North America Books

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

This is both a great read and an important historical document. Fanny Trollope was the mother of Anthony Trollope, perhaps the most prolific English novelist of the nineteenth century and my favorite. Fanny's husband was ineffectual in the breadwinning department, but fortunately for the family, Fanny herself was energetic and enterprising. She took one of her sons (not Anthony) and an artistic young man to the United States. She was planning to join a friend of hers who was a mover in setting up the utopian community in Harmony, Indiana, but the place turned out to be squalid, and she didn't stay long.

Fanny spent most of her time in the U.S. in Cincinnati and in her book is very hard on the city and its inhabitants. She especially objected to the pigs' role as garbage collectors. (In those days, pigs roamed the streets freely, like sheep grazing.) Fanny felt most of the people she encountered were loud, dirty, vulgar, and fanatically patriotic. It is her vivid descriptions of the physical conditions and the people that give this book its historical and entertainment value.

While she was living in Cinci, she opened a retail emporium and filled it with rather shoddy merchandise sent from England by her husband. She also attempted to bring culture to the inhabitants. Not surprisingly, both ventures failed.

After Mrs. Trollope returned to England, she supported her family by writing novels that were quite popular at the time, though they haven't become the classics her son's have. She spent her final years living in Italy with another son and his wife.

This is an extremely entertaining commentary on American manners and well written. I agree, however, with Mrs. Trollope's son, Anthony, who commented that Mrs. Trollope is a keen observer but she understands little. Certainly her complaints about the lack of gentility among Americans is valid but she completely missed the wonderful lack of class restraints endemic to English society which afforded Americans "class mobility"--freedom of opportunity (except for native Americans and slaves).

Fanny Trollope (1779-1863) wrote over 35 novels and several non-fictions books in her effort to rescue her family from poverty. However, the most read of all her books is "Domestic Manners of the Americans" which she published in 1832. It was in that distant year that Fanny and two of her children traveled across the Atlantic Ocean. Her purpose was to join a utopian community in Tennessee whose denizens were freed slaves.
Fanny left her impecunious and feckless husband the barrister Thomas Trollope back home in England. Her famous son Anthony did not make the trip as he was a student at Harrow School. Fanny knew her husband would join her in the USA when money became available. Later the family would flee to Bruges to escape creditors. Fanny eventually lived out her life in Florence near her son Thomas Trollope.
After leaving Tennessee the Trollopes settled for two years in the Queen City of the West Cincinnati, Ohio. Fanny did not like America or the American people! She found us xenephobic; boastful, prideful and violent.She hated the hypocrisy of life in Midwest Ohio although she did attend such cultural attractions as opera, plays and lectures. She favored the state Anglican Church of Great Britain not caring for America's separation between church and state.
This book could well be read alongside Charles Dickens' "American Notes for General Circulation" based on his 1842 six month trip to the USA.
Both Trollope and Dickens found the Americans crude, lacking in manners
and eager to make a quick buck. Listen to Trollope at her most scathing:
"..among the rich and the poor, in the slave states, and in the free states...I do not like them. I do not like their principals, I do not like their manners, I do not like their opinions." (p.314).
Fanny Trollope's book is more interesting than Dickens since she discusses colorful characters and shares anecdotes about her sojourn in our young republic. Like Dickens she hates the odious practice of tobacco chewing and the mangling of the English language. Trollope found us Yankees to be too serious and viewing us as poorly read. Unlike the wealthy and famous Dickens, Mrs. Trollope was a middle-aged woman fighting off poverty with her pen. I enjoyed her descriptions of nature such as those she paints of the Potomac River, Northern Virginia and the Niagra Falls area in New York and Canada. She is aware of flora and fauna and describes them with knowledge and in beautiful prose.
Dickens and Trollope give us the eye to see America in the days prior to the Civil War when the curse of chattel slavery ruled the land. Since those days America has granted freedom to all citizens. I wish both Fanny and Charles could visit us again in the 21st century. Their remarks would be of great interest to this reviewer and countless others!

All I can say is: what a great read! Who knew? Quite frankly, upon first sight of this book I must admit a bit of dread as the puritanical artwork does not smack of fun and games. Of course, as a literature student, I should know better than to ever judge a book by its cover.
Had I been Fanny Trollope writing such an account of America in the 1820s, I would be hardpressed to say that I would have changed a single word. Trollope has been the victim of many mean spirited caricatures and accusations by Americans and it still continues today, but what is interesting is that no one can do more than attack her person. In other words, no one seems to be able to refute her claims.
Trollope's "bitchiness" seems, for the most part, merited by my standards and while she finds much to complain about concerning an American democracy in its adolescence, she certainly discovers just as many things that she likes or finds beautiful.
Plain and simple, Americans collectively have a hard time taking criticism, especially from an outsider...and at that time, political criticism from a woman was deemed absurd if not audacious.
Last but not least, Fanny Trollope is always sure to preface anything she says with the conscious realization that she can only speak for what she has seen/heard personally and is thereby not judging ALL of America.
Trollope is witty and anecdotal and I think anyone interested in what an outspoken Englishwoman had to say about the New World should certainly pick up a copy. I found particular interest in gender/religious issues but got the most laughs out of her descriptions of American manners (or the lack thereof).
It is always interesting to see how much things have changed, and better yet, how many things have remained exactly the same!

Very entertaining read of the author's trip through 19th Century America, full of wonderful description and enlightening observations. Despite the griping below, Mrs Trollope simply reports what she sees - men spitting tobacco on the floor, ladies off in another room while the guys have a good time, etc. She reports accurately on our forefathers' rugged pioneer spirit, but points out the lack of education everywhere. We want to shout "lies!" but Mark Twain wrote about the same thing, and the aspects of our society that haven't changed much are still being commented on with the same frankness by writers like Saul Bellow, Gore Vidal, Dawn Powell, Paul Theroux and Joan Didion. Many true-hearted Americans will enjoy this book no end. Mrs Trollope clearly loved America and simply wrote truthfully about; she is simply beholden to no one - the essence of good writing. A thoroughly refreshing read.

This book is about a half-white, half-Acoma boy who has to visit his grandpa during the summer. His grand pa lives in a Native American village that sits on top a mountain. Kendall tries to fit in, but the native people are a litter wiry of him because of his white dad. Kendall finds out that his constant need to run is because of magic from his Acoma blood. There is an enchanted mountain that Kendall runs to every day in the desert. At first Kendall does not want to go to visit his grandfather, he wants to go on a road trip with his dad and brother, but towards the end he likes being there and does not want to leave. In the end of the book, his grandfather visits a sacred mountain when he does not come home Kendall runs into the desert to find him. His cousin has to go looking for him before his grandfather dies. I really liked this book because the author put some into detail, you could almost believe you were there. This book was great because the setting was so cool and the plot was one of a kind.

Little has a unique ability to draw the reader right into the setting, the character and the emotion of the story. I could see the beautiful New Mexico landscape. I could feel Kendall's worries and heartache. This story is both informative and moving - and shows deep respect for the culture of the Acoma.

This book just WON the SOUTHWEST BOOK AWARD! I am so glad ENCHANTED RUNNER won this recognition because it truly deserves it. This book is very emotionally moving, as well as having exciting, dangerous action. The setting is stunning and I loved reading about the Snake Clan and the powerful, magical runners. What a special book! I'm going to use this book in my classroom. I've never read anything else quite like it.

Enchanted Runner is definitely enchanting. Kimberley Griffiths Little sweeps readers into her story's world; one that is a thoughtful mixture of past and present. Ditto with her characters. From the beginning, I felt Kendall's magic as if I were running beside him as he confronted wild horses, rattlesnakes, heartbreak, and ancient mysteries. I especially enjoyed the contrast between Kendall and Trina, and her curiosity about his secret ceremonies. Kendall's journey was a satisfying one. I hope a sequel is on its way because I'd like to run with him again.

I'm 41-years-old and normally would not read a book targeted for the 9 to 12-year-old age group. But after reading Ms. Liitle's first book, BREAKAWAY, there was no way I'd pass up her second book. And I wasn't disappointed. ENCHANTED RUNNER was awesome! The research that went into the story is probably more than found in most adult novels. I was blown away by what I learned about the Acoma Culture and the Snake Clan. Visiting Sky City is now on my life's list of things to do. Parents: Do yourselves a favor. Buy this book. Read it, then share it with your kids. Ms Little: Thank you for pouring your soul into the story. I look forward to your next effort and hope there is a sequel to ENCHANTED RUNNER!

I wanted something thorough and informative about Native American Tribes. I also wanted something clear and concise, but not so bogged down with detail that it was a chore to weed through.
This encyclopedia gave me what I wanted and more. I'm writing a fictional novel with a Native American character and needed help in knowing him and his background. I was impressed with how easy it was to look up information by tribe and get interesting tidbits, that if I so desired, I could research further.
This is definitely a writer's dream. I feel confident writing about a character from any tribe with this book in my collection.

Excellent. As a Englishman, in my middle 60s, interested in native American history since I was a child, this book is very informative.

I had read about most of these tribes in the past in web searches and other references.
That is why I fault the illustrations ( the stone tools look noting like their actual pictures) and that there isn't a better coverage of tool, housing and food sources. The language groups are well covered and their relationship are made pretty clear.
I was looking for my local California Indians that are in San Diego County.
They are noticeably absent in this coverage or disguised pretty well.
Since most of this information is in my old 1950's World Book
encyclopedia under different sections, I was hoping for a little more information here. I have to admit that it is a good reference source.

Now in a newly updated and expanded third edition, "Encyclopedia of Native American Tribes" is a compilation of facts for more than two hundred Native American tribes in North America, including prehistoric peoples on the North American continent as well as all of the identifiable Native American civilizations on the continent. Organized alphabetically by tribe or group, there is at least one representative Native American tribe from each language family or language isolate for each culture area covered. From locations, migrations, contact with non-Indians, wars, customs, housing, tools, clothing, art, rituals, diet, and cultural contributions, "Encyclopedia of Native American Tribes" has special relevance for contemporary tribal issues and concerns. "Encyclopedia of Native American Tribes" is a critically important, superbly presented, essential and core addition to professional, academic, and community library Native American Studies reference collections.

I am a fifty seven year old retired elementary teacher...but
my lifelong interest has been the Plains Indian Culture.
I just asked my hubby to get me this book for Christmas after
spending about ten minutes looking at it in Barnes and Noble
yesterday.
Good sized print, the info is arranged as user friendly.
I saw tribes mentioned in there that have been omitted from other
books about North American Tribes. A comprehensive guide.
Many drawings....colored illustrations.
My only negative -----I wanted to see a few more maps ...regional
maps of the tribes.
ALso...at the store ...I was looking at a SOFTCOVER edition....not
a hardcover one. (I would not pay 75 dollars for hardcover when
it is available in softcover. )

This book was enlightening to say the least. It really opens your eyes to the fallacies of Obstetric care in America.
The more you learn about birth, the more you doubt the so-called "professionals."
We have been duped into thinking childbirth is a mechanical event, something to be feared, and managed by some outside source. None of this could be further from the truth. And the truth can be found in this book.
For your safety and sanity- read this book.

I'm about halfway through the book right now, and a quarter of the way through my pregnancy. Although Expecting Trouble is a death knell for prenatal care as we know it, the book was reassuring to me. It let me know that I needn't feel out of the loop in caring for my own baby- the doctor isn't the real authority in this case. Virtually all prenatal problems develop regardless of the mother's prenatal care, whether a birth defect occurs before a woman knows she is pregnant, or it is caused by genetics. It either happens or it doesn't happen. So many women look to their doctors as magical people who will diagnose and treat any potential problem. During pregnancy, this just simply isn't the case most of the time. I feel more at peace knowing that this is the type of situation that there simply is no way to control, beyond maintaining good health and avoiding known dangers. The majority of pregnancies are (medically) problem-free, and I will feel less stressed knowing that I will probably have one of them. And if something goes wrong, I will know that I couldn't control it.
I highly recommend this book, along with The Nature of Birth and Breastfeeding, by Michel Odent.

It's such a no brainer that prenatal care is really wonderful, helpful and good. Strong, second generation in the medical care of pregnant women, has a lot of reservations and a lot of data to back those reservations up. He also has some suggestions for how things could be improved: involve certified nurse midwives in prenatal care to avoid the temptation to complicate a normal pregnancy and birth, keep NICUs regional (so they don't turn in to profit centers, complicating life for normal newborns and their new parents). He'd like to believe that preconception care would help (by getting women help to stop smoking and so forth before they get pregnant), but he's sensible enough to recognize there are some hard limits on what the medical profession can do in the face of widespread social problems.

This book should be required reading for every woman in American.

Thomas H. Strong has written an excellent account of the inherent flaws of prenatal care in the United States, highlighting where Western medicine succeeds and where it fails. Looking critically at other health care systems around the world, he demonstrates how alternative health care for birth when delivered by midwives has higher success rates in preventing premature birth and various birth problems. If anything prevented me from giving this excellent work five stars, it was the fact that Dr. Strong, while praising health care systems like the Netherlands, decided not to address the fact that those same praiseworthy birth traditions are delivered by lay midwives, not the nurse-midwives found in other countries. While both lay (or direct-entry) midwives and nurse-midwives contribute important care to pregnant women, Dr. Strong failed to address the prejudices surrounding direct-entry midwifery in the United States despite its affordability and accessibility in remote areas.

I think this is an important book for mothers to read, but be aware that it presents research and, while well-written, is not written in the accessible format of many books destined for the expectant parent. It would be an excellent book for anyone interested in the sociology or medical anthropology of birth and its inclusion in women's studies classes would enrich any curriculum.

I had not even heard of Enid Blyton until an aunt in Australia sent me a copy of 'Five Go Down To The Sea'. That would have been about 1955 and I was immediately captivated by Enid's pure sense of mood and adventure.
I must have re-read the book a half-dozen times in just a few weeks and got to know farmer Penruthlan, Yan, The Barnies and Clopper the horse as if they were real friends of my very own.
I relived that adventure again when I got to read a chapter or two aloud each night to my two sons when they were toddlers. They, too, were enthralled with the story. And I truly believe that the noble actions of Julian, Dick, George, Anne and Timmy helped to mould my sons' lives, as they did mine.
Even now, at the 'grand old age' of 57, I am not ashamed to admit that, seeking escape from this troubled world, I have read Five Go Down To The Sea again, by myself.
Now, I can't wait to have grandchildren, so I can read the book to them at bed-time...unless my sons beat me to it, of course!

when i was a kid of 7 or 8 my mom got me interested in books by Enid Blyton, like Famous Five, Secret Seven, and those Adventure series. I just loved famous five and in fact have read all 21 of their regular books. In addition to that i also read their special editions, around 10 . These books are so addictive, once my father even told me u shouldnt read that much , u're studies might get affected, or i'll weaken my eyesight! haha! but in reality these really capture the imagination of a young kid and i highly recommend them to any kids new to reading novels

I could not put it down once I started reading it. After I finished reading the book, I felt sad. I have read the book two times in two days!

I must have read every Famous Five book and Secret Seven book I could get my hands on when I first took an intrest in books. They kept me sneaking the flashlight under the covers to finish off that exciting chapter and wondering what the next chapter had in store for me...please I hope they all come back out in print soon!

My aunt, who lived in Edinburgh (Scotland), sent me Famous Five novels for Christmas and birthdays. I don't think I ever enjoyed any presents so much in my entire life as those books. I highly reccomend them to any prospective young readers.

What's most fun about this book is that even if you only wind up cooking a handful of recipes (like me), it's still a lot of fun to read. Some of the recipes are too involved for a neophyte like me but southwestern cooking (i.e., using all the spices native to that area) is clearly one of the most underrated culinary experiences around. A good chile paste or even chile powder has a flavor that can't be matched by the "usual culprits" - oregano, thyme, sage, etc.

So, yes, this book is a great addition to the kitchen for several reasons, even if you're an amateur.

My two cents.....

From the beautiful cover to the very last page, the vibrant and enticing photographs lure you into cooking each and every delicious recipe. Lois Ellen Frank has made a current masterpiece of an ancient tradition native to our continent. This is truly a fantastic cookbook.

I ordered 150 of these magnificent cookbooks for a large group of corporate meeting attendees and everyone loved them! I have never received more compliments on a meeting attendee gift. Ms. Frank does an incredible job of enlightening her readers on the cultures and culinary expertise of Native Americans. The photographs are so remarkable that you feel her dish sitting right in front of you. Not only did our group receive this most extraordinary cookbook, but Lois Ellen Frank and Walter Whitewater came to our event in Santa Fe and personalized every single cookbook for all 150 people! Ms. Frank was gracious enough to give personal attention to every individual and share stories of the successes of her cookbook. I could never have asked for a more successful event, thanks to the magnificent work of a culinary genius! Thank you Lois!

Beautiful in every way. Outstanding and much appreciated photos. Wonderful commentary. Authentic recipes.

The author should be very proud of this fine accomplishment and this book should be in every public library. In fact, I may send a copy to a politician to remind him that we all immigrated here from someone else- except the Native Americans. They should be the only ones who have the right to decide our immigration policy.

This book is practical and beautiful and takes a totally modern approach to historic cooking. One of the finest cookbooks ever published and one of the most beautifully printed books ever done. It is no wonder it got a James Beard award. It is a treasure to own and is a delgihtful gift. I live in the Southwest, I am a cook, and I love this book.

Other reviewers have described the breadth and depth of Glass-Coffin's study of Northern Peruvian curanderas and have noted how effectively she weaves her personal story through the book. I would like to add my kudos as well. I appreciated the solid historical context and enjoyed reading about her experiences with some of the ancient healing traditions and their modern incarnations. Having traveled through the region myself, I have can concur with her observations about some of the differences between male and female practitioners. It provides much food for thought.

Glass-Coffin's book will provide a great deal of insight for anyone interested in healing traditions or South American history. Although Post-conquest influences have mutated the expression of native spirituality, they did not completely eradicate time honored practices.

We have all enjoyed the charming and entertaining look at sorcery and witchcraft as experienced by the fictional Harry Potter. No less interesting and fascinating is Bonnie Glass-Coffin's realistic look at sorcery and shamanism as they exist in South America today. "The Gift of Life" incorporates Glass-Coffin's extensive research as a talented anthropologist with her own personal healing experiences to produce a highly readable and well-documented book on female shamans (healers) in Northern Peru. She provides a history of sorcery and healing in South America, a contextual explanation and description of the healing practices of five different female shamans she met while in Peru, and an examination of gender and socioeconomic differences in the world of spiritual healing. Academic rigor does not preclude a "good read". Scholars and general readers alike will be pleased with this book. When I loaned the book to a friend who has traveled in Peru, she returned it quickly, noting "This is too good not to have a copy of my own!" I recommend it highly.

Prior to THE GIFT OF LIFE, little had been written about the role women play in healing and shamanism in Northern Peru. Part of the reason for this oversight had to do with the way European colonization brought the concept of "witchcraft" to Peru, and the fact that Peruvian women who practiced traditional healing arts were frequently beaten and tortured until they confessed to standard European-style "witchcraft" practices. Author Bonnie Glass-Coffin was trained as an anthropologist, so she knew that women have historically played a large part in shamanism from looking at the ancient sculptures of the Moche and Chimu, which both portray women involved in healing arts. With the intention to find and interview modern-day women shamans in Peru, Glass-Coffin set out to do exactly that.

Bonnie Glass-Coffin shares the stories from five female curanderas (shamans) she met with between April 1988 and September 1989. Her extraordinary book, THE GIFT OF LIFE, describes the daily life of these female curanderas and the story of how they became healers, and includes black and white photographs of their mesas (curing altars) and healing herbs (plants such as the San Pedro cactus). Glass-Coffin's background in anthropology and her accounts of her experiences living in Peru as she grew up give this book a unique feeling of personal relevance and social perspective.

I was impressed that THE GIFT OF LIFE does not shy away from describing the ways curanderas have used their spiritual powers on some occasions for sorcery. Glass-Coffin describes "dano" as intended harm by sorcery, and tells stories and includes pictures of how Peruvians have discovered and dealt with the harmful magic of others. She also describes some of the differences between male and female healers in Peru -- such as the way female curanderas tend to involve patients more directly in their healing. I was also impressed that Glass-Coffin described her own personal involvement being healed by curanderas, giving this book tremendous warmth. The first-hand accounts of what it feels like to suffer as the recipient of a dano help the reader better understand the way our thoughts and feelings affect one another.

I give this book my highest recommendation to anyone who is interested in ancient traditional ways of healing, wishes to know what is unique about women healers, and is intrigued by reading stories about how our thoughts and feelings affect others.

Prior to THE GIFT OF LIFE, little had been written about the role women play in healing and shamanism in Northern Peru. Part of the reason for this oversight had to do with the way European colonization brought the concept of "witchcraft" to Peru, and the fact that Peruvian women who practiced traditional healing arts were frequently beaten and tortured until they confessed to standard European-style "witchcraft" practices. Author Bonnie Glass-Coffin was trained as an anthropologist, so she knew that women have historically played a large part in shamanism from looking at the ancient sculptures of the Moche and Chimu, which both portray women involved in healing arts. With the intention to find and interview modern-day women shamans in Peru, Glass-Coffin set out to do exactly that.

Bonnie Glass-Coffin shares the stories from five female curanderas (shamans) she met with between April 1988 and September 1989. Her extraordinary book, THE GIFT OF LIFE, describes the daily life of these female curanderas and the story of how they became healers, and includes black and white photographs of their mesas (curing altars) and healing herbs (plants such as the San Pedro cactus). Glass-Coffin's background in anthropology and her accounts of her experiences living in Peru as she grew up give this book a unique feeling of personal relevance and social perspective.

I was impressed that THE GIFT OF LIFE does not shy away from describing the ways curanderas have used their spiritual powers on some occasions for sorcery. Glass-Coffin describes "dano" as intended harm by sorcery, and tells stories and includes pictures of how Peruvians have discovered and dealt with the harmful magic of others. She also describes some of the differences between male and female healers in Peru -- such as the way female curanderas tend to involve patients more directly in their healing. I was also impressed that Glass-Coffin described her own personal involvement being healed by curanderas, giving this book tremendous warmth. The first-hand accounts of what it feels like to suffer as the recipient of a dano help the reader better understand the way our thoughts and feelings affect one another.

I give this book my highest recommendation to anyone who is interested in ancient traditional ways of healing, wishes to know what is unique about women healers, and is intrigued by reading stories about how our thoughts and feelings affect others.

We have all enjoyed the charming and entertaining look at sorcery and witchcraft as experienced by the fictional Harry Potter. No less interesting and fascinating is Bonnie Glass-Coffin's realistic look at sorcery and shamanism as they exist in South America today. "The Gift of Life" incorporates Glass-Coffin's extensive research as a talented anthropologist with her own personal healing experiences to produce a highly readable and well-documented book on female shamans (healers) in Northern Peru. She provides a history of sorcery and healing in South America, a contextual explanation and description of the healing practices of five different female shamans she met while in Peru, and an examination of gender and socioeconomic differences in the world of spiritual healing. Academic rigor does not preclude a "good read". Scholars and general readers alike will be pleased with this book. When I loaned the book to a friend who has traveled in Peru, she returned it quickly, noting "This is too good not to have a copy of my own!" I recommend it highly.

Although Bruce Catton was an accomplished historian in his own right, one cannot help but notice the influence of the great Sherman biographer Lloyd Lewis. Anyone who has read Lewis' _Sherman: Fighting Profit_ will recognize similarities; the heavy reliance on primary sources and the uncanny ability to allow the reader to draw his or her own conclusions without explicitly stating the writer's intentions. Catton imitates Lewis' sinuous narrative style that captivates and draws the reader deeper into the manuscript. Unfortunately, however, Lewis only lived to publish the first of a multi-volume biography Ulysses S. Grant titled Captain Sam Grant . Lewis' widow commissioned Catton to finish the project utilizing much of the notes Lewis had gathered in the course of his research. The results are the two subsequent biographies authored by Catton: Grant Moves South and Grant Takes Command Catton begins his duel biography in June 1861 when Grant, appointed Colonel, takes command of the 21st Illinois Volunteer Infantry. Catton portrays Grant as a man of few words, yet possessing an ability to quickly earn the respect of his men. Grant stresses discipline and training particularly of his company grade officers. About half of the book is devoted to Grants participation at the battles of Belmont, Fort Henry, Fort Donelson and the near disaster at Shiloh. The remainder of the text focuses on the Vicksburg Campaign. Catton prefers a loosely structured chronological approach and provides his readers with a commanding view from headquarters. Catton relies upon letters, cables, and other communiques between officers, which tends to keep the focus on Grant and other high level players. Besides handwritten orders and other official documentation, Catton allows Grant to speak for himself through the only vestige we have: his memoirs. In contrast, Catton listens to what other observers have to say about Grant in their memoirs, particularly William T. Sherman and the unpublished memoir of Grant's wife, Julia Dent Grant. Juxtaposing this top-down approach is Catton's ability to portray the human frailties of Grant's personality. Grant's drinking is a recurring theme in which Catton bestows an admirable defense. Catton devotes considerable space to the Grant's uneasy relationship with General Henry Wager Halleck. To Halleck's charge that Grant disobeyed orders and failed to communicate his intentions at Fort Donelson, Catton counters by stating the Union communication system, as a whole was substandard. He suggests Confederate sympathizers manned telegraph offices squelching vital communiques.   Catton credits Halleck for saving Grant's command during the controversial political maneuvering of General John A. McClernand. Overall, Catton concludes that Grant certainly had his hands full during his early campaigns. On the one hand, Grant had the Vicksburg Campaign to plan and orchestrate; On the other hand, Grant was the target of dubious machinations from jealous staff officers and politicians in Washington bent of relinquishing his command. What is more, Grant was faced with economic issues and the problem of what to do with displaced contraband slaves that were pouring into his army camps on a daily basis. Referring to the former slaves as "Darkeys." Grant immediately put the Negro refugees to work maintaining roads, bridges and other military necessities that required manual labor.Catton again comes to the defense of Grant in his handling of these sensitive civil-military relations. In a controversial order, Grant categorized northern businessmen attempting to exploit profits from the sale of cotton as "Jews." Though these complex themes surrounding Ulysses S. Grant, are significant, they tend to diminish the genius for war Grant displayed during the Vicksburg Campaign. Taking into account that this is a biography of Grant and not a comprehensive treatment of the campaign that sealed his place in history, Catton could have evened out the balance rather than treating the campaign as a mere backdrop. Catton's eloquent literary style and his excellent syntheses of primary sources, make this a must have for any Grant afficionado.

I have always looked upon Grant as a symbol of the real America. Heres a Man who has seen and done it all. What with going from the rock bottom of poverty to commander of the entire Yankee Army then the House House to poverty again. Who never the less maintains his dignity and sense of honor thru out. Then follows up with heroically battling cancer to finish his memoirs to provide for his family. In this 1st book Mr. Catton who writes so well covers Grants rise to the top. Or as he said a major cog just dropped into the machine that would destroy the Confederacy. If you like to read some well chosen words on the War between the States, then get this series of books.

In "Grant Moves South" Bruce Catton picks up the story of Ulysses S. Grant as he returns to the U.S. Army at the start of the Civil War. This is the second volume of a trilogy on Grant begun by Lloyd Lewis and completed by Catton. Catton, one of the two best narrative historians of the Civil War (with Shelby Foote), is in excellent form in this extremely well-written biography of Grant's progression from Colonel of Illinois volunteers to victor at Vicksburg.

As General William Sherman acknowledged, Grant was something of a mystery to everyone, perhaps even himself. This man, a failure at virtually everything but his marriage and working as a clerk in his father's tannery in 1861, leverages his West Point education and some political connections into a commission as a regimental commander and never looks back. The Grant portrayed in these pages by Catton is like many officers at the beginning of the Civil War in that he is learning his trade as he went along. But Grant is different from most of his contemporaries, many of whom had far better reputations in the peacetime army. First, Grant had a remarkable ability to make sound common sense judgements under stress. Second, Grant married his ability to make decisions to an utter determination to see a project through. Third, Grant was a man seemingly without illusions; his ability to correctly characterize the task in front of him in order to attack it is rare among his contemporaries. These characteristics carried Grant through his apprenticeship as a regimental commander of volunteers, his successful campaign to secure middle Tennesee through victories at Forts Henry and Donelson, and finally his tenacious campaign to reduce the Confederate stronghold at Vicksburg. Grant's ability to understand and lead volunteers was a key underpinning of his success throughout the war.

Catton does not sugarcoat Grant's record. Grant was not above politicking for jobs or assignments. He was badly surprised by the Confederates at Shiloh and avoided being beaten to some degree by refusing to admit defeat and retreat. His pre-war problems with alcohol pursued him into the service, including an apparently memorable bender during the Siege of Vicksburg that Catton unflinchingly documents. The Vicksburg campaign was marked by costly trial and error, as Grant tried and discarded several unsuccessful approaches to the city. Grant, to his credit, persisted, finally rolling the dice by crossing the Mississippi and boldly placing his army between two Confederate forces while temporarily cut loose from his lines of communication.

This book was first published in 1960. Details and interpretations of events have evolved, but Catton's superb prose stands the test of time as a wonderful reading experience. This book is highly recommended to the general reader with some knowledge of the Civil War and to the student of the Civil War looking for the broad sweep of history not found in highly specialized studies.

Grant Moves South is part one of a two part Civil War study of Ulysses S. Grant. It covers the period 1861-1863, the period in which Grant emerges as the key commander in the Federal western army. Grant was something of an enigma. In a period of armchair Federal generals, when ego, as opposed to performance, ran rampant in the Federal High Command, quiet Sam Grant unassumingly went about capturing not one but two Confederate armies in the field. During the entire length of the Civil War no other commander on either side captured even one.

The study of Grant in these years is really the study of Federal victory in the Western Theater of operations. Belmont, Fort Donelson, Shiloh, Corinth and Vicksburg are all key Union victories. With the exception of Corinth, they were all battles in which Grant was in command. It was Grant who was primarily responsible for opening the Mississippi and cutting the Confederacy in two. Emerging from the Civil War as the finest general produced by either side, during this phase of the war, while not the best, he certainly is the equal of Stone wall Jackson or Robert E. Lee.

His audacious Vicksburg campaign was a signal event. Cutting free from reinforcements and resupply he moves rapidly, deep into enemy territory fighting not one but four major battles to invest Vicksburg from its land side. He then conducts siege operations while keeping Joe Johnston continually at bay. Vicksburg is generally acknowledged as one of the finest campaigns conducted by either side during the war.

Bruce Catton's book is extremely well done and like all of Catton's works, very ably written.

"Grant Moves South" shows why Bruce Catton is revered among Civil War readers. This book is a case study of the 1861-63 Grant, using his battles, first person accounts, records and Grant's own words to form a picture of the warrior. In this, Catton does an excellent job.

His thesis is that Grant was a different cut of General than the north possessed. One who early on grasped both the objectives of the war - to crush Southern armies and not occupy places - as well possessed of the will to learn how to win the new kind of war the country was waging.

Grant's own iron-cored (Catton's description) sense of himself, as well as his willingness to both learn and take good risks set him apart from almost every other warrior in the North. He was a fierce warrior who from his first encounter with the Confederates understood that the battle had to be taken to the enemy - and that delay for planning, training and logistics benefited the enemy as much as his forces. This appreciation Grant brought with him to the conflict. It is evident from his earliest forays at Fts. Henry and Donelson as well as the inconclusive field of Belmont. Other facets of this warrior had to be learned. In this Grant displayed an openness to the revelations of his own short comings and a willingness to show the world that he was prepared to be a student of warfare. Thus, even difficulties like Shiloh taught Grant that southern demoralization was not a constant factor and that defense in the face of the enemy were necessary and did not sap the fighting spirit of his troops. His early failed approaches to Vicksburg led him to throw away military maxims about supply lines, the necessity of holding fixed points and both the opportunity and advantages of an army living off the land.

Grant was a learner, an opportunist and a serious warrior who understood what the main thing was. In an era when political infighting and external political considerations mattered more than they seemed to in 20th Century American warfare, Grant let his actions advance his career (with some timely and great help from Congressman Washburn - his first political patron).

Catton gives the reader the whole story. This is a study of the man and his development as a warrior. Civil War readers who have feasted on the likes of Sears and others who write so well of battles and campaigns at the regimental level may be somewhat surprised that Catton's study relies much less on military detail and more on campaign strategy and command function. In this, Catton's work is more of an epic and serves to give the reader a picture of why things happened rather than an exhaustive account of what happened.

An oldie but a goodie - Catton should be required reading for every Civil War enthusiast and his Grant military biographies are wonderful examples of a master at his craft.

The Great Lakes Cottage Book is a specialty title recommended for those who love cottages and Minnesota. The authors present fine photos and recollections of Great Lakes cottages and scenes, focussing on subjects which reveal the cottage experience. The result is a coffee table book celebrating a special place and structure.

A great book for reminiscing about times at a cottage. The pictures are beautiful and the captions are so reminiscent of our times at our cottage--the rainy days and playing games, the fires on the beach, watching the sunsets(and they are so unique!!), family reunions and old family stories. Thanks, Ed and Kathy-Jo, for producing this book. We will cherish it forever-something we can share with our friends and family.

I gave this book to 25 family members and friends for Christmas and I have received most wonderful comments from everyone. They praise the photography and the text. One person wrote that she could "see" the grandparents walking down the path to the beach with their grandchildren. If you know someone who has ever summered in the Great Lakes in their own summer home or in a rented cottage this book is a must. It does capture the essence of cottage living in this area.

Ed Wargin's photographs capture the emotions of these much loved cottages with a sesitivity and beauty that few others could accomplish. His use of natural light is extraordinary and gives a warmth that reflects the feelings that abound in these cottages.

When you add Kathy-jo's unique ability to convey loving sentiments in short essays, this becomes an heirloom book. I will never again hear the screen door slam, or sit in on a rainy day or do any of the other normal activities in a cottage without remembering Kathy-jo's essay about that activity and how she captured emotions that I have had but never before seen expressed so beautifully. Thank you Ed and Kathy-jo for seeing into our hearts.

Ed and Kathy-Jo Wargin came to the Thousand Islands and photographed our cottages in ways we had never seen them.The sun setting on the cottages, stairways bathed in sunrise light, artfull arrangements and compositons of familiar vacation objects. This book is memories and makes them too. It is interesting to see the similarities of cottage architecture from Minnesota to the eastern most Great Lake,Ontario which flows to the Atlantic via the St. Lawrence River. You won't regret buying this.