Europe Books

"The most dramatic entrance to Venice is by boat. You can enjoy the same breathtaking view enjoyed by visitors for centuries by taking the Alilaguna waterbus from the Marco Polo International Airport to the San Marco landing in Venice..." pg. 114

For the independent traveler, two CDs present tours to twelve locations in Venice. For the armchair traveler, this book/CD set allows for an enjoyable visual and auditory journey through famous locations of interest.

Pictures of winter floods may dissuade you from visiting at certain times when there are floods. Pictures of people walking across ramps to visit St. Mark's seems somewhat daunting. Gondolas moored along canals on foggy afternoons draw you back into dreaming about visiting Venice. Museums hold a large collection of Venetian boats, including elaborate gondolas from the city's regattas.

"When I went to Venice, I discovered that my dream had become-incredibly but quite simply-my address." ~Marcel Proust

Famous quotes, special instructions for when to turn the CD on and off, tips on where to enjoy famous views, all make this guide very worthwhile. There is a historical timeline and lots of historical tidbits for anyone interested in the city from a historical perspective.

~The Rebecca Review

The entire book has good amount of useful practical information but the unique aspect is the 12 audio tours. We extracted the audio tours off of the CD's and loaded them on our iPod nanos. It works like a charm. Occasionally we wished that the script was a bit less general but it is an excellent precursor of what is probably the wave of the future. Why follow guides who are trying to impart the information in three languages (perhaps with a heavy accent) and practically running the too-large tour group past the attractions when you can use this methodology?

It was magical. My husband and I travelled to Venice last month, and the audio guide Venice in Context was fabulous. Instead of weaiting for a tour, and trying to hear and follow the guide, we went at our own pace. It was easy to follow and use. A great and eceonomical way to tour a city, I recommend it!

Seemingly designed for the curious and cautious American traveler, this illustrated/ textual/CD combination will guide you through, beyond, and back into one of the fabled cities of known history. Wayne takes care to neither preach nor cajole, yet sheds much light on a treasured living artifact. Perfect for singles or couples.

Venice In Context provides travelers with twelve narrated walking tours of Venice. This CD has information about what travelers can see and how to get around Venice on their own. tour brings to life the city's romance and explores its rich history and artistic heritage with stories and anecdotes about the lives of historical figures, artists, and musicians that will greatly enrich the travel experience. The series is narrated by Joel Godard, a veteran New York actor who appears as the announcer on NBC's popular Late Night with Conan O'Brien.

In 1805 a young boy Sam and his uncle are pressed into the British navy. Meanwhile A girl named Molly moved to America from England because her father died and her mom fell in love with an American. One day Molly goes into a bookshop and buys a book with a piece of Sam's ship called HMS Victory and signed by is granddaughter. Sam's life is described very well and is very detailed and you always know what is going on. Molly's life is very dramatic and really draws the reader in. Toward the end Sam's story gets gory and if you don't like that kind of stuff you won't like that part. This book was so good I couldn't stop reading it.
This book was the perfect mix of history and modern day mysteriousness.

Jordan.

Victory by Susan Cooper is a tale of time. When two people are join together from different times. United by one person and a cloth both people come together. Both feel the same way as each other. Sam Robbins is a boy who's family was poor. He joins his uncle but is then press into the navy. Molly Jennings a girl who

Certain authors publish with an aura of definite mystique. Lloyd Alexander, for one, can still elicit a certain thrill when his books sit on a shelf. Ditto Philip Pullman. But of all these fellows, not a one of them can hold a candle to the majesty and plum good writing of Ms. Susan Cooper. Her "The Dark Is Rising" sequence is still the go to series when it comes to Celtic myth and Arthurian legend. It was with great shock that I discovered a couple years ago that not only had she written comic pieces (as with "The Boggart") and time travel ("King of Shadows") but that she was STILL WRITING. Somehow I'd assumed "The Dark Is Rising" books were written decades ago solely for my own enjoyment and that the author had long since passed on to another world. Hardly. It is fortunate indeed that "Victory" proves how wrong I was. Not quite a time travel book, but not quite realistic fiction either, this latest Cooper saga follows two children, inexplicably tied to one another. And while it's not the author's finest work, there's no denying the fine fabulous writing that has gone into it.

Molly's world has fallen totally and irreparably apart. A logical girl, she understands why she and her family have moved from London, England to Connecticut. She knows that her new stepfather and stepbrother are fine fellows and that her house and room are bigger and more beautiful than anything she's ever had before. She knows this. However, Molly is so homesick for England that she'll hold on to anything that might tie her to it as if it were a lifeline. When a book of the life of Lord Nelson falls into her possession, Molly starts finding herself connected to the life of a boy who lived hundreds of years before her own. Sam Robbins was, during the time of the Napoleonic wars, pressed into serving on Horatio Nelson's ship. Once he is on The Victory, Sam finds himself both horrified and awed by his experience as one of the crew's powder monkeys. Told in alternating chapters, the book charts Molly's journey back to her former home to visit The Victory today, and Sam's journey over the seas on the boat he would soon regard as his own.

Because the book is shifting continually between the present and the past, Cooper sometimes writes herself into an interesting predicament. On the one hand you have Molly, who's misery is palpable. Cleverly, Cooper allows the reader to feel the child's homesickness and sheer unhappiness just as if it were their own. We are utterly sympathetic. At the same time, though, Cooper has coupled this tale alongside Sam's story. There is a moment in the book where Sam has just been forced to wear an iron bar in his mouth for three days as punishment for something he mistakenly did. He cannot eat or drink or sleep and the bar cuts painfully into his skin, drawing blood. The chapter ends after the bolt is removed and suddenly we're back with Molly who's problems, let's face it, shrivel up and dry in the face of Sam's agony. As I read the book I wondered if Cooper was aware that the reader might not sympathize with Molly as keenly once they'd been introduced to Sam's torturous situation. I needn't have feared. I suspect that Cooper knew exactly what she was doing when she paired Sam's tale with that of Molly's because at that moment the reader starts to feel that the Molly dilemma can only be solved if she herself understands how small her problems really are. The climax comes when Molly does realize this in an almost violent but necessary fashion.

A co-worker of mine started reading the book, but stopped when she found it dull. I was fascinated by this reaction, especially since I've been wondering how kids would react to this story. Would they be bored? Thrilled? I think Molly's contemporary tale is definitely necessary. I suppose the first image of the funeral march for Lord Nelson might be a bit slow as beginnings go, but once Molly is thrown head over heels into the ocean as her step-brother and step-father sail, the tale definitely picks up. Of course, it's filled to brimming with ship terms. And there's quite a lot of discussion of how the ship is laid out. Interestingly enough I kept suddenly envisioning the layout of the ships found in "The Pirates of the Caribbean" movies. I suspect that if you wanted to make a reader reluctant to pick up this story, just explain to them that there are ship fights similar to those in the "Pirates" movies. I can't guarantee that that would work, but it's certainly worth a shot.

But you know, it's just all about the writing, isn't it? The little moments that separate the good books from the so-so ones. Cooper has a couple of those up her sleeve. One of the story's more touching details is the fact that Molly adores her new little baby step-brother, Donald. At one point the family is on the Tube in London and Donald is alarmed by the loud noises. Molly plays peek-a-boo with him to cheer him up. "All the surrounding grownups watch, with nostalgia soft in their faces, except one thin man in a tight dark suit, who retreats behind a newspaper with a disdainful sniff". I could never tell you why, but that's one of my favorite moments in the book. Cooper's writing never lightens the story's tough situations, by the way. Sam is pressed into service with the Navy against his will and the ship situation is gritty, gory, and thoroughly unpleasant. Just the same, you get a hint of why Sam felt that it should become his life's work, no matter what.

Boy, I sure hope that a huge swath of kids today are Anglophiles. Between "Endymion Spring" trying to convince them that Oxford is a hip youth hang-out and Ms. Cooper giving us a hearty heaping of Lord Nelson facts, the time has never been better to be enamored of all things English. With it's almost too tasteful cover and whopping great amounts of historical fiction ah-flowing through its gills, "Victory" is probably not going to be the first book the kids pick up when they walk into a library or bookstore. For those with a penchant for both history and realism, however, they may well find much to love here. Enjoyable indeed.

Suffering from severe homesickness for her former civilized life in London, eleven-year-old Molly Jennings is deeply unhappy. She has been transplanted to Connecticut into a new life and family by her mother's marriage. Forced into a sail with her stepfather and stepbrother, Molly is accidently knocked into the sea. Her terror, before she is pulled to safety, is so profound that it seems to set into play strange, psychic connections with a young British sailor from the past, Sam Robbins. Having been kidnapped into service in the Royal Navy, Sam ends up serving loyally on the HMS Victory with Vice-Admiral Lord Nelson at the Battle of Trafalgar.

The seemingly unrelated stories of present-day Molly and early nineteenth-century Sam are told in alternating episodes. The connection between the two is masterfully. gradually revealed. The excitng past infringes on Molly's present until it culminates in a frightning denoument aboard HMS
Victory, now a marine museum. The ending, which ties up the complex threads of the story with astute perceptions of history, is totally satisfying. Another victory for its author.

Sam Robbins is an 11-year-old ship's boy, forced from his home in England when he and his uncle are pressed into service in His Majesty's Navy in 1803. Sara Jennings is an 11-year-old girl, forced from her home in England when her mother remarries and moves the family to Connecticut in 2006.

Years and miles apart, the two youngsters share a bond, woven into the cloth of a tiny fragment from the flag that once flew over HMS Victory, the flagship of Admiral Lord Nelson at Trafalgar. The two children's lives couldn't be more different, yet author Susan Cooper weaves them together with the expert touch of a seasoned writer, best known for her landmark "The Dark is Rising" series. Cooper's research is impeccable; although Sara is an entirely fictional creation and Sam was nothing more than a name on a ship's register, Cooper has turned them into real, three-dimensional characters who feel, and consequently make readers feel, too.

Cooper's work is always readable and entertaining. Seasoning her story heavily with history from the exciting days of Nelson's Navy, there's enough detail about life aboard a naval flagship to make readers feel the wood beneath their feet, hear the wind in the rigging and knock their bread against the table, for fear of weevils. The juxtapositioning of Sam's and Sara's narratives -- Sam's in first-person past, Sara's in third-person present -- is completely natural, flowing easily across centuries as their stories unfold.

Written for young-adult readers, adults will find themselves equally captivated by this delightful novel.

by Tom Knapp, Rambles.NET editor

As always Angus McBride's color plates are as lifelike as can be. Especially, plates A,E,F, & G. These elite series are more in depth than the usual armor, weapons, & uniforms. The text is more varied. From their origins in the eigth century to all their adventures from all compass points, we get little gems of information. A refreshingly wide range of sources are used. Norse sagas, English, Arab, Byzantine, Frankish, & Irish chronicles. Most areas are touched on to varying degrees. From their tactics, well known campaigns, & the Varangian guard to the less known "Jomsvikings." The latter being independent, strictly run mercenary companies.

Also, some interesting anecdotes: Did you know that dark hair was much more common among the Danes than the Swedes & Norwegians? That certainly would explain the physical appearance of the Normans on the Bayeux Tapestry. If it had a dozen more pages I would have given it five stars. For 63 pages it was well worth the price.

This is by far the best book on the Vikings from a military perspective, Osprey or otherwise. The text is concise and is both exciting and informative. The plates depict the Viking warriors as well as their enemies and their women with lifelike expressions and poses, and include several spirited battlescenes.

One of the best books I have seen on the Vikings. The Text does a brief but good & concise job about the history of the Norsemen. That & the illustrations of these barbarian slavers is 1st rate and worth the price alone.
Well done to all hands involved!

Like other books in the Osprey Elite series, this one held my interest throughout. Therefore I finished it very quickly. The illustrations help me visualize what real life Vikings must have looked like.

The description of the Viking rite of "carving-the-blood-eagle" was something that I had never read anywhere before. Imagine the terror of seeing these guys arriving from over the horizon ca. 950 A.D.

I have always been a big fan of the Osprey series books, and a fan of Angus MacBride's work.
This book is a good overview of the evolving nature of Viking warfare, from the first raids on the British isles, to the end of the Viking period.
Included is a useful collection of photos of Viking weapons, armour annd other artifacts. But for me, the star of the show was the colour plates, what amazing work! MacBride gives us a diversity of glimpses, such as Viking home-life, building a long ship, the aftermath of a raid, and a great sea-battle, and the end of the Norse adventure in North America.
This is a great book for anyone interested in the Viking period!

David Stephenson's exquisite photography reveals these architectural marvels as never before. Coupled with Victoria Hammond's illuminating essay, this book is an excellent buy.

My quibble is that there is no photo of the dome of Hagia Sophia in Constantinople, surely one of most important domes as Hammond's essay itself states. The Church of St Sophia in Kiev is represented but not the Hagia Sophia

I purchased the book as I am a decorative artist who has been doing more and more ceilings in similar fashion to the illustrations in the book. This has inspired me and filled me with awe as I see some of the God given talents being used for the glory of God. I believe my company faux-creations will start to go places with this book as a reference in Lexington, KY as well within the States and Europe.

I don't have much to add to the earlier reviews except to say that if you like kaleidoscopes, mandalas or snowflakes, you will probably love this book. It is full of images of 6-fold and 8-fold symmetry and even one each of 3-fold and 5-fold. The pictures can be viewed as realistic depictions of parts of buildings or as abstractions, pleasurable purely for the pattern. There is something in the human brain that loves this sort of thing, and if you want to indulge that something and just wallow in beauty, get this book. Wow!

Dome architecture is something special: and its special qualities and art are captured by photographer David Stephenson in his images of dome interiors VISIONS OF HEAVEN: THE DOME IN EUROPEAN ARCHITECTURE. Stephenson traveled across Europe and even into Turkey and Russia photographing churches, palaces, mosques and synagogues created from the second to the 20th century: his visual display captures over a hundred images of some of the finest dome construction in the world, while an essay by Victoria Hammond tracks and dome and its decoration.

Diane C. Donovan, Editor
California Bookwatch

'Visions of Heaven: The Dome in European Architecture' is one of those apparent coffee table books made to grace the room of art lovers and to initiate conversations about travel and architecture and art among guests. But this splendid book is far more than that (though a magnificent 'coffee table book' it most assuredly is!).

Photographer David Stephenson has traveled throughout Europe from Italy to Spain, Turkey, England, Germany, Russia and beyond, intent on capturing the magnificence of the domes that crown the cathedrals, palaces, mosques, syngogues and other imposing architectural wonders of the world. Technically speaking, photographing these domes is a feat unto itself: much time must have been spent on the floors or these edifices to capture angles of intent that would allow the resultant photograph to not only give the exciting detail of a concave surface but also to allow the available light to make the colors true.

The result is a book of over 120 full color photographs of art that too often goes unnoticed as visitors to these special places fail to strain necks to see the entire masterpiece above their heads. But the aspect of this book that makes it even more successful is the fact that Stephenson acknowledged the need for historical background to supplement appreciation of these domes and to that end Victoria Hammond in her essays and Keith F. Davis in his seductive foreword open discussions not only of the art itself, the creators, the materials, and the history of each dome, but they also address the concept of the dome as a reaching to heaven. The writing works as successfully as the photography and together create a book that is not only beautiful but also grandly informative. Highly recommended. Grady Harp, December 06

This book was most enjoyable--An historical and literary voyage through history until it capsizes--here, at our feet and on our shores on the California-Mendocino Coast.

WOW what fun, work and incredible research the author had to dive through. THIS IS GREAT READING!

The Voyage of the Frolic is a readers dream. Bostonian History, Maritime life, Chinese trade, the Coast of California and our indigenous Indians all rolled into one well written and enjoyable read. Thank you Professor Layton for unraveling the past and placing it in a wonderful china bowl for all of us to peruse and get to know.

Layton is a master at pulling you in and teaching you a thing or two. I'd love to learn more about the Chinese connection.

A model of the Frolic is on display at the Cabrillo Lighthouse, Mendocino, CA. Before you visit the area, read this book. The book covers the entire history of the Frolic, those who built it, the course it took for its short 6 year life -- before sinking off Pt. Cabrillo. Its history includes its involvement with the Opium War, American incursions in China and exciting trade run with opium, Chinese ceramics and silks. A must read if you're interested in international history and the ships that created commerce and connection with the rest of the world.

Oddly enough, our book group chose Voyage of the Frolic and what great fun and an education it has been. I've always dreamed of going on an archeological expedition and here, without the dirt, pan, screens and brushes, I've discovered another layer of the past. What an eclectic history California has.

From beginning to end I was caught in the poignant details of this story. The Russian Revolution is brought to life through the individuals who face poverty, uncertainty, and constant changes in their circumstances. Whether people are poor, middle class, or wealthy, they are thrown together in difficult, often dangerous situations. Nora Percival fills the pages with family members who are at times wise and courageous only to later be petty and weak, each one trying to survive in a world that no longer makes any sense and which never stands still long enough to build new understandings about how to respond. Nora's free spirit in the midst of this chaos is a constant inspiration. As a young child and into her teens she tends to her mother who is depressed and unable to find the energy required by this newly restricted environment. Though her mother often becomes tiresome, Nora continues to persevere, giving of her own strength to keep her mother afloat. When Nora finally comes to America the reader comes with her, feeling Nora's celebration of freedom and a chance for a new life.

I happened upon Nora Percival in Valle Crucis, NC where she was signing her books. I feel so lucky to have personnally autographed copies of her books and a photo of me with her. Nora Percival is as captivating in person as she is in her story.
"Weather of the Heart" is wildly educational, exciting and inspiring, a study in optomisism. I literally could not put it down: I carried it from room to room and took it with me if I left the house. When I finished reading the book, I missed Nora the child because I found her so charming; WHAT A GIRL!! What a book!

This book details the events that brought an immigrant family to safe harbor in the US after escape from the Russian revolution. The viewpoint is that of a young girl, just 3 years old at the beginning of the story. This young girl is the only daughter of a bourgeoisie family. Her father left the farm as a penniless young man, and through his own enterprise came to own a small shoe factory in Samara. As the revolution takes hold, Percival's father is named as a criminal against society because of his social standing, and he is forced to flee to Manchuria, leaving his wife and daughter behind. Percival describes to us how she and her mother gradually lose their life of relative luxury and ease, how their German governess fled, and how they had to abandon their home and move in with her paternal grandparents. The circumstances that follow develop her into a mature young woman by the time the main narrative ends when she is 8 years old and living in New York City.

Occasionally, especially in the first chapter, Percival's writing style can be a little annoying. Nevertheless, the story that she has to tell is riveting. She provides unique details of the daily life of ordinary people in the time just before, during, and after the Russian revolution. She also tells us much about the conditions and rules faced by immigrants to the US during the early part of the 20th century.

I learned so much about revolutionary Russia and a different way of life from this book. Reading Ms. Percival's life story was intriguing--full of happy reunions and sad partings. The book really makes you realize that people are the same all over the world. This story of a young girl's long journey to America will inspire you and make you cry.

This memorable book gives us the memoirs of an 88 year old first time novelist, Nora Lourie Percival. This is far and away the best book I have read in years. It is an interesting and compelling story of a child growing up in and then escaping from Communist Russia. It is wonderfully written and historically significant. The rich descriptive narrative is a pleasure to read and to hear read (my husband and I read it aloud to one another). I found myself continually rereading passages purely for the purpose of savoring the author's exquisite use of language; I have read few contemporary writers whose use of language is as skillful and as sensitive as is this writer's. This is a book to be added to the family library and to be re-read throughout the years. It is an absorbing, heartbreaking and uplifting true story of a child and her family's survival of the Russian Revolution. The reader is grabbed by the first pages and his interest is held throughout. I've bought several to give as gifts. I would recommend it to anyone! It is truly marvelous.

I am a PhD student doing Operations Research - more specificly, Mixed Integer Programming - that is why I purchased this book, just because of the curiousity about the autobiography of a brilliant mathematician in our field.

I started this book in the end of Feb and couldn't help stopping digging into his unbelievable and inspiring life stories and have already started the third time. Everytime I get new gains and thoughts. First, it is definitely a good encouragement for my research work, by his enthusiasm and passion for knowledge and mathematics; in addition, I always can judge my attitude to life and people by learning from his experience and his eternal optimistic awareness. Here is a book, where you can find faith, justice, intelligence, honesty and love.

This memoir lays out in exquisite prose a touching, insightful journey through a series of challenges that are almost incomprehensible to those of us who have grown up in happier times. As I read I could not help but wonder how I would measure up to the ethical and moral standards set by Professor Balas. His academic excellence and stature are well known to all of us who have worked in any field related to mathematical programming; this book makes it clear that in addition to being an exemplary academic in every way, Professor Balas is also a very great gentleman, in the best British sense of the word. I can only say I am proud to have known him.

If ever I get imprisoned I'll remember to use a coffee-stained napkin and stale bread to make a chess set. I also learned from Egan Balas that to exercise in a confined space one takes an odd number of steps - else one walks in circles. Algorithmic ingenuity enabled him to successfully take up mathematics in his late 30s, against the conventional wisdom that good mathematicians do their work when young, and become an outstanding professor of industrial administration, applied mathematics and operations research at Carnegie Mellon University.

He tells stories of his lives - escaping death narrowly - "according to my own taste", making it one of the most compelling biographies I have ever read.
This would be an extraordinary thriller if it were fiction - but it's not, it's real. The highly personal account of how a Transylvian Jew became a revolutionary worker, a dapper diplomat, a tortured prisoner and a creative academic takes one through some absolutely awful scenes. Balas' craftiness enabled him to survive and his toughness under severe torture protected his friends. This is not some second hand account of Communist and Nazi hate, Balas drags the reader through his pain and suffering. There are happier moments - such as when he comes out of prison and addresses his daughter - not realizing that he's speaking to a younger sibling born in his absence and that his daughter has grown considerably.

For anyone who wants to understand willpower and survival in Hungary and Romania during the 2nd world war this is a must read. Besides historical interest, the story's suspense makes it an ideal gift for thriller and spy story readers.

Professor Balas from Carnegie Mellon University is one of the most respected members of the Operations Research community. I am a big fan of Professor Egon Balas, having read his papers on the "Lift and Project" method in solving mixed integer programming problems.

Nothing moved me as much as this book though. I agree with the reviewer from Toronto, the book is definitely a great scientific mind at work, where Egon describes clearly and in vivid detail all that he went through, without any bitterness or resentments.

A triumph of the human spirit against all odds and adversaries!

Truly a fascinating story. I was born in Romania and went to college in Cluj during the late sixties. The period of time between 1945-1954 was always a mystery to me. Egon Balas has opened my eyes on many aspects of my country's secret past. The book is very engaging and kept me captivated until the end. Egon's story is representative of what happened to Transylvanian Jews who were communists before and after the war. While not all stories have happy endings like Egon's, I know of many people with similar stories. None of them talked to me in so many details and so eloquently as Egon did in his book. I am greatful to Egon for making this very personal account of his life public, so that the story of the communist Jews of Cluj is not lost forever. Great book !

I bought this book when (I'm ashamed to admit) McD's came out with Wizard of Oz toys. My 5yo wanted to know who all the characters were, and what they "say". She loved the artwork, pouring over each page to find each character. The book is so eloquent, it's not nearly as scary as the movie. Also, because she's just beginning to read I could gloss over scary parts or words. She has loved it! The day we finished it she wanted to start over and read a second time. I highly recommend for reading with your child!

I bought this book years ago and am looking for another copy as a gift. This edition is the entire MGM script (including the lyrics to the songs) of the 1939 movie and is is wonderfully illustrated with stills from the movie. My family has practically worn out this oversized book and we need another! My husband recently witnessed my daughter's new boyfriend reading along as they watched the movie because he knew we were just fans and he had better catch up! Our families favorite book!

I think that this is a very good book and it also helps me because I have to do a research project on childrens literature and I needed to get pictures of the wizard of Oz and Amazon.com took me right to it!! I was so happy and also I tried other book websites and could not even find a thing!!!

The imagery of the century-old text is superb, and Michael Hague does it a great service. I've been reading this edition to my five year-old son over the past several nights, and he lingers over each lovingly detailed illustration. I'm surprised The Wizard of Oz doesn't have more high-quality editions in print. This volume is a wonderful item to add to your child's library, or even to libraries of adults who enjoy children's books. Highly recommended.

Here's a trivia question for you. When Dorothy killed the Wicked Witch of the West by dropping her house on the witch, was the witch wearing (a) ruby slippers? (b) silver shoes? (c) both?

If you answered "both," you have the correct answer. L. Frank Baum's original story (found in this book) has magical silver shoes in it. The movie version of the story, starring Judy Garland as Dorothy, had ruby slippers. Why the change? Well, ruby slippers film much better. So the Wicked Witch of the West wore both types of footwear, depending on whether you are reading the book or watching the movie.

I share that example with you because 9 people out of 10 have seen the movie, but never read the book. When I was a wee lad, I started in the opposite direction and was sorry to see how much of the Oz story was left out in the movie.

Now, you can make up for lost time by reading or rereading the original. I commend it to you for three primary reasons. First, the book version is built around the idea that the different parts of Oz cannot be easily traversed and the ensuing travel complications make for a better plot. Second, there are many more types of imaginative creatures in the book than in the movie. Third, the book has been lovingly enhanced by new illustrations done in turn of the 20th century style by Michael Hague. The illustrations encompass styles from immediately post van Gogh (yes, there are sunflowers) through Art Deco. I especially liked the water colors of gloomy and darkening skies.

If you are like me, you will chortle when you read L. Frank Baum's comment in the beginning that the story was "written solely to please children . . . a modernized fairy tale, in which the wonderment and joy are retained . . ." while the scary parts are left out. If you remember frightening moments, you are thinking about the movie. The book is much more gentle, which makes it more suitable for the youngsters. Yes, there are frightening villains, but they are quickly dispatched rather than being allowed to hang around to menace and frighten children just before bedtime. Still, children must have been braver in those days. This story is still scary enough for most to feel a deathly chill now and then.

Many of the ambiguities and confusing aspects of the movie are clearer and less disconcerting in the book, as well.

I won't go into a fine comparison of the two, because that will just spoil the plot for you. Do let me mention a few chapters that you will not recognize from the movie . . . just to whet your appetite for the book -- Away to the South, Attacked by the Fighting Trees, The Dainty China Country, and The Country of the Quadlings.

After you have finished enjoying the wonderful story and new illustrations, think about some of the lessons of the book. Notice that by teaming up, Dorothy and her friends could combine strengths to overcome individual weaknesses. This is the ultimate group of superheroes. How can you combine your talents with others so that all of you combined can accomplish vastly more than any one of you can individually?

Stay on the Yellow Brick Road with effective allies!

Concha Alborg's review of "A Woman Unknown" is riddled with errors.
She leaves an erroneous impression when she writes "Lucia Graves is the daughter of Robert Graves, the English poet who lived in Majorca with his Spanish wife and children for several years." Lucia is the daughter of Robert Graves and his second wife, which "A Woman Unknown" clearly states on page 6. it's also clear from the text that Lucia's mother is English. There's a great deal of information about her in this autobiography,even her maiden name, Pritchard.
Alborg also writes "The reader is left wondering what led to her divorce from her Catalan husband ... "
Not so. The author explains at length that she and her husband, who married quite young, simply grew apart in their interests and activities.
"we know little more than her oldest daughter's name and not even that of her other two daughters" Alborg says. Again, not so. The third daughter's naming is discussed at some length (it's Natalia) in a quite comical scene in the labor room, when the attending nurses urge Lucia to name her daughter Purificacion, in honor of that day in the Roman Catholic calendar.
Emy Louie also errs in referring to Lucia "Roman Catholic upbringings". Her parents were firmly agnostic, a major source of conflict during her girlhood time in a convent school, and of shaping her thought.

I loved this book and, as a writer, I found it very inspiring! Graves writes beautifully of growing up on Majorca and her descriptions of the place and the people there, and other parts of Catalonia, are very evocative. The book caught my eye because I am studying Spanish and this book gave me a great feel for life in Spain, particularly under Franco but also, as described to her by people she knew, during the Spanish Civil War. It also offers interesting thoughts on language and identity, because she grew up speaking English at home, Majorcan/Catalan with neighbors (at least until Franco tried to crush the language), and Castilian Spanish at school. It's no wonder she became a translator.

By the way, if you're interested in Robert Graves (I didn't know anything about him - I guess I missed the whole PBS "I Claudius" series), you won't find out all that much about him here - this is Lucia's story. At least he passed on to his daughter his talent for writing.

FOUND IN TRANSLATION

It's hard to review a book when one feels that she could have written it herself and worse yet when in fact that book has been published already. In some ways it's reassuring to read the same thoughts, opinions, even the same literary references and mythological symbols. In other ways it is almost eerie to share with it a similar structure of titled chapters which can be read independently. It all started with the cover of Lucia Graves' A Woman Unknown. Voices from a Spanish Life (Washington D. C.: Counterpoint, 2000) where I saw the familiar picture of Mercedes Formica, a writer I interviewed some years ago, but more about her later.
Lucia Graves is the daughter of Robert Graves, the English poet who lived in Majorca with his Spanish wife and children for several years. Her book is labeled as her autobiography, but it's more like a history of Spain during the almost forty years of Franco's Dictatorship and the ensuing some twenty years of Democracy. Her role is more that of a well-versed witness, a woman who has lived among three different cultures: the English of her birth, the Spanish of her adopted country and the Catalan into which she married. Hers is a well documented account of everyday life, political repression, historical events and a study of the richness of languages.
The author moved to Majorca, where a version of Catalan is spoken, when she was three years old. Despite her father's prominence, she lived a rather modest life on the island before it became a popular tourist destination. A few years of her childhood were spent in Palma, the island's capital, where she studied in a repressive nun school like any other Spanish girl, until she was almost convinced to be baptized in the Catholic Church ( to keep her from "going to hell"), at which time her parents had her first tutored at home and then send to England to receive a "proper" education.
At Oxford, although she missed Spain terribly, she became familiar with the language of her birth, her own father's work and - interestingly enough- Spanish literature which she could then study uncensored. It was her appreciation of the complexity of languages and in particular her translation class, that gave her the tools to become the accomplished translator she is now. Her reflections on language are in themselves worth the reading of A Woman Unknown. Her dilemma should be familiar to anyone fluent in more than one language: "I began to see that being trilingual meant I had never been able to focus fully on any one of my languages, that each one covered only particular areas of experience, and as result I could not express myself fully in any of them" (115).
Lucia Graves' book is full of expressions in Catalan which she carefully explains and translates into English. In fact, if anything, her careful attention to detail is superfluous to the initiated reader of Spanish culture. Her knowledge of the subtleties of the Spanish and Catalan character is commendable as is the varied tidbits of information about popular customs. Her appraisal of the repressive years of Franco's regime is equally on target as is her appreciation - only now becoming official in Spain- of the liberal Republican government.
However, for all her political openness, Lucia Graves is very coy about much of her personal information. For instance, she mentions in passing the sudden death of her half-sister Jenny (149), but doesn't bother to explain it, or we know little more than her oldest daughter's name and not even that of her other two daughters. Her Spanish mother, despite the fact that her illness opens and closes the book, remains a mystery as well. The reader is left wondering what led to her divorce from her Catalan husband and even to whom is she married now since she alludes to a second marriage, while she analyzes in depth the effects of the new Spanish divorce law of 1981. It could be argued that this lack of detail is a good thing since the reader's curiosity is peaked due to her talent as a writer and her, indeed, fascinating life.
The title, "A Woman Unknown" refers to the legal terminology given a woman in divorce proceedings. In fact Lucia Graves gives special attention to the situation of Spanish women: from the liberties of the Second Republic before Franco to the repression of the years after the Civil War, up to the new freedom we are presently enjoying. Her representation of postwar courtship rituals is as poignant as that of Carmen Martín Gaite's, one of the best Spanish writers who have written on the same topic. Her sympathetic portrait of Margarida de Prades, in the chapter titled "The Queen Who Never Was," a fifteen century Catalan noblewoman, for example, makes for captivating reading.
Lucia Graves is equally sympathetic in her depiction of the Sephardic Jews who inhabited Majorca and Catalonia. Their exile, in many ways, parallels her own quest for a homeland. But she is overly simplistic when she states that Franco was anti-Semitic. Despite all his other abuses, Franco saved over thirty thousand Ukranian Jews as it is documented in Chaim Lipschitz's book, Franco, Spain, the Jews, and the Holacaust (KTVA Publishing House, 1984). In fact Franco's own mother was of Jewish descent; her maiden name, Bahamonde, being typically Jewish.
There is no mention in the text of Mercedes Formica, the writer who graces the book's cover. This is a surprising choice given her right wing ideology - she was a sympathizer of the Falangist leader, José Antonio Primo de Rivera. My guess is that it was chosen by the editor in an otherwise beautiful, careful edition. These minor issues aside, Lucia Graves' book is a well written, compelling history of contemporary Spain from the point of view of a not so foreign woman, even when her own story is still not completely told.
CONCHA ALBORG

Concha Alborg is a Spanish writer who lives in Philadelphia and teaches Spanish literature at Saint Joseph's University. She has recently published Beyond Jet-Lag (New Jersey: Ediciones Nuevo Espacio, 2000), her second work of fiction, about the immigrant experience. Beyond Jet-Lag is available on Amazon.com ...

It was a whim that brought me to Lucia Graves' memoir "A Woman Unknown: Voices from a Spanish Life." I had just finished reading Carlos Ruiz Zafón's "The Shadow of the Wind," and was thoroughly entranced by its soaring lyrical prose. I noticed that the book was translated into English from Spanish and wondered whether the high quality of the prose might owe a great deal to the translator. So, I started investigating Lucia Graves' writings and discovered this exquisite memoir.

I rarely read autobiographies, but once I stared this work, I couldn't put it down--within a few pages, I felt like a spell had been cast. Soon, I was deep into a serene meditation on life--uncommon and fascinating for its vibrant Spanish twist, and subtle feminist slant. Finding this book was like suddenly discovering a refreshing mountain spring after a long summer hike: I had no idea how thirsty I was for a lush literary work dealing with the inner lives of women.

Naturally, most of the work deals with the life of the author, Lucia Graves. She is the daughter of Robert Graves, the famous English poet, novelist, biographer, essayist, scholar, and translator. She was raised on the island of Majorca, a place with a distinct cultural subset from the mainland Catalonian culture of northeastern Spain. She spoke English at home, Majorcan to the village people, and Castilian Spanish in school. Her father taught her a deep abiding love for words and language. There were dictionaries in every room of her childhood home so that the precise word might be found and discussed at any time. Later, as an adult raising her own family in a sterile modern Barcelona suburb, translation became the author's tranquil refuge from the everyday vicissitudes of life.

The book has four distinct themes. First and most importantly, we learn about the interior life and thoughts of Lucia Graves. It is important to note that there is little in this book about the life of her famous father, or the lives of her mother, siblings, children, and husband. The focus of this memoir is personal and inward at all times. Second, we learn about the lives of women who have played important roles in the author's life. She tells us about their strengths--the characteristics that allowed them to make the most of whatever adversity that befell them. Like her own life, she takes the lives of these everyday women and celebrates them. Third, we learn about the author's passion for words and for the painstaking art of translation. Finally, through the stories of the many women that make up the bulk of this book, we learn about the history of modern Spain, from the Civil War to the present day. In particular, we learn about the dynamic culture and people of Majorca and Catalonia.

There is the story of Jimena, Graves' cleaning women when she was a child growing up on Majorca; the story of Blanca, the island's midwife; and Juanita, her cleaning woman a dozen years later when she was a mother raising a family in Barcelona. Graves tells us about Olga, her childhood ballet instructor--a woman who had once achieved prima ballerina status in a major Russian ballet company, but eventually had to settle for a life of ballet instruction in a small Majorcan village. There's the story of Sister Valentina, one of the Catholic nuns who was Graves' teacher and mentor. Graves also delights us with the stories of courageous women from history: Marie Powell, long-suffering wife of John Milton and heroine of a book by her father that she translates into Spanish; and Margarida de Prades, the little-known and nearly forgotten 16th-century Queen of Catalonia. Graves also manages magically to weave into her contemporary life's story, the tale of the Greek goddess Persephone, Queen of the Underworld.

Like bookends holding the work together at the beginning and end, Graves gives us the story of her aging mother as she undergoes a minor operation in Barcelona. Once again, Graves takes this event as an opportunity to celebrate the many lives of the everyday women who were a part of this congenial, gracious, and loving hospital experience.

The Spanish legal term for a divorced woman translates as a "woman unknown." In the early 1990s, Graves became the "Woman Unknown" of the book's title when she and her husband of 26 years agreed to end their marriage. The subtitle, "Voices from a Spanish Life," aptly describe the many stories the author relates about vital Spanish women--unknown women whose lives she honors and memorializes.

This is a remarkable and richly nuanced work of literary prose. I recommend it highly, particularly to women, feminists, and others who may enjoy connecting with the inner dialogue of an astonishing, articulate, and uncommon woman of uncelebrated wisdom.

I've not read another book as lovely as this one in a long time! The estimable daughter of Robert Graves creates in beautiful prose an estimable voice of her own, while wearing warm and honorable traces of her father's literary genius; there's a common clarity, and distinction in the language. There's remarkable writing on every page; the ever so gradual reaching deep into the heart of Franco almost by not mentioning him, the destruction of her Spain from within, the passion of her love for her Catalan self, among her many selves- it's a thoroughly important book in every way. The first and last sections work like bookends and are epsecially right; Graves' subtle reflections on her relationship with her mother. This is English prose of the first order. Of course, one has a natural penchant to want to find wonderful amber things in her writing, given one's regard for the work of her father; the interesting thing is that her own voice presents itself right off, so much so that one ends praising even more the virtue of the inheritance, rather than getting lost in the echos. Her reflections on the work of a translator are beautifully woven throughout the book, and reveal a meticulous care for the possibilities of language. The ways in which she chooses to speak of her father in this memoir are memorable; at the oddest, least unexpected moment the narrative will turn and there is Robert Graves, father. This really is an irrepleaceable work of art. I commend it to everyone to read, there is something for every reader in these slender pages, and that surely expresses the consummate perfection of its parts.

I teach middle school music and use this book to introduce the video "Beethoven Lives Upstairs" to my students. The text and illustrations wonderfully depict for students some of the idiosyncracies of the great composer. Much of the same ideas are then shown in the video through the eyes of a boy their same age. This book is a wonderful addition to anyone, young or old, wanting to learn insights about Ludwig vanBeethoven.

This is such a creatively well-done book. The words and illustrations are top drawer. Through the mystery of moving 39 times five pianos, children learn the story of Beethoven. Winter's underhanded humor is shown throughout making it a joy to read. I guarantee my kids won't forget who he is and what he did. The author's note in the back gives a nice lesson after the fun. My kids were enthralled through the entire book.

What a great and witty book. Great for K-2 Music Teachers. Excellent.

It's hard to easily categorize this: based on a little-known fact about Beethoven's habit of moving frequently, it offers up a fun story of how he not only moved, but moved all five of his pianos from place to place. The hilarious tale of and why he moved, followed by all those pianos, creates a very different kind of story youngsters will relish.

This book begins with a musical score in Beethoven's own hand. The end papers are an actual photograph of Beethoven's working manuscript for the Grosse Fuge in B flat major, Op. 134.

Jonah Winter recounts the story of Beethoven's pianos and the thirty-nine apartments where he lived in Vienna. So often children's "non-fiction" blurs the line between fact and speculation. Not so in this book. Winter clearly identifies what is fact and what is conjecture and does so with great humor.

Diaries, eviction notices, physical evidence and piano movers' notes are used as a basis for the story he tells. Why did Ludwig change apartments so frequently? Well, there is some evidence to suggest the neighbors complained. As Beethoven moves from place to place, Winter chronicles the music that was composed there. An author's note at the end gives additional information about his deafness and the amazing fact that he composed his magnificent Ninth Symphony after he had completely lost his hearing.

Barry Blitt's illustrations lift the story to a new level. We first see Beethoven as a baby crying in Gothic letters, "wha wha wha WHA." He accurately and humorously depicts the difficulties and incredible logistics involved in moving pianos to the new apartments, over rooftops, through windows and through walls. The composer's effect on his neighbors is depicted in a cross-section where we see the neighbors living above, below and next door to him reacting to the noise coming from his apartment in the middle. Babies cry, dogs bark and people pound on the floor, ceiling and walls as Beethoven plays.

This book is a must have for music teachers, piano teachers and students of music. What a treat!