North America Books

I had to read this book for a class, and it's definitely better than most of the required reading I've had. If you like F. Scott Fitzgerald and J.D. Salinger, where there is no action but it's a very enriching experience for the character, then you will probably like the book. If you like Michael Crichton or Tom Clancy and are stupid like 90% of everybody else out there, then you probably won't.

Choteau Creek: A Sioux Reminiscence by Joseph Iron Eye Dudley was an easy read, and I was almost turned off by the simple and straightforward style. However, in the end, it is what made the book so enchanting. There were no hidden agendas or questions left unanswered- just a simple story of a man's childhood filled with people everyone should be lucky enough to learn from. This is not to say the book did not deal with deep issues, just that the way they were presented was very easy to grasp. But then again, I would hope the love felt in this book was always this simple and wonderful.

This is a truly tremendous book! Among my personal list of favorites. I found this book quite by accident years ago in a local bookstore and it continues to impact me today. I recommend it wherever I go and have had my own teenage sons and other family members read it. It should be on high school and college reading lists. The style is simple yet heartfelt. The themes so meaningful yet rare in todays world. Themes such as real character, unselfishness, solid role models, tradition, and attachment to place are woven throughout the text. Read it!

I am reminded of a saying I once heard: People may come to dinner, but a true friend helps you wash the dishes. This book presents friends. I can picture Grandma as she tells stories of her childhood or humbly contemplates the meaning of the owl's call. She remains with me after the book is finished. This is a good book for those who need to see the beauty and small acts of kindness and generosity that are triumphant in the face of hardship.

Jack Bell's "Civil War Heavy Explosive Ordnance" is a superb black and white photographic catalog of ammunition for heavy artillery (4" and larger.) It is the natural companion to Olmstead, Stark and Tucker's "The Big Guns." The book is geared more toward the collector than as a technical historical reference, but still can fill the latter role in many ways. While a picture might not be worth a full thousand words, it certainly helps.

The first 470 pages contain introductory text, a glossary, and the catalog of heavy ordnance. The next 26 pages contain a photographic catalog of torpedoes (mines.) Thirty pages of appendices follow, and the book ends with a bibliography and index.

The heavy ordnance is divided into two sections: large smoothbore projectiles, and rifled projectiles. The smoothbore section is subdivided into: shot, shell and case shot; canister; and grape. Rifled projectiles are then subdivided into twenty-seven major types and one miscellaneous group.

The general form of each entry is a brief introduction of a page or several pages about the type (Archer, Hotchkiss, Dyer, etc.) and then the following pages contain one to three images of each size and type of projectile of that type. When three images of a given projectile are provided they are viewed straight on from top, bottom, and side. Some images of shell or case are half sections. Entries below each set of photographs provide diameter, length, weight, gun, sabot, fuze, rifling, rarity, provenance, and comments.

My quibbles with this work are minor. Some of the recessed spaces and contour relief are difficult or impossible to interpret with a 90-degree angle view and no shadows. Case shot appears to have been under represented. Projectile counts and burst charges (known or estimated) are largely omitted.

Although the text introductory sections for each type are short, they provide some answers to long standing puzzles. For example the Archer projectiles are finally attributed to the correct Archer, Dr. Robert Archer. The Mullane has been renamed the "Tennessee" and attributed to the correct actual designer, Capt. Lardner Gibbon.

The appendices are also particularly useful. There is a list of missing and unaccounted for rounds in Appendix A, a list of rifling types by caliber in Appendix B, as well as the detailed review of rifled sabot systems in Appendix C.

Lamentably, this book (like "The Big Guns") is not on many Civil War site bookstore shelves, although I did see one at the naval museum in Columbus, Georgia.

It has been a long awaited moment in my 40+ years of experience in dealing with artillery projectiles of the American Civil War to see a book of this caliber in print. It is the most comprehensive guide or research tool for those with an interest in this field. It is appropriate for the novice and the more proficient.

Mr. Bell, along with a multitude of hours doing research and the aide of his peers, was able to compile an impressive array of photographs (350+) and information for the reader.

The book references shells from 4" and up; including round balls, projectiles, torpedoes, land mines, and a chapter on sabot designs.

I highly recommend Mr. Bell's book to those who want to expand their knowledge of Civil War heavy artillery.

Civil War Heavy Explosive Ordnance: A Guide To Large Artillery Projectiles, Torpedoes, And Mines by Civil War expert Jack Bell is a straightforward, highly specialized, exhaustively detailed, 537-page reference to the large munitions employed in the Civil War. A brief introduction and glossary enhance this unique volume, yet the bulk its pages are devoted to specific ammunitions with each shell accompanied by a black-and-white photograph as well as scale measurements, brief commentary, dimensions, and a listing of where they were most often used. Civil War Heavy Explosive Ordnance is a truly impressive and invaluable resource for Civil War historians and military history buffs.

CIVIL WAR HEAVY EXPLOSIVE ORDANCE, by well-known collector JACK BELL, presents an in-depth study of Civil War heavy artillery projectiles, mines and torpedoes. His lifelong association with the CW artillery fraternity provided access to public and private collections containing heretofore-unknown examples of heavy munitions. The author's meticulous research uncovered buried and previously overlooked information and provided important technical and geographic information vital for the in-depth study of the use of heavy explosive ordnance in the war. The result is a highly documented reference source that closes a thirty-year information gap, and significantly advances the state of knowledge about the development and deployment during the war.

CIVIL WAR HEAVY EXPLOSIVE ORDANCE is a necessary tool for the serious artillery collector yet provides interesting reading for the student of general Civil War history. The book contains over 1000 clear photographs and multiple views of the 360 projectiles and 22 torpedoes and mines. Jack Bell's presentation is lucid and while professionally technical is delivered in an extremely readable style.

The seller sold the book in the condition which described. It arrived in a timely manner and enabled me to save money, and not waste time!

If you are a novice in the study of colonial Latin America, this book is a good place to start. Burkholder and Johnson have covered just about every aspect of society and politics in colonial Latin America from pre-Columbian cultures to the struggles for independence in the 1800's. The book covers religion, slavery, the environmental impact of Europeans, government structures, gender roles, racial issues, economics, and family history as well as developments back in Europe that had reverberations in Latin America. One very helpful aspect of the book is that unfamiliar Spanish terms are in italics and a glossary of all such italicized words can be found in the back of the book. Most people have heard of Cortes, Montezuma, and Pizarro, but Burkholder and Johnson are especially strong on the less familiar story of what happened once the Spanish and Portuguese had taken control in the New World. This book covers only Spanish and Portuguese America, so if you are interested in the French, Dutch, or English enclaves in the Caribbean, you will need to look elsewhere. Specialists will be familiar with all the themes in this book, but for beginners it is an excellent introduction to the subject. Burkholder and Johnson periodically update the book so as to keep it on the cutting edge of current scholarship. Anyone interested in doing more research will also benefit from up-to-date bibliographies at the end of each chapter.

Latin America is a fascinating area of study. My recent grad class in the subject exposed me to much new material such as this book (our basic text)

Burkholder and Johnson have done an exhausative study of both poltical and cultural history of Spanish & Portuguese colonial America. They covered the various periods of the colonies under expansionism, Imperial neglience, Bourbon reforms,and the rebellions that gave the region its freedom from the mother country.

The detail is impressive. Shipping numbers, industrial production, political reform, the lives of the majority Indians and Metizo commoners...it's all here. Slavery in all it's permutations is covered as well as the absurd attempts to name the various racial combinations that resulted in a multi cultural society.

For both the novice and the dedicated historian, this book cannot come highly recommended enough.

I have to give this book a good review because I got an A in Dr. Lyman Johnson's (the book's co-author with Mark Burkholder) Colonial Latin America class at UNC Charlotte - of course he made us buy this book as the required textbook! Johnson was a fasinating storyteller and quite a funny lecturer, and he really knows his stuff. He's one of the best professors on the UNC-Charlotte faculty.

The book is full of information with a simple and concise organization. Latin America's colonial period was long and complex yet simple at the same time, and this book explains it well. The Spanish conquest of Mexico has to be one of the most interesting events in human history.

My complaint is that Dr. Johnson was such a joy in the classroom, but the humor and wit did not translate to the book.

Common Birds of North America (Midwest edition) is an excellent resource for identifying all the birds I see in my Wisconsin home yard. One page per bird provides a good and simple overview to identify the birds and how to attract them to my back yard. It explains the differences between male and female coloring, nesting habits, food preferences, migration, etc. My book is all dog eared now from use. I bought one for mom for Christmas along with a birdhouse and feeder.

After you locate the bird you see using the Peterson Flash Guide, then you will want to utilize this book so that you can find out all the specifics about the bird, like what they eat, nesting and what time of year they are likely to be observed in your area.

Filled with exquisite full-color illustrations, Common Birds Of North America: Midwest Edition by James Wilson (Missouri Department of Conservation State Ornithologist) is an excellent guidebook for birdwatchers of all experience levels. Each species features a fine full-page portrait showing male and female specimens if the plumage is very different, and a one-page summary of the bird's habitat, call, typical behavior, and more. A concise, elegant guide, Common Birds Of North America: Midwest Edition is an invaluable resource for birdwatchers.

Wow. Having watched Jim doodle birds and landscapes in pen and ink during staff meetings at the conservation department, I should not have been surprised at the accuracy and quality of his illustrations in this book. Aside from the gorgeous images of the birds and their settings, Jim also manages to capture elements of the birds' songs and behavior in easy-to-read text. It's a great book for people who are interested in learning how bird species make their livings as well as how to identify them. I bought one for my Mom (who loves to watch her bird feeder visitors), and she loved it.

I have used previous editions of this directory several times in the past when traveling to areas where I needed a place to stay and didn't know anyone who could offer one. In addition to providing the necessary contact information, the articles in the front provided enough background in the "lingo" that I could ask intelligent questions about visiting, which saved a lot of time.

This publication contains listings of contact and descriptive information on more than 600 Intentional Communities (ICs) in North America and is unquestionably the best available directory for Intentional Communities (ICs) in print...

I've been lived in an IC for many years and the 1990 edition of this Directory was VERY important to me - and perhaps owning and using this new edition will be so for you. If you live in a "nuclear family" (or live alone), you can dramatically improve your life by joining and/or starting an authentic community. And adding your energy to one of the communities in this directory could even be your best way to help save the world!

This directory is published by the Fellowship for Intentional Communities (FIC), which has published these directories for years, along with Communities Magazine - the only magazine that directly addresses the IC movement.

This print edition is the first to publish output from an online version of the directory and involved the least amount of editorial hand-work as compared to any previous version. The data in the online directory (and by extension, within this print directory) is now largely maintained by the communities themselves.

Despite its importance, I was tempted to only give it a 4 out of 5 stars - why? read on...

I am responsible for the online directory database record for my IC (Songaia Cohousing Community). I edit our online record and am pleased with the editorial work of the FIC editors as they modified the online listing for the print edition.

Unfortunately, the ease with which the many contributors can now add/edit information is not balanced by much fact-checking by FIC editorial. My community's listing is scrupulously honest in the objective information - I continue to maintain it carefully, changing the data as our community changes. I have personal knowledge of several listings which are blatantly inaccurate. The biggest errors probably involve listings which claim larger community memberships than they actually have. For example, one community claims 8 members in their directory listing... and shows many more than 8 faces and biographies on their website. Talking with the community's founder, I learned that it actually has just one member who has been in the struggle of "building community" for many years, without much progress.

Another challenge is the inclusion and mixing of many different types of communities - in all stages of development. While it mostly contains residential communities (what most expect when they think of an IC), the directory also includes (1) community networks (groups of ICs - associations), (2) non-residential communities, and (3) even some fairly typical charities. And since the descriptions were written by many individual contributors, it can be difficult to tell the difference until you further research the group... visit their website, etc.

Even among the residential ICs, "forming" or "reforming" ICs are intermixed with ones which actually have groups of people living together... right now. Specifically, the directory has listings for communities with people with years of established culture, e.g. East Wind (commune of 75 people, formed in 1970), Nyland (cohousing of 140, formed in 1990), Ecovillage at Ithaca (162 people, formed in 1992), which appear side-by-side with MANY "forming" communities of just 1 or 2 people - that are trying to grow into ICs - some for just a few months and some for many years.

All of this means to get the most out of this directory requires research on your part and that its data should be considered critically and not assumed to be factual... Perhaps it goes without saying, but people seeking a life in an IC should be cautious when they choose with whom they will live.

The Community Directory's Introduction, part of which is entitled "What This Directory Is and Isn't" is totally up front about these limitations and given the web's impact on sales of print references, it is reasonable for the FIC to limit its investment in editorial work.

One reason that you should buy this directory is to help provide FIC with more funds to make the next version better... the people working on it are smart, hard-working, and generous with their time, but the funds available for their time are limited by directory sales.

In conclusion, an earlier version of this directory proved an important way for me to connect with the IC movement. I think it may serve that purpose for you as well - why don't you go ahead and buy your copy and start making your life better by living IN COMMUNITY!

The Communities Directory is an amazing gateway to much that is hopeful in the world. People engaging in all manner of cooperative living experiments; finding a better way to more richly be in this small world. The 4th edition is a testament to the enduring commitment of the publisher, the Fellowship for Intentional Community, to co-creating a more peaceful, sustainable world.

This is a must have volume on you bookshelf and in your road tripping backpack. Be careful - it may change your life.

This is an amazing resource. Not only does it describe hundreds of Intentional Communities in North America, it also has a chart with selectors which make it easy to figure which communities you might even want to research. It also has an extensive resource section which includes info about other continents, and interesting articles as well. There is nothing else like it. Well worth the $30. And that's coming from a tighwad! Definately on my must-have list.

This is not your typical tour book. The author is more interested and making you know about Las Vegas then telling you about it. Las Vegas is made tangible and not just rated in terms of good or bad.

The typical tour book stuff is here including hotel rates and restaurant reviews. However, if you want to know more, it's there. It provides description of hotels as well as details their history. Every subject is handled in this manner as well making the book feel more like a narative.

There are small excerpts from popular authors for even more perspective. Perhaps, perspective is the right word for this book. The reader is treated to a point of view and not just vague recollection of facts and figures. This is the first tour book I ever read cover to cover.

Though it has some slow parts, over all it is a great quick history / guide of Las Vegas. Even if you've been there, you'll find amusement in some of the tales or info included. I did.

This is not your typical tour book. The author acutally suceeds in being entertaining as well as informative. Las Vegas is made tangible and not just rated in terms of good or bad.

The typical tour book stuff is here including hotel rates and restaurant reviews. However, if you want to know more, it's there. It provides the description of a hotel as well as detailing its history. In Vegas, even the hotels have personality. Every subject is handled in a like manner. This has the added bonus of making the book feel more like a narative.

There are small excerpts from popular authors for even more perspective. Perhaps, perspective is the right word for this book. The reader is treated to a point of view and not just a vague recollection of facts and figures. This is the first tour book I ever read cover to cover.

Though it has some slow parts, over all it is a great quick history / guide of Las Vegas. Even if you've been there, you'll find amusement in some of the tales or info included. I did.

How good is this book? Another guidebook recomedns reading it! This book gives great insight into the history of Las Vegas as well as the individual hotels. While it is a little short on specific information, this guide more than makes up for it with specacular color photography and well written articles. A must read for those who want to know more than what the Chamer of Commerce or the Convention and Visitors Bureau will admit.

I work in tourism, so I'm required to know all I can about Vegas. Castleman's Las Vegas is more than another guide. It can be read like an exciting novel that you don't want to put down. Or it's index makes it a quick reference tool. It's all here. History, the characters, the gaming, the hotels, weddings, maps, side trips, bargains - everything in a good size to carry and read on the plane.

By the time you land, you will feel like a Vegas veteran and save time and money.

Besides a great read, this book is worth the price simply for the fantastic photography.

A superb book. Very informative, well written, and filled with great photos. I recommend this book, for what that's worth.

Grand Gulch country is some of the best in the Southwest. A unique canyon that winds its way down to the San Juan river it also boasts an amazing array of cave sites of ancient Native American dwellings. Some are larger than others, containing houses and artifacts. Many have been harmed by exposure to people. Nevertheless because many are far up into the cliffs they have been well preserved. This book tells the tale of a numerb of items taken from the caves that then became useless to archeology because people did not know from whence they came. THe story examines the history of the attempt to reconnect them to their origins and thus help archeology understand the history of the American SOuthwest. It is both the history of early American archeology and this unique canyon and its off-shoots. A wonderful book.

Seth J. Frantzman

I appreciated this book, not just for the fantastic illustrations and stories, but for improving the reputation of the Wetherills, long considered no-good cowboy pot hunters. A great companion to this books is In Search of the Old Ones by David Roberts, in which Fred Blackburn features largely as a revolutionary who shapes Roberts' thinking about the mess each generation of southwestern archeologists passes on to the next.

Undoubtedly the popular book of the year in Southwest archaeology, "Cowboys and Cave Dwellers" tells how a group of talented and dedicated "amateurs" found the missing links between nearly forgotten collections of artifacts stored in museum basements and their original sites in Utah's spectacular Grand Gulch. In the process they unearthed valuable information about the people called Basketmakers, the first farmers of the Colorado Plateau. The first explorers and untrained archaeologists who dug sites in Grand Gulch removed thousands of artifacts, often taking little care to record their locations. By carefully matching old photographs, diaries, newspaper articles and the signatures those adventurers carved on the canyon walls, the authors of this book, the members of the Wetherill-Grand Gulch Research Project, were able to locate many of the caves and cliff dwelling where the treasures were originally found. They solved one of the most puzzling mysteries of Southeastern Utah archaeology: the location of long lost Cave 7, where Mesa Verde discoverer Richard Whetherill dug up dozens of skeletons that seemed to show evidence of a massacre. A good story with extensive historial and archaeological background and beautifully illustrated, this book is essential for anyone interested in Southwest archaeology. A good companion piece is William Ferguson's "The Anasazi of Mesa Verde and the Four Corners Region," which gives a broader view of the entire Mesa Verde-San Juan region.

My second graders enjoyed this book very much. It's an enjoyable tale that lends itself to great discussion and writing.

I liked this story a little and i think you did a very good job with the words and i think you are the best kid writter that i have heard so far. thats all i wanted to say!

If you like star gazing then you will like this book because it is about a coyote and he wants to go to the moon and find the sars secret.So he goes to the moon and he places the stars in the shape of animals.He foes back home and tells allthe animals about what he did.All the animals like what he did and through him a great feast.After the feast he told the animals:I will always be your friend and the friend of your children and your children's children.If you listen carfully at a full moon you may here Coyote.He is telling you to look out ypur window to see what he has made and to dream.I like Harriet Peck Taylors books.I really hope you injoy this book.Because I really,really did.So I hope you do too.

One evening, crafty Coyote climbs to the moon to discover the secrets of the heavens. Instead he finds a way to make the most wonderful pictures for all the world to see. When the other animals of the canyon look up at the sky the next night, they're in for a big surprise.

Based on a Wasco Indian legend, this story about the origin of the constellations is joyfully retold and vibrantly illustrated by Harriet Peck Taylor.

Harriet Peck Taylor's interest in coyote lore began with a young coyote who lived in the foothills near her home. "It used to follow me on hikes with my dogs," she says, "and once even touched noses with them."

Ms. Taylor received her B.F.A. in painting from the University of Colorado. In her paintings, which are in public and private collections, she tries to capture natural beauty because "if people can appreciate the beauty of the land, they will perhaps want to protect it."

Harriet Peck Taylor lives in Boulder, Colorado, where she is a full-time artist and enthusiastic stargazer.

Featuring color paintings by Sioux artist S. D. Nelson (who was inspired by the traditional art style of the Plains Indians), Crazy Horse's Vision by Joseph Bruchac is the true story of a young Native American boy named Curly who witnessed fierce battles between his tribe of Lakota Indians and white settlers. Defying the custom of his people, Curly ran to the hills in search of a vision, and what he saw would transform him forever. Curly would then come to be known in history as the Sioux war chief Crazy Horse. An author's note following the story relates a summary of the life and death of this brave an unselfish leader. Crazy Horse's Vision is an outstanding picture book and a welcome addition to personal, school, and community library collections.

I adore Crazy Horse and bought this for my 5 year old daughter who just loves this story. It's a great story for anyone and I highly recommend it for all schools.

This beautifully illustrated book is one to read to your children many times over. It tells a story all American children should hear, and it has a magical feel to it.

I especially enjoyed the illistrations in this book. The pictures almost draw you into the pages. They are drawn in the traditional style of the Sioux People. The story is about a man who is greatly respected by his people.

Crooked River by Shelley Pearsall is a Historical fiction book based on a true story. It takes place in Ohio in 1812.This book is about a girl named Rebecca who along with her sister Laura experienced the hard, happy and sad times w/ a Chippewa Indian John, Her dad had crossed the Crooked River and brought the Indian back accused of murdering a white man. At the same time Rebecca is helping Laura to take her dead mom's position in the family. During the first days Indian John was in the same house as both girls Rebecca and her sister could not sleep without thinking that Indian john would escape from the attic and kill all of them. As time passed Rebecca slowly began to believe in Indian John's innocence. She felt that horrible things would happen if he really was guilty. Finally the trial came. Was Indian John guilty? Will anybody try to help him? Will he die? Shelley Pearsall is an author that makes you wonder and adds a little bit of mystery to her book. So if you like mysterious and suspenseful endings read Crooked River and find out the mystery behind Indian John's trial.

Shelley Pearsall has written an important work of historical fiction exploring the clash of two cultures and how assumptions about our enemies often prevent us from seeing our common humanity.

Set in 1812, the bulk of the story is related in a straight-forward narrative from the "white man's" view as each day two sisters, Rebecca and Laura Carver, climb the stairs to their cabin's attic to bring food to a Chippewa accused of murding a trapper. Interspersed between chapters are the Chippewa's point of view related as poetic interludes.

Using these different points of view, Pearsall is able to suggest that each character occupies a position outside the other's consciousness... as if poetry and prose represent two different worlds... simultaneously revealing not only the differences between each culture's values and perspective but the common ground that each culture shares.

Gradually, Rebecca comes to see these two worlds, not as separate, but as sharing a common humanity. Trusting her sense of justice, she is willing to act to save the Chippewa, even though it means going against her strong-willed father's beliefs and her own culture's code of conduct.

In the end, Pearsall shows us how two very different views of the world can co-exist, even when the occupants of each world are unaware of their connection.

An enormously penetrating tale shedding light on an often overlooked aspect of American history.

About halfway through a thorough reading of this book, a question popped into my brain. How many well-known children's books center on an important court case? There must be dozens, right? I mean, a courtroom is a perfect setting for drama. Just ask the audience of "Law and Order". Children's books, similarly, thrive on heightened emotions. Hence, there must be lots of children's fiction out there employing judges, juries, and gavel poundings right? Maybe so, but I was hard pressed to think of a one. The closest story I came up with was Harper Lee's, "To Kill a Mockingbird" and calling that a children's book is bound to offend all sorts of people everywhere. No, at this time I think that "Crooked River" is probably the only children's book I've personally read where the courtroom becomes the center of one young girl's life. I just wish I could figure out whether I liked it or not.

It's 1812 and Rebecca Carver has just learned that there's a manacled Chippewa in her attic. Needless to say, the news comes as quite a shock. Till now Reb has lived a pretty downtrodden life. She has an overbearing father, a series of spoiled or ignorant male relatives, and just her older and younger sisters for comfort. Finding an Indian in her attic has done little to improve her life. It seems that her father and some men in the village decided to go out and find the Chippewa that killed a white trapper some miles out of town. They proclaim Indian John (as they have dubbed him) to be the murderer, leaving Carver's daughters to fear for their lives as they sleep in their beds. In time, however, Reb learns that the man chained in the attic may not be the kind of man her fellows have always taught her to fear. A red-haired lawyer named Peter Kelley has known Amik, the prisoner, since childhood and believes fully in his innocence. It will take a trial to prove to Reb just what kind of influence that she, a mere thirteen-year-old slip of a girl, can have over events beyond her control.

Judging the portrayal of a Native American in a children's book is a monumentally difficult task. Often in cases like this one I turn to the Oyate organization (a Native American group charged with determining how popular culture depicts them) to see what their reactions to any given book are. In this particular case, however, "Crooked River" is too new for much outside critiquing. The book itself is broken into two narratives. In one, Rebecca talks about her changing perceptions and disillusionment with the people around her. In the other is Amik's voice. His words are in a different font and are written in a kind of free verse. At the beginning of the book, these words are rather beautiful. "it is the time when the leaves / are small on the trees. / too small / for hiding". But I had a very difficult time deciding whether or not Amik's mode of speech was a creative answer to giving his character a distinct personality and way of seeing the world or if it was an offensive stereotype too often done. He does, after all, revert back to those old clichés of wondering why the whites around him are seemingly deaf and dumb to the smells and sounds around them. It's a moment we've seen in countless books and films. On the other hand, the verse is often rather touching and quite interesting. I'm torn both ways.

The book itself is more than readable. At first it seems reliant on two-dimensional characters. Rebecca is good and therefore she pities the Indian. Her father is bad and therefore loathes Amik. It takes a while to realize but Rebecca's older sister Laura is one of the exceptions to this rule. In her case you have someone good who fears and dislikes Amik and has a hard time overcoming her own prejudices. Amos, Rebecca's older brother, is the same way. Pearsall's writing deftly plays with their thoughts on the matter while making it perfectly clear that early U.S. settlers weren't exactly the saintly explorers so lauded in American stories and songs.

A book can be beautifully written, penned with aplomb, and smart as a whip yet not quite touch the reader. Personally, "Crooked River" was not one of my favorite books of the year. This is not to say that it isn't a worthwhile piece of writing. I simply couldn't get a grip on the character of Amik and all that he was meant to represent. For others, their reactions will be different. Some people will adore this book. Some will despise it. I feel neither of these emotions myself. I simply recommend that you read it on your own time and come to your own conclusions about it. If Amazon.com is good for nothing else, it helps us to proclaim to the masses how much we love or hate a title. I will be eagerly reading all the other responses, "Crooked River" engenders.

CROOKED RIVER is the second novel for author Shelley Pearsall, winner of the 2003 Scott O'Dell Award for Historical Fiction. Set in Ohio in 1812, CROOKED RIVER tells the dramatic story of an unjust trial of an Indian--nicknamed Indian John--who was captured and held prisoner by one of the white settlers. "Indian John" is accused of murdering a white fur trapper. The story is told from two perspectives: prose chapters narrated by Rebecca Carver, the 13 year old daughter of the white man who captured the Indian, and a series of poems narrated by the Indian--whose real name is Amik. As his formal trial draws closer--although the men in the settlement have already concluded his guilt--Rebecca becomes more and more convinced that "Indian John" is innocent. One other man, Peter Kelley, a lawyer, also believes in his innocence. Kelley tries his best to win the case and set his friend Amik free, but the judge and jury will not be swayed. The trial is a mockery. Evidence or no evidence, they want this man to be convicted and hung.

CROOKED RIVER is based loosely on the true story of an Indian named John O'Mic who was tried and convicted of murder in Cleveland, Ohio, in 1812. He was held captive in a cabin and shared it with the white man and his family--there was a thirteen year old daughter. Using this true story as a basis and framework, Pearsall fictionalized the account to show how these people might have felt. Her research was thorough and impressive as her author's note indicates. While CROOKED RIVER is based on a true story, fact and fiction have two different endings. In real life, John O'Mic was sentenced to death--by hanging. "Indian John" was also sentenced to die--however, thanks to his friends he faked his death and was able to escape further west along with the rest of his family.

I thought CROOKED RIVER was a wonderful book. Although Pearsall is not of Native American ancestry, I believe her research was so extensive that Amik's voice was authentic. The poems narrated by Amik are beautiful. To learn that some of these phrases were borrowed from authentic Ojibwe sources--poems, stories, songs, etc--was fascinating. It made the book even "more authentic" than I originally thought. The narration of Rebecca Carver was equally researched. Pearsall read primary sources--diaries, books, letters, etc--from the time period to capture authentic language patterns and phrases of the whites as well. One source in particular that Pearsall used was an unpublished diary of a young girl named Emily Nash.

CROOKED RIVER is an excellent novel, and I highly recommend it to all. I am impressed not only with the novel CROOKED RIVER but with the author's in-depth research into the time period and opposing cultures that provide the background and context for the novel. I am curious to find a copy of her first novel, TROUBLE DON'T LAST, and read it as well.