile art of representative aircraft is abundant. Captions often add interesting detail.

A brief review can not capture all the strengths of this work which breaks new ground and does it so well. I've tried to avoid being redundant with other reviewers and recommend that interested buyers also check into other comments, including those for Volume 1.

LIKE SO MANY OF THE OTHER REVIEWS, THE QUALITY OF THE INFORMATION IN THIS BOOK IS SUPERB; HOWEVER, AFTER REVIEWING 17 COPIES FROM VARIOUS SOURCES, I HAVE CONCLUDED THAT THE PHYSICAL PRODUCTION IS ONE OF THE POOREST I HAVE EVER SEEN. FOLDED AND CREASED PAGES PROIR TO THE PRINTING AND SMEARED PRINTING INK ON NUMEROUS PAGES LOWER THE QUALITY AND VALUE OF THIS BOOK. FOR THOSE WISHING TO COLLECT THIS SERIES: BLACK CROSS/RED STAR, VOLUME II WAS A GREAT DISAPPOINTMENT COMPARED TO VOLUME I.

IF A CLEAN COPY OF VOLUME II DOES EXIST , I WOULD BE MOST INTERESTED IN PURCHASING IT, SO AS TO ADD IT TO MY COLLECTION OF VOLUME I.

THIS SERIES IS AN AMAZING WORK OF LITURATURE, AND HOPEFULLY, PRODUCTION OF THE REMANINING VOLUMES WILL NOT ENCOUNTER SUCH POOR WORKMANSHIP.

HANK PUSICH, hank_pusich2000@yahoo.com

Looking at BC/RS as a series, the overwhelming weight of reviewers rate it 5-stars. I heartily agree. The authors are gifted, analyzing the multiple factors relevant to combat and battle outcomes, then expressing their findings in an easily readable way.

The text is authoritative. To see where they got such a boggling mix of information, check the back of the book: their "Sources" fill more than 4 pages. Their approach is even-handed, it relies on facts to give an unvarnished view of true history.

Events are organized by Eastern Front combat zones with the focus on how air battles affected the outcome of major battles. As with Volume 1, the authors continue to illuminate new material and go on to dig into reasons why. A prime example is their thought-provoking chapter on the Demyansk pocket airlift.

Throughout the text, outstanding pilots of both sides get recognition for their exploits and often enough the worthy but lesser knowns also get their due.

In one respect, volume 2 improves on its predecessor -- illustrations. Photos are better. Also, fresh, hi-quality profile art of representative aircraft is abundant. Captions often add interesting detail.

A brief review can not capture all the strengths of this work which breaks new ground and does it so well. I've tried to avoid being redundant with other reviewers and recommend that interested buyers also check into other comments, including those for Volume 1.

Gorgeous photographs! He catches cats doing fairly ordinary cat things against a breath-takingly beautiful backdrop of Greek scenery.

If you love cats, you got to love the photos in this book.

You don't have to be a feline fancier to enjoy the 28 gorgeous photos by Ron Nelson. The cats are, of course, irresistible - a jet black adventurer leaping from a white wall, a covey of the gentle creatures gathered around a blue fence or a black and white watchman perched high atop a pillar looking out to sea.

While the cats are irresistible so are the settings - Santorini and Antiparos. For me, Santorini is one of the most beautiful islands in the world. The result of an enormous volcanic explosion thousands of years ago Santorini is now blessed with astounding natural beauty. Three huge cliffs define the island as it slopes down to the gorgeous Mediterranean, and in the island's center is a magnificent lagoon. Needless to say the view from Santorini is spectacular.

I've not had the pleasure of visiting Antiparos however, if Ron Nelson's photos are any indication, it would be an estimable destination. It boasts a picture postcard harbor, wide sandy beaches, and clear sparkling water.

Cats of the Greek Islands is a delight for armchair travelers, animal lovers, and those who enjoy beautiful scenes.

- Gail Cooke

Ron Nelson's camera captures the soft details of some amazing cats living in the Greek Isles. Their fur seems to be especially healthy and their bright eyes seem to speak of happy days laying out in the sun, a life lived outdoors in the fresh air and a content spirit.

Each picture is framed on a white page to bring out the contrast of the white stone walls and sapphire waters glistening in the distance. Some kittens are found sleeping on windowsills outside windows with lace curtains while others find their home in a café or wandering along sun-drenched stone walls with foliage set against a background of mountains and cooling blue waters.

The photography in this book goes beyond capturing moments and has additional elements of artistic excellence.

My husband has always wanted a pure black cat and the one in this book really captured his interest in a variety of pictures including the one where the cat jumps off the wall and where it looks like it is meditating or observing the view. The tiny black-and-white cat will make you laugh as it seems to have found itself atop a large white stone pillar and is quite happy to sleep the day away far from the crowd.

All of the cats look especially well groomed, very pampered and happy to be living in Greece. Blue Cats is one of the most beautiful books on cats I've ever seen due to the additional artistic flair of the photography and the beyond gorgeous settings.

~The Rebecca Review

"Blue Cats" is a new offering from renowned photographer Ron Nelson. Nelson specializes in both human and animal imagery, mostly in Europe, and is one of the best photographers working today. Cats are both photogenic but notoriously difficult to photograph due to their individuality and unpredictability, but here Nelson makes it look easy.

Greece has some of the most stunning architecture, landscapes, and waterscapes in the world, and is also known for a large and gregarious cat population. In this book Nelson captures the natural beauty of Greece and the graceful four-footed inhabitants of the coastal areas. The composition of these photographs is delicate and artistic, yet playful and relaxing. I am especially fond of the photographs depicting cats in motion, especially the two photos (numbers 26 and 27) "Jump Across" and "Shadow of a Jump" taken in Oia, Santorini which are exquisitely composed: the study of lighting and shadow is excellent throughout the book, but peaks with "Shadow of a Jump" in my opinion.

This book is excellent for anyone who loves excellent photography, cats, or travel (especially with pristine water backdrops); it is beautifully conceived and printed, and would look great on any coffee table or in any library. I highly recommend this book, and hope to see more from Ron Nelson in the future.

Always the most thoroughly informative of the sources I use for preparation. I could not do without them. This is one of the best.

I was very pleased with this book but I ordered an used book about shopping in Italy at the same time which had pages missing. I returned that book (I believe it was through Warehouse - something) and am still waiting for my refund. I think in the future, I will buy only Amazon products and not order "used" things.

I just returned from a trip to Italy which included 4 days in Umbria and 8 days in Tuscany. I found the Blue Guides for both regions outstanding. Not surprisingly, both are quite worn (the best sign of a useful guidebook).

What makes this guidebook stand out is the incredible breadth of coverage of all tourist sites in Tuscany, making it quite thick, but not particularly heavy. (The only guide that I have seen that even comes close in terms of coverage is the Michelin Green Guide for Tuscany.) Each chapter represents a tour which covers either a town and its vicinity or a driving circuit. Within each tour, every conceivable tourist destination is identified, including small towns, churches, squares, public buildings, museums, archeological sites, etc. For significant museums and churches, the guide directs you through the works in a logical order. For the most part, individual works/objects are listed but not discussed, but notable works are identified with asterisks. Particularly remarkable works, such as Cathedrals and great fresco cycles, are discussed in more detail.

If you are interested in Italian art, architecture, and ancient history, then this book tells you where to find it in Tuscany, and provides brief descriptions. The guidebook does not teach you the history of art and architecture in Tuscany, nor should it. For this, you will need to do some additional reading.

Fine maps and a brief history are provided for each significant town. Parking advise is provided for most towns, and I strongly suggest you follow this advise. (I learned this the hard way.) Also pay close attention to the opening hours, which are quite accurate. The guide's hotel and restaurant recommendations seem quite good; they overlap significantly with the Michelin Red Guide and Frommers. Unfortunately, no descriptions or prices are provided, so most people will want another guidebook for this use. Some of the site closure information was out of date, but I expect this to be updated with the 2000 edition.

The Blue Guide series focuses on art. If you are looking for hotels, shopping, restaurants, or for entertaining reading, rely on something else. If you're looking for a serious guide to history, art, and architecture, both the well-known and the quietly tucked away, a list of hours and days open for musuems, holidays (often to be avoided!), as well as addresses of libraries and research insitutions, the Blue Guides are for you. They cover almost every artwork in the various regions, and do so accurately. The books guide the reader systematically through churches and museums and include accurate floor plans. Towns are grouped into touring areas, as are neighborhoods in the large cities. Town maps, even for little places, are plentiful and precise, even for the winding streets of Siena. City maps, such as Florence, are equally precise and inclusive, but they are split among several pages, which can make them harder to follow --- a minor flaw. I use Blue Guides as a textbook for my college students, and I never go to Italy without at least one!

If you really want to see Tuscany, this it: this book will take you to places you wouldn't find any other way, from charming villages that are way off the beaten track, down colorful streets and staircases to hidden piazzi that you would have walked right past, into courtyards, and out to ancient country churches with masterpieces on the altar. The Blue Guide to Tuscany is 510 pages long, plus two indexes: the author, Alta Macadam, has apparently combed every city, town and hamlet in Tuscany, traveled every road and lane, wangled her way into every locked church and described its treasures, and surveyed every provincial museum. She includes practically everything of any interest at all in the entire province of Tuscany, including the provenance of every work of art and the programs of the frescoes and carvings in every church and abbey, and notes on the contents of every museum. She gives extensive information on the architecture of Tuscany's buildings, including many floor plans, and good notes on local history. It is organized geographically, with town and city tours, and lots of maps. I heard many guides giving their talks on our visit, and very few of them had more to say about anything that Ms. Macadam or were more informative; many of the places she described exhaustively had neither guides nor tourists besides ourselves, which in Tuscany is unusual.

Her directions can be a bit cryptic at times, but if you read carefully, you'll get used to them. As in all of the Blue Guides, she is prone to understatement: when, for example, speaking of the old town in Certaldo, she says that "the upper town has considerable charm", what she means is that it is ravishingly beautiful, will charm your senses and lift your spirit, and your friends and family will envy your photos and your vacation forever.

Caveats: some people will find this guide to be overwhelming. Because it is so dense and exhaustive, use it to plan your trip before you leave or you'll be buried in minutiae and miss things you'll have wanted very much to see.